Forthcoming Publications

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  • Bierl, Anton (2001) Der Chor in der Alten Komödie. Ritual und Performativität (unter besonderer Berücksichtigung von Aristophanes' Thesmophoriazusen und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126). It is currently translated by Alex Hollmann into English. It will be published under the title Ritual and Performativity by Harvard Press in 2007. With many interpretations of comic, tragic and satyric songs, with a general introduction of more than 90 pages to the Chorus and song culture in general; it includes an interpretation of Alcman and an intense analysis of popular Phallus-Songs in ch. 2.
  • Boedeker, Deborah (forthcoming: 2008) 'Sappho Old and New' in Archaic Lesbos: Sappho, Alcaeus, Pittacus, ed. Apostolos Pierris. London: [...].
  • Boedeker, Deborah (forthcoming: 2008) 'No Way Out? Aging in the New (and Old) Sappho' in a special volume of Arethusa, eds. Ellen Greene and Marilyn Skinner: [...].
  • Calame, Claude (1998) 'La poésie lyrique grecque, un genre inexistant?' Littérature 11: 87-110. English translation in preparation for I. Rutherford (ed.) Oxford Readings in Greek Lyric. Oxford.
  • Calame, Claude (2000) Poétique des mythes en Grèce antique. Paris. An English translation is forthcoming at Cambridge University Press.
  • Calame, Claude (2006) Pratiques poétiques de la mémoire. Représentations de l’espace-temps en Grèce ancienne. Paris. English translation is forthcoming at Harvard University Press.
  • Fearn, David W. (forthcoming) 'Bacchylidean Myths', in forthcoming proceedings of 'Epinician' conference held at UCL, July 2006.
  • Fearn, David W. (forthcoming) 'Imperialist Fragmentation and the Discovery of Bacchylides', in Hegemony And Cornucopia: Classical Scholarship and the Ideology of Imperialism, eds. M. Bradley and E. Reisz. Oxford: Classical Presences Series.
  • Fearn, David W. (forthcoming) 'The Keians and their Choral Lyric: Athenian, Epichoric, and Panhellenic Perspectives', in forthcoming proceedings of 'Archaic and Classical Choral Song' Conference, Rethymno, May 2007.
  • Fearn, David W. (forthcoming) 'Aeginetan Epinician Culture: Ritual and Politics', in Fearn (ed.) below.
  • Fearn, David W. (ed.) (forthcoming) Aegina: Contexts for Choral Lyric Poetry. Myth, History, and Identity in the Fifth Century BC.
  • Fearn, David W. (forthcoming) 'Athens and the Empire', in Dithyramb and Society: Texts and Contexts in a Changing Choral Culture, eds. B. Kowalzig and P. Wilson. Oxford.
  • Graziosi, Barbara and J. Haubold (forthcoming) 'Greek Lyric and early Greek literary history' in The Cambridge Companion to Greek Lyric, ed. F. Budelmann, Cambridge UP.
  • Lardinois, A.P.M.H. (forthcoming: 2007) 'Seks à la Sappho', Lampas 40: 273-80.
  • Lardinois, A.P.M.H. (forthcoming: 2008) ' ‘Someone, I say, will remember us’: Oral Memory in Sappho’s Poetry' in Orality, Literacy, Memory, ed. A. MacKay Leiden: [...].
  • Lardinois, A.P.M.H. (forthcoming: 2008) 'The New Sappho Poem (P. Koln 21351 and 21376): Key to the Old Fragments', Arethusa 41: [...].
  • Lech, Marcel Lysgaard (forthcoming) 'A Possible Date of the Revival of Aeschylus' the Seven Against Thebes ', Classical Quarterly. This note presents a possible span of years within which the revival of the Seven against Thebes by Aeschylus took place, probably as a solitairy play, by comparing two passages from the comedies of Aristophanes. In the Lysistrata, the Seven against Thebes seems not to have been given its unique name, but only a few years later, in the Frogs, it appears with the title known to us. The ancient claims that Aeschylus was revived at the Great Dionysia might be right.
  • Martin, Richard (2007: in press) 'Stesichorus and the Voice of Jocasta' in Proceedings of Delphi International Conference on European Drama.
  • Martin, Richard (forthcoming) 'Read on Arrival' in Poeti Vaganti: Travelling Poets in Ancient Greece, eds. R. Hunter and I. Rutherford. Cambridge.
  • Martin, Richard (forthcoming) 'Gnomes in Poems' in Festschrift for John Papademetriou.
  • Pavlou, Maria (forthcoming) 'Metapoetics, Poetic Tradition, and Praise in Pindar Olympian 9', Mnemosyne.
  • Swift, L. A. 'How to Make a Goddess Angry: Making Sense of the Demeter Ode in Euripides' Helen', Classical Philology.
  • Swift, L. A. The Hidden Chorus: Echoes of Genre in Tragic Lyric. Oxford.