Difference between revisions of "Bibliography"

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(Alcaeus: Neri, Camillo (1996))
(Greek Song General: Yatromanolakis)
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* Wecowski, Marek (2002) 'Homer and the origins of the symposion' in ''Omero tremila anni dopo. Atti del congresso di Genova 6-8 luglio 2000'', ed. Franco Montanari. Roma: 625-637.
 
* Wecowski, Marek (2002) 'Homer and the origins of the symposion' in ''Omero tremila anni dopo. Atti del congresso di Genova 6-8 luglio 2000'', ed. Franco Montanari. Roma: 625-637.
  
* Wecowski, Marek (2002) 'Towards a definition of the symposion' in ''Euergesias charin. Studies Presented to Benedetto Bravo and Ewa Wipszycka by Their Disciples'', eds T. Derda, J. Urbanik, M. Wecowski. Warszawa: 337-361.  
+
* Wecowski, Marek (2002) 'Towards a definition of the symposion' in ''Euergesias charin. Studies Presented to Benedetto Bravo and Ewa Wipszycka by Their Disciples'', eds. T. Derda, J. Urbanik, M. Wecowski. Warszawa: 337-361.  
  
 
* Wilson, Peter (ed.) (2007) ''The Greek Theatre and Festivals. Documentary Studies. Oxford Studies in Ancient Documents.'' Oxford: Oxford University Press. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011345.html Table of Contents]. Reviewed by Mitchell-Boyask, Robin (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-05-24.html ''BMCR''  2008.05.24].
 
* Wilson, Peter (ed.) (2007) ''The Greek Theatre and Festivals. Documentary Studies. Oxford Studies in Ancient Documents.'' Oxford: Oxford University Press. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011345.html Table of Contents]. Reviewed by Mitchell-Boyask, Robin (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-05-24.html ''BMCR''  2008.05.24].
 +
 +
* Yatromanolakis, D. (2007) ''Sappho in the Making: The Early Reception''. Cambridge, MA. This book focuses on archaic, classical, and Hellenistic socioaesthetics cultures and song-making, but it also explores a lot of later, Roman and Greek material; it includes extensive sections on Anakreon and other archaic and classical poets.
  
 
== Greek Elegy and Iambus ==
 
== Greek Elegy and Iambus ==

Revision as of 15:00, 5 October 2008

The goal of this site is to complement the bibliographies on archaic and classical Greek lyric, iambic and elegiac poetry collected by Douglas E. Gerber. Gerber has made an extensive and annotated overview of publications in this field between 1920 and 1989 in:

  • Gerber, Douglas E. (1989) 'Pindar and Bacchylides 1934-1987', Lustrum 31: 97-269.
  • Gerber, Douglas E. (1990) 'Pindar and Bacchylides 1934-1987 (Continuation)', Lustrum 32: 7-98.
  • Gerber, Douglas E. (1991) 'Early Greek elegy and iambus 1921-1989', Lustrum 33: 7-225 and 401-10.
  • Gerber, Douglas E. (1993) 'Greek lyric poetry since 1920. Part I: General, Lesbian poets', Lustrum 35: 7-179.
  • Gerber, Douglas E. (1994) 'Greek lyric poetry since 1920. Part II: From Alcman to fragmenta adespota', Lustrum 36: 7-188 and 285-97.

Our aim is to provide a bibliography that contains relevant publications on archaic and classical Greek poetry (including the choruses of classical drama) especially after 1989. The bibliography follows Gerber's division into genres and ancient poets, but one can also use the 'search' function in the left sidebar in order to find publications.


Contents

Greek Song General

  • Anderson, W. D. (1994) Music and Musicians in Ancient Greece. Ithaca, NY.
  • Barker, Andrew (1984) Greek Musical Writings. Vol. I: The Musician and His Art. Cambridge. Table of Contents.
  • Barker, Andrew (1989) Greek Musical Writings. Vol. II: Harmonic and Acoustic Theory. Cambridge. Table of Contents.
  • Barker, Andrew (1995) ‘Heterophonia and poikilia: accompaniments to Greek melody’, in Mousike. Metrica, ritmica e musica greca in memoria di Giovanni Comotti, eds. B. Gentili and F. Perusino. Pisa: 41-60.
  • Barker, Andrew 'Armonica’ (2001) in Storia della Scienza, vol. 1, S. Petruccioli (ed.), Istituto della Enciclopedia Italiana. Rome: 909-926.
  • Barker, Andrew (2005) Psicomusicologia nella Grecia Antica. A cura di Angelo Meriani. Università degli Studi di Salerno. Quaderni del Dipartimento di Scienze dell'Antichità. Napoli. Reviewed by Raffa, Massimo BMCR 2006.06.08.
  • Barker, Andrew (2007) The Science of Harmonics in Classical Greece. Cambridge. Table of Contents.
  • Boedeker, Deborah (1984) 'Descent from Heaven: Images of Dew in Greek Poetry and Religion', American Classical Studies 13.
  • Briand, Michel (2000) 'Inspiration, enthousiasme et polyphonies: ἔνθεος et la performance poétique', Noésis (L'antique notion d'inspiration, dir. J. Assaël): 97-154.
  • Calame, Claude (2005) Masques d’autorité. Fiction et pragmatique dans la poétique grecque. Paris. English translation (2005) Masks of Authority. Fiction and Pragmatics in Ancient Greek Poetics. Ithaca NY and London.
  • Calame, Claude (2004) ‘Deictic ambiguity and auto-referentiality: some examples from Greek poetics’, Arethusa 37: 427-31.
  • Calame, Claude (2006) Pratiques poétiques de la mémoire. Représentations de l’espace-temps en Grèce ancienne. Paris. English translation is forthcoming at Harvard University Press.
  • Calame, Claude (2007) 'Gardens of Love and Meadows of the Beyond: Ritual Encounters with the Gods and Poetical Perfomances in Ancient Greece' in Sacred Gardens and Landscapes: Ritual and Agency, ed. M. Conan. Washington: 43-54.
  • Collins, D. (2004) Master of the Game: Competition and Perfomance in Greek Poetry. Cambridge, MA.
  • D'Angour, Armand (2006) 'The New Music – so what’s new?' in Rethinking Revolutions through Ancient Greece, eds. Goldhill and Osborne. Cambridge: 264-283.
  • David, A.P. (2006) The Dance of the Muses: Choral Theory and Ancient Greek Poetics. New York. Review by Ronald J.J. Blankenborg BMCR 2007.04.46.
  • Ford, Andrew L. (1988) 'The Classical Definition of rhapsôdia', Classical Philology 83: 300-307. It considers the early usage of "rhapsody" and related terms and argues that their meaning (essentially, "the performance of verse without melody") is based on modes of performance rather than a formally or thematically homogeneous corpus of poetry.
  • Fowler, Barbara Hughes (1992) Archaic Greek Poetry: An Anthology. Madison, Wis.
  • Franklin, John C. (2002) 'Musical Syncretism and the Greek Orientalizing Period' in Archäologie früher Klangerzeugung und Tonordnungen, eds. E. Hickmann and R. Eichmann. Serie Studien zur Musikarchäologie, Orient-Archäologie. Rahden: 441-51. PDF. Abstract.
  • Franklin, John C. (2002) 'Diatonic Music in Greece: a Reassessment of its Antiquity', Mnemosyne 56.1: 669-702. PDF. Abstract.
  • Franklin, John C. (2003) 'The Language of Musical Technique in Greek Epic Diction', Gaia. Revue interdisciplinaire sur la Grèce archaïque 7: 295-307. PDF. Abstract.
  • Franklin, John C. (2004) 'Structural Sympathies in Ancient Greek and South-Slavic Heroic Song' in Music Archeological Sources: Artifacts, Oral Tradition, Written Evidence, eds. E. Hickmann and R. Eichmann. Serie Studien zur Musikarchäologie, Orient-Archäologie. Rahden: 241-251. PDF. Abstract.
  • Franklin, John C. (2005) 'Hearing Greek Microtones', with audio CD in Ancient Greek Music in Performance, eds. Hagel, S. and Harrauer, Ch. Wiener Studien Beiheft 29 Vienna. From a paper and audio-demonstration (with Virtual Lyre), delivered at Performing Ancient Greek Music Today, Österreichische Akademie der Wissenschaften, Vienna, September 29-October 1, 2003. PDF. Abstract.
  • Franklin, John C. (2006) 'Lyre Gods of the Bronze Age Musical Koine', The Journal of Ancient Near Eastern Religions 6.2: 39-70. PDF. Abstract.
  • Gentili, B. (1990) Poetry and its Public in Ancient Greece. Baltimore.
  • Gentili, Bruno and Carmine Catenacci (2007) Polinnia. Poesia greca arcaica. Terza edizione. Firenze. Contains elegiac, iambic and lyric poetry with introduction and commentary. Reviewed by Athanassaki, Lucia (2008) BMCR 2008.04.23.
  • Graziosi, Barbara (2002) Inventing Homer. The Early Reception of Epic. Cambridge. About the reception of Homer in lyric, elegy and iambus.
  • Kurke, Leslie (2000) 'The Strangeness of ‘Song Culture’: Archaic Greek Poetry', in Literature in the Greek & Roman Worlds: A New Perspective, ed. Oliver Taplin. Oxford University Press: 58-87.
  • Kurke, Leslie (2007) 'Archaic Greek Poetry', in The Cambridge Companion to Archaic Greece, ed. H. Alan Shapiro. Cambridge: 141-68. Review by Angela Kühr, BMCR 2008.01.13.
  • Lardinois, A.P.M.H. (1995) Wisdom in Context: The Use of Gnomic Statements in Archaic Greek Poetry. Ph.D. Diss. Princeton University.
  • Malhomme, Florence and Anne Gabrièle Wersinger (eds.) (2007) Mousikè et Aretè. La mousique et l'éthique de l'antiquité à l'âge moderne. Actes du colloque international tenu en Sorbonne les 15-17 décembre 2003. Paris: Librairie Philosophique J. Vrin. Reviewed by Raffa, Massimo (2008) BMCR 2008.03.20.
  • Murray, Penelope and Peter Wilson (eds.) (2004) Music and the Muses: The Culture of Mousike in the Classical Athenian City. Oxford. Table of Contents. Reviewed by Wright, Matthew (2004) BMCR 2004.07.16 and Raffa, Massimo (2005) Aestimatio 2: 109–119, PDF.
  • Nagy, Gregory (1997) The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry. Johns Hopkins University Press (revised edition; first published in 1979). Free-to-view online edition. More information is available at Intute, catalogued by Emma Bridges.
  • Petropoulos, J.C.B. (2003) Eroticism in Ancient and Medieval Greek Poetry. London. Review by Vayos J. Liapis BMCR 2004.10.01.
  • Psaroudakēs, Stelios (1995) 'Acoustic study of the aulos by the method of physical modeling. Report' in International conference “Physical modeling in music (ancient instruments, singing/speech, psychoacoustics)”, Aristotle University of Thessalonikē – Program of Psychoacoustics, Thessalonikē, 10-12 July. Proceedings.
  • Psaroudakēs, Stelios (2000) 'The arm-crossbar junction of the Classical Hellenic kithara', in Studien zur Musikarchäologie II. Music Archaeology of early Metal Ages. Papers from the 1st Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 18-24 May, 1998, Ellen Hickmann & Ingo Laufs & Ricardo Eichmann (eds.). Orient-Archäologie 7. Rahden, Westf.: 263-78.
  • Psaroudakēs, Stelios (2002) 'The aulos of Argithea', in Studien zur Musikarchäologie III. The archaeology of sound: origin and organisation. Papers from the 2nd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 17-23 September, 2000 & Music Archaeology in the Aegean and Anatolia. Papers from the Colloquium on Music Archaeology organised by the Deutsches Archäologisches Institut (Istanbul) in cooperation with the ICTM-Study Group on Music Archaeology and the Institut Français d’Archéologie (Istanbul), Minar Sinan University, Istanbul, 12-16 April, 1993. (Orient-Archäologie, 10), Ellen Hickmann & Anne Kilmer Ricardo Eichmann (eds.). Rahden, Westf: 335-66.
  • Psaroudakēs, Stelios (2004) 'The Orestes Papyrus: some thoughts on the dubious musical signs', in Studien zur Musikarchäologie IV. Musical archaeological sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 9-16 June, 2002, and other contributions. (Orient-Archäologie, 15), Ellen Hickmann & Ingo Laufs & Ricardo Eichmann (eds.). Rahden, Westf: Marie Leidorf GmbH: 471-92.
  • Psaroudakēs, Stelios (2004) 'Archaeomusicology and ethnomusicology in dialogue', Ευλιμένη 4: 189-200. This paper addresses a variety of issues in archaeomusicology, including song and its interpretation, mainly in the domain on "performance style", as opposed to that of "composition style".
  • Ψαρουδάκης, Στέλιος (1998) «Τα μουσικά όργανα των αρχαίων Ελλήνων», Καθημερινή – Επτά Ημέρες, Κυριακή 18 Ιανουαρίου: 2-6.
  • Ψαρουδάκης, Στέλιος (2001) «Η αρχαία ελληνική μουσική σημειογραφία. Οι πρόσφατες απόψεις του Egert Pöhlmann», Μούσα 8-9: 78-93. (in modern Greek)
  • Ψαρουδάκης, Στέλιος (2003) «Πρωτογενή αερόφωνα και η αβέβαιη μαρτυρία του Δισπηλιού», Πολυφωνία 2: 7-20. (in modern Greek) This article compares the neolithic dispelio "aulos" (lake kastoria, makedonia) with other neolithic musical pipes from this country and the rest of the world (pure organological study). The find does not exhibit the characteristics of the other musical pipes, and as a result, we cannot hold with certainty that is was used as an aulos.
  • Ψαρουδάκης, Στέλιος & Χρήστος Τερζής (2007) «Ανθολόγιον – Μέτρα και μέλη από την ελληνική αρχαιότητα», in DVD Εν Χορδαίς και Οργάνοις – Ένα πανόραμα της ελληνικής μουσικής. Συναυλία του Τμήματος Μουσικών Σπουδών του Πανεπιστημίου Αθηνών, Παρασκευή 4 Μαΐου 2007. Μέρος πρώτο. Αθήνα: Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών.
  • Ψαρουδάκης, Στέλιος (2007) «Αρχαία ελληνική μουσική», in Μουσική, Απόστολος Κώστιος (ed.). Αθήνα: Εκδοτική Αθηνών: 201-15. Originally published in (1999) in Ελληνική Εκπαιδευτική Εγκυκλοπαίδεια. Vol. 28. Θέατρο, Κινηματογράφος, Μουσική, Χορός. Αθήνα: 28-33. (in modern Greek)
  • Ψαρουδάκης, Στέλιος & Σωτηρία Αδάμ (2004) «Ύε Κύε. Οι Ολυμπιακοί αγώνες στην αρχαιότητα». CD containing ancient Hellenic song and modern musical compositions inspired by it. Part of the volume: Μαρία Καΐλα & Georges Thill & Έλενα Θεοδωροπούλου & Γιώτα Ξανθάκου (edd.), Ύε Κύε. Οι Ολυμπιακοί αγώνες στην αρχαιότητα. Αθήνα: Ατραπός. Contribution to the CD (recittion, song, lyre) with the songs: Εις Μούσαν, «Εις Καλλιόπην και Απόλλωνα», «Εις Φοίβον», Εις Ήλιον. Accompanying notes on pp. 220-23 of the book.
    • The disc, apart from two modern compositions, contains performances of three ancient hellenic hymns by mesomedes of crete (2nd century AD), accompanied by a reconstructed chelys-lyre.
  • Steinrück, M. (2007) A quoi sert la métrique? Interprétation littéraire et analyse des formes métriques grecques: Une introduction. Avec la collaboration d'Alessandra Lukinovich. Grenoble.
  • Tsachalinas, Kostas & Katerina Tzedaki & Peter Cook & Stelios Psaroudakēs & Dimitris Kamarotos & T. Rikakis (1997) 'Physical modeling simulation of the ancient Greek Elgin auloi' in International computer music conference, Aristotle University of Thessalonikē – Program of Psychoacoustics & The International Computer Music Association, Thessalonikē, Hellas, 25-30 September. Proceedings. San Francisco: 454-57.
  • Tsagarakis, Odysseus (1977) Self-expression in Early Greek Lyric, Elegiac and Iambic Poetry. Wiesbaden. Review by Bremer, Jan Maarten (1980) Mnemosyne 33: 182-187 and by Kirkwood, G. M. (1980) Phoenix 34.1: 92-3.
  • Wecowski, Marek (2002) 'Homer and the origins of the symposion' in Omero tremila anni dopo. Atti del congresso di Genova 6-8 luglio 2000, ed. Franco Montanari. Roma: 625-637.
  • Wecowski, Marek (2002) 'Towards a definition of the symposion' in Euergesias charin. Studies Presented to Benedetto Bravo and Ewa Wipszycka by Their Disciples, eds. T. Derda, J. Urbanik, M. Wecowski. Warszawa: 337-361.
  • Wilson, Peter (ed.) (2007) The Greek Theatre and Festivals. Documentary Studies. Oxford Studies in Ancient Documents. Oxford: Oxford University Press. Table of Contents. Reviewed by Mitchell-Boyask, Robin (2008) BMCR 2008.05.24.
  • Yatromanolakis, D. (2007) Sappho in the Making: The Early Reception. Cambridge, MA. This book focuses on archaic, classical, and Hellenistic socioaesthetics cultures and song-making, but it also explores a lot of later, Roman and Greek material; it includes extensive sections on Anakreon and other archaic and classical poets.

Greek Elegy and Iambus

Elegy and Iambus General

Iambus General

  • Acosta-Hughes, B. (2002) Polyeideia: The Iambi of Callimachus and the Archaic Iambic Tradition. Berkeley and London.
  • Steinrück, M. (2000) Iambos. Studien zum Publikum einer Gattung in der frühgriechischen Literatur. Hildesheim.

Archilochus

  • Aloni, A. (1981) Le Muse di Archiloco: Ricerche sullo stile archilocheo. Copenhagen. Review by Slings, S.R. (1984) Mnemosyne 37: 169-171.
  • Aloni, A. and A. Iannucci (2007) L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco. Firenze: Le Monnier Università.
  • Barker, E. T. E. and J. P. Christensen (2006) ‘Fight club: the new Archilochus fragment and its resonance with Homeric epic’, MD 57: 9-41.
  • Bremer, Jan Maarten (1978) Het gemaskerde Ik. De poëtische persoonlijkheid in enige Griekse gedichten. Amsterdam. (in Dutch) Inaugural lecture, mainly concerned with Archilochus' Cologne Epode.
  • Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) Some recently found Greek poems: Text and Commentary. Leiden. Mnemosyne Supplement 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
  • Corrêa, P.C. (1998) Armas e Varões: A Guerra na Lírica de Arquíloco. São Paulo.
  • Corrêa, P.C. (2001) 'The Fox and the Hedgehog', Revista Phaos 1: 80 - 92. On Archilochus 201 IEG.
  • Corrêa, P.C. (2002) 'Muddy Eels', Rivista Synthesis (La Plata) 9: 81 -90. On Archilochus 189 IEG.
  • Corrêa, P.C. (2007) 'A Human Fable and the Justice of Beasts in Archilochus' in Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday, eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 101-117. Reviewed by Gibert, John (2008) BMCR 2008.06.23.
  • Ford, Andrew L. (1993) 'L'inventeur de la poésie lyrique: Archiloque le colon', Métis. Revue de l'anthropologie grecque 8.1-2: 59-73.
  • Handley, Eric (2007) 'Night Thoughts (Archilochus 23 and 196a West)' in Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday, eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: ##. Reviewed by Gibert, John (2008) BMCR 2008.06.23.
  • Mayer, Péter (2006) 'Krieg aus Versehen? - Zur Funktion und Aussage der Telephos-Geschichte im neuen Archilochos (P. Oxy. 4708, fr. 1)', Zeitschrift für Papyrologie und Epigraphik 157: 15-18.
  • Mayer, Péter (2006) 'Der Mann, das Mädchen und der Dichter - Zur Frage der Absicht dreier Personen: eine Verführungsgeschichte (Archil. 196a W2)', Acta Classica Universitatis Scientiarum Debreceniensis (Debrecen) 42: 5-20.
  • Medaglia, S.M. (1982) Note di esegesi archilochea. Roma. Review by Slings, S.R. (1988) Mnemosyne 41: 134-135.
  • Miralles, C. and J. Pòrtulas (1983) Archilochus and the iambic poetry. Roma. Review by Slings, S.R. (1987) Mnemosyne 40: 430-432.
  • Nesselrath, Heinz-Günther (2007) 'Lucian and Archilochus, or: How to Make Use of the Ancient Iambographers in the Context of the Second Sophistic' in Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday, eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: ##. Reviewed by Gibert, John (2008) BMCR 2008.06.23.
  • Nicolosi, Anika (trans. and comm.) (2007) Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708). Eikasmos, 14. Bologna: Pàtron Editore.
  • Pòrtulas, Jaume (2006) 'Crizia di Atene e la leggenda archilochea' in L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34, ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) BMCR 2008.07.04.
  • Rotstein, Andrea (2007) ‘Critias’ invective against Archilochus’, Classical Philology 102: 139-54.
  • Slings, S.R. (1975) 'Three notes on the new Archilochus papyrus', Zeitschrift für Papyrologie und Epigraphik 18: 170.
  • Slings, S.R. (1976) 'Archilochus, the hasty mind and the hasty bitch', Zeitschrift für Papyrologie und Epigraphik 21: 283-288.
  • Slings, S.R. (1980) 'Archilochus, eerste Keulse epode', Lampas 13: 315-335. (in Dutch)
  • Slings, S.R. (1982) 'Archilochus and the ant', Zeitschrift für Papyrologie und Epigraphik 45: 69-70.
  • Slings, S.R. (1980-82) 'Archilochus, S 478 (a), 3 Page', Museum Criticum 15-17: 11-14.
  • Slings, S.R. (1983) 'Once more Archilochus and the ant', Zeitschrift für Papyrologie und Epigraphik 53: 31-36.
  • Slings, S.R. (1986) 'Archilochus: new fragments from the Sosthenes inscription', Zeitschrift für Papyrologie und Epigraphik 63: 1-3.
  • Slings, S.R. (1988) 'Archilochus, fr. 188,3', Zeitschrift für Papyrologie und Epigraphik 72: 21.
  • Slings, S.R. (1989) 'Anonymus, Parallel lines from Homer and Archilochus', Zeitschrift für Papyrologie und Epigraphik 79: 1-8.
  • Slings, S.R. (1990) 'Archilochus van Paros, soldaat en dichter', Hermeneus 62: 281-289. (in Dutch)
  • Slings, S.R. (1992) 'For the third time: Archilochus and the ant', Eikasmos 3: 13-17.
  • Slings, S.R. (1995) 'Archilochus, fr. 188, 1-2', Zeitschrift für Papyrologie und Epigraphik 106: 1-2.
  • Steinrück, M. (1991) Leise Laute, Arbeiten über das Verhältnis von Rhythmus und Lautresponsion bei Archilochos. Lausanne Basel.
  • Steinrück, M. (2008) 'Les publics d'Archiloque', Pallas 77: 41-50.

Semonides

  • Hubbard, Th.K. (1994) 'Elemental Psychology and the Date of Semonides of Amorgos', AJPh 115: 175-197.
  • Hubbard, Th.K. (1996) ' 'New Simonides' or old Semonides? Second Thoughts on POxy 3965, fr. 26, Arethusa 29: 255-262 (= in (2001) The New Simonides: Contexts of Praise and Desire, eds. D. Boedeker and D. Sider. New York and Oxford: 226-231).
  • Steinrück, M. (1994) Regards sur la femme: analyse rythmique et interprétation de Sémonide frg. 7 Tedeschi-Pellizer. Roma.
  • Steinrück, M. (1994) 'Echos phoniques et débuts de mots dans le iambe de Sémonide d'Amorgos', Revue informatique et statistique dans les sciences humaines 30: 139-153.
  • Van Wees, Hans (2005) 'The invention of the female mind. Women, property and gender ideology in archaic Greece', in Women and Property in the Ancient Near East and Greece, eds. D. Lyons and R. Westbrook. Published on website of Center for Hellenic Studies, Washington DC. pp. 26. URL. Includes discussion of Fr 7.

Hipponax

  • Faraone, Christopher A. (2004) 'Hipponax Frag. 128W: Epic Parody or Expulsive Incantation?', Classical Antiquity 23: 209-45.
  • Neri, Camillo (1995) 'L'empietà del naso (Hippon. fr.129a,1 Dg.)', Eikasmós 6: 11-14.
  • Nicolosi, Anika (trans. and comm.) (2007) Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708). Eikasmos, 14. Bologna: Pàtron Editore.
  • Watkins, Calvert (2007) 'Hipponactea quaedam' in Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday, eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: ##. Reviewed by Gibert, John (2008) BMCR 2008.06.23.

Ananius

Adespota Iambica

Elegy General

  • Adkins, A.W.H. (1985) Poetic Craft in the Early Greek Elegists. Chicago-London.
  • Aloni, A. and A. Iannucci (2007) L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco. Firenze: Le Monnier Università.
  • Faraone, Christopher A. (2005) 'Exhortation and Meditation: Alternating Stanzas as a Structural Device in Early Greek Elegy', Classical Philology 100: 317-36.
  • Faraone, Christopher A. (2005) 'Catalogues, Priamels and Stanzaic Structure in Early Greek Elegy', Transactions of the American Philological Association 135: 249-65.
  • Faraone, Christopher A. (2008) The Stanzaic Architecture of Early Greek Elegy. Oxford and New York: Oxford University Press. Reviewed by Eckerman, Chris (2008) BMCR 2008.08.30.
  • Nobili, Cecilia (2006) 'Omero e l'elegia trenodica', Acme 59.3: 3-24. It investigates the problem of threnodic elegy and presents the possibility to trace motifs typical of threnodic elegy in Homeric poems.
  • Raalte, Marlein van (1988) 'Greek Elegiac Verse Rhythm', Glotta 66: 145-78.
  • Slings, S.R. (2000) 'Symposion and Interpretation: Elegy as group-song and the so-called awakening individual', Acta Antiqua Hungariensia 40: 423-434.
  • Tsagalis, Christos C. (2008) Inscribing Sorrow: Fourth-century Attic Funerary Epigrams. Trends in Classics - Supplementary Volumes 1. Berlin and New York. Reviewed by Garulli, Valentina (2008) BMCR 2008.09.18.

Callinus

Tyrtaeus

  • Année, Magali (2007) 'La mémoire oubliée: perspectives poétiques de l'élégie chez Tyrtée', Camenulae 1.
  • Faraone, Christopher A. (2006) 'Stanzaic Structure and Responsion in the Elegiac Poetry of Tyrtaeus', Mnemosyne 59: 19-52.
  • Pucci, Pietro (2006) 'Il testo di Tirteo nel tessuto omerico' in L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34, ed. Fabio Roscalla. Pisa: Edizioni ETS: 21-41. Reviewed by Jennings, Victoria (2008) BMCR 2008.07.04.
  • Van Wees, Hans (1999) ‘Tyrtaeus’ Eunomia: nothing to do with the Great Rhetra’, in Sparta: New Perspectives, eds. Stephen Hodkinson and Anton Powell. London: 1-41.
  • Van Wees, Hans (2002) ‘Gute Ordnung ohne Große Rhetra: noch einmal zu Tyrtaios’ Eunomia’, Göttinger Forum für Altertumswissenschaft 5: 89-103. URL
  • Van Wees, Hans (2003) 'Conquerors and serfs: wars of conquest and forced labour in archaic Greece', in Helots and their Masters in Laconia and Messenia: histories, ideologies, structures, eds. N. Luraghi and S. Alcock. Cambridge, MA: 33-80. Includes discussion of Tyrtaeus' fragments.

Mimnermus

  • Allen, A. (1993) The Fragments of Mimnermus: Text and Commentary. Stuttgart.
  • Slings, S.R. (2000) Symposium: Speech and Ideology. Two hermeneutical issues in early Greek lyric, with special reference to Mimnermus. Amsterdam (KNAW), Mededelingen KNAW afd. Letterkunde, 63, 1. Concerns the performance of lyric poetry in the archaic period. Review by Bremer, Jan Maarten (2003) Mnemosyne 56: 614-15.

Solon

  • Blaise, Fabienne (1995) ‘Le fragment 36 W. de Solon: pratique et fondation des normes politiques’, Revue des Études Grecques 108: 24-37.
  • Blaise, Fabienne (2005) ‘Poésie, politique, religion. Solon entre les dieux et les hommes (l’ “Eunomie” et l’ “Elégie aux Muses”, 4 et 13 West)’, Revue de Philosophie Ancienne 23: 3-40.
  • Blaise, Fabienne (2006) ‘Poetics and politics. Tradition re-worked in Solon’s “Eunomia” (poem 4)’, in Solon of Athens: New Historical and Philological Approaches, eds. J.H. Blok & A.P.M.H. Lardinois. Leiden: 114-133.
  • Blok, J.H. & A.P.M.H. Lardinois (eds.) (2006) Solon of Athens: New Historical and Philological Approaches. Leiden.
  • Lardinois, A.P.M.H. (2006) 'Have we Solon's verses?' in Solon of Athens: New Historical and Philological Approaches, eds. J.H. Blok & A.P.M.H. Lardinois. Leiden: 15-35. Dutch version (2006) Lampas 39: 91-109.
  • Lewis, John David (2006) Solon the Thinker: Political Thought in Archaic Athens. London.
  • Van Wees, Hans (1999) 'The mafia of early Greece. Violent exploitation in the seventh and sixth centuries BC' in Organized Crime in Antiquity, ed. Keith Hopwood. London: 1-51. Includes discussion of Solon's 'political' fragments.
  • Van Wees, Hans (2006) 'Mass and elite in Solon's Athens: the property classes revisited', in Solon of Athens: new historical and philological approaches, eds. J. Blok and A. Lardinois. Leiden: 351-89. Abbreviated version in Dutch: (2006) 'Massa en elite in Solon's Athene: de betekenis van de vermogensklassen', Lampas 39: 131-52. Includes discussion of Solon's 'political' fragments.

Theognis

  • Ford, Andrew L. (1985) 'The Seal of Theognis: The Politics of Authorship in Archaic Greece' in Theognis of Megara: Poetry and the Polis, eds. T.J. Figueira and G. Nagy. Baltimore: 82-95.
  • Kurke, L. (1989) 'Kapêleia and Deceit: Theognis 59–60', American Journal of Philology 110: 535–44.
  • Martin, R.P. (2001) ‘Just Like a Woman: Enigmas of the Lyric Voice’, in Making Silence Speak: Women’s Voices in Greek Literature and Society, eds. A. Lardinois and L. McClure. Princeton, N.J.: 55-74.
  • Pòrtulas, Jaume (2006) 'Crizia di Atene e la leggenda archilochea' in L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34, ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) BMCR 2008.07.04.
  • Rösler, Wolfgang (2006) 'La raccolta di Teognide: «il più antico libro dimostrabilmente edito dall'autore stesso». Considerazioni su una tesi di Richard Reitzenstein' in L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34, ed. Fabio Roscalla. Pisa: Edizioni ETS: 55-67. Reviewed by Jennings, Victoria (2008) BMCR 2008.07.04.
  • Wees, Hans van (2000) ‘Megara’s mafiosi. Timocracy and violence in Theognis’, in Alternatives to Athens. Varieties of political organization and community in ancient Greece, eds. R. Brock and S. Hodkinson. Oxford University Press: 52-67. Abbreviated version in Dutch: (2003) ‘Maffiosi in Megara: timocratie en geweld in Theognis’, Lampas 36: 284-99.

Xenophanes

  • Granger, Herbert (2007) 'Poetry and Prose: Xenophanes of Colophon', Transactions of the American Philological Association 137.2: 403-33. Abstract. PDF.

Critias

  • Iannucci, A. (1998) 'Elegia e lotta politica. Note di lettura a Crit. fr. 5 W.', AION (filol) 20: 107-127.
  • Iannucci, A. (2002) La parola e l'azione. I frammenti simposiali di Crizia. Bologna. Review by P. Wilson in BMCR 2004.09.16.
  • Iannucci, A. (2003) 'Una ‘corona di giambi’. Ipotesi di lettura del fr. 2 Gent.-Pr. di Crizia', Seminari Romani di Cultura Greca, VI 1: 31-42.
  • Pòrtulas, Jaume (2006) 'Crizia di Atene e la leggenda archilochea' in L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34, ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) BMCR 2008.07.04.
  • Rotstein, Andrea (2007) ‘Critias’ invective against Archilochus’, Classical Philology 102: 139-54.

Dionysius Chalcus

Euenus

Ion

Phocylides

Adespota Elegiaca

Greek Lyric Poetry

Lyric General

  • Ahrens, H. L. (1853) ‘Über die Mischung der Dialekte in der griechischen Lyrik’, in Verhandlungen der dreizehnten Versammlung Deutscher Philologen, Schulmänner und Orientalisten in Göttingen vom 29. September bis 2. Oktober, Göttingen: 55-80, reprinted in Kleine Schriften. I, Hannover 1853 (= Hildesheim-New York 1977): 157-81.
  • Athanassaki, L. (2002) 'On Horace 1.15 and Choral Lyric' in Horace and Greek Lyric, ed. M. Paschalis. Rethymnon Classical Studies 1: 85-101.
  • Athanassaki, L. (2005) 'Χορεία. Η ποιητική της παράστασης', Thallo 16: 37-76.
  • Barrett, W. S. (2007) Greek Lyric, Tragedy, and Textual Criticism: Collected Papers. Assembled and edited by M.L. West. Oxford, New York. The papers deal with Stesichorus, Pindar, Bacchylides and Euripides. Table of Contents.
  • Bierl, Anton (2001) Der Chor in der Alten Komödie. Ritual und Performativität (unter besonderer Berücksichtigung von Aristophanes' Thesmophoriazusen und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126). It has been translated by Alex Hollmann into English as:
    • Bierl, Anton (2007) Ritual and Performativity: The Chorus in Old Comedy. Harvard Press, Center of Hellenic Studies. With many interpretations of comic, tragic and satyric songs, with a general introduction of more than 90 pages to the Chorus and song culture in general; it includes an interpretation of Alcman and an intense analysis of popular Phallus-Songs in ch. 2.
  • Bremer, Jan Maarten and W.D. Furley (2001) Greek Hymns. Selected Cult Songs from the Archaic to the Hellenistic period. Tübingen.
  • Bremer, Jan Maarten (2008) 'Traces of the Hymn in the Epinikion', Mnemosyne 61: 1-17. PDF.
    • Abstract: E.L. Bundy's (1962) approach to Pindar's victory odes might lead to the assumption that the poet's praise is always and exclusively addressed to the human laudandus and his polis. Readers of Currie's recent monograph (2005) might even be led one step further: does Pindar insinuate that the laudandus receives heroic status and becomes immortal? In this paper it is argued in the first place that in many, if not all, epinicians praise of the gods comes in first place, praise of the gods being the foundation and the echo-chamber of the praise directed at the victorious athlete. A second point is that in a significant number of passages the athlete is reminded by the epinician poet that he is just a mortal, and that his present and passing felicity, obtained by hard effort, is a far cry from the easy and everlasting happiness of the immortal gods.
  • Briand, Michel (1996) 'Énonciation lyrique et dialogue dans la poésie archaïque grecque: de Stésichore à Pindare, Bacchylide et Sappho', in Travaux du Cercle de Linguistique de Nice, numéro spécial sur "La pragmatique" (dir. S. Mellet): 119-172.
  • Briand, Michel (2005) 'Questions de cohérence et de cohésion dans la poésie mélique grecque archaïque: la transition entre discours d'actualité et récit mythique' in Cohésion et cohérence. Études de linguistique textuelle, ed. Anna Jaubert. Lyon: 79-98.
  • Calame, Claude (1977a) Les Chœurs de jeunes filles en Grèce archaïque. Vol. I: Morphologie, fonction religieuse et sociale; vol. II: Alcman, Roma. The first volume has been translated by Derek Collins and Janice Orion (2001: 2nd ed.) Choruses of young women in ancient Greece: their morphology, religious role, and social functions. Lanham, New York and Oxford.
  • Calame, Claude (1977b) Rito e poesia corale in Grecia. Guida storica e critica, Roma and Bari.
  • Calame, Claude (1997) 'Diction formulaire et fonction pratique dans la poésie mélique archaïque' in Hommage à Milman Parry. Le style formulaire de l'épopée homérique et la théorie de l'oralité poétique, ed. F. Létoublon. Amsterdam: 215-222.
  • Calame, Claude (1998) 'La poésie lyrique grecque, un genre inexistant?' Littérature 11: 87-110. English translation in preparation for I. Rutherford (ed.) Oxford Readings in Greek Lyric. Oxford.
  • Calame, Claude (2002) L'Éros dans la Grèce antique. Paris (2nd edn.). English translation (1999) The Poetics of Eros in Ancient Greece. Princeton.
  • Calame, Claude (2006) 'Identifications génériques entre marques discursives et pratiques énonciatives: pragmatique des genres “lyriques“' in Le savoir des genres, eds. R. Baroni and M. Macé. Rennes: 35-55.
  • Calame, Claude (2007) 'Mythos, musische Leistung und Ritual am Beispiel der melischen Dichtung' in Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen, eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. MythosEikonPoiesis Bd. 1.1–2. Berlin and New York: 179-210. Reviewed by Reyes Bertolín Cebrián BMCR 2008.08.09.
  • Contiades-Tsitsoni, E. (1990) Hymenaios und Epithalamion. Das Hochzeitslied in der frühgriechischen Lyrik, Stuttgart. Beträge zur Altertumskunde 16.
  • D'Angour, Armand (1997) 'How the Dithyramb Got Its Shape', Classical Quarterly 47.2: 331-351.
  • D'Angour, Armand (2007) 'The Sound of Music: modulations and innovations in drama and dithyramb' in Debating the Athenian Cultural Revolution, ed. R. Osborne Cambridge: 288-300.
  • Danielewicz, J. (1990) 'Deixis in Greek Choral Lyrik', QUCC 63: 7-17.
  • Danielewicz, J. (1990) 'Towards an Understanding of the Chrorus: Homer on Early Forms of Lyric Poetry', Eos 78: 55-62.
  • Davies, M. (1988) 'Monody, Choral Lyric, and the Tyranny of the Handbook', CQ n.s. 38: 52-64.
  • Davies, M. (1991) Poetarum Melicorum Graecorum Fragmenta. Vol. 1: Alcman, Stesichorus, Ibicus. Oxford.
  • Ford, Andrew L. (2006) 'The Genre of Genres: Paeans and Paian in Early Greek Poetry', Poetica 38.3-4: 277-296. It reviews the many attempts to define paeans (esp. by Käppel and Schroeder) as part of a broader discussion of the usefulness of genre terms in reading early Greek lyric. It reads several of Timotheus' fragments to argue that predicating the epithet was the core of the "genre".
  • Fowler, R.L. (1987) The Nature of Early Greek Lyric: Three Preliminary Studies. Toronto.
  • Fröhder, D. (1994) Die dichterische Form der Homerischen Hymnen: untersucht am Typus der mittelgrossen Preislieder. Hildesheim. Spudasmata 53.
  • Gentili, B. (1984) Poesia e pubblico nella Grecia antica da Omero al V secolo. Roma-Bari. Revised and updated version translated, with an introduction, by Cole, A.T. (1988) Poetry and Its Public in Ancient Greece from Homer to the Fifth Century. Baltimore.
  • Gerber, D.E. (1997) A Companion to the Greek Lyric Poets. Leiden-New York-London-Köln.
  • González de Tobia, Ana M. (2005) ‘El canto coral ‘fundador’ de una poética que vincula fiesta y memoria’, in Memoria e Festa, eds. de Souza Lessa, F. and da Cunha Bustamante, M. R. Rio de Janeiro: 165-172.
  • Harvey, A.E. (1955) 'The Classification of Greek Lyric Poetry', CQ n.s. 5: 157-175.
  • Hutchinson, G. O. (2001) Greek Lyric Poetry: A Commentary on Selected Larger Pieces. Oxford.
    • Contains new texts of, and detailed commentaries on, Alcman 1 and 3 Davies, Stesichorus 222 (b) Davies, Sappho 1, 16, 31, 96 Voigt, Alcaeus 129, 130b, 298 Voigt, Ibycus S151 Davies, Anacreon 347 fr. 1, 358, 417 Page, Simonides 542, 543 Page, Bacchylides 3, Pindar Olympian 6, Sophocles Ajax 1185-1222, Euripides Medea 627-662; introductions on individual poets and on tragic lyric.
  • Ingalls, Wayne (2000) ‘Ritual Performance as Training for Daughters in Archaic Greece’, Phoenix 54: 1-20.
  • Käppel, L. (1992) Paian. Studien zur Geschichte einer Gattung. Berlin. Untersuchungen zur antiken Literatur und Geschichte 37.
  • Klug, W. (1954) Untersuchungen zum Gebet in der frühgriechischen Lyrik. Dissertation. Hamburg.
  • Kowalzig, Barbara (2007) Singing for the Gods. Performances of Myth and Ritual in Archaic and Classical Greece. Oxford Classical Monographs. Oxford: Oxford University Press. Reviewed by Seaford, Richard (2008) BMCR 2008.09.25.
  • Lambin, G. (1992) La chanson grecque dans l'antiquité. Paris.
  • Lattke, M. (1991) Hymnus: Materialien zu einer Geschichte der antiken Hymnologie. Fribourg. Novum Testamentum et orbis antiquus 19.
  • Ley, G. (1993) 'Monody, Choral Song, and Athenian Festival Performance', Maia 45: 105-124.
  • Lyghounis, Maria Gilda (1991) 'Elementi tradizionali nella poesia nuziale greca', Materiall e discussioni per I'analisi dei testi classici 27: 159-98.
  • MacDowell, D.M. (1989) 'Athenian Laws abouth Choruses' in Symposion 1982: Vorträge zur griechischen und hellenistischen Rechtsgeschichte (Santander 1.-4. September), ed. F.J. Fernández Nieto. Köln: 65-77.
  • Martin, Richard (2007) 'Outer Limits, Choral Space' in Visualizing the Tragic, eds. C. Kraus, S. Goldhill, H. Foley and J. Elsner. Festschrift for F. Zeitlin. New York, Oxford: 35-62.
  • Miller, P. A. (1994) Lyric Texts and Lyric Consciousness: The Birth of a Genre from Archaic Greece to Augustean Rome. London.
  • Mullen, W. (1982) Choreia: Pindar and Dance. Princeton.
  • Naerebout, F.G. (1997) Attractive Performances. Ancient Greek Dance: Three Preliminary Studies. Amsterdam.
  • Nagy, G. (1994/5) 'Transformations of Choral Lyric Traditions in the Context of Athenian State Theater', Arion 3.1: 41-55.
  • Nagy, G. (2008) 'Lyric and Greek Myth' in The Cambridge Companion to Greek Mythology, ed. Roger D. Woodard. Cambridge: Cambridge University Press: 19-51. With emphasis on the Lesbian poets Sappho and Alcaeus. Reviewed by Kühr, Angela BMCR 2008.08.10.
  • Neri, Camillo (2004) La lirica greca. Temi e testi. Roma.
  • Nicholson, N. (1999-2000) 'Pederastic poets and adult patrons: maintaining authority in late archaic lyric', CW 93: 235-259.
  • Peponi, Anastasia-Erasmia (1991) 'Flexible Lyric, Inflexible Theory: around W.R. Johnson’s The Idea of Lyric: Lyric Modes in Ancient and Modern Poetry '. Berkeley 1982. in Logou Charin 2: 167-182. (in Greek)
  • Peponi, Anastasia-Erasmia (1993) Representation of Space and Time in Early Archaic Lyric Poetry. PhD dissertation Thessaloniki.
  • Peponi, Anastasia-Erasmia (1995) 'Teaching Lyric Poetry in High Schools by means of Modern Greek Translations' Thallo 7: 103-112. (in Greek)
  • Peponi, Anastasia-Erasmia (2002) 'Mixed Pleasures, Blended Discourses: Poetry, Medicine and the Body in Plato’s Philebus 46-47c', Classical Antiquity 21: 135-160. (reception of archaic lyric poetry in Plato)
  • Peponi, Anastasia-Erasmia (2002) 'Fantasizing Lyric: Horace, Epistles 1.19' in Horace and Greek Lyric Poetry, ed. M. Paschalis. Rethymnon: 19-45. (reception of archaic lyric poetry in Horace)
  • Psaroudakēs, Stelios (2006) 'A lyre from the cemetery of the Acharnian Gate, Athens' in Studien zur Musikarchäologie V. Music Archaeology in context. Archaeological semantics, historical implications, socio-cultural connotations. Papers from the 4th Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 19-26 September, 2004. Orient-Archäologie 20, Ellen Hickmann & Arnd Adje Both & Ricardo Eichmann (eds.). Rahden, Westf.: 59-79.
  • Ψαρουδάκης, Στέλιος (2007) «Η λύρα στον ελλαδικό χώρο στις εποχές του Χαλκού και το Σιδήρου», Αρχαιολογία και Τέχνες 90: 59-67. (in modern Greek)
  • Race, W.H. (1992) 'How Greek Poems Begin', YCS 29: 13-38.
  • Ruijgh, C.J. (1980) 'De ontwikkeling van de lyrische kunsttaal, met name van het literaire dialect van de koorlyriek', Lampas 5: 416-435.
  • Rutherford, I. (1993) 'Paeanic Ambiguity: A Study of the Representation of the Paean in Greek Literature', QUCC 44: 97-92.
  • Rutherford, I. (1997) 'Odes and Ends: Closure in Greek Lyric Poetry' in Classical Closure. Reading the End in Greek and Latin Literature, eds. Roberts, D. and D. Fowler. Princeton [...].
  • Rutherford, I. (2001) Pindar's Paeans. A Reading of the Fragments with a Survey of the Genre. Oxford.
  • Schmidt, E.G. (1974) 'Zur Interpretation und Rezeption frühgriechischer Lyrik' in Die Antike in der sozialistischen Kultur, Internationale Arbeitskonferenz des Instituts für Altertumswissenschaft der Friedrich-Schiller-Universität Jena, 27.-29. Juni 1973. Jena: 93-109.
  • Schmitz, H. (1970) Hypsos und Bios. Stilistische Untersuchungen zum Alltagsrealismus in der archaischen griechischen Chorlyrik. Bern.
  • Segal, C. (1989) 'Song, Ritual, and Commemoration in Early Greek Poetry and Tragedy', Oral Tradition 4: 330-359.
  • Segal, C. (1998) Aglaia. The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna. Lanham-Boulder-New York-Oxford.
  • Seidensticker, Bernd (2005) 'Dithyramb, Comedy, and Satyr-Play' in A Companion to Greek Tragedy, ed. Justina Gregory. Oxford: Blackwell: 38-54. Reviewed by Wright, Matthew (2006) BMCR 2006.06.39.
  • Slings, S.R. (ed.) (1990) The poet's I in archaic Greek lyric. Amsterdam.
  • Slings, S.R. (1990) 'The I in personal archaic lyric: an introduction' in The poet's I in archaic Greek lyric, ed. S.R. Slings. Amsterdam: 1-30.
  • Stehle, E. (1997) Performance and Gender in Ancient Greece. Nondramatic Poetry in its Setting. Princeton.
  • Trümpy, C. (1986) Vergleich des Mykenischen mit der Sprache der Chorlyrik. Bewahrt die Chorlyrik eine von Homer unabhängige alte Sprachtradition?. Bern.
  • Webster, T.B.L. (1970) The Greek Chorus. London.
  • West, M.L. (1992) Ancient Greek Music. Oxford.
  • Wilson, Lyn Hatherly (1996) Sappho's Sweetbitter Songs: Configurations of female and male in ancient Greek Lyric. London and New York.
  • Wilson, Peter J. (1999) 'The aulos in Athens', in Performance Culture and Athenian Democracy, S. Goldhill and R. Osborne (eds.). Cambridge: 58-95.
  • Wilson, Peter J. (2000) The Athenian institution of the Khoregia: the chorus, the city and the stage. Cambridge and New York.
    • Reviews: Josiah Ober (2000) BMCR 10. Stuart Douglas Olson (2000-2001) CW 94.4: 418-419. Geert Roskam (2001) LEC 69.3: 341-342. Jean-Charles Moretti (2001) REA 103.3-4: 585-586. Herman Van Looy (2001) AC 70: 447-448. Nicoletta Marini (2002) Athenaeum 90.2: 662-664. Stephen D. Lambert (2002) JHS 122: 178-179. Eric Csapo (2002) Phoenix 56.1-2: 150-153.

Sappho and Alcaeus

  • Aloni, A. (1983) ‘Eteria e tiaso: I gruppo aristocratici di Lesbo tra economia e ideologia’, Dialoghi di Archeologia ser. 3, n. 1: 21-35 (= id., ‘Lotta politica e pratica religiosa nella Lesbo di Saffo e Alceo’, Atti del Centro ricerche e documentazione sull'antichittà classica 11 (1980/81): 213-32)
  • Broger, A. (1996) Das Epitheton bei Sappho und Alkaios. Eine sprachwissenschaftliche Untersuchung. Innsbruck. Review by Slings, S.R. (1999) Mnemosyne 52: 481-484.
  • Nagy, Gregory (2007) 'Did Sappho and Alcaeus Ever Meet? Symmetries of Myth and Ritual in Performing the Songs of Ancient Lesbos' in Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen, eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. MythosEikonPoiesis Bd. 1.1–2. Berlin and New York: ibid. 211-269. Reviewed by Reyes Bertolín Cebrián BMCR 2008.08.09.

Sappho

Cf. the bibliography on Sappho made by Martine Cuypers that forms part of a Hellenistic Bibliography.

  • Aloni, A. (1997) Saffo: Frammenti. Florence.
  • Aloni, A. (2001) ‘What is that man doing in Sappho, fr. 31 V.?’, in Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire, eds. A. Cavarzere et al. Lanham, Md., and Oxford: 29-40.
  • Bierl, Anton (2004) ' 'Ich aber (sage), das Schönste ist, was einer liebt!' Eine pragmatische Deutung von Sappho Fr. 16 LP/V', Quaderni Urbinati di Cultura Classica n.s. 74.2 (103): 91–124.
  • Bremer, Jan Maarten (1982) 'A reaction to Tsagarakis' discussion of Sappho fr. 31', Rheinisches Museum 125: 113-116.
  • Calame, Claude (1996) 'Sappho's Group: An Initiation into womanhood' in Reading Sappho. Contemporary Approaches, ed. E. Greene, Berkeley and London: 113-124.
  • D'Angour, Armand (2006) 'Conquering Love: Sappho 31 and Catullus 51', Classical Quarterly 56: 297-300.
  • Dosuna, Julián Méndez (2008) 'Miscellanea: Knees and Fawns in the New Sappho', Mnemosyne 61.1: 108-14. PDF.
  • Greene, E. (ed.) (1996) Reading Sappho: Contemporary Approaches. Berkeley and London.
  • Lardinois, A.P.M.H. (1989) 'Lesbian Sappho and Sappho of Lesbos' in From Sappho to de Sade: Moments in the History of Sexuality, ed. J.N. Bremmer. London: 15-35. Dutch version (1988) and Portugese translation (1995).
  • Lardinois, A.P.M.H. (1994) 'Subject and Circumstance in Sappho's Poetry', Transactions of the American Philological Association 124: 57-84.
  • Lardinois, A.P.M.H. (1996) 'Who Sang Sappho's Songs?' in Reading Sappho: Contemporary Approaches, ed. E. Greene Berkeley: 150-172.
  • Lardinois, A.P.M.H. (2001) 'Keening Sappho: Female Speech Genres in Sappho's Poetry' in Making Silence Speak: Women's Voices in Greek Literature and Society, eds. A. Lardinois and L. McClure. Princeton: 75-92.
  • Lardinois, A.P.M.H. ((2003) 'Drie gedaantes van Helena: Moderne interpretaties van Sappho Fr. 16' (Modern interpretations of Sappho Fr. 16), Lampas 36: 261-283.
  • Lardinois, A.P.M.H. (2007) 'Seks à la Sappho', Lampas 40: 273-80. In Dutch.
  • Neri, Camillo (2001) 'In margine a Sapph. fr. 96,8 V.', Eikasmós 12: 11-18.
  • Neri, Camillo (2005) 'Sudore freddo e tremore (Sapph. fr. 31,13 V. ~ Sen. Tro. 487s. ~ Apul. Met. I 13, II 30, X 10)', Eikasmós 16: 51-62 (con F. Citti).
  • Peponi, Anastasia-Erasmia (1985) 'Narrative Modes in a lyric litê: Sappho 1 L.P' Philologos 41: 244-259. (in Greek)
  • Peponi, Anastasia-Erasmia (1995) 'Lyric Transformations of Epic Helen: the Technique of Poetic Suppression in Sappho 16 L.P.' in Proceedings of the 7th International Symposium of Ithaki: 315-328. (in Greek)
  • Peponi, Anastasia-Erasmia (1997) 'Mythoplokos Eros: Sappho’s Allusion to her Poetics' in Acta: First Panhellenic and International Conference on Ancient Greek Literature, ed. J.-T. Papademetriou. Athens: 139-165. (in Greek)
  • Rawles, Richard (2006) 'Notes on the interpretation of the 'New Sappho' ' ZPE 157: 1-7.
  • Slings, S.R. (1988) 'Sappho fr. 1,19', Zeitschrift für Papyrologie und Epigraphik 72: 19-20.
  • Slings, S.R. (1991) 'Sappho fr. 1, 8 V.: Golden house or golden chariot?', Mnemosyne 44: 404-410.
  • Slings, S.R. (1994) 'Sappho, fr. 94, 10', Zeitschrift für Papyrologie und Epigraphik 102: 8.
  • Slings, S.R. (1994) 'Two notes on Sappho's wedding songs', Mnemosyne 47: 677-679.
  • Steinrück, M. (1999) 'Homer bei Sappho?', Mnemosyne 52: 139-149.
  • Steinrück, M. (2000) 'Neues zu Sappho", ZPE 131: 10-12.
  • Steinrück, M. (2000) 'Sappho sans sa vie', in Biographie des hommes - biographie des dieux, ed. M.-L. Desclos. Grenoble: 113-127.
  • Steinrück, M. (2008) 'Sapphos Alterslied und kein Ende', QUCC 86: 89-94.
  • Tasagarakis, O. (1979) 'Some neglected aspects of love in Sappho’s Fr. 31 LP', Rheinisches Museum 122: 97-118.
  • Yatromanolakis, Dimitrios (2007) Sappho In The Making: The Early Reception. Harvard University Press.
  • Yossi, M. J., D. Kioussi and A. Tatsi (eds) (2004) Thelxis. Fifteen Essays on Sappho. Athens: Smili Editions. Articles by B. Gentili, Cl. Calame, J. McIntosh Snyder, J. J. Winkler, E. Greene, A. Lardinois, P. A. Rosenmeyer. I. Le. Pfeijffer, K. Stanley, Ch. Segal, W. Stehle Stigers. J. Svenbro, E. Robbins, R. Palmisciano, Anne Carson translated into modern Greek with an Introduction by the Editors. (an En Kyklo publication)

Alcaeus

  • Andrisano, A. (2001) ‘Iambic motifs in Alcaeus' lyrics’, in Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire, eds. A. Cavarzere et al. Lanham, Md., and Oxford: 41-64.
  • Bachvarova, Mary R. (2007) 'Oath and allusion in Alcaeus fr. 129' in Horkos. The Oath in Greek Society, eds. Alan H. Sommerstein, Judith Fletcher. Exeter: 179-188. Reviewed by Kellogg, Danielle L. (2008) BMCR 2008.08.55.
  • Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) Some recently found Greek poems: Text and Commentary. Leiden. Mnemosyne Supplement 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
  • Kurke, Leslie (1994) 'Crisis and Decorum in Sixth–Century Lesbos: Reading Alkaios Otherwise', Quaderni Urbinati di cultura classica, n.s. 47: 67-92.
  • Lelli, Emanuele (2006) Volpe e leone. Il proverbio nella poesia greca (Alceo, Cratino, Callimaco). Filologia e critica, 93. Roma: Edizioni dell'Ateneo. Table of Contents. Reviewed by Massimiliano Ornaghi, BMCR 2008.01.39.
  • Neri, Camillo (1996) 'Poeti, filologi e patelle (Alcae. fr. 359 V., Dicaearch. fr. 99 Wehrli, Ar. Byz. fr. 367 Sl.)', Eikasmós 7: 25-55.

Incertum utrius auctoris fragmenta

Alcman

Cf. The Alcman bibliography that is maintained by George Hinge. This website forms part of a project on the dialect of Alcman (in German with a summary in English and Danish).

  • Bierl, Anton (2007) 'L'uso intertestuale di Alcmane nel finale della Lisistrata di Aristofane. Coro e rito nel contesto performativo' in Dalla lirica corale alla poesia drammatica. Forme e funzioni del canto corale nella tragedia e nella commedia greca, eds. F. Perusino and M. Colantonio. Pisa: 259–290. With a comparison between Alcman and the last songs in Ar. Lysistrata.
  • Calame, Claude (1983) Alcman. Texte critique, témoignages, traduction et commentaire. Roma.
  • Hinge, George (2006) Die Sprache Alkmans: Textgeschichte und Sprachgeschichte. Wiesbaden: Dr. Ludwig Reichert Verlag. Serta Graeca 24. Cf. his website Die Sprache Alkmans.
  • Peponi, Anastasia-Erasmia (2004) 'Initiating the Viewer: Deixis and Visual Perception in Alcman’s Lyric Drama', Arethusa 37.3: 295-316.
  • Peponi, Anastasia-Erasmia (2007) 'Sparta’s Prima Ballerina: Choreia in Alcman's Second Partheneion (3 PMGF)', Classical Quarterly 57.2: 351-62.
  • Priestley, J.M. (2007) 'The φαρος of Alcman's Partheneion 1', Mnemosyne 60.2: 175-95.
  • Robbins, E. (1991) 'Alcman’s Partheneion: Legend and Choral Ceremony', CQ 44: 7-16.

Stesichorus

  • Arrighetti, G. (1995) 'L'arte di Stesicoro nel giudizio degli antichi', in Poésie et lyrique antiques: Actes du colloque organisé par C. Meillier à l’Université Charles-de-Gaulle, Lille III, 2-4 juin 1993, ed. L. Dubois. Lille: 55-72.
  • Barker, Andrew (2001) 'La musica di Stesicoro', Quaderni Urbinati di Cultura Classica 67.1: 7-20.
  • Blaise, Fabienne (1995) ‘Les deux (?) Hélène de Stésichore’, in Poésie et lyrique antique, ed. L. Dubois, Lille: 29-40. Full text: Media:Blaise1995Stesichorus.pdf.
  • Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) Some recently found Greek poems: Text and Commentary. Leiden. Mnemosyne Supplement 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
  • Neri, Camillo (2008) 'Trattativa contro il fato (Stesich. PMGF 222b,176-231)', Eikasmós 19: 11-44.
  • Slings, S.R. (1998) 'Hoge en lage lyriek in de zesde eeuw. I: Stesichoros', Hermeneus 70:188-195. In Dutch.

Ibycus

  • Tortorelli, William (2004) 'A Proposed Colometry of Ibycus 286', Classical Philology 99.4: 370-376. URL
  • Ucciardello, Giuseppe (2005) 'Sulla tradizione del testo di Ibico', in Lirica e Teatro in Grecia. Il Testo e la sua ricezione (Atti del II Incontro di Studi, Perugia 23-24 gennaio 2003), a cura di S. Grandolini. Napoli: 21-88.

Anacreon

  • Achilleos, S. (2004) ‘The Anacreontea and a tradition of refined male sociability’ in A Pleasing Sinne: Drink and Conviviality in Seventeenth-Century England, ed. A. Smyth. Cambridge: 21-35.
  • Aloni, A. (2000) 'Anacreonte a Atene: datazione e significato di alcune iscrizioni tiranniche', ZPE 130: 81-94.
  • Iannucci, A. (1999) 'Callimaco, Anacreonte e il ‘bere vino’ (Callim. Aet. fr. 178,11 s. Pf.; Anacr. fr. 56 Gent. = 2 W.)', Quaderni del Dipartimento di Filologia, Linguistica e Tradizione Classica di Torino 12: 131-140.
  • Ladianou, Katerina (2005) 'The Poetics of Choreia: Imitation and Dance in the Anacreontea ', Quaderni Urbinati di Cultura Classica 80: 47-60.
  • Slings, S.R. (1978) 'Anacreon's two meadows', Zeitschrift für Papyrologie und Epigraphik 30: 38.
  • Slings, S.R. (1998) 'Hoge en lage lyriek in de zesde eeuw: II Anakreon', Hermeneus 70: 247-253. In Dutch.
  • Steinrück, M. (1995) 'Lautechos bei Anacreon', in Lo spettacolo delle voci, eds. F. De Martino A.H. Sommerstein. Bari: 173-192.

Simonides

  • Aloni, A. (2001) ‘The proem of Simonides’ Plataea Elegy and the circumstances of its Performance’, in The New Simonides: Contexts of Praise and Desire, eds. D. Boedeker and D. Sider. New York and Oxford: 86-105.
  • Aloni, A. (2006) ‘A proposito di Simon. fr. 22 W2 e Ael. Aristid. 31,2 K.’, Eikasmos 17: 69-73.
  • Andreoli, Francesca (2005) Per un riesame critico del 'nuovo Simonide' elegiaco. Parma. PDF.
  • Barchiesi, A. (1996) ‘Poetry, praise, and patronage: Simonides in the fourth book of Horace’s Odes’, ClAnt 15: 5-47.
  • Barchiesi, A. (2001) ‘Simonides and Horace on the death of Achilles’, in The New Simonides: Contexts of Praise and Desire, eds. D. Boedeker and D. Sider. New York and Oxford: 255-260.
  • Barrigón, Maria Carmen (2002) 'La expresión del sentimiento amoroso en Simónides', Humanitas 54: 9-33.
  • Bartol, Krystyna (1993) Greek Elegy and Iambus: Studies in Ancient Literary Sources. Uniwersytet im. Adama Mickiewicza w Poznaniu.
  • Bartol, Krystyna (1998) 'Schnee beim Gelage zu Simonides, Eleg. 25 W.2', Eos 85: 185-188.
  • Bartol, Krystyna (1999) 'Between Loyalty and Treachery. P. Oxy. 2327 fr. 1+ 2(a) col. I = Simonides 21 West2 - Some Reconsiderations', ZPE 126: 26-28.
  • Bernsdorff, H. (1996) 'Zu Simonides Fr. 22 West2', ZPE 114: 24-26.
  • Boedeker, Deborah (1995) 'Simonides on Plataea: Narrative Elegy, Mythodic History' ZPE 107: 217-229.
  • Boedeker, Deborah (1998) 'The New Simonides and Heroization at Plataia' in Archaic Greece: New Approaches and New Evidence, eds. Nick Fisher and Hans van Wees. Cardiff and London: 231-249.
  • Boedeker, Deborah (2001) 'Heroic Historiography: Simonides and Herodotus on Plataea' in The New Simonides: Contexts of Praise and Desire, eds. Boedeker and Sider. Oxford: 120-134. (Earlier version with same title in The New Simonides, edd. Deborah Boedeker and David Sider = Arethusa 29 [1996]: 223-242)
  • Boedeker, Deborah (2001) 'Paths to Heroization at Plataea' in The New Simonides: Contexts of Praise and Desire, eds. Boedeker and Sider. Oxford: 148-163.
  • Boedeker, Deborah and David Sider (eds.) (2001) The New Simonides: Contexts of Praise and Desire. Oxford.
  • Bravi, Luigi (2006) Gli epigrammi di Simonide e le vie della tradizione. Filologia e critica 94. Roma: Edizioni dell'Ateneo. Reviewed by Sider, David (2008) BMCR 2008.02.47.
  • Bremer, Jan Maarten (1991) 'Poets and their patrons', in Fragmenta Dramatica, eds. A. Harder and H. Hofmann. Göttingen: 39-60. In this paper a substantial section on Simonides and Pindar.
  • Brillante, C. (2000) 'Simonide, fr. Eleg. 22 West2', QUCC 64: 29-38.
  • Hornblower, S. (2001) 'Epic and Epiphanies: Herodotus and the New Simonides', in The New Simonides: Contexts of Praise and Desire, eds. D. Boedeker and D. Sider. New York and Oxford: 135-47.
  • Hubbard, Th.K. (1996) ' 'New Simonides' or old Semonides? Second Thoughts on POxy 3965, fr. 26, Arethusa 29: 255-262 (= in (2001) The New Simonides: Contexts of Praise and Desire, eds. D. Boedeker and D. Sider. New York and Oxford: 226-231).
  • Hunter, R. (1993) 'One Party or Two?: Simonides 22 West2', ZPE 99: 11-14 (= in (2001) The New Simonides: Contexts of Praise and Desire, eds. D. Boedeker and D. Sider. New York and Oxford: 242-254).
  • Mayer, Péter (2007) 'Überlegungen zum Vortragskontext und zur Aussage der 'Plataia-Elegie' des Simonides (frr. 10-18 W2)', Hermes 135: 373-388.
  • Molyneux, J.H. (1992) Simonides: A Historical Study. Wauconda 1992.
  • Obbink, Dirk (1996) 'The Hymnic structure of the New Simonides', Arethusa 29: 193-204.
  • Obbink, Dirk (2001) 'The Genre of Plataea. Generic Unity in the New Simonides', in The New Simonides: Contexts of Praise and Desire, eds. D. Boedeker and D. Sider. New York and Oxford: 65-85.
  • O’ Hara, J. (1998) 'Venus or the Muse as 'ally' (Lucr. 1.24, Simon. frag. Eleg. 11.20-22 W)', CP 93: 69-74.
  • Petrovic, Andrej (2002) 'Der simonideische makros logos und die sophokleische Antigone. Zur Identifizierung einer alten dramatischen Gestaltungsweise', Phaos Revista de Estudos Classicos 2: 121-131.
  • Petrovic, Andrej (2007) Kommentar zu den simonideischen Versinschriften. Leiden-Boston: Brill.
  • Poltera, O. (1997) Le langage de Simonide. Étude sur la tradition poétique et son renouvellement. Bern.
  • Rawles, Richard (2005) 'Simonides and a new papyrus in Princeton', ZPE 153: 59-67. This article is an edition of P. Princeton inv. AM87-59A with comment. The papyrus contains a Simonides testimonium.
  • Rawles, Richard (2008) 'Simonides and Theocritus 4: intertextual readings', MD 59: 9-34.
  • Rawles, Richard (2008) 'Simonides fr.11.14 W: "Close-fighting Danaans"', Mnemosyne 61.3: 459-66.
  • Rutherford, Ian (1990) 'Paeans by Simonides', HSCP 93: 169-209.
  • Rutherford, Ian (1996) 'The New Simonides: towards a commentary', Arethusa 29: 167-192.
  • Schachter, A. (1998) 'Simonides’ Elegy on Plataia: the occasion of its performance', ZPE 123: 25-30.
  • Slings, S.R. (2003) 'De nieuwe Simonides', Lampas 36: 243-260. In Dutch.

Pindar

Cf. the bibliography on Pindar made by Martine Cuypers that forms part of a Hellenistic Bibliography.

  • Anzai, Makoto (1990) ‘The first person in the epinicion’, JCS 38: 16-29.
  • Anzai, Makoto (1994) ‘First-person forms in Pindar: a re-examination’, BICS 39: 141-150. This contribution to the meaning of ‘I’ in epinician poetry contains an interpretation of Pindar’s Isthmian Eight, lines 1-18 and an examination of parodoi in tragedy in order to provide indirect confirmation of the theory that an epinican chorus came marching to the place of performance.
  • Anzai, Makoto (1999) ‘A chorus who performs a poet: Pindar's Third Nemean ode, 1-12’, Mediterraneus 22: 19-42.
  • Athanassaki, L. (1990) Mantic Vision and Diction in Pindar’s Victory Odes. PhD thesis. Brown University.
  • Athanassaki, L. (1997) 'Οι κυρηναϊκοί θρύλοι στην μυθοποιητική πρόταση του McLaugΠινδάρου' in Acta of the First Panhellenic and International Conference on Ancient Greek Literature, ed. J.-Th. Papademetriou. Athens: 199-233. With an extensive English summary.
  • Athanassaki, L. (2003) 'Transformations of Colonial Disruption into Narrative Continuity in Pindar’s Epinician Odes', HSCP 101: 93-128.
  • Athanassaki, L. (2003) 'A Divine Audience for the Celebration of Asopichus' Victory in Pindar's Fourteenth Olympian Ode ' in Gestures. Essays in Ancient History, Literature and Philosophy Presented to Alan L. Boegehold on the Occasion of His Retirement and His Seventy-Fifth Birthday, eds. G. W. Bakewell and J. P. Sickinger. Oxford: 3-15.
  • Athanassaki, L. (2004) 'Deixis, Performance, and Poetics in Pindar's First Olympian Ode ' in Deixis in Choral Lyric, ed. Nancy Felson. Arethusa: 317-341.
  • Barker, Andrew (2003) 'Lullaby for an eagle (Pindar, Pythian 1)', in Sleep, T. Wiedemann and K. Dowden (eds.). Nottingham Classical Literature Studies vol. 8. Bari: 107-124.
  • Berge, Lukas van den (2007) 'Mythical chronology in the Odes of Pindar: The cases of Pythian 10 and Olympian 3' in The Language of Literature. Linguistic Approaches to Classical Texts, eds. Rutger J. Allan and Michel Buijs. Leiden: Brill. Amsterdam Studies in Classical Philology 13: 29-41. Reviewed by Kölligan, Daniel (2008) BMCR 2008.07.01.
  • Boeke, Hanna (2007) The Value of Victory in Pindar's Odes. Gnomai, Cosmology and the Role of the Poet. Leiden and Boston.Mnemosyne Supplementa 285.
  • Bonifazi, Anna (2000) 'Sull’ idea di sotterfugio orale negli epinici pindarici', Quaderni Urbinati di Cultura Classica 95: 69-86.
  • Bonifazi, Anna (2001) Mescolare un cratere di canti. Pragmatica della poesia epinicia in Pindaro. Alessandria.
  • Bonifazi, Anna (2004a) 'Communication in Pindar’s Deictic Acts', Arethusa 37: 391-414.
  • Bonifazi, Anna (2004b) 'κεῖνος in Pindar: Between Grammar and Poetic Intention', Classical Philology 99: 283-99.
  • Bonifazi, Anna (2004c) 'Relative Pronouns and Memory: Pindar Beyond Syntax', Harvard Studies in Classical Philology 102: 41-68.
  • Bremer, Jan Maarten (1990) 'Pindar's paradoxical ego and a recent controversy about the performance of his epinicians', in The Poet's I in Archaic Greek Poetry, ed. S.R. Slings. Amsterdam: 41-58.
  • Bremer, Jan Maarten (1991) 'Poets and their patrons', in Fragmenta Dramatica, eds. A. Harder and H. Hofmann. Göttingen: 39-60. In this paper a substantial section on Simonides and Pindar.
  • Briand, Michel (1996) 'Quand Pindare dit qu'il se tait... Analyses sémantiques et pragmatiques du silence énoncé' in Hommage à Jean-Pierre Weiss, Publications de la Faculté des Lettres de l'Université de Nice: 211-239.
  • Briand, Michel (2001) 'Quand Pindare nomme Homère... Théories du nom propre, étymologies, intertextualités et énonciation lyrique' in Fiction d'auteur? Le discours biographique sur l'auteur de l'Antiquité à nos jours, eds. S. Dubel et S. Rabau. Paris: 25-46.
  • Briand, Michel (2003) 'Le vocabulaire de l'excellence chez Pindare', Revue de philologie, de littérature et d'histoire anciennes 77.2: 203-218.
  • Briand, Michel (2008) 'Les épinicies de Pindare sont-elles lyriques? ou Du trouble dans les genres poétiques anciens' in Le genre de travers: littérature et transgénéricité, eds. D. Moncond'huy & H. Scepi. La Licorne, PU de Rennes: 21-42.
  • Briand, Michel (2008) 'La limite et l'envol: les fins paradoxales des épinicies de Pindare', in Commencer et finir.Débuts et fins dans les littératures grecque, latine et néolatine, eds. B. Bureau & C. Nicolas. Lyon: 557-572.
  • Bundy, E.L. (1986) Studia Pindarica. Berkeley and Los Angeles.
  • Burnett, Anne Pippin (1998) ‘Spontaneity, savaging, and praise in Pindar's sixth paean ’, AJPh 119.4: 493-520.
  • Calame, Claude (1996) Mythe et histoire dans l'Antiquité grecque. La création symbolique d'une colonie. Lausanne. English translation (2003) Myth and History in Ancient Greece. The Symbolic Creation of a Colony. Princeton.
  • Carey, Christopher (1991) 'The Victory Ode in Performance: The Case for the Chorus', Classical Philology 86.3: 192-200. URL.
  • D’Alessio, G. B. (1992) ‘Pindaro, peana VIIb (fr. 52h Sn.-M.)’, in Proceedings of the XIX International Congress of Papyrology, Cairo: vol. 1: 353-73.
  • D’Alessio, G. B. (1994) ‘First-person problems in Pindar’, BICS 39: 117–39.
  • D’Alessio, G. B. (1997) 'Pindar's prosodia and the classification of Pindaric papyrus fragments', ZPE 118: 23-60.
  • Faraone, Christopher A. (1993) 'The Wheel, the Whip and Other Implements of Torture: Erotic Magic in Pindar Pythian 4. 213-19', Classical Journal 88: 1-19.
  • Faraone, Christopher A. (2002) 'A Drink from the Daughters of Mnemosyne: Poetry, Eschatology and Memory at the End of Pindar's Isthmian 6' in Vertis in usum: Studies in Honor of Edward Courtney, eds. J.F. Miller, C. Damon and K.S. Myers. Munich and Leipzig. Beiträge zur Altertumskunde 161: 259-70.
  • Finglass, P.J. (ed.) (2007) Pindar: Pythian Eleven. Cambridge Classical Texts and Commentaries 45. Cambridge: Cambridge University Press. Reviewed by Slater, William (2008) BMCR 2008.08.37.
  • Fisher, Nick (2006) ‘The pleasures of reciprocity: Charis and the Athletic Body in Pindar’ in Penser et représenter le corps dans l’antiquité, eds. Fr. Prost & J. Wilgaux. Presses Universitaires de Rennes: 227-46.
  • González de Tobia, Ana M. (1999) ‘Párphasis: concepto multiplicador en la Nemea VIII de Píndaro’, Limes 11: 57-68.
  • González de Tobia, Ana M. (2000) ‘Párphasis: concepto multiplicador en la Nemea VIII de Píndaro’, in EPIEIKEIA: Studia Graeca in memoriam Jesús Lens Tuero, eds. Alganza Roldán, J. M., Camacho Rojo, J. M., Fuentes González, P. P. and Villena Pansoda, M. Athos-Pergamos, Granada: 187-197.
  • Heath, Malcolm and Mary Lefkowitz (1991) 'Epinician Performance', Classical Philology 86.3: 173-191. URL.
  • Henry, W.B. (2005) Pindar’s Nemeans: A Selection. München. (Commentary on Nemean Odes 4, 6, 8, 10, 11).
  • Henry, W.B. (2007) 'Pindaric Accompaniments' in Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday, eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: ##. Reviewed by Gibert, John (2008) BMCR 2008.06.23.
  • Hornblower, S. & C. Morgan (eds.) (2007) Pindar’s Poetry, Patrons and Festivals. Oxford.
  • Kurke, L. (1988) 'The Poet’s Pentathlon: Genre in Pindar’s First Isthmian', Greek, Roman, and Byzantine Studies 29: 97–113.
  • Kurke, L. (1990) 'Pindar’s Sixth Pythian and the Tradition of Advice Poetry', Transactions of the American Philological Association 120: 85–107.
  • Kurke, L. (1991) The Traffic in Praise: Pindar and the Poetics of Social Economy. Ithaca, NY.
  • Kurke, L. (1991) 'Fathers and Sons: A Note on Pindaric Ambiguity', American Journal of Philology 112: 287–300.
  • Kurke, L. (1996) 'Pindar and the Prostitutes, or Reading Ancient ‘Pornography’ ', Arion 3rd series, 4.2: 49–75. Reprinted in (1999) Constructions of the Classical Body, ed. James I. Porter. Ann Arbor: 101–25.
  • Kurke, L. (2005) 'Choral Lyric as ‘Ritualization’: Poetic Sacrifice and Poetic Ego in Pindar’s Sixth Paian', Classical Antiquity 25.1: 81-130.
  • Kurke, Leslie (2007) 'Visualizing the Choral: Poetry, Performance, and Elite Negotiation in Fifth-Century Thebes' in Visualizing the Tragic: Drama, Myth, and Ritual in Greek Art and Literature, eds. C. Kraus et al. Oxford University Press: 63-101.
  • Lateur, P. (vert.) (1999) Pindaros. Zegezangen. Amsterdam. (Dutch translation)
  • Lefkowitz, M.R. (1991) First person Fictions: Pindar’s Poetic ‘I’ . Oxford.
  • Lundahl, Kalle (2008) Les banquets chez Pindare. Ph.D. diss. University of Gothenburg.
  • MacLachlan, Bonnie (2007) 'Epinician swearing' in Horkos. The Oath in Greek Society, eds. Alan H. Sommerstein, Judith Fletcher. Exeter: 91-101. Reviewed by Kellogg, Danielle L. (2008) BMCR 2008.08.55.
  • Maehler, H. (1989) Pindarus. Pars II: Fragmenta, Indices. Leipzig: Teubner. (Text edition)
  • Martin, Richard (2004) 'Home is the Hero: Deixis and Semantics in Pythian 8' in The Poetics of Deixis in Alcman, Pindar, and other Lyric, ed. N. Felson [Arethusa 37.3: 253-468]: 343-63. Contents Arethusa vol. 37. Access Article PDF.
  • McLaughlin, Gráinne (2004) 'Professional Foul: Persona in Pindar' in Games and Festivals in Classical Antiquity. Proceedings of the Conference held in Edinburgh 10-12 July 2000. BAR International Series, 1220, eds. Sinclair Bell, Glenys Davies. Oxford: Archaeopress: 25-32. Especially on Pindar's Olympian 1. Reviewed by Evans, Stephen (2008) BMCR 2008.04.20.
  • Morgan, Kathryn A. (1993) 'Pindar the Professional and the Rhetoric of the ΚΩΜΟΣ', Classical Philology 88.1: 1-15. URL.
  • Pfeijffer, I.L. (1999) Three Aeginian Odes of Pindar: A Commentary on Nemean V, Nemean III and Pythian VIII. Leiden. Commentary on Pythian 8, Nemean 3, 5.
  • Race, W.H. (1990) Style and Rhetoric in Pindar's Odes. Atlanta. American Philological Association 24.
  • Race (ed.), W.H. (1997) Pindar. 2 vols. Loeb Classical Library. Cambridge, MA. (Text edition and translation)
  • Rutherford, Ian (1988) 'Pindar on the Birth of Apollo', CQ 38: 65-75.
  • Rutherford, Ian (1991) 'New Fragments of Pindar's Paeans', ZPE 86: 5-8.
  • Rutherford, Ian (1991) 'Neoptolemus and the Paean-Cry', ZPE 88: 1-10.
  • Rutherford, Ian (1991) 'Pindar Paean VIIIA, The "Cassandra" of Bacchylides and the Anonymous "Cassandra" in P.Oxy.2368: An Exploration in Lyric Structure', Eos 79: 5-12.
  • Rutherford, Ian (1992) 'Two Heroic Prosodia: A Study of Pindar, Pa.XIV-V', ZPE 92: 59-72.
  • Rutherford, Ian (1995) 'Et Hominum et Deorum . . . Laudes (?). A Hypothesis about the Organisation of Pindar's Paean-Book', ZPE 107: 44-52.
  • Rutherford, Ian (1997) 'For the Aeginetans . . . a Prosodion: An Unnoticed Title at Pindar, Paean 6, 123 And What it Means for the Poem', ZPE 118: 1-22.
  • Rutherford, Ian (2001) Pindar's Paeans: a reading of the fragments with a survey of the genre. Oxford.
  • Schmidt, E.G. (ed.) (1981) Aischylos und Pindar. Studien zu Werk und Nachwirkung. Berlin. Schriften zur Geschichte und Kultur der Antike 19.
  • Snell, B. and H. Maehler (1987) Pindarus. Pars I: Epinicia, 8th edition (and later). Leipzig: Teubner. (Text edition)
  • Tatsi, Anna (2008) 'On the Meaning of chronos in Pindar's Nemean 1.46', Mnemosyne 61.1: 120-129.
  • Tsitsibakou-Vasalos, Evanthia (2007) Ancient Poetic Etymology. The Pelopids: Fathers and Sons. Stuttgart: Franz Steiner Verlag. Palingenesia 89. Chapter 3, the longest in the book, discusses the significance of the name Pelops from Homer to Nonnus with emphasis on Pindar, Olympian 1. Reviewed by Paschalis, Michael BMCR 2008.07.58.
  • Van der Weiden, M.J.H. (1991) The Dithyrambs of Pindar: introduction, text and commentary. Amsterdam: Gieben. Reviewed by Hamilton, Richard (1992) BMCR 03.03.21.
  • Willcock, M.M. (1995) Pindar: Victory Odes. Cambridge. (Commentary on Olympian 2, 7, 11; Nemean 4; Isthmian 3, 4, 7).
  • Yossi, Mary J. (1999) “'Amoibaia deipna: Sympotic scenes in Pindar’'s Olympian 1'”, Indiktos 10: 110-123 [Greek text followed by modern Greek translation in pp. 100-109]. –(in modern Greek)

Bacchylides

  • Bagordo, A. and B. Zimmermann (eds.) (2000) Bakchylides 100 Jahre nach seiner Wiederentdeckung. München: Zetemata, Monographien zur klassischen Altertumswissenschaft 106.
  • Bremer, Jan Maarten (2000) 'Der dithyrambischer Agon: ein kompetitiver Gottesdienst oder gar keiner?' in Bakchylides 100 Jahre nach seiner Wiederentdeckung, eds. A. Bagordo, B. Zimmermann. München: 59-67.
  • Briand, Michel (1997) 'Fiction et diction dans la cinquième Épinicie de Bacchylide', Lalies 17: 271-281.
  • Burnett, A.P. (1985) The Art of Bacchylides. Cambridge Mass.
  • Fearn, David W. (2003) 'Mapping Phleious: Politics and Myth-Making in Bacchylides 9', Classical Quarterly 53.2: 347-67.
  • Fearn, David W. (2007) Bacchylides: Politics, Performance, Poetic Tradition. Oxford: Oxford Classical Monographs Series.
  • González de Tobia, Ana M. (1981) Los Epinicios de Baquílides. Una interpretación, PhD. Dissertation, unpublished, Universidad Nacional de La Plata, Argentina.
  • González de Tobia, Ana M. (1994) ‘Itinerario crítico en torno de Baquílides’, in Volumen Homenaje a Aída Barbagelata. In memoriam, eds. Wendt, S. and Royo, M. Actualidad Producciones, Buenos Aires, Tomo 1: 137-150.
  • González de Tobia, Ana M. (2000) ‘Baquílides, Epinicio II y el concepto de la fama’, in Homenaje a Corina Corchón, eds. Calvo, F., Fontán, M.I., Gallotti, M. C. and Wainschenker, D. Universidad de Buenos Aires, Buenos Aires: 39-50.
  • González de Tobia, Ana M. (2000) ‘La poesía de Baquílides como proyección de una aretá inconfundible’, Synthesis 7: 149-163.
  • González de Tobia, Ana M. (2001) ‘Una metáfora al servicio del pensamiento poético, Baquílides 3’, Iter: 217-232.
  • González de Tobia, Ana M. (2004) ‘El pensamiento moral del Baquílides, entre ólbos y areté’, in Ética y Estética. De Grecia a la modernidad, ed. González de Tobia, Ana M. Universidad Nacional de La Plata, La Plata: 59-74.
  • González de Tobia, Ana M. (2006) ‘Bacchylides’ moral thought, between olbos and areta’, paper presented at the Epinician Conference, 5-9 july 2006, University College London (UCL) London, UK. Unpublished.
  • González de Tobia, Ana M. (2007) ‘Lenguaje, Discurso y Civilización en Baquílides 11’, in Lenguaje, Discurso y Civilización. De Grecia a la modernidad, ed. González de Tobia, Ana M. La Plata: 99-116.
  • Käppel, L. (2000) 'Bakchylides und das System der chorlyrischen Gattungen im 5. Jh. v.Chr.' in Bakchylides 100 Jahre nach seiner Wiederentdeckung, eds. A. Bagordo, B. Zimmermann. München: 11-27.
  • MacLachlan, Bonnie (2007) 'Epinician swearing' in Horkos. The Oath in Greek Society, eds. Alan H. Sommerstein, Judith Fletcher. Exeter: 91-101. Reviewed by Kellogg, Danielle L. (2008) BMCR 2008.08.55.
  • Pfeijffer, I.L. and S.R. Slings (eds.) (1999) One Hundred Years of Bacchylides. Proceedings of a colloquium held at the Vrije Universiteit Amsterdam. Amsterdam.
  • Power, Timothy (2000) ‘The «parthenoi» of Bacchylides 13’, Harvard studies in classical philology 100: 67-81.
  • Rutherford, Ian (1991) 'Pindar Paean VIIIA, The "Cassandra" of Bacchylides and the Anonymous "Cassandra" in P.Oxy.2368: An Exploration in Lyric Structure', Eos 79: 5-12.
  • Slings, S.R. (1990) 'Bacchylides XVIII 41-42', Zeitschrift für Papyrologie und Epigraphik 80: 9-10.
  • Slings, S.R. (2000) 'Information Unit and Metrical Unit' in Bakchylides: 100 Jahre nach seiner Wiederentdeckung, eds. A. Bagordo and B. Zimmermann. München. Zetemata, Monographien zur klassischen Altertumswissenschaft 106: 113-130.

Corinna, Boeotica

  • Yossi, Mary J. (1997) 'Corinna Fr. 654 PMG: Archaic or a Case for Metamorphosis' in Acta: First Panhellenic and International Conference on Ancient Greek Literature, ed. J.-T. Papademetriou. Athens: 167-186. (in Greek with summary in English)

Erinna

  • Neri, Camillo (1994) 'Erinna in Eronda', Eikasmós 5: 221-232.
  • Neri, Camillo (1996) Studi sulle testimonianze di Erinna. Bologna.
  • Neri, Camillo (1996) 'Il poemetto e l'epigramma. Note sulla fortuna dell'opera di Erinna in età ellenistica', Aevum Antiquum 9: 193-215.
  • Neri, Camillo (1997) 'Erinna a Ossirinco', ZPE 115: 57-72.
  • Neri, Camillo (1998) 'Baucide e le bambole (Erinna: SH 401,1-4, 19-22)', Athenaeum 86.1: 165-178.
  • Neri, Camillo (1998) 'Cambio di ritmo (Erinna: SH 401,14s. ~ Carm.pop. fr.30(c) PMG 876)', Prometheus 24: 19-24.
  • Neri, Camillo (1999) 'Le lune di Erinna (SH 401,6 e 12)', Quaderni di Cultura e di Tradizione Classica dell'Università degli Studi di Palermo 12: 7-18.
  • Neri, Camillo (2002) 'L'agnella e il rasoio (Erinna SH 401,13)' in TIMHS CHARIN. «Homenaje al Profesor Pedro A. Gainzarain», ed. María José García Soler. Vitoria-Gasteiz: 61-68.
  • Neri, Camillo (2003) Erinna. Testimonianze e frammenti. Bologna (earlier editions were published in 1994 (Ph.D. dissertation Padova) and 2000).

Poetae Minores

Arion

Ariphron

Aristotle

Castorion

Diagoras

Eumelus

Euripides (Lyric)

Hybrias

Lasus

Licymnius

Melanippides

Myrtis

Philoxenus

Pratinas

Praxilla

Telesilla

Telestes

Terpander

Timocreon

Timotheus

  • Ford, Andrew L. (2006) 'The Genre of Genres: Paeans and Paian in Early Greek Poetry', Poetica 38.3-4: 277-296. It reviews the many attempts to define paeans (esp. by Käppel and Schroeder) as part of a broader discussion of the usefulness of genre terms in reading early Greek lyric. It reads several of Timotheus' fragments to argue that predicating the epithet was the core of the "genre".

Carmina Popularia

  • Neri, Camillo (2003) 'Sotto la politica. Una lettura dei carmina popularia melici', Lexis 21: 193-260.

Carmina Convivalia

Fragmenta Adespota

  • Rawles, Richard (2006) 'Musical Notes on the new anonymous lyric poem from Köln' ZPE 157: 8-13. Concerns the anonymous poem transmitted in P. Köln 21351 & 21376 along with the "New Sappho". It is suggested that the initial vocatives are addressed to Hermes.
  • Ucciardello, Giuseppe (2001) 'POxy. XXXII 2636: commentario a Pindaro o a Ibico?' in I lirici greci. Forme di comunicazione e storia del testo (Atti dell'Incontro di Studi - Messina 5-6 novembre 1999), eds. M. Cannatà Fera - G.B. D’Alessio. Messina: 87-116.
  • Ucciardello, Giuseppe (2004) 'Su due frammenti lirici adespoti (P.Oxy. XXXII 2631 = S 454 SLG; P.Oxy. IV 674 = Pind. fr. 338 M.)', ZPE 149: 29-34.
  • Ucciardello, Giuseppe (2004/5) 'P.Oxy. XXXIX 2880 (lirica corale?): nuova edizione e note di commento', Analecta Papyrologica 16-17: 21-31.
  • Ucciardello, Giuseppe (2007) 'A single scribe in P.Oxy. IV 660 + P.Oxy. XXIII 2623 + PSI inv. 1907 (Choral Lyric: Simonides?)', ZPE 160: 4-14.

Dramatic Chorus

  • Adrados, Francisco R. (1975) Festival, Comedy and Tragedy: The Greek Origins of Theatre. Leiden. Translation from the Spanish by Christopher Holme. (1972) Fiesta, Comedia y Tragedia. Barcelona.
  • Bierl, Anton (2001) Der Chor in der Alten Komödie. Ritual und Performativität (unter besonderer Berücksichtigung von Aristophanes' Thesmophoriazusen und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126). It has been translated by Alex Hollmann into English as:
    • Bierl, Anton (2007) Ritual and Performativity: The Chorus in Old Comedy. Harvard Press, Center of Hellenic Studies. With many interpretations of comic, tragic and satyric songs, with a general introduction of more than 90 pages to the Chorus and song culture in general; it includes an interpretation of Alcman and an intense analysis of popular Phallus-Songs in ch. 2.
  • D'Angour, Armand (2007) 'The Sound of Music: modulations and innovations in drama and dithyramb' in Debating the Athenian Cultural Revolution, ed. R. Osborne Cambridge: 288-300.
  • Martin, Richard (2007) 'Ancient Theatre and Performance Culture' in The Cambridge Companion to Greek and Roman Theatre, eds. M. McDonald and J.M. Walton. Cambridge 36-54.

Tragic Chorus

Tragic Chorus General

  • Arion 3.1 (1994/1995): The Chorus in Greek Tragedy and Culture. I.
  • Arion 4.1 (1996/1997): The Chorus in Greek Tragedy and Culture. II.
  • Bacon, H.H. (1996/7) 'The Chorus in Greek Life and Drama', Arion 4.1: 6-24.
  • Bagordo, A. (2003) Reminiszenzen früher Lyrik bei den attischen Tragikern: Beiträge zur Anspielungstechnik und poetischen Tradition. Munich.
  • Battezzato, Luigi (2005) 'Lyric' in A Companion to Greek Tragedy, ed. Justina Gregory. Oxford: Blackwell: 149-66. Presents an overview of the tragic chorus. Reviewed by Wright, Matthew (2006) BMCR 2006.06.39.
  • Bieber, M. (1954) 'The Entrances and Exits of Actors and Chorus in Greek Plays', American Journal of Achaeology 58: 277-281.
  • Bierl, Anton (1991) Dionysos und die griechische Tragödie. Politische und 'metatheatralische' Aspekte im Text. Classica Monacensia 1. Tübingen. Dissertation, with many interpretations of tragic songs where Dionysus plays a role.
  • Bierl, Anton (2006) 'Tragödie als Spiel und das Satyrspiel. Die Geburt des griechischen Theaters aus dem Geiste des Chortanzes und seines Gottes Dionysos', in Aufgang. Jahrbuch für Denken, Dichten, Musik. Bd. 3: Kind und Spiel, eds. J. Sánchez de Murillo and M. Thurner. Stuttgart: 111–138. Wth a new interpretation of the Hyporcheme of Pratinas.
  • Brown, A.D. Fitton (1957) 'The Size of the Greek Tragic Chorus', Classical Review 7.1: 1-4.
  • Brown, S. G. (1977) 'A Contextual Analysis of Tragic Meter: The Anapest', in Ancient and Modern: Essays in Honor of Gerald Else, eds. John H. D'Arms and John W. Eadie. Ann Arbor: 45-78.
  • Calame, Claude (1994) 'From Choral Poetry to Tragic Stasimon: The Enactment of Women's Song', Arion 3: 135-152. Contains a comparison of Pindar's Partheneion 2 and the parodoi in Aeschylus' Seven against Thebes and in Euripides' Phoenician Women.
  • Calame, Claude (1999) 'Performative aspects of the choral voice in Greek tragedy: civic identity in performance', in Performance culture and Athenian democracy, eds. S. Goldhill and R. Osborne. Cambridge: 125-153.
  • Calame, Claude (2005) 'The Tragic Choral Group: Dramatic Roles and Social Functions' in A Companion to Tragedy, ed. R. Bushnell. Oxford: 215-233.
  • Calder, W. M. (1982) ‘The size of Thespis' chorus’, AJPh 103: 319-320.
  • Castellani, V. (1989) 'The Value of a Kindly Chorus: Female Choruses in Attic Tragedy' in Women in Theatre, ed. Redmond, J. Cambridge and New York. Themes in Drama 11: 1-18.
  • Cerbo, E. (1993) 'Gli inni ad Eros in tragedia: struttura e funzione' in Tradizione e innovazione nella cultura greca da Omero all' età ellenistica. Scritti in onore di Bruno Gentili, ed. Pretagostini, R. Vol. 2. Roma: 645-656.
  • Conacher, D.J. (1975) 'Some Dramatic Uses of the Chorus in Greek Tragedy', The University of Toronto Quarterly 44: 81-.
  • Csapo, E. and Slater, W.J. (1995) The Context of Ancient Drama. Ann Arbor.
  • Dale, A.M. (1950) 'Stasimon and Hyporchema', Eranos 48: 14-20.
  • Dale, A.M. (1969) 'The Chorus in the Action of Greek Tragedy', in Collected Papers, Dale, A.M. Cambridge.
  • Davidson, J.F. (1986) 'The Circle and the Tragic Chorus', G&R 3: 38-46.
  • Dorsch, K.-D. (1983) Götterhymnsen in den Chorliedern der griechischen Tragiker: Form, Inhalt und Funktion. PhD Diss. Münster.
  • Foley, H. (2003) 'Choral Identity in Greek Tragedy', Classical Philology 98: 1-30.
  • Foley, H. (2007) 'Envisioning the Tragic Chorus on the Modern Stage' in Visualizing the Tragic, eds. C. Kraus, S. Goldhill, H. Foley and J. Elsner. Festschrift for F. Zeitlin. New York, Oxford: 353-78.
  • Forbes, G.B. (1967) 'The Actor, the Chorus, and Music in Greek Drama', The Southern Speech Journal 33: *.
  • Gentili, B. (1984) Poesia e pubblico nella Grecia antica da Omero al V secolo. Roma-Bari. Revised and updated version translated, with an introduction, by Cole, A.T. (1988) Poetry and Its Public in Ancient Greece from Homer to the Fifth Century. Baltimore.
  • Golder, Herbert A. (1996-1997) ’Making a scene: gesture, tableau, and the tragic chorus’, Arion 4.1: 1-19.
  • Goldhill, S. (1996) 'Collectivity and Otherness - The Authority of the Tragic Chorus: Response to Gould' in Tragedy and the Tragic, ed. Silk, M.S. Oxford: 244-256.
  • Gould, J. (2001) 'Tragedy and Collective Experience' in Myth, Ritual Memory, and Exchange, ed. Gould, John. Oxford: 378-404. Originally published in Silk, M.S. (ed.) (1996) Tragedy and the Tragic. Oxford: 217-243.
  • Gould, J. (2001) 'Myth, Memory, and the Chorus: 'Tragic Rationality' ' in Myth, Ritual Memory, and Exchange, ed. Gould, J. Oxford: 405-414. Originally published in Buxton, Richard (ed.) (1999) From Myth to Reason? Studies in the Development of Greek Thought. Oxford: 107-16.
  • Henrichs, A. (1994/5) ' 'Why should I dance?': Choral Self-referentiality in Greek Tragedy', Arion 3.1: 56-111.
  • Henrichs, A. (1996) 'Warum soll ich denn tanzen?' Dionysisches im Chor der griechischen Tragödie. Stuttgard-Leipzig. Lectio Teubneriana 4.
  • Herington, J. (1985) Poetry into Drama. Early Tragedy and the Greek Poetic Tradition. Berkeley-London.
  • Hutchinson, G. O. (2001) Greek Lyric Poetry: A Commentary on Selected Larger Pieces. Oxford.
    • Contains new texts of, and detailed commentaries on, Alcman 1 and 3 Davies, Stesichorus 222 (b) Davies, Sappho 1, 16, 31, 96 Voigt, Alcaeus 129, 130b, 298 Voigt, Ibycus S151 Davies, Anacreon 347 fr. 1, 358, 417 Page, Simonides 542, 543 Page, Bacchylides 3, Pindar Olympian 6, Sophocles Ajax 1185-1222, Euripides Medea 627-662; introductions on individual poets and on tragic lyric.
  • Kaimio, M. (1970) The Chorus of Greek Drama within the Light of the Person and Number Used. Helsinki. Societas scientarum Fennica commentationes humanarum litterarum 46.
  • Kranz, W. (1933) Stasimon. Untersuchungen zu Form und Gehalt der griechischen Tragödie. Berlin.
  • Lattimore, R. (1965) The Poetry of Greek Tragedy Baltimore.
  • MacClure, L. (1999) Spoken like a Woman: Speech and Gender in Athenian Drama. Princeton.
  • Martin, Richard (2007) 'Outer Limits, Choral Space' in Visualizing the Tragic, eds. C. Kraus, S. Goldhill, H. Foley and J. Elsner. Festschrift for F. Zeitlin. New York, Oxford: 35-62.
  • Meijering, R. (1985) ’Aristophanes of Byzantium and scholia on the composition of the dramatic chorus’ in SCHOLIA. Studia ad criticam interpretationemque textuum Graecorum et ad historiam juris Graeco-Romani pertinentia D. Holwerda oblata, eds. W.J. Aerts, J.H.A. Lokin, S.L. Radt and N.v.d. Wal. Groningen: 91-102
  • Montgomery, H.C. (1942) 'Some Later Uses of the Greek Tragic Chorus', Classical Journal 38: 148-60.
  • Parry, H. (1978) The Lyric Poems of Greek Tragedy. Toronto-Sarasota.
  • Pickard-Cambrindge, A.W. (1927) Dithyramb, Tragedy and Comedy. Oxford.
  • Pöhlmann, E. (1997) 'The Tragic Chorus and the Limits of Dramatic Convention in the Fifth Century B.C.' in Scaenica Saravi-Varsoviensia: Beiträge zum antiken Theater und zu seinem Nachleben, eds. J. Axer and W. Görle. Warschau: 1-10.
  • Riemer, P. and Zimmermann, B. (eds.) (1998) Der Chor im antiken und modernen Drama. Stuttgart. Drama 7.
  • Roberts, Deborah H. (1987) ’Parting words. Final lines in Sophocles and Euripides’, CQ 37: 51-64.
  • Rode, J. (1971) 'Das Chorlied' in Die Bauformen der griechischen Tragödie, ed. W. Jens. München: 85-115.
  • Rutherford, I. (1994/5) 'Apollo in Ivy: The Tragic Paean', Arion 3.1: 112-135.
  • Segal, C. (1989) 'Song, Ritual, and Commemoration in Early Greek Poetry and Tragedy', Oral Tradition 4: 330-359.
  • Sifakis, G.M. (2001) 'The Function and Significance of Music in Greek Tragedy', BICS 45: 21-35.
  • Silk, M.S. (1998) 'Style, Voice, and Authority in the Choruses of Greek Drama' in Der Chor im antiken und modernen Drama, eds. Riemer, P. and Zimmermann, B. Stuttgart. Drama 7: 1-26.
  • Stehle, Eva (2004) ‘Choral Prayer in Greek Tragedy: Euphemia or Aischrologia?’ in Music and the Muses: The Culture of Mousike in the Classical Athenian City, eds. Murray, Penelope and Peter Wilson. Oxford: 121-155.
  • Stössel, F. (1987) Die Vorgeschichte des griechischen Theaters. Darmstadt.
  • Webster, T.B.L. The Greek Chorus. London 1970.
  • Weiner, A. (1980) 'The Function of the Greek Tragic Chorus', Theatre Journal 32: 205-12.
  • Wilson, P. (1997) 'Leading the Tragic Khoros: Tragic Prestige in the Democratic City', in Greek Tragedy and the Historian, C.B.R. Pelling (ed.). Oxford: 81-108.
  • Wilson, Peter (2005) 'Music' in A Companion to Greek Tragedy, ed. Justina Gregory. Oxford: Blackwell: 183-93. On music in Greek tragedy. Reviewed by Wright, Matthew (2006) BMCR 2006.06.39.
  • Winkler, J.J. (1990) 'The Ephebe's Song: Tragoidia and Polis' in Before Sexuality: The Context of Erotic Experience in the Ancient Greek World, eds. D. Halperin, J.J. Winkler, F.I. Zeitlin. Princeton: 20-62.

Aeschylus

Aeschylus: General
  • Finley, J.H. (1966) Pindar and Aeschylus. Cambridge Mass.
  • Moritz, H.E. (1979) 'Refrain in Aeschylus: Literary Adaptation of Traditional Form', CP 74: 187-213.
  • Podlecki, A. J. (1972) 'The Aeschylean Chorus as Dramatic Persona', in Studi classici in onore di Q. Cataudella. Catania. 1: 187-204.
  • Schenker, David J. (1989) The character of the Aeschylean chorus. Berkeley.
  • Schmidt, E.G. (ed.) (1981) Aischylos und Pindar. Studien zu Werk und Nachwirkung. Berlin. Schriften zur Geschichte und Kultur der Antike 19.
  • Scott, William C. (1984) Musical design in Aeschylean theater. Hanover and London.
Aeschylus: Oresteia
  • Conacher D. J. (1974) ‘Interaction between chorus and characters in the Oresteia ’, AJPh 95: 323-343.
  • Scott, W. (1984) 'The Splitting of Choral Lyric in Aeschylus' Oresteia ', AJPh 105: 150-165.
Aeschylus: Agamemnon
  • Adrados, F.R. (1989) 'La divination dans les choeurs de l' Agamemnon d' Eschyle', Revue des Etudes Grecques 102: 295-307.
  • Athanassaki, L. (1994) 'Choral and Prophetic Discourse in the First Stasimon of the Agamemnon ', CJ 89: 149-62.
  • Fletcher, Judith (1999) ’Choral voice and narrative in the first stasimon of Aeschylus Agamemnon ’, Phoenix 53: 29-49.
    • Abstract: This article examines represented speech in the first stasimon of Agamemnon. I argue that the speech of the domwn profhtai at 410 ff. is deliberately open-ended and thus double-voiced. It functions to change the perspective of the chorus from the vantage point of the Atreidae to the more critical perspective of the Argive citizens.
  • Gantz, G. (1983) ‘The chorus of Aischylos' Agamemnon ’, HSPh 87: 65-86.
  • Harriot, R.M. (1982) 'The Argive Elders, the Discerning Shepherd and the Fawning Dog: Misleading Communication in the Agamemnon ', Classical Quarterly 32: 9-17.
  • Lynn-George, M. (1993) 'A reflection on Homeric dawn in the parodos of Aeschylus, Agamemnon ', Classical Quarterly 43: 1-9.
  • Schenker, David J. (1991) ‘A study in choral character: Aeschylus, Agamemnon 489-502’, TAPhA 121: 63-73.
  • Sienkewicz, T. J. (1980) 'Circles, Confusion, and the Chorus of Agamemnon ', Eranos 78: 133-142.
  • Smethurst, M. J. (1972) ‘The authority of the elders. The Agamemnon of Aeschylus’, CPh 67: 89-93.
  • Thiel, R. (1993) Chor und tragische Handlung im Agamemnon des Aischylos Stuttgart. Beiträge zur Altertumskunde 35.
Aeschylus: Choephori
  • Stinton, T.C.W. (1979) ‘The First Stasimon of Aeschylus’ Choephori ’, CQ ns 29: 252-62. Reprinted in his (1990) Collected Papers on Greek Tragedy. Oxford: 384-96.
Aeschylus: Eumenides
  • Faraone, Christopher A. (1985) 'Aeschylus' Hymnos Desmios (Eum. 306) and Attic Judicial Curse Tablets', Journal of Hellenic Studies 105: 150-54.
  • Maxwell-Stuart, P.G. (1973) 'The Appearance of Aeschylus' Erinyes', Greece & Rome 20: 81-84.
  • Prins, Y. (1991) 'The power of the speech act: Aeschylus' furies and their binding song', Arethusa 24: 177-195.
  • Roisman, H.M. (1989) 'The opening of the second stasimon in Aeschylus' Eumenides ', Eranos 87: 7-11.
Aeschylus: Persae
  • Bednarczyk-Kedziorek, Ewa (1988) ’The chorus as a narrator in the Persae of Aeschylus’, SPhP 7: 23-35.
  • Michelini, A.N. (1982) Tradition and Dramatic Form in The Persians of Aeschylus. Leiden.
  • Schenker, David J. (1994) 'The Queen and the chorus in Aeschylus' Persae ', Phoenix 48: 283-293.
Aeschylus: Prometheus
  • Flintoff, E. (1984) ‘Athetos at Prometheus vinctus 150’, Hermes 112: 367-372.
  • Golden, L. (1966) In Praise of Prometheus. Chapel Hill.
  • Inoue, E. (1977) ‘Prometheus as teacher and the chorus's descent, P. V. 278 ff.’, CQ 27: 256-260.
  • Karsai, György (2001) ’The structure of Prometheus Bound ’, AAntHung 41 (3-4): 293-302.
  • Scott, William C. (1987) ’The development of the chorus in Prometheus bound ’, TAPhA 117: 85-96.
  • Sienkewicz, T. (1984) ’The chorus of Prometheus bound. Harmony of suffering’, Ramus 13: 60-73.
Aeschylus: Septem contra Thebas
  • Brown, A.L. (1977) 'Eteocles and the Chorus in the Seven Against Thebes ', Phoenix 31: 300-318.
  • Bruit-Zidman, L. (1991) 'La voix des femmes: Les femmes et la guerre dans Les Sept Contre Thèbes ' in Mélanges Étienne Bernand, eds. Nicole Fick and Jean-Claude Carrière. Paris: Annales Littéraires de l’Université de Besançon: 43-54.
  • Delcourt, Marie (1932) 'Le rôle du choeur dans Les Sept devant Thèbes ', l’Antiquité Classique 1: 25-33.
  • Goff, B. (1995) 'The Women of Thebes', CJ 90: 353-365.
  • Manton, G. R. (1961) 'The Second Stasimon of the Seven Against Thebes ', Bulletin of the Institute of Classical Studies 8: 77-84.
  • Stehle, Eva (2005) 'Prayer and curse in Aeschylus’ Seven agaisnt Thebes ', Classical Philology 100: 101-22.
  • Valakas, K. (1993) 'The First Stasimon and the Chorus in Aeschylus' Seven Against Thebes ', Studi Italiani di filologia classica (SDFC), 11.1-2: 55-86.
  • Zimmermann, Bernhard (2002) ‘Coro e azione drammatica nei Sette contro Tebe di Eschilo’ in I Sette a Tebe. Dal mito alla letteratura. Atti del Seminario Internazionale, Torino 21-22 Febbraio 2001, eds. Antonio Aloni, Elisabetta Berardi, Giuliana Besso, Sergio Cecchin. Bologna: 117-124. Review by Neil W. Bernstein, BMCR 2003.12.05.
Aeschylus: Supplices
  • Hester, D. A. (1987) ’A chorus of one Danaid’, Antichthon 21: 9-18.
  • Murnaghan, Sheila (2005) 'Women in Groups: Aeschylus' Suppliants and the Female Choruses of Greek Tragedy' in The Soul of Tragedy: Essays on Athenian Drama, eds. Victoria Pedrick and Steven M. Oberhelman. Chicago: 183-198.

Sophocles

Sophocles: General
  • Burton, R.W.B. (1980) The Chorus in Sophocles' Tragedies. Oxford.
  • Davidson, J.F. (1986) ’Chorus, theatre, text, and Sophocles’ in Studies in honour of T. B. L. Webster, eds. J.H. Betts, J.T. Hooker and J.R. Green. Bristol: 69-78.
  • Davidson, J.F. (1991) 'Starting a Choral Ode: Some Sophoclean Techniques', Prudentia 23.1: 31-44.
  • Esposito, S.J. (1984) The chorus in Sophocles. The tension of foreground and background in Philoctetes and Trachiniae. Baltimore.
  • Esposito, S. (1996) 'The Changing Role of the Sophoclean Chorus', Arion 4: 85-114.
  • Gardiner, C.P. (1974) The dramatic character and function of the Sophoclean chorus. Princeton.
  • Gardiner, C.P. (1987) The Sophoclean Chorus: A Study of Charakter and Function. Iowa City.
  • Heikkilä, Kai (1991) ’Now I have the mind to dance: the references of the chorus to their own dancing in Sophocles' tragedies’, Arctos 25: 51-68.
  • Kurtz, J.G. (1984) Some observations about the dianoia of the chorus in Sophocles' Theban plays. Boston.
  • Paulsen, T. (1989) Die Rolle des Chors in den späten Sophokles-Tragödien: Untersuchungen zu Elektra, Philoktet und Oidipus auf Kolonos. Bari.
  • Rosenmeyer, T.G. (1993) 'Elusory Voices: Thoughts about the Sophoclean Chorus' in Nomodeiktes: Greek Studies in Honor of Martin Oswald, eds. R.M. Rosen and J. Farrell. Ann Arbor: 557-571.
  • Scott, William C. (1996) Muscial design in Sophoclean theater. Hanover and London.
  • Shucard, S.C. (1973) ‘Some developments in Sophocles' late plays of intrigue’, CJ 69: 133-138. (Philoctetes and Electra)
Sophocles: Ajax
Sophocles: Antigone
  • Coleman, R. (1972) ‘The rôle of the chorus in Sophocles' Antigone’, PCPhS 18: 4-27.
  • Crane, G. (1989) 'Creon and the Ode to Man in Sophocles' Antigone ', Harvard Studies in Classical Philology 92: 103-116.
  • Harder, M.A. (1995) 'Lips sealed by Fear?: Het koor in Sophokles' Antigone ', Lampas 28: 217-235. (in Dutch)
  • Hester, D. (1986) ’The central character(s) of the Antigone and their relationship to the chorus’, Ramus 15: 74-81.
  • Kitzinger, Rachel (2008) The choruses of Sophokles' Antigone and Philoktetes: a dance of words. Mnemosyne Supplementa 292. Leiden, Boston: Brill.
  • McDevitt, A.S. (1972) ‘Sophocles' praise of man in the Antigone’, Ramus 1: 152-164.
  • McDevitt, A.S. (1982) ‘The first kommos of Sophocles' Antigone’, Ramus 11: 134-144.
  • McDevitt, A.S. (1991) ‘Wrong again, or who'd be a chorus (Sophocles' Antigone), LCM 16: 71.
  • Petrovic, Andrej (2002) 'Der simonideische makros logos und die sophokleische Antigone. Zur Identifizierung einer alten dramatischen Gestaltungsweise', Phaos Revista de Estudos Classicos 2: 121-131.
  • Psaroudakēs, Stelios (1990) 'Antigone and the nine ugly Muses', Classical Association News 2: 6-7. This is a critique of a performance of Antigone in London in 1990. It argues that, although there is a lot we can do musicwise with the information we have about music in tragedy, people choose to ignore this information, and as a result avoid its application, producing "musicless" versions of the plays, totally detached from ancient intentions and styles.
  • Rösler, W. (1983) 'Der Chor als Mitspieler. Beobachtungen zur Antigone ', A&A 29: 107-124.
  • Schwinge, E.R. (1971) 'Die Rolle des Chors in der sophokleischen Antigone ', Gymnasium 78: 294-321.
  • Sourvinou-Inwood, C. (1989) 'The fourth stasimon of Sophocles' Antigone ', Bulletin of the Institute of Classical Studies 36: 141-165.
Sophocles: Electra
  • Ierulli, Molly (1993) ’A community of women? The protagonist and the chorus in Sophocles' Electra’, Métis 8 (1-2): 217-229.
  • Paulsen, T. (1989) Die Rolle des Chors in den späten Sophokles-Tragödien: Untersuchungen zu Elektra, Philoktet und Oidipus auf Kolonos. Bari.
  • Shucard, S.C. (1973) ‘Some developments in Sophocles' late plays of intrigue’, CJ 69: 133-138. (Philoctetes and Electra)
Sophocles: Oedipus Coloneus
  • Dhuga, U.S. (2005) ‘Choral Identity in Sophocles' Oedipus Coloneus’, American Journal of Philology 126.3: 333-62. PDF.
  • Falkner, Thomas M. (1987) ’Strengthless, Friendless, Loveless: the Chorus and the Cultural Construction of Old Age in Sophocles' Oedipus at Colonus’ in From the Bard to Broadway, ed. K. Hartigan. Lanham: 51-59.
  • Paulsen, T. (1989) Die Rolle des Chors in den späten Sophokles-Tragödien: Untersuchungen zu Elektra, Philoktet und Oidipus auf Kolonos. Bari.
  • Travis, Roger Matthew (1996) Allegorical fantasy and the chorus in Sophocles' Oedipus Coloneus. PhD dissertation Berkeley.
  • Travis, Roger Matthew (1999) Allegory and the tragic chorus in Sophocles' Oedipus at Colonus. Lanham. Reviewed by Edmunds, Lowell (2001) CR 51.2: 379.
Sophocles: Oedipus Tyrannus
  • Ax, W. (1932) 'Die Parodos des Oedipus Tyrannos ', Hermes 67: 413-437.
  • Carey, C. (1986) ’The second stasimon of Sophocles' Oedipus Tyrannus’, JHS 106: 175-179.
  • Conacher, Desmond J. (1999) ’Oedipus without footnotes’, EMC 18.1: 35-44.
  • Erp Taalman Kip, A.M. van (1976) ‘Some reflections on the chorus in Sophocles' Oedipus Tyrannus’, in Miscellanea tragica in honorem J. C. Kamerbeek, eds. J.M. Bremer, S.L. Radt and C.J. Ruijgh. Amsterdam: 71-83.
  • Machin, A. (1989) 'Sur le troisième stasimon d' Oedipe-Roi ', Revue des études grecques 102: 192-201.
  • McDevitt, A.S. (1969) ‘The dramatic integration of the chorus in Oedipus Tyrannus’, Classica et mediaevalia 30: 78-101.
  • Sansone, D. (1975) ‘The third stasimon of the Oedipus Tyrannos’, CPh 70: 110-117.
  • Segal, C. (1997) 'The Chorus and the Gods in Oedipus Tyrannus ', Arion 4: 20-32.
  • Sidwell, K. (1992) 'The argument of the second stasimon of Oedipus Tyrannus ', Journal of Hellenic Studies 112: 106-122.
  • Vellacott, P.H. (1967) ‘The chorus in Oedipus tyrannus’, G&R 14: 109-125.
  • Winnington-Ingram, R.P. (1971) ‘The second stasimon of the Oedipus Tyrannus’, JHS 91: 119-135.
Sophocles: Philoctetes
  • Bers, V. (1981) ‘The perjured chorus in Sophocles' Philoctetes’, Hermes 109: 500-504.
  • Davidson, John (1991) ’The Philoctetes stasimon’, LCM 16: 125-128.
  • Esposito, S.J. (1984) The chorus in Sophocles. The tension of foreground and background in Philoctetes and Trachiniae. Baltimore.
  • Haldane, J.A. (1963) 'A Paean in the Philoctetes ', CQ 13: 53-56.
  • Kitzinger, Rachel (2008) The choruses of Sophokles' Antigone and Philoktetes: a dance of words. Mnemosyne Supplementa 292. Leiden, Boston: Brill.
  • Paulsen, T. (1989) Die Rolle des Chors in den späten Sophokles-Tragödien: Untersuchungen zu Elektra, Philoktet und Oidipus auf Kolonos. Bari.
  • Schein, Seth L. (1988) ’The chorus in Sophocles' Philoctetes’, SIFC 6: 196-204.
  • Shucard, S.C. (1973) ‘Some developments in Sophocles' late plays of intrigue’, CJ 69: 133-138. (Philoctetes and Electra)
Sophocles: Trachiniae
  • Easterling, P.E. (1981) ‘The end of the Trachiniae’, ICS 6.1: 56-75.
  • Esposito, S.J. (1984) The chorus in Sophocles. The tension of foreground and background in Philoctetes and Trachiniae. Baltimore.
  • Esposito, S.J. (1997) 'The Third Stasimon of Sophocles' Trachiniae ', Classical World 91.1: 21-38.
  • Parry, H. (1986) 'Aphrodite and the Furies in Sophocles' Trachiniae ', in Greek Tragedy and its Legacy: Essays Presented to D.J. Conacher, M. Cropp et al. (eds.). Calgary: 103-114.
  • Segal, C. (1975) 'Mariage et sacrifice dans les Trachiniennes de Sophocle', Acta Classicorum 44: 30-53.
  • Solmsen, F. (1985) ‘ἀλλ’ εἰδέναι χρὴ δρῶσαν: The meaning of Sophocles' Trachiniai 588-93’, AJPh 106: 490-496.

Euripides (tragedy)

Euripides: General
  • Furley, W.D. (2000) 'Hymns in Euripidean Tragedy' in Euripides and Tragic Theater in the Late Fifth Century, M. Cropp, K. Lee, D. Sansone (eds.). Champaign.
  • Henrichs, A. (1996) 'Dancing in Athens, Dancing on Delos: Some Patterns of Choral Projection in Euripides', Philologus 140: 48-62.
  • Hose, M. (1990) Studien zum Chor bei Euripides. Teil 1: Einführung, Chor im Eingang, Chor in Handlung. Stuttgart (Beiträge zur Altertumskunde. 10).
  • Hose, M. (1991) Studien zum Chor bei Euripides. Teil 2: Das Chorlied, die Chortragödien, die Rolle des Chores in den Tragödien des Euripides. Stuttgart (Beiträge zur Altertumskunde. 20).
  • MacClure, L. (1995) 'Female Speech and Characterization in Euripides' in Lo spettacolo delle voci, F. de Martino and A.H. Sommerstein (eds.). Bari: 35-60.
  • Mantziou, M. (1981) Hymns and Hymnal Prayers in fifth-century Greek Tragedy with special Reference to Euripides. PhD thesis London.
  • Mastronarde, Donald J. (1998) 'Il coro euripideo: autorità e integrazione', Quaderni Urbinati di Cultura Classica 60: 55-80.
  • Mastronarde, Donald J. (1999) ‘Knowledge and Authority in the Choral Voice of Euripidean Tragedy’, Syllecta Classica 10: 87-104. Countervailing factors encourage and discourage identification of the audience watching a Greek tragedy with the chorus and its reliance on the chorus' interpretations. Euripides goes further than Aeschylus and Sophocles in underminding this identification.
  • Möller, C. (1933) Vom Chorlied bei Euripides. Göttingen.
  • Panagl, O. (1971) Die "dithyrambischen Stasima" des Euripides: Untersuchungen zur Komposition und Erzähltechnik. Wien.
  • Phoutrides, A.E. (1916) 'The Chorus of Euripides', HSCP 27: 77-170.
  • Rehm, R. (1996/7) 'Performing the Chorus: Choral Action, Interaction, and Absence in Euripides', Arion 4: 45-60.
Euripides: Andromache
Euripides: Bacchae
  • Arthur, M. (1972) ‘The choral odes of the Bacchae of Euripides’, YClS 22: 145-179.
  • Murnaghan, Sheila (2006) 'The Daughters of Cadmus: Chorus and Characters in Euripides' Bacchae and Ion ' in Greek Drama III: Essays in Honour of Kevin Lee, eds. John Davidson, Frances Muecke, and Peter Wilson. BICS Supplement 87. London: 99-112.
  • Segal, Charles (1997) 'Chorus and community in Euripides' Bacchae ' in Poet, public, and performance in ancient Greece, Lowell Edmunds and Robert W. Wallace (eds.) (with a preface by Maurizio Bettini). Baltimore (Md.): 65-86. Reviewed by Goldhill, Simon (1998) BMCR 98.2.05 and Ferrando, Serena (2000) Maia 52.2: 402-404.
Euripides: Electra
  • Baur, D. (1997) 'Chor und Tragödie unter besonderer Berücksichtigung von Euripides' Elektra ', Poetica 29: 26-47.
  • Rosivach, Vincent J. (1978) 'The “Golden Lamb” Ode in Euripides’ Electra ', CP 73: 189-99.
  • Zeitlin, Froma I. (1970) 'The Argive Festival of Hera and Euripides’ Electra ', TAPA 101: 645-669.
Euripides: Heracles
  • Kyriakou, Poulcheria (1999) ’The chorus in the Heracles and the Iphigeneia in Tauris of Euripides’, Hellenica 49.1: 7-27.
  • Parry, H. (1965) 'The Second Stasimon of Euripides, Heracles (637-700)', AJP 86: 363-374.
Euripides: Hippolytus
  • Bond, G.W. (1980) 'A chorus in Hippolytus. Manuscript text versus dramatic realism’, Hermathena 129: 59-63.
  • Swift, L.A. (2006) 'Mixed Choruses and Marriage Songs: a New Interpretation of the Third Stasimon of the Hippolytos ', Journal of Hellenic Studies 126: 125-140.
    • Abstract: This article uses evidence drawn from hymenaios and wedding ritual to reach a new interpretation of the third stasimon of the Hippolytos, and its rôle in the play. There is longstanding contention about whether a second (male) chorus participates in the ode, singing in antiphony with the existing tragic chorus. Even scholars who accept that a second chorus is present have tended to regard it as an aberration which needs to be explained away, rather than a deliberate choice with poetic significance. I discuss the cultural implications of such a chorus, examining our evidence for real-life mixed choruses, and then applying this to the ode itself. The evidence for mixed choruses suggests they are strongly associated with marriage. Looking more closely at the language and imagery of the ode, there are allusions to the topoi of wedding songs and ritual running through it. The ode can use these as a device to trigger deep-rooted responses and associations from the audience, as these motifs are drawn from the cultural tradition which the audience shares. The topoi tie in with the theme of marriage and sexuality within the Hippolytos as a whole. But while their usual purpose is to set up conventional models and ways of thinking, the way they are deployed in the ode in fact serves to undermine these models, and to put a darker spin on the norms of sexual behaviour. This strand of imagery therefore also provides a filter for interpreting Hippolytos’ own attitude towards sexuality, and a guide to how we are meant to respond to it.
Euripides: Ion
  • Murnaghan, Sheila (2006) 'The Daughters of Cadmus: Chorus and Characters in Euripides' Bacchae and Ion ' in Greek Drama III: Essays in Honour of Kevin Lee, eds. John Davidson, Frances Muecke, and Peter Wilson. BICS Supplement 87. London: 99-112.
  • Willetts, R.F. (1973) ‘Action and character in the Ion of Euripides’, JHS 93: 201-209.
Euripides: Ιphigenia Taurica
  • Kyriakou, Poulcheria (1999) ’The chorus in the Heracles and the Iphigeneia in Tauris of Euripides’, Hellenica 49.1: 7-27.
Euripides: Medea
  • Segal, C. (1997) 'On the Fifth Stasimon of Euripides' Medea ', American Journal of Philology 118: 167-184.
Euripides: Orestes
  • Damen, Mark (1990) ’Electra's monody and the role of the chorus in Euripides' Orestes 960-1012’, TAPhA 120: 133-145.
  • Psaroudakēs, Stelios (2004) 'The Orestes Papyrus: some thoughts on the dubious musical signs', in Studien zur Musikarchäologie IV. Musical archaeological sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 9-16 June, 2002, and other contributions. (Orient-Archäologie, 15), Ellen Hickmann & Ingo Laufs & Ricardo Eichmann (eds.). Rahden, Westf: Marie Leidorf GmbH: 471-92.
Euripides: Phoenissae
  • Arthur, M. (1977) 'The Curse of Civilization: The Choral Odes of the Phoenissae ', HSCP 81: 163-184.
  • Hartigan, Karelisa V. (2000) 'Why 'Phoenician' women?', Eranos 98: 25-31.
Euripides: Supplices
  • Scully, Stephen P. (1996-1997) 'Orchestra and stage in Euripides' Suppliant women ', Arion 4.1: 61-84.
Euripides: Troades
  • Sienkewicz T.J. (1975) Euripides' Trojan Women. An interpretative study based upon the role of the chorus and ironic development. PhD Dissertation, Stanford University.
  • Sienkewicz T.J. (1978) 'Euripides' Trojan Women. An interpretation', Helios 6: 81-95.

Comic Chorus

  • Bierl, Anton (1999) 'Doppeltanz oder doppelte Freude? – Gedanken zum umstrittenen διπλῆν (Ar. Thesm. 982) aus einer performativen Perspektive' in Der Chor im antiken und modernen Drama, eds. P. Riemer and B. Zimmermann. Drama 7. Stuttgart and Weimar: 27–47.
  • Bierl, Anton (2001) Der Chor in der Alten Komödie. Ritual und Performativität (unter besonderer Berücksichtigung von Aristophanes' Thesmophoriazusen und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126). It has been translated by Alex Hollmann into English as:
    • Bierl, Anton (2007) Ritual and Performativity: The Chorus in Old Comedy. Harvard Press, Center of Hellenic Studies. With many interpretations of comic, tragic and satyric songs, with a general introduction of more than 90 pages to the Chorus and song culture in general; it includes an interpretation of Alcman and an intense analysis of popular Phallus-Songs in ch. 2.
  • Bierl, Anton (2007) 'L'uso intertestuale di Alcmane nel finale della Lisistrata di Aristofane. Coro e rito nel contesto performativo' in Dalla lirica corale alla poesia drammatica. Forme e funzioni del canto corale nella tragedia e nella commedia greca, eds. F. Perusino and M. Colantonio. Pisa: 259–290. With a comparison between Alcman and the last songs in Ar. Lysistrata.
  • Calame, Claude (2004) 'Choral Forms in Aristophanic Comedy: Musical Mimesis and Dramatic Performance in Classical Athens' in Music and the Muses. The Culture of Mousike in the Classical Athenian City, eds. P. Murray and P. Wilson. Oxford: 157-184.
  • Cavallini, E. (1983) 'Echi della lirica arcaica nella Lisistrata di Aristofane', MCr 18: 70-15.
  • Faraone, Christopher A. (1997) 'Salvation and Female Heroics in the Parodos of Aristophanes' Lysistrata ', Journal of Hellenic Studies 117: 38-59.
  • Kugelmeier, Chr. (1996) Reflexe früher und zeitgenössischer Lyrik in der Alten attischen Komödie. Stuttgart (Beiträge zur Altertumskunde. 80).
  • Lech, Marcel Lysgaard (2005) 'A note on Aristophanes' Clouds 76', Classica et Mediaevalia 56: 49-55.
  • Puetz, Babette (2007) The Symposium and Komos in Aristophanes. Warminster: Aris & Phillips. Reviewed by Beta, Simone BMCR 2008.07.05.
  • Saetta Cottone, Rossella (2001) 'Aristophane: injures et comique. A propos de Cavaliers 1274ss.', Methodos 1: 187-206.
  • Saetta Cottone, Rossella (2003) 'Agathon, Euripide et le thème de la mimesis poétique dans les Thesmophories d'Aristophane', Revue des Études Grecques 116.2: 445-469.
  • Willi, Andreas (2003) The Languages of Aristophanes. Aspects of Linguistic Variation in Classical Attic Greek. Oxford. Reviewed by Blomqvist, Jerker BMCR 2004.06.04.

Satyr Chorus

  • Slenders, W.L.G.M. (2007) Τραγῳδία παίζουσα. Taaleigen en stijl van het Klassiekgriekse satyrspel. PhD Dissertation Radboud University Nijmegen. (in Dutch with an English summary)

Varia

  • Boedeker, Deborah (1974) Aphrodite's Entry into Greek Epic. Mnemosyne Supplement 32. Leiden.
  • Cala[me, Claude (1988) Métamorphoses du mythe en Grèce antique. Genève.
  • Calame, Claude (1990) Thésée et l'imaginaire athénien. Légende et culte en Grèce classique. Lausanne (2nd edn. 1996).
  • Calame, Claude (2000) Poétique des mythes en Grèce antique. Paris. An English translation is forthcoming at Cambridge University Press.
  • Calame, Claude and Roger Chartier (2004) Identités d’auteur dans l’Antiquité et la tradition européenne. Grenoble.
  • Calame, Claude and Maya Burger (2006) Comparer les comparatismes. Perspectives sur l’histoire et les sciences des religions. Paris and Milano.
  • Calame, Claude (2006) 'Récit héroïque et pratique religieuse: Le passé poétique des cités grecques classiques', Annales. Histoire, Sciences Sociales 61: 527-551.
  • Corrêa, P.C. (2003) Harmonia: Mito e Música na Grécia antiga. São Paulo.
  • Davidson, J. (1997) Courtesans and Fishcakes: The Consuming Passion of Classical Athens. Londen.
  • Fisher, Nick (1998) ‘Gymnastic behaviour and the democratic values of leisure in Athens’, in KOSMOS, Order, Individuality and the community in classical Athens, eds. P. Cartledge, P. Millett & S. von Reden. Cambridge: 84-104. About athletic contests, training and social relations at gymnasia.
  • Fisher, Nick (2000) ‘Symposiasts, Fisheaters and Flatterers: social mobility and moral concern in Old Comedy’ in Aristophanes and his Rivals, eds. Wilkins J. & Harvey D. London: 355-396. Considers songs sung at symposia.
  • Fisher, Nick (2003) ‘ 'Let Envy be Absent': Envy, Liturgies and Reciprocity in Athens’ in Envy in the Ancient World, eds. D. Konstan & K. Rutter. Edinburgh University Press: 181-215. Contains discussion of relations between choregoi and choreutai, and the benefits of doing choral liturgies. Reviewed by Peter Aronoff BMCR 2003.12.28.
  • Kurke, Leslie (1989) 'Pouring Prayers: A Formula of Indo–European Sacral Poetry?', Journal of Indo–European Studies 17: 113–25.
  • Kurke, Leslie (1992) 'The Politics of Habrosûne in Archaic Greece', Classical Antiquity 11: 91–120.
  • Kurke, Leslie (1993) 'The Economy of Kudos', in Cultural Poetics in Archaic Greece: Cult, Performance, Politics, ed. Carol Dougherty and Leslie Kurke. Cambridge University Press: 131–63.
  • Kurke, Leslie (1995) 'Herodotus and the Language of Metals', Helios 22: 36–64.
  • Kurke, Leslie (1997) 'Inventing the Hetaira: Sex, Politics, and Discursive Conflict in Archaic Greece', Classical Antiquity 16: 106–150.
  • Kurke, Leslie (1997) 'The Cultural Impact of (on) Democracy: Decentering Tragedy', in Democracy 2500: Questions and Challenges, eds. Ian Morris and Kurt Raaflaub. Dubuque, Iowa (Archaeological Institute of America Monograph 3): 155–69.
  • Kurke, Leslie (1999) Coins, Bodies, Games, and Gold: The Politics of Meaning in Archaic Greece. Princeton University Press.
  • Kurke, Leslie (1999) 'Ancient Greek Board Games and How to Play Them', Classical Philology 94: 247-267.
  • Kurke, Leslie (2002) 'Money and Mythic History: The Contestation of Transactional Orders in the Fifth Century BC', in The Ancient Economy, eds. Walter Scheidel and Sitta von Reden. Edinburgh University Press: 88-113.
  • Lissarrague, F. (1987) Un Flot d’Images: une esthétique du banquet grec. Parijs. English translation (1990) Images of Wine and Ritual. Princeton.
  • Martin, Richard (2003) 'Keens from the Absent Chorus: Troy to Ulster', Western Folklore 62.1: 119-42. (On the representation of choral lament in Homer)
  • Martin, Richard (2003) 'The Pipes are Brawling: Conceptualizing Musical Performance in Classical Athens' in The Cultures within Greek Culture, eds. L. Kurke and C. Dougherty. Cambridge UP: 153-180. (On genres accompanied by the aulos, e.g. dithyramb, tragedy, elegiac)
  • Murray, O. (ed.) (1990) Sympotica: A symposium on the Symposion. Oxford.
  • Puetz, Babette (2007) The Symposium and Komos in Aristophanes. Warminster: Aris & Phillips. Reviewed by Beta, Simone BMCR 2008.07.05.
  • Rotstein, Andrea (2004) ‘Aristotle, Poetics 1447a13-16 and Musical Contests’, ZPE 149: 39-42. This article argues that the list of mimetic species (Arist., Po. 1447a13-16), in which lyric and iambic poetry are not mentioned, corresponds to the categories of competition at the main Athenian festivals.
  • Sauzeau, P. (ed.) (2000) Bacchanales: Actes des colloques ‘Dionysos’ de Montpellier. Montpellier.
  • Schäfer, A. (1997) Unterhaltung beim griechischen Symposion. Mainz.
  • Schmitt-Pantel, P. (1992) La cité au banquet: Histoire des repas publics dand les cités grecques. Rome.
  • Slater, W.J. (ed.) (1991) Dining in a Classical Context. Ann Arbor.
  • Slings, S.R. (1989) 'Poet's call and poet's status in archaic Greece and other oral cultures', Listy filologické 112: 72-80.
  • Slings, S.R. (2000) Symposium: Speech and Ideology. Two hermeneutical issues in early Greek lyric, with special reference to Mimnermus. Amsterdam (KNAW), Mededelingen KNAW afd. Letterkunde, 63, 1. Concerns the performance of lyric poetry in the archaic period. Review by Bremer, Jan Maarten (2003) Mnemosyne 56: 614-15.
  • Van Wees, Hans (1998) 'A brief history of tears. Gender differentiation in archaic Greece', in When Men Were Men. Masculinity, power and identity in classical antiquity, eds. Lin Foxhall & John Salmon. London and New York: 10-53. Includes discussion of fragments of Archilochus, Semonides and Sappho.
  • Van Wees, Hans (2000) 'The development of the hoplite phalanx. Iconography and reality in the seventh century', in War and Violence in Ancient Greece, ed. Hans van Wees. London: 125-66. Includes discussion of fragments of Tyrtaios, Callinus, Alcaeus.
  • Van Wees, Hans (2005) 'Trailing tunics and sheepskin coats: dress and status in early Greece', in The Clothed Body in the Ancient World, eds. L. Clelland, M. Harlow and L. Llewellyn-Jones. Oxbow Books, Oxford: 44-51. Includes discussion of fragments of Sappho, Alcaeus, and Alcman.
  • Van Wees, Hans (2006) 'From kings to demigods: epic heroes and social change, c. 750-600 bc', in Ancient Greece: from the Mycenaean palaces to the age of Homer. Edinburgh Leventis Studies 3, eds. Sigrid Deger-Jalkotzy, Irene S. Lemos. Edinburgh U.P.: 363-380. Includes discussion of fragments of Callinus and Tyrtaeus.