Difference between revisions of "Bibliography"

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The goal of this site is to complement the bibliographies on archaic and classical Greek lyric, iambic and elegiac poetry collected by Douglas E. Gerber. Gerber has made an extensive and annotated overview of publications in this field between 1920 and 1989 in:
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The lists of publications on this page aim to complement Douglas E. Gerber extensive and annotated bibliographies of archaic and classical Greek lyric, and iambic and elegiac poetry for the years 1920-1989:
  
 
* Gerber, Douglas E. (1989) 'Pindar and Bacchylides 1934-1987', ''Lustrum'' 31: 97-269.
 
* Gerber, Douglas E. (1989) 'Pindar and Bacchylides 1934-1987', ''Lustrum'' 31: 97-269.
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* Gerber, Douglas E. (1994) 'Greek lyric poetry since 1920. Part II: From Alcman to fragmenta adespota', ''Lustrum'' 36: 7-188 and 285-97.
 
* Gerber, Douglas E. (1994) 'Greek lyric poetry since 1920. Part II: From Alcman to fragmenta adespota', ''Lustrum'' 36: 7-188 and 285-97.
  
Our aim is to provide a bibliography that contains relevant publications on archaic and classical Greek poetry (including the choruses of classical drama) especially after 1989. The bibliography follows Gerber's division into genres and ancient poets, but one can also use the 'search' function in the left sidebar in order to find publications.
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See, too, Arlette Neumann-Hartmann recently published bibliography for Pindar and Bacchylides covering the years 1988 - 2007:
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* Neumann-Hartmann, Arlette (2010) 'Pindar und Bakchylides (1988–2007)', ''Lustrum: Internationale Forschungsberichte aus dem Bereich des klassischen Altertums'' 52: 181–463.
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Our aim is to provide a bibliography that contains relevant publications on archaic and classical Greek poetry (including the choruses of classical drama) especially after 1989. The bibliography follows Gerber's division into genres and ancient poets, but one can also use the 'search' function in the left sidebar in order to find publications. Another way to search through the documents is to use the CTRL-F search function of your browser. In this way, one can more conveniently search for specific words in publications. Unfortunately, it is still impossible to search for themes or keywords that are not mentioned in the title.  
  
  
 
== Greek Song General ==
 
== Greek Song General ==
* Alexiou, M. (2002) ''The Ritual Lament in Greek Tradition''. Second edition revised by D. Yatromanolakis and P. Roilos. Lanham/Oxford.
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=== General ===
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* Alexiou, M. (2002) ''The Ritual Lament in Greek Tradition''. Second edition revised by D. Yatromanolakis and P. Roilos. Lanham/Oxford. <!-- VERWIJDERD OP VERZOEK VAN YATROMANOLAKIS Reviewed by D. Wright [http://bmcr.brynmawr.edu/2003/2003-01-10.html BMCR 2003.01.10]-->
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* Bagordo, A. (2011) 'Lyrik', in: Handbuch der griechischen Literatur der Antike, Bd. I, Zimmermann, Bernhard (ed.) München.
  
* Anderson, W. D. (1994) ''Music and Musicians in Ancient Greece''. Ithaca, NY.
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* Boedeker, D. (1984) 'Descent from Heaven: Images of Dew in Greek Poetry and Religion', ''American Classical Studies'' 13.
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* Bowie, E. (2010) 'The Trojan War's Reception in Early Greek Lyric, Iambic and Elegiac Poetry' in: ''Intentional History. Spinning Time in Ancient Greece'' eds. L. Foxhall, H.-J. Gehrke, N. Luraghi. Stuttgart: 57-87.  
  
* Barker, Andrew (1984) ''Greek Musical Writings. Vol. I: The Musician and His Art''. Cambridge. [http://www.amazon.ca/gp/reader/0521235936/ref=sib_rdr_toc?ie=UTF8&p=S007&j=0#reader-page Table of Contents].
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* Briand, M. (2011), « De la parure à l’harmonie du monde : esthétique et idéologie du kosmos dans la poésie mélique grecque archaïque », L. Bodiou, Fl. Gherchanoc, V. Huet, V. Mehl, Parures et artifices : le corps exposé dans l’Antiquité, L’Harmattan, p. 217-232.  
  
* Barker, Andrew (1989) ''Greek Musical Writings. Vol. II: Harmonic and Acoustic Theory''. Cambridge. [http://www.amazon.ca/gp/reader/0521616972/ref=sib_rdr_toc?ie=UTF8&p=S006&j=0#reader-page Table of Contents].
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* Briand, M. (2012),  « Pour un parallèle intempestif. Poètes norvégiennes contemporaines / grecques anciennes », in Le Pan poétique des muses | Revue internationale de poésie entre théories & pratiques : « Poésie, Danse & Genre » [En ligne], n°2|Automne 2012, http://0z.fr/wZC2S
  
* Barker, Andrew (1995) ‘Heterophonia and poikilia: accompaniments to Greek melody’, in ''Mousike. Metrica, ritmica e musica greca in memoria di Giovanni Comotti'', eds. B. Gentili and F. Perusino. Pisa: 41-60.
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* Briand, M. (2013), "Un genre, des genres, pas de genre : sur les désignations et les pratiques grecques anciennes de la poésie d’éloge", in Alain Bègue (ed.), La poesía epidíctica del Siglo de Oro y sus antecedentes (I). Versos de elogío, Editorial Academía del Hispanismo, Vigo, p. 19-41
  
* Barker, Andrew 'Armonica’ (2001) in ''Storia della Scienza'', vol. 1, S. Petruccioli (ed.), Istituto della Enciclopedia Italiana. Rome: 909-926.
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* Budelmann, F. (ed.) (2009) ''The Cambridge Companion to Greek Lyric''. Cambridge.
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** Contents: 1. Introducing Greek lyric Felix Budelmann; Part I. Contexts and Topics: 2. Genre, occasion and performance Chris Carey; 3. Greek lyric and the politics and sociologies of archaic and classical Greek communities Simon Hornblower; 4. Greek lyric and gender Eva Stehle; 5. Greek lyric and the place of humans in the world Mark Griffith; 6. Greek lyric and early Greek literary history Barbara Graziosi and Johannes Haubold; 7. Language and pragmatics Giovan Battista D'Alessio; 8. Metre and music Luigi Battezzato; Part II. Poets and Traditions: 9. Iambos Chris Carey; 10. Elegy Antonio Aloni; 11. Alcman, Stesichorus and Ibycus Eveline Krummen; 12. Alcaeus and Sappho Dimitrios Yatromanolakis; 13. Anacreon and the Anacreontea Felix Budelmann; 14. Simonides, Pindar and Bacchylides Hayden Pelliccia; 15. Ancient Greek popular song Dimitrios Yatromanolakis; 16. Timotheus the New Musician Eric Csapo and Peter Wilson; Part III. Reception: 17. Lyric in the Hellenistic period and beyond Silvia Barbantani; 18. Lyric in Rome Alessandro Barchiesi; 19. Greek lyric from the Renaissance to the eighteenth century Pantelis Michelakis; 20. Sappho and Pindar the nineteenth and twentieth centuries Margaret Williamson; 21. Lyric and lyrics: perspectives, ancient and modern Michael Silk.
  
* Barker, Andrew (2005) ''Psicomusicologia nella Grecia Antica. A cura di Angelo Meriani. Università degli Studi di Salerno. Quaderni del Dipartimento di Scienze dell'Antichità''. Napoli. Reviewed by Raffa, Massimo [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-08.html ''BMCR'' 2006.06.08].
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* Calame, C. (1998) 'La poésie lyrique grecque, un genre inexistant?'€™, ''Littérature'' 11: 87–110. (English translation in preparation for Readings in Greek Lyric, ed. I. Rutherford. Oxford.)
  
* Barker, Andrew (2007) ''The Science of Harmonics in Classical Greece''. Cambridge. [http://catdir.loc.gov/catdir/toc/ecip0711/2007007746.html Table of Contents].
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* Cavarzere, A., Aloni, A. and Barchiesi, A. (eds.) (2001) ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', Lanham, Md. and Oxford. Reviewed by C. Keane [http://bmcr.brynmawr.edu/2002/2002-07-35.html BMCR 2002.07.35]
  
* Boedeker, Deborah (1984) 'Descent from Heaven: Images of Dew in Greek Poetry and Religion', ''American Classical Studies'' 13.
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* Dougherty, C. (1994) '€˜Archaic Greek foundation poetry: questions of genre and occasion'€™, ''JHS'' 114: 35–46.
  
* Briand, Michel (2000) 'Inspiration, enthousiasme et polyphonies: ἔνθεος et la performance poétique', ''Noésis'' (L'antique notion d'inspiration, dir. J. Assaël): 97-154.
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* Fowler, B.H. (1992) ''Archaic Greek Poetry: An Anthology''. Madison, Wis.
  
* Calame, Claude (2005) ''Masques d’autorité. Fiction et pragmatique dans la poétique grecque''. Paris. English translation (2005) ''Masks of Authority. Fiction and Pragmatics in Ancient Greek Poetics''. Ithaca NY and London.
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* Franklin, J.C. (2013) “‘Song-Benders of Circular Choruses’: Dithyramb and the ‘Demise of Music‘“, in Wilson, P./ Kowalzig, B. (eds.), ''Dithyramb in Context'', Oxford: 213–36.
  
* Calame, Claude (2004) ‘Deictic ambiguity and auto-referentiality: some examples from Greek poetics’, ''Arethusa'' 37: 427-31.
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* Franklin, J.C. (2016) ''Kinyras: The Divine Lyre''. (Hellenic Studies 70), Washington D.C..
  
* Calame, Claude (2006) ''Pratiques poétiques de la mémoire. Représentations de l’espace-temps en Grèce ancienne''. Paris. English translation is forthcoming at Harvard University Press.
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* Franklin, J.C.  (2007) “‘A Feast of Music’: The Greco-Lydian Musical Movement on the Assyrian Periphery“, in Collins, B. J./Bachvarova, M./ Rutherford, I. (eds.), ''Anatolian Interfaces: Hittites, Greeks and Their Neighbors'', Oxford: 193–203.
  
* Calame, Claude (2007) 'Gardens of Love and Meadows of the Beyond: Ritual Encounters with the Gods and Poetical Perfomances in Ancient Greece' in ''Sacred Gardens and Landscapes: Ritual and Agency'', ed. M. Conan. Washington: 43-54.
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* Franklin, J.C.  2003) “The Language of Musical Technique in Greek Epic Diction“, Gaia. Revue interdisciplinaire sur la Grèce archaïque 7: 295-307.
  
* Collins, D. (2004) ''Master of the Game: Competition and Perfomance in Greek Poetry''. Cambridge, MA.
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* Gentili, B. (1990) ''Poetry and its Public in Ancient Greece''. Baltimore. Reviewed by S.D. Olson [http://bmcr.brynmawr.edu/1991/02.02.06.html BMCR 02.02.06]
  
* D'Angour, Armand (2006) 'The New Music – so what’s new?' in ''Rethinking Revolutions through Ancient Greece'', eds. Goldhill and Osborne. Cambridge: 264-283.
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* Gentili, B. and Catenacci, C. (2007) ''Polinnia. Poesia greca arcaica. Terza edizione''. Firenze. Contains elegiac, iambic and lyric poetry with introduction and commentary. Reviewed by L. Athanassaki (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-04-23.html BMCR 2008.04.23].
  
* David, A.P. (2006) ''The Dance of the Muses: Choral Theory and Ancient Greek Poetics''. New York. Review by Ronald J.J. Blankenborg [http://ccat.sas.upenn.edu/bmcr/2007/2007-04-46.html ''BMCR'' 2007.04.46].
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* Gentili, B. and Lomiento, L. (2008) ''Metrics and Rhythmics: History of Poetic Forms in Ancient Greece'' (English translation by E. Christian Kopff of 2003 edition: ''Metrica e ritmica: Storia delle forme poetiche nella Grecia antica''. Milan. Review: [http://bmcr.brynmawr.edu/2004/2004-09-09.html BMCR 2004.09.09]). ''Studi di metrica classica'' 12. Pisa/Roma: Fabrizio Serra Editore. Reviewed by A. Tessier [http://bmcr.brynmawr.edu/2009/2009-11-31.html BMCR 2009.11.31].
  
* Ford, Andrew L. (1988) 'The Classical Definition of rhapsôdia', ''Classical Philology'' 83: 300-307. It considers the early usage of "rhapsody" and related terms and argues that their meaning (essentially, "the performance of verse without melody") is based on  modes of performance rather than a formally or thematically homogeneous corpus of poetry.
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* Gerber, D.E. (1997) (ed.) ''A Companion to the Greek Lyric Poets''. Leiden.
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** Contents: Iambos (Archilochus, Semonides, Hipponax) - Christopher Brown. Elegy (Callinus, Tyrtaeus, Mimnermus, Solon, Theognis, Xenophanes) - Douglas Gerber. Personal poetry (Alcaeus, Sappho,Ibycus, Anacreon, Corrina) - Bonnie Maclachan. Public poetry (Alcman, Stesichorus, Simonides, Pindar, Bacchylides) - Emmet Robbins.
  
* Fowler, Barbara Hughes (1992) ''Archaic Greek Poetry: An Anthology''. Madison, Wis.
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* Gerber, D.E. (2003) 'Λοξός with reference to the Eyes and Neck in Greek Poetry' in: ''Studi di Filologia e Tradizione Greca in memoria di Aristide Colonna'', eds. F. Benedetti and S. Grandolini. Napoli, vol. 1: 355-358.
  
* Franklin, John C. (2002) 'Musical Syncretism and the Greek Orientalizing Period' in ''Archäologie früher Klangerzeugung und Tonordnungen'', eds. E. Hickmann and R. Eichmann. Serie Studien zur Musikarchäologie, Orient-Archäologie. Rahden: 441-51. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/MusicSync.pdf PDF]. [http://www.kingmixers.com/Syncrestism.html Abstract].
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* Goldhill, S. (1991) ''The Poet’s Voice: Essays on Poetics and Greek Literature''. Cambridge.
  
* Franklin, John C. (2002) 'Diatonic Music in Greece: a Reassessment of its Antiquity', ''Mnemosyne'' 56.1: 669-702. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/DiatonicmusicinGreece.pdf PDF]. [http://www.kingmixers.com/Diatonic.html Abstract].
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* Graziosi, B. (2002) ''Inventing Homer. The Early Reception of Epic''. Cambridge. About the reception of Homer in lyric, elegy and iambus.
  
* Franklin, John C. (2003) 'The Language of Musical Technique in Greek Epic Diction', ''Gaia. Revue interdisciplinaire sur la Grèce archaïque'' 7: 295-307. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/MusicalTechnique.pdf PDF]. [http://www.kingmixers.com/MusicalTechnique.html Abstract].
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* Griffith, M. (1990) '€˜Contest and contradiction in early Greek poetry'€™, in ''Cabinet of the Muses: Essays on Classical and Comparative Literature in Honor of Thomas G. Rosenmeyer'', ed. M. Griffith and D. Mastronarde. Atlanta: 185–207.
  
* Franklin, John C. (2004) 'Structural Sympathies in Ancient Greek and South-Slavic Heroic Song' in ''Music Archeological Sources: Artifacts, Oral Tradition, Written Evidence'', eds. E. Hickmann and R. Eichmann. Serie Studien zur Musikarchäologie, Orient-Archäologie. Rahden: 241-251. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/StructuralSympathies.pdf PDF]. [http://www.kingmixers.com/Serbo.html Abstract].
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* Griffiths, A. (1995) '€˜Non-aristocratic elements in archaic poetry'€™, in ''The Greek World'', ed. A. Powell. London: 85–103.
  
* Franklin, John C. (2005) 'Hearing Greek Microtones', with audio CD in ''Ancient Greek Music in Performance'', eds. Hagel, S. and Harrauer, Ch. Wiener Studien Beiheft 29 Vienna. From a paper and audio-demonstration (with [http://www.kingmixers.com/virtuallyre.html Virtual Lyre]), delivered at Performing Ancient Greek Music Today, Österreichische Akademie der Wissenschaften, Vienna, September 29-October 1, 2003. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/HGM.pdf PDF]. [http://www.kingmixers.com/Hearing%20Greek%20Microtones.html Abstract].
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* Hunter, R.L. and Rutherford, I. (eds.) (2009) ''Wandering Poets in Ancient Greek Culture. Travel, locality and Pan-Hellenism''. Cambridge. [http://ebooks.cambridge.org/popups/pdf_viewer.jsf?cid=CBO9780511576133A005&ref=false&pubCode=CUP&urlPrefix=cambridge Table of contents] Reviewed by R. Roosevelt [http://bmcr.brynmawr.edu/2010/2010-01-55.html BMCR 2010.01.55]
  
* Franklin, John C. (2006) 'Lyre Gods of the Bronze Age Musical Koine', ''The Journal of Ancient Near Eastern Religions'' 6.2: 39-70. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/LyreGodsWeb.pdf PDF]. [http://www.kingmixers.com/WisdomLyre.html#lyregods Abstract].
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* Hutchinson, G.O. (ed.) (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
* Gentili, B. (1990) ''Poetry and its Public in Ancient Greece''. Baltimore.
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* Ieranò, G. (1997) ''Il Ditirambo di Dioniso''. Pisa and Rome. [Testimonia on dithyramb, with commentary]
  
* Gentili, Bruno and Carmine Catenacci (2007) ''Polinnia. Poesia greca arcaica. Terza edizione''. Firenze. Contains elegiac, iambic and lyric poetry with introduction and commentary. Reviewed by Athanassaki, Lucia (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-04-23.html ''BMCR'' 2008.04.23].
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* Jones, G.S. (2008) ''Singing the Skolion: a Study of Poetics and Politics in Ancient Greece''. Ph.D. Diss. Johns Hopkins University.
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** My dissertation collects and examines for the first time all testimonia related to the skolion and all surviving songs identified as skolia. I offer a new definition of the term based on the three elements of melic genre: occasion, content, style. I also examine the Panhellenization and historical development of the genre with special attention paid to the political implications of the Attic skolia.
  
* Graziosi, Barbara (2002) ''Inventing Homer. The Early Reception of Epic''. Cambridge. About the reception of Homer in lyric, elegy and iambus.
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* Klinck, Anne L. (2008) ''Woman's songs in Ancient Greece''. Montreal. Reviewed by M.R. Lefkowitz [http://bmcr.brynmawr.edu/2009/2009-06-56.html BMCR 2009.06.56]
  
* Kurke, Leslie (2000) 'The Strangeness of ‘Song Culture’: Archaic Greek Poetry', in ''Literature in the Greek & Roman Worlds: A New Perspective'', ed. Oliver Taplin. Oxford University Press: 58-87.
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* Kurke, Leslie (2000) 'The Strangeness of 'Song Culture'€™: Archaic Greek Poetry', in ''Literature in the Greek & Roman Worlds: A New Perspective'', ed. O. Taplin. Oxford University Press: 58-87.
  
* Kurke, Leslie (2007) 'Archaic Greek Poetry', in ''The Cambridge Companion to Archaic Greece'', ed. H. Alan Shapiro. Cambridge: 141-68. Review by Angela Kühr, [http://ccat.sas.upenn.edu/bmcr/2008/2008-01-13.html ''BMCR'' 2008.01.13].
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* Kurke, Leslie (2007) 'Archaic Greek Poetry', in ''The Cambridge Companion to Archaic Greece'', ed. H. Alan Shapiro. Cambridge: 141-68. Reviewed by A. Kühr [http://ccat.sas.upenn.edu/bmcr/2008/2008-01-13.html BMCR 2008.01.13].
  
 
* Lardinois, A.P.M.H. (1995) ''Wisdom in Context: The Use of Gnomic Statements in Archaic Greek Poetry''. Ph.D. Diss. Princeton University.
 
* Lardinois, A.P.M.H. (1995) ''Wisdom in Context: The Use of Gnomic Statements in Archaic Greek Poetry''. Ph.D. Diss. Princeton University.
  
* Malhomme, Florence and Anne Gabrièle Wersinger (eds.) (2007) ''Mousikè et Aretè. La mousique et l'éthique de l'antiquité à l'âge moderne. Actes du colloque international tenu en Sorbonne les 15-17 décembre 2003''. Paris: Librairie Philosophique J. Vrin. Reviewed by Raffa, Massimo (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-03-20.html ''BMCR'' 2008.03.20].
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* Lattmann, C. (2005) 'Die Dichtungsklassifikation des Aristoteles. Eine neue Interpretation von Aristot. poet. 1448a19–24', ''Philologus'' 149: 28-€“51. [http://www.klassalt.uni-kiel.de/abteilungen/graezistik/websites/lattmann/claas-lattmann-aristotles-classification-of-poetry Abstract].
  
* Murray, Penelope and Peter Wilson (eds.) (2004) ''Music and the Muses: The Culture of Mousike in the Classical Athenian City''. Oxford. [http://catdir.loc.gov/catdir/enhancements/fy0620/2004300274-t.html Table of Contents]. Reviewed by  Wright, Matthew (2004) [http://ccat.sas.upenn.edu/bmcr/2004/2004-07-16.html ''BMCR'' 2004.07.16] and Raffa, Massimo (2005) [http://www.ircps.org/publications/aestimatio/archive.htm ''Aestimatio''] 2: 109–119, [http://www.ircps.org/publications/aestimatio/pdf/Volume2/2005-10-01_Raffa.pdf PDF].
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* MacLachlan, B. (1993) ''The Age of Grace: Charis in Early Greek Poetry.'' Princeton. Reviewed by M.R. Halleran [http://bmcr.brynmawr.edu/1994/94.02.17.html BMCR 94.02.17]
  
* Nagy, Gregory (1997) ''The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry''. Johns Hopkins University Press (revised edition; first published in 1979). [http://www.press.jhu.edu/books/nagy/BofAS/toc.html Free-to-view online edition]. [http://www.intute.ac.uk/artsandhumanities/cgi-bin/fullrecord.pl?handle=humbul15083 More information] is available at [http://www.intute.ac.uk Intute], catalogued by Emma Bridges.
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* Malhomme, Florence and Anne Gabrièle Wersinger (eds.) (2007) ''Mousike et Arete. La mousique et l'éthique de l'antiquité à l'âge moderne. Actes du colloque international tenu en Sorbonne les 15-17 décembre 2003''. Paris: Librairie Philosophique J. Vrin. Reviewed by Raffa, Massimo (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-03-20.html ''BMCR'' 2008.03.20].
  
* Petropoulos, J.C.B. (2003) ''Eroticism in Ancient and Medieval Greek Poetry''. London. Review by Vayos J. Liapis [http://ccat.sas.upenn.edu/bmcr/2004/2004-10-01.html ''BMCR'' 2004.10.01].
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* Martin, R. (2009) 'Gnomes in Poems: Wisdom Performance on the Athenian Stage', in ''Antiphílesis: Studies on Classical,Byzantine and Modern Greek Literature and Culture. In Honour of Professor John-Theophanes A. Papademetriou.'' eds. E. Karamalengou and E.D. Makrygianni. Stuttgart: 116-27.
  
* Psaroudakēs, Stelios (1995) 'Acoustic study of the aulos by the method of physical modeling. Report' in ''International conference “Physical modeling in music (ancient instruments, singing/speech, psychoacoustics)”, Aristotle University of Thessalonikē –  Program of Psychoacoustics, Thessalonikē, 10-12 July. Proceedings.''
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* Mojsik, T. (2011) ''Between Tradition and Innovation: Genealogy, Names and the Number of the Muses. Akme. Studia historica, 9.''   Warszawa. Reviewed by P. Murray [http://bmcr.brynmawr.edu/2012/2012-09-56.html BMCR 2012-09.56].  
  
* Psaroudakēs, Stelios (2000) 'The arm-crossbar junction of the Classical Hellenic kithara', in ''Studien zur Musikarchäologie II. Music Archaeology of early Metal Ages. Papers from the 1st Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 18-24 May, 1998'', Ellen Hickmann & Ingo Laufs & Ricardo Eichmann (eds.). Orient-Archäologie 7. Rahden, Westf.: 263-78.
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* Nagy, G. (1997) ''The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry''. Johns Hopkins University Press (revised edition; first published in 1979). [http://www.press.jhu.edu/books/nagy/BofAS/toc.html Free-to-view online edition]. [http://www.intute.ac.uk/artsandhumanities/cgi-bin/fullrecord.pl?handle=humbul15083 More information] is available at [http://www.intute.ac.uk Intute], catalogued by Emma Bridges.
  
* Psaroudakēs, Stelios (2002) 'The aulos of Argithea', in ''Studien zur Musikarchäologie III. The archaeology of sound: origin and organisation. Papers from the 2nd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 17-23 September, 2000 & Music Archaeology in the Aegean and Anatolia. Papers from the Colloquium on Music Archaeology organised by the Deutsches Archäologisches Institut (Istanbul) in cooperation with the ICTM-Study Group on Music Archaeology and the Institut Français d’Archéologie (Istanbul), Minar Sinan University, Istanbul, 12-16 April, 1993. (Orient-Archäologie, 10)'', Ellen Hickmann & Anne Kilmer Ricardo Eichmann (eds.). Rahden, Westf: 335-66.
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* Nagy, G. (2009) 'Perfecting the Hymn in the Homeric Hymn to Apollo'€™ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.), Athens: 17-44.
  
* Psaroudakēs, Stelios (2004) 'The Orestes Papyrus: some thoughts on the dubious musical signs', in ''Studien zur Musikarchäologie IV. Musical archaeological sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 9-16 June, 2002, and other contributions. (Orient-Archäologie, 15)'', Ellen Hickmann & Ingo Laufs & Ricardo Eichmann (eds.). Rahden, Westf: Marie Leidorf GmbH: 471-92.
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* Nobili, C.(2006) 'Motivi della poesia nuziale in Odissea VI 149-185', ''Rendiconti dell'Istituto lombardo di scienze e lettere. Classe di lettere e scienze morali'' 140: 59-74. It investigates the precence of motifs typical of wedding song in ''Odyssey'' 6.
  
* Psaroudakēs, Stelios (2004) 'Archaeomusicology and ethnomusicology in dialogue', ''Ευλιμένη'' 4: 189-200. This paper addresses a variety of issues in archaeomusicology, including song and its interpretation, mainly in the domain on "performance style", as opposed to that of "composition style".  
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* Nobili, C (2016) ''Corone di gloria. Epigrammi agonistici ed epinici dal VII al IV sec. a.C.'', Alessandria.
  
* Ψαρουδάκης, Στέλιος (1998) «Τα μουσικά  όργανα των αρχαίων Ελλήνων», ''Καθημερινή – Επτά  Ημέρες, Κυριακή 18 Ιανουαρίου'': 2-6.
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* Riu, X., Pòrtulas, J (eds.) (2012) ''Approaches to Greek Poetry.'' Messina.
  
* Ψαρουδάκης, Στέλιος (2001) «Η αρχαία ελληνική μουσική σημειογραφία. Οι πρόσφατες απόψεις του Egert Pöhlmann», ''Μούσα'' 8-9: 78-93. (in modern Greek)
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* Swift, L. (2015) ‘Lyric Visions of Epic Combat: The Spectacle of War in Archaic Personal Song’, in War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Combat, eds A. Bakogianni and V. Hope. London: 93-109.
  
* Ψαρουδάκης, Στέλιος (2003) «Πρωτογενή αερόφωνα και η αβέβαιη μαρτυρία του Δισπηλιού», ''Πολυφωνία'' 2: 7-20. (in modern Greek) This article compares the neolithic dispelio "aulos" (lake kastoria, makedonia) with other neolithic musical pipes from this country and the rest of the world (pure organological study). The find does not exhibit the characteristics of the other musical pipes, and as a result, we cannot hold with certainty that is was used as an aulos.
+
* Thomas, R. (1995) '€˜The place of the poet in archaic society'€™, in ''The Greek World'', ed. A. Powell. London: 104-29.
  
* Ψαρουδάκης, Στέλιος & Χρήστος Τερζής (2007) «Ανθολόγιον – Μέτρα και μέλη από την ελληνική αρχαιότητα», in DVD ''Εν Χορδαίς και Οργάνοις – Ένα πανόραμα της ελληνικής μουσικής''. Συναυλία του Τμήματος Μουσικών Σπουδών του Πανεπιστημίου Αθηνών, Παρασκευή 4 Μαΐου 2007. Μέρος πρώτο. Αθήνα: Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών.  
+
* Vetta, M. (1999) ''Symposion: Antologia della lirica greca''. Naples.
  
* Ψαρουδάκης, Στέλιος (2007) «Αρχαία ελληνική μουσική», in ''Μουσική'', Απόστολος Κώστιος (ed.). Αθήνα: Εκδοτική Αθηνών: 201-15. Originally published in (1999) in ''Ελληνική Εκπαιδευτική Εγκυκλοπαίδεια.'' Vol. 28. ''Θέατρο, Κινηματογράφος, Μουσική, Χορός''. Αθήνα: 28-33. (in modern Greek)
+
* Wilson, P. (ed.) (2007) ''The Greek Theatre and Festivals. Documentary Studies. Oxford Studies in Ancient Documents.'' Oxford: Oxford University Press. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011345.html Table of Contents]. Reviewed by R. Mitchell-Boyask [http://ccat.sas.upenn.edu/bmcr/2008/2008-05-24.html BMCR 2008.05.24].
  
* Ψαρουδάκης, Στέλιος & Σωτηρία Αδάμ (2004) «Ύε Κύε. Οι Ολυμπιακοί αγώνες στην αρχαιότητα». CD containing ancient Hellenic song and modern musical compositions inspired by it. Part of the volume: Μαρία Καΐλα & Georges Thill & Έλενα Θεοδωροπούλου & Γιώτα Ξανθάκου (edd.), Ύε Κύε. Οι Ολυμπιακοί αγώνες στην αρχαιότητα. Αθήνα: Ατραπός. Contribution to the CD (recittion, song, lyre) with the songs: Εις Μούσαν, «Εις Καλλιόπην και Απόλλωνα», «Εις Φοίβον», Εις  Ήλιον. Accompanying notes on pp. 220-23 of the book.
+
=== Metre, music and musical instruments ===
** The disc, apart from two modern compositions, contains performances of three ancient hellenic hymns by mesomedes of crete (2nd century AD), accompanied by a reconstructed chelys-lyre.
+
* Anderson, W. D. (1994) ''Music and Musicians in Ancient Greece''. Ithaca, NY.
  
* Steinrück, M. (2007) ''A quoi sert la métrique? Interprétation littéraire et analyse des formes métriques grecques: Une introduction''. Avec la collaboration d'Alessandra Lukinovich. Grenoble.
+
* Barker, A. (1984) ''Greek Musical Writings. Vol. I: The Musician and His Art''. Cambridge. [http://www.amazon.ca/gp/reader/0521235936/ref=sib_rdr_toc?ie=UTF8&p=S007&j=0#reader-page Table of Contents].
  
* Tsachalinas, Kostas & Katerina Tzedaki & Peter Cook & Stelios Psaroudakēs & Dimitris Kamarotos & T. Rikakis (1997) 'Physical modeling simulation of the ancient Greek Elgin auloi' in ''International computer music conference, Aristotle University of Thessalonikē – Program of Psychoacoustics & The International Computer Music Association, Thessalonikē, Hellas, 25-30 September. Proceedings''. San Francisco: 454-57.
+
* Barker, A. (1989) ''Greek Musical Writings. Vol. II: Harmonic and Acoustic Theory''. Cambridge. [http://www.amazon.ca/gp/reader/0521616972/ref=sib_rdr_toc?ie=UTF8&p=S006&j=0#reader-page Table of Contents].
  
* Tsagarakis, Odysseus (1977) ''Self-expression in Early Greek Lyric, Elegiac and Iambic Poetry''. Wiesbaden. Review by Bremer, Jan Maarten (1980) ''Mnemosyne'' 33: 182-187 and by Kirkwood, G. M. (1980) ''Phoenix'' 34.1: 92-3.
+
* Barker, A. (1995) 'Heterophonia and poikilia: accompaniments to Greek melody'€™, in ''Mousike. Metrica, ritmica e musica greca in memoria di Giovanni Comotti'', eds. B. Gentili and F. Perusino. Pisa: 41-60.
  
* Wecowski, Marek (2002) 'Homer and the origins of the symposion' in ''Omero tremila anni dopo. Atti del congresso di Genova 6-8 luglio 2000'', ed. Franco Montanari. Roma: 625-637.
+
* Barker, A. (2001) 'Armonica'€™  in ''Storia della Scienza'', vol. 1, S. Petruccioli (ed.), Istituto della Enciclopedia Italiana. Rome: 909-926.
  
* Wecowski, Marek (2002) 'Towards a definition of the symposion' in ''Euergesias charin. Studies Presented to Benedetto Bravo and Ewa Wipszycka by Their Disciples'', eds. T. Derda, J. Urbanik, M. Wecowski. Warszawa: 337-361.  
+
* Barker, A. (2005) ''Psicomusicologia nella Grecia Antica. A cura di Angelo Meriani. Università degli Studi di Salerno. Quaderni del Dipartimento di Scienze dell'Antichità ''. Napoli. Reviewed by Raffa, Massimo [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-08.html ''BMCR'' 2006.06.08].
  
* Wilson, Peter (ed.) (2007) ''The Greek Theatre and Festivals. Documentary Studies. Oxford Studies in Ancient Documents.'' Oxford: Oxford University Press. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011345.html Table of Contents]. Reviewed by Mitchell-Boyask, Robin (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-05-24.html ''BMCR''  2008.05.24].
+
* Barker, A. (2007) ''The Science of Harmonics in Classical Greece''. Cambridge. [http://catdir.loc.gov/catdir/toc/ecip0711/2007007746.html Table of Contents]. Reviewed by N. Sidoli [http://bmcr.brynmawr.edu/2009/2009-10-38.html BMCR 2009.10.38]
  
* Yatromanolakis, D. (2007) ''Sappho in the Making: The Early Reception''. Cambridge, MA.
+
* Bélis, A. (1999) ''Les musiciens dans l’antiquité''. Paris.
  
== Greek Elegy and Iambus ==
+
* Bundrick, S.D. (2005) ''Music and Image in Classical Athens''. Cambridge. Reviewed by S. Gibson [http://bmcr.brynmawr.edu/2006/2006-07-46.html BMCR 2006.07.46]
  
=== Elegy and Iambus General ===
+
* Budelmann, F. (2001) '€˜Sound and text: the rhythm and metre of archaic and classical Greek poetry in ancient and Byzantine scholarship'€™, in ''Homer,Tragedy and Beyond: Essays in Honour of P. E. Easterling'', ed. F. Budelmann and P. Michelakis. London: 209–40.
  
=== Iambus General ===
+
* D'Angour, A. (2006) 'The New Music - so what'€™s new?' in ''Rethinking Revolutions through Ancient Greece'', eds. Goldhill and Osborne. Cambridge: 264-283.
* Acosta-Hughes, B. (2002) ''Polyeideia: The Iambi of Callimachus and the Archaic Iambic Tradition''. Berkeley and London.
 
  
* Steinrück, M. (2000) ''Iambos. Studien zum Publikum einer Gattung in der frühgriechischen Literatur.'' Hildesheim.
+
* Ford, A. (1988) 'The Classical Definition of rhapsôdia', ''Classical Philology'' 83: 300-307.  
  
=== Archilochus ===
+
* Franklin, J.C. (2002) 'Musical Syncretism and the Greek Orientalizing Period' in ''Archäologie früher Klangerzeugung und Tonordnungen'', eds. E. Hickmann and R. Eichmann. Serie Studien zur Musikarchäologie, Orient-Archäologie. Rahden: 441-51. [http://www.kingmixers.com/FranklinPDFfilescopy/MusicalSyncretism.pdf PDF]. [http://www.kingmixers.com/Syncrestism.html Abstract].
* Aloni, A. (1981) ''Le Muse di Archiloco: Ricerche sullo stile archilocheo''. Copenhagen. Review by Slings, S.R. (1984) ''Mnemosyne'' 37: 169-171.
 
  
* Aloni, A. and  A. Iannucci (2007) ''L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco''. Firenze: Le Monnier Università.
+
* Franklin, J.C. (2002) 'Diatonic Music in Greece: a Reassessment of its Antiquity', ''Mnemosyne'' 56.1: 669-702. [http://www.kingmixers.com/FranklinPDFfilescopy/DiatonicMusicinGreece.pdf PDF]. [http://www.kingmixers.com/Diatonic.html Abstract].
  
* Barker, E. T. E. and J. P. Christensen (2006) ‘Fight club: the new Archilochus fragment and its resonance with Homeric epic’, ''MD'' 57: 9-41.
+
* Franklin, J.C. (2003) 'The Language of Musical Technique in Greek Epic Diction', ''Gaia. Revue interdisciplinaire sur la Grèce archaïque'' 7: 295-307. [http://www.kingmixers.com/FranklinPDFfilescopy/MusicalTechniqueEpicDiction.pdf PDF]. [http://www.kingmixers.com/MusicalTechnique.html Abstract].
  
* Bremer, Jan Maarten (1978) ''Het gemaskerde Ik. De poëtische persoonlijkheid in enige Griekse gedichten''. Amsterdam. (in Dutch) Inaugural lecture, mainly concerned with Archilochus' Cologne Epode.
+
* Franklin, J.C. (2004) 'Structural Sympathies in Ancient Greek and South Slavic Heroic Singing' in Hickmann, E. & Eichmann, R. (eds.), ''Musikarchäologische Quellengruppen: Bodenurkunden, mündliche Überlieferung, Aufzeichnung.'' [http://www.kingmixers.com/FranklinPDFfilescopy/StructuralSympathiesGreekSlavic.pdf PDF]
  
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
+
* Franklin, J.C. (2005) 'Hearing Greek Microtones', with audio CD in ''Ancient Greek Music in Performance'', eds. Hagel, S. and Harrauer, Ch. Wiener Studien Beiheft 29 Vienna. From a paper and audio-demonstration (with [http://www.kingmixers.com/virtuallyre.html Virtual Lyre]), delivered at Performing Ancient Greek Music Today, Österreichische Akademie der Wissenschaften, Vienna, September 29-October 1, 2003. [http://www.kingmixers.com/FranklinPDFfilescopy/HearingGreekMicrotones.pdf PDF]. [http://www.kingmixers.com/Hearing%20Greek%20Microtones.html Abstract].
  
* Corrêa, P.C. (1998) ''Armas e Varões: A Guerra na Lírica de Arquíloco''. São Paulo.
+
* Franklin, J.C. (2006) '€˜The Wisdom of the Lyre: Soundings in Ancient Greece, Cyprus and the Near East', ''Musikarchäologie im Kontext: Archäologische Befunde, historische Zusammenhänge, soziokulturelle Beziehungen.'' eds. E. Hickmann & R. Eichmann: 379-98.  [http://www.kingmixers.com/FranklinPDFfilescopy/WisdomLyre.pdf PDF]
  
* Corrêa, P.C. (2001) 'The Fox and the Hedgehog', ''Revista Phaos'' 1: 80 - 92. On Archilochus 201 IEG.
+
* Franklin, J.C. (2006) 'Lyre Gods of the Bronze Age Musical Koine' in ''The Journal of Ancient Near Eastern Religions'' 6.2: 39–70.  [http://www.kingmixers.com/FranklinPDFfilescopy/LyreGodsWeb.pdf PDF]
  
* Corrêa, P.C. (2002) 'Muddy Eels', ''Rivista Synthesis (La Plata)'' 9: 81 -90. On Archilochus 189 IEG.
+
* Franklin, J.C. (2010) 'Remembering Music in Early Greece', in ''The Historiography of Music in Global Perspective.'' ed. S. Mirelman. Piscataway. 9–50. [http://www.kingmixers.com/FranklinPDFfilescopy/RememberingMusic.pdf PDF]
  
* Corrêa, P.C. (2007) 'A Human Fable and the Justice of Beasts in Archilochus' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 101-117. Reviewed by Gibert, John (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html ''BMCR'' 2008.06.23].
+
* Franklin, J. C. (2012) 'The Lesbian Singers: Towards a Reconstruction of Hellanicus'€™ ''Karneian Victors''.'€ In ''Poesia, musica e agoni nella Grecia antica'' eds. D. Castaldo, F. Giannachi & A. Manieri. Galatina: 720-764 [http://www.kingmixers.com/FranklinPDFfilescopy/FranklinKarneianVictors.pdf PDF]
  
* Ford, Andrew L. (1993) 'L'inventeur de la poésie lyrique: Archiloque le colon', ''Métis. Revue de l'anthropologie grecque'' 8.1-2: 59-73.
+
* Franklin, J. C. (2014) “Ethnicity and Musical Identity in the Lyric Landscape of Early Cyprus”, ''Greek and Roman Musical Studies'' 2: 146–76.
  
* Handley, Eric (2007) 'Night Thoughts (Archilochus 23 and 196a West)' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: ##. Reviewed by Gibert, John (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html ''BMCR'' 2008.06.23].
+
* Franklin, J. C. (2011) “Music”, “Aulos” and “Phorminx” in Finkelberg, M. (ed.), ''The Homer Encyclopedia'' (Oxford), s.vv.
  
* Mayer, Péter (2006) 'Krieg aus Versehen? - Zur Funktion und Aussage der Telephos-Geschichte im neuen Archilochos (''P. Oxy.'' 4708, fr. 1)', ''Zeitschrift für Papyrologie und Epigraphik'' 157: 15-18.
+
* Franklin, J. C. (2008) “Realizations in Ancient Greek Music: Beyond the Fragments“ (with CD selections), in Hickmann, E./Eichmann, R./Both, A. A. (eds.), Challenges and Objectives in Music Archaeology. Papers from the 5th Symposium of the International Study Group on Music Archaeology at the Ethnological Museum, State Museums Berlin, 19-23 September, 2006. Studien zur Musikarchäologie 6/Orient-Archäologie 22 (Rahden,): 323–6
  
* Mayer, Péter (2006) 'Der Mann, das Mädchen und der Dichter - Zur Frage der Absicht dreier Personen: eine Verführungsgeschichte (Archil. 196a W2)', ''Acta Classica Universitatis Scientiarum Debreceniensis (Debrecen)'' 42: 5-20.
+
* Franklin, J. C. (in press) “Epicentric Tonality and the Greek Lyric Tradition”, in A. D’Angour/T. Phillips (ed.), Music and Text in Ancient Greece (Cambridge, in press).
  
* Medaglia, S.M. (1982) ''Note di esegesi archilochea''. Roma. Review by Slings, S.R. (1988) ''Mnemosyne'' 41: 134-135.
+
* Franklin, J. C. (in press) “A Musical Maze for Asklepios? An Archaeoacoustic Assessment of the Thymele at Epidauros”, in Schultz, P., et al., The Thymele at Epidauros: Healing, Space, and Musical Performance in Late Classical Greece (in press).
  
* Miralles, C. and J. Pòrtulas (1983) ''Archilochus and the iambic poetry''. Roma. Review by Slings, S.R. (1987) ''Mnemosyne'' 40: 430-432.
+
* Franklin, J. C. (in press) “THEIOS AOIDOS: A New Reading of the Lyre-Player Group of Seals”, Gaia. Revue interdisciplinaire sur la Grèce archaïque 18.
  
* Nesselrath, Heinz-Günther (2007) 'Lucian and Archilochus, or: How to Make Use of the Ancient Iambographers in the Context of the Second Sophistic' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: ##. Reviewed by Gibert, John (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html ''BMCR'' 2008.06.23].
+
* Gentili, B. and Perusino, F. (eds.) (1999) ''La colometria antica dei testi poetici greci''. Pisa and Rome. Reviewed by H. Perdicoyianni-Paléologou [http://bmcr.brynmawr.edu/2000/2000-07-12.html BMCR 2000.07.12]
  
* Nicolosi, Anika (trans. and comm.) (2007) ''Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708)''. Eikasmos, 14. Bologna: Pàtron Editore.
+
* Levin, F.R. (2009) ''Greek reflections on the nature of music''. Cambridge; New York: Cambridge University Press. Reviewed by C. Marchetti [http://bmcr.brynmawr.edu/2009/2009-12-34.html BMCR 2009.12.34].
  
* Pòrtulas, Jaume (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
+
* Martinelli, M.C. (1995) ''Gli strumenti del poeta: elementi di metrica greca''. Bologna.
  
* Rotstein, Andrea (2007) ‘Critias’ invective against Archilochus’, ''Classical Philology'' 102: 139-54.
+
* Mathiesen, T.J. (1999) ''Apollo’s Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages''. Lincoln, Nebr. and London.
  
* Slings, S.R. (1975) 'Three notes on the new Archilochus papyrus', ''Zeitschrift für Papyrologie und Epigraphik'' 18: 170.
+
* Murray, P. and Wilson, P. (eds.) (2004) ''Music and the Muses: The Culture of Mousike in the Classical Athenian City''. Oxford. [http://catdir.loc.gov/catdir/enhancements/fy0620/2004300274-t.html Table of Contents]. Reviewed by M. Wright[http://ccat.sas.upenn.edu/bmcr/2004/2004-07-16.html ''BMCR'' 2004.07.16] and M. Raffa [http://www.ircps.org/publications/aestimatio/archive.htm ''Aestimatio''] 2: 109-€“119, [http://www.ircps.org/publications/aestimatio/pdf/Volume2/2005-10-01_Raffa.pdf PDF].
  
* Slings, S.R. (1976) 'Archilochus, the hasty mind and the hasty bitch', ''Zeitschrift für Papyrologie und Epigraphik'' 21: 283-288.
+
* Nagy, G. (1996) 'Metrical convergences and divergences in early Greek poetry and song'€™, in ''Struttura e storia dell’esametro omerico'', ed. M. Fantuzzi and R. Pretagostini, vol. II. Rome: 63â€-110. (Revised version of Nagy 1990: 439–64.)
  
* Slings, S.R. (1980) 'Archilochus, eerste Keulse epode', ''Lampas'' 13: 315-335. (in Dutch)
+
* Nicolai, R.(ed.)(2003) ''Rysmos: Studi di poesia, metrica e musica greca'', Rome.
  
* Slings, S.R. (1982) 'Archilochus and the ant', ''Zeitschrift für Papyrologie und Epigraphik''  45: 69-70.  
+
* Pöhlmann, E. and West, M.L. (eds.) (2001) ''Documents of Ancient Greek Music''. Oxford. Reviewed by. W.A. Johnson [http://bmcr.brynmawr.edu/2003/2003-04-08.html BMCR 2003.04.08]
  
* Slings, S.R. (1980-82) 'Archilochus, S 478 (a), 3 Page', ''Museum Criticum'' 15-17: 11-14.
+
* Psaroudaki“s, S. (1995) 'Acoustic study of the aulos by the method of physical modeling. Report' in ''International conference “Physical modeling in music (ancient instruments, singing/speech, psychoacoustics)”, Aristotle University of Thessalonikē –  Program of Psychoacoustics, Thessalonikē, 10-12 July. Proceedings.''
  
* Slings, S.R. (1983) 'Once more Archilochus and the ant', ''Zeitschrift für Papyrologie und Epigraphik'' 53: 31-36.  
+
* Psaroudaki“s, S. (2000) 'The arm-crossbar junction of the Classical Hellenic kithara', in ''Studien zur Musikarchäologie II. Music Archaeology of early Metal Ages. Papers from the 1st Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 18-24 May, 1998'', eds. E. Hickmann, I. Laufs, R. Eichmann. Orient-Archäologie 7. Rahden: 263-78.
  
* Slings, S.R. (1986) 'Archilochus: new fragments from the Sosthenes inscription', ''Zeitschrift für Papyrologie und Epigraphik''  63: 1-3.  
+
* Psaroudaki“s, S. (2002) 'The aulos of Argithea', in ''Studien zur Musikarchäologie III. The archaeology of sound: origin and organisation. Papers from the 2nd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 17-23 September, 2000 & Music Archaeology in the Aegean and Anatolia. Papers from the Colloquium on Music Archaeology organised by the Deutsches Archäologisches Institut (Istanbul) in cooperation with the ICTM-Study Group on Music Archaeology and the Institut Français d’Archéologie (Istanbul), Minar Sinan University, Istanbul, 12-16 April, 1993. (Orient-Archäologie, 10)'', eds. E. Hickmann, A. Kilmer, R. Eichmann. Rahden: 335-66.
  
* Slings, S.R. (1988) 'Archilochus, fr. 188,3', ''Zeitschrift für Papyrologie und Epigraphik'' 72: 21.  
+
* Psaroudakis, S. (2004) 'The Orestes Papyrus: some thoughts on the dubious musical signs', in ''Studien zur Musikarchäologie IV. Musical archaeological sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 9-16 June, 2002, and other contributions. (Orient-Archäologie, 15)'', eds. E. Hickmann, I. Laufs, R. Eichmann. Rahden, Westf: Marie Leidorf GmbH: 471-92.
  
* Slings, S.R. (1989) 'Anonymus, Parallel lines from Homer and Archilochus', ''Zeitschrift für Papyrologie und Epigraphik'' 79: 1-8.  
+
* Psaroudaki“s, S. (2004) 'Archaeomusicology and ethnomusicology in dialogue', ''Ευλιμένη'' 4: 189-200. This paper addresses a variety of issues in archaeomusicology, including song and its interpretation, mainly in the domain on "performance style", as opposed to that of "composition style".  
  
* Slings, S.R. (1990) 'Archilochus van Paros, soldaat en dichter', ''Hermeneus'' 62: 281-289. (in Dutch)
+
* Ψαρουδάκης, Στέλιος (1998) «Τα μουσικά  όργανα των αρχαίων Ελλήνων», ''Καθημερινή – Επτά  Ημέρες, Κυριακή 18 Ιανουαρίου'': 2-6.
  
* Slings, S.R. (1992) 'For the third time: Archilochus and the ant', ''Eikasmos'' 3: 13-17.  
+
* Ψαρουδάκης, Στέλιος (2001) «Η αρχαία ελληνική μουσική σημειογραφία. Οι πρόσφατες απόψεις του Egert Pöhlmann», ''Μούσα'' 8-9: 78-93. (in modern Greek)
  
* Slings, S.R. (1995) 'Archilochus, fr. 188, 1-2', ''Zeitschrift für Papyrologie und Epigraphik''  106: 1-2.
+
* * Ψαρουδάκης, Στέλιος (2003) «Πρωτογενή αερόφωνα και η αβέβαιη μαρτυρία του Δισπηλιού», ''Πολυφωνία'' 2: 7-20. (in modern Greek) This article compares the neolithic dispelio "aulos" (lake kastoria, makedonia) with other neolithic musical pipes from this country and the rest of the world (pure organological study). The find does not exhibit the characteristics of the other musical pipes, and as a result, we cannot hold with certainty that is was used as an aulos.
  
* Steinrück, M. (1991) ''Leise Laute, Arbeiten über das Verhältnis von Rhythmus und Lautresponsion bei Archilochos''. Lausanne Basel.
+
* Ψαρουδάκης, Στέλιος & Χρήστος Τερζής (2007) «Ανθολόγιον – Μέτρα και μέλη από την ελληνική αρχαιότητα», in DVD ''Εν Χορδαίς και Οργάνοις – Ένα πανόραμα της ελληνικής μουσικής''. Συναυλία του Τμήματος Μουσικών Σπουδών του Πανεπιστημίου Αθηνών, Παρασκευή 4 Μαΐου 2007. Μέρος πρώτο. Αθήνα: Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών.  
  
* Steinrück, M. (2008) 'Les publics d'Archiloque', ''Pallas'' 77: 41-50.
+
* Ψαρουδάκης, Στέλιος (2007) «Αρχαία ελληνική μουσική», in ''Μουσική'', Απόστολος Κώστιος (ed.). Αθήνα: Εκδοτική Αθηνών: 201-15. Originally published in (1999) in ''Ελληνική Εκπαιδευτική Εγκυκλοπαίδεια.'' Vol. 28. ''Θέατρο, Κινηματογράφος, Μουσική, Χορός''. Αθήνα: 28-33. (in modern Greek)
  
=== Semonides ===
+
* Ψαρουδάκης, Στέλιος & Σωτηρία Αδάμ (2004) «Ύε Κύε. Οι Ολυμπιακοί αγώνες στην αρχαιότητα». CD containing ancient Hellenic song and modern musical compositions inspired by it. Part of the volume: Μαρία Καΐλα & Georges Thill & Έλενα Θεοδωροπούλου & Γιώτα Ξανθάκου (edd.), Ύε Κύε. Οι Ολυμπιακοί αγώνες στην αρχαιότητα. Αθήνα: Ατραπός. Contribution to the CD (recittion, song, lyre) with the songs: Εις Μούσαν, «Εις Καλλιόπην και Απόλλωνα», «Εις Φοίβον», Εις  Ήλιον. Accompanying notes on pp. 220-23 of the book.
* Hubbard, Th.K. (1994) 'Elemental Psychology and the Date of Semonides of Amorgos', ''AJPh'' 115: 175-197.
+
** The disc, apart from two modern compositions, contains performances of three ancient hellenic hymns by mesomedes of crete (2nd century AD), accompanied by a reconstructed chelys-lyre.
  
* Hubbard, Th.K. (1996) ' 'New Simonides' or old Semonides? Second Thoughts on POxy 3965, fr. 26, ''Arethusa'' 29: 255-262 (= in (2001) ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 226-231).
+
* Restani, D. (ed.) (1995) ''Musica e mito nella Grecia antica''. Bologna.
  
* Steinrück, M. (1994) ''Regards sur la femme: analyse rythmique et interprétation de Sémonide frg. 7 Tedeschi-Pellizer''. Roma.
+
* Rocconi, E. (1998) '€˜Harmoniai e teoria dei gene musicali nella Grecia antica'€™, ''SemRom'' 1.2: 345-64.
  
* Steinrück, M. (1994) 'Echos phoniques et débuts de mots dans le iambe de Sémonide d'Amorgos', ''Revue informatique et statistique dans les sciences humaines'' 30: 139-153.
+
* Sicking, C.M.J. (1993) ''Griechische Verslehre''. (Handbuch der Altertumswissenschaft 2.4). Munich.
  
* Van Wees, Hans (2005) 'The invention of the female mind. Women, property and gender ideology in archaic Greece', in ''Women and Property in the Ancient Near East and Greece'', eds. D. Lyons and R. Westbrook. Published on website of Center for Hellenic Studies, Washington DC. pp. 26. [http://chs.harvard.edu/chs/women_and_property URL]. Includes discussion of Fr 7.
+
* Steinrück, M. (2007) ''A quoi sert la métrique? Interprétation littéraire et analyse des formes métriques grecques: Une introduction''. Avec la collaboration d'Alessandra Lukinovich. Grenoble.
  
=== Hipponax ===
+
* Taplin, O. & Wyles, R. ed. (2010) ''The Pronomos Vase and its Context.'' Oxford/New York. Reviewed by K. Seaman [http://bmcr.brynmawr.edu/2012/2012-03-17.html BMCR 2012.03.17]
* Faraone, Christopher A. (2004) 'Hipponax Frag. 128W: Epic Parody or Expulsive Incantation?', ''Classical Antiquity'' 23: 209-45.
 
  
* Neri, Camillo (1995) 'L'empietà del naso (Hippon. fr.129a,1 Dg.)', ''Eikasmós'' 6: 11-14.
+
* Tsachalinas, K. & Katerina, T. & Cook, P. & Psaroudakēs, S. & Kamarotos, D. & Rikakis, T. (1997) 'Physical modeling simulation of the ancient Greek Elgin auloi' in ''International computer music conference, Aristotle University of Thessaloniki“:€“ Program of Psychoacoustics & The International Computer Music Association, Thessalonikē, Hellas, 25-30 September. Proceedings''. San Francisco: 454-57.
  
* Nicolosi, Anika (trans. and comm.) (2007) ''Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708)''. Eikasmos, 14. Bologna: Pàtron Editore.
+
* Wallace, R.W (2003) 'An early fifth-century Athenian revolution in aulos music'€™, ''HSCPh'' 101: 73–92.
  
* Watkins, Calvert (2007) 'Hipponactea quaedam' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: ##. Reviewed by Gibert, John (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html ''BMCR'' 2008.06.23].
+
* West, M. L. (1992) ''Ancient Greek Music.'' Oxford. Reviewed by W.A. Johnston [http://bmcr.brynmawr.edu/2003/2003-04-08.html BMCR 2003.04.08]
  
=== Ananius ===
+
* Wilson, P. (2004) 'Athenian strings'€™, in ''Music and the Muses: The Culture of ‘Mousikē’ in the Classical Athenian City'', ed. P. Murray and P. Wilson. Oxford: 269–306.
  
=== Adespota Iambica ===
+
* Yatromanolakis, D. (2011) ''Music and cultural politics in Greek and Chinese societies. Vol. 1.: Greek antiquity.'' Harvard.
  
=== Elegy General ===
+
=== Performance ===
 +
* Aloni, A. (1998) ''Cantare glorie di eroi: Comunicazione e performance poetica nella Grecia arcaica''. Turin.
  
* Adkins, A.W.H. (1985) ''Poetic Craft in the Early Greek Elegists''. Chicago-London.
+
* Athanassaki, L. & Bowie, E. (2011) (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' Berlin & Boston. [http://www.degruyter.com/view/supplement/9783110254020_Contents.pdf Table of Contents]
  
* Aloni, A. and  A. Iannucci (2007) ''L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco''. Firenze: Le Monnier Università.
+
* Bierl, A. (2009) ''Ritual and Performativity. The Chorus of Old Comedy'' (transl. by Alex Hollmann), Center for Hellenic Studies. Washington, DC: Harvard Press. (Hellenic Studies 20). New and revised edition.  
  
* Faraone, Christopher A. (2005) 'Exhortation and Meditation: Alternating Stanzas as a Structural Device in Early Greek Elegy', ''Classical Philology'' 100: 317-36.
+
* Boegehold, A.L. 2000. 'Acting out some songs'€™, ''Syllecta Classica'' 11: 1-15.
  
* Faraone, Christopher A. (2005) 'Catalogues, Priamels and Stanzaic Structure in Early Greek Elegy', ''Transactions of the American Philological Association'' 135: 249-65.  
+
* Bowman, L. (2004) '€˜The 'women'€™s tradition'€ in Greek poetry', ''Phoenix'' 58: 1–27.
  
* Faraone, Christopher A. (2008) ''The Stanzaic Architecture of Early Greek Elegy''. Oxford and New York: Oxford University Press. Reviewed by Eckerman, Chris (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-30.html ''BMCR'' 2008.08.30].
+
* Briand, M. (2000) 'Inspiration, enthousiasme et polyphonies: ἔνθεος et la performance poétique', ''Noésis'' (L'antique notion d'inspiration, dir. J. Assaël): 97-154.
  
* Nobili, Cecilia (2006) 'Omero e l'elegia trenodica', ''Acme'' 59.3: 3-24. It investigates the problem of threnodic elegy and presents the possibility to trace motifs typical of threnodic elegy in Homeric poems.
+
* Calame, C. (2004) '€˜Deictic ambiguity and auto-referentiality: some examples from Greek poetics'€™, ''Arethusa'' 37: 427-31.
  
* Raalte, Marlein van (1988) 'Greek Elegiac Verse Rhythm', ''Glotta'' 66: 145-78.
+
* Calame, C. (2005) ''Masques d’autorité. Fiction et pragmatique dans la poétique grecque''. Paris. English translation (2005) ''Masks of Authority. Fiction and Pragmatics in Ancient Greek Poetics''. Ithaca NY and London. Reviewed by H. van Noorden [http://bmcr.brynmawr.edu/2005/2005-09-36.html BMCR 2005.09.36]
  
* Slings, S.R. (2000) 'Symposion and Interpretation: Elegy as group-song and the so-called awakening individual', ''Acta Antiqua Hungariensia'' 40: 423-434.
+
* Calame, C. (2006) ''Pratiques poétiques de la mémoire. Représentations de l’espace-temps en Grèce ancienne''. Paris. English translation: 2009 Harvard. Reviewed by E.M. Griffiths [http://bmcr.brynmawr.edu/2007/2007-04-05.html BMCR 2007.04.05] 
  
* Tsagalis, Christos C. (2008) ''Inscribing Sorrow: Fourth-century Attic Funerary Epigrams. Trends in Classics - Supplementary Volumes 1''. Berlin and New York. Reviewed by Garulli, Valentina (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-09-18.html ''BMCR'' 2008.09.18].
+
* Calame, C. (2007) 'Gardens of Love and Meadows of the Beyond: Ritual Encounters with the Gods and Poetical Perfomances in Ancient Greece' in ''Sacred Gardens and Landscapes: Ritual and Agency'', ed. M. Conan. Washington: 43-54.
  
=== Callinus ===
+
* Carey, C. (2010) '€˜The victory ode in the theatre'€™, ''BICS supplements''. [http://eprints.ucl.ac.uk/19956/ electronic version]
  
=== Tyrtaeus ===
+
* Collins, D. (2004) ''Master of the Game: Competition and Performance in Greek Poetry''. Cambridge, MA. Reviewed by C. Werner [http://bmcr.brynmawr.edu/2005/2005-05-18.html BMCR 2005.05.18]
* Année, Magali (2007) 'La mémoire oubliée: perspectives poétiques de l'élégie chez Tyrtée', [http://www.paris-sorbonne.fr/fr/spip.php?article5849 ''Camenulae'' 1].
 
  
* Faraone, Christopher A. (2006) 'Stanzaic Structure and Responsion in the Elegiac Poetry of Tyrtaeus', ''Mnemosyne'' 59: 19-52.
+
* D'Alessio, G. B. (2004) '€˜Past future and present past: temporal deixis in Greek archaic lyric'€™, ''Arethusa'' 37: 267–94.
  
* Pucci, Pietro (2006) 'Il testo di Tirteo nel tessuto omerico' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 21-41. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
+
* David, A.P. (2006) ''The Dance of the Muses: Choral Theory and Ancient Greek Poetics''. New York. Review by Ronald J.J. Blankenborg [http://ccat.sas.upenn.edu/bmcr/2007/2007-04-46.html BMCR 2007.04.46].
  
* Quattrocelli, L. (2006) ‘Tirteo: poesia e ἀνδρεία a Sparta arcaica’, in ''I luoghi e la poesia nella Grecia antica'', eds. Massimo Vetta and Carmine Catenacci. Alessandria: 133-144.
+
* Dougherty, C. (1994) '€˜Archaic Greek foundation poetry: questions of genre and occasion'€™, ''JHS'' 114: 35–46.
  
* Van Wees, Hans (1999) ‘Tyrtaeus’ Eunomia: nothing to do with the Great Rhetra’, in ''Sparta: New Perspectives'', eds. Stephen Hodkinson and Anton Powell. London: 1-41.
+
* Ford, A. (1988) 'The Classical Definition of rhapsôdia', ''Classical Philology'' 83: 300-307.  
  
* Van Wees, Hans (2002) ‘Gute Ordnung ohne Große Rhetra: noch einmal zu Tyrtaios’ Eunomia’, ''Göttinger Forum für Altertumswissenschaft'' 5: 89-103. [http://gfa.gbv.de/z/2002 URL]
+
* Gentili, B. (1990) ''Poetry and its Public in Ancient Greece''. Baltimore. Reviewed by S.D. Olson [http://bmcr.brynmawr.edu/1991/02.02.06.html BMCR 02.02.06]
  
* Van Wees, Hans (2003) 'Conquerors and serfs: wars of conquest and forced labour in archaic Greece', in ''Helots and their Masters in Laconia and Messenia: histories, ideologies, structures'', eds. N. Luraghi and S. Alcock. Cambridge, MA: 33-80. Includes discussion of Tyrtaeus' fragments.
+
* Goldhill, S. and Osborne, R. (eds.) (1999) ''Performance Culture and Athenian Democracy''. Cambridge.
  
=== Mimnermus ===
+
* Grandolini, S. (1991) '€˜Canto processionale e culto nell’antica Grecia'€™, in ''L'€™inno tra rituale e letteratura nel mondo antico: Atti di un colloquio Napoli'' 21–24 ottobre 1991, AION 13: 125–40.
* Allen, A. (1993) ''The Fragments of Mimnermus: Text and Commentary''. Stuttgart.
 
  
* Slings, S.R. (2000) ''Symposium: Speech and Ideology. Two hermeneutical issues in early Greek lyric, with special reference to Mimnermus''. Amsterdam (KNAW), Mededelingen KNAW afd. Letterkunde, 63, 1. Concerns the performance of lyric poetry in the archaic period. Review by Bremer, Jan Maarten (2003) ''Mnemosyne'' 56: 614-15.
+
* Griffith, M. (1990) ‘Contest and contradiction in early Greek poetry’, in ''Cabinet of the Muses: Essays on Classical and Comparative Literature in Honor of Thomas G. Rosenmeyer'', ed. M. Griffith and D. Mastronarde. Atlanta: 185-€“207.
  
=== Solon ===
+
* Hagel, S. and Harrauer, C. (2005) (eds.) ''Ancient Greek Music in Performance'' (Book and Audio CD). Vienna.
* Blaise, Fabienne (1995) ‘Le fragment 36 W. de Solon: pratique et fondation des normes politiques’, ''Revue des Études Grecques'' 108: 24-37.
 
  
* Blaise, Fabienne (2005) ‘Poésie, politique, religion. Solon entre les dieux et les hommes (l’ “Eunomie” et l’ “Elégie aux Muses”, 4 et 13 West)’, ''Revue de Philosophie Ancienne'' 23: 3-40.
+
* Lech, M.L. (2009) 'Marching choruses?: Choral performance in Athens' ''GRBS'' 49, 3.
  
* Blaise, Fabienne (2006) ‘Poetics and politics. Tradition re-worked in Solon’s “Eunomia” (poem 4), in ''Solon of Athens: New Historical and Philological Approaches'', eds. J.H. Blok & A.P.M.H. Lardinois. Leiden: 114-133.
+
* Mojsik, T. (2006) 'Vates socialis - metapoetyka antyczna a ryty przejścia (Vates socialis - ancient metapoetic and rites of passage)', in ''Inicjacje: społeczne znaczenie sytuacji liminalnych w rytach przejścia'', red. J. Sieradzan. Białystok: 53-66.
  
* Blok, J.H. & A.P.M.H. Lardinois (eds.) (2006) ''Solon of Athens: New Historical and Philological Approaches''. Leiden.
+
* Mojsik, T. (2008) 'Muses and gender of inspiration', ''"Sakarya University: The Journal of Art and Science'' 10.1: 67-78. [http://www.fed.sakarya.edu.tr/arsiv/yayinlenmis_dergiler/2008_1/2008_1_5.pdf electronic version]
  
* Lardinois, A.P.M.H. (2006) 'Have we Solon's verses?' in ''Solon of Athens: New Historical and Philological Approaches'', eds. J.H. Blok & A.P.M.H. Lardinois. Leiden: 15-35. Dutch version (2006) ''Lampas'' 39: 91-109.
+
* Nagy, G. (2000) '€˜Reading Greek poetry aloud: evidence from the Bacchylides papyri'€™, ''QUCC'' 93 (= n.s. 64.1): 7-28.
  
* Lewis, John David (2006) ''Solon the Thinker: Political Thought in Archaic Athens''. London.
+
* Nobili, C. (2014) 'Performances of Girls at the Spartan Festival of the Hyakinthia', in A. Kieburg – S. Moraw (eds.), ''Mädchen im Altertum/ Girls in Antiquity, Frauen – Forschung – Archäologie 11'', Münster: 135-148.
  
* Van Wees, Hans (1999) 'The mafia of early Greece. Violent exploitation in the seventh and sixth centuries BC' in ''Organized Crime in Antiquity'', ed. Keith Hopwood. London: 1-51. Includes discussion of Solon's 'political' fragments.
+
* Peponi, A.-E. (2009) ' ''Choreia'' and Aesthetics in the ''Homeric Hymn to Apollo'': The Performance of the Delian Maidens (Lines 156–64)', ''Classical Antiquity'' 28.1: 39–70.
  
* Van Wees, Hans (2006) 'Mass and elite in Solon's Athens: the property classes revisited', in ''Solon of Athens: new historical and philological approaches'', eds. J. Blok and A. Lardinois. Leiden: 351-89. Abbreviated version in Dutch: (2006) 'Massa en elite in Solon's Athene: de betekenis van de vermogensklassen', ''Lampas'' 39: 131-52. Includes discussion of Solon's 'political' fragments.
+
* Quattrocelli, L. (2002) 'Poesia e convivialità a Sparta arcaica. Nuove prospettive di studio', ''Cahiers Glotz'' 13: 7-32.
  
=== Theognis ===
+
* Quattrocelli, L. (2008) 'Poetry and Pottery related to the Symposium in Archaic Sparta', in ''Proceedings of the IX Symposium on Mediterranean Archeology  2005'', eds. O. Menozzi, M. L. Di Marzio, and D. Fossataro. Oxford: 63-67.
* Bagordo, A. (2000) 'Teognide 769-–772 e il lessico metaletterario arcaico', ''SemRom'' 3: 183-–203.
 
  
* Ford, Andrew L. (1985) 'The Seal of Theognis: The Politics of Authorship in Archaic Greece' in ''Theognis of Megara: Poetry and the Polis'', eds. T.J. Figueira and G. Nagy. Baltimore: 82-95.
+
* Rotstein, A. (2012) '''Mousikoi Agones'' and the Conceptualization of Genre in Ancient Greece' in: ''CA'' 31.1: 92-127.
  
* Kurke, L. (1989) 'Kapêleia and Deceit: Theognis 59–60', ''American Journal of Philology'' 110: 535–44.
+
* Scully, S. (2009) '€˜Apollo and the Dance of the Olympians'€™ in ''Apolline Politics and Poetics '', eds. L. Athanassaki, R.P. Martin, and J.F. Miller. Athens: 91-108.
  
* Martin, R.P. (2001) ‘Just Like a Woman: Enigmas of the Lyric Voice’, in ''Making Silence Speak: Women’s Voices in Greek Literature and Society'', eds. A. Lardinois and L. McClure. Princeton, N.J.: 55-74.
+
* Silk, M.S. (1995) 'Language, poetry and enactment'€™, ''Dialogos'' 2: 109-€“32.
  
* Pòrtulas, Jaume (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
+
* Vetta, M. (1996) '€˜Convivialità  pubblica e poesia per simposio in Greciâ'€™, ''QUCC'' 83 (= n.s. 54.3): 197-€“209.
  
* Rösler, Wolfgang (2006) 'La raccolta di Teognide: «il più antico libro dimostrabilmente edito dall'autore stesso». Considerazioni su una tesi di Richard Reitzenstein' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 55-67. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
+
* Wecowski, M. (2002) 'Homer and the origins of the symposion' in ''Omero tremila anni dopo. Atti del congresso di Genova 6-8 luglio 2000'', ed. F. Montanari. Roma: 625-637.
  
* Wees, Hans van (2000) ‘Megara’s mafiosi.  Timocracy and violence in Theognis’, in ''Alternatives to Athens.  Varieties of political organization and community in ancient Greece'', eds. R. Brock and S. Hodkinson. Oxford University Press: 52-67. Abbreviated version in Dutch: (2003) ‘Maffiosi in Megara: timocratie en geweld in Theognis’, ''Lampas'' 36: 284-99.
+
* Wecowski, M. (2002) 'Towards a definition of the symposion' in ''Euergesias charin. Studies Presented to Benedetto Bravo and Ewa Wipszycka by Their Disciples'', eds. T. Derda, J. Urbanik, M. Wecowski. Warszawa: 337-361.  
  
=== Xenophanes ===
+
* Wecowski, M. (2011) ''Sympozjon, czyli wspólne picie : początki greckiej biesiady arystokratycznej (IX-VII wiek p.n.e.).'' Warszawa : Wydawnictwo Naukowe Sub Lupa.
* Granger, Herbert (2007) 'Poetry and Prose: Xenophanes of Colophon', ''Transactions of the American Philological Association'' 137.2: 403-33. [http://muse.jhu.edu/journals/transactions_of_the_american_philological_association/toc/apa137.2.html Abstract]. [http://muse.jhu.edu/journals/transactions_of_the_american_philological_association/v137/137.2granger.pdf PDF].
 
  
=== Critias ===
+
* Wecowski, M. (2012) 'When did the Symposion Rise? Some archaeological considerations regarding the emergence of the Greek aristocratic banquet', ''Archaiognosia'' 16: 25-54.  
* Iannucci, A. (1998) 'Elegia e lotta politica. Note di lettura a Crit. fr. 5 W.', ''AION (filol)'' 20: 107-127.
 
  
* Iannucci, A. (2002) ''La parola e l'azione. I frammenti simposiali di Crizia''. Bologna. Review by P. Wilson in [http://ccat.sas.upenn.edu/bmcr/2004/2004-09-16.html BMCR 2004.09.16].
+
* Wilson, P. (ed.) (2007) ''The Greek Theatre and Festivals. Documentary Studies. Oxford Studies in Ancient Documents.'' Oxford: Oxford University Press. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011345.html Table of Contents]. Reviewed by R. Mitchell-Boyask [http://ccat.sas.upenn.edu/bmcr/2008/2008-05-24.html BMCR 2008.05.24].
  
* Iannucci, A. (2003) 'Una ‘corona di giambi’. Ipotesi di lettura del fr. 2 Gent.-Pr. di Crizia', ''Seminari Romani di Cultura Greca'', VI 1: 31-42.
+
* Yatromanolakis, D. (2009) 'Symposia, Noses, Πρόσωπα: A Kylix in the Company of Banqueters on the Ground', in ''An Archaeology of  Representations: Ancient Greek Vase-Painting and Contemporary Methodologies'', ed. D. Yatromanolakis. Athens: 414-465.
  
* Pòrtulas, Jaume (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
+
=== Transmission and Reception ===
  
* Rotstein, Andrea (2007) ‘Critias’ invective against Archilochus’, ''Classical Philology'' 102: 139-54.
+
* Budelmann, F. (2001) '€˜Sound and text: the rhythm and metre of archaic and classical Greek poetry in ancient and Byzantine scholarship'€™, in ''Homer, Tragedy and Beyond: Essays in Honour of P. E. Easterling'', ed. F. Budelmann and P. Michelakis. London: 209–40.
  
=== Dionysius Chalcus ===
+
* Calame, C. (2010) 'The Authority of Orpheus, Poet and Bard : Between Oral Tradition and Written Practice', in: ''Allusion, Authority, and Truth. Critical Perspectives on Greek Poetic and Rhetorical Praxis'', Ph. Mitsis & Ch. Tsagalis eds.,  Berlin: 13-35.
  
=== Euenus ===
+
* Dougherty, C. (1993) ''The Poetics of Colonization: From City to Text in Archaic Greece''. New York and Oxford. Reviewed by M.W. Edwards [http://bmcr.brynmawr.edu/1994/94.05.04.html BMCR 1994.05.04]
  
=== Ion ===
+
* Ford, A. (2002) ''The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece''. Princeton, N.J. and Oxford. Reviewed by E. Papaioannou [http://bmcr.brynmawr.edu/2003/2003-06-07.html BMCR 2003.06.07]
* Jennings, Victoria and Andrea Katsaros (eds.) (2007) ''The World of Ion of Chios. Mnemosyne Supplementa 288. Monographs on Greek and Roman Language and Literature''. Leiden. Reviewed by Tell, Hakan (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-10-13.html ''BMCR'' 2008.10.13].
 
  
=== Phocylides ===
+
* Ford, A. (2003) '€˜From letters to literature: reading the 'song culture'€ of classical Greece'€™, in ''Written Texts and the Rise of Literate Culture in Ancient Greece'', ed. H. Yunis. Cambridge: 15–37.
  
=== Adespota Elegiaca ===
+
* Gentili, B. and Perusino, F. (eds.) (1999) ''La colometria antica dei testi poetici greci''. Pisa and Rome. Reviewed by H. Perdicoyianni-Paléologou [http://bmcr.brynmawr.edu/2000/2000-07-12.html BMCR 2000.07.12]
  
 +
* Hummel, P. (1997) ''Philogica Lyrica: La poésie lyrique grecque au miroir de l'érudition philologique de l'€™antiquité à  la Renaissance''. Louvain.
  
== Greek Lyric Poetry ==
+
* Petropoulos, J.C.B. (2003) ''Eroticism in Ancient and Medieval Greek Poetry''. London. Review by Vayos J. Liapis [http://ccat.sas.upenn.edu/bmcr/2004/2004-10-01.html ''BMCR'' 2004.10.01].
  
=== Lyric General ===
+
* Sistakou, E. (ed.) (2017) Hellenistic Lyricism (Trends in Classics series), Berlin. Table of contents here: http://hellpoet.hypotheses.org/294
* Ahrens, H. L. (1853) ‘Über die Mischung der Dialekte in der griechischen Lyrik’, in ''Verhandlungen der dreizehnten Versammlung Deutscher Philologen, Schulmänner und Orientalisten in Göttingen vom 29. September bis 2. Oktober'', Göttingen: 55-80, reprinted in ''Kleine Schriften''. I, Hannover 1853 (= Hildesheim-New York 1977): 157-81.
 
  
* Athanassaki, L. (2002) 'On Horace 1.15 and Choral Lyric' in ''Horace and Greek Lyric'', ed. M. Paschalis. ''Rethymnon Classical Studies'' 1: 85-101.
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== Greek Elegy and Iambus ==
  
* Athanassaki, L. (2005) 'Χορεία. Η ποιητική της παράστασης', ''Thallo'' 16: 37-76.
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=== Elegy and Iambus General ===
  
* Barrett, W. S. (2007) ''Greek Lyric, Tragedy, and Textual Criticism: Collected Papers''. Assembled and edited by M.L. West. Oxford, New York. The papers deal with Stesichorus, Pindar, Bacchylides and Euripides. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011752.html Table of Contents].
+
* Carey, C. and L. Swift eds (2016) ''Iambus and Elegy: New Approaches''. Oxford.
  
* Bierl, Anton (2001) ''Der Chor in der Alten Komödie. Ritual und Performativität'' (unter besonderer Berücksichtigung von Aristophanes' ''Thesmophoriazusen'' und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126). It has been translated by Alex Hollmann into English as:
+
* Bartol, K. (1993) ''Greek Elegy and Iambus. Studies in Ancient Literary Sources''. Poznań.
** Bierl, Anton (2007) ''Ritual and Performativity: The Chorus in Old Comedy''. Harvard Press, Center of Hellenic Studies. With many interpretations of comic, tragic and satyric songs, with a general introduction of more than 90 pages to the Chorus and song culture in general; it includes an interpretation of Alcman and an intense analysis of popular Phallus-Songs in ch. 2.
 
  
* Bremer, Jan Maarten and W.D. Furley (2001) ''Greek Hymns. Selected Cult Songs from the Archaic to the Hellenistic period''. Tübingen.
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* Bowie, E.L. (2001) ‘Ancestors of historiography in early Greek elegiac and iambic poetry?’, in ''The Historian’s Craft in the Age of Herodotus'', ed. N. Luraghi. Oxford: 45-66.
  
* Bremer, Jan Maarten (2008) 'Traces of the Hymn in the Epinikion', ''Mnemosyne'' 61: 1-17. [http://www.swetswise.com.proxy.ubn.ru.nl:8080/swetsfo/swproxy?url=http%3A%2F%2Fopenurl.ingenta.com%2Fcontent%2Fswetsnet-4.1.8057b0ad6528f5df0c29150bac728f60%3Fgenre%3Darticle%26issn%3D0026-7074%26volume%3D61%26issue%3D1%26spage%3D1%26epage%3D17%26aulast%3DBremer&ts=1202555031030&cs=4113296875&userName=9021463.ipdirect&emCondId=2043297&articleID=35750230&yevoID=2197893&titleID=137377&referer=2&remoteAddr=131.174.248.1 PDF].
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* Gentili, B. & Prato, C. ed. (1988-2002) ''Poetarum elegiacorum testimonia et fragmenta''. Second revised edition. Leipzig.  
** Abstract: E.L. Bundy's (1962) approach to Pindar's victory odes might lead to the assumption that the poet's praise is always and exclusively addressed to the human laudandus and his polis. Readers of Currie's recent monograph (2005) might even be led one step further: does Pindar insinuate that the laudandus receives heroic status and becomes immortal? In this paper it is argued in the first place that in many, if not all, epinicians praise of the gods comes in first place, praise of the gods being the foundation and the echo-chamber of the praise directed at the victorious athlete. A second point is that in a significant number of passages the athlete is reminded by the epinician poet that he is just a mortal, and that his present and passing felicity, obtained by hard effort, is a far cry from the easy and everlasting happiness of the immortal gods.
 
  
* Briand, Michel (1996) 'Énonciation lyrique et dialogue dans la poésie archaïque grecque: de Stésichore à Pindare, Bacchylide et Sappho', in ''Travaux du Cercle de Linguistique de Nice'', numéro spécial sur "La pragmatique" (dir. S. Mellet): 119-172.
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* Vetta, M. (1992) ‘Il simposio: la monodia e il giambo’, in ''Lo spazio letterario della Grecia antica, ed. G. Cambiano et al., vol. I.1 La produzione e la circolazione del testo: La polis''. Rome: 177–218.
  
* Briand, Michel (2005) 'Questions de cohérence et de cohésion dans la poésie mélique grecque archaïque: la transition entre discours d'actualité et récit mythique' in ''Cohésion et cohérence. Études de linguistique textuelle'', ed. Anna Jaubert. Lyon: 79-98.
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* West, M.L. ed. (1989–92) ''Iambi et elegi ante Alexandrum cantati'', 2nd edn. (2 vols.). Oxford.
  
* Calame, Claude (1977a) ''Les Chœurs de jeunes filles en Grèce archaïque''. Vol. I: ''Morphologie, fonction religieuse et sociale''; vol. II: ''Alcman'', Roma. The first volume has been translated by Derek Collins and Janice Orion (2001: 2nd ed.) ''Choruses of young women in ancient Greece: their morphology, religious role, and social functions''. Lanham, New York and Oxford.
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* Wilson, P. (1999) ‘The aulos in Athens’, in ''Performance Culture and Athenian Democracy'', ed. S. Goldhill and R. Osborne. Cambridge: 58–85.
  
* Calame, Claude (1977b) ''Rito e poesia corale in Grecia. Guida storica e critica'', Roma and Bari.
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=== Iambus General ===
 +
* Acosta-Hughes, B. (2002) ''Polyeideia: The Iambi of Callimachus and the Archaic Iambic Tradition''. Berkeley and London. Reviewed by P. Ojennus [http://bmcr.brynmawr.edu/2003/2003-02-04.html BMCR 2003.02.04]
  
* Calame, Claude (1997) 'Diction formulaire et fonction pratique dans la poésie mélique archaïque' in ''Hommage à Milman Parry. Le style formulaire de l'épopée homérique et la théorie de l'oralité poétique'', ed. F. Létoublon. Amsterdam: 215-222.
+
* Bowie, E. L. (2002) ‘Early Greek iambic poetry: the importance of narrative’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md./Oxford: 1-27.
  
* Calame, Claude (1998) 'La poésie lyrique grecque, un genre inexistant?' ''Littérature'' 11: 87-110. English translation in preparation for I. Rutherford (ed.) ''Oxford Readings in Greek Lyric''. Oxford.
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* Bowie, E. L. (2002) ‘Ionic iambos and Attic komoidia: father and daughter, or just cousins’, in ''The Language of Greek Comedy'' ed. A. Willi, Oxford: 33-50.
  
* Calame, Claude (2002) ''L'Éros dans la Grèce antique''. Paris (2nd edn.). English translation (1999) ''The Poetics of Eros in Ancient Greece''. Princeton.
+
* Brown, C. G. (1997) ‘Iambos’ in ''A Companion to the Greek Lyric Poets'', ed. D.E. Gerber, Leiden: 11-88.
  
* Calame, Claude (2006) 'Identifications génériques entre marques discursives et pratiques énonciatives: pragmatique des genres “lyriques“' in ''Le savoir des genres'', eds. R. Baroni and M. Macé. Rennes: 35-55.
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* Carey, C. (2009) ‘Iambus’ in ''Cambridge Companion to Greek Lyric'', ed. F. Budelmann. Cambridge: 149-167.
  
* Calame, Claude (2007) 'Mythos, musische Leistung und Ritual am Beispiel der melischen Dichtung' in ''Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen'', eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. ''MythosEikonPoiesis'' Bd. 1.1–2. Berlin and New York: 179-210. Reviewed by Reyes Bertolín Cebrián [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-09.html ''BMCR'' 2008.08.09].
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* Kantzios, I. (2005) ''The Trajectory of Archaic Greek Trimeters''. Leiden and Boston. Reviewed by L. Lomiento [http://bmcr.brynmawr.edu/2006/2006-03-34.html BMCR 2006.03.34]
  
* Contiades-Tsitsoni, E. (1990) ''Hymenaios und Epithalamion. Das Hochzeitslied in der frühgriechischen Lyrik'', Stuttgart. ''Beträge zur Altertumskunde'' 16.
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* Lennartz, K. (2000) ‘Zum “erweiterten” Jambusbegriff’, ''RhM'' 143: 225–50.
  
* D'Angour, Armand (1997) 'How the Dithyramb Got Its Shape', ''Classical Quarterly'' 47.2: 331-351.
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* Lennartz, K. (2010) ''Iambos. Philologische Untersuchungen zur Geschichte einer Gattung in der Antike''. Wiesbaden.
  
* D'Angour, Armand (2007) 'The Sound of Music: modulations and innovations in drama and dithyramb' in ''Debating the Athenian Cultural Revolution'', ed. R. Osborne Cambridge: 288-300.
+
* Mayer, Peter. (2008) ''Aristoteles über das Wort 'iambeion' und über die Anfänge des Iambos (Poet. 1448b,30-32 - eine Pseudo-Etymologie?).'' ''Wiener Humanistische Blätter'' (Wien) 49: 19–27.
  
* Danielewicz, J. (1990) 'Deixis in Greek Choral Lyrik', ''QUCC'' 63: 7-17.
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* Nobili, C. (2016) 'Iambi in Sparta', ''Greek and Roman Musical Studies'' 4: 38-50.
  
* Danielewicz, J. (1990) 'Towards an Understanding of the Chrorus: Homer on Early Forms of Lyric Poetry', ''Eos'' 78: 55-62.
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* Riu, X. (2008) ‘On the difference between praise and invective’ in: ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades. Paroikia, Paros, 7-9 October 2005'', eds. D. Katsonopoulou, I. Petropoulos, and S. Katsarou. Athens: 73-82.  
  
* Davies, M. (1988) 'Monody, Choral Lyric, and the Tyranny of the Handbook', ''CQ n.s.'' 38: 52-64.
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* Rotstein, A. (2010) ''The Idea of Iambos''. Oxford. Reviewed by C. Eckermann [http://bmcr.brynmawr.edu/2010/2010-06-21.html BMCR 2010.06.21]
  
* Davies, M. (1991) ''Poetarum Melicorum Graecorum Fragmenta''. Vol. 1: Alcman, Stesichorus, Ibicus. Oxford.
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* Steinrück, M. (2000) ''Iambos. Studien zum Publikum einer Gattung in der frühgriechischen Literatur.'' Hildesheim.
  
* Ford, Andrew L. (2006) 'The Genre of Genres: Paeans and Paian in Early Greek Poetry', ''Poetica'' 38.3-4: 277-296. It reviews the many attempts to define paeans (esp. by Käppel and Schroeder) as part of a broader discussion of the usefulness of genre terms in reading early Greek lyric. It reads several of Timotheus' fragments to argue that predicating the epithet was the core of the "genre".
+
* Suárez de la Torre, E. (2002) ''Yambógrafos griegos''. Madrid.
  
* Fowler, R.L. (1987) ''The Nature of Early Greek Lyric: Three Preliminary Studies''. Toronto.
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=== Archilochus ===
 +
* Aloni, A. (1981) ''Le Muse di Archiloco: Ricerche sullo stile archilocheo''. Copenhagen. Review by Slings, S.R. (1984) ''Mnemosyne'' 37: 169-171.
  
* Fröhder, D. (1994) ''Die dichterische Form der Homerischen Hymnen: untersucht am Typus der mittelgrossen Preislieder''. Hildesheim. ''Spudasmata'' 53.
+
* Aloni, A. and  Iannucci, A. (2007) ''L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco''. Firenze: Le Monnier Università.
  
* Gentili, B. (1984) ''Poesia e pubblico nella Grecia antica da Omero al V secolo''. Roma-Bari. Revised and updated version translated, with an introduction, by Cole, A.T. (1988) ''Poetry and Its Public in Ancient Greece from Homer to the Fifth Century''. Baltimore.
+
* Barker, E.T.E. and Christensen, J.P (2006) ‘Fight club: the new Archilochus fragment and its resonance with Homeric epic’, ''MD'' 57: 9-41.
  
* Gerber, D.E. (1997) ''A Companion to the Greek Lyric Poets''. Leiden-New York-London-Köln.
+
* Bettarini, L. (2010) 'Archiloco fr. 201 W.2: meglio volpe o riccio?' in ''ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.)'', ed. E. Lelli. Pisa/Roma: 45-51.
  
* González de Tobia, Ana M. (2005) ‘El canto coral ‘fundador’ de una poética que vincula fiesta y memoria’, in ''Memoria e Festa'', eds. de Souza Lessa, F. and da Cunha Bustamante, M. R. Rio de Janeiro: 165-172.
+
* Bremer, J.M. (1978) ''Het gemaskerde Ik. De poëtische persoonlijkheid in enige Griekse gedichten''. Amsterdam. (in Dutch) Inaugural lecture, mainly concerned with Archilochus' Cologne Epode.
  
* Harvey, A.E. (1955) 'The Classification of Greek Lyric Poetry', ''CQ n.s.'' 5: 157-175.
+
* Bremer, J.M.; van Erp Taalman Kip, A.M. and Slings, S.R. (eds.) (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
  
* Hutchinson, G. O. (2001) ''Greek Lyric Poetry: A Commentary on Selected Larger Pieces''. Oxford.
+
* Brown, C.G. (1995) 'The Parched Furrow and the Loss of Youth: Archilochus fr. 188 West', ''Quaderni Urbinati di Cultura Classica'' 50: 29–35.
** Contains new texts of, and detailed commentaries on, Alcman 1 and 3 Davies, Stesichorus 222 (b) Davies, Sappho 1, 16, 31, 96 Voigt, Alcaeus 129, 130b, 298 Voigt, Ibycus S151 Davies, Anacreon 347 fr. 1, 358, 417 Page, Simonides 542, 543 Page, Bacchylides 3, Pindar ''Olympian'' 6, Sophocles ''Ajax'' 1185-1222, Euripides ''Medea'' 627-662; introductions on individual poets and on tragic lyric.
 
  
* Ingalls, Wayne (2000) ‘Ritual Performance as Training for Daughters in Archaic Greece’, ''Phoenix'' 54: 1-20.
+
*Brown, C.G. and Gerber, D.E. (1993) ‘The parched furrow: Archilochus fr.188, 1–2 W’, in: ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica. Vol. I.'', ed. R. Pretagostini. Rome: 195–7.
  
* Käppel, L. (1992) ''Paian. Studien zur Geschichte einer Gattung''. Berlin. ''Untersuchungen zur antiken Literatur und Geschichte'' 37.
+
* Clay, D. (2004) ''Archilochos Heros: The Cult of the Poets in the Greek Polis''. Hellenic Studies 6. Washington, D.C.: Harvard University Press. Reviewed by J. MacPhail [http://bmcr.brynmawr.edu/2005/2005-09-32.html BMCR 2005.09.32]
  
* Klug, W. (1954) ''Untersuchungen zum Gebet in der frühgriechischen Lyrik''. Dissertation. Hamburg.
+
* Corrêa, P.C. (1998) ''Armas e Varões: A Guerra na Lírica de Arquíloco''. São Paulo.  
  
* Kowalzig, Barbara (2007) ''Singing for the Gods. Performances of Myth and Ritual in Archaic and Classical Greece''. Oxford Classical Monographs. Oxford: Oxford University Press. Reviewed by Seaford, Richard (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-09-25.html ''BMCR'' 2008.09.25].
+
* Corrêa, P.C. (2001) 'The Fox and the Hedgehog', ''Revista Phaos'' 1: 80 - 92. On Archilochus 201 IEG.
  
* Lambin, G. (1992) ''La chanson grecque dans l'antiquité''. Paris.
+
* Corrêa, P.C. (2002) 'Muddy Eels', ''Rivista Synthesis (La Plata)'' 9: 81 -90. On Archilochus 189 IEG.
  
* Lattke, M. (1991) ''Hymnus: Materialien zu einer Geschichte der antiken Hymnologie''. Fribourg. ''Novum Testamentum et orbis antiquus'' 19.
+
* Corrêa, P.C. (2007) 'A Human Fable and the Justice of Beasts in Archilochus' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 101-117. Reviewed by J. Gibert [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
  
* Ley, G. (1993) 'Monody, Choral Song, and Athenian Festival Performance', ''Maia'' 45: 105-124.
+
* Ford, A.L. (1993) 'L'inventeur de la poésie lyrique: Archiloque le colon', ''Métis. Revue de l'anthropologie grecque'' 8.1-2: 59-73.
  
* Lyghounis, Maria Gilda (1991) 'Elementi tradizionali nella poesia nuziale greca', ''Materiall e discussioni per I'analisi dei testi classici'' 27: 159-98.
+
* Gagné, R. (2009) 'A Wolf at the Table: Sympotic Perjury in Archilochus', ''TAPA'' 139.2: 251-275.
  
* MacDowell, D.M. (1989) 'Athenian Laws abouth Choruses' in ''Symposion 1982: Vorträge zur griechischen und hellenistischen Rechtsgeschichte (Santander 1.-4. September)'', ed. F.J. Fernández Nieto. Köln: 65-77.
+
* Gerber, D.E. (2000) 'Archilochus fr. 44 West' in: ''Poesia e religione in Grecia. Studi in onore di G. Aurelio Privitera'', eds. M.C. Fera and S. Grandolini. Napoli, vol. 1: 331-333.
  
* Martin, Richard (2007) 'Outer Limits, Choral Space' in ''Visualizing the Tragic'', eds. C. Kraus, S. Goldhill, H. Foley and J. Elsner. Festschrift for F. Zeitlin. New York, Oxford: 35-62.
+
* Gerber, D.E. (2004) 'Archilochus fr. 218 W.' in: ''Dais Philesistephanos. Studies in Honour of Professor Staffan Fogelmark. Presented on the Occasion of his 65th Birthday 12 April 2004'', eds. P. Sandin and M.W. Schiebe. Uppsala: 19-20.
  
* Miller, P. A. (1994) ''Lyric Texts and Lyric Consciousness: The Birth of a Genre from Archaic Greece to Augustean Rome''. London.
+
* Gerber, D.E. (2008) 'Archilochos and Tradition' in: ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades Paroikia, Paros, 7-9 October 2005'', eds. D. Katsonopoulou, I. Petropoulos, and S. Katsarou. Athens: 17-22.
  
* Mullen, W. (1982) ''Choreia: Pindar and Dance''. Princeton.
+
* Handley, E. (2007) 'Night Thoughts (Archilochus 23 and 196a West)' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 95-100. Reviewed by J. Gibert[http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
  
* Naerebout, F.G. (1997) ''Attractive Performances. Ancient Greek Dance: Three Preliminary Studies''. Amsterdam.
+
* Harrison, S. (2001) ‘Some generic problems in Horace’s Epodes: or, on (not) being Archilochus’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', ed. A. Cavarzere et al. Lanham, Md. and Oxford: 165–86.
  
* Nagy, G. (1990) ''Pindar's Homer. The Lyric Possession of an Epic Past''. Baltimore and London. [http://www.press.jhu.edu/books/nagy/PH.html Free-to-view online edition]. [http://www.intute.ac.uk/artsandhumanities/cgi-bin/fullrecord.pl?handle=humbul15952 More information] is available at [http://www.intute.ac.uk/ Intute], catalogued by Emma Bridges.
+
* Hawkins, J. N. (2016). Anger, Bile, and the Poet’s Body in the Archilochean Tradition. ''Iambus and Elegy: New Approaches'': 310-321.
  
* Nagy, G. (1994/5) 'Transformations of Choral Lyric Traditions in the Context of Athenian State Theater', ''Arion'' 3.1: 41-55.
+
* Hawkins, T. (2009) 'This is the Death of the Earth: Crisis Narratives in Archilochus and Mnesiepes', ''Transactions of the American Philological Association'' 139.1: 1-20.
  
* Nagy, G. (2008) 'Lyric and Greek Myth' in ''The Cambridge Companion to Greek Mythology'', ed. Roger D. Woodard. Cambridge: Cambridge University Press: 19-51. With emphasis on the Lesbian poets Sappho and Alcaeus. Reviewed by Kühr, Angela [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-10.html ''BMCR'' 2008.08.10].
+
* Irwin, E. (1998) ‘Biography, fiction and the Archilochean ainos’, ''JHS'' 118: 177–83.
  
* Neri, Camillo (2004) ''La lirica greca. Temi e testi''. Roma.
+
* Létoublon, F. (2008) 'Archiloque et l'"encyclopédie" homérique', ''Pallas'' 77: 51-62.
  
* Nicholson, N. (1999-2000) 'Pederastic poets and adult patrons: maintaining authority in late archaic lyric', ''CW'' 93: 235-259.
+
* Marcaccini, C. (2001) ''Construire un’identità, scrivere la storia: Archiloco, Paro e la colonizzazione di Taso''. Florence.
  
* Peponi, Anastasia-Erasmia (1991) 'Flexible Lyric, Inflexible Theory: around W.R. Johnson’s ''The Idea of Lyric: Lyric Modes in Ancient and Modern Poetry'' '. Berkeley 1982. in ''Logou Charin'' 2: 167-182. (in Greek)
+
* Massimiliano O. (ed.) (2009), ''La lira, la vacca e le donne insolenti: contesti di ricezione e promozione della figura e della poesia di Archiloco dall'arcaismo all'ellenismo.'' Minima philologica 5. Alessandria. Reviewed by Rougier-Blanc, Sylvie (2010) [http://bmcr.brynmawr.edu/2010/2010-10-61.html ''BMCR'' 2010.10.61].
  
* Peponi, Anastasia-Erasmia (1993) ''Representation of Space and Time in Early Archaic Lyric Poetry''. PhD dissertation Thessaloniki.
+
* Mayer, P. (2006) 'Krieg aus Versehen? - Zur Funktion und Aussage der Telephos-Geschichte im neuen Archilochos (''P. Oxy.'' 4708, fr. 1)', ''ZPE'' 157: 15-18.
  
* Peponi, Anastasia-Erasmia (1995) 'Teaching Lyric Poetry in High Schools by means of Modern Greek Translations' ''Thallo'' 7: 103-112. (in Greek)
+
* Mayer, P. (2006) 'Der Mann, das Mädchen und der Dichter - Zur Frage der Absicht dreier Personen: eine Verführungsgeschichte (Archil. 196a W2)', ''Acta Classica Universitatis Scientiarum Debreceniensis (Debrecen)'' 42: 5-20.
  
* Peponi, Anastasia-Erasmia (2002) 'Mixed Pleasures, Blended Discourses: Poetry, Medicine and the Body in Plato’s ''Philebus'' 46-47c', ''Classical Antiquity'' 21: 135-160. (reception of archaic lyric poetry in Plato)
+
* Medaglia, S.M. (1982) ''Note di esegesi archilochea''. Roma. Review by S.R. Slings, (1988) ''Mnemosyne'' 41: 134-135.
  
* Peponi, Anastasia-Erasmia (2002) 'Fantasizing Lyric: Horace, Epistles 1.19' in ''Horace and Greek Lyric Poetry'', ed. M. Paschalis. Rethymnon: 19-45. (reception of archaic lyric poetry in Horace)
+
* Miralles, C. and Pòrtulas, J. (1983) ''Archilochus and the iambic poetry''. Roma. Review by S.R. Slings (1987) ''Mnemosyne'' 40: 430-432.
  
* Psaroudakēs, Stelios (2006) 'A lyre from the cemetery of the Acharnian Gate, Athens' in ''Studien zur Musikarchäologie V. Music Archaeology in context. Archaeological semantics, historical implications, socio-cultural connotations. Papers from the 4th Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 19-26 September, 2004. Orient-Archäologie 20'', Ellen Hickmann & Arnd Adje Both & Ricardo Eichmann (eds.). Rahden, Westf.: 59-79.
+
* Nesselrath, H.G. (2007) 'Lucian and Archilochus, or: How to Make Use of the Ancient Iambographers in the Context of the Second Sophistic' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 132-43. Reviewed by J. Gibert [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
  
* Ψαρουδάκης, Στέλιος (2007) «Η λύρα στον ελλαδικό χώρο στις εποχές του Χαλκού και το Σιδήρου», ''Αρχαιολογία και Τέχνες'' 90: 59-67. (in modern Greek)
+
* Nicolosi, A. (trans. and comm.) (2007) ''Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708)''. Eikasmos, 14. Bologna: Pàtron Editore. Reviewed by R.M. Rosen [http://bmcr.brynmawr.edu/2009/2009-04-09.html BMCR 2009.04.09].
  
* Race, W.H. (1992) 'How Greek Poems Begin', ''YCS'' 29: 13-38.
+
* Nobili, C. (2009) 'Tra epos ed elegia: il nuovo Archiloco', ''Maia'' 61.2: 229-249.
  
* Ruijgh, C.J. (1980) 'De ontwikkeling van de lyrische kunsttaal, met name van het literaire dialect van de koorlyriek', ''Lampas'' 5: 416-435.
+
* Obbink, D. (2005) ‘4708, Archilochus, Elegies’, ''Oxyrhynchus Papyri'' 69: 18–42.
  
* Rutherford, I. (1993) 'Paeanic Ambiguity: A Study of the Representation of the Paean in Greek Literature', ''QUCC'' 44: 97-92.
+
* Obbink, D. (2006) ‘A New Archilochus poem’, ''ZPE'' 156: 1–4.
  
* Rutherford, I. (1997) 'Odes and Ends: Closure in Greek Lyric Poetry' in ''Classical Closure. Reading the End in Greek and Latin Literature'', eds. Roberts, D. and D. Fowler. Princeton [...].
+
* Pòrtulas, J. (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* Rutherford, I. (2001) ''Pindar's Paeans. A Reading of the Fragments with a Survey of the Genre''. Oxford.
+
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. Alessandria: 57–71.
  
* Schmidt, E.G. (1974) 'Zur Interpretation und Rezeption frühgriechischer Lyrik' in ''Die Antike in der sozialistischen Kultur, Internationale Arbeitskonferenz des Instituts für Altertumswissenschaft der Friedrich-Schiller-Universität Jena, 27.-29. Juni 1973''. Jena: 93-109.
+
* Riu, X. (2012) 'On the Reception of Archilochus and of invective in antiquity', in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 249-282.
  
* Schmitz, H. (1970) ''Hypsos und Bios. Stilistische Untersuchungen zum Alltagsrealismus in der archaischen griechischen Chorlyrik''. Bern.
+
* Rosen, R.M. (2007) 'The Hellenistic Epigrams on Archilochus and Hipponax' in ''Brill's Companion to Hellenistic Epigram'' eds. P. Bing & J. Steffen Bruss. Leiden: 459–476. Reviewed by M.A. Tueller [http://bmcr.brynmawr.edu/2008/2008-06-19.html BMCR 2008.06.19]
  
* Segal, C. (1989) 'Song, Ritual, and Commemoration in Early Greek Poetry and Tragedy', ''Oral Tradition'' 4: 330-359.
+
* Rotstein, A. (2007) ‘Critias’ invective against Archilochus’, ''Classical Philology'' 102: 139-54.
 +
 +
* Rotstein, A. (2008) “‘I do not care about ''iamboi''” (Archil. Fr. 215W)’, in ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades'', eds. D. Katsonopoulou, I. Petropoulos and S. Katsarou. Athens: 65-80.
  
* Segal, C. (1998) ''Aglaia. The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham-Boulder-New York-Oxford.
+
* Rotstein, A. (2010) ''The Idea of Iambos''. Oxford: 151-166, 230-234, 256-259, 281-318.
  
* Seidensticker, Bernd (2005) 'Dithyramb, Comedy, and Satyr-Play' in ''A Companion to Greek Tragedy'', ed. Justina Gregory. Oxford: Blackwell: 38-54. Reviewed by Wright, Matthew (2006) [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-39.html ''BMCR'' 2006.06.39].
+
* Slings, S.R. (1975) 'Three notes on the new Archilochus papyrus', ''Zeitschrift für Papyrologie und Epigraphik'' 18: 170.
  
* Slings, S.R. (ed.) (1990) ''The poet's I in archaic Greek lyric''. Amsterdam.
+
* Slings, S.R. (1976) 'Archilochus, the hasty mind and the hasty bitch', ''Zeitschrift für Papyrologie und Epigraphik'' 21: 283-288.
  
* Slings, S.R. (1990) 'The I in personal archaic lyric: an introduction' in ''The poet's I in archaic Greek lyric'', ed. S.R. Slings. Amsterdam: 1-30.
+
* Slings, S.R. (1980) 'Archilochus, eerste Keulse epode', ''Lampas'' 13: 315-335. (in Dutch)
  
* Stehle, E. (1997) ''Performance and Gender in Ancient Greece. Nondramatic Poetry in its Setting''. Princeton.
+
* Slings, S.R. (1982) 'Archilochus and the ant', ''Zeitschrift für Papyrologie und Epigraphik'' 45: 69-70.  
  
* Trümpy, C. (1986) ''Vergleich des Mykenischen mit der Sprache der Chorlyrik. Bewahrt die Chorlyrik eine von Homer unabhängige alte Sprachtradition?''. Bern.
+
* Slings, S.R. (1980-82) 'Archilochus, S 478 (a), 3 Page', ''Museum Criticum'' 15-17: 11-14.
  
* Webster, T.B.L. (1970) ''The Greek Chorus''. London.  
+
* Slings, S.R. (1983) 'Once more Archilochus and the ant', ''Zeitschrift für Papyrologie und Epigraphik'' 53: 31-36.  
  
* West, M.L. (1992) ''Ancient Greek Music''. Oxford.
+
* Slings, S.R. (1986) 'Archilochus: new fragments from the Sosthenes inscription', ''Zeitschrift für Papyrologie und Epigraphik'' 63: 1-3.  
  
* Wilson, Lyn Hatherly (1996) ''Sappho's Sweetbitter Songs: Configurations of female and male in ancient Greek Lyric''. London and New York.
+
* Slings, S.R. (1988) 'Archilochus, fr. 188,3', ''Zeitschrift für Papyrologie und Epigraphik'' 72: 21.  
  
* Wilson, Peter J. (1999) 'The ''aulos'' in Athens', in ''Performance Culture and Athenian Democracy'', S. Goldhill and R. Osborne (eds.). Cambridge: 58-95.
+
* Slings, S.R. (1989) 'Anonymus, Parallel lines from Homer and Archilochus', ''Zeitschrift für Papyrologie und Epigraphik'' 79: 1-8.  
  
* Wilson, Peter J. (2000) ''The Athenian institution of the Khoregia: the chorus, the city and the stage''. Cambridge and New York.
+
* Slings, S.R. (1990) 'Archilochus van Paros, soldaat en dichter', ''Hermeneus'' 62: 281-289. (in Dutch)
** Reviews: Josiah Ober (2000) ''BMCR'' 10. Stuart Douglas Olson (2000-2001) ''CW'' 94.4: 418-419. Geert Roskam (2001) ''LEC'' 69.3: 341-342. Jean-Charles Moretti (2001) ''REA'' 103.3-4: 585-586. Herman Van Looy (2001) ''AC'' 70: 447-448. Nicoletta Marini (2002) ''Athenaeum'' 90.2: 662-664. Stephen D. Lambert (2002) ''JHS'' 122: 178-179. Eric Csapo (2002) ''Phoenix'' 56.1-2: 150-153.
 
  
* Yatromanolakis, D. and P. Roilos (2003) ''Towards a Ritual Poetics''. Athens.
+
* Slings, S.R. (1992) 'For the third time: Archilochus and the ant', ''Eikasmos'' 3:  13-17.  
  
* Yatromanolakis, D. and P. Roilos (2005) ''Pros mia Teletourgike Poietike''. Preface Marcel Detienne. Athens.
+
* Slings, S.R. (1995) 'Archilochus, fr. 188, 1-2', ''Zeitschrift für Papyrologie und Epigraphik'' 106: 1-2.
  
=== Sappho and Alcaeus ===
+
* Steinrück, M. (1991) ''Leise Laute, Arbeiten über das Verhältnis von Rhythmus und Lautresponsion bei Archilochos''. Lausanne Basel.
* Aloni, A. (1983) ‘Eteria e tiaso: I gruppo aristocratici di Lesbo tra economia e ideologia’, ''Dialoghi di Archeologia'' ser. 3, n. 1: 21-35 (= ''id''., ‘Lotta politica e pratica religiosa nella Lesbo di Saffo e Alceo’, ''Atti del Centro ricerche e documentazione sull'antichittà classica'' 11 (1980/81): 213-32)
 
  
* Broger, A. (1996) ''Das Epitheton bei Sappho und Alkaios. Eine sprachwissenschaftliche Untersuchung''. Innsbruck. Review by Slings, S.R. (1999) ''Mnemosyne'' 52: 481-484.
+
* Steinrück, M. (2008) 'Les publics d'Archiloque', ''Pallas'' 77: 41-50.
  
* Caciagli, Stefano (2007) ''Poesia e società: comunicazione poetica e formazioni sociali nella Lesbo del VII/VI secolo a.C.''. Ph.D. dissertation, University of Bologna. [http://amsdottorato.cib.unibo.it/188/ PDF (in the not revised version)].
+
* Suárez de la Torre, E. (1977) 'Un reciente problema para la Filología Clásica: el nuevo fragmento atribuido a Arquíloco' (en colaboración con A. Melero), ''CFC'' 13: 167-199.
  
* Nagy, Gregory (2007) 'Did Sappho and Alcaeus Ever Meet? Symmetries of Myth and Ritual in Performing the Songs of Ancient Lesbos' in ''Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen'', eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. ''MythosEikonPoiesis'' Bd. 1.1–2. Berlin and New York: ibid. 211-269. Reviewed by Reyes Bertolín Cebrián [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-09.html ''BMCR'' 2008.08.09].
+
* Suárez de la Torre, E. (2000) 'Archilochus ‘Biography’, Dionysos, and Mythical Patterns' in ''Poesia e religione in Grecia. Studi in Onore di G. Aurelio Privitera. Volume II'', eds. M. Cannata Fera and S. Grandolini. Napoli: 639-658.
  
=== Sappho ===
+
* Swift, L. (2016) ‘Poetics and Precedents in Archilochus’ Erotic Imagery’, in Iambus and Elegy: New Approaches, eds. C. Carey and L. Swift. Oxford:. 253–270.
Cf. the [http://athena.leidenuniv.nl/letteren/opleiding/klassieketalen/index.php3?m=184&c=199 bibliography on Sappho] made by Martine Cuypers that forms part of a [http://athena.leidenuniv.nl/letteren/opleiding/klassieketalen/index.php3?m=184&c=86 Hellenistic Bibliography].
 
  
* Aloni, A. (1997) ''Saffo: Frammenti''. Florence.
+
* Swift, L. (2015) ‘Negotiating Seduction: Archilochus’ Cologne Epode and the Transformation of Epic, Philologus 159(1): 2-28
  
* Aloni, A. (2001) ‘What is that man doing in Sappho, fr. 31 V.?’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md., and Oxford: 29-40.
+
* Swift, L. (2014) ‘Telephus on Paros: Genealogy and Myth in the “New Archilochus” Poem (P. Oxy. 4708), CQ 64(2): 433-47.
  
* Bernsdorff, Hans (2004) 'Schwermut des Alters im neuen Kölner Sappho-Papyrus', ''Zeitschrift für Papyrologie und Epigraphik'' 150: 27-35.
+
* Swift, L. (2014) ‘The Animal Fable and Greek Iambus: Ainoi and Half-Ainoi in Archilochus, in Gêneros poéticos na Grécia antiga: Confluências e fronteiras, eds. C. Werner and B. Sebastini.  São Paulo: 49-77.
  
* Bernsdorff, Hans (2005) 'Offene Gedichtschlüsse', ''Zeitschrift für Papyrologie und Epigraphik'' 153: 1-6.
+
* Swift, L. (2012) ‘Archilochus the “Anti-Hero” Heroism, Flight and Values in Homer and the New Archilochus Fragment (P. Oxy. LXIX 4708), JHS 132: 139-55.
  
* Bierl, Anton (2004) ' 'Ich aber (sage), das Schönste ist, was einer liebt!' Eine pragmatische Deutung von Sappho Fr. 16 LP/V', ''Quaderni Urbinati di Cultura Classica'' n.s. 74.2 (103): 91–124.
+
* West, M.L. (2006) ‘Archilochus and Telephos’, ''ZPE'' 156: 11–17.
  
* Bremer, Jan Maarten (1982) 'A reaction to Tsagarakis' discussion of Sappho fr. 31', ''Rheinisches Museum'' 125: 113-116.
+
=== Semonides ===
 +
*Carson, A. (1999) ''Economy of the Unlost: Reading Simonides of Keos with Paul Celan.'' Princeton, N.J.
  
* Calame, Claude (1996) 'Sappho's Group: An Initiation into womanhood' in ''Reading Sappho. Contemporary Approaches'', ed. E. Greene, Berkeley and London: 113-124.
+
* Hubbard, Th.K. (1994) 'Elemental Psychology and the Date of Semonides of Amorgos', ''AJPh'' 115: 175-197.
  
* D'Angour, Armand (2006) 'Conquering Love: Sappho 31 and Catullus 51', ''Classical Quarterly'' 56: 297-300.
+
* Hubbard, Th.K. (1996) ' 'New Simonides' or old Semonides? Second Thoughts on POxy 3965, fr. 26, ''Arethusa'' 29: 255-262 (= in (2001) ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 226-231).
  
* Dosuna, Julián Méndez (2008) 'Miscellanea: Knees and Fawns in the New Sappho', ''Mnemosyne'' 61.1: 108-14. [http://www.swetswise.com.proxy.ubn.ru.nl:8080/swetsfo/swproxy?url=http%3A%2F%2Fopenurl.ingenta.com%2Fcontent%2Fswetsnet-4.1.2dae033a21a66b009d41d8e9ea102dbd%3Fgenre%3Darticle%26issn%3D0026-7074%26volume%3D61%26issue%3D1%26spage%3D108%26epage%3D114%26aulast%3DDosuna&ts=1202555509461&cs=2005023008&userName=9021463.ipdirect&emCondId=2043297&articleID=35750235&yevoID=2197893&titleID=137377&referer=1&remoteAddr=131.174.248.1 PDF].
+
* Osborne, R. (2001) ‘The use of abuse: Semonides 7’, ''PCPhS'' 47: 47–64.
  
* Greene, E. (ed.) (1996) ''Reading Sappho: Contemporary Approaches''. Berkeley and London.
+
* Steinrück, M. (1994) ''Regards sur la femme: analyse rythmique et interprétation de Sémonide frg. 7 Tedeschi-Pellizer''. Roma.
  
* Lardinois, A.P.M.H. (1989) 'Lesbian Sappho and Sappho of Lesbos' in ''From Sappho to de Sade: Moments in the History of Sexuality'', ed. J.N. Bremmer. London: 15-35. Dutch version (1988) and Portugese translation (1995).
+
* Steinrück, M. (1994) 'Echos phoniques et débuts de mots dans le iambe de Sémonide d'Amorgos', ''Revue informatique et statistique dans les sciences humaines'' 30: 139-153.
  
* Lardinois, A.P.M.H. (1994) 'Subject and Circumstance in Sappho's Poetry', ''Transactions of the American Philological Association'' 124: 57-84.
+
* Van Wees, H. (2005) 'The invention of the female mind. Women, property and gender ideology in archaic Greece', in ''Women and Property in the Ancient Near East and Greece'', eds. D. Lyons and R. Westbrook. Published on website of Center for Hellenic Studies, Washington DC. pp. 26. [http://chs.harvard.edu/chs/women_and_property URL]. Includes discussion of Fr 7.
  
* Lardinois, A.P.M.H. (1996) 'Who Sang Sappho's Songs?' in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene Berkeley: 150-172.
+
=== Hipponax ===
  
* Lardinois, A.P.M.H. (2001) 'Keening Sappho: Female Speech Genres in Sappho's Poetry' in ''Making Silence Speak: Women's Voices in Greek Literature and Society'', eds. A. Lardinois and L. McClure. Princeton: 75-92.
+
* Alexandrou, M. (2016). 'A commentary on the fragments of the iambic poet Hipponax' (Doctoral dissertation, UCL (University College London)).
  
* Lardinois, A.P.M.H. ((2003) 'Drie gedaantes van Helena: Moderne interpretaties van Sappho Fr. 16' (Modern interpretations of Sappho Fr. 16), ''Lampas'' 36: 261-283.
+
* Carey, C. (2003) ‘Ipponatte e la tradizione giambica’ in ''Studi di filologia e tradizione greca in memoria di A. Colonna'', eds. F. Benedetti and S. Grandolini. Perugia: 213-228.
  
* Lardinois, A.P.M.H. (2007) 'Seks à la Sappho', ''Lampas'' 40: 273-80. In Dutch.
+
* Carey, C. (2008) ‘Hipponax narrator’, ''AAHung'' 48: 89-102.
  
* Lardinois, A.P.M.H. (2008) ' ‘Someone, I say, will remember us’: Oral Memory in Sappho’s Poetry' in ''Orality, Literacy, Memory in the Ancient Greek and Roman World'', ed. A. MacKay. Leiden: 79-96.
+
* Cazzato, V. (2015) ‘Hipponax’ poetic initiation and Herodas’ “Dream”’, ''The Cambridge Classical Journal'' 61: 1-14.
  
* Neri, Camillo (2001) 'In margine a Sapph. fr. 96,8 V.', ''Eikasmós'' 12: 11-18.
+
* Dale, A. (2013). 'HIPPONAX FR. 42 IEG2' Zeitschrift für Papyrologie und Epigraphik 187: 49-51.
  
* Neri, Camillo (2005) 'Sudore freddo e tremore (Sapph. fr. 31,13 V. ~ Sen. Tro. 487s. ~ Apul. Met. I 13, II 30, X 10)', ''Eikasmós'' 16: 51-62 (con F. Citti).
+
* Degani, E. (1995) ‘Ipponatte e i poeti filologi’, in ''Atti del Congresso ‘Poeti e Filologi, Filologi-Poeti’. Composizione e studio della poesia epica e lirica nel mondo greco e romano'', Brescia, Università Cattolica, 26–27 aprile 1995, ed. A. Porro and G. Milanese, Aevum(ant) 8: 105–36.
  
* Peponi, Anastasia-Erasmia (1985) 'Narrative Modes in a lyric  litê: Sappho 1 L.P' ''Philologos'' 41: 244-259. (in Greek)
+
* Faraone, C.A. (2004) 'Hipponax Frag. 128W: Epic Parody or Expulsive Incantation?', ''Classical Antiquity'' 23: 209-45.
  
* Peponi, Anastasia-Erasmia (1995) 'Lyric Transformations of Epic Helen: the Technique of Poetic Suppression in Sappho 16 L.P.' in ''Proceedings of the 7th International Symposium of Ithaki'': 315-328. (in Greek)
+
* Fowler, R.L. (1990) ‘Two more new verses of Hipponax (and a spurium of Philoxenus)?’, ''ICS'' 15: 1–22.
  
* Peponi, Anastasia-Erasmia (1997) 'Mythoplokos Eros: Sappho’s Allusion to her Poetics' in ''Acta: First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-T. Papademetriou. Athens: 139-165. (in Greek)
+
* Hawkins, S. (2013). ''Studies in the Language of Hipponax''. Bremen.
  
* Rawles, Richard (2006) 'Notes on the interpretation of the 'New Sappho' ' ''ZPE'' 157: 1-7.
+
*Hawkins, T. (2016). 'Bupalus in Scheria: Hipponax’s Odyssean Transcontextualizations' in ''Iambus and Elegy: New Approaches'', C. Carey and L. Swift (eds) Oxford: 229-52.
  
* Slings, S.R. (1988) 'Sappho fr. 1,19', ''Zeitschrift für Papyrologie und Epigraphik'' 72: 19-20.  
+
* Miralles, C. and J. Pòrtulas (1988) ''The Poetry of Hipponax''. Rome.
  
* Slings, S.R. (1991) 'Sappho fr. 1, 8 V.: Golden house or golden chariot?', ''Mnemosyne'' 44: 404-410.  
+
* Neri, C. (1995) 'L'empietà del naso (Hippon. fr.129a,1 Dg.)', ''Eikasmós'' 6: 11-14.
  
* Slings, S.R. (1994) 'Sappho, fr. 94, 10', ''Zeitschrift für Papyrologie und Epigraphik'' 102: 8.  
+
* Nicolosi, A. (ed.) (2007) ''Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708)''. Bologna. Edition, translation and commentary Reviewed by R.M. Rosen [http://bmcr.brynmawr.edu/2009/2009-04-09.html BMCR 2009.04.09].
  
* Slings, S.R. (1994) 'Two notes on Sappho's wedding songs', ''Mnemosyne'' 47: 677-679.  
+
* Rosen, R.M. (1990) ‘Hipponax and the Homeric Odysseus’, ''Eikasmos'' 1: 11–25.
  
* Steinrück, M. (1999) 'Homer bei Sappho?', ''Mnemosyne'' 52: 139-149.
+
* Rosen, R.M. (2007) 'The Hellenistic Epigrams on Archilochus and Hipponax' in ''Brill's Companion to Hellenistic Epigram'' eds. P. Bing & J. Steffen Bruss. Leiden.  
  
* Steinrück, M. (2000) 'Neues zu Sappho", ''ZPE'' 131: 10-12.
+
* Rosen, R.M. (2007) ''Making Mockery. The Poetics of Ancient Satire. Classical Culture and Society.'' Oxford. Chapter 5 focuses on Hipponax and Callimachus.  
  
* Steinrück, M. (2000) 'Sappho sans sa vie', in ''Biographie des hommes - biographie des dieux'', ed. M.-L. Desclos. Grenoble: 113-127.
+
* Suárez de la Torre, E. (1987) 'Hiponacte cómico', ''Emerita'' 55: 113-139.
  
* Steinrück, M. (2008) 'Sapphos Alterslied und kein Ende', ''QUCC'' 86: 89-94.
+
* Watkins, C. (2007) 'Hipponactea quaedam' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 118-25. Reviewed by J. Gibert [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
  
* Tasagarakis, O. (1979) 'Some neglected aspects of love in Sappho’s Fr. 31 LP', ''Rheinisches Museum'' 122: 97-118.
+
=== Ananius ===
  
* Yatromanolakis, D. (1999) 'Alexandrian Sappho Revisited', ''Harvard Studies in Classical Philology'' 99: 179-195.(reprinted in (2002) ''Greek Literature. Vol. 7: Greek Literature in the Hellenistic Period'', ed. G. Nagy. New York/London.)
+
* Carey C.(2016). 'Mapping ''iambos'': Mining the minor talents', in I''ambus and Elegy: New Approaches'', C. Carey and L. Swift (eds), Oxford: 122-39.
  
* Yatromanolakis, D. (1999) 'When Two Fragments Meet: Sapph. fr. 22 V.', ''ZPE'' 128: 22-23.
+
=== Adespota Iambica ===
  
* Yatromanolakis, D. (2001) 'Visualizing Poetry: An Early Representation of Sappho', ''Classical Philology'' 96: 159-168.
+
=== Elegy General ===
  
* Yatromanolakis, D. (2002) 'Heteroglossikoi Dialogoi kai Anasunthese sten Sappho tou Odussea Elyte', ''Synkrise/ Comparaison'' 13: 60-72. In Greek.
+
* Adkins, A.W.H. (1985) ''Poetic Craft in the Early Greek Elegists''. Chicago-London.
  
* Yatromanolakis, D. (2003) 'Ritual Poetics in Archaic Lesbos: Contextualizing Genre in Sappho', in ''Towards a Ritual Poetics'', D. Yatromanolakis and P. Roilos. Athens: 43-59.
+
* Aloni, A. and  Iannucci, A. (2007) ''L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco''. Firenze: Le Monnier Università.
  
* Yatromanolakis, D. (2004) 'Exploring Lyric Tropes', ''Synkrise/ Comparaison'' 15: 70-79.
+
* Barnes, H.R. (1995) ‘The structure of the elegiac hexameter: a comparison of the structure of elegiac and stichic hexameter verse’, in ''Struttura e storia dell’esametro omerico'', ed. M. Fantuzzi and R. Pretagostini, vol. I. Rome: 135–61.
  
* Yatromanolakis, D. (2005) 'Contrapuntal Inscriptions', ''ZPE'' 152: 16-30.
+
* Bowie, E.L. (1990) ‘''Miles ludens''? The problem of martial exhortation in early Greek elegy’, in ''Sympotica: A Symposium on the Symposion''. ed. O. Murray. Oxford: 221-229.
  
* Yatromanolakis, D. (2006) 'A Lyric Epos', ''Helenika'' 56: 381-388.
+
* Budelmann, F. and T. Power (2013). 'The inbetweenness of sympotic elegy.' JHS 133: 1-19.
  
* Yatromanolakis, D. (2007) ''Sappho In The Making: The Early Reception''. Cambridge, MA.
+
* Faraone, C.A. (2005) 'Exhortation and Meditation: Alternating Stanzas as a Structural Device in Early Greek Elegy', ''CPh'' 100: 317-36. [Tyrtaeus 10, 11; Callinus 1; Xenophanes 1]
  
* Yatromanolakis, D. (2008) 'P.Colon. inv. 21351 + 21376 and P.Oxy. 1787 fr. 1: Music, Politics, and Hellenistic Anthologies', ''Hellenika'' 58.
+
* Faraone, C.A. (2005) 'Catalogues, Priamels and Stanzaic Structure in Early Greek Elegy', ''TAPhA'' 135: 249-65. [Simonides  16; Tyrtaeus 12; Theognidea 699-718; Solon 13, 27]
  
* Yossi, M. J., D. Kioussi and A. Tatsi (eds) (2004) ''Thelxis. Fifteen Essays on Sappho''. Athens: Smili Editions. Articles by B. Gentili, Cl. Calame, J. McIntosh Snyder, J. J. Winkler, E. Greene, A. Lardinois, P. A. Rosenmeyer. I. Le. Pfeijffer, K. Stanley, Ch. Segal, W. Stehle Stigers. J. Svenbro, E. Robbins, R. Palmisciano, Anne Carson translated into modern Greek with an Introduction by the Editors. (an En Kyklo publication)
+
* Faraone, C.A. (2008) ''The Stanzaic Architecture of Early Greek Elegy''. Oxford. Reviewed by Eckerman, Chris (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-30.html ''BMCR'' 2008.08.30].
  
=== Alcaeus ===
+
* Gerber, D.E. (1997) ‘Elegy’, in ''A Companion to the Greek Lyric Poets'', ed. D.E. Gerber. Leiden: 89–132.
* Andrisano, A. (2001) ‘Iambic motifs in Alcaeus' lyrics’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md., and Oxford: 41-64.
 
  
* Bachvarova, Mary R. (2007) 'Oath and allusion in Alcaeus fr. 129' in ''Horkos. The Oath in Greek Society'', eds. Alan H. Sommerstein, Judith Fletcher. Exeter: 179-188. Reviewed by Kellogg, Danielle L. (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-55.html ''BMCR'' 2008.08.55].
+
* Giordano-Zecharya, M. (2003) ‘Tabellae auris: musica e memoria nella trasmissione della lirica monodica’, in ''ΡΥΣΜΟΣ: Studi di poesia, metrica e musica greca offerti dagli allievi a Luigi Enrico Rossi per i suoi settant’anni'', ed. R. Nicolai. Rome: 73–92.
  
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
+
* Lulli, L. (2007) "‘Anomalie’ linguistiche e performances poetiche. Osservazioni sui tratti linguistici epicorici nell’epica greca postomerica e nell’elegia arcaica di argomento storico-narrativo", ''SemRom'' 10.2: pp. 35–62.
  
* Kurke, Leslie (1994) 'Crisis and Decorum in Sixth–Century Lesbos: Reading Alkaios Otherwise', ''Quaderni Urbinati di cultura classica'', n.s. 47: 67-92.
+
* Lulli, L. (2009) 'Appunti per una storia grafico-editoriale del genere letterario dell’elegia in età ellenistico-romana', ''Scripta. International Journal of Palaeography and Codicology'' 2: 135–157.
  
* Lelli, Emanuele (2006) ''Volpe e leone. Il proverbio nella poesia greca (Alceo, Cratino, Callimaco). Filologia e critica, 93''. Roma: Edizioni dell'Ateneo. [http://catdir.loc.gov/catdir/toc/casalini05/06544053.pdf Table of Contents]. Reviewed by Massimiliano Ornaghi, [http://ccat.sas.upenn.edu/bmcr/2008/2008-01-39.html BMCR 2008.01.39].
+
* Lulli, L. (2011) ''Narrare in Distichi: L'elegia greca arcaica e classica di argomento storico-mitico''. Rome.  
  
* Neri, Camillo (1996) 'Poeti, filologi e patelle (Alcae. fr. 359 V., Dicaearch. fr. 99 Wehrli, Ar. Byz. fr. 367 Sl.)', ''Eikasmós'' 7: 25-55.
+
* Lulli, L. (2015) "Epica ed elegia. Incontri di due generi letterari nei luoghi della performance", in L. Bettarini (ed.), ''A più mani. Linee di ricerca tracciate in 'Sapienza''', Roma-Pisa: 89–102.
  
* Yatromanolakis, D. (2008) 'Genre Categories and Interdiscursivity in Alkaios and Archaic Greece', ''Synkrise/Comparaison'' 19.
+
* Lulli, L. (2016) "Elegy and Epic: A Complex Relationship", in L. Swift, C. Carey (eds.), ''Iambus and Elegy. New Approaches'', Oxford-New York: 193-209.
  
=== Incertum utrius auctoris fragmenta ===
+
* Nobili, C. (2006) 'Omero e l'elegia trenodica', ''Acme'' 59.3: 3-24. It investigates the problem of threnodic elegy and presents the possibility to trace motifs typical of threnodic elegy in Homeric poems.
  
=== Alcman ===
+
* Nobili, C. (2011) 'Threnodic elegy in Sparta', ''Greek, Roman, Byzantine Studies'' 51.1: 26-48.
Cf. The [http://alkman.georgehinge.com/bibliographie.html Alcman bibliography] that is maintained by George Hinge. This website forms part of a project on the dialect of Alcman (in German with a summary in English and Danish).
 
  
* Bagordo, A. (1998) 'Zu Alkman, Fr. 17 Davies', ''Hermes'' 126: 259–-68.
+
* Nobili, C. (2016) 'Choral elegy', in C. Carey – L. Swift (eds.), I''ambus and Elegy. New Approaches'', Oxford: 33-55.
  
* Bierl, Anton (2007) 'L'uso intertestuale di Alcmane nel finale della Lisistrata di Aristofane. Coro e rito nel contesto performativo' in ''Dalla lirica corale alla poesia drammatica. Forme e funzioni del canto corale nella tragedia e nella commedia greca'', eds. F. Perusino and M. Colantonio. Pisa: 259–290. With a comparison between Alcman and the last songs in Ar. ''Lysistrata''.
+
* Raalte, M. van (1988) 'Greek Elegiac Verse Rhythm', ''Glotta'' 66: 145-78.
  
* Calame, Claude (1983) ''Alcman. Texte critique, témoignages, traduction et commentaire''. Roma.
+
* Scott Garner, R. (2011) ''Traditional Elegy. The Interplay of Meter, Tradition, and Context in Early Greek Poetry.'' Oxford.  
  
* Hinge, George (2006) ''Die Sprache Alkmans: Textgeschichte und Sprachgeschichte''. Wiesbaden: Dr. Ludwig Reichert Verlag. ''Serta Graeca'' 24. Cf. his website [http://alkman.georgehinge.com/index.html Die Sprache Alkmans].
+
* Slings, S.R. (2000) 'Symposion and Interpretation: Elegy as group-song and the so-called awakening individual', ''Acta Antiqua Hungariensia'' 40: 423-434.
  
* Peponi, Anastasia-Erasmia (2004) 'Initiating the Viewer: Deixis and Visual Perception in Alcman’s Lyric Drama', ''Arethusa'' 37.3: 295-316.
+
* Suárez de la Torre, E. (2012) ''Elegíacos Griegos.'' Madrid. Spanish translation with introduction.  
  
* Peponi, Anastasia-Erasmia (2007) 'Sparta’s Prima Ballerina: ''Choreia'' in Alcman's Second ''Partheneion'' (3 ''PMGF'')', ''Classical Quarterly'' 57.2: 351-62.
+
* Tsagalis, Christos C. (2008) ''Inscribing Sorrow: Fourth-century Attic Funerary Epigrams. Trends in Classics - Supplementary Volumes 1''. Berlin and New York. Reviewed by Garulli, Valentina (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-09-18.html ''BMCR'' 2008.09.18].
  
* Peron, Jacques (1987) ‘Demi-chœurs chez Alcman, Parth. I, v. 39-59’, ''Grazer Beiträge'' 14: 35-53.
+
* Zanetto, G. (2004) ‘Omero e l’elegia arcaica’, in ''Momenti della ricezione omerica: Poesia arcaica e teatro'', ed. G. Zanetto et al. (Quaderni di Acme 67). Milan: 37–50.
  
* Priestley, J.M. (2007) 'The φαρος of Alcman's ''Partheneion'' 1', ''Mnemosyne'' 60.2: 175-95.
+
=== Callinus ===
  
* Robbins, E. (1991) 'Alcman’s Partheneion: Legend and Choral Ceremony', ''CQ'' 44: 7-16.
+
* Christenson, D. (2000). 'Callinus and Militia Amoris in Achilles Tatius' 'Leucippe and Cleitophon'' The Classical Quarterly 50(2): 631-632.
  
=== Stesichorus ===
+
=== Tyrtaeus ===
* Arrighetti, G. (1995) 'L'arte di Stesicoro nel giudizio degli antichi', in ''Poésie et lyrique antiques: Actes du colloque organisé par C. Meillier à l’Université Charles-de-Gaulle, Lille III, 2-4 juin 1993'', ed. L. Dubois. Lille: 55-72.
 
  
* Barker, Andrew (2001) 'La musica di Stesicoro', ''Quaderni Urbinati di Cultura Classica'' 67.1: 7-20.
+
* Année, M. (2007) 'La mémoire oubliée: perspectives poétiques de l'élégie chez Tyrtée', [http://www.paris-sorbonne.fr/IMG/pdf/Magali_Annee.pdf ''Camenulae'' 1].
  
* Blaise, Fabienne (1995) ‘Les deux (?) Hélène de Stésichore’, in ''Poésie et lyrique antique'', ed. L. Dubois, Lille: 29-40. Full text: [[Media:Blaise1995Stesichorus.pdf]].
+
* Année, M. (2010) 'Pouvoir du λόγος e λόγος d'un pouvoir chez Tyrtée' in ''Linguaggi del potere, poteri del linguaggio'', eds. E. Bona and M. Curnis. Alessandria: 79-85.
  
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
+
* Belloni, L. (2003) 'Il re suadente: (Tyrt. 9 G.-P., 1-9)' in ''Studi di filologia e tradizione greca in memoria di Aristide Colonna'', eds. F. Benedetti and S. Grandolini. Napoli: 63-75.  
  
* Neri, Camillo (2008) 'Trattativa contro il fato (Stesich. PMGF 222b,176-231)', ''Eikasmós'' 19: 11-44.
+
* Faraone, C.A. (2006) 'Stanzaic Structure and Responsion in the Elegiac Poetry of Tyrtaeus', ''Mnemosyne'' 59: 19-52.
  
* Slings, S.R. (1998) 'Hoge en lage lyriek in de zesde eeuw. I: Stesichoros', ''Hermeneus'' 70:188-195. In Dutch.
+
* Föllinger, S. (2005) 'Geschlecht und Körperwahrnehmung in der frühgriechischen Dichtung' in ''Medizin, Geschichte und Geschlecht: körperhistorische Rekonstruktionen von Identitäten und Differenzen'', eds. F. Stahnisch and F. Steger. Stuttgart: 27-39. [Homer, Tyrtaeus and Mimnermus].
  
=== Ibycus ===
+
* Gerber, D.E. (2003) 'Λοξός with reference to the eyes and neck in Greek poetry' in ''Studi di filologia e tradizione greca in memoria di Aristide Colonna'', eds. F. Benedetti and S. Grandolini. Napoli: 355-8.
* Tortorelli, William (2004) 'A Proposed Colometry of Ibycus 286', ''Classical Philology'' 99.4: 370-376. [http://www.journals.uchicago.edu/doi/abs/10.1086/429942 URL]
 
  
* Ucciardello, Giuseppe (2005) 'Sulla tradizione del testo di Ibico', in ''Lirica e Teatro in Grecia. Il Testo e la sua ricezione (Atti del II Incontro di Studi, Perugia 23-24 gennaio 2003)'', a cura di S. Grandolini. Napoli: 21-88.
+
* Hölscher, U. (1986) 'Tyrtaios über die Eunomie' in ''Studien zur alten Geschichte. Siegfried Lauffer zum 70. Geburtstag'', ed. H. Kalcyk, B. Gullath and A. Graeber Roma: 413-20.
  
=== Anacreon ===
+
* Link, S. (2003) 'Eunomie im Schoss der Rhetra? Zum Verhältnis von Tyrt. frgm. 14 W und Plut. Lyk. 6, 2 und 8', ''GFA'' 6: 141-150. [http://gfa.gbv.de/dr,gfa,006,2003,a,11.pdf PDF]
* Achilleos, S. (2004) ‘The ''Anacreontea'' and a tradition of refined male sociability’ in ''A Pleasing Sinne: Drink and Conviviality in Seventeenth-Century England'', ed. A. Smyth. Cambridge: 21-35.
 
  
* Aloni, A. (2000) 'Anacreonte a Atene: datazione e significato di alcune iscrizioni tiranniche', ''ZPE'' 130: 81-94.
+
* Luginbill, R.D. (2002) ‘Tyrtaeus ''12West'': come join the Spartan army’, ''CQ'' 52: 405–14.
  
* Iannucci, A. (1999) 'Callimaco, Anacreonte e il ‘bere vino’ (Callim. Aet. fr. 178,11 s. Pf.; Anacr. fr. 56 Gent. = 2 W.)', ''Quaderni del Dipartimento di Filologia, Linguistica e Tradizione Classica  di Torino'' 12: 131-140.
+
* Meier, M. (1998) ''Aristokraten und Damoden: Untersuchungen zur inneren Entwicklung Spartas im 7. Jahrhundert v. Chr. und zur politischen Funktion der Dichtung des Tyrtaios.'' Stuttgart. Reviewed by H. van Wees [http://bmcr.brynmawr.edu/1999/1999-10-15.html BMCR 1999.10.15]
  
* Ladianou, Katerina (2005) 'The Poetics of Choreia: Imitation and Dance in the ''Anacreontea'' ', ''Quaderni Urbinati di Cultura Classica'' 80: 47-60.
+
* Meier, M. (2002), 'Tyrtaios fr. 1B G/P bzw. fr. °14 G/P (= fr. 4 W) und die Grosse Rhetra : kein Zusammenhang?', ''GFA'' 5: 65-87. [http://gfa.gbv.de/dr,gfa,005,2002,a,05.pdf PDF]
  
* Slings, S.R. (1978) 'Anacreon's two meadows', ''Zeitschrift für Papyrologie und Epigraphik'' 30: 38.  
+
* Meier, M. (2003), 'Tyrtaios: die Entstehung eines Bildes', ''Antike und Abendland'' 49: 157-182.
  
* Slings, S.R. (1998) 'Hoge en lage lyriek in de zesde eeuw: II Anakreon', ''Hermeneus'' 70: 247-253. In Dutch.
+
* Munding, H. (1993), 'Tyrtaios 9 Diehl (= 12 West) auf dem Hintergrund des Hesiodischen Areté-Passus (E. 286-292)' in ''Antike Texte in Forschung und Schule: Festschrift für Willibald Heilmann zum 65. Geburtstag'', ed. C. Neumeister. Frankfurt: 29-37.
  
* Steinrück, M. (1995) 'Lautechos bei Anacreon', in ''Lo spettacolo delle voci'', eds. F. De Martino A.H. Sommerstein. Bari: 173-192.
+
* Nafissi, M. (2010), 'The Great ''Rhetra'' (Plut. ''Lyc.'' 6): a retrospective and intentional construct?' in: ''Intentional History. Spinning Time in Ancient Greece.'' eds. L. Foxhall, H.-J. Gehrke, N. Luraghi. Stuttgart: 89-119.  
  
=== Simonides ===
+
* Noussia, M. (2010) “Lo stile 'semplice' di Tirteo?”, in P. Chiron and C. Lévy (eds), ''Les Noms du Style dans l'Antiquité gréco-latine, Deuxième et Troisième Journées d' Étude, Paris IV (12 mais 2005), Paris XII (13 Mai 2005)''. Leuven: 11-24.
* Aloni, A. (2001) ‘The proem of Simonides’ Plataea Elegy and the circumstances of its Performance’, in ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 86-105.
 
  
* Aloni, A. (2006) ‘A proposito di Simon. fr. 22 W2 e Ael. Aristid. 31,2 K.’, ''Eikasmos'' 17: 69-73.
+
* Pucci, P. (2006) 'Il testo di Tirteo nel tessuto omerico' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: 21-41. Reviewed by V. Jennings [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* Andreoli, Francesca (2005) ''Per un riesame critico del 'nuovo Simonide' elegiaco''. Parma. [https://dspace-unipr.cilea.it/bitstream/1889/406/7/simonide.pdf PDF].
+
* Quattrocelli, L. (2006) ‘Tirteo: poesia e ἀνδρεία a Sparta arcaica’, in ''I luoghi e la poesia nella Grecia antica'', eds. M. Vetta and C. Catenacci. Alessandria: 133-144.
  
* Barchiesi, A. (1996) ‘Poetry, praise, and patronage: Simonides in the fourth book of Horace’s Odes’, ''ClAnt'' 15: 5-47.
+
* Quattrocelli, L. (2009) ‘Tirteo e la retorica dell’élite’, ''Annali dell’Istituto Orientale di Napoli'': 7-23.
  
* Barchiesi, A. (2001) ‘Simonides and Horace on the death of Achilles’, in ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 255-260.
+
* Schwinge, E.R. (1997), 'Tyrtaios über seine Dichtung (Fr. 9 G.-P. = 12 W.)', ''Hermes'' 125: 387-395.  
  
* Barrigón, Maria Carmen (2002) 'La expresión del sentimiento amoroso en Simónides', ''Humanitas'' 54: 9-33.
+
* Van Wees, Hans (1999) ‘Tyrtaeus’ Eunomia: nothing to do with the Great Rhetra’, in ''Sparta: New Perspectives'', eds. S. Hodkinson and A. Powell. London: 1-41.
  
* Bartol, Krystyna (1993) ''Greek Elegy and Iambus: Studies in Ancient Literary Sources''. Uniwersytet im. Adama Mickiewicza w Poznaniu.
+
* Van Wees, Hans (2002) ‘Gute Ordnung ohne Große Rhetra: noch einmal zu Tyrtaios’ Eunomia’, ''Göttinger Forum für Altertumswissenschaft'' 5: 89-103. [http://gfa.gbv.de/z/2002 URL] [http://gfa.gbv.de/dr,gfa,005,2002,a,06.pdf PDF]
  
* Bartol, Krystyna (1998) 'Schnee beim Gelage zu Simonides, ''Eleg''. 25 W.2', ''Eos'' 85: 185-188.
+
* Van Wees, Hans (2003) 'Conquerors and serfs: wars of conquest and forced labour in archaic Greece', in ''Helots and their Masters in Laconia and Messenia: histories, ideologies, structures'', eds. N. Luraghi and S. Alcock. Cambridge, MA: 33-80. Includes discussion of Tyrtaeus' fragments.
  
* Bartol, Krystyna (1999) 'Between Loyalty and Treachery. P. Oxy. 2327 fr. 1+ 2(a) col. I = Simonides 21 West2 - Some Reconsiderations', ''ZPE'' 126: 26-28.
+
=== Mimnermus ===
 +
* Allen, A. (1993) ''The Fragments of Mimnermus: Text and Commentary''. Stuttgart.
  
* Bernsdorff, H. (1996) 'Zu Simonides Fr. 22 West2', ''ZPE'' 114: 24-26.
+
* Föllinger, S. (2005), 'Geschlecht und Körperwahrnehmung in der frühgriechischen Dichtung' in ''Medizin, Geschichte und Geschlecht: körperhistorische Rekonstruktionen von Identitäten und Differenzen'', eds. F. Stahnisch and F. Steger. Stuttgart: 27-39. [Homer, Tyrtaeus and Mimnermus].
  
* Boedeker, Deborah (1995) 'Simonides on Plataea: Narrative Elegy, Mythodic History' ''ZPE'' 107: 217-229.
+
* Gerber, D.E. (2003) 'Mimnermus, Fragment 1.3 W.' in: ''Literature, Art, History: Studies on Classical Antiquity and Tradition. In Honour of W.J. Henderson'', eds. A.F. Basson & W.J. Dominik. Frankfurt am Main: 193-195.
  
* Boedeker, Deborah (1998) 'The New Simonides and Heroization at Plataia' in ''Archaic Greece: New Approaches and New Evidence'', eds. Nick Fisher and Hans van Wees. Cardiff and London: 231-249.  
+
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. Alessandria: 57–71.
  
* Boedeker, Deborah (2001) 'Heroic Historiography: Simonides and Herodotus on Plataea' in ''The New Simonides: Contexts of Praise and Desire'', eds. Boedeker and Sider. Oxford: 120-134. (Earlier version with same title in ''The New Simonides'', edd. Deborah Boedeker and David Sider = ''Arethusa'' 29 [1996]: 223-242)
+
* Slings, S.R. (2000) ''Symposium: Speech and Ideology. Two hermeneutical issues in early Greek lyric, with special reference to Mimnermus''. Amsterdam (KNAW), Mededelingen KNAW afd. Letterkunde, 63, 1. Concerns the performance of lyric poetry in the archaic period. Review by J.M. Bremer (2003) ''Mnemosyne'' 56: 614-15 and D.E. Gerber [http://bmcr.brynmawr.edu/2000/2000-12-16.html BMCR 2002.12.16].
  
* Boedeker, Deborah (2001) 'Paths to Heroization at Plataea' in ''The New Simonides: Contexts of Praise and Desire'', eds. Boedeker and Sider. Oxford: 148-163.
+
* Suárez de la Torre, E. (1985) 'El viaje nocturno del sol y la Nanno de Mimnermo', ''EClás'' 89: 5-20.
  
* Boedeker, Deborah and David Sider (eds.) (2001) ''The New Simonides: Contexts of Praise and Desire''. Oxford.
+
=== Solon ===
 +
* Almeida, J.A. (2003) ''Justice as an Aspect of the Polis Idea in Solon's Political Poems. A Reading of the Fragments in Light of the Researches of New Classical Archaeology.'' Leiden. Reviewed by A.J. Dominguez [http://bmcr.brynmawr.edu/2004/2004-02-51.html BMRC 2004.02.15]
  
* Bravi, Luigi (2006) ''Gli epigrammi di Simonide e le vie della tradizione. Filologia e critica'' 94. Roma: Edizioni dell'Ateneo. Reviewed by Sider, David (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-02-47.html ''BMCR'' 2008.02.47].
+
* Anhalt, E.K. (1993) ''Solon the Singer.'' Lanham, MD.
  
* Bremer, Jan Maarten (1991) 'Poets and their patrons', in ''Fragmenta Dramatica'', eds. A. Harder and H. Hofmann. Göttingen: 39-60. In this paper a substantial section on Simonides and Pindar.
+
* Blaise, F. (1995) ‘Le fragment 36 W. de Solon: pratique et fondation des normes politiques’, ''Revue des Études Grecques'' 108: 24-37.
  
* Brillante, C. (2000) 'Simonide, fr. Eleg. 22 West2', ''QUCC'' 64: 29-38.
+
* Blaise, F. (2005) ‘Poésie, politique, religion. Solon entre les dieux et les hommes (l’ “Eunomie” et l’ “Elégie aux Muses”, 4 et 13 West)’, ''Revue de Philosophie Ancienne'' 23: 3-40.
  
* Hornblower, S. (2001) 'Epic and Epiphanies: Herodotus and the New Simonides', in ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 135-47.
+
* Blaise, F. (2006) ‘Poetics and politics. Tradition re-worked in Solon’s “Eunomia” (poem 4)’, in ''Solon of Athens: New Historical and Philological Approaches'', eds. J.H. Blok & A.P.M.H. Lardinois. Leiden: 114-133.
  
* Hubbard, Th.K. (1996) ' 'New Simonides' or old Semonides? Second Thoughts on POxy 3965, fr. 26, ''Arethusa'' 29: 255-262 (= in (2001) ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 226-231).
+
* Blaise, F. (2010) 'Le bonheur redéfini. Solon, 23 W.', in D. Thouard-Ch. König (éds.), ''La Philologie au présent. Pour Jean Bollack''. Lille (Presses du Septentrion): 57-67.  
  
* Hunter, R. (1993) 'One Party or Two?: Simonides 22 West2', ''ZPE'' 99: 11-14 (= in (2001) ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 242-254).
+
* Blaise, F. (2011) 'La mer juste : Solon, 12 W', ''Revue des Etudes Grecques'' 124: 535-547.  
  
* Mayer, Péter (2007) 'Überlegungen zum Vortragskontext und zur Aussage der 'Plataia-Elegie' des Simonides (frr. 10-18 W2)', ''Hermes'' 135: 373-388.
+
* Blaise, F. (2012) 'Solon entre Zeus et loup: un usage provocant des représentations et des formes poétiques traditionnelles (poème 36 W)' in ''Approaches to Greek Poetry'' X. Riu & J. Pòrtulas. Messina: 99-119.
  
* Molyneux, J.H. (1992) ''Simonides: A Historical Study''. Wauconda 1992.
+
* Blok, J.H. and Lardinois, A.P.M.H. (eds.) (2006) ''Solon of Athens: New Historical and Philological Approaches''. Leiden. Reviewed by B.M. Lavelle [http://bmcr.brynmawr.edu/2007/2007-04-26.html BMCR 2007.04.26].
  
* Obbink, Dirk (1996) 'The Hymnic structure of the New Simonides', ''Arethusa'' 29: 193-204.
+
* Carvalho, S. and Neto, F.J (2014) 'A crise social na Atenas de Sólon e o estabelecimento da justiça baseada no governo da lei', ''Humanitas''66: 59-85.
  
* Obbink, Dirk (2001) 'The Genre of Plataea. Generic Unity in the New Simonides', in ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 65-85.
+
* Gagné, R. (2009) 'Spilling the Sea Out of its Cup: Solon's Elegy to the Muses,' ''Quaderni urbinati di cultura classica'' 133: 23-49.
  
* O’ Hara, J. (1998) 'Venus or the Muse as 'ally' (Lucr. 1.24, Simon. frag. Eleg. 11.20-22 W)', ''CP'' 93: 69-74.
+
* Irwin, E. (2005) ''Solon and Early Greek Poetry: The Politics of Exhortation''. Cambridge.
  
* Petrovic, Andrej (2002) 'Der simonideische makros logos und die sophokleische ''Antigone''. Zur Identifizierung einer alten dramatischen Gestaltungsweise', ''Phaos Revista de Estudos Classicos'' 2: 121-131.
+
* Lardinois, A.P.M.H. (2006) 'Have we Solon's verses?' in ''Solon of Athens: New Historical and Philological Approaches'', eds. J.H. Blok & A.P.M.H. Lardinois. Leiden: 15-35. Dutch version (2006) ''Lampas'' 39: 91-109.
  
* Petrovic, Andrej (2007) ''Kommentar zu den simonideischen Versinschriften''. Leiden-Boston: Brill.
+
* Lewis, J.D.(2006) ''Solon the Thinker: Political Thought in Archaic Athens''. London. Reviewed by Z. Papakonstantinou [http://bmcr.brynmawr.edu/2007/2007-05-28.html BMCR 2007.05.28]
  
* Poltera, O. (1997) ''Le langage de Simonide. Étude sur la tradition poétique et son renouvellement''. Bern.
+
* Monedero, A.J.D. (2001) ''Solón de Atenas. Editorial Crítica.'' Barcelona. Reviewed by E. Katz Anhalt [http://bmcr.brynmawr.edu/2002/2002-08-42.html BMCR 2002.08.24]
  
* Rawles, Richard (2005) 'Simonides and a new papyrus in Princeton', ''ZPE'' 153: 59-67. This article is an edition of P. Princeton inv. AM87-59A with comment. The papyrus contains a Simonides testimonium.
+
* Mossé, C. (1996) ‘Due miti politici: Licurgo e Solone’, in ''I Greci: Storia cultura arte società, II, Una storia greca, 1, Formazione'', ed. S. Settis. Turin: 1325–35.
  
* Rawles, Richard (2008) 'Simonides and Theocritus 4: intertextual readings', ''MD'' 59: 9-34.
+
* Mülke, C. (2002) ''Solons Politische Elegien und Iamben (Fr. 1-13; 32-37 West). Einleitung, Übersetzung, Kommentar.'' Munich/Leipzig. Reviewed by E. Irwin [http://bmcr.brynmawr.edu/2005/2005-05-26.html BMRC 2005.05.26]
  
* Rawles, Richard (2008) 'Simonides fr.11.14 W: "Close-fighting Danaans"', ''Mnemosyne'' 61.3: 459-66.
+
* Nagy, G. and M. Noussia-Fantuzzi eds. (2015). ''Solon in the Making: The Early Reception in the Fifth and Fourth Centuries''. Trends in Classics 7.1. De Gruyter.
  
* Rutherford, Ian (1990) 'Paeans by Simonides', ''HSCP'' 93: 169-209.
+
* Noussia, M. (2001) ''Solone: Frammenti dell’opera poetica''. Milan.
  
* Rutherford, Ian (1996) 'The New Simonides: towards a commentary', ''Arethusa'' 29: 167-192.
+
* Noussia-Fantuzzi, M. (2010) ''Solon the Athenian: The Poetic Fragments'', Brill Academic Publishers, Leiden, pp. xiv+579. Reviewed by D.E. Gerber [http://bmcr.brynmawr.edu/2011/2011-05-05.html BMCR 2011.05.05].
  
* Schachter, A. (1998) 'Simonides’ Elegy on Plataia: the occasion of its performance', ''ZPE'' 123: 25-30.
+
* Suárez de la Torre, E. (2002) 'La renovación del léxico poético en Solón y los niveles de lengua' in ''Niveles de lengua y literatura'', ed. A. López Eire. Salamanca.
  
* Slings, S.R. (2003) 'De nieuwe Simonides', ''Lampas'' 36: 243-260. In Dutch.
+
* Wees, H. van (1999) 'The mafia of early Greece. Violent exploitation in the seventh and sixth centuries BC' in ''Organized Crime in Antiquity'', ed. Keith Hopwood. London: 1-51. Includes discussion of Solon's 'political' fragments.
  
* Yatromanolakis, D. (1998) 'Simonides fr. eleg. 22 W2: To Sing or to Mourn?', ''Zeitschrift fuer Papyrologie und Epigraphik'' 120: 1-11 (reprinted in (2002) ''Greek Literature. Vol. 3. Greek Literature in the Archaic Period: The Emergence of Authorship'', ed. G. Nagy. New York/London).
+
* Wees, H. van (2006) 'Mass and elite in Solon's Athens: the property classes revisited', in ''Solon of Athens: new historical and philological approaches'', eds. J. Blok and A. Lardinois. Leiden: 351-89. Abbreviated version in Dutch: (2006) 'Massa en elite in Solon's Athene: de betekenis van de vermogensklassen', ''Lampas'' 39: 131-52. Includes discussion of Solon's 'political' fragments.
  
* Yatromanolakis, D. (2001) 'To Sing or to Mourn?: A Reappraisal of Simonides 22 W2', in ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. Oxford/New York: 208-225.
+
=== Theognis ===
 +
* Bagordo, A. (2000) 'Teognide 769-772 e il lessico metaletterario arcaico', ''SemRom'' 3: 183-203.
  
=== Pindar ===
+
* Bowie, E. (2012) 'An Early Chapter in the History of the Theognidea' in ''Approaches to Greek Poetry'' X. Riu & J. Pòrtulas. Messina: 121-148.
Cf. the [http://athena.leidenuniv.nl/letteren/opleiding/klassieketalen/index.php3?m=184&c=211  bibliography on Pindar] made by Martine Cuypers that forms part of a [http://athena.leidenuniv.nl/letteren/opleiding/klassieketalen/index.php3?m=184&c=86 Hellenistic Bibliography].
 
  
* Anzai, Makoto (1990) ‘The first person in the epinicion’, ''JCS'' 38: 16-29.
+
* Colesanti, G. (2011) ''Questioni Teognidee. La genesi simposiale di un corpus di elegie''. Roma. [http://www.storiaeletteratura.it/catalog/title/index.php?cmd=ext&title_id=1394 More information].
  
* Anzai, Makoto (1994) ‘First-person forms in Pindar: a re-examination’, ''BICS'' 39: 141-150. This contribution to the meaning of ‘I’ in epinician poetry contains an interpretation of Pindar’s ''Isthmian Eight'', lines 1-18 and an examination of parodoi in tragedy in order to provide indirect confirmation of the theory that an epinican chorus came marching to the place of performance.
+
* Condello, F. (2010) 'Proverbi in Teognide, Teognide in proverbio' in ''ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.)'' ed. E. Lelli. Pisa/Roma: 61-85.
  
* Anzai, Makoto (1999) ‘A chorus who performs a poet: Pindar's ''Third Nemean ode'', 1-12’, ''Mediterraneus'' 22: 19-42.
+
* Edmunds, L. (1997) ‘The seal of Theognis (vv. 19–30)’, in ''Poet, Public and Performance: Essays in Ancient Greek Literature and Literary History'', ed. L. Edmunds and R. Wallace. Baltimore and London: 29–48.
  
* Athanassaki, L. (1990) ''Mantic Vision and Diction in Pindar’s Victory Odes''. PhD thesis. Brown University.
+
* Ford, A.L. (1985) 'The Seal of Theognis: The Politics of Authorship in Archaic Greece' in ''Theognis of Megara: Poetry and the Polis'', eds. T.J. Figueira and G. Nagy. Baltimore: 82-95.
  
* Athanassaki, L. (1997) 'Οι κυρηναϊκοί θρύλοι στην μυθοποιητική πρόταση του McLaugΠινδάρου' in ''Acta of the First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-Th. Papademetriou. Athens: 199-233. With an extensive English summary.
+
* Kurke, L. (1989) 'Kapêleia and Deceit: Theognis 59–60', ''American Journal of Philology'' 110: 535–44.
  
* Athanassaki, L. (2003) 'Transformations of Colonial Disruption into Narrative Continuity in Pindar’s Epinician Odes', ''HSCP'' 101: 93-128.
+
* Lane Fox, R. (2000) ‘Theognis: an alternative to democracy’, in ''Alternatives to Athens: Varieties of Political Organization and Community in Ancient Greece'', ed. R. Brock and S. Hodkinson. Oxford: 35–51.
  
* Athanassaki, L. (2003) 'A Divine Audience for the Celebration of Asopichus' Victory in Pindar's ''Fourteenth Olympian Ode'' ' in ''Gestures. Essays in Ancient History, Literature and Philosophy Presented to Alan L. Boegehold on the Occasion of His Retirement and His Seventy-Fifth Birthday'', eds. G. W. Bakewell and J. P. Sickinger. Oxford: 3-15.
+
* Lauriola, R. (1999) 'Theog. 207-210: un caso di prolessi narrativa', ''Athenaeum'' 87.1: 15-26.
  
* Athanassaki, L. (2004) 'Deixis, Performance, and Poetics in Pindar's ''First Olympian Ode'' ' in ''Deixis in Choral Lyric'', ed. Nancy Felson. ''Arethusa'': 317-341.
+
* Martin, R.P. (2001) ‘Just Like a Woman: Enigmas of the Lyric Voice’, in ''Making Silence Speak: Women’s Voices in Greek Literature and Society'', eds. A. Lardinois and L. McClure. Princeton, N.J.: 55-74.
  
* Bagordo, A. (2003) 'L’omaggio letterario di un ateniese a un tebano (Aesch. ''Sept''. 774; Pind. fr. [dith.] 75.3 ss. Sn.-M.)' in ''RHYSMOS. Studi di poesia, metrica e musica greca offerti dagli allievi a Luigi Enrico Rossi per i suoi settant’anni'', ed. R. Nicolai. Roma: 205-9.
+
* Palutan, M.G. (1995) ‘Osservazioni sui carmi eolici di Teocrito (28, 29 e 30)’, ''AION'' (filol) 17: 89–107.
  
* Barker, Andrew (2003) 'Lullaby for an eagle (Pindar, ''Pythian'' 1)', in ''Sleep'', T. Wiedemann and K. Dowden (eds.). Nottingham Classical Literature Studies vol. 8. Bari: 107-124.
+
* Pòrtulas, J. (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* Berge, Lukas van den (2007) 'Mythical chronology in the Odes of Pindar: The cases of ''Pythian'' 10 and ''Olympian'' 3' in ''The Language of Literature. Linguistic Approaches to Classical Texts'', eds.  Rutger J. Allan and Michel Buijs. Leiden: Brill. ''Amsterdam Studies in Classical Philology'' 13: 29-41. Reviewed by Kölligan, Daniel (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-01.html ''BMCR'' 2008.07.01].
+
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. ''Alessandria'': 57–71.
  
* Boeke, Hanna (2007) ''The Value of Victory in Pindar's Odes. Gnomai, Cosmology and the Role of the Poet''. Leiden and Boston.''Mnemosyne Supplementa'' 285.
+
* Rösler, W. (2006) 'La raccolta di Teognide: «il più antico libro dimostrabilmente edito dall'autore stesso». Considerazioni su una tesi di Richard Reitzenstein' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 55-67. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* Bonifazi, Anna (2000) 'Sull’ idea di sotterfugio orale negli epinici pindarici', ''Quaderni Urbinati di Cultura Classica'' 95: 69-86.
+
* Selle, H. (2008) ''Theognis und die Theognidea''. Berlin & New York.
  
* Bonifazi, Anna (2001) ''Mescolare un cratere di canti. Pragmatica della poesia epinicia in Pindaro''. Alessandria.
+
* Stein-Hölkeskamp, E. (1996) 'Adel und Volk bei Theognis' in ''Volk und Verfassung im vorhellenistischen Griechenland, Beiträge auf dem Symposium zu Ehren von Karl-Wilhelm Welwei in Bochum, 1.-2. März 1996.'' eds. Walter Eder, Karl-Joachim Hölkeskamp. Stuttgart: 21-35.  
  
* Bonifazi, Anna (2004a) 'Communication in Pindar’s Deictic Acts', ''Arethusa'' 37: 391-414.
+
* Vetta, M.  (2000) ‘Teognide e anonimi nella Silloge teognidea’, in ''La letteratura pseudepigrafa nella cultura greca e romana: Atti di un incontro di studi'', Napoli, 15–17 gennaio 1998, AION(filol) 22: 123–41.
  
* Bonifazi, Anna (2004b) 'κεῖνος in Pindar: Between Grammar and Poetic Intention', ''Classical Philology'' 99: 283-99.
+
* Wees, H. van (2000) ‘Megara’s mafiosi.  Timocracy and violence in Theognis’, in ''Alternatives to Athens.  Varieties of political organization and community in ancient Greece'', eds. R. Brock and S. Hodkinson. Oxford University Press: 52-67.  Abbreviated version in Dutch: (2003) ‘Maffiosi in Megara: timocratie en geweld in Theognis’, ''Lampas'' 36: 284-99.
  
* Bonifazi, Anna (2004c) 'Relative Pronouns and Memory: Pindar Beyond Syntax', ''Harvard Studies in Classical Philology'' 102: 41-68.
+
* Yossi, M.J. (Μ. Ι. Γιόση) (2009) 'δεῦρο σὺν αὐλητῆρι. Συμποτική ποιητική στο Θεογνίδειο corpus' ['Deuro syn auleteri: Sympotic poetics in the Theognidean corpus'], in:  ''ΑΝΤΙΦΙΛΗΣΙΣ. Studies on Classical, Byzantine and Modern Greek Literature and Culture in Honour of John-Theophanes A. Papademetriou'', ed. Eleni Karamalengou and Eugenia Makrygianni. Stuttgart: 99 - 106.
  
* Bremer, Jan Maarten (1990) 'Pindar's paradoxical ego and a recent controversy about the performance of his epinicians', in ''The Poet's I in Archaic Greek Poetry'', ed. S.R. Slings. Amsterdam: 41-58.
+
=== Xenophanes ===
 +
* Granger, Herbert (2007) 'Poetry and Prose: Xenophanes of Colophon', ''Transactions of the American Philological Association'' 137.2: 403-33. [http://muse.jhu.edu/journals/transactions_of_the_american_philological_association/toc/apa137.2.html Abstract]. [http://muse.jhu.edu/journals/transactions_of_the_american_philological_association/v137/137.2granger.pdf PDF].
  
* Bremer, Jan Maarten (1991) 'Poets and their patrons', in ''Fragmenta Dramatica'', eds. A. Harder and H. Hofmann. Göttingen: 39-60. In this paper a substantial section on Simonides and Pindar.
+
=== Critias ===
 +
* Iannucci, A. (1998) 'Elegia e lotta politica. Note di lettura a Crit. fr. 5 W.', ''AION (filol)'' 20: 107-127.
  
* Briand, Michel (1996) 'Quand Pindare dit qu'il se tait... Analyses sémantiques et pragmatiques du silence énoncé' in ''Hommage à Jean-Pierre Weiss'', Publications de la Faculté des Lettres de l'Université de Nice: 211-239.
+
* Iannucci, A. (2002) ''La parola e l'azione. I frammenti simposiali di Crizia''. Bologna. Review by P. Wilson in [http://ccat.sas.upenn.edu/bmcr/2004/2004-09-16.html BMCR 2004.09.16].
  
* Briand, Michel (2001) 'Quand Pindare nomme Homère... Théories du nom propre, étymologies, intertextualités et énonciation lyrique' in ''Fiction d'auteur? Le discours biographique sur l'auteur de l'Antiquité à nos jours'', eds. S. Dubel et S. Rabau. Paris: 25-46.
+
* Iannucci, A. (2003) 'Una ‘corona di giambi’. Ipotesi di lettura del fr. 2 Gent.-Pr. di Crizia', ''Seminari Romani di Cultura Greca'', VI 1: 31-42.
  
* Briand, Michel (2003) 'Le vocabulaire de l'excellence chez Pindare', ''Revue de philologie, de littérature et d'histoire anciennes'' 77.2: 203-218.
+
* Pòrtulas, Jaume (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* Briand, Michel (2008) 'Les épinicies de Pindare sont-elles lyriques? ou Du trouble dans les genres poétiques anciens' in ''Le genre de travers: littérature et transgénéricité'', eds. D. Moncond'huy & H. Scepi. La Licorne, PU de Rennes: 21-42.
+
* Rotstein, Andrea (2007) ‘Critias’ invective against Archilochus’, ''Classical Philology'' 102: 139-54.
  
* Briand, Michel (2008) 'La limite et l'envol: les fins paradoxales des épinicies de Pindare', in ''Commencer et finir.Débuts et fins dans les littératures grecque, latine et néolatine'', eds. B. Bureau & C. Nicolas. Lyon: 557-572.
+
=== Dionysius Chalcus ===
  
* Bundy, E.L. (1986) ''Studia Pindarica''. Berkeley and Los Angeles.
+
* Rufilanchas, D. R. (2003). 'Dionysius Chalcus fr. 3 again' JHS 123: 181-186.
  
* Burnett, Anne Pippin (1998) ‘Spontaneity, savaging, and praise in Pindar's ''sixth paean'' ’, ''AJPh'' 119.4: 493-520.
+
=== Euenus ===
  
* Calame, Claude (1996) ''Mythe et histoire dans l'Antiquité grecque. La création symbolique d'une colonie''. Lausanne. English translation (2003) ''Myth and History in Ancient Greece. The Symbolic Creation of a Colony''. Princeton.
+
=== Ion ===
 +
* Jennings, Victoria and Andrea Katsaros (eds.) (2007) ''The World of Ion of Chios. Mnemosyne Supplementa 288. Monographs on Greek and Roman Language and Literature''. Leiden. Reviewed by Tell, Hakan (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-10-13.html ''BMCR'' 2008.10.13].
  
* Carey, Christopher (1991) 'The Victory Ode in Performance: The Case for the Chorus', ''Classical Philology'' 86.3: 192-200. [http://links.jstor.org/sici?sici=0009-837X%28199107%2986%3A3%3C192%3ATVOIPT%3E2.0.CO%3B2-3 URL].
+
=== Phocylides ===
  
* D’Alessio, G. B. (1992) ‘Pindaro, peana VIIb (fr. 52h Sn.-M.)’, in ''Proceedings of the XIX International Congress of Papyrology'', Cairo: vol. 1: 353-73.
+
=== Adespota Elegiaca ===
  
* D’Alessio, G. B. (1994) ‘First-person problems in Pindar’, ''BICS'' 39: 117–39.
+
* Lulli, L., Sbardella, L. (2013) "P. Oxy. 69. 4708 fr. 1. 22-28. Una nuova proposta di integrazione", «ZPE» 186: 27–35.
  
* D’Alessio, G. B. (1997) 'Pindar's prosodia and the classification of Pindaric papyrus fragments', ''ZPE'' 118: 23-60.
+
== Greek Lyric Poetry ==
  
* Faraone, Christopher A. (1993) 'The Wheel, the Whip and Other Implements of Torture: Erotic Magic in Pindar ''Pythian'' 4. 213-19', ''Classical Journal'' 88: 1-19.
+
=== Lyric General ===
 +
* Ahrens, H. L. (1853) ‘Über die Mischung der Dialekte in der griechischen Lyrik’, in ''Verhandlungen der dreizehnten Versammlung Deutscher Philologen, Schulmänner und Orientalisten in Göttingen vom 29. September bis 2. Oktober'', Göttingen: 55-80, reprinted in ''Kleine Schriften''. I, Hannover 1853 (= Hildesheim-New York 1977): 157-81.
  
* Faraone, Christopher A. (2002) 'A Drink from the Daughters of Mnemosyne: Poetry, Eschatology and Memory at the End of Pindar's ''Isthmian'' 6' in ''Vertis in usum: Studies in Honor of Edward Courtney'', eds. J.F. Miller, C. Damon and K.S. Myers. Munich and Leipzig. ''Beiträge zur Altertumskunde'' 161: 259-70.
+
* Angeli Bernardini, P. (1991) ‘L’inno agli dei nella lirica corale greca e la sua dimensione sacrale’, in ''L’inno tra rituale e letteratura nel mondo antico: Atti di un colloquio Napoli 21–24 ottobre 1991, AION'' 13: 85–94.
  
* Finglass, P.J. (ed.) (2007) ''Pindar: Pythian Eleven. Cambridge Classical Texts and Commentaries'' 45. Cambridge: Cambridge University Press. Reviewed by Slater, William (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-37.html ''BMCR'' 2008.08.37].
+
* Athanassaki, L. (2002) 'On Horace 1.15 and Choral Lyric' in ''Horace and Greek Lyric'', ed. M. Paschalis. ''Rethymnon Classical Studies'' 1: 85-101.
  
* Fisher, Nick (2006) ‘The pleasures of reciprocity: Charis and the Athletic Body in Pindar’ in ''Penser et représenter le corps dans l’antiquité'', eds. Fr. Prost & J. Wilgaux. Presses Universitaires de Rennes: 227-46.
+
* Athanassaki, L. (2005) 'Χορεία. Η ποιητική της παράστασης', ''Thallo'' 16: 37-76.
  
* González de Tobia, Ana M. (1999) ‘Párphasis: concepto multiplicador en la ''Nemea'' VIII de Píndaro’, ''Limes'' 11: 57-68.
+
* Athanassaki, L. (2009) '' Ἀείδετο πὰν τέμενος: οι χορικές παραστάσεις και το κοινό τους στην αρχαϊκή και πρώϊμη κλασική περίοδο''. Herakleion. Study of choral performance contexts especially in Alcman, Pindar, and Bacchylides. [http://www.cup.gr/ViewShopProduct.aspx?ProductId=279696&LangId=1 More information]. Reviewed by  Ladianou, Katerina (2010) [http://bmcr.brynmawr.edu/2010/2010-09-21.html ''BMCR'' 2010.09.21].
  
* González de Tobia, Ana M. (2000) ‘Párphasis: concepto multiplicador en la ''Nemea'' VIII de Píndaro’, in ''EPIEIKEIA: Studia Graeca in memoriam Jesús Lens Tuero'', eds. Alganza Roldán, J. M., Camacho Rojo, J. M., Fuentes González, P. P. and Villena Pansoda, M. Athos-Pergamos, Granada: 187-197.  
+
* Athanassaki, Lucia & Bowie, Ewen (2011) (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' Berlin & Boston. [http://www.degruyter.com/view/supplement/9783110254020_Contents.pdf Table of Contents]
  
* Heath, Malcolm and Mary Lefkowitz (1991) 'Epinician Performance', ''Classical Philology'' 86.3: 173-191. [http://links.jstor.org/sici?sici=0009-837X%28199107%2986%3A3%3C173%3AEP%3E2.0.CO%3B2-9 URL].  
+
* Bagordo, A. (1999) 'Eine Bemerkung zum Epinikion', ''Hermes'' 127: 118-120.
  
* Henry, W.B. (2005) ''Pindar’s Nemeans: A Selection''. München. (Commentary on Nemean Odes 4, 6, 8, 10, 11).
+
* Bagordo, A. (2003) ''Reminiszenzen früher Lyrik bei den attischen Tragikern: Beiträge zur Anspielungstechnik und poetischen Tradition''. Munich.
  
* Henry, W.B. (2007) 'Pindaric Accompaniments' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: ##. Reviewed by Gibert, John (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html ''BMCR'' 2008.06.23].
+
* Barbantani, S. (1993) ‘I poeti lirici del canone alessandrino nell’epigrammatistica’, ''Aevum(ant)'' 6: 5–97.
  
* Hornblower, S. & C. Morgan (eds.) (2007) ''Pindar’s Poetry, Patrons and Festivals''. Oxford.
+
* Barrett, W. S. (2007) ''Greek Lyric, Tragedy, and Textual Criticism: Collected Papers''. Assembled and edited by M.L. West. Oxford, New York. The papers deal with Stesichorus, Pindar, Bacchylides and Euripides. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011752.html Table of Contents].
** Rev.: Roman Ivanov [http://ccat.sas.upenn.edu/bmcr/2007/2007-10-45.html BMCR 2007.10.45]
 
  
* Kurke, L. (1988) 'The Poet’s Pentathlon: Genre in Pindar’s First Isthmian', ''Greek, Roman, and Byzantine Studies'' 29: 97–113.
+
* Blasing, M. K. (2007) ''Lyric Poetry: The Pain and the Pleasure of Words''. Princeton, N. J., and Woodstock.
  
* Kurke, L. (1990) 'Pindar’s Sixth Pythian and the Tradition of Advice Poetry', ''Transactions of the American Philological Association 120: 85–107.
+
* Bierl, Anton (2001) ''Der Chor in der Alten Komödie. Ritual und Performativität'' (unter besonderer Berücksichtigung von Aristophanes' ''Thesmophoriazusen'' und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126). It has been translated by Alex Hollmann into English as:
 +
** Bierl, Anton (2009) ''Ritual and Performativity. The Chorus of Old Comedy'' (transl. by Alex Hollmann), Center for Hellenic Studies. Washington, DC: Harvard Press. (Hellenic Studies 20). New and revised edition.  
  
* Kurke, L. (1991) ''The Traffic in Praise: Pindar and the Poetics of Social Economy''. Ithaca, NY.
+
* Bremer, Jan Maarten and W.D. Furley (2001) ''Greek Hymns. Selected Cult Songs from the Archaic to the Hellenistic period''. Tübingen.
  
* Kurke, L. (1991) 'Fathers and Sons: A Note on Pindaric Ambiguity', ''American Journal of Philology'' 112: 287–300.
+
* Bremer, Jan Maarten (2008) 'Traces of the Hymn in the Epinikion', ''Mnemosyne'' 61: 1-17. [http://www.swetswise.com.proxy.ubn.ru.nl:8080/swetsfo/swproxy?url=http%3A%2F%2Fopenurl.ingenta.com%2Fcontent%2Fswetsnet-4.1.8057b0ad6528f5df0c29150bac728f60%3Fgenre%3Darticle%26issn%3D0026-7074%26volume%3D61%26issue%3D1%26spage%3D1%26epage%3D17%26aulast%3DBremer&ts=1202555031030&cs=4113296875&userName=9021463.ipdirect&emCondId=2043297&articleID=35750230&yevoID=2197893&titleID=137377&referer=2&remoteAddr=131.174.248.1 PDF].
  
* Kurke, L. (1996) 'Pindar and the Prostitutes, or Reading Ancient ‘Pornography’ ', ''Arion'' 3rd series, 4.2: 49–75. Reprinted in (1999) ''Constructions of the Classical Body'', ed. James I. Porter. Ann Arbor: 101–25.  
+
* Briand, Michel (1996) 'Énonciation lyrique et dialogue dans la poésie archaïque grecque: de Stésichore à Pindare, Bacchylide et Sappho', in ''Travaux du Cercle de Linguistique de Nice'', numéro spécial sur "La pragmatique" (dir. S. Mellet): 119-172.
  
* Kurke, L. (2005) 'Choral Lyric as ‘Ritualization’: Poetic Sacrifice and Poetic Ego in Pindar’s Sixth Paian', ''Classical Antiquity'' 25.1: 81-130.
+
* Briand, Michel (2005) 'Questions de cohérence et de cohésion dans la poésie mélique grecque archaïque: la transition entre discours d'actualité et récit mythique' in ''Cohésion et cohérence. Études de linguistique textuelle'', ed. Anna Jaubert. Lyon: 79-98.
  
* Kurke, Leslie (2007) 'Visualizing the Choral: Poetry, Performance, and Elite Negotiation in Fifth-Century Thebes' in ''Visualizing the Tragic: Drama, Myth, and Ritual in Greek Art and Literature'', eds. C. Kraus et al. Oxford University Press: 63-101.
+
* Calame, Claude (1977a) ''Les Chœurs de jeunes filles en Grèce archaïque''. Vol. I: ''Morphologie, fonction religieuse et sociale''; vol. II: ''Alcman'', Roma. The first volume has been translated by Derek Collins and Janice Orion (2001: 2nd ed.) ''Choruses of young women in ancient Greece: their morphology, religious role, and social functions''. Lanham, New York and Oxford.
  
* Lateur, P. (vert.) (1999) ''Pindaros. Zegezangen''. Amsterdam. (Dutch translation)
+
* Calame, Claude (1977b) ''Rito e poesia corale in Grecia. Guida storica e critica'', Roma and Bari.
  
* Lefkowitz, M.R. (1991) ''First person Fictions: Pindar’s Poetic ‘I’ ''. Oxford.
+
* Calame, Claude (1997) 'Diction formulaire et fonction pratique dans la poésie mélique archaïque' in ''Hommage à Milman Parry. Le style formulaire de l'épopée homérique et la théorie de l'oralité poétique'', ed. F. Létoublon. Amsterdam: 215-222.
  
* Lundahl, Kalle (2008) ''Les banquets chez Pindare''. Ph.D. diss. University of Gothenburg.
+
* Calame, Claude (1998) 'La poésie lyrique grecque, un genre inexistant?' ''Littérature'' 11: 87-110. English translation in preparation for I. Rutherford (ed.) ''Oxford Readings in Greek Lyric''. Oxford.
  
* MacLachlan, Bonnie (2007) 'Epinician swearing' in ''Horkos. The Oath in Greek Society'', eds. Alan H. Sommerstein, Judith Fletcher. Exeter: 91-101. Reviewed by Kellogg, Danielle L. (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-55.html ''BMCR'' 2008.08.55].
+
* Calame, Claude (2002) ''L'Éros dans la Grèce antique''. Paris (2nd edn.). English translation (1999) ''The Poetics of Eros in Ancient Greece''. Princeton.
  
* Maehler, H. (1989) ''Pindarus''. Pars II: ''Fragmenta, Indices''. Leipzig: Teubner. (Text edition)
+
* Calame, Claude (2006) 'Identifications génériques entre marques discursives et pratiques énonciatives: pragmatique des genres “lyriques“' in ''Le savoir des genres'', eds. R. Baroni and M. Macé. Rennes: 35-55.
  
* Martin, Richard (2004) 'Home is the Hero: Deixis and Semantics in Pythian 8' in ''The Poetics of Deixis in Alcman, Pindar, and other Lyric'', ed. N. Felson [''Arethusa'' 37.3: 253-468]: 343-63. [http://muse.jhu.edu/journals/arethusa/toc/are37.3.html Contents ''Arethusa'' vol. 37]. [http://muse.jhu.edu/journals/arethusa/v037/37.3martin.pdf Access Article PDF].
+
* Calame, Claude (2007) 'Mythos, musische Leistung und Ritual am Beispiel der melischen Dichtung' in ''Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen'', eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. ''MythosEikonPoiesis'' Bd. 1.1–2. Berlin and New York: 179-210. Reviewed by Reyes Bertolín Cebrián [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-09.html ''BMCR'' 2008.08.09].
  
* McLaughlin, Gráinne (2004) 'Professional Foul: Persona in Pindar' in ''Games and Festivals in Classical Antiquity. Proceedings of the Conference held in Edinburgh 10-12 July 2000. BAR International Series, 1220'', eds. Sinclair Bell, Glenys Davies. Oxford: Archaeopress: 25-32. Especially on Pindar's ''Olympian'' 1. Reviewed by Evans, Stephen (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-04-20.html ''BMCR'' 2008.04.20].
+
* Calame, Claude (2009) ‘Apollo in Delphi and in Delos: Poetic Performances between Paean and Dithyramb’ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.), Athens: 169-98.
  
* Morgan, Kathryn A. (1993) 'Pindar the Professional and the Rhetoric of the ΚΩΜΟΣ', ''Classical Philology'' 88.1: 1-15. [http://links.jstor.org/sici?sici=0009-837X%28199301%2988%3A1%3C1%3APTPATR%3E2.0.CO%3B2-5 URL].  
+
* Campbell, David A. (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others.'' Cambridge, Mass. and London.
  
* Pfeijffer, I.L. (1999) ''Three Aeginian Odes of Pindar: A Commentary on Nemean V, Nemean III and Pythian VIII''. Leiden. Commentary on ''Pythian'' 8, ''Nemean'' 3, 5.
+
* Campbell, David A. (1992) ''Greek Lyric IV: Bacchylides, Corinna, and Others.'' Cambridge, Mass. and London.
  
* Race, W.H. (1990) ''Style and Rhetoric in Pindar's Odes''. Atlanta. ''American Philological Association'' 24.
+
* Campbell, David A. (1993) ''Greek Lyric V: The New School of Poetry and Anonymous Songs and Hymns.'' Cambridge, Mass. and London.
  
* Race (ed.), W.H. (1997) ''Pindar''. 2 vols. Loeb Classical Library. Cambridge, MA. (Text edition and translation)
+
* Carey, Christopher (2000) ‘The panegyrist’s persona’ in ''Religione e poesia in Grecia: miscellanea G.A. Privitera'', eds. U. Pizzani and M. Cannatà Fera. Bari: 165-177.
  
* Rutherford, Ian (1988) 'Pindar on the Birth of Apollo', ''CQ'' 38: 65-75.
+
* Carey, Christopher (2001) ‘Poesia pubblica in performance’ in ''I lirici greci'', ed. M. Cannatà Fera. Messina: 11-26.
  
* Rutherford, Ian (1991) 'New Fragments of Pindar's Paeans', ''ZPE'' 86: 5-8.
+
* Cassio, A. C.(2005) ‘I dialetti eolici e la lingua della lirica corale’, in ''Dialetti e lingue letterarie nella Grecia arcaica'', ed. F. Bertolini and F. Gasti. Pavia: 13–44.
  
* Rutherford, Ian (1991) 'Neoptolemus and the Paean-Cry', ''ZPE'' 88: 1-10.
+
* Cingano, E. (2003) ‘Entre skolion et enkomion: Réflexions sur le “genre” et la performance de la lyrique chorale grecque’, in ''La poésie grecque antique'', ed. J. Jouanna and J. Leclant. (Cahiers de la Villa ‘Kerylos’, 14). Paris: 17–45.
  
* Rutherford, Ian (1991) 'Pindar Paean VIIIA, The "Cassandra" of Bacchylides and the Anonymous "Cassandra" in P.Oxy.2368: An Exploration in Lyric Structure', ''Eos'' 79: 5-12.
+
* Contiades-Tsitsoni, E. (1990) ''Hymenaios und Epithalamion. Das Hochzeitslied in der frühgriechischen Lyrik'', Stuttgart. ''Beträge zur Altertumskunde'' 16.
  
* Rutherford, Ian (1992) 'Two Heroic Prosodia: A Study of Pindar, Pa.XIV-V', ''ZPE'' 92: 59-72.
+
* D'Angour, Armand (1997) 'How the Dithyramb Got Its Shape', ''Classical Quarterly'' 47.2: 331-351.
  
* Rutherford, Ian (1995) 'Et Hominum et Deorum . . . Laudes (?). A Hypothesis about the Organisation of Pindar's Paean-Book', ''ZPE'' 107: 44-52.
+
* D'Angour, Armand (2007) 'The Sound of Music: modulations and innovations in drama and dithyramb' in ''Debating the Athenian Cultural Revolution'', ed. R. Osborne Cambridge: 288-300.
  
* Rutherford, Ian (1997) 'For the Aeginetans . . . a Prosodion: An Unnoticed Title at Pindar, Paean 6, 123 And What it Means for the Poem', ''ZPE'' 118: 1-22.
+
* D’Alessio, Giam B.  (2009) ‘Defining local identities in Greek lyric poetry’, in ''Wandering Poets in Ancient Greek Culture: Travel, Locality and Panhellenism'', ed. R. Hunter and I. Rutherford. Cambridge: 137–67.
  
* Rutherford, Ian (2001) ''Pindar's Paeans: a reading of the fragments with a survey of the genre''. Oxford.
+
* Danielewicz, J. (1990) 'Deixis in Greek Choral Lyrik', ''QUCC'' 63: 7-17.
  
* Schmidt, E.G. (ed.) (1981) ''Aischylos und Pindar. Studien zu Werk und Nachwirkung''. Berlin. ''Schriften zur Geschichte und Kultur der Antike'' 19.
+
* Danielewicz, J. (1990) 'Towards an Understanding of the Chorus: Homer on Early Forms of Lyric Poetry', ''Eos'' 78: 55-62.
  
* Snell, B. and H. Maehler (1987) ''Pindarus''. Pars I: ''Epinicia'', 8th edition (and later). Leipzig: Teubner. (Text edition)
+
* Danielewicz, J. (2001) ‘Metatext and its functions in Greek lyric poetry’, in ''Texts, Ideas, and the Classics: Scholarship, Theory, and Classical Literature'', ed. S. Harrison. Oxford: 46–61.
  
* Tatsi, Anna (2008) 'On the Meaning of chronos in Pindar's ''Nemean'' 1.46', ''Mnemosyne'' 61.1: 120-129.
+
* Davies, M. (1988) 'Monody, Choral Lyric, and the Tyranny of the Handbook', ''CQ n.s.'' 38: 52-64.
  
* Tsitsibakou-Vasalos, Evanthia (2007) ''Ancient Poetic Etymology. The Pelopids: Fathers and Sons''. Stuttgart: Franz Steiner Verlag. ''Palingenesia'' 89. Chapter 3, the longest in the book, discusses the significance of the name Pelops from Homer to Nonnus with emphasis on Pindar, ''Olympian'' 1. Reviewed by Paschalis, Michael [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-58.html ''BMCR'' 2008.07.58].
+
* Davies, M. (1991) ''Poetarum Melicorum Graecorum Fragmenta''. Vol. 1: Alcman, Stesichorus, Ibicus. Oxford.
  
* Van der Weiden, M.J.H. (1991) ''The Dithyrambs of Pindar: introduction, text and commentary''. Amsterdam: Gieben. Reviewed by Hamilton, Richard (1992) [http://ccat.sas.upenn.edu/bmcr/1992/03.03.21.html ''BMCR'' 03.03.21].
+
* Depew, M. (2000) ‘Enacted and represented dedications: genre and Greek hymn’, in ''Matrices of Genre: Authors, Canons and Society'', ed. M. Depew and D. Obbink. Cambridge, Mass. and London: 59–79.
  
* Willcock, M.M. (1995) ''Pindar: Victory Odes''. Cambridge. (Commentary on Olympian 2, 7, 11; Nemean 4; Isthmian 3, 4, 7).
+
* Fearn, D. (ed.) (2010) ''Aegina: Contexts for Choral Lyric Poetry''. Oxford. [http://www.amazon.com/gp/reader/0199546517/ref=sib_dp_bod_toc?ie=UTF8&p=S008#reader-link Table of Contents]
  
* Yossi, Mary J. (1999) “'Amoibaia deipna: Sympotic scenes in Pindar’'s ''Olympian'' 1'”, ''Indiktos'' 10: 110-123 [Greek text followed by modern Greek translation in pp. 100-109]. –(in modern Greek)
+
* Felson, N. (ed.) (2004) ‘The poetics of deixis in Alcman, Pindar and other lyric’, ''Arethusa'' 37.3: 253–468.
  
* '''Scholia''': Work is underway at the Université de Franche-Comté (France) to translate the scholia of Pindar. For information about this project, see the following web-sites:
+
* Ford, Andrew L. (2006) 'The Genre of Genres: Paeans and Paian in Early Greek Poetry', ''Poetica'' 38.3-4: 277-296. It reviews the many attempts to define paeans (esp. by Käppel and Schroeder) as part of a broader discussion of the usefulness of genre terms in reading early Greek lyric. It reads several of Timotheus' fragments to argue that predicating the epithet was the core of the "genre".
** [http://calenda.revues.org/nouvelle8571.html Autour des scholies de Pindare]
 
** [http://calenda.revues.org/nouvelle10561.html Autour des scholies de Pindare II: interprétation, histoire, spectacle]
 
** [http://ista.univ-fcomte.fr/axe_recherche/axe2_pres2007.html Axe 2 Textes, imaginaires et représentations dans l'antiquité]
 
  
=== Bacchylides ===
+
* Fowler, R.L. (1987) ''The Nature of Early Greek Lyric: Three Preliminary Studies''. Toronto.
* Bagordo, A. (1995/96) 'Moûs’ authigenés (Bacchyl. 2, 11)', ''Glotta'' 73: 137–-41.
 
  
* Bagordo, A. and B. Zimmermann (eds.) (2000) ''Bakchylides 100 Jahre nach seiner Wiederentdeckung''. München: ''Zetemata, Monographien zur klassischen Altertumswissenschaft'' 106.
+
* Fröhder, D. (1994) ''Die dichterische Form der Homerischen Hymnen: untersucht am Typus der mittelgrossen Preislieder''. Hildesheim. ''Spudasmata'' 53.
  
* Bremer, Jan Maarten (2000) 'Der dithyrambischer Agon: ein kompetitiver Gottesdienst oder gar keiner?' in ''Bakchylides 100 Jahre nach seiner Wiederentdeckung'', eds. A. Bagordo, B. Zimmermann. München: 59-67.
+
* Gentili, B. (1984) ''Poesia e pubblico nella Grecia antica da Omero al V secolo''. Roma-Bari. Revised and updated version translated, with an introduction, by Cole, A.T. (1988) ''Poetry and Its Public in Ancient Greece from Homer to the Fifth Century''. Baltimore.
  
* Briand, Michel (1997) 'Fiction et diction dans la cinquième Épinicie de Bacchylide', ''Lalies'' 17: 271-281.
+
* Gerber, D.E. (1997) ''A Companion to the Greek Lyric Poets''. Leiden-New York-London-Köln.
  
* Burnett, A.P. (1985) ''The Art of Bacchylides''. Cambridge Mass.
+
* Gerber, D.E. (2012) 'Aspects of women in Greek lyric poetry', in: ''Hyperboreans. Essays in Greek and Latin Poetry, Philosophy, Rhetoric and Linguistics''. P. Corrêa, M. Martinho, J.M. Macedo, A.P. Hasegawa eds. Sao Paulo: 11-24.
  
* Fearn, David W. (2003) 'Mapping Phleious:  Politics and Myth-Making in Bacchylides 9', ''Classical Quarterly'' 53.2: 347-67.
+
* Greene, R. (1999) ‘The lyric’, in ''The Cambridge History of Literary Criticism, vol. III: The Renaissance'', ed. G. P. Norton. Cambridge: 216–28.
  
* Fearn, David W. (2007) ''Bacchylides:  Politics, Performance, Poetic Tradition''. Oxford: Oxford Classical Monographs Series.
+
* González de Tobia, Ana M. (2005) ‘El canto coral ‘fundador’ de una poética que vincula fiesta y memoria’, in ''Memoria e Festa'', eds. de Souza Lessa, F. and da Cunha Bustamante, M. R. Rio de Janeiro: 165-172.
  
* González de Tobia, Ana M. (1981) ''Los Epinicios de Baquílides. Una interpretación'', PhD. Dissertation, unpublished, Universidad Nacional de La Plata, Argentina.
+
* Harvey, A.E. (1955) 'The Classification of Greek Lyric Poetry', ''CQ n.s.'' 5: 157-175.
  
* González de Tobia, Ana M. (1994) ‘Itinerario crítico en torno de Baquílides’, in  ''Volumen Homenaje a Aída Barbagelata. In memoriam'', eds. Wendt, S. and Royo, M. Actualidad Producciones, Buenos Aires, Tomo 1: 137-150.
+
* Hutchinson, G. O. (2001) ''Greek Lyric Poetry: A Commentary on Selected Larger Pieces''. Oxford.
 +
** Contains new texts of, and detailed commentaries on, Alcman 1 and 3 Davies, Stesichorus 222 (b) Davies, Sappho 1, 16, 31, 96 Voigt, Alcaeus 129, 130b, 298 Voigt, Ibycus S151 Davies, Anacreon 347 fr. 1, 358, 417 Page, Simonides 542, 543 Page, Bacchylides 3, Pindar ''Olympian'' 6, Sophocles ''Ajax'' 1185-1222, Euripides ''Medea'' 627-662; introductions on individual poets and on tragic lyric.
  
* González de Tobia, Ana M. (2000) ‘Baquílides, Epinicio II y el concepto de la fama’, in ''Homenaje a Corina Corchón'', eds. Calvo, F., Fontán, M.I., Gallotti, M. C. and Wainschenker, D. Universidad de Buenos Aires, Buenos Aires: 39-50.  
+
* Ingalls, Wayne (2000) ‘Ritual Performance as Training for Daughters in Archaic Greece’, ''Phoenix'' 54: 1-20.
  
* González de Tobia, Ana M. (2000) ‘La poesía de Baquílides como proyección de una aretá inconfundible’, ''Synthesis'' 7: 149-163.
+
* Käppel, L. (1992) ''Paian. Studien zur Geschichte einer Gattung''. Berlin. ''Untersuchungen zur antiken Literatur und Geschichte'' 37.
  
* González de Tobia, Ana M. (2001) ‘Una metáfora al servicio del pensamiento poético, Baquílides 3’, ''Iter'': 217-232.
+
* Klug, W. (1954) ''Untersuchungen zum Gebet in der frühgriechischen Lyrik''. Dissertation. Hamburg.
  
* González de Tobia, Ana M. (2004) ‘El pensamiento moral del Baquílides, entre ólbos y areté’, in ''Ética y Estética. De Grecia a la modernidad'', ed. González de Tobia, Ana M. Universidad Nacional de La Plata, La Plata: 59-74.
+
* Kowalzig, Barbara (2007) ''Singing for the Gods. Performances of Myth and Ritual in Archaic and Classical Greece''. Oxford Classical Monographs. Oxford: Oxford University Press. Reviewed by Seaford, Richard (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-09-25.html ''BMCR'' 2008.09.25].
  
* González de Tobia, Ana M. (2006) ‘Bacchylides’ moral thought, between olbos and areta’, paper presented at the Epinician Conference, 5-9 july 2006, University College London (UCL) London, UK. Unpublished.
+
* Lambin, G. (1992) ''La chanson grecque dans l'antiquité''. Paris.
  
* González de Tobia, Ana M. (2007) ‘Lenguaje, Discurso y Civilización en Baquílides 11’, in ''Lenguaje, Discurso y Civilización. De Grecia a la modernidad'', ed. González de Tobia, Ana M. La Plata: 99-116.
+
* Lattke, M. (1991) ''Hymnus: Materialien zu einer Geschichte der antiken Hymnologie''. Fribourg. ''Novum Testamentum et orbis antiquus'' 19.
  
* Käppel, L. (2000) 'Bakchylides und das System der chorlyrischen Gattungen im 5. Jh. v.Chr.' in ''Bakchylides 100 Jahre nach seiner Wiederentdeckung'', eds. A. Bagordo, B. Zimmermann. München: 11-27.
+
* * LeVen, Pauline (2013)'"You Make Less Sense Than a (New) Dithyramb." Sociology of a Riddling Style' in: ''The Muse at Play. Riddles and Wordplay in Greek and Latin Poetry'', ed. J. Kwapisz, D. Petrain & M. Szymanski. Berlin: 44-64.
  
* MacLachlan, Bonnie (2007) 'Epinician swearing' in ''Horkos. The Oath in Greek Society'', eds. Alan H. Sommerstein, Judith Fletcher. Exeter: 91-101. Reviewed by Kellogg, Danielle L. (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-55.html ''BMCR'' 2008.08.55].
+
* Ley, G. (1993) 'Monody, Choral Song, and Athenian Festival Performance', ''Maia'' 45: 105-124.
  
* Maehler, H. (ed.) (2004) ''Bacchylides. A Selection. Cambridge Greek and Latin Classics Series''. Cambridge University Press.
+
* Lyghounis, Maria Gilda (1991) 'Elementi tradizionali nella poesia nuziale greca', ''Materiall e discussioni per I'analisi dei testi classici'' 27: 159-98.
  
* Pfeijffer, I.L. and S.R. Slings (eds.) (1999) ''One Hundred Years of Bacchylides. Proceedings of a colloquium held at the Vrije Universiteit Amsterdam''. Amsterdam.
+
* MacDowell, D.M. (1989) 'Athenian Laws abouth Choruses' in ''Symposion 1982: Vorträge zur griechischen und hellenistischen Rechtsgeschichte (Santander 1.-4. September)'', ed. F.J. Fernández Nieto. Köln: 65-77.
  
* Power, Timothy (2000) ‘The «parthenoi» of Bacchylides 13’, ''Harvard studies in classical philology'' 100: 67-81.
+
* Mace, S. (1993) ‘Amour, encore! The development of δηὖτε in archaic lyric’, ''GRBS'' 34:335–64.
  
* Rutherford, Ian (1991) 'Pindar Paean VIIIA, The "Cassandra" of Bacchylides and the Anonymous "Cassandra" in P.Oxy.2368: An Exploration in Lyric Structure', ''Eos'' 79: 5-12.
+
* Martin, R. P.  (2001) ‘Just like a woman: enigmas of the lyric voice’, in ''Making Silence Speak: Women’s Voices in Greek Literature and Society'', ed. A. Lardinois and L. McClure. Princeton, N.J.: 55–74.
  
* Slings, S.R. (1990) 'Bacchylides XVIII 41-42', ''Zeitschrift für Papyrologie und Epigraphik'' 80: 9-10.  
+
* Martin, Richard (2007) 'Outer Limits, Choral Space' in ''Visualizing the Tragic'', eds. C. Kraus, S. Goldhill, H. Foley and J. Elsner. Festschrift for F. Zeitlin. New York, Oxford: 35-62.
  
* Slings, S.R. (2000) 'Information Unit and Metrical Unit' in ''Bakchylides: 100 Jahre nach seiner Wiederentdeckung'', eds. A. Bagordo and B. Zimmermann. München. ''Zetemata, Monographien zur klassischen Altertumswissenschaft'' 106: 113-130.
+
* Miller, P. A. (1994) ''Lyric Texts and Lyric Consciousness: The Birth of a Genre from Archaic Greece to Augustean Rome''. London.
  
=== Corinna, Boeotica ===
+
* Mullen, W. (1982) ''Choreia: Pindar and Dance''. Princeton.
* Yossi, Mary J. (1997) 'Corinna Fr. 654 PMG: Archaic or a Case for Metamorphosis' in ''Acta: First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-T. Papademetriou. Athens: 167-186. (in Greek with summary in English)
 
  
=== Erinna ===
+
* Naerebout, F.G. (1997) ''Attractive Performances. Ancient Greek Dance: Three Preliminary Studies''. Amsterdam.
* Levaniouk, Olga (2008) 'Lament and Hymenaios in Erinna's Distaff' in ''Lament: Studies in the Ancient Mediterranean and Beyond'', ed. Ann Suter. Oxford, New York: 324-81. Reviewed by Alden, Maureen (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-10-26.html ''BMCR'' 2008.10.26].
 
  
* Neri, Camillo (1994) 'Erinna in Eronda', ''Eikasmós'' 5: 221-232.
+
* Nagy, G. (1990) ''Pindar's Homer. The Lyric Possession of an Epic Past''. Baltimore and London. [http://www.press.jhu.edu/books/nagy/PH.html Free-to-view online edition]. [http://www.intute.ac.uk/artsandhumanities/cgi-bin/fullrecord.pl?handle=humbul15952 More information] is available at [http://www.intute.ac.uk/ Intute], catalogued by Emma Bridges.
  
* Neri, Camillo (1996) ''Studi sulle testimonianze di Erinna''. Bologna.
+
* Nagy, G. (1994/5) 'Transformations of Choral Lyric Traditions in the Context of Athenian State Theater', ''Arion'' 3.1: 41-55.
  
* Neri, Camillo (1996) 'Il poemetto e l'epigramma. Note sulla fortuna dell'opera di Erinna in età ellenistica', ''Aevum Antiquum'' 9: 193-215.
+
* Nagy, G. (2008) 'Lyric and Greek Myth' in ''The Cambridge Companion to Greek Mythology'', ed. Roger D. Woodard. Cambridge: Cambridge University Press: 19-51. With emphasis on the Lesbian poets Sappho and Alcaeus. Reviewed by Kühr, Angela [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-10.html ''BMCR'' 2008.08.10].
  
* Neri, Camillo (1997) 'Erinna a Ossirinco', ''ZPE'' 115: 57-72.
+
* Neri, Camillo (2004) ''La lirica greca. Temi e testi''. Roma.
  
* Neri, Camillo (1998) 'Baucide e le bambole (Erinna: SH 401,1-4, 19-22)', ''Athenaeum'' 86.1: 165-178.
+
* Neumann-Hartmann, Arlette (2008) 'Prosopographie zu den Epinikien von Pindar und Bakchylides', ''Nikephoros'' 21: 81–131.
  
* Neri, Camillo (1998) 'Cambio di ritmo (Erinna: SH 401,14s. ~ Carm.pop. fr.30(c) PMG 876)', ''Prometheus'' 24: 19-24.
+
* Neumann-Hartmann, Arlette (2009) 'Epinikien und ihr Aufführungsrahmen'. ''Nikephoros'' Beihefte Bd. 17. Hildesheim.
  
* Neri, Camillo (1999) 'Le lune di Erinna (SH 401,6 e 12)', ''Quaderni di Cultura e di Tradizione Classica dell'Università degli Studi di Palermo'' 12: 7-18.
+
* Neumann-Hartmann, Arlette (2009) 'The Dedication of Victory Crowns and the Performance of Epinikian Odes'. ''BICS'' 52: 1–13.
  
* Neri, Camillo (2002) 'L'agnella e il rasoio (Erinna SH 401,13)' in ''TIMHS CHARIN. «Homenaje al Profesor Pedro A. Gainzarain»'', ed. María José García Soler. Vitoria-Gasteiz: 61-68.
+
* Neumann-Hartmann, Arlette (2010) 'Pindar und Bakchylides (1988–2007)'. ''Lustrum: Internationale Forschungsberichte aus dem Bereich des klassischen Altertums'' 52: 181–463.
  
* Neri, Camillo (2003) ''Erinna. Testimonianze e frammenti''. Bologna (earlier editions were published in 1994 (Ph.D. dissertation Padova) and 2000).
+
* Nicholson, N. (1999-2000) 'Pederastic poets and adult patrons: maintaining authority in late archaic lyric', ''CW'' 93: 235-259.
  
=== Poetae Minores ===
+
* Noussia-Fantuzzi, M. (2015), 'The Epic Cycle, Stesichorus, and Ibycus', in ''The Greek Epic Cycle and its Ancient Reception. A Companion'', ed. M. Fantuzzi & C. Tsagalis. Cambridge: 430-449.
  
==== Arion ====
+
* Peponi, Anastasia-Erasmia (1991) 'Flexible Lyric, Inflexible Theory: around W.R. Johnson’s ''The Idea of Lyric: Lyric Modes in Ancient and Modern Poetry'' '. Berkeley 1982. in ''Logou Charin'' 2: 167-182. (in Greek)
  
==== Ariphron ====
+
* Peponi, Anastasia-Erasmia (1993) ''Representation of Space and Time in Early Archaic Lyric Poetry''. PhD dissertation Thessaloniki.
  
==== Aristotle ====
+
* Peponi, Anastasia-Erasmia (1995) 'Teaching Lyric Poetry in High Schools by means of Modern Greek Translations' ''Thallo'' 7: 103-112. (in Greek)
  
==== Castorion ====
+
* Peponi, Anastasia-Erasmia (2002) 'Mixed Pleasures, Blended Discourses: Poetry, Medicine and the Body in Plato’s ''Philebus'' 46-47c', ''Classical Antiquity'' 21: 135-160. (reception of archaic lyric poetry in Plato)
  
==== Diagoras ====
+
* Peponi, Anastasia-Erasmia (2002) 'Fantasizing Lyric: Horace, Epistles 1.19' in ''Horace and Greek Lyric Poetry'', ed. M. Paschalis. Rethymnon: 19-45. (reception of archaic lyric poetry in Horace)
  
==== Eumelus ====
+
* Peponi, Anastasia-Erasmia (2009) ' ''Choreia'' and Aesthetics in the ''Homeric Hymn to Apollo'': The Performance of the Delian Maidens (Lines 156–64)', ''Classical Antiquity'' 28.1: 39–70.
  
==== Euripides (Lyric) ====
+
* Psaroudakēs, Stelios (2006) 'A lyre from the cemetery of the Acharnian Gate, Athens' in ''Studien zur Musikarchäologie V. Music Archaeology in context. Archaeological semantics, historical implications, socio-cultural connotations. Papers from the 4th Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 19-26 September, 2004. Orient-Archäologie 20'', eds. Ellen Hickmann & Arnd Adje Both & Ricardo Eichmann. Rahden, Westf.: 59-79.
  
==== Hybrias ====
+
* Ψαρουδάκης, Στέλιος (2007) «Η λύρα στον ελλαδικό χώρο στις εποχές του Χαλκού και το Σιδήρου», ''Αρχαιολογία και Τέχνες'' 90: 59-67. (in modern Greek)
  
==== Lasus ====
+
* Race, W.H. (1992) 'How Greek Poems Begin', ''YCS'' 29: 13-38.
  
==== Licymnius ====
+
* Ruijgh, C.J. (1980) 'De ontwikkeling van de lyrische kunsttaal, met name van het literaire dialect van de koorlyriek', ''Lampas'' 5: 416-435.
  
==== Melanippides ====
+
* Rutherford, I. (1993) 'Paeanic Ambiguity: A Study of the Representation of the Paean in Greek Literature', ''QUCC'' 44: 97-92.
  
==== Myrtis ====
+
* Rutherford, I. (1997) 'Odes and Ends: Closure in Greek Lyric Poetry' in ''Classical Closure. Reading the End in Greek and Latin Literature'', eds. Roberts, D. and D. Fowler. Princeton [...].
  
==== Philoxenus ====
+
* Rutherford, I. (2001) ''Pindar's Paeans. A Reading of the Fragments with a Survey of the Genre''. Oxford.
  
==== Pratinas ====
+
* Rutherford, I.  (2003) ‘The prosodion: approaches to lyric genre’, in ''Studi di filologia e tradizione greca in memoria di Aristide Colonna'', ed. F. Benedetti and S. Grandolini. Naples and Perugia: 713–26.
  
==== Praxilla ====
+
* Schmidt, E.G. (1974) 'Zur Interpretation und Rezeption frühgriechischer Lyrik' in ''Die Antike in der sozialistischen Kultur, Internationale Arbeitskonferenz des Instituts für Altertumswissenschaft der Friedrich-Schiller-Universität Jena, 27.-29. Juni 1973''. Jena: 93-109.
  
==== Telesilla ====
+
* Schmitz, H. (1970) ''Hypsos und Bios. Stilistische Untersuchungen zum Alltagsrealismus in der archaischen griechischen Chorlyrik''. Bern.
  
==== Telestes ====
+
* Schröder, S. (1999) ''Geschichte und Theorie der Gattung Paian: Eine kritische Untersuchung mit einem Ausblick auf Behandlung und Auffassung der lyrischen Gattungen bei den alexandrinischen Philologen''. (Beiträge zur Altertumskunde 121). Stuttgart and Leipzig.
  
==== Terpander ====
+
* Segal, C. (1989) 'Song, Ritual, and Commemoration in Early Greek Poetry and Tragedy', ''Oral Tradition'' 4: 330-359.
* Quattrocelli, L. (2007) ‘Les fragments de Terpandre et l’hymne dans la Sparte archaïque’, in ''L’hymne antique et son public'', ed. Yves Lehmann. Brepols, Turnhout: 65-80.
 
  
==== Timocreon ====
+
* Segal, C. (1998) ''Aglaia. The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham-Boulder-New York-Oxford.
  
==== Timotheus ====
+
* Seidensticker, Bernd (2005) 'Dithyramb, Comedy, and Satyr-Play' in ''A Companion to Greek Tragedy'', ed. Justina Gregory. Oxford: Blackwell: 38-54. Reviewed by Wright, Matthew (2006) [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-39.html ''BMCR'' 2006.06.39].
* Ford, Andrew L. (2006) 'The Genre of Genres: Paeans and Paian in Early Greek Poetry', ''Poetica'' 38.3-4: 277-296. It reviews the many attempts to define paeans (esp. by Käppel and Schroeder) as part of a broader discussion of the usefulness of genre terms in reading early Greek lyric. It reads several of Timotheus' fragments to argue that predicating the epithet was the core of the "genre".
 
  
=== Carmina Popularia ===
+
* Slings, S.R. (ed.) (1990) ''The poet's I in archaic Greek lyric''. Amsterdam.
* Neri, Camillo (2003) 'Sotto la politica. Una lettura dei carmina popularia melici', ''Lexis'' 21: 193-260.
 
  
=== Carmina Convivalia ===
+
* Slings, S.R. (1990) 'The I in personal archaic lyric: an introduction' in ''The poet's I in archaic Greek lyric'', ed. S.R. Slings. Amsterdam: 1-30.
  
=== Fragmenta Adespota ===
+
* Stehle, E. (1997) ''Performance and Gender in Ancient Greece. Nondramatic Poetry in its Setting''. Princeton.
* Rawles, Richard (2006) 'Musical Notes on the new anonymous lyric poem from Köln' ''ZPE'' 157: 8-13. Concerns the anonymous poem transmitted in P. Köln 21351 & 21376 along with the "New Sappho". It is suggested that the initial vocatives are addressed to Hermes.
 
  
* Ucciardello, Giuseppe (2001) 'POxy. XXXII 2636: commentario a Pindaro o a Ibico?' in ''I lirici greci. Forme di comunicazione e storia del testo (Atti dell'Incontro di Studi - Messina 5-6 novembre 1999)'', eds. M. Cannatà Fera - G.B. D’Alessio. Messina: 87-116.
+
* Suárez de la Torre, Emilio (1998) 'La lírica griega' in ''Géneros literarios poéticos grecolatinos'', eds. D. Estefanía et al. Madrid/Santiago de Compostela: 63-106.
  
* Ucciardello, Giuseppe (2004) 'Su due frammenti lirici adespoti (P.Oxy. XXXII 2631 = S 454 SLG; P.Oxy. IV 674 = Pind. fr. 338 M.)', ''ZPE'' 149: 29-34.
+
* Suárez de la Torre, Emilio (2002) ''Antología de la lírica griega arcaica''. Madrid.
  
* Ucciardello, Giuseppe (2004/5) 'P.Oxy. XXXIX 2880 (lirica corale?): nuova edizione e note di commento', ''Analecta Papyrologica'' 16-17: 21-31.
+
* Suárez de la Torre, Emilio (2005) 'Diversidad de lo popular en la poesía griega arcaica', ''Classica'' 17/18: 73-99.
  
* Ucciardello, Giuseppe (2007) 'A single scribe in P.Oxy. IV 660 + P.Oxy. XXIII 2623 + PSI inv. 1907 (Choral Lyric: Simonides?)', ''ZPE'' 160: 4-14.
+
* Suárez de la Torre, Emilio (2007) 'Helena, de la épica a la lírica griega arcaica (Safo, Alceo, Estesícoro)' in AA.VV., ''O mito de Helena de Tróia à actualidade''. Coimbra. vol. I: 55-79.
  
== Dramatic Chorus ==
+
* Trümpy, C. (1986) ''Vergleich des Mykenischen mit der Sprache der Chorlyrik. Bewahrt die Chorlyrik eine von Homer unabhängige alte Sprachtradition?''. Bern.
* Adrados, Francisco R. (1975) ''Festival, Comedy and Tragedy: The Greek Origins of Theatre''. Leiden. Translation from the Spanish by Christopher Holme. (1972) ''Fiesta, Comedia y Tragedia''. Barcelona.
 
  
* Bierl, Anton (2001) ''Der Chor in der Alten Komödie. Ritual und Performativität'' (unter besonderer Berücksichtigung von Aristophanes' ''Thesmophoriazusen'' und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126). It has been translated by Alex Hollmann into English as:
+
* Webster, T.B.L. (1970) ''The Greek Chorus''. London.  
** Bierl, Anton (2007) ''Ritual and Performativity: The Chorus in Old Comedy''. Harvard Press, Center of Hellenic Studies. With many interpretations of comic, tragic and satyric songs, with a general introduction of more than 90 pages to the Chorus and song culture in general; it includes an interpretation of Alcman and an intense analysis of popular Phallus-Songs in ch. 2.
 
  
* D'Angour, Armand (2007) 'The Sound of Music: modulations and innovations in drama and dithyramb' in ''Debating the Athenian Cultural Revolution'', ed. R. Osborne Cambridge: 288-300.
+
* West, M.L. (1992) ''Ancient Greek Music''. Oxford.
  
* Martin, Richard (2007) 'Ancient Theatre and Performance Culture' in ''The Cambridge Companion to Greek and Roman Theatre'', eds. M. McDonald and J.M. Walton. Cambridge 36-54.
+
* Wilson, Lyn Hatherly (1996) ''Sappho's Sweetbitter Songs: Configurations of female and male in ancient Greek Lyric''. London and New York.
  
=== Tragic Chorus ===
+
* Wilson, Peter J. (1999) 'The ''aulos'' in Athens', in ''Performance Culture and Athenian Democracy'', eds. S. Goldhill and R. Osborne. Cambridge: 58-95.
  
==== Tragic Chorus General ====
+
* Wilson, Peter J. (2000) ''The Athenian institution of the Khoregia: the chorus, the city and the stage''. Cambridge and New York.
* ''Arion'' 3.1 (1994/1995): ''The Chorus in Greek Tragedy and Culture''. I.
+
** Reviews: Josiah Ober (2000) ''BMCR'' 10. Stuart Douglas Olson (2000-2001) ''CW'' 94.4: 418-419. Geert Roskam (2001) ''LEC'' 69.3: 341-342. Jean-Charles Moretti (2001) ''REA'' 103.3-4: 585-586. Herman Van Looy (2001) ''AC'' 70: 447-448. Nicoletta Marini (2002) ''Athenaeum'' 90.2: 662-664. Stephen D. Lambert (2002) ''JHS'' 122: 178-179. Eric Csapo (2002) ''Phoenix'' 56.1-2: 150-153.
  
* ''Arion'' 4.1 (1996/1997): ''The Chorus in Greek Tragedy and Culture''. II.
+
* Yatromanolakis, D. and P. Roilos (2003) ''Towards a Ritual Poetics''. Athens.
  
* Bacon, H.H. (1996/7) 'The Chorus in Greek Life and Drama', ''Arion'' 4.1: 6-24.
+
* Yatromanolakis, D. and P. Roilos (2005) ''Pros mia Teletourgike Poietike''. Preface Marcel Detienne. Athens.
  
* Bagordo, A. (2003) ''Reminiszenzen früher Lyrik bei den attischen Tragikern: Beiträge zur Anspielungstechnik und poetischen Tradition''. Munich.
+
* Yatromanolakis, D. (2009) 'Symposia, Noses, Πρόσωπα: A Kylix in the Company of Banqueters on the Ground', in ''An Archaeology of  Representations: Ancient Greek Vase-Painting and Contemporary Methodologies'', Yatromanolakis, D. (ed.), Athens: 414-465.
  
* Battezzato, Luigi (2005) 'Lyric' in ''A Companion to Greek Tragedy'', ed. Justina Gregory. Oxford: Blackwell: 149-66. Presents an overview of the tragic chorus. Reviewed by Wright, Matthew (2006) [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-39.html ''BMCR'' 2006.06.39].
+
* Zimmermann, B. (1992) ''Dithyrambos: Geschichte einer Gattung''. Göttingen.
  
* Bieber, M. (1954) 'The Entrances and Exits of Actors and Chorus in Greek Plays', ''American Journal of Achaeology'' 58: 277-281.
+
=== Sappho and Alcaeus ===
 +
* Aloni, A. (1983) ‘Eteria e tiaso: I gruppo aristocratici di Lesbo tra economia e ideologia’, ''Dialoghi di Archeologia'' ser. 3, n. 1: 21-35 (= ''id''., ‘Lotta politica e pratica religiosa nella Lesbo di Saffo e Alceo’, ''Atti del Centro ricerche e documentazione sull'antichittà classica'' 11 (1980/81): 213-32)
  
* Bierl, Anton (1991) ''Dionysos und die griechische Tragödie. Politische und 'metatheatralische' Aspekte im Text''. ''Classica Monacensia'' 1. Tübingen. Dissertation, with many interpretations of tragic songs where Dionysus plays a role.
+
* Broger, A. (1996) ''Das Epitheton bei Sappho und Alkaios. Eine sprachwissenschaftliche Untersuchung''. Innsbruck. Review by Slings, S.R. (1999) ''Mnemosyne'' 52: 481-484.
  
* Bierl, Anton (2006) 'Tragödie als Spiel und das Satyrspiel. Die Geburt des griechischen Theaters aus dem Geiste des Chortanzes und seines Gottes Dionysos', in ''Aufgang. Jahrbuch für Denken, Dichten, Musik''. Bd. 3: ''Kind und Spiel'', eds. J. Sánchez de Murillo and M. Thurner. Stuttgart: 111–138. Wth a new interpretation of the Hyporcheme of Pratinas.
+
* Caciagli, Stefano (2007) ''Poesia e società: comunicazione poetica e formazioni sociali nella Lesbo del VII/VI secolo a.C.''. Ph.D. dissertation, University of Bologna. [http://amsdottorato.cib.unibo.it/188/ PDF (in the not revised version)].
  
* Brown, A.D. Fitton (1957) 'The Size of the Greek Tragic Chorus', ''Classical Review'' 7.1: 1-4.
+
* Caciagli, Stefano (2010) 'Il temenos di Messon: uno stesso contesto per Saffo e Alceo', ''LEXIS'' 28: 227-256.\
  
* Brown, S. G. (1977) 'A Contextual Analysis of Tragic Meter: The Anapest', in ''Ancient and Modern: Essays in Honor of Gerald Else'', eds. John H. D'Arms and John W. Eadie. Ann Arbor: 45-78.
+
* Caciagli, Stefano (2011) 'Poeti e Società. Comunicazione poetica e formazioni sociali nella Lesbo del VII/VI secolo a.C.' (with a preface of Claude Calame), ''LXIV Supplement of «LEXIS»'' (Hakkert, Amsterdam.
  
* Calame, Claude (1994) 'From Choral Poetry to Tragic Stasimon: The Enactment of Women's Song', ''Arion'' 3:  135-152. Contains a comparison of Pindar's ''Partheneion'' 2 and the parodoi in Aeschylus' ''Seven against Thebes'' and in Euripides' ''Phoenician Women''.
+
* Nagy, Gregory (2007) 'Did Sappho and Alcaeus Ever Meet? Symmetries of Myth and Ritual in Performing the Songs of Ancient Lesbos' in ''Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen'', eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. ''MythosEikonPoiesis'' Bd. 1.1–2. Berlin and New York: ibid. 211-269. Reviewed by Reyes Bertolín Cebrián [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-09.html ''BMCR'' 2008.08.09].
  
* Calame, Claude (1999) 'Performative aspects of the choral voice in Greek tragedy: civic identity in performance', in ''Performance culture and Athenian democracy'', eds. S. Goldhill and R. Osborne. Cambridge: 125-153.
+
* Suárez de la Torre, Emilio (2007) 'Helena, de la épica a la lírica griega arcaica (Safo, Alceo, Estesícoro)' in AA.VV., ''O mito de Helena de Tróia à actualidade''. Coimbra. vol. I: 55-79.
  
* Calame, Claude (2005) 'The Tragic Choral Group: Dramatic Roles and Social Functions' in ''A Companion to Tragedy'', ed. R. Bushnell. Oxford: 215-233.
+
* Yatromanolakis, D. (2009) 'Alcaeus and Sappho', in ''The Cambridge Companion to Greek Lyric'', Budelmann, Felix (ed.). Cambridge: 204-26.
  
* Calder, W. M. (1982) ‘The size of Thespis' chorus’, ''AJPh'' 103: 319-320.
+
=== Sappho ===
 +
Cf. the [http://sites.google.com/site/hellenisticbibliography/pre-hellenistic/sappho bibliography on Sappho] made by Martine Cuypers that forms part of a [http://sites.google.com/site/hellenisticbibliography/ Hellenistic Bibliography].
  
* Castellani, V. (1989) 'The Value of a Kindly Chorus: Female Choruses in Attic Tragedy' in ''Women in Theatre'', ed. Redmond, J. Cambridge and New York. ''Themes in Drama'' 11: 1-18.
+
* Aloni, A. (1997) ''Saffo: Frammenti''. Florence.
  
* Cerbo, E. (1993) 'Gli inni ad Eros in tragedia: struttura e funzione' in ''Tradizione e innovazione nella cultura greca da Omero all' età ellenistica. Scritti in onore di Bruno Gentili'', ed. Pretagostini, R. Vol. 2. Roma: 645-656.
+
* Aloni, A. (2001) ‘What is that man doing in Sappho, fr. 31 V.?’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md., and Oxford: 29-40.
  
* Conacher, D.J. (1975) 'Some Dramatic Uses of the Chorus in Greek Tragedy', ''The University of Toronto Quarterly'' 44: 81-.
+
* Bernsdorff, Hans (2004) 'Schwermut des Alters im neuen Kölner Sappho-Papyrus', ''Zeitschrift für Papyrologie und Epigraphik'' 150: 27-35.
  
* Csapo, E. and Slater, W.J. (1995) ''The Context of Ancient Drama''. Ann Arbor.
+
* Bernsdorff, Hans (2005) 'Offene Gedichtschlüsse', ''Zeitschrift für Papyrologie und Epigraphik'' 153: 1-6.
  
* Dale, A.M. (1950) 'Stasimon and Hyporchema', ''Eranos'' 48: 14-20.
+
* Bessone, F. (2003) ‘Saffo, la lirica, l'elegia. Su Ovidio, ‘Heroides’ 15’, ''MD'' 51: 209-243.
  
* Dale, A.M. (1969) 'The Chorus in the Action of Greek Tragedy', in ''Collected Papers'', Dale, A.M. Cambridge.
+
* Bessone, F. (2003) Conversione poetica e riconversione letteraria: l’epistola di Saffo nelle Heroides, in ''Incontri triestini di filologia classica'', vol. 2: Incontri 2002-2003, eds. L. Cristante e A. Tessier. ''Polymnia'' 4. Trieste: 115-143.
  
* Davidson, J.F. (1986) 'The Circle and the Tragic Chorus', ''G&R'' 3: 38-46.
+
* Bierl, Anton (2004) ' 'Ich aber (sage), das Schönste ist, was einer liebt!' Eine pragmatische Deutung von Sappho Fr. 16 LP/V', ''Quaderni Urbinati di Cultura Classica'' n.s. 74.2 (103): 91–124.
 +
** [http://chs.harvard.edu/wa/pageR?tn=ArticleWrapper&bdc=12&mn=2922 Online edition (2009)] (Published here under a Creative Commons Attribution-Noncommerical-No derivative works License 3.0).
  
* Dorsch, K.-D. (1983) ''Götterhymnsen in den Chorliedern der griechischen Tragiker: Form, Inhalt und Funktion''. PhD Diss. Münster.
+
* Bierl, Anton. (2009) [http://chs.harvard.edu/wa/pageR?tn=ArticleWrapper&bdc=12&mn=2122 ''Der neue Sappho-Papyrus aus Köln und Sapphos Erneuerung. Virtuelle Choralität, Eros, Tod, Orpheus und Musik''] (Published under a Creative Commons Attribution-Noncommercial-No derivative works License 3.0).
  
* Foley, H. (2003) 'Choral Identity in Greek Tragedy', ''Classical Philology'' 98: 1-30.
+
* Bierl, Anton (2010) ‘Sappho in Athens. Reperformance and Performative Contextualizations of the New Cologne Papyrus, or Old Age and Rejuvenation through Chorality’, first publication in electronic form on the Athens Dialogues–website online [http://athensdialogues.chs.harvard.edu/cgi-bin/WebObjects/athensdialogues.woa/wa/dist?dis=36 http://athensdialogues.chs.harvard.edu/cgi-bin/WebObjects/athensdialogues.woa/wa/dist?dis=36].
  
* Foley, H. (2007) 'Envisioning the Tragic Chorus on the Modern Stage' in ''Visualizing the Tragic'', eds. C. Kraus, S. Goldhill, H. Foley and J. Elsner. Festschrift for F. Zeitlin. New York, Oxford: 353-78.
+
* Bremer, J.M. (1982) 'A reaction to Tsagarakis' discussion of Sappho fr. 31', ''Rheinisches Museum'' 125: 113-116.
  
* Forbes, G.B. (1967) 'The Actor, the Chorus, and Music in Greek Drama', ''The Southern Speech Journal'' 33: *.
+
* Brunet, P. (1998) ''L’Egal des Dieux: Cent versions''. Paris.
  
* Gentili, B. (1984) ''Poesia e pubblico nella Grecia antica da Omero al V secolo''. Roma-Bari. Revised and updated version translated, with an introduction, by Cole, A.T. (1988) ''Poetry and Its Public in Ancient Greece from Homer to the Fifth Century''. Baltimore.
+
* Caciagli, S. (2009) 'Sapph. fr. 27 V.: l'unità del pubblico saffico', ''QUCC'' 91: 63-80.  
  
* Golder, Herbert A. (1996-1997) ’Making a scene: gesture, tableau, and the tragic chorus’, ''Arion'' 4.1: 1-19.
+
* Calame, C. (1996) 'Sappho's Group: An Initiation into womanhood' in ''Reading Sappho. Contemporary Approaches'', ed. E. Greene, Berkeley and London: 113-124.
  
* Goldhill, S. (1996) 'Collectivity and Otherness - The Authority of the Tragic Chorus: Response to Gould' in ''Tragedy and the Tragic'', ed. Silk, M.S. Oxford: 244-256.
+
* Calame, C. (2005) ‘Une poétique de la mémoire: Espaces et temps chez Sappho’, in ''Koryphaiōi ‘andri: Mélanges offerts à André Hurst'', ed. A. Kolde et al. Geneva: 53–67.
  
* Gould, J. (2001) 'Tragedy and Collective Experience' in ''Myth, Ritual Memory, and Exchange'', ed. Gould, John. Oxford: 378-404. Originally published in Silk, M.S. (ed.) (1996) ''Tragedy and the Tragic''. Oxford: 217-243.
+
* Calame, C. (2012) 'La memoria poetica nei canti di Saffo: Performance musicale e creazione sociale' in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 45-97.
  
* Gould, J. (2001) 'Myth, Memory, and the Chorus: 'Tragic Rationality' ' in ''Myth, Ritual Memory, and Exchange'', ed. Gould, J. Oxford: 405-414. Originally published in Buxton, Richard (ed.) (1999) ''From Myth to Reason? Studies in the Development of Greek Thought''. Oxford: 107-16.
+
* Carson, A.(2002) ''If Not, Winter: Fragments of Sappho.'' New York.
  
* Henrichs, A. (1994/5) ' 'Why should I dance?': Choral Self-referentiality in Greek Tragedy', ''Arion'' 3.1: 56-111.
+
* Carvalho, S. (2011) ''Representações e hermenêutica do" Eu" em Safo: análise de quatro fragmentos'', Coimbra.
  
* Henrichs, A. (1996) '' 'Warum soll ich denn tanzen?' Dionysisches im Chor der griechischen Tragödie''. Stuttgard-Leipzig. ''Lectio Teubneriana'' 4.
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* Clark, C. (2001) ‘The body of desire: nonverbal communication in Sappho 31 V’, ''Syllecta Classica'' 12: 1–32.
  
* Herington, J. (1985) ''Poetry into Drama. Early Tragedy and the Greek Poetic Tradition''. Berkeley-London.
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* Dale, A. (2011). Sapphica. Harvard Studies in Classical Philology, 106, 47-74.
  
* Hutchinson, G. O. (2001) ''Greek Lyric Poetry: A Commentary on Selected Larger Pieces''. Oxford.
+
* D'Angour, A. (2006) 'Conquering Love: Sappho 31 and Catullus 51', ''CQ'' 56: 297-300.
** Contains new texts of, and detailed commentaries on, Alcman 1 and 3 Davies, Stesichorus 222 (b) Davies, Sappho 1, 16, 31, 96 Voigt, Alcaeus 129, 130b, 298 Voigt, Ibycus S151 Davies, Anacreon 347 fr. 1, 358, 417 Page, Simonides 542, 543 Page, Bacchylides 3, Pindar ''Olympian'' 6, Sophocles ''Ajax'' 1185-1222, Euripides ''Medea'' 627-662; introductions on individual poets and on tragic lyric.
 
  
* Kaimio, M. (1970) ''The Chorus of Greek Drama within the Light of the Person and Number Used''. Helsinki. ''Societas scientarum Fennica commentationes humanarum litterarum'' 46.
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* DuBois, P. (1995) ''Sappho Is Burning.'' Chicago and London.
  
* Kranz, W. (1933) ''Stasimon. Untersuchungen zu Form und Gehalt der griechischen Tragödie''. Berlin.
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* Dosuna, J. Méndez (2008) 'Miscellanea: Knees and Fawns in the New Sappho', ''Mnemosyne'' 61.1: 108-14. [http://www.swetswise.com.proxy.ubn.ru.nl:8080/swetsfo/swproxy?url=http%3A%2F%2Fopenurl.ingenta.com%2Fcontent%2Fswetsnet-4.1.2dae033a21a66b009d41d8e9ea102dbd%3Fgenre%3Darticle%26issn%3D0026-7074%26volume%3D61%26issue%3D1%26spage%3D108%26epage%3D114%26aulast%3DDosuna&ts=1202555509461&cs=2005023008&userName=9021463.ipdirect&emCondId=2043297&articleID=35750235&yevoID=2197893&titleID=137377&referer=1&remoteAddr=131.174.248.1 PDF].
  
* Lattimore, R. (1965) ''The Poetry of Greek Tragedy'' Baltimore.
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* Ferrari, F. (2003) ‘Il pubblico di Saffo’, ''SIFC'' 4th series 1: 42–89.
  
* Ley, Graham (2007) ''The Theatricality of Greek Tragedy: Playing Space and Chorus''. Chicago. Reviewed by Gamel, Mary-Kay (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-10-11.html ''BMCR'' 2008.10.11].
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* Ferrari, F. (2010) ''Sappho's Gift: The Poet and Her Community''. Transl. from (2007) ''Una mitra per Kleis: Saffo e il suo pubblico''. Giardini, Pisa. Benjamin Acosta-Hughes and Lucia Prauscello (tr.), Michigan Classical Press, Ann Arbor.  
  
* MacClure, L. (1999) ''Spoken like a Woman: Speech and Gender in Athenian Drama''. Princeton.
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* Goldhill, S. (2006) ‘The touch of Sappho’, in ''Classics and the Uses of Reception'', ed. C. Martindale and R. F. Thomas. Oxford: 250–73.
  
* Martin, Richard (2007) 'Outer Limits, Choral Space' in ''Visualizing the Tragic'', eds. C. Kraus, S. Goldhill, H. Foley and J. Elsner. Festschrift for F. Zeitlin. New York, Oxford: 35-62.
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* Greene, E. (1994) ‘Apostrophe and women’s erotics in the poetry of Sappho’, ''TAPhA'' 124: 41–56. (Reprinted in Reading Sappho: Contemporary Approaches, ed.E. Greene. Berkeley and London 1996: 233–47.)
  
* Meijering, R. (1985) ’Aristophanes of Byzantium and scholia on the composition of the dramatic chorus’ in ''SCHOLIA. Studia ad criticam interpretationemque textuum Graecorum et ad historiam juris Graeco-Romani pertinentia D. Holwerda oblata'', eds. W.J. Aerts, J.H.A. Lokin, S.L. Radt and N.v.d. Wal. Groningen: 91-102
+
* Greene, E. (ed.) (1996) ''Reading Sappho: Contemporary Approaches''. Berkeley and London.
  
* Montgomery, H.C. (1942) 'Some Later Uses of the Greek Tragic Chorus', ''Classical Journal'' 38: 148-60.  
+
* Greene, E. (ed.) (1996) ''Re-Reading Sappho: Reception and Transmission'', Berkeley and London.
 +
** Contents: 1. Reflecting Sappho - Glenn W. Most 2. Sappho's afterlife in translation - Yopie Prins 3. Sappho's splintered tongue : silence in Sappho 31 and Catullus 51 - Dolores O'Higgins 4. Ventriloquizing Sappho, or the lesbian muse - Elizabeth D. Harvey 5. Sappho in early modern England : a study in sexual reputation - Harriet Andreadis 6. Sex and philology : Sappho and the rise of German nationalism - Joan DeJean 7. Sappho schoolmistress - Holt N. Parker 8. H.D. and Sappho : "A precious inch of palimpsest" - Erika Rohrbach 9. Sapphistries - Susan Gubar.
  
* Parry, H. (1978) ''The Lyric Poems of Greek Tragedy''. Toronto-Sarasota.
+
* Greene, E.(2002) ‘Subjects, objects, and erotic symmetry in Sappho’s fragments’, in ''Among Women: From the Homosocial to the Homosexual'', ed. N. Rabinowitz and L. Auanger. Austin: 82–105.
  
* Pickard-Cambrindge, A.W. (1927) ''Dithyramb, Tragedy and Comedy''. Oxford.
+
* Greene, E. (2008) 'Masculine and Feminine, Public and Private, in the Poetry of Sappho' in ''Dialogism and Lyric Self-fashioning: Bakhtin and the Voices of a Genre'', ed. Jacob Blevins, Selinsgrove, Pa. Reviewed by Kershner, S.M. [http://bmcr.brynmawr.edu/2009/2009-06-57.html ''BMCR'' 2009.06.57].
  
* Pöhlmann, E. (1997) 'The Tragic Chorus and the Limits of Dramatic Convention in the Fifth Century B.C.' in ''Scaenica Saravi-Varsoviensia: Beiträge zum antiken Theater und zu seinem Nachleben'', eds. J. Axer and W. Görle. Warschau: 1-10.
+
* Greene, E. & M. Skinner (eds.) (2009), ''The New Sappho on Old Age'', Cambridge, MA. [http://www.let.ru.nl/greeksong/images/c/c4/TheNewSappho.pdf Table of Contents]
  
* Riemer, P. and Zimmermann, B. (eds.) (1998) ''Der Chor im antiken und modernen Drama''. Stuttgart. ''Drama'' 7.
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* Gronewald, M. and R.W. Daniel (2004a) ‘Ein neuer Sappho-Papyrus’, ''ZPE'' 147: 1–8.
  
* Roberts, Deborah H. (1987) ’Parting words. Final lines in Sophocles and Euripides’, ''CQ'' 37: 51-64.
+
* Gronewald, M. and R.W. Daniel (2004b) ‘Nachtrag zum neuen Sappho-Papyrus’, ''ZPE'' 149: 1–4.
  
* Rode, J. (1971) 'Das Chorlied' in ''Die Bauformen der griechischen Tragödie'', ed. W. Jens. München: 85-115.
+
* Gronewald, M. and R.W. Daniel (2005) ‘Lyrischer Text (Sappho-Papyrus)’, ''ZPE'' 154: 7–12.
  
* Rutherford, I. (1994/5) 'Apollo in Ivy: The Tragic Paean', ''Arion'' 3.1: 112-135.
+
* Hutchinson, G.O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
* Segal, C. (1989) 'Song, Ritual, and Commemoration in Early Greek Poetry and Tragedy', ''Oral Tradition'' 4: 330-359.
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* Jay, P. and C. Lewis (1996) (eds.) ''Sappho: Through English Poetry''. London.
  
* Sifakis, G.M. (2001) 'The Function and Significance of Music in Greek Tragedy', ''BICS'' 45: 21-35.
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* Laity, C. (1990) ‘H.D. and A. C. Swinburne: decadence and Sapphic Modernism’, in ''Lesbian Texts and Contexts: Radical Revisions'', ed. K. Jay and J. Glasgow. New York: 217–40.
  
* Silk, M.S. (1998) 'Style, Voice, and Authority in the Choruses of Greek Drama' in ''Der Chor im antiken und modernen Drama'', eds. Riemer, P. and Zimmermann, B. Stuttgart. ''Drama'' 7: 1-26.
+
* Lardinois, A.P.M.H. (1989) 'Lesbian Sappho and Sappho of Lesbos' in ''From Sappho to de Sade: Moments in the History of Sexuality'', ed. J.N. Bremmer. London: 15-35. Dutch version (1988) and Portugese translation (1995).
  
* Stehle, Eva (2004) ‘Choral Prayer in Greek Tragedy: Euphemia or Aischrologia?’ in ''Music and the Muses: The Culture of Mousike in the Classical Athenian City'', eds. Murray, Penelope and Peter Wilson. Oxford: 121-155.
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* Lardinois, A.P.M.H. (1994) 'Subject and Circumstance in Sappho's Poetry', ''Transactions of the American Philological Association'' 124: 57-84.
  
* Stössel, F. (1987) ''Die Vorgeschichte des griechischen Theaters''. Darmstadt.
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* Lardinois, A.P.M.H. (1996) 'Who Sang Sappho's Songs?' in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene Berkeley: 150-172.
  
* Suter, Ann (2008) 'Male Lament in Greek Tragedy' in ''Lament: Studies in the Ancient Mediterranean and Beyond'', ed. Ann Suter. Oxford, New York: 245-88. Reviewed by Alden, Maureen (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-10-26.html ''BMCR'' 2008.10.26].
+
* Lardinois, A.P.M.H. (2001) 'Keening Sappho: Female Speech Genres in Sappho's Poetry' in ''Making Silence Speak: Women's Voices in Greek Literature and Society'', eds. A. Lardinois and L. McClure. Princeton: 75-92.
  
* Webster, T.B.L. ''The Greek Chorus''. London 1970.  
+
* Lardinois, A.P.M.H. ((2003) 'Drie gedaantes van Helena: Moderne interpretaties van Sappho Fr. 16' (Modern interpretations of Sappho Fr. 16), ''Lampas'' 36: 261-283.
  
* Weiner, A. (1980) 'The Function of the Greek Tragic Chorus', ''Theatre Journal'' 32: 205-12.
+
* Lardinois, A.P.M.H. (2007) 'Seks à la Sappho', ''Lampas'' 40: 273-80. In Dutch.
  
* Wilson, P. (1997) 'Leading the Tragic ''Khoros'': Tragic Prestige in the Democratic City', in ''Greek Tragedy and the Historian'', C.B.R. Pelling (ed.). Oxford: 81-108.
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* Lardinois, A.P.M.H. (2008) ' ‘Someone, I say, will remember us’: Oral Memory in Sappho’s Poetry' in ''Orality, Literacy, Memory in the Ancient Greek and Roman World'', ed. A. MacKay. Leiden: 79-96.
  
* Wilson, Peter (2005) 'Music' in ''A Companion to Greek Tragedy'', ed. Justina Gregory. Oxford: Blackwell: 183-93. On music in Greek tragedy. Reviewed by Wright, Matthew (2006) [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-39.html ''BMCR'' 2006.06.39].
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* Lardinois, A.P.M.H. (2009) 'Lesbian Sappho Revisited', in ''Myths, Martyrs, and Modernity. Studies in the History of Religions in Honour of Jan N. Bremmer'', eds. Y.B. Kuiper, J.H.F. Dijkstra & J.E.A. Kroesen. Leiden: Brill: 13-30.
  
* Winkler, J.J. (1990) 'The Ephebe's Song: Tragoidia and Polis' in ''Before Sexuality: The Context of Erotic Experience in the Ancient Greek World'', eds. D. Halperin, J.J. Winkler, F.I. Zeitlin. Princeton: 20-62.
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* Lardinois, A.P.M.H. (2009) ‘The New Sappho Poem (P. Koln 21351 and 21376): Key to the Old Fragments’, in ''The New Sappho on Old Age'', eds. E. Greene & M. Skinner. Cambridge, MA: Harvard Univ. Press: 41-57.
  
==== Aeschylus ====
+
* Malnati, A. (1993) ‘Revisione dell’ ostrakon fiorentino di Saffo’, ''Analecta Papyrologica'' 5: 21–22.
  
===== Aeschylus: General =====
+
* Nagy, G. (1973/1990) ‘Phaethon, Sappho’s Phaon, and the white rock of Leucas’, ''HSCPh'' 77 (1973): 137–77. (Revised version in id., Greek Mythology and Poetics. Ithaca, N.Y. 1990: 223–62.)
* Finley, J.H. (1966) ''Pindar and Aeschylus''. Cambridge Mass.
 
  
* Moritz, H.E. (1979) 'Refrain in Aeschylus: Literary Adaptation of Traditional Form', ''CP'' 74: 187-213.
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* Nagy, G. (1996) ‘Mimesis in lyric: Sappho’s Aphrodite and the Changing Woman of the Apache’, in id., ''Poetry as Performance: Homer and Beyond''. Cambridge: 87–103.
  
* Podlecki, A. J. (1972) 'The Aeschylean Chorus as Dramatic Persona', in ''Studi classici in onore di Q. Cataudella''. Catania. 1: 187-204.  
+
* Neri, C. (2001) 'In margine a Sapph. fr. 96,8 V.', ''Eikasmós'' 12: 11-18.
  
* Schenker, David J. (1989) ''The character of the Aeschylean chorus''. Berkeley.
+
* Neri, C. (2005) 'Sudore freddo e tremore (Sapph. fr. 31,13 V. ~ Sen. Tro. 487s. ~ Apul. Met. I 13, II 30, X 10)', ''Eikasmós'' 16: 51-62 (con F. Citti).
  
* Schmidt, E.G. (ed.) (1981) ''Aischylos und Pindar. Studien zu Werk und Nachwirkung''. Berlin. ''Schriften zur Geschichte und Kultur der Antike'' 19.
+
* Nobili, C. (2016) 'Mercanti e cortigiane: la fortuna di un topos da Saffo a Eliodoro', ''Rivista di Filologia e Istruzione Classica'' 144: 5-24.
  
* Scott, William C. (1984) ''Musical design in Aeschylean theater''. Hanover and London.
+
* Peponi, A.-E. (1985) 'Narrative Modes in a lyric  litê: Sappho 1 L.P' ''Philologos'' 41: 244-259. (in Greek)
  
===== Aeschylus: ''Oresteia'' =====
+
* Peponi, A.-E. (1995) 'Lyric Transformations of Epic Helen: the Technique of Poetic Suppression in Sappho 16 L.P.' in ''Proceedings of the 7th International Symposium of Ithaki'': 315-328. (in Greek)
* Conacher D. J. (1974) ‘Interaction between chorus and characters in the ''Oresteia'' ’, ''AJPh'' 95: 323-343.
 
  
* Käppel, Lutz (1998) 'Die Rolle des Chores in de ''Orestie'' des Aischylos: Vom epischen Erzähler über das lyrische Ich zur dramatis persona' in ''Der Chor im antiken und modernen Drama'', eds. Riemer, P. and B. Zimmermann. Stuttgart. ''Drama'' 7: 61-88.
+
* Peponi, A.-E. (1997) 'Mythoplokos Eros: Sappho’s Allusion to her Poetics' in ''Acta: First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-T. Papademetriou. Athens: 139-165. (in Greek)
  
* Scott, W. (1984) 'The Splitting of Choral Lyric in Aeschylus' ''Oresteia'' ', ''AJPh'' 105: 150-165.
+
* Peterson, L.H. (1994) ‘Sappho and the making of Tennysonian lyric’, ''English Literary History'' 61: 121–37.
  
===== Aeschylus: ''Agamemnon'' =====
+
* Powell, J. (2007) ''The Poetry of Sappho''. Oxford.
* Adrados, F.R. (1989) 'La divination dans les choeurs de l' ''Agamemnon'' d' Eschyle', ''Revue des Etudes Grecques'' 102: 295-307.
 
  
* Athanassaki, L. (1994) 'Choral and Prophetic Discourse in the First Stasimon of the ''Agamemnon'' ', ''CJ'' 89: 149-62.
+
* Prins, Y. (1999) ''Victorian Sappho''. Princeton, N.J. and Chichester.
  
* Fletcher, Judith (1999) ’Choral voice and narrative in the first stasimon of Aeschylus ''Agamemnon'' ’, ''Phoenix'' 53: 29-49.
+
* Rawles, R. (2006) 'Notes on the interpretation of the 'New Sappho' ' ''ZPE'' 157: 1-7.
** Abstract: This article examines represented speech in the first stasimon of Agamemnon. I argue that the speech of the domwn profhtai at 410 ff. is deliberately open-ended and thus double-voiced. It functions to change the perspective of the chorus from the vantage point of the Atreidae to the more critical perspective of the Argive citizens.
 
  
* Gantz, G. (1983) ‘The chorus of Aischylos' ''Agamemnon'' ’, ''HSPh'' 87: 65-86.
+
* Rayor, D.J. (1991) ''Sappho’s Lyre: Archaic Lyric and Women Poets of Ancient Greece: Translations, with introduction and notes by D. J.R.'' Berkeley.  
  
* Harriot, R.M. (1982) 'The Argive Elders, the Discerning Shepherd and the Fawning Dog: Misleading Communication in the ''Agamemnon'' ', ''Classical Quarterly'' 32: 9-17.
+
* Reynolds, M. (1999) (ed.) ''The Sappho Companion''. London.
  
* Lynn-George, M. (1993) 'A reflection on Homeric dawn in the parodos of Aeschylus, ''Agamemnon'' ', ''Classical Quarterly'' 43: 1-9.
+
* Reynolds, M. (2003) ''The Sappho History''. Basingstoke.
  
* Schenker, David J. (1991) ‘A study in choral character: Aeschylus, ''Agamemnon'' 489-502’, ''TAPhA'' 121: 63-73.
+
* Rösler, W. (1990) ‘Realitätsbezug und Imagination in Sapphos Gedicht ΦΑΙΝΕΤΑΙ ΜΟΙ ΚΗΝΟΣ’, in ''Der Übergang von der Mündlichkeit zur Literatur bei den Griechen'', ed. W. Kullmann and M. Reichel. Tübingen: 271–87.
  
* Sienkewicz, T. J. (1980) 'Circles, Confusion, and the Chorus of ''Agamemnon'' ', ''Eranos'' 78: 133-142.
+
* Rösler, W. (1992) ‘Homoerotik und Initiation: Über Sappho’, in ''Homoerotische Lyrik. 6. Kolloquium der Forschungsstelle für europäische Lyrik des Mittelalters an der Universität Mannheim'', ed. T. Stemmler. Tübingen: 43–54.
  
* Smethurst, M. J. (1972) ‘The authority of the elders. The ''Agamemnon'' of Aeschylus’, ''CPh'' 67: 89-93.
+
* Segal, C.P. (1998) ‘Beauty, desire, and absence:Helen in Sappho, Alcaeus, and Ibycus’, in ''Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham,Md.: 63–83.
  
* Thiel, R. (1993) ''Chor und tragische Handlung im Agamemnon des Aischylos'' Stuttgart. ''Beiträge zur Altertumskunde'' 35.
+
* Skinner, M.B. (1993) ‘Woman and language in archaic Greece, or, why is Sappho a woman?’, in ''Feminist Theory and the Classics'', ed. N. S. Rabinowitz and A. Richlin. New York: 125–44. (Reprinted with slight changes in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene. Berkeley and London 1996: 175–92).
  
===== Aeschylus: ''Choephori'' =====
+
* Skinner, M.B. (2002) ‘Aphrodite garlanded: Erôs and poetic creativity in Sappho and Nossis’, in ''Among Women: From the Homosocial to the Homoerotic in the Ancient World'', ed. N. S. Rabinowitz and L. Auanger. Austin: 60–81.
* Stinton, T.C.W. (1979) ‘The First Stasimon of Aeschylus’ ''Choephori'' ’, ''CQ'' ns 29: 252-62. Reprinted in his (1990) ''Collected Papers on Greek Tragedy''. Oxford: 384-96.
 
  
===== Aeschylus: ''Eumenides'' =====
+
* Slings, S.R. (1988) 'Sappho fr. 1,19', ''Zeitschrift für Papyrologie und Epigraphik'' 72: 19-20.  
* Faraone, Christopher A. (1985) 'Aeschylus' Hymnos Desmios (''Eum''. 306) and Attic Judicial Curse Tablets', ''Journal of Hellenic Studies'' 105: 150-54.
 
  
* Maxwell-Stuart, P.G. (1973) 'The Appearance of Aeschylus' Erinyes', ''Greece & Rome'' 20: 81-84.
+
* Slings, S.R. (1991) 'Sappho fr. 1, 8 V.: Golden house or golden chariot?', ''Mnemosyne'' 44: 404-410.  
  
* Prins, Y. (1991) 'The power of the speech act: Aeschylus' furies and their binding song', ''Arethusa'' 24: 177-195.
+
* Slings, S.R. (1994) 'Sappho, fr. 94, 10', ''Zeitschrift für Papyrologie und Epigraphik'' 102: 8.  
  
* Roisman, H.M. (1989) 'The opening of the second stasimon in Aeschylus' ''Eumenides'' ', ''Eranos'' 87: 7-11.
+
* Slings, S.R. (1994) 'Two notes on Sappho's wedding songs', ''Mnemosyne'' 47: 677-679.
  
===== Aeschylus: ''Persae'' =====
+
* Snyder, J. M. (1997) ''Lesbian Desire in the Lyrics of Sappho''. New York.  
* Bednarczyk-Kedziorek, Ewa (1988) ’The chorus as a narrator in the Persae of Aeschylus’, ''SPhP'' 7: 23-35.
 
  
* Michelini, A.N. (1982) ''Tradition and Dramatic Form in The Persians of Aeschylus''. Leiden.
+
* Steinrück, M. (1999) 'Homer bei Sappho?', ''Mnemosyne'' 52: 139-149.
  
* Schenker, David J. (1994) 'The Queen and the chorus in Aeschylus' ''Persae'' ', ''Phoenix'' 48: 283-293.
+
* Steinrück, M. (2000) 'Neues zu Sappho", ''ZPE'' 131: 10-12.
  
===== Aeschylus: ''Prometheus'' =====
+
* Steinrück, M. (2000) 'Sappho sans sa vie', in ''Biographie des hommes - biographie des dieux'', ed. M.-L. Desclos. Grenoble: 113-127.
* Flintoff, E. (1984) ‘Athetos at ''Prometheus vinctus'' 150’, ''Hermes'' 112: 367-372.
 
  
* Golden, L. (1966) ''In Praise of Prometheus''. Chapel Hill.
+
* Steinrück, M. (2008) 'Sapphos Alterslied und kein Ende', ''QUCC'' 86: 89-94.
  
* Inoue, E. (1977) ‘Prometheus as teacher and the chorus's descent, ''P. V.'' 278 ff.’, ''CQ'' 27: 256-260.
+
* Steinrück, M. (2010) 'Sappho und die Wahrheit (Ergänzungen zu Fr. 88 V.)', QUCC 94, 79-87.
  
* Karsai, György (2001) ’The structure of ''Prometheus Bound'' ’, ''AAntHung'' 41 (3-4): 293-302.
+
* Stehle, E. (1990) ‘Sappho’s gaze: fantasies of a goddess and a young man’, ''Differences'' 2: 88–125. (Reprinted with slight changes in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene. Berkeley and London 1996: 193–225.)
  
* Scott, William C. (1987) ’The development of the chorus in ''Prometheus bound'' , ''TAPhA'' 117: 85-96.
+
* Suárez de la Torre, E. (2000) 'Safo: el alma, el verso, el cuerpo' in ''La mujer, alma de la literatura'', ed. por E. Moral y A. de la Villa. Valladolid: 15-27.
  
* Sienkewicz, T. (1984) ’The chorus of ''Prometheus bound''. Harmony of suffering’, ''Ramus'' 13: 60-73.
+
* Tasagarakis, O. (1979) 'Some neglected aspects of love in Sappho’s Fr. 31 LP', ''Rheinisches Museum'' 122: 97-118.
  
===== Aeschylus: ''Septem contra Thebas'' =====
+
* Tzamali, E. (1996) ''Syntax und Stil bei Sappho''. Dettelbach.
* Bagordo, A. (2003) 'L’omaggio letterario di un ateniese a un tebano (Aesch. ''Sept''. 774; Pind. fr. [dith.] 75.3 ss. Sn.-M.)' in ''RHYSMOS. Studi di poesia, metrica e musica greca offerti dagli allievi a Luigi Enrico Rossi per i suoi settant’anni'', ed. R. Nicolai. Roma: 205-9.
 
  
* Brown, A.L. (1977) 'Eteocles and the Chorus in the ''Seven Against Thebes'' ', ''Phoenix'' 31: 300-318.
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* Ucciardello, G. (2001) ‘Sapph. frr. 88 e 159 V. in POxy. LXIV 4411’, ''ZPE'' 136: 167–8.
  
* Bruit-Zidman, L. (1991) 'La voix des femmes: Les femmes et la guerre dans ''Les Sept Contre Thèbes'' ' in ''Mélanges Étienne Bernand'', eds. Nicole Fick and Jean-Claude Carrière. Paris: Annales Littéraires de l’Université de Besançon: 43-54.
+
* Vanita, R. (1996) ''Sappho and the Virgin Mary: Same-Sex Love and the English Literary Imagination''. New York.
  
* Delcourt, Marie (1932) 'Le rôle du choeur dans ''Les Sept devant Thèbes'' ', ''l’Antiquité Classique'' 1: 25-33.
+
* Wiater, N. (2010) 'Der utopische Körper. Die Interpretation frühgriechischer Lyrik am Beispiel von Sappho frg. 31LP' in: ''Antike – Lyrik – Heute. Griechisch-römisches Altertum in Gedichten von der Moderne bis zur Gegenwart'', eds. Elit, S., Bremer, K., Reents, F. (Hgg.). Remscheid: 23-49.
  
* Goff, B. (1995) 'The Women of Thebes', ''CJ'' 90: 353-365.
+
* Williamson, M. (1995) ''Sappho’s Immortal Daughters''. Cambridge, Mass.
  
* Manton, G. R. (1961) 'The Second Stasimon of the ''Seven Against Thebes'' ', ''Bulletin of the Institute of Classical Studies'' 8: 77-84.
+
* Wilson, L.H. (1996) ''Sappho’s Sweetbitter Songs: Configurations of Female and Male in Ancient Greek Lyric''. London.
  
* Stehle, Eva (2005) 'Prayer and curse in Aeschylus’ ''Seven agaisnt Thebes'' ', ''Classical Philology'' 100: 101-22.
+
* Winkler, J.J. (1990) ‘Double consciousness in Sappho’s lyrics’, in id., ''The Constraints of Desire: The Anthropology of Sex and Gender in Ancient Greece''. New York: 162–87.
  
* Valakas, K. (1993) 'The First Stasimon and the Chorus in Aeschylus' ''Seven Against Thebes'' ', ''Studi Italiani di filologia classica'' (''SDFC''), 11.1-2: 55-86.
+
* Worman, N. (1997) ‘The body as argument: Helen in four Greek texts’, ''ClAnt'' 16: 151–203.
  
* Zimmermann, Bernhard (2002) ‘Coro e azione drammatica nei ''Sette contro Tebe'' di Eschilo’ in ''I Sette a Tebe. Dal mito alla letteratura. Atti del Seminario Internazionale, Torino 21-22 Febbraio 2001'', eds. Antonio Aloni, Elisabetta Berardi, Giuliana Besso, Sergio Cecchin. Bologna: 117-124. Review by Neil W. Bernstein, [http://ccat.sas.upenn.edu/bmcr/2003/2003-12-05.html BMCR 2003.12.05].
+
* Yatromanolakis, D. (1999) 'Alexandrian Sappho Revisited', ''Harvard Studies in Classical Philology'' 99: 179-195.(reprinted in (2002) ''Greek Literature. Vol. 7: Greek Literature in the Hellenistic Period'', ed. G. Nagy. New York/London.)
  
===== Aeschylus: ''Supplices'' =====
+
* Yatromanolakis, D. (1999) 'When Two Fragments Meet: Sapph. fr. 22 V.', ''ZPE'' 128: 22-23.
* Hester, D. A. (1987) ’A chorus of one Danaid’, ''Antichthon'' 21: 9-18.
 
  
* Murnaghan, Sheila (2005) 'Women in Groups: Aeschylus' ''Suppliants'' and the Female Choruses of Greek Tragedy' in ''The Soul of Tragedy: Essays on Athenian Drama'', eds. Victoria Pedrick and Steven M. Oberhelman. Chicago: 183-198.
+
* Yatromanolakis, D. (2001) 'Visualizing Poetry: An Early Representation of Sappho', ''Classical Philology'' 96: 159-168.
  
==== Sophocles ====
+
* Yatromanolakis, D. (2003) 'Ritual Poetics in Archaic Lesbos: Contextualizing Genre in Sappho', in ''Towards a Ritual Poetics'', D. Yatromanolakis and P. Roilos. Athens: 43-59.
  
===== Sophocles: ''General'' =====
+
* Yatromanolakis, D. (2004) 'Exploring Lyric Tropes', ''Synkrise/ Comparaison'' 15: 70-79.
* Bagordo, A. (2003) 'Sofocle e i lirici: tradizione e allusione' in ''Il dramma sofocleo: testo, lingua, interpretazione (Atti del Simposio Verona 24–26.1.2002)'', G. Avezzù (a c. di). Stuttgart/Weimar: 5-15.
 
  
* Burton, R.W.B. (1980) ''The Chorus in Sophocles' Tragedies''. Oxford.
+
* Yatromanolakis, D. (2004) ‘Fragments, brackets, and poetics: on Anne Carson’s If Not, Winter’, International Journal of the Classical Tradition 11: 266–72.
  
* Davidson, J.F. (1986) ’Chorus, theatre, text, and Sophocles’ in ''Studies in honour of T. B. L. Webster'', eds. J.H. Betts, J.T. Hooker and J.R. Green. Bristol: 69-78.
+
* Yatromanolakis, D. (2005) 'Contrapuntal Inscriptions', ''ZPE'' 152: 16-30.
  
* Davidson, J.F. (1991) 'Starting a Choral Ode: Some Sophoclean Techniques', ''Prudentia'' 23.1: 31-44.
+
* Yatromanolakis, D. (2006) 'A Lyric Epos', ''Helenika'' 56: 381-388.
  
* Esposito, S.J. (1984) ''The chorus in Sophocles. The tension of foreground and background in ''Philoctetes'' and ''Trachiniae''.'' Baltimore.
+
* Yatromanolakis, D. (2007) ''Sappho In The Making: The Early Reception''. Cambridge, MA.
  
* Esposito, S. (1996) 'The Changing Role of the Sophoclean Chorus', ''Arion'' 4: 85-114.
+
* Yatromanolakis, D. (2008) 'P.Colon. inv. 21351 + 21376 and P.Oxy. 1787 fr. 1: Music, Politics, and Hellenistic Anthologies', ''Hellenika'' 58: 237-255.
  
* Gardiner, C.P. (1974) ''The dramatic character and function of the Sophoclean chorus''. Princeton.
+
* Yatromanolakis, D. (2008) ''Fragments of Sappho: A Commentary''. Cambridge, Mass.
  
* Gardiner, C.P. (1987) ''The Sophoclean Chorus: A Study of Charakter and Function''. Iowa City.
+
* Yossi, M.J., D. Kioussi and A. Tatsi (eds) (2004) ''Thelxis. Fifteen Essays on Sappho''. Athens: Smili Editions. Articles by B. Gentili, C. Calame, J. McIntosh Snyder, J. J. Winkler, E. Greene, A. Lardinois, P. A. Rosenmeyer. I. Le. Pfeijffer, K. Stanley, Ch. Segal, W. Stehle Stigers. J. Svenbro, E. Robbins, R. Palmisciano, Anne Carson translated into modern Greek with an Introduction by the Editors. (an En Kyklo publication)
  
* Heikkilä, Kai (1991) ’Now I have the mind to dance: the references of the chorus to their own dancing in Sophocles' tragedies’, ''Arctos'' 25: 51-68.
+
* Yossi, Mary J. (Μ.Ι. Γιόση)  (2008)  'Τεθνάκην δ’ἀδόλως θέλω. Αποσπάσματα ερωτικού (;) λόγου. Σαπφώ απ..94 V.' ['tethnaken d’ adolos thelo (Sappho Fr. 94 V.): Fragments of erotic (?) discourse'], in:  ''Proceedings of the XII International Symposium on Sappho (Leukada, July 25-28, 2007)'', 25-34.
  
* Kurtz, J.G. (1984) ''Some observations about the dianoia of the chorus in Sophocles' Theban plays''. Boston.
+
* Zellner, H.M. (2006) 'Sappho's proof that death is an evil', ''GRBS'' 46: 333-337.
  
* Paulsen, T. (1989) ''Die Rolle des Chors in den späten Sophokles-Tragödien: Untersuchungen zu ''Elektra'', ''Philoktet'' und ''Oidipus auf Kolonos''.'' Bari.
+
* Zonana, J. (1990) ‘Swinburne’s Sappho: The Muse as sister-goddess’, ''Victorian Poetry'' 28: 39–50.
  
* Riemer, P. (1998) 'Chor und Handlung in den Tragödien des Sophokles' in ''Der Chor im antiken und modernen Drama'', eds. Riemer, P. and B. Zimmermann. Stuttgart. ''Drama'' 7: 89-111. With emphasis on the ''Trachiniae''.
+
=== Alcaeus ===
 +
* Andrisano, A. (2001) ‘Iambic motifs in Alcaeus' lyrics’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md., and Oxford: 41-64.
  
* Rosenmeyer, T.G. (1993) 'Elusory Voices: Thoughts about the Sophoclean Chorus' in ''Nomodeiktes: Greek Studies in Honor of Martin Oswald'', eds. R.M. Rosen and J. Farrell. Ann Arbor: 557-571.
+
* Bachvarova, M.R. (2007) 'Oath and allusion in Alcaeus fr. 129' in ''Horkos. The Oath in Greek Society'', eds. Alan H. Sommerstein, Judith Fletcher. Exeter: 179-188. Reviewed by Kellogg, Danielle L. (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-55.html ''BMCR'' 2008.08.55].
  
* Scott, William C. (1996) ''Muscial design in Sophoclean theater''. Hanover and London.
+
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
  
* Shucard, S.C. (1973) ‘Some developments in Sophocles' late plays of intrigue’, ''CJ'' 69: 133-138. (''Philoctetes'' and ''Electra'')
+
* Buè, F. (2016), 'The λεπάς in Alcaeus. A Study on fr. 359 Voigt', GRMS, 4, 2016, pp. 14-37.
  
===== Sophocles: ''Ajax'' =====
+
* Caciagli, S. (2009) 'Lupi e codardi nell’Heraion di Lesbo', ''ZPE'' 171: 216-220.
  
===== Sophocles: ''Antigone'' =====
+
* Caciagli, S. (2009) 'Un serment violé chez Alcée', ''REG'' 122.1: 185-200.
* Coleman, R. (1972) ‘The rôle of the chorus in Sophocles' ''Antigone''’, ''PCPhS'' 18: 4-27.
 
  
* Crane, G. (1989) 'Creon and the Ode to Man in Sophocles' ''Antigone'' ', ''Harvard Studies in Classical Philology'' 92: 103-116.
+
* Cairns, F. (1983). ‘Alcaeus’ Hymn to Hermes, P. Oxy 2734 Fr. 1 and Horace Odes 1,10’, Quaderni Urbinati di Cultura Classica 42: 29-35.
  
* Harder, M.A. (1995) 'Lips sealed by Fear?: Het koor in Sophokles' ''Antigone'' ', ''Lampas'' 28: 217-235. (in Dutch)
+
* Cannatà Fera, M. (2012) 'Sisifo in Alceo' in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 29-43.
  
* Hester, D. (1986) ’The central character(s) of the ''Antigone'' and their relationship to the chorus’, ''Ramus'' 15: 74-81.
+
* Cazzato, V. (2016) '‘Symposia en plein air in Alcaeus and others’, in ''The Cup of Song. Essays on Poetry and the Symposion'', eds. V. Cazzato, D. Obbink, E. Prodi, Oxford.
  
* Kitzinger, Rachel (2008) ''The choruses of Sophokles' ''Antigone'' and ''Philoktetes'': a dance of words. Mnemosyne Supplementa'' 292. Leiden, Boston: Brill.
+
* Gagné, R. (2009) 'Atreid Ancestors in Alkaios', ''Journal of Hellenic Studies'' 129: 39-43.
  
* McDevitt, A.S. (1972) ‘Sophocles' praise of man in the ''Antigone''’, ''Ramus'' 1: 152-164.
+
* Hutchinson, G.O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
* McDevitt, A.S. (1982) ‘The first kommos of Sophocles' ''Antigone'', ''Ramus'' 11: 134-144.
+
* Kurke, L. (1994) 'Crisis and Decorum in Sixth–Century Lesbos: Reading Alkaios Otherwise', ''Quaderni Urbinati di cultura classica'', n.s. 47: 67-92.
  
* McDevitt, A.S. (1991) ‘Wrong again, or who'd be a chorus (Sophocles' ''Antigone''), ''LCM'' 16: 71.
+
* Lelli, E. (2006) ''Volpe e leone. Il proverbio nella poesia greca (Alceo, Cratino, Callimaco). Filologia e critica, 93''. Roma: Edizioni dell'Ateneo. [http://catdir.loc.gov/catdir/toc/casalini05/06544053.pdf Table of Contents]. Reviewed by Massimiliano Ornaghi, [http://ccat.sas.upenn.edu/bmcr/2008/2008-01-39.html BMCR 2008.01.39].
  
* Petrovic, Andrej (2002) 'Der simonideische makros logos und die sophokleische ''Antigone''. Zur Identifizierung einer alten dramatischen Gestaltungsweise', ''Phaos Revista de Estudos Classicos'' 2: 121-131.
+
* Lelli, E. (2010) 'La pragmatica proverbiale di Alceo' in ''ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.)'' ed. E. Lelli. Pisa/Roma: 53-60.  
  
* Psaroudakēs, Stelios (1990) 'Antigone and the nine ugly Muses', ''Classical Association News'' 2: 6-7. This is a critique of a performance of ''Antigone'' in London in 1990. It argues that, although there is a lot we can do musicwise with the information we have about music in tragedy, people choose to ignore this information, and as a result avoid its application, producing "musicless" versions of the plays, totally detached from ancient intentions and styles.
+
* Lentini, G. (2002) 'I simposi del tiranno: Sui frr. 70–72 V. di Alceo' in ''ZPE'' 139: 3–18.
  
* Rösler, W. (1983) 'Der Chor als Mitspieler. Beobachtungen zur ''Antigone'' ', ''A&A'' 29: 107-124.
+
* Liberman, G. (1999) ''Alcée: Fragments''. (2 vols.). Paris.
  
* Schwinge, E.R. (1971) 'Die Rolle des Chors in der sophokleischen ''Antigone'' ', ''Gymnasium'' 78: 294-321.
+
* Nagy, Gregory (1993) ‘Alcaeus in sacred space’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 221–5.
  
* Sourvinou-Inwood, C. (1989) 'The fourth stasimon of Sophocles' ''Antigone'' ', ''Bulletin of the Institute of Classical Studies'' 36: 141-165.
+
* Neri, Camillo (1996) 'Poeti, filologi e patelle (Alcae. fr. 359 V., Dicaearch. fr. 99 Wehrli, Ar. Byz. fr. 367 Sl.)', ''Eikasmós'' 7: 25-55.
  
===== Sophocles: ''Electra'' =====
+
* Pardini, A. (1991) ‘La ripartizione in libri dell’opera di Alceo: Per un esame della questione’, ''RFIC'' 119: 257–84.
* Ierulli, Molly (1993) ’A community of women? The protagonist and the chorus in Sophocles' ''Electra''’, ''Métis'' 8 (1-2): 217-229.
 
  
* Paulsen, T. (1989) ''Die Rolle des Chors in den späten Sophokles-Tragödien: Untersuchungen zu ''Elektra'', ''Philoktet'' und ''Oidipus auf Kolonos''.'' Bari.
+
* Porro, A. (1990) ‘La fortuna di Alceo: tradizione e studio della poesia alcaica fino al II sec.d.C.’, Aevum(ant) 3: 75–98.
  
* Shucard, S.C. (1973) ‘Some developments in Sophocles' late plays of intrigue’, ''CJ'' 69: 133-138. (''Philoctetes'' and ''Electra'')
+
* Porro, A. (1994) ''Vetera Alcaica: L’esegesi di Alceo dagli Alessandrini all’età imperiale''. Milan.
  
===== Sophocles: ''Oedipus Coloneus'' =====
+
* Porro, A. (1995) ‘Alceo e le metafore dei giochi simposiali’, in ''Studia classica Iohanni Tarditi oblata'', ed. L. Belloni et al., vol. I. Milan: 357–68.
* Dhuga, U.S. (2005) ‘Choral Identity in Sophocles' ''Oedipus Coloneus'', ''American Journal of Philology'' 126.3: 333-62. [http://muse.jhu.edu/journals/american_journal_of_philology/v126/126.3dhuga.pdf PDF].
 
  
* Falkner, Thomas M. (1987) ’Strengthless, Friendless, Loveless: the Chorus and the Cultural Construction of Old Age in Sophocles' ''Oedipus at Colonus''’ in ''From the Bard to Broadway'', ed. K. Hartigan. Lanham: 51-59.
+
* Porro, A. (2004) ‘Alcaeus’, in ''Commentaria et lexica Graeca in papyris reperta, pars I, vol. 1, fasc. 1: Aeschines-Alcaeus'', ed. G. Bastianini et al. Munich and Leipzig: 75–246.
  
* Paulsen, T. (1989) ''Die Rolle des Chors in den späten Sophokles-Tragödien: Untersuchungen zu ''Elektra'', ''Philoktet'' und ''Oidipus auf Kolonos''.'' Bari.
+
* Segal, C. P.  (1998) ‘Beauty, desire, and absence: Helen in Sappho, Alcaeus, and Ibycus’, in ''Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham,Md.: 63–83.
  
* Travis, Roger Matthew (1996) ''Allegorical fantasy and the chorus in Sophocles' ''Oedipus Coloneus''.'' PhD dissertation Berkeley.
+
* Yatromanolakis, D. (2008) 'Genre Categories and Interdiscursivity in Alkaios and Archaic Greece', ''Synkrise/Comparaison'' 19: 169-187.
  
* Travis, Roger Matthew (1999) ''Allegory and the tragic chorus in Sophocles' ''Oedipus at Colonus''.'' Lanham. Reviewed by Edmunds, Lowell (2001) ''CR'' 51.2: 379.
+
=== Incertum utrius auctoris fragmenta ===
  
===== Sophocles: ''Oedipus Tyrannus'' =====
+
=== Alcman ===
* Ax, W. (1932) 'Die Parodos des ''Oedipus Tyrannos'' ', ''Hermes'' 67: 413-437.
+
Cf. The [http://alkman.georgehinge.com/bibliographie.html Alcman bibliography] that is maintained by George Hinge. This website forms part of a project on the dialect of Alcman (in German with a summary in English and Danish).
  
* Carey, C. (1986) ’The second stasimon of Sophocles' ''Oedipus Tyrannus''’, ''JHS'' 106: 175-179.
+
* Athanassaki, L. (2009) ''ἀείδετο πὰν τέμενος. Οι χορικές παραστάσεις και το κοινό τους στην αρχαϊκή και πρώϊμη κλασική περίοδο''. Herakleion. Study of choral performance contexts especially in Alcman, Pindar, and Bacchylides. [http://www.cup.gr/ViewShopProduct.aspx?ProductId=279696&LangId=1 More information].
  
* Conacher, Desmond J. (1999) ''Oedipus'' without footnotes’, ''EMC'' 18.1: 35-44.
+
* Bagordo, A. (1998) 'Zu Alkman, Fr. 17 Davies', ''Hermes'' 126: 259–-68.
  
* Erp Taalman Kip, A.M. van (1976) ‘Some reflections on the chorus in Sophocles' ''Oedipus Tyrannus''’, in ''Miscellanea tragica in honorem J. C. Kamerbeek'', eds. J.M. Bremer, S.L. Radt and C.J. Ruijgh. Amsterdam: 71-83.
+
* Bierl, Anton (2007) 'L'uso intertestuale di Alcmane nel finale della Lisistrata di Aristofane. Coro e rito nel contesto performativo' in ''Dalla lirica corale alla poesia drammatica. Forme e funzioni del canto corale nella tragedia e nella commedia greca'', eds. F. Perusino and M. Colantonio. Pisa: 259–290. With a comparison between Alcman and the last songs in Ar. ''Lysistrata''.
  
* Machin, A. (1989) 'Sur le troisième stasimon d' ''Oedipe-Roi'' ', ''Revue des études grecques'' 102: 192-201.
+
* Bierl, Anton (2011), ‘Alcman at the End of Aristophanes' Lysistrata: Ritual Interchorality", in: L. Athanassaki, E. Bowie (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'' (Trends in Classics, Supp. 10), Berlin/New York: 415–436.
  
* McDevitt, A.S. (1969) ‘The dramatic integration of the chorus in ''Oedipus Tyrannus''’, ''Classica et mediaevalia'' 30: 78-101.
+
* Bowie, Ewen (2011), 'Alcman's First Partheneion and what the Sirens sang', in: L. Athanassaki, E. Bowie (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'' (Trends in Classics, Supp. 10), Berlin/New York, 33-66.
  
* Sansone, D. (1975) ‘The third stasimon of the ''Oedipus Tyrannos''’, ''CPh'' 70: 110-117.
+
* Buè,F. (2015), 'La musica degli uccelli e la parola del divino: Alcmane e Messiaen', RCCM, 2, pp. 365-383.
  
* Segal, C. (1997) 'The Chorus and the Gods in ''Oedipus Tyrannus'' ', ''Arion'' 4: 20-32.
+
* Buè,F. (2018), 'The Voice of Doves', RCCM, 1, pp. 25-45.
  
* Sidwell, K. (1992) 'The argument of the second stasimon of ''Oedipus Tyrannus'' ', ''Journal of Hellenic Studies'' 112: 106-122.
+
* Caciagli, Stefano (2009) 'Un contesto per Alcm. PMGF 1', ''Eikasmos'' 20: 19-46.
  
* Vellacott, P.H. (1967) ‘The chorus in ''Oedipus tyrannus''’, ''G&R'' 14: 109-125.
+
* Calame, Claude (1983) ''Alcman. Texte critique, témoignages, traduction et commentaire''. Roma.
  
* Winnington-Ingram, R.P. (1971) ‘The second stasimon of the ''Oedipus Tyrannus'', ''JHS'' 91: 119-135.
+
* Carey, Chris (2011), 'Alcman: From Laconia to Alexandria', in: . Athanassaki, E. Bowie (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'' (Trends in Classics, Supp. 10), Berlin/New York: 437-61.
  
===== Sophocles: ''Philoctetes'' =====
+
* Clark, Christina A. (1996) ‘The Gendering of the Body in Alcman’s ''Partheneion'' 1: Narrative, Sex, and Social Order in Archaic Sparta’, ''Helios'' 23: 143-172.
* Bers, V. (1981) ‘The perjured chorus in Sophocles' ''Philoctetes''’, ''Hermes'' 109: 500-504.
 
  
* Davidson, John (1991) ’The Philoctetes stasimon’, ''LCM'' 16: 125-128.
+
* Felson, N. (ed.) (2004) ‘The poetics of deixis in Alcman, Pindar and other lyric’, ''Arethusa'' 37.3: 253–468.
  
* Esposito, S.J. (1984) ''The chorus in Sophocles. The tension of foreground and background in ''Philoctetes'' and ''Trachiniae''.'' Baltimore.
+
* Ferrari, Gloria (2008) ''Alcman and the Cosmos of Sparta''. Chicago and London. Reviewed by A. J. Podlecki [http://bmcr.brynmawr.edu/2009/2009-10-59.html ''BMCR'' 2009.10.59].
  
* Haldane, J.A. (1963) 'A Paean in the ''Philoctetes'' ', ''CQ'' 13: 53-56.
+
* Hinge, George (2006) ''Die Sprache Alkmans: Textgeschichte und Sprachgeschichte''. Wiesbaden: Dr. Ludwig Reichert Verlag. ''Serta Graeca'' 24. Cf. his website [http://alkman.georgehinge.com/index.html Die Sprache Alkmans].
  
* Kitzinger, Rachel (2008) ''The choruses of Sophokles' ''Antigone'' and ''Philoktetes'': a dance of words. Mnemosyne Supplementa'' 292. Leiden, Boston: Brill.
+
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
* Paulsen, T. (1989) ''Die Rolle des Chors in den späten Sophokles-Tragödien: Untersuchungen zu ''Elektra'', ''Philoktet'' und ''Oidipus auf Kolonos''.'' Bari.
+
* Lillo, A. (1995) ‘El hapax κλεεννά y la lengua poética de Alcmán’, ''Emerita'' 63: 21–45.
  
* Schein, Seth L. (1988) ’The chorus in Sophocles' ''Philoctetes''’, ''SIFC'' 6: 196-204.
+
* Patterson, Lee E. (2005) 'Alcman’s Partheneion and Eliade’s Sacred Time', ''Classical and Modern Literature'' 25.1: 115-27.
  
* Shucard, S.C. (1973) ‘Some developments in Sophocles' late plays of intrigue’, ''CJ'' 69: 133-138. (''Philoctetes'' and ''Electra'')
+
* Peponi, Anastasia-Erasmia (2004) 'Initiating the Viewer: Deixis and Visual Perception in Alcman’s Lyric Drama', ''Arethusa'' 37.3: 295-316.
  
===== Sophocles: ''Trachiniae'' =====
+
* Peponi, Anastasia-Erasmia (2007) 'Sparta’s Prima Ballerina: ''Choreia'' in Alcman's Second ''Partheneion'' (3 ''PMGF'')', ''Classical Quarterly'' 57.2: 351-62.
* Easterling, P.E. (1981) ‘The end of the ''Trachiniae'', ''ICS'' 6.1: 56-75.
 
  
* Esposito, S.J. (1984) ''The chorus in Sophocles. The tension of foreground and background in ''Philoctetes'' and ''Trachiniae''.'' Baltimore.
+
* Peron, Jacques (1987) ‘Demi-chœurs chez Alcman, Parth. I, v. 39-59’, ''Grazer Beiträge'' 14: 35-53.
  
* Esposito, S.J. (1997) 'The Third Stasimon of Sophocles' ''Trachiniae'' ', ''Classical World'' 91.1: 21-38.
+
* Priestley, J.M. (2007) 'The φαρος of Alcman's ''Partheneion'' 1', ''Mnemosyne'' 60.2: 175-95.
  
* Parry, H. (1986) 'Aphrodite and the Furies in Sophocles' ''Trachiniae'' ', in ''Greek Tragedy and its Legacy: Essays Presented to D.J. Conacher'', M. Cropp et al. (eds.). Calgary: 103-114.
+
* Poltera, O. (1997) ''Le langage de Simonide: Etude sur la tradition poétique et son renouvellement''. (Sapheneia 1). Bern.
  
* Riemer, P. (1998) 'Chor und Handlung in den Tragödien des Sophokles' in ''Der Chor im antiken und modernen Drama'', eds. Riemer, P. and B. Zimmermann. Stuttgart. ''Drama'' 7: 89-111. With emphasis on the ''Trachiniae''.
+
* Puelma, M. (1995) ‘Die Selbstbeschreibung des Chores in Alkmans großem Partheneion-Fragment (fr. 1 P. = 23 B., 1 D. V. 36–105)’, in M. Puelma, Labor et lima: Kleine Schriften und Nachträge, ed. I. Fasel. Basel: 51–110. [Originally published in MH 34 (1977): 1–55.]
  
* Segal, C. (1975) 'Mariage et sacrifice dans les ''Trachiniennes'' de Sophocle', ''Acta Classicorum'' 44: 30-53.
+
* Robbins, Emmet (1991) 'Alcman’s Partheneion: Legend and Choral Ceremony', ''CQ'' 44: 7-16.
  
* Solmsen, F. (1985) ‘ἀλλ’ εἰδέναι χρὴ δρῶσαν: The meaning of Sophocles' ''Trachiniai'' 588-93’, ''AJPh'' 106: 490-496.
+
* Robbins, Emmet (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. Douglas E. Gerber. Leiden: 223–42.
  
==== Euripides (tragedy) ====
+
* Rossi, L. E. (1993) ‘Lirica arcaica e scoli simposiali (Alc. 249,6–9 V. e carm. conv. 891 P.)’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 237–46.
===== Euripides: ''General'' =====
 
* Furley, W.D. (2000) 'Hymns in Euripidean Tragedy' in ''Euripides and Tragic Theater in the Late Fifth Century'', M. Cropp, K. Lee, D. Sansone (eds.). Champaign.
 
  
* Henrichs, A. (1996) 'Dancing in Athens, Dancing on Delos: Some Patterns of Choral Projection in Euripides', ''Philologus'' 140: 48-62.
+
* Sassi, M. M. (2005) ‘Poesie und Kosmogonie: Der Fall Alkman’, in ''Frühgriechisches Denken'', ed. G. Rechenauer. Göttingen: 63–80.
  
* Hose, M. (1990) ''Studien zum Chor bei Euripides. Teil 1: Einführung, Chor im Eingang, Chor in Handlung''. Stuttgart (Beiträge zur Altertumskunde. 10).
+
* Swift L. (2016) ‘Visual Imagery in Parthenaic Song’, in The Look of Lyric: Greek Song and the Visual, eds V. Cazzato and A. Lardinois. Leiden: 255-97
  
* Hose, M. (1991) ''Studien zum Chor bei Euripides. Teil 2: Das Chorlied, die Chortragödien, die Rolle des Chores in den Tragödien des Euripides''. Stuttgart (Beiträge zur Altertumskunde. 20).
+
* Too, Y. L. (1997) ‘Alcman’s Parthenion: the maidens dance the city’, ''QUCC'' 85 (= n.s. 56.2): 7–29.
  
* MacClure, L. (1995) 'Female Speech and Characterization in Euripides' in ''Lo spettacolo delle voci'', F. de Martino and A.H. Sommerstein (eds.). Bari: 35-60.
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=== Stesichorus ===
 +
* Arrighetti, G. (1995) 'L'arte di Stesicoro nel giudizio degli antichi', in ''Poésie et lyrique antiques: Actes du colloque organisé par C. Meillier à l’Université Charles-de-Gaulle, Lille III, 2-4 juin 1993'', ed. L. Dubois. Lille: 55-72.
  
* Mantziou, M. (1981) Hymns and Hymnal Prayers in fifth-century Greek Tragedy with special Reference to Euripides. PhD thesis London.
+
* Barker, Andrew (2001) 'La musica di Stesicoro', ''Quaderni Urbinati di Cultura Classica'' 67.1: 7-20.
  
* Mastronarde, Donald J. (1998) 'Il coro euripideo: autorità e integrazione', ''Quaderni Urbinati di Cultura Classica'' 60: 55-80.
+
* Bassi, K. (1993) ‘Helen and the discourse of denial in Stesichorus’ ''Palinode'', ''Arethusa'' 26: 51-75.  
  
* Mastronarde, Donald J. (1999) ‘Knowledge and Authority in the Choral Voice of Euripidean Tragedy’, ''Syllecta Classica'' 10: 87-104. Countervailing factors encourage and discourage identification of the audience watching a Greek tragedy with the chorus and its reliance on the chorus' interpretations. Euripides goes further than Aeschylus and Sophocles in underminding this identification.
+
* Beecroft, A.J. (2006) ‘“This is not a true story”: Stesichorus’s ''Palinode'' and the revenge of the epichoric’, ''TAPhA'' 136: 47-69.
  
* Möller, C. (1933) ''Vom Chorlied bei Euripides''. Göttingen.
+
* Blaise, Fabienne (1995) ‘Les deux (?) Hélène de Stésichore’, in ''Poésie et lyrique antique'', ed. L. Dubois, Lille: 29-40. Full text: [[Media:Blaise1995Stesichorus.pdf]].
  
* Panagl, O. (1971) ''Die "dithyrambischen Stasima" des Euripides: Untersuchungen zur Komposition und Erzähltechnik''. Wien.
+
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
  
* Phoutrides, A.E. (1916) 'The Chorus of Euripides', ''HSCP'' 27: 77-170.
+
* Campbell, D. A. (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others''. Cambridge, Mass. and London.
  
* Rehm, R. (1996/7) 'Performing the Chorus: Choral Action, Interaction, and Absence in Euripides', ''Arion'' 4: 45-60.
+
* Carruesco, J. (2012) 'Helen’s Voice and Choral Mimesis from Homer to Stesichorus' in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 149-172.
  
===== Euripides: ''Andromache'' =====
+
* Cingano, E. (1990) ‘L’Opera di Ibico e di Stesicoro nella classificazione degli antichi e dei moderni’, in ''Lirica Greca e Latina. Atti del Convegno di studi Polacco-Italiano, Poznan 2–5 maggio 1990, (AION 12)'': 189–224.
  
===== Euripides: ''Bacchae'' =====
+
* Cingano, E. (1993) ‘Indizi di esecuzione corale in Stesicoro’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 347–61.
* Arthur, M. (1972) ‘The choral odes of the ''Bacchae of Euripides'', ''YClS'' 22: 145-179.
 
  
* Murnaghan, Sheila (2006) 'The Daughters of Cadmus: Chorus and Characters in Euripides' ''Bacchae'' and ''Ion'' ' in ''Greek Drama III: Essays in Honour of Kevin Lee'', eds. John Davidson, Frances Muecke, and Peter Wilson. ''BICS'' Supplement 87. London: 99-112.
+
* D'Alessio, G. B. (2013). THE WANDERINGS OF THE THESTORIDS:(STESICHORUS FR. 193.16-22 PMGF). Zeitschrift für Papyrologie und Epigraphik, 186, 36-37.
  
* Segal, Charles (1997) 'Chorus and community in Euripides' ''Bacchae'' ' in ''Poet, public, and performance in ancient Greece'', Lowell Edmunds and Robert W. Wallace (eds.) (with a preface by Maurizio Bettini). Baltimore (Md.): 65-86. Reviewed by Goldhill, Simon (1998) [http://ccat.sas.upenn.edu/bmcr/1998/98.2.05.html ''BMCR'' 98.2.05] and Ferrando, Serena (2000) ''Maia'' 52.2: 402-404.
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* D’Alfonso, F. (1994) ''Stesicoro e la performance: Studio sulle modalità esecutive dei carmi stesicorei''. Rome.
  
===== Euripides: ''Electra'' =====
+
* Demos, M. (1999) ''Lyric Quotation in Plato''. Lanham, Md. [Simonides, Pindar, Stesichorus]
* Baur, D. (1997) 'Chor und Tragödie unter besonderer Berücksichtigung von Euripides' ''Elektra'' ', ''Poetica'' 29: 26-47.
 
  
* Rosivach, Vincent J. (1978) 'The “Golden Lamb” Ode in Euripides’ ''Electra'' ', ''CP'' 73: 189-99.
+
* Finglass, P. J., & Kelly, A. (Eds.). (2015). ''Stesichorus in Context''. Cambridge.
  
* Zeitlin, Froma I. (1970) 'The Argive Festival of Hera and Euripides’ ''Electra'' ', ''TAPA'' 101: 645-669.
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* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
===== Euripides: ''Heracles'' =====
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* Irvine, J. A. D. (1997) ‘Keres in Stesichorus’ Geryoneis: P. Oxy. 2617 fr. 1 (A)–(B) = SLG 21 Reconsidered’, ''ZPE'' 115: 37–46.
* Kyriakou, Poulcheria (1999) ’The chorus in the ''Heracles'' and the ''Iphigeneia in Tauris'' of Euripides’, ''Hellenica'' 49.1: 7-27.
 
  
* Parry, H. (1965) 'The Second Stasimon of Euripides, ''Heracles'' (637-700)', ''AJP'' 86: 363-374.
+
* Lazzeri, Massimo (2008) ''Studi sulla Gerioneide di Stesicoro''. Quaderni del Dipartimento di scienze dell'antichità / Università degli studi di Salerno 35. Napoli: Arte tipografica.
  
===== Euripides: ''Hippolytus'' =====
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* Massimilla, G. (1995) ‘L’influsso di Stesicoro sulla poesia ellenistica’, in ''Poésie et lyrique antiques: Actes du colloque organisé par C. Meillier à l’Université Charles-de-Gaulle'', Lille III, 2–4 juin 1993, ed. L. Dubois. Lille: 41–53.
* Bond, G.W. (1980) 'A chorus in ''Hippolytus''. Manuscript text versus dramatic realism’, ''Hermathena'' 129: 59-63.
 
  
* Swift, L.A. (2006) 'Mixed Choruses and Marriage Songs: a New Interpretation of the Third Stasimon of the ''Hippolytos'' ', ''Journal of Hellenic Studies'' 126: 125-140.
+
* Müller-Goldingen, C. (2000) ‘Tradition und Innovation: Zu Stesichoros’ Umgang mit dem Mythos’, ''AC'' 69: 1–19.
** Abstract: This article uses evidence drawn from ''hymenaios'' and wedding ritual to reach a new interpretation of the third stasimon of the ''Hippolytos'', and its rôle in the play.  There is longstanding contention about whether a second (male) chorus participates in the ode, singing in antiphony with the existing tragic chorus.  Even scholars who accept that a second chorus is present have tended to regard it as an aberration which needs to be explained away, rather than a deliberate choice with poetic significance.  I discuss the cultural implications of such a chorus, examining our evidence for real-life mixed choruses, and then applying this to the ode itself.  The evidence for mixed choruses suggests they are strongly associated with marriage.  Looking more closely at the language and imagery of the ode, there are allusions to the ''topoi'' of wedding songs and ritual running through it.  The ode can use these as a device to trigger deep-rooted responses and associations from the audience, as these motifs are drawn from the cultural tradition which the audience shares.  The ''topoi'' tie in with the theme of marriage and sexuality within the ''Hippolytos'' as a whole.  But while their usual purpose is to set up conventional models and ways of thinking, the way they are deployed in the ode in fact serves to undermine these models, and to put a darker spin on the norms of sexual behaviour.  This strand of imagery therefore also provides a filter for interpreting Hippolytos’ own attitude towards sexuality, and a guide to how we are meant to respond to it.
 
  
===== Euripides: ''Ion'' =====
+
* Neri, Camillo (2008) 'Trattativa contro il fato (Stesich. PMGF 222b,176-231)', ''Eikasmós'' 19: 11-44.
* Murnaghan, Sheila (2006) 'The Daughters of Cadmus: Chorus and Characters in Euripides' ''Bacchae'' and ''Ion'' ' in ''Greek Drama III: Essays in Honour of Kevin Lee'', eds. John Davidson, Frances Muecke, and Peter Wilson. ''BICS'' Supplement 87. London: 99-112.
 
  
* Willetts, R.F. (1973) ‘Action and character in the ''Ion'' of Euripides’, ''JHS'' 93: 201-209.
+
* Noussia-Fantuzzi, M. (2013). 'A Scenario for the Portrayal of the Monster Geryon in Stesichorus’Geryoneis', Trends in Classics 5.2: 234-59.
  
===== Euripides: ''Ιphigenia Taurica'' =====
+
* Noussia-Fantuzzi, M. (2015) 'The Epic Cycle, Stesichorus, and Ibycus’ in: The Greek Epic Cycle and its ncient Reception: a companion, eds. M. Fantuzzi and C. Tsagalis. Cambridge: 430-49.
* Kyriakou, Poulcheria (1999) ’The chorus in the ''Heracles'' and the ''Iphigeneia in Tauris'' of Euripides’, ''Hellenica'' 49.1: 7-27.
 
  
===== Euripides: ''Medea'' =====
+
* Robbins, Emmet (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. D. E. Gerber. Leiden: 223–42.
* Segal, C. (1997) 'On the Fifth Stasimon of Euripides' ''Medea'' ', ''American Journal of Philology'' 118: 167-184.
 
  
===== Euripides: ''Orestes'' =====
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* Schade, G. (2003) ''Stesichoros: Papyrus Oxyrhynchus 2359, 3876, 2619, 2803''. (Mnemosyne suppl. 237). Leiden and Boston.
* Damen, Mark (1990) ’Electra's monody and the role of the chorus in Euripides' ''Orestes'' 960-1012’, ''TAPhA'' 120: 133-145.
 
  
* Psaroudakēs, Stelios (2004) 'The Orestes Papyrus: some thoughts on the dubious musical signs', in ''Studien zur Musikarchäologie IV. Musical archaeological sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 9-16 June, 2002, and other contributions. (Orient-Archäologie, 15)'', Ellen Hickmann & Ingo Laufs & Ricardo Eichmann (eds.). Rahden, Westf: Marie Leidorf GmbH: 471-92.
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* Slings, S.R. (1998) 'Hoge en lage lyriek in de zesde eeuw. I: Stesichoros', ''Hermeneus'' 70:188-195. In Dutch.
  
===== Euripides: ''Phoenissae'' =====
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* Suárez de la Torre, Emilio (2007) 'Helena, de la épica a la lírica griega arcaica (Safo, Alceo, Estesícoro)' in AA.VV., ''O mito de Helena de Tróia à actualidade''. Coimbra. vol. I: 55-79.
* Arthur, M. (1977) 'The Curse of Civilization: The Choral Odes of the ''Phoenissae'' ', ''HSCP'' 81: 163-184.
 
  
* Hartigan, Karelisa V. (2000) 'Why 'Phoenician' women?', ''Eranos'' 98: 25-31.
+
* Swift, L. (2016) ‘Stesichorus on Stage’, in Stesichorus in Context, eds P. J. Finglass and A. Kelly. Cambridge: 125-44.
  
===== Euripides: ''Supplices'' =====  
+
=== Ibycus ===
* Scully, Stephen P. (1996-1997) 'Orchestra and stage in Euripides' ''Suppliant women'' ', ''Arion'' 4.1: 61-84.
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* Bonanno, M. G. (2004) ‘Come guarire dal complesso epico: L’Ode a Policrate di Ibico’, in ''Samo. Storia, letteratura, scienza: Atti delle giornate di studio'', Ravenna, 14–16 novembre 2002, ed. E. Cavallini. Pisa and Rome: 67–96.
  
===== Euripides: ''Troades'' =====
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* Cazzato, V. (2013) ‘Worlds of erôs in Ibycus fr. 286 PMGF’, in ''Eros in Ancient Greece'', edited by E. Sanders, C. Thumiger, C. Carey, and N. Lowe, Oxford.
* Sienkewicz T.J. (1975) ''Euripides' ''Trojan Women''. An interpretative study based upon the role of the chorus and ironic development''. PhD Dissertation, Stanford University.
 
  
* Sienkewicz T.J. (1978) 'Euripides' ''Trojan Women''. An interpretation', ''Helios'' 6: 81-95.
+
* Cairns, F. (2017). ‘Beauty, Fame and Politics in Ibycus S151 PMGF’, Prometheus. Rivista di studi classici 43: 43-55.
  
=== Comic Chorus ===
+
* Cingano, E. (1990) ‘L’Opera di Ibico e di Stesicoro nella classificazione degli antichi e dei moderni’, in ''Lirica Greca e Latina. Atti del Convegno di studi Polacco-Italiano, Poznan 2–5 maggio 1990, (AION 12)'': 189–224.  
* Bierl, Anton (1999) 'Doppeltanz oder doppelte Freude? – Gedanken zum umstrittenen διπλῆν (Ar. ''Thesm''. 982) aus einer performativen Perspektive' in ''Der Chor im antiken und modernen Drama'', eds. P. Riemer and B. Zimmermann. ''Drama'' 7. Stuttgart and Weimar: 27–47.
 
  
* Bierl, Anton (2001) ''Der Chor in der Alten Komödie. Ritual und Performativität'' (unter besonderer Berücksichtigung von Aristophanes' ''Thesmophoriazusen'' und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126). It has been translated by Alex Hollmann into English as:
+
* Campbell, D. A. (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others''. Cambridge, Mass. and London.