Difference between revisions of "Programme conference Delphi 2009"

From Greek Song
Jump to: navigation, search
(SUNDAY, JULY 19: change program)
(Programme: replaced by PDF version)
Line 4: Line 4:
  
 
== Programme ==
 
== Programme ==
 
+
[[Media:TheLookOfLyric-Program-original.pdf]]
=== FRIDAY, JULY 17 ===
 
'''Session I'''
 
{|border="1" style="border-collapse:collapse;border:1px solid silver;"
 
|9:00-9:45
 
|Steiner, Deborah (Columbia University)
 
 
 
Making Monkeys: Archilochus fr. 185 W in context
 
|-
 
|9:45-10:30
 
|Brown, Christopher (University of Western Ontario)
 
 
 
Pindar’s Vision of Archilochus (''Pyth''. 2.54)
 
|-
 
|10:30-11:15
 
|Strauss Clay, Jenny (University of Virginia)
 
 
 
Constructing Sympotic Space with Words
 
|-
 
|}
 
 
 
 
 
'''Session II'''
 
{| border="1" style="border-collapse:collapse;border:1px solid silver;"
 
|11:45-12:30
 
|Ladianou, Katerina (Ohio State University)
 
 
 
Female Choruses and Gardens of Nymphs: Visualizing Feminine Voice in Sappho
 
|-
 
|12:30-1:15
 
|Onayemi, Folake and Ojoade, Olowo (Univ of Ibadan, Nigeria and Univ of Jos, Nigeria)
 
 
 
Anthropological Reflections in Sapphic Epithalamia and Ekun Iyawo of the African/Yoruba: A Comparative Study
 
|-
 
|1:15-2pm
 
|Younesie, Mostafa (Tarbiat Modares University, Tehran)
 
 
 
The Societal Cultural Implications of Lyric
 
|-
 
|}
 
 
 
 
 
'''Session III'''
 
{|border="1" style="border-collapse:collapse;border:1px solid silver;"
 
|5-5:45
 
|Fearn, David (University of Warwick)
 
 
 
Pindar’s Art? Choral Lyric Poetry, Visual Art, and Religious Experience
 
|-
 
|5:45-6:30
 
|Briand, Michel (Université de Poitiers)
 
 
 
Light and Vision in Pindar's ''Olympian Odes'': Interplays of Imagination and Performance
 
|}
 
 
 
 
 
'''Session IV'''
 
{|border="1" style="border-collapse:collapse;border:1px solid silver;"
 
|6:45-7:30
 
|Pavlou, Maria (University of Bristol)
 
 
 
Pindar ''Nem''.5: Real and Poetic Statues
 
|-
 
|7:30-8:15
 
|Pappas, Alexandra (University of Arkansas)
 
 
 
Verbalizing the Visual:
 
Simonides, Pindar, and the Competition of Craft
 
|}
 
 
 
 
 
=== SATURDAY, JULY 18 ===
 
'''Session V'''
 
{|border="1" style="border-collapse:collapse;border:1px solid silver;"
 
|9:30-10:15
 
|Sotiriou, Margarita (University of Peloponnese, Kalamata)
 
 
 
Visual aspects of performance in Bacchylides’ epinician odes
 
|-
 
|10:15-11
 
|González de Tobia, Ana María (Universidad Nacional de La Plata. Argentina)
 
 
 
Bacchylides 3: “Visualizing” Croesus’ story and a definition in Art
 
|}
 
 
 
 
 
'''Session VI'''
 
{|border="1" style="border-collapse:collapse;border:1px solid silver;"
 
|11:30-12:15
 
|Hobden, Fiona (University of Liverpool)
 
 
 
The Anacreontic ‘I’: Singer as Spectacle at the Symposion
 
|-
 
|12:15-1
 
|Létoublon, Françoise (Grenoble University, France)
 
 
 
Anacreontea
 
|-
 
|1-1:45
 
|Kantzios, Ippokratis (University of South Florida, USA)
 
 
 
Imagining Images: ''Anacreontea'' 16 and 17
 
|-
 
|}
 
 
 
 
 
'''Session VII'''
 
{|border="1" style="border-collapse:collapse;border:1px solid silver;"
 
|5-5:45
 
|Scott, Travis (Ohio State University)
 
 
 
Singing, Seeing, Saying:  A Performative Context for Pindar’s ''Paean 6''
 
|-
 
|5:45-6:30
 
|Stamatopoulou, Zoe (University of Georgia)
 
 
 
Visual Perception and Re-performance in ''Olympian 6''
 
|}
 
 
 
 
 
'''Session VIII'''
 
{| border="1" style="border-collapse:collapse;border:1px solid silver;"
 
|6:45-7:30
 
|Zieba, Lucja (Universität Basel, Switzerland)
 
 
 
The image of snakes in Pindars 8th ''Olympian''
 
|-
 
|7:30-8:15
 
|Jones, Gregory S. (Indiana University, Bloomington)
 
 
 
Observing Genre in Archaic Greek Skolia and Vase-painting
 
|}
 
 
 
 
 
=== SUNDAY, JULY 19 ===
 
'''Session IX'''
 
{|border="1" style="border-collapse:collapse;border:1px solid silver;"
 
|9:30-10:15
 
|Carruesco, Jesús (Universitat Rovira i Virgili, Tarragona, Spain)
 
 
 
Choral Performance and Geometric Patterns in Textual and Iconogaphic Representations
 
|-
 
|10:15-11
 
|SPECIAL GUEST: Ferrari, Gloria (Harvard em)
 
 
 
Dancers on the Acanthus Column.
 
|}
 
 
 
 
 
'''Session X'''
 
{|border="1" style="border-collapse:collapse;border:1px solid silver;"
 
|11:30-12:15
 
|Swift, Laura (Trinity College, Oxford)
 
 
 
Visual imagery in parthenaic song
 
|-
 
|12:15-1
 
|Trieschnigg, Caroline (Radboud University Nijmegen, Netherlands)
 
 
 
Pictures of Panic: The Visual Power of Lyric in Aeschylus’ ''Seven against Thebes''
 
|-
 
|}
 
 
 
 
 
'''Session XI'''
 
{|border="1" style="border-collapse:collapse;border:1px solid silver;"
 
|5-5:45
 
|LeVen, Pauline (Yale University)
 
 
 
Spectacular Obscurity: the Case of New Music
 
|-
 
|5:45-6:30
 
|Lopes, Ersilia (Capodistrian University of Athens)
 
 
 
The singing of Dionysus
 
|}
 
 
 
 
 
'''Session XII'''
 
{|border="1" style="border-collapse:collapse;border:1px solid silver;"
 
|6:45-7:30
 
|Lulli, Laura (University of Rome "La Sapienza")
 
 
 
The Fight of Telephus: Elegiac and Choral Poetry Visions behind the Pergamon Frieze
 
|-
 
|7:30-8:15
 
|SPECIAL GUEST: Hunter, Richard (Cambridge)
 
 
 
'envisionment' (of the divine) in Callimachus
 
|}
 
  
 
== Call for papers—deadline February 15th, 2009 ==
 
== Call for papers—deadline February 15th, 2009 ==

Revision as of 15:15, 18 June 2009

European Cultural Centre of Delphi, July 17-19, 2009

Organized by the Department of Classics, Stanford University on behalf of the Network for the Study of Archaic and Classical Greek Song

Programme

Media:TheLookOfLyric-Program-original.pdf

Call for papers—deadline February 15th, 2009

The conference will explore two major aspects of the visual in Greek “lyric” (covering melic—both monodic and choral—iambic, and elegiac poetry). We invite papers on “lyric” as represented and visualized in Greek painting or sculpture, and on visual aspects of performance as inscribed and embodied in the poems themselves.

Questions to be discussed include:

  • To what extent can one assume that a visually represented performance is non-epic or non-dramatic?
  • What social and cultural implications arise from visual representations of “lyric”?
  • How do ancient painting and sculpture visualize the media of lyric poetry-- that is, song, instrumental music and dance?
  • How do melic, iambic and elegiac poems stimulate vision in either its actual or imaginary aspects?
  • Are visual arts deliberately evoked by “lyric” poems and why?

A small number of papers raising questions about later representations of Greek lyric poetry (for instance, in Victorian England) will also be welcome.

  • Abstracts of ca. 250 words should be sent by February 15th, 2009 as Word or Pdf attachments to: Caroline Trieschnigg.
  • The cost of the speakers’ lodging (for the nights of July 16, 17, 18, 19) and most meals will be covered by the sponsors of the conference.

This conference is sponsored by Stanford University, the Netherlands Organisation for Scientific Research (NWO) and Radboud University Nijmegen.