Difference between revisions of "Bibliography"

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The goal of this site is to complement the bibliographies on archaic and classical Greek lyric, iambic and elegiac poetry collected by Douglas E. Gerber. Gerber has made an extensive and annotated overview of publications in this field between 1920 and 1989 in:
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The lists of publications on this page aim to complement Douglas E. Gerber extensive and annotated bibliographies of archaic and classical Greek lyric, and iambic and elegiac poetry for the years 1920-1989:
  
 
* Gerber, Douglas E. (1989) 'Pindar and Bacchylides 1934-1987', ''Lustrum'' 31: 97-269.
 
* Gerber, Douglas E. (1989) 'Pindar and Bacchylides 1934-1987', ''Lustrum'' 31: 97-269.
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* Gerber, Douglas E. (1994) 'Greek lyric poetry since 1920. Part II: From Alcman to fragmenta adespota', ''Lustrum'' 36: 7-188 and 285-97.
 
* Gerber, Douglas E. (1994) 'Greek lyric poetry since 1920. Part II: From Alcman to fragmenta adespota', ''Lustrum'' 36: 7-188 and 285-97.
  
Our aim is to provide a bibliography that contains relevant publications on archaic and classical Greek poetry (including the choruses of classical drama) especially after 1989. The bibliography follows Gerber's division into genres and ancient poets, but one can also use the 'search' function in the left sidebar in order to find publications.
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See, too, Arlette Neumann-Hartmann recently published bibliography for Pindar and Bacchylides covering the years 1988 - 2007:
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* Neumann-Hartmann, Arlette (2010) 'Pindar und Bakchylides (1988–2007)', ''Lustrum: Internationale Forschungsberichte aus dem Bereich des klassischen Altertums'' 52: 181–463.
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Our aim is to provide a bibliography that contains relevant publications on archaic and classical Greek poetry (including the choruses of classical drama) especially after 1989. The bibliography follows Gerber's division into genres and ancient poets, but one can also use the 'search' function in the left sidebar in order to find publications. Another way to search through the documents is to use the CTRL-F search function of your browser. In this way, one can more conveniently search for specific words in publications. Unfortunately, it is still impossible to search for themes or keywords that are not mentioned in the title.  
  
  
 
== Greek Song General ==
 
== Greek Song General ==
* Anderson, W. D. (1994) ''Music and Musicians in Ancient Greece''. Ithaca, NY.
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=== General ===
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* Alexiou, M. (2002) ''The Ritual Lament in Greek Tradition''. Second edition revised by D. Yatromanolakis and P. Roilos. Lanham/Oxford. <!-- VERWIJDERD OP VERZOEK VAN YATROMANOLAKIS Reviewed by D. Wright [http://bmcr.brynmawr.edu/2003/2003-01-10.html BMCR 2003.01.10]-->
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* Bagordo, A. (2011) 'Lyrik', in: Handbuch der griechischen Literatur der Antike, Bd. I, Zimmermann, Bernhard (ed.) München.
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* Boedeker, D. (1984) 'Descent from Heaven: Images of Dew in Greek Poetry and Religion', ''American Classical Studies'' 13.
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* Bowie, E. (2010) 'The Trojan War's Reception in Early Greek Lyric, Iambic and Elegiac Poetry' in: ''Intentional History. Spinning Time in Ancient Greece'' eds. L. Foxhall, H.-J. Gehrke, N. Luraghi. Stuttgart: 57-87.  
  
* Barker, Andrew (1984) ''Greek Musical Writings. Vol. I: The Musician and His Art''. Cambridge. [http://www.amazon.ca/gp/reader/0521235936/ref=sib_rdr_toc?ie=UTF8&p=S007&j=0#reader-page Table of Contents].
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* Briand, M. (2011), « De la parure à l’harmonie du monde : esthétique et idéologie du kosmos dans la poésie mélique grecque archaïque », L. Bodiou, Fl. Gherchanoc, V. Huet, V. Mehl, Parures et artifices : le corps exposé dans l’Antiquité, L’Harmattan, p. 217-232.  
  
* Barker, Andrew (1989) ''Greek Musical Writings. Vol. II: Harmonic and Acoustic Theory''. Cambridge. [http://www.amazon.ca/gp/reader/0521616972/ref=sib_rdr_toc?ie=UTF8&p=S006&j=0#reader-page Table of Contents].
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* Briand, M. (2012),  « Pour un parallèle intempestif. Poètes norvégiennes contemporaines / grecques anciennes », in Le Pan poétique des muses | Revue internationale de poésie entre théories & pratiques : « Poésie, Danse & Genre » [En ligne], n°2|Automne 2012, http://0z.fr/wZC2S
  
* Barker, Andrew (1995) ‘Heterophonia and poikilia: accompaniments to Greek melody’, in ''Mousike. Metrica, ritmica e musica greca in memoria di Giovanni Comotti'', eds. B. Gentili and F. Perusino. Pisa: 41-60.
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* Briand, M. (2013), "Un genre, des genres, pas de genre : sur les désignations et les pratiques grecques anciennes de la poésie d’éloge", in Alain Bègue (ed.), La poesía epidíctica del Siglo de Oro y sus antecedentes (I). Versos de elogío, Editorial Academía del Hispanismo, Vigo, p. 19-41
  
* Barker, Andrew 'Armonica’ (2001) in ''Storia della Scienza'', vol. 1, S. Petruccioli (ed.), Istituto della Enciclopedia Italiana. Rome: 909-926.
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* Budelmann, F. (ed.) (2009) ''The Cambridge Companion to Greek Lyric''. Cambridge.
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** Contents: 1. Introducing Greek lyric Felix Budelmann; Part I. Contexts and Topics: 2. Genre, occasion and performance Chris Carey; 3. Greek lyric and the politics and sociologies of archaic and classical Greek communities Simon Hornblower; 4. Greek lyric and gender Eva Stehle; 5. Greek lyric and the place of humans in the world Mark Griffith; 6. Greek lyric and early Greek literary history Barbara Graziosi and Johannes Haubold; 7. Language and pragmatics Giovan Battista D'Alessio; 8. Metre and music Luigi Battezzato; Part II. Poets and Traditions: 9. Iambos Chris Carey; 10. Elegy Antonio Aloni; 11. Alcman, Stesichorus and Ibycus Eveline Krummen; 12. Alcaeus and Sappho Dimitrios Yatromanolakis; 13. Anacreon and the Anacreontea Felix Budelmann; 14. Simonides, Pindar and Bacchylides Hayden Pelliccia; 15. Ancient Greek popular song Dimitrios Yatromanolakis; 16. Timotheus the New Musician Eric Csapo and Peter Wilson; Part III. Reception: 17. Lyric in the Hellenistic period and beyond Silvia Barbantani; 18. Lyric in Rome Alessandro Barchiesi; 19. Greek lyric from the Renaissance to the eighteenth century Pantelis Michelakis; 20. Sappho and Pindar the nineteenth and twentieth centuries Margaret Williamson; 21. Lyric and lyrics: perspectives, ancient and modern Michael Silk.
  
* Barker, Andrew (2005) ''Psicomusicologia nella Grecia Antica. A cura di Angelo Meriani. Università degli Studi di Salerno. Quaderni del Dipartimento di Scienze dell'Antichità''. Napoli. Reviewed by Raffa, Massimo [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-08.html ''BMCR'' 2006.06.08].
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* Calame, C. (1998) 'La poésie lyrique grecque, un genre inexistant?'€™, ''Littérature'' 11: 87–110. (English translation in preparation for Readings in Greek Lyric, ed. I. Rutherford. Oxford.)
  
* Barker, Andrew (2007) ''The Science of Harmonics in Classical Greece''. Cambridge. [http://catdir.loc.gov/catdir/toc/ecip0711/2007007746.html Table of Contents].
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* Cavarzere, A., Aloni, A. and Barchiesi, A. (eds.) (2001) ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', Lanham, Md. and Oxford. Reviewed by C. Keane [http://bmcr.brynmawr.edu/2002/2002-07-35.html BMCR 2002.07.35]
  
* Boedeker, Deborah (1984) 'Descent from Heaven: Images of Dew in Greek Poetry and Religion', ''American Classical Studies'' 13.
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* Dougherty, C. (1994) '€˜Archaic Greek foundation poetry: questions of genre and occasion'€™, ''JHS'' 114: 35–46.
  
* Briand, Michel (2000) 'Inspiration, enthousiasme et polyphonies: ἔνθεος et la performance poétique', ''Noésis'' (L'antique notion d'inspiration, dir. J. Assaël): 97-154.
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* Fowler, B.H. (1992) ''Archaic Greek Poetry: An Anthology''. Madison, Wis.
  
* Calame, Claude (2005) ''Masques d’autorité. Fiction et pragmatique dans la poétique grecque''. Paris. English translation (2005) ''Masks of Authority. Fiction and Pragmatics in Ancient Greek Poetics''. Ithaca NY and London.
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* Franklin, J.C. (2013) “‘Song-Benders of Circular Choruses’: Dithyramb and the ‘Demise of Music‘“, in Wilson, P./ Kowalzig, B. (eds.), ''Dithyramb in Context'', Oxford: 213–36.
  
* Calame, Claude (2004) ‘Deictic ambiguity and auto-referentiality: some examples from Greek poetics’, ''Arethusa'' 37: 427-31.
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* Franklin, J.C. (2016) ''Kinyras: The Divine Lyre''. (Hellenic Studies 70), Washington D.C..
  
* Calame, Claude (2006) ''Pratiques poétiques de la mémoire. Représentations de l’espace-temps en Grèce ancienne''. Paris. English translation is forthcoming at Harvard University Press.
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* Franklin, J.C.  (2007) “‘A Feast of Music’: The Greco-Lydian Musical Movement on the Assyrian Periphery“, in Collins, B. J./Bachvarova, M./ Rutherford, I. (eds.), ''Anatolian Interfaces: Hittites, Greeks and Their Neighbors'', Oxford: 193–203.
  
* Calame, Claude (2007) 'Gardens of Love and Meadows of the Beyond: Ritual Encounters with the Gods and Poetical Perfomances in Ancient Greece' in ''Sacred Gardens and Landscapes: Ritual and Agency'', ed. M. Conan. Washington: 43-54.
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* Franklin, J.C.  2003) “The Language of Musical Technique in Greek Epic Diction“, Gaia. Revue interdisciplinaire sur la Grèce archaïque 7: 295-307.
  
* Collins, D. (2004) ''Master of the Game: Competition and Perfomance in Greek Poetry''. Cambridge, MA.
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* Gentili, B. (1990) ''Poetry and its Public in Ancient Greece''. Baltimore. Reviewed by S.D. Olson [http://bmcr.brynmawr.edu/1991/02.02.06.html BMCR 02.02.06]
  
* D'Angour, Armand (2006) 'The New Music – so what’s new?' in ''Rethinking Revolutions through Ancient Greece'', eds. Goldhill and Osborne. Cambridge: 264-283.
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* Gentili, B. and Catenacci, C. (2007) ''Polinnia. Poesia greca arcaica. Terza edizione''. Firenze. Contains elegiac, iambic and lyric poetry with introduction and commentary. Reviewed by L. Athanassaki (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-04-23.html BMCR 2008.04.23].
  
* David, A.P. (2006) ''The Dance of the Muses: Choral Theory and Ancient Greek Poetics''. New York. Review by Ronald J.J. Blankenborg [http://ccat.sas.upenn.edu/bmcr/2007/2007-04-46.html ''BMCR'' 2007.04.46].
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* Gentili, B. and Lomiento, L. (2008) ''Metrics and Rhythmics: History of Poetic Forms in Ancient Greece'' (English translation by E. Christian Kopff of 2003 edition: ''Metrica e ritmica: Storia delle forme poetiche nella Grecia antica''. Milan. Review: [http://bmcr.brynmawr.edu/2004/2004-09-09.html BMCR 2004.09.09]). ''Studi di metrica classica'' 12. Pisa/Roma: Fabrizio Serra Editore. Reviewed by A. Tessier [http://bmcr.brynmawr.edu/2009/2009-11-31.html BMCR 2009.11.31].
  
* Ford, Andrew L. (1988) 'The Classical Definition of rhapsôdia', ''Classical Philology'' 83: 300-307. It considers the early usage of "rhapsody" and related terms and argues that their meaning (essentially, "the performance of verse without melody") is based on  modes of performance rather than a formally or thematically homogeneous corpus of poetry.
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* Gerber, D.E. (1997) (ed.) ''A Companion to the Greek Lyric Poets''. Leiden.
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** Contents: Iambos (Archilochus, Semonides, Hipponax) - Christopher Brown. Elegy (Callinus, Tyrtaeus, Mimnermus, Solon, Theognis, Xenophanes) - Douglas Gerber. Personal poetry (Alcaeus, Sappho,Ibycus, Anacreon, Corrina) - Bonnie Maclachan. Public poetry (Alcman, Stesichorus, Simonides, Pindar, Bacchylides) - Emmet Robbins.
  
* Fowler, Barbara Hughes (1992) ''Archaic Greek Poetry: An Anthology''. Madison, Wis.
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* Gerber, D.E. (2003) 'Λοξός with reference to the Eyes and Neck in Greek Poetry' in: ''Studi di Filologia e Tradizione Greca in memoria di Aristide Colonna'', eds. F. Benedetti and S. Grandolini. Napoli, vol. 1: 355-358.
  
* Franklin, John C. (2002) 'Musical Syncretism and the Greek Orientalizing Period' in ''Archäologie früher Klangerzeugung und Tonordnungen'', eds. E. Hickmann and R. Eichmann. Serie Studien zur Musikarchäologie, Orient-Archäologie. Rahden: 441-51. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/MusicSync.pdf PDF]. [http://www.kingmixers.com/Syncrestism.html Abstract].
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* Goldhill, S. (1991) ''The Poet’s Voice: Essays on Poetics and Greek Literature''. Cambridge.
  
* Franklin, John C. (2002) 'Diatonic Music in Greece: a Reassessment of its Antiquity', ''Mnemosyne'' 56.1: 669-702. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/DiatonicmusicinGreece.pdf PDF]. [http://www.kingmixers.com/Diatonic.html Abstract].
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* Graziosi, B. (2002) ''Inventing Homer. The Early Reception of Epic''. Cambridge. About the reception of Homer in lyric, elegy and iambus.
  
* Franklin, John C. (2003) 'The Language of Musical Technique in Greek Epic Diction', ''Gaia. Revue interdisciplinaire sur la Grèce archaïque'' 7: 295-307. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/MusicalTechnique.pdf PDF]. [http://www.kingmixers.com/MusicalTechnique.html Abstract].
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* Griffith, M. (1990) '€˜Contest and contradiction in early Greek poetry'€™, in ''Cabinet of the Muses: Essays on Classical and Comparative Literature in Honor of Thomas G. Rosenmeyer'', ed. M. Griffith and D. Mastronarde. Atlanta: 185–207.
  
* Franklin, John C. (2004) 'Structural Sympathies in Ancient Greek and South-Slavic Heroic Song' in ''Music Archeological Sources: Artifacts, Oral Tradition, Written Evidence'', eds. E. Hickmann and R. Eichmann. Serie Studien zur Musikarchäologie, Orient-Archäologie. Rahden: 241-251. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/StructuralSympathies.pdf PDF]. [http://www.kingmixers.com/Serbo.html Abstract].
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* Griffiths, A. (1995) '€˜Non-aristocratic elements in archaic poetry'€™, in ''The Greek World'', ed. A. Powell. London: 85–103.
  
* Franklin, John C. (2005) 'Hearing Greek Microtones', with audio CD in ''Ancient Greek Music in Performance'', eds. Hagel, S. and Harrauer, Ch. Wiener Studien Beiheft 29 Vienna. From a paper and audio-demonstration (with [http://www.kingmixers.com/virtuallyre.html Virtual Lyre]), delivered at Performing Ancient Greek Music Today, Österreichische Akademie der Wissenschaften, Vienna, September 29-October 1, 2003. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/HGM.pdf PDF]. [http://www.kingmixers.com/Hearing%20Greek%20Microtones.html Abstract].
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* Hunter, R.L. and Rutherford, I. (eds.) (2009) ''Wandering Poets in Ancient Greek Culture. Travel, locality and Pan-Hellenism''. Cambridge. [http://ebooks.cambridge.org/popups/pdf_viewer.jsf?cid=CBO9780511576133A005&ref=false&pubCode=CUP&urlPrefix=cambridge Table of contents] Reviewed by R. Roosevelt [http://bmcr.brynmawr.edu/2010/2010-01-55.html BMCR 2010.01.55]
  
* Franklin, John C. (2006) 'Lyre Gods of the Bronze Age Musical Koine', ''The Journal of Ancient Near Eastern Religions'' 6.2: 39-70. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/LyreGodsWeb.pdf PDF]. [http://www.kingmixers.com/WisdomLyre.html#lyregods Abstract].
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* Hutchinson, G.O. (ed.) (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
* Gentili, B. (1990) ''Poetry and its Public in Ancient Greece''. Baltimore.
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* Ieranò, G. (1997) ''Il Ditirambo di Dioniso''. Pisa and Rome. [Testimonia on dithyramb, with commentary]
  
* Gentili, Bruno and Carmine Catenacci (2007) ''Polinnia. Poesia greca arcaica. Terza edizione''. Firenze. Contains elegiac, iambic and lyric poetry with introduction and commentary. Reviewed by Athanassaki, Lucia (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-04-23.html ''BMCR'' 2008.04.23].
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* Jones, G.S. (2008) ''Singing the Skolion: a Study of Poetics and Politics in Ancient Greece''. Ph.D. Diss. Johns Hopkins University.
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** My dissertation collects and examines for the first time all testimonia related to the skolion and all surviving songs identified as skolia. I offer a new definition of the term based on the three elements of melic genre: occasion, content, style. I also examine the Panhellenization and historical development of the genre with special attention paid to the political implications of the Attic skolia.
  
* Graziosi, Barbara (2002) ''Inventing Homer. The Early Reception of Epic''. Cambridge. About the reception of Homer in lyric, elegy and iambus.
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* Klinck, Anne L. (2008) ''Woman's songs in Ancient Greece''. Montreal. Reviewed by M.R. Lefkowitz [http://bmcr.brynmawr.edu/2009/2009-06-56.html BMCR 2009.06.56]
  
* Kurke, Leslie (2000) 'The Strangeness of ‘Song Culture’: Archaic Greek Poetry', in ''Literature in the Greek & Roman Worlds: A New Perspective'', ed. Oliver Taplin. Oxford University Press: 58-87.
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* Kurke, Leslie (2000) 'The Strangeness of 'Song Culture'€™: Archaic Greek Poetry', in ''Literature in the Greek & Roman Worlds: A New Perspective'', ed. O. Taplin. Oxford University Press: 58-87.
  
* Kurke, Leslie (2007) 'Archaic Greek Poetry', in ''The Cambridge Companion to Archaic Greece'', ed. H. Alan Shapiro. Cambridge: 141-68. Review by Angela Kühr, [http://ccat.sas.upenn.edu/bmcr/2008/2008-01-13.html ''BMCR'' 2008.01.13].
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* Kurke, Leslie (2007) 'Archaic Greek Poetry', in ''The Cambridge Companion to Archaic Greece'', ed. H. Alan Shapiro. Cambridge: 141-68. Reviewed by A. Kühr [http://ccat.sas.upenn.edu/bmcr/2008/2008-01-13.html BMCR 2008.01.13].
  
 
* Lardinois, A.P.M.H. (1995) ''Wisdom in Context: The Use of Gnomic Statements in Archaic Greek Poetry''. Ph.D. Diss. Princeton University.
 
* Lardinois, A.P.M.H. (1995) ''Wisdom in Context: The Use of Gnomic Statements in Archaic Greek Poetry''. Ph.D. Diss. Princeton University.
  
* Malhomme, Florence and Anne Gabrièle Wersinger (eds.) (2007) ''Mousikè et Aretè. La mousique et l'éthique de l'antiquité à l'âge moderne. Actes du colloque international tenu en Sorbonne les 15-17 décembre 2003''. Paris: Librairie Philosophique J. Vrin. Reviewed by Raffa, Massimo (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-03-20.html ''BMCR'' 2008.03.20].
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* Lattmann, C. (2005) 'Die Dichtungsklassifikation des Aristoteles. Eine neue Interpretation von Aristot. poet. 1448a19–24', ''Philologus'' 149: 28-€“51. [http://www.klassalt.uni-kiel.de/abteilungen/graezistik/websites/lattmann/claas-lattmann-aristotles-classification-of-poetry Abstract].
  
* Murray, Penelope and Peter Wilson (eds.) (2004) ''Music and the Muses: The Culture of Mousike in the Classical Athenian City''. Oxford. [http://catdir.loc.gov/catdir/enhancements/fy0620/2004300274-t.html Table of Contents]. Reviewed by  Wright, Matthew (2004) [http://ccat.sas.upenn.edu/bmcr/2004/2004-07-16.html ''BMCR'' 2004.07.16] and Raffa, Massimo (2005) [http://www.ircps.org/publications/aestimatio/archive.htm ''Aestimatio''] 2: 109–119, [http://www.ircps.org/publications/aestimatio/pdf/Volume2/2005-10-01_Raffa.pdf PDF].
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* MacLachlan, B. (1993) ''The Age of Grace: Charis in Early Greek Poetry.'' Princeton. Reviewed by M.R. Halleran [http://bmcr.brynmawr.edu/1994/94.02.17.html BMCR 94.02.17]
  
* Nagy, Gregory (1997) ''The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry''. Johns Hopkins University Press (revised edition; first published in 1979). [http://www.press.jhu.edu/books/nagy/BofAS/toc.html Free-to-view online edition]. [http://www.intute.ac.uk/artsandhumanities/cgi-bin/fullrecord.pl?handle=humbul15083 More information] is available at [http://www.intute.ac.uk Intute], catalogued by Emma Bridges.
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* Malhomme, Florence and Anne Gabrièle Wersinger (eds.) (2007) ''Mousike et Arete. La mousique et l'éthique de l'antiquité à l'âge moderne. Actes du colloque international tenu en Sorbonne les 15-17 décembre 2003''. Paris: Librairie Philosophique J. Vrin. Reviewed by Raffa, Massimo (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-03-20.html ''BMCR'' 2008.03.20].
  
* Petropoulos, J.C.B. (2003) ''Eroticism in Ancient and Medieval Greek Poetry''. London. Review by Vayos J. Liapis [http://ccat.sas.upenn.edu/bmcr/2004/2004-10-01.html ''BMCR'' 2004.10.01].
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* Martin, R. (2009) 'Gnomes in Poems: Wisdom Performance on the Athenian Stage', in ''Antiphílesis: Studies on Classical,Byzantine and Modern Greek Literature and Culture. In Honour of Professor John-Theophanes A. Papademetriou.'' eds. E. Karamalengou and E.D. Makrygianni. Stuttgart: 116-27.
  
* Psaroudakēs, Stelios (1995) 'Acoustic study of the aulos by the method of physical modeling. Report' in ''International conference “Physical modeling in music (ancient instruments, singing/speech, psychoacoustics)”, Aristotle University of Thessalonikē –  Program of Psychoacoustics, Thessalonikē, 10-12 July. Proceedings.''
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* Mojsik, T. (2011) ''Between Tradition and Innovation: Genealogy, Names and the Number of the Muses. Akme. Studia historica, 9.''   Warszawa. Reviewed by P. Murray [http://bmcr.brynmawr.edu/2012/2012-09-56.html BMCR 2012-09.56].  
  
* Psaroudakēs, Stelios (2000) 'The arm-crossbar junction of the Classical Hellenic kithara', in ''Studien zur Musikarchäologie II. Music Archaeology of early Metal Ages. Papers from the 1st Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 18-24 May, 1998'', Ellen Hickmann & Ingo Laufs & Ricardo Eichmann (eds.). Orient-Archäologie 7. Rahden, Westf.: 263-78.
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* Nagy, G. (1997) ''The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry''. Johns Hopkins University Press (revised edition; first published in 1979). [http://www.press.jhu.edu/books/nagy/BofAS/toc.html Free-to-view online edition]. [http://www.intute.ac.uk/artsandhumanities/cgi-bin/fullrecord.pl?handle=humbul15083 More information] is available at [http://www.intute.ac.uk Intute], catalogued by Emma Bridges.
  
* Psaroudakēs, Stelios (2002) 'The aulos of Argithea', in ''Studien zur Musikarchäologie III. The archaeology of sound: origin and organisation. Papers from the 2nd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 17-23 September, 2000 & Music Archaeology in the Aegean and Anatolia. Papers from the Colloquium on Music Archaeology organised by the Deutsches Archäologisches Institut (Istanbul) in cooperation with the ICTM-Study Group on Music Archaeology and the Institut Français d’Archéologie (Istanbul), Minar Sinan University, Istanbul, 12-16 April, 1993. (Orient-Archäologie, 10)'', Ellen Hickmann & Anne Kilmer Ricardo Eichmann (eds.). Rahden, Westf: 335-66.
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* Nagy, G. (2009) 'Perfecting the Hymn in the Homeric Hymn to Apollo'€™ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.), Athens: 17-44.
  
* Psaroudakēs, Stelios (2004) 'The Orestes Papyrus: some thoughts on the dubious musical signs', in ''Studien zur Musikarchäologie IV. Musical archaeological sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 9-16 June, 2002, and other contributions. (Orient-Archäologie, 15)'', Ellen Hickmann & Ingo Laufs & Ricardo Eichmann (eds.). Rahden, Westf: Marie Leidorf GmbH: 471-92.
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* Nobili, C.(2006) 'Motivi della poesia nuziale in Odissea VI 149-185', ''Rendiconti dell'Istituto lombardo di scienze e lettere. Classe di lettere e scienze morali'' 140: 59-74. It investigates the precence of motifs typical of wedding song in ''Odyssey'' 6.
  
* Psaroudakēs, Stelios (2004) 'Archaeomusicology and ethnomusicology in dialogue', ''Ευλιμένη'' 4: 189-200. This paper addresses a variety of issues in archaeomusicology, including song and its interpretation, mainly in the domain on "performance style", as opposed to that of "composition style".  
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* Nobili, C (2016) ''Corone di gloria. Epigrammi agonistici ed epinici dal VII al IV sec. a.C.'', Alessandria.
  
* Ψαρουδάκης, Στέλιος (1998) «Τα μουσικά  όργανα των αρχαίων Ελλήνων», ''Καθημερινή – Επτά  Ημέρες, Κυριακή 18 Ιανουαρίου'': 2-6.
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* Riu, X., Pòrtulas, J (eds.) (2012) ''Approaches to Greek Poetry.'' Messina.
  
* Ψαρουδάκης, Στέλιος (2001) «Η αρχαία ελληνική μουσική σημειογραφία. Οι πρόσφατες απόψεις του Egert Pöhlmann», ''Μούσα'' 8-9: 78-93. (in modern Greek)
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* Swift, L. (2015) ‘Lyric Visions of Epic Combat: The Spectacle of War in Archaic Personal Song’, in War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Combat, eds A. Bakogianni and V. Hope. London: 93-109.
  
* Ψαρουδάκης, Στέλιος (2003) «Πρωτογενή αερόφωνα και η αβέβαιη μαρτυρία του Δισπηλιού», ''Πολυφωνία'' 2: 7-20. (in modern Greek) This article compares the neolithic dispelio "aulos" (lake kastoria, makedonia) with other neolithic musical pipes from this country and the rest of the world (pure organological study). The find does not exhibit the characteristics of the other musical pipes, and as a result, we cannot hold with certainty that is was used as an aulos.
+
* Thomas, R. (1995) '€˜The place of the poet in archaic society'€™, in ''The Greek World'', ed. A. Powell. London: 104-29.
  
* Ψαρουδάκης, Στέλιος & Χρήστος Τερζής (2007) «Ανθολόγιον – Μέτρα και μέλη από την ελληνική αρχαιότητα», in DVD ''Εν Χορδαίς και Οργάνοις – Ένα πανόραμα της ελληνικής μουσικής''. Συναυλία του Τμήματος Μουσικών Σπουδών του Πανεπιστημίου Αθηνών, Παρασκευή 4 Μαΐου 2007. Μέρος πρώτο. Αθήνα: Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών.  
+
* Vetta, M. (1999) ''Symposion: Antologia della lirica greca''. Naples.
  
* Ψαρουδάκης, Στέλιος (2007) «Αρχαία ελληνική μουσική», in ''Μουσική'', Απόστολος Κώστιος (ed.). Αθήνα: Εκδοτική Αθηνών: 201-15. Originally published in (1999) in ''Ελληνική Εκπαιδευτική Εγκυκλοπαίδεια.'' Vol. 28. ''Θέατρο, Κινηματογράφος, Μουσική, Χορός''. Αθήνα: 28-33. (in modern Greek)
+
* Wilson, P. (ed.) (2007) ''The Greek Theatre and Festivals. Documentary Studies. Oxford Studies in Ancient Documents.'' Oxford: Oxford University Press. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011345.html Table of Contents]. Reviewed by R. Mitchell-Boyask [http://ccat.sas.upenn.edu/bmcr/2008/2008-05-24.html BMCR 2008.05.24].
  
* Ψαρουδάκης, Στέλιος & Σωτηρία Αδάμ (2004) «Ύε Κύε. Οι Ολυμπιακοί αγώνες στην αρχαιότητα». CD containing ancient Hellenic song and modern musical compositions inspired by it. Part of the volume: Μαρία Καΐλα & Georges Thill & Έλενα Θεοδωροπούλου & Γιώτα Ξανθάκου (edd.), Ύε Κύε. Οι Ολυμπιακοί αγώνες στην αρχαιότητα. Αθήνα: Ατραπός. Contribution to the CD (recittion, song, lyre) with the songs: Εις Μούσαν, «Εις Καλλιόπην και Απόλλωνα», «Εις Φοίβον», Εις  Ήλιον. Accompanying notes on pp. 220-23 of the book.
+
=== Metre, music and musical instruments ===
** The disc, apart from two modern compositions, contains performances of three ancient hellenic hymns by mesomedes of crete (2nd century AD), accompanied by a reconstructed chelys-lyre.
+
* Anderson, W. D. (1994) ''Music and Musicians in Ancient Greece''. Ithaca, NY.
  
* Steinrück, M. (2007) ''A quoi sert la métrique? Interprétation littéraire et analyse des formes métriques grecques: Une introduction''. Avec la collaboration d'Alessandra Lukinovich. Grenoble.
+
* Barker, A. (1984) ''Greek Musical Writings. Vol. I: The Musician and His Art''. Cambridge. [http://www.amazon.ca/gp/reader/0521235936/ref=sib_rdr_toc?ie=UTF8&p=S007&j=0#reader-page Table of Contents].
  
* Tsachalinas, Kostas & Katerina Tzedaki & Peter Cook & Stelios Psaroudakēs & Dimitris Kamarotos & T. Rikakis (1997) 'Physical modeling simulation of the ancient Greek Elgin auloi' in ''International computer music conference, Aristotle University of Thessalonikē – Program of Psychoacoustics & The International Computer Music Association, Thessalonikē, Hellas, 25-30 September. Proceedings''. San Francisco: 454-57.
+
* Barker, A. (1989) ''Greek Musical Writings. Vol. II: Harmonic and Acoustic Theory''. Cambridge. [http://www.amazon.ca/gp/reader/0521616972/ref=sib_rdr_toc?ie=UTF8&p=S006&j=0#reader-page Table of Contents].
  
* Tsagarakis, Odysseus (1977) ''Self-expression in Early Greek Lyric, Elegiac and Iambic Poetry''. Wiesbaden. Review by Bremer, Jan Maarten (1980) ''Mnemosyne'' 33: 182-187 and by Kirkwood, G. M. (1980) ''Phoenix'' 34.1: 92-3.
+
* Barker, A. (1995) 'Heterophonia and poikilia: accompaniments to Greek melody'€™, in ''Mousike. Metrica, ritmica e musica greca in memoria di Giovanni Comotti'', eds. B. Gentili and F. Perusino. Pisa: 41-60.
  
* Wecowski, Marek (2002) 'Homer and the origins of the symposion' in ''Omero tremila anni dopo. Atti del congresso di Genova 6-8 luglio 2000'', ed. Franco Montanari. Roma: 625-637.
+
* Barker, A. (2001) 'Armonica'€™  in ''Storia della Scienza'', vol. 1, S. Petruccioli (ed.), Istituto della Enciclopedia Italiana. Rome: 909-926.
  
* Wecowski, Marek (2002) 'Towards a definition of the symposion' in ''Euergesias charin. Studies Presented to Benedetto Bravo and Ewa Wipszycka by Their Disciples'', eds. T. Derda, J. Urbanik, M. Wecowski. Warszawa: 337-361.  
+
* Barker, A. (2005) ''Psicomusicologia nella Grecia Antica. A cura di Angelo Meriani. Università degli Studi di Salerno. Quaderni del Dipartimento di Scienze dell'Antichità ''. Napoli. Reviewed by Raffa, Massimo [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-08.html ''BMCR'' 2006.06.08].
  
* Wilson, Peter (ed.) (2007) ''The Greek Theatre and Festivals. Documentary Studies. Oxford Studies in Ancient Documents.'' Oxford: Oxford University Press. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011345.html Table of Contents]. Reviewed by Mitchell-Boyask, Robin (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-05-24.html ''BMCR''  2008.05.24].
+
* Barker, A. (2007) ''The Science of Harmonics in Classical Greece''. Cambridge. [http://catdir.loc.gov/catdir/toc/ecip0711/2007007746.html Table of Contents]. Reviewed by N. Sidoli [http://bmcr.brynmawr.edu/2009/2009-10-38.html BMCR 2009.10.38]
  
* Yatromanolakis, D. (2007) ''Sappho in the Making: The Early Reception''. Cambridge, MA. This book focuses on archaic, classical, and Hellenistic socioaesthetics cultures and song-making, but it also explores a lot of later, Roman and Greek material; it includes extensive sections on Anakreon and other archaic and classical poets.
+
* Bélis, A. (1999) ''Les musiciens dans l’antiquité''. Paris.
  
== Greek Elegy and Iambus ==
+
* Bundrick, S.D. (2005) ''Music and Image in Classical Athens''. Cambridge. Reviewed by S. Gibson [http://bmcr.brynmawr.edu/2006/2006-07-46.html BMCR 2006.07.46]
  
=== Elegy and Iambus General ===
+
* Budelmann, F. (2001) '€˜Sound and text: the rhythm and metre of archaic and classical Greek poetry in ancient and Byzantine scholarship'€™, in ''Homer,Tragedy and Beyond: Essays in Honour of P. E. Easterling'', ed. F. Budelmann and P. Michelakis. London: 209–40.
  
=== Iambus General ===
+
* D'Angour, A. (2006) 'The New Music - so what'€™s new?' in ''Rethinking Revolutions through Ancient Greece'', eds. Goldhill and Osborne. Cambridge: 264-283.
* Acosta-Hughes, B. (2002) ''Polyeideia: The Iambi of Callimachus and the Archaic Iambic Tradition''. Berkeley and London.
 
  
* Steinrück, M. (2000) ''Iambos. Studien zum Publikum einer Gattung in der frühgriechischen Literatur.'' Hildesheim.
+
* Ford, A. (1988) 'The Classical Definition of rhapsôdia', ''Classical Philology'' 83: 300-307.  
  
=== Archilochus ===
+
* Franklin, J.C. (2002) 'Musical Syncretism and the Greek Orientalizing Period' in ''Archäologie früher Klangerzeugung und Tonordnungen'', eds. E. Hickmann and R. Eichmann. Serie Studien zur Musikarchäologie, Orient-Archäologie. Rahden: 441-51. [http://www.kingmixers.com/FranklinPDFfilescopy/MusicalSyncretism.pdf PDF]. [http://www.kingmixers.com/Syncrestism.html Abstract].
* Aloni, A. (1981) ''Le Muse di Archiloco: Ricerche sullo stile archilocheo''. Copenhagen. Review by Slings, S.R. (1984) ''Mnemosyne'' 37: 169-171.
 
  
* Aloni, A. and  A. Iannucci (2007) ''L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco''. Firenze: Le Monnier Università.
+
* Franklin, J.C. (2002) 'Diatonic Music in Greece: a Reassessment of its Antiquity', ''Mnemosyne'' 56.1: 669-702. [http://www.kingmixers.com/FranklinPDFfilescopy/DiatonicMusicinGreece.pdf PDF]. [http://www.kingmixers.com/Diatonic.html Abstract].
  
* Barker, E. T. E. and J. P. Christensen (2006) ‘Fight club: the new Archilochus fragment and its resonance with Homeric epic’, ''MD'' 57: 9-41.
+
* Franklin, J.C. (2003) 'The Language of Musical Technique in Greek Epic Diction', ''Gaia. Revue interdisciplinaire sur la Grèce archaïque'' 7: 295-307. [http://www.kingmixers.com/FranklinPDFfilescopy/MusicalTechniqueEpicDiction.pdf PDF]. [http://www.kingmixers.com/MusicalTechnique.html Abstract].
  
* Bremer, Jan Maarten (1978) ''Het gemaskerde Ik. De poëtische persoonlijkheid in enige Griekse gedichten''. Amsterdam. (in Dutch) Inaugural lecture, mainly concerned with Archilochus' Cologne Epode.
+
* Franklin, J.C. (2004) 'Structural Sympathies in Ancient Greek and South Slavic Heroic Singing' in Hickmann, E. & Eichmann, R. (eds.), ''Musikarchäologische Quellengruppen: Bodenurkunden, mündliche Überlieferung, Aufzeichnung.'' [http://www.kingmixers.com/FranklinPDFfilescopy/StructuralSympathiesGreekSlavic.pdf PDF]
  
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
+
* Franklin, J.C. (2005) 'Hearing Greek Microtones', with audio CD in ''Ancient Greek Music in Performance'', eds. Hagel, S. and Harrauer, Ch. Wiener Studien Beiheft 29 Vienna. From a paper and audio-demonstration (with [http://www.kingmixers.com/virtuallyre.html Virtual Lyre]), delivered at Performing Ancient Greek Music Today, Österreichische Akademie der Wissenschaften, Vienna, September 29-October 1, 2003. [http://www.kingmixers.com/FranklinPDFfilescopy/HearingGreekMicrotones.pdf PDF]. [http://www.kingmixers.com/Hearing%20Greek%20Microtones.html Abstract].
  
* Corrêa, P.C. (1998) ''Armas e Varões: A Guerra na Lírica de Arquíloco''. São Paulo.
+
* Franklin, J.C. (2006) '€˜The Wisdom of the Lyre: Soundings in Ancient Greece, Cyprus and the Near East', ''Musikarchäologie im Kontext: Archäologische Befunde, historische Zusammenhänge, soziokulturelle Beziehungen.'' eds. E. Hickmann & R. Eichmann: 379-98.  [http://www.kingmixers.com/FranklinPDFfilescopy/WisdomLyre.pdf PDF]
  
* Corrêa, P.C. (2001) 'The Fox and the Hedgehog', ''Revista Phaos'' 1: 80 - 92. On Archilochus 201 IEG.
+
* Franklin, J.C. (2006) 'Lyre Gods of the Bronze Age Musical Koine' in ''The Journal of Ancient Near Eastern Religions'' 6.2: 39–70.  [http://www.kingmixers.com/FranklinPDFfilescopy/LyreGodsWeb.pdf PDF]
  
* Corrêa, P.C. (2002) 'Muddy Eels', ''Rivista Synthesis (La Plata)'' 9: 81 -90. On Archilochus 189 IEG.
+
* Franklin, J.C. (2010) 'Remembering Music in Early Greece', in ''The Historiography of Music in Global Perspective.'' ed. S. Mirelman. Piscataway. 9–50. [http://www.kingmixers.com/FranklinPDFfilescopy/RememberingMusic.pdf PDF]
  
* Corrêa, P.C. (2007) 'A Human Fable and the Justice of Beasts in Archilochus' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 101-117. Reviewed by Gibert, John (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html ''BMCR'' 2008.06.23].
+
* Franklin, J. C. (2012) 'The Lesbian Singers: Towards a Reconstruction of Hellanicus'€™ ''Karneian Victors''.'€ In ''Poesia, musica e agoni nella Grecia antica'' eds. D. Castaldo, F. Giannachi & A. Manieri. Galatina: 720-764 [http://www.kingmixers.com/FranklinPDFfilescopy/FranklinKarneianVictors.pdf PDF]
  
* Ford, Andrew L. (1993) 'L'inventeur de la poésie lyrique: Archiloque le colon', ''Métis. Revue de l'anthropologie grecque'' 8.1-2: 59-73.
+
* Franklin, J. C. (2014) “Ethnicity and Musical Identity in the Lyric Landscape of Early Cyprus”, ''Greek and Roman Musical Studies'' 2: 146–76.
  
* Handley, Eric (2007) 'Night Thoughts (Archilochus 23 and 196a West)' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: ##. Reviewed by Gibert, John (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html ''BMCR'' 2008.06.23].
+
* Franklin, J. C. (2011) “Music”, “Aulos” and “Phorminx” in Finkelberg, M. (ed.), ''The Homer Encyclopedia'' (Oxford), s.vv.
  
* Mayer, Péter (2006) 'Krieg aus Versehen? - Zur Funktion und Aussage der Telephos-Geschichte im neuen Archilochos (''P. Oxy.'' 4708, fr. 1)', ''Zeitschrift für Papyrologie und Epigraphik'' 157: 15-18.
+
* Franklin, J. C. (2008) “Realizations in Ancient Greek Music: Beyond the Fragments“ (with CD selections), in Hickmann, E./Eichmann, R./Both, A. A. (eds.), Challenges and Objectives in Music Archaeology. Papers from the 5th Symposium of the International Study Group on Music Archaeology at the Ethnological Museum, State Museums Berlin, 19-23 September, 2006. Studien zur Musikarchäologie 6/Orient-Archäologie 22 (Rahden,): 323–6
  
* Mayer, Péter (2006) 'Der Mann, das Mädchen und der Dichter - Zur Frage der Absicht dreier Personen: eine Verführungsgeschichte (Archil. 196a W2)', ''Acta Classica Universitatis Scientiarum Debreceniensis (Debrecen)'' 42: 5-20.
+
* Franklin, J. C. (in press) “Epicentric Tonality and the Greek Lyric Tradition”, in A. D’Angour/T. Phillips (ed.), Music and Text in Ancient Greece (Cambridge, in press).
  
* Medaglia, S.M. (1982) ''Note di esegesi archilochea''. Roma. Review by Slings, S.R. (1988) ''Mnemosyne'' 41: 134-135.
+
* Franklin, J. C. (in press) “A Musical Maze for Asklepios? An Archaeoacoustic Assessment of the Thymele at Epidauros”, in Schultz, P., et al., The Thymele at Epidauros: Healing, Space, and Musical Performance in Late Classical Greece (in press).
  
* Miralles, C. and J. Pòrtulas (1983) ''Archilochus and the iambic poetry''. Roma. Review by Slings, S.R. (1987) ''Mnemosyne'' 40: 430-432.
+
* Franklin, J. C. (in press) “THEIOS AOIDOS: A New Reading of the Lyre-Player Group of Seals”, Gaia. Revue interdisciplinaire sur la Grèce archaïque 18.
  
* Nesselrath, Heinz-Günther (2007) 'Lucian and Archilochus, or: How to Make Use of the Ancient Iambographers in the Context of the Second Sophistic' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: ##. Reviewed by Gibert, John (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html ''BMCR'' 2008.06.23].
+
* Gentili, B. and Perusino, F. (eds.) (1999) ''La colometria antica dei testi poetici greci''. Pisa and Rome. Reviewed by H. Perdicoyianni-Paléologou [http://bmcr.brynmawr.edu/2000/2000-07-12.html BMCR 2000.07.12]
  
* Nicolosi, Anika (trans. and comm.) (2007) ''Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708)''. Eikasmos, 14. Bologna: Pàtron Editore.
+
* Levin, F.R. (2009) ''Greek reflections on the nature of music''. Cambridge; New York: Cambridge University Press. Reviewed by C. Marchetti [http://bmcr.brynmawr.edu/2009/2009-12-34.html BMCR 2009.12.34].
  
* Pòrtulas, Jaume (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
+
* Martinelli, M.C. (1995) ''Gli strumenti del poeta: elementi di metrica greca''. Bologna.
  
* Rotstein, Andrea (2007) ‘Critias’ invective against Archilochus’, ''Classical Philology'' 102: 139-54.
+
* Mathiesen, T.J. (1999) ''Apollo’s Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages''. Lincoln, Nebr. and London.
  
* Slings, S.R. (1975) 'Three notes on the new Archilochus papyrus', ''Zeitschrift für Papyrologie und Epigraphik'' 18: 170.
+
* Murray, P. and Wilson, P. (eds.) (2004) ''Music and the Muses: The Culture of Mousike in the Classical Athenian City''. Oxford. [http://catdir.loc.gov/catdir/enhancements/fy0620/2004300274-t.html Table of Contents]. Reviewed by M. Wright[http://ccat.sas.upenn.edu/bmcr/2004/2004-07-16.html ''BMCR'' 2004.07.16] and M. Raffa [http://www.ircps.org/publications/aestimatio/archive.htm ''Aestimatio''] 2: 109-€“119, [http://www.ircps.org/publications/aestimatio/pdf/Volume2/2005-10-01_Raffa.pdf PDF].
  
* Slings, S.R. (1976) 'Archilochus, the hasty mind and the hasty bitch', ''Zeitschrift für Papyrologie und Epigraphik'' 21: 283-288.
+
* Nagy, G. (1996) 'Metrical convergences and divergences in early Greek poetry and song'€™, in ''Struttura e storia dell’esametro omerico'', ed. M. Fantuzzi and R. Pretagostini, vol. II. Rome: 63â€-110. (Revised version of Nagy 1990: 439–64.)
  
* Slings, S.R. (1980) 'Archilochus, eerste Keulse epode', ''Lampas'' 13: 315-335. (in Dutch)
+
* Nicolai, R.(ed.)(2003) ''Rysmos: Studi di poesia, metrica e musica greca'', Rome.
  
* Slings, S.R. (1982) 'Archilochus and the ant', ''Zeitschrift für Papyrologie und Epigraphik''  45: 69-70.  
+
* Pöhlmann, E. and West, M.L. (eds.) (2001) ''Documents of Ancient Greek Music''. Oxford. Reviewed by. W.A. Johnson [http://bmcr.brynmawr.edu/2003/2003-04-08.html BMCR 2003.04.08]
  
* Slings, S.R. (1980-82) 'Archilochus, S 478 (a), 3 Page', ''Museum Criticum'' 15-17: 11-14.
+
* Psaroudaki“s, S. (1995) 'Acoustic study of the aulos by the method of physical modeling. Report' in ''International conference “Physical modeling in music (ancient instruments, singing/speech, psychoacoustics)”, Aristotle University of Thessalonikē –  Program of Psychoacoustics, Thessalonikē, 10-12 July. Proceedings.''
  
* Slings, S.R. (1983) 'Once more Archilochus and the ant', ''Zeitschrift für Papyrologie und Epigraphik'' 53: 31-36.  
+
* Psaroudaki“s, S. (2000) 'The arm-crossbar junction of the Classical Hellenic kithara', in ''Studien zur Musikarchäologie II. Music Archaeology of early Metal Ages. Papers from the 1st Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 18-24 May, 1998'', eds. E. Hickmann, I. Laufs, R. Eichmann. Orient-Archäologie 7. Rahden: 263-78.
  
* Slings, S.R. (1986) 'Archilochus: new fragments from the Sosthenes inscription', ''Zeitschrift für Papyrologie und Epigraphik''  63: 1-3.  
+
* Psaroudaki“s, S. (2002) 'The aulos of Argithea', in ''Studien zur Musikarchäologie III. The archaeology of sound: origin and organisation. Papers from the 2nd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 17-23 September, 2000 & Music Archaeology in the Aegean and Anatolia. Papers from the Colloquium on Music Archaeology organised by the Deutsches Archäologisches Institut (Istanbul) in cooperation with the ICTM-Study Group on Music Archaeology and the Institut Français d’Archéologie (Istanbul), Minar Sinan University, Istanbul, 12-16 April, 1993. (Orient-Archäologie, 10)'', eds. E. Hickmann, A. Kilmer, R. Eichmann. Rahden: 335-66.
  
* Slings, S.R. (1988) 'Archilochus, fr. 188,3', ''Zeitschrift für Papyrologie und Epigraphik'' 72: 21.  
+
* Psaroudakis, S. (2004) 'The Orestes Papyrus: some thoughts on the dubious musical signs', in ''Studien zur Musikarchäologie IV. Musical archaeological sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 9-16 June, 2002, and other contributions. (Orient-Archäologie, 15)'', eds. E. Hickmann, I. Laufs, R. Eichmann. Rahden, Westf: Marie Leidorf GmbH: 471-92.
  
* Slings, S.R. (1989) 'Anonymus, Parallel lines from Homer and Archilochus', ''Zeitschrift für Papyrologie und Epigraphik'' 79: 1-8.  
+
* Psaroudaki“s, S. (2004) 'Archaeomusicology and ethnomusicology in dialogue', ''Ευλιμένη'' 4: 189-200. This paper addresses a variety of issues in archaeomusicology, including song and its interpretation, mainly in the domain on "performance style", as opposed to that of "composition style".  
  
* Slings, S.R. (1990) 'Archilochus van Paros, soldaat en dichter', ''Hermeneus'' 62: 281-289. (in Dutch)
+
* Ψαρουδάκης, Στέλιος (1998) «Τα μουσικά  όργανα των αρχαίων Ελλήνων», ''Καθημερινή – Επτά  Ημέρες, Κυριακή 18 Ιανουαρίου'': 2-6.
  
* Slings, S.R. (1992) 'For the third time: Archilochus and the ant', ''Eikasmos'' 3: 13-17.  
+
* Ψαρουδάκης, Στέλιος (2001) «Η αρχαία ελληνική μουσική σημειογραφία. Οι πρόσφατες απόψεις του Egert Pöhlmann», ''Μούσα'' 8-9: 78-93. (in modern Greek)
  
* Slings, S.R. (1995) 'Archilochus, fr. 188, 1-2', ''Zeitschrift für Papyrologie und Epigraphik''  106: 1-2.
+
* * Ψαρουδάκης, Στέλιος (2003) «Πρωτογενή αερόφωνα και η αβέβαιη μαρτυρία του Δισπηλιού», ''Πολυφωνία'' 2: 7-20. (in modern Greek) This article compares the neolithic dispelio "aulos" (lake kastoria, makedonia) with other neolithic musical pipes from this country and the rest of the world (pure organological study). The find does not exhibit the characteristics of the other musical pipes, and as a result, we cannot hold with certainty that is was used as an aulos.
  
* Steinrück, M. (1991) ''Leise Laute, Arbeiten über das Verhältnis von Rhythmus und Lautresponsion bei Archilochos''. Lausanne Basel.
+
* Ψαρουδάκης, Στέλιος & Χρήστος Τερζής (2007) «Ανθολόγιον – Μέτρα και μέλη από την ελληνική αρχαιότητα», in DVD ''Εν Χορδαίς και Οργάνοις – Ένα πανόραμα της ελληνικής μουσικής''. Συναυλία του Τμήματος Μουσικών Σπουδών του Πανεπιστημίου Αθηνών, Παρασκευή 4 Μαΐου 2007. Μέρος πρώτο. Αθήνα: Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών.  
  
* Steinrück, M. (2008) 'Les publics d'Archiloque', ''Pallas'' 77: 41-50.
+
* Ψαρουδάκης, Στέλιος (2007) «Αρχαία ελληνική μουσική», in ''Μουσική'', Απόστολος Κώστιος (ed.). Αθήνα: Εκδοτική Αθηνών: 201-15. Originally published in (1999) in ''Ελληνική Εκπαιδευτική Εγκυκλοπαίδεια.'' Vol. 28. ''Θέατρο, Κινηματογράφος, Μουσική, Χορός''. Αθήνα: 28-33. (in modern Greek)
  
=== Semonides ===
+
* Ψαρουδάκης, Στέλιος & Σωτηρία Αδάμ (2004) «Ύε Κύε. Οι Ολυμπιακοί αγώνες στην αρχαιότητα». CD containing ancient Hellenic song and modern musical compositions inspired by it. Part of the volume: Μαρία Καΐλα & Georges Thill & Έλενα Θεοδωροπούλου & Γιώτα Ξανθάκου (edd.), Ύε Κύε. Οι Ολυμπιακοί αγώνες στην αρχαιότητα. Αθήνα: Ατραπός. Contribution to the CD (recittion, song, lyre) with the songs: Εις Μούσαν, «Εις Καλλιόπην και Απόλλωνα», «Εις Φοίβον», Εις  Ήλιον. Accompanying notes on pp. 220-23 of the book.
* Hubbard, Th.K. (1994) 'Elemental Psychology and the Date of Semonides of Amorgos', ''AJPh'' 115: 175-197.
+
** The disc, apart from two modern compositions, contains performances of three ancient hellenic hymns by mesomedes of crete (2nd century AD), accompanied by a reconstructed chelys-lyre.
  
* Hubbard, Th.K. (1996) ' 'New Simonides' or old Semonides? Second Thoughts on POxy 3965, fr. 26, ''Arethusa'' 29: 255-262 (= in (2001) ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 226-231).
+
* Restani, D. (ed.) (1995) ''Musica e mito nella Grecia antica''. Bologna.
  
* Steinrück, M. (1994) ''Regards sur la femme: analyse rythmique et interprétation de Sémonide frg. 7 Tedeschi-Pellizer''. Roma.
+
* Rocconi, E. (1998) '€˜Harmoniai e teoria dei gene musicali nella Grecia antica'€™, ''SemRom'' 1.2: 345-64.
  
* Steinrück, M. (1994) 'Echos phoniques et débuts de mots dans le iambe de Sémonide d'Amorgos', ''Revue informatique et statistique dans les sciences humaines'' 30: 139-153.
+
* Sicking, C.M.J. (1993) ''Griechische Verslehre''. (Handbuch der Altertumswissenschaft 2.4). Munich.
  
* Van Wees, Hans (2005) 'The invention of the female mind. Women, property and gender ideology in archaic Greece', in ''Women and Property in the Ancient Near East and Greece'', eds. D. Lyons and R. Westbrook. Published on website of Center for Hellenic Studies, Washington DC. pp. 26. [http://chs.harvard.edu/chs/women_and_property URL]. Includes discussion of Fr 7.
+
* Steinrück, M. (2007) ''A quoi sert la métrique? Interprétation littéraire et analyse des formes métriques grecques: Une introduction''. Avec la collaboration d'Alessandra Lukinovich. Grenoble.
  
=== Hipponax ===
+
* Taplin, O. & Wyles, R. ed. (2010) ''The Pronomos Vase and its Context.'' Oxford/New York. Reviewed by K. Seaman [http://bmcr.brynmawr.edu/2012/2012-03-17.html BMCR 2012.03.17]
* Faraone, Christopher A. (2004) 'Hipponax Frag. 128W: Epic Parody or Expulsive Incantation?', ''Classical Antiquity'' 23: 209-45.
 
  
* Neri, Camillo (1995) 'L'empietà del naso (Hippon. fr.129a,1 Dg.)', ''Eikasmós'' 6: 11-14.
+
* Tsachalinas, K. & Katerina, T. & Cook, P. & Psaroudakēs, S. & Kamarotos, D. & Rikakis, T. (1997) 'Physical modeling simulation of the ancient Greek Elgin auloi' in ''International computer music conference, Aristotle University of Thessaloniki“:€“ Program of Psychoacoustics & The International Computer Music Association, Thessalonikē, Hellas, 25-30 September. Proceedings''. San Francisco: 454-57.
  
* Nicolosi, Anika (trans. and comm.) (2007) ''Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708)''. Eikasmos, 14. Bologna: Pàtron Editore.
+
* Wallace, R.W (2003) 'An early fifth-century Athenian revolution in aulos music'€™, ''HSCPh'' 101: 73–92.
  
* Watkins, Calvert (2007) 'Hipponactea quaedam' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: ##. Reviewed by Gibert, John (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html ''BMCR'' 2008.06.23].
+
* West, M. L. (1992) ''Ancient Greek Music.'' Oxford. Reviewed by W.A. Johnston [http://bmcr.brynmawr.edu/2003/2003-04-08.html BMCR 2003.04.08]
  
=== Ananius ===
+
* Wilson, P. (2004) 'Athenian strings'€™, in ''Music and the Muses: The Culture of ‘Mousikē’ in the Classical Athenian City'', ed. P. Murray and P. Wilson. Oxford: 269–306.
  
=== Adespota Iambica ===
+
* Yatromanolakis, D. (2011) ''Music and cultural politics in Greek and Chinese societies. Vol. 1.: Greek antiquity.'' Harvard.
  
=== Elegy General ===
+
=== Performance ===
 +
* Aloni, A. (1998) ''Cantare glorie di eroi: Comunicazione e performance poetica nella Grecia arcaica''. Turin.
  
* Adkins, A.W.H. (1985) ''Poetic Craft in the Early Greek Elegists''. Chicago-London.
+
* Athanassaki, L. & Bowie, E. (2011) (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' Berlin & Boston. [http://www.degruyter.com/view/supplement/9783110254020_Contents.pdf Table of Contents]
  
* Aloni, A. and  A. Iannucci (2007) ''L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco''. Firenze: Le Monnier Università.
+
* Bierl, A. (2009) ''Ritual and Performativity. The Chorus of Old Comedy'' (transl. by Alex Hollmann), Center for Hellenic Studies. Washington, DC: Harvard Press. (Hellenic Studies 20). New and revised edition.  
  
* Faraone, Christopher A. (2005) 'Exhortation and Meditation: Alternating Stanzas as a Structural Device in Early Greek Elegy', ''Classical Philology'' 100: 317-36.
+
* Boegehold, A.L. 2000. 'Acting out some songs'€™, ''Syllecta Classica'' 11: 1-15.
  
* Faraone, Christopher A. (2005) 'Catalogues, Priamels and Stanzaic Structure in Early Greek Elegy', ''Transactions of the American Philological Association'' 135: 249-65.  
+
* Bowman, L. (2004) '€˜The 'women'€™s tradition'€ in Greek poetry', ''Phoenix'' 58: 1–27.
  
* Faraone, Christopher A. (2008) ''The Stanzaic Architecture of Early Greek Elegy''. Oxford and New York: Oxford University Press. Reviewed by Eckerman, Chris (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-30.html ''BMCR'' 2008.08.30].
+
* Briand, M. (2000) 'Inspiration, enthousiasme et polyphonies: ἔνθεος et la performance poétique', ''Noésis'' (L'antique notion d'inspiration, dir. J. Assaël): 97-154.
  
* Nobili, Cecilia (2006) 'Omero e l'elegia trenodica', ''Acme'' 59.3: 3-24. It investigates the problem of threnodic elegy and presents the possibility to trace motifs typical of threnodic elegy in Homeric poems.
+
* Calame, C. (2004) '€˜Deictic ambiguity and auto-referentiality: some examples from Greek poetics'€™, ''Arethusa'' 37: 427-31.
  
* Raalte, Marlein van (1988) 'Greek Elegiac Verse Rhythm', ''Glotta'' 66: 145-78.
+
* Calame, C. (2005) ''Masques d’autorité. Fiction et pragmatique dans la poétique grecque''. Paris. English translation (2005) ''Masks of Authority. Fiction and Pragmatics in Ancient Greek Poetics''. Ithaca NY and London. Reviewed by H. van Noorden [http://bmcr.brynmawr.edu/2005/2005-09-36.html BMCR 2005.09.36]
  
* Slings, S.R. (2000) 'Symposion and Interpretation: Elegy as group-song and the so-called awakening individual', ''Acta Antiqua Hungariensia'' 40: 423-434.
+
* Calame, C. (2006) ''Pratiques poétiques de la mémoire. Représentations de l’espace-temps en Grèce ancienne''. Paris. English translation: 2009 Harvard. Reviewed by E.M. Griffiths [http://bmcr.brynmawr.edu/2007/2007-04-05.html BMCR 2007.04.05] 
  
* Tsagalis, Christos C. (2008) ''Inscribing Sorrow: Fourth-century Attic Funerary Epigrams. Trends in Classics - Supplementary Volumes 1''. Berlin and New York. Reviewed by Garulli, Valentina (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-09-18.html ''BMCR'' 2008.09.18].
+
* Calame, C. (2007) 'Gardens of Love and Meadows of the Beyond: Ritual Encounters with the Gods and Poetical Perfomances in Ancient Greece' in ''Sacred Gardens and Landscapes: Ritual and Agency'', ed. M. Conan. Washington: 43-54.
  
=== Callinus ===
+
* Carey, C. (2010) '€˜The victory ode in the theatre'€™, ''BICS supplements''. [http://eprints.ucl.ac.uk/19956/ electronic version]
  
=== Tyrtaeus ===
+
* Collins, D. (2004) ''Master of the Game: Competition and Performance in Greek Poetry''. Cambridge, MA. Reviewed by C. Werner [http://bmcr.brynmawr.edu/2005/2005-05-18.html BMCR 2005.05.18]
* Année, Magali (2007) 'La mémoire oubliée: perspectives poétiques de l'élégie chez Tyrtée', [http://www.paris-sorbonne.fr/fr/spip.php?article5849 ''Camenulae'' 1].
 
  
* Faraone, Christopher A. (2006) 'Stanzaic Structure and Responsion in the Elegiac Poetry of Tyrtaeus', ''Mnemosyne'' 59: 19-52.
+
* D'Alessio, G. B. (2004) '€˜Past future and present past: temporal deixis in Greek archaic lyric'€™, ''Arethusa'' 37: 267–94.
  
* Pucci, Pietro (2006) 'Il testo di Tirteo nel tessuto omerico' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 21-41. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
+
* David, A.P. (2006) ''The Dance of the Muses: Choral Theory and Ancient Greek Poetics''. New York. Review by Ronald J.J. Blankenborg [http://ccat.sas.upenn.edu/bmcr/2007/2007-04-46.html BMCR 2007.04.46].
  
* Quattrocelli, L. (2006) ‘Tirteo: poesia e ἀνδρεία a Sparta arcaica’, in ''I luoghi e la poesia nella Grecia antica'', eds. Massimo Vetta and Carmine Catenacci. Alessandria: 133-144.
+
* Dougherty, C. (1994) '€˜Archaic Greek foundation poetry: questions of genre and occasion'€™, ''JHS'' 114: 35–46.
  
* Van Wees, Hans (1999) ‘Tyrtaeus’ Eunomia: nothing to do with the Great Rhetra’, in ''Sparta: New Perspectives'', eds. Stephen Hodkinson and Anton Powell. London: 1-41.
+
* Ford, A. (1988) 'The Classical Definition of rhapsôdia', ''Classical Philology'' 83: 300-307.  
  
* Van Wees, Hans (2002) ‘Gute Ordnung ohne Große Rhetra: noch einmal zu Tyrtaios’ Eunomia’, ''Göttinger Forum für Altertumswissenschaft'' 5: 89-103. [http://gfa.gbv.de/z/2002 URL]
+
* Gentili, B. (1990) ''Poetry and its Public in Ancient Greece''. Baltimore. Reviewed by S.D. Olson [http://bmcr.brynmawr.edu/1991/02.02.06.html BMCR 02.02.06]
  
* Van Wees, Hans (2003) 'Conquerors and serfs: wars of conquest and forced labour in archaic Greece', in ''Helots and their Masters in Laconia and Messenia: histories, ideologies, structures'', eds. N. Luraghi and S. Alcock. Cambridge, MA: 33-80. Includes discussion of Tyrtaeus' fragments.
+
* Goldhill, S. and Osborne, R. (eds.) (1999) ''Performance Culture and Athenian Democracy''. Cambridge.
  
=== Mimnermus ===
+
* Grandolini, S. (1991) '€˜Canto processionale e culto nell’antica Grecia'€™, in ''L'€™inno tra rituale e letteratura nel mondo antico: Atti di un colloquio Napoli'' 21–24 ottobre 1991, AION 13: 125–40.
* Allen, A. (1993) ''The Fragments of Mimnermus: Text and Commentary''. Stuttgart.
 
  
* Slings, S.R. (2000) ''Symposium: Speech and Ideology. Two hermeneutical issues in early Greek lyric, with special reference to Mimnermus''. Amsterdam (KNAW), Mededelingen KNAW afd. Letterkunde, 63, 1. Concerns the performance of lyric poetry in the archaic period. Review by Bremer, Jan Maarten (2003) ''Mnemosyne'' 56: 614-15.
+
* Griffith, M. (1990) ‘Contest and contradiction in early Greek poetry’, in ''Cabinet of the Muses: Essays on Classical and Comparative Literature in Honor of Thomas G. Rosenmeyer'', ed. M. Griffith and D. Mastronarde. Atlanta: 185-€“207.
  
=== Solon ===
+
* Hagel, S. and Harrauer, C. (2005) (eds.) ''Ancient Greek Music in Performance'' (Book and Audio CD). Vienna.
* Blaise, Fabienne (1995) ‘Le fragment 36 W. de Solon: pratique et fondation des normes politiques’, ''Revue des Études Grecques'' 108: 24-37.
 
  
* Blaise, Fabienne (2005) ‘Poésie, politique, religion. Solon entre les dieux et les hommes (l’ “Eunomie” et l’ “Elégie aux Muses”, 4 et 13 West)’, ''Revue de Philosophie Ancienne'' 23: 3-40.
+
* Lech, M.L. (2009) 'Marching choruses?: Choral performance in Athens' ''GRBS'' 49, 3.
  
* Blaise, Fabienne (2006) ‘Poetics and politics. Tradition re-worked in Solon’s “Eunomia” (poem 4), in ''Solon of Athens: New Historical and Philological Approaches'', eds. J.H. Blok & A.P.M.H. Lardinois. Leiden: 114-133.
+
* Mojsik, T. (2006) 'Vates socialis - metapoetyka antyczna a ryty przejścia (Vates socialis - ancient metapoetic and rites of passage)', in ''Inicjacje: społeczne znaczenie sytuacji liminalnych w rytach przejścia'', red. J. Sieradzan. Białystok: 53-66.
  
* Blok, J.H. & A.P.M.H. Lardinois (eds.) (2006) ''Solon of Athens: New Historical and Philological Approaches''. Leiden.
+
* Mojsik, T. (2008) 'Muses and gender of inspiration', ''"Sakarya University: The Journal of Art and Science'' 10.1: 67-78. [http://www.fed.sakarya.edu.tr/arsiv/yayinlenmis_dergiler/2008_1/2008_1_5.pdf electronic version]
  
* Lardinois, A.P.M.H. (2006) 'Have we Solon's verses?' in ''Solon of Athens: New Historical and Philological Approaches'', eds. J.H. Blok & A.P.M.H. Lardinois. Leiden: 15-35. Dutch version (2006) ''Lampas'' 39: 91-109.
+
* Nagy, G. (2000) '€˜Reading Greek poetry aloud: evidence from the Bacchylides papyri'€™, ''QUCC'' 93 (= n.s. 64.1): 7-28.
  
* Lewis, John David (2006) ''Solon the Thinker: Political Thought in Archaic Athens''. London.
+
* Nobili, C. (2014) 'Performances of Girls at the Spartan Festival of the Hyakinthia', in A. Kieburg – S. Moraw (eds.), ''Mädchen im Altertum/ Girls in Antiquity, Frauen – Forschung – Archäologie 11'', Münster: 135-148.
  
* Van Wees, Hans (1999) 'The mafia of early Greece. Violent exploitation in the seventh and sixth centuries BC' in ''Organized Crime in Antiquity'', ed. Keith Hopwood. London: 1-51. Includes discussion of Solon's 'political' fragments.
+
* Peponi, A.-E. (2009) ' ''Choreia'' and Aesthetics in the ''Homeric Hymn to Apollo'': The Performance of the Delian Maidens (Lines 156–64)', ''Classical Antiquity'' 28.1: 39–70.
  
* Van Wees, Hans (2006) 'Mass and elite in Solon's Athens: the property classes revisited', in ''Solon of Athens: new historical and philological approaches'', eds. J. Blok and A. Lardinois. Leiden: 351-89. Abbreviated version in Dutch: (2006) 'Massa en elite in Solon's Athene: de betekenis van de vermogensklassen', ''Lampas'' 39: 131-52. Includes discussion of Solon's 'political' fragments.
+
* Quattrocelli, L. (2002) 'Poesia e convivialità a Sparta arcaica. Nuove prospettive di studio', ''Cahiers Glotz'' 13: 7-32.
  
=== Theognis ===
+
* Quattrocelli, L. (2008) 'Poetry and Pottery related to the Symposium in Archaic Sparta', in ''Proceedings of the IX Symposium on Mediterranean Archeology  2005'', eds. O. Menozzi, M. L. Di Marzio, and D. Fossataro. Oxford: 63-67.
* Ford, Andrew L. (1985) 'The Seal of Theognis: The Politics of Authorship in Archaic Greece' in ''Theognis of Megara: Poetry and the Polis'', eds. T.J. Figueira and G. Nagy. Baltimore: 82-95.
 
  
* Kurke, L. (1989) 'Kapêleia and Deceit: Theognis 59–60', ''American Journal of Philology'' 110: 535–44.
+
* Rotstein, A. (2012) '''Mousikoi Agones'' and the Conceptualization of Genre in Ancient Greece' in: ''CA'' 31.1: 92-127.
  
* Martin, R.P. (2001) ‘Just Like a Woman: Enigmas of the Lyric Voice’, in ''Making Silence Speak: Women’s Voices in Greek Literature and Society'', eds. A. Lardinois and L. McClure. Princeton, N.J.: 55-74.
+
* Scully, S. (2009) '€˜Apollo and the Dance of the Olympians'€™ in ''Apolline Politics and Poetics '', eds. L. Athanassaki, R.P. Martin, and J.F. Miller. Athens: 91-108.
  
* Pòrtulas, Jaume (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
+
* Silk, M.S. (1995) 'Language, poetry and enactment'€™, ''Dialogos'' 2: 109-€“32.
  
* Rösler, Wolfgang (2006) 'La raccolta di Teognide: «il più antico libro dimostrabilmente edito dall'autore stesso». Considerazioni su una tesi di Richard Reitzenstein' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 55-67. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
+
* Vetta, M. (1996) '€˜Convivialità  pubblica e poesia per simposio in Greciâ'€™, ''QUCC'' 83 (= n.s. 54.3): 197-€“209.
  
* Wees, Hans van (2000) ‘Megara’s mafiosi.  Timocracy and violence in Theognis’, in ''Alternatives to Athens. Varieties of political organization and community in ancient Greece'', eds. R. Brock and S. Hodkinson. Oxford University Press: 52-67. Abbreviated version in Dutch: (2003) ‘Maffiosi in Megara: timocratie en geweld in Theognis’, ''Lampas'' 36: 284-99.
+
* Wecowski, M. (2002) 'Homer and the origins of the symposion' in ''Omero tremila anni dopo. Atti del congresso di Genova 6-8 luglio 2000'', ed. F. Montanari. Roma: 625-637.
  
=== Xenophanes ===
+
* Wecowski, M. (2002) 'Towards a definition of the symposion' in ''Euergesias charin. Studies Presented to Benedetto Bravo and Ewa Wipszycka by Their Disciples'', eds. T. Derda, J. Urbanik, M. Wecowski. Warszawa: 337-361.  
* Granger, Herbert (2007) 'Poetry and Prose: Xenophanes of Colophon', ''Transactions of the American Philological Association'' 137.2: 403-33. [http://muse.jhu.edu/journals/transactions_of_the_american_philological_association/toc/apa137.2.html Abstract]. [http://muse.jhu.edu/journals/transactions_of_the_american_philological_association/v137/137.2granger.pdf PDF].
 
  
=== Critias ===
+
* Wecowski, M. (2011) ''Sympozjon, czyli wspólne picie : początki greckiej biesiady arystokratycznej (IX-VII wiek p.n.e.).'' Warszawa : Wydawnictwo Naukowe Sub Lupa.
* Iannucci, A. (1998) 'Elegia e lotta politica. Note di lettura a Crit. fr. 5 W.', ''AION (filol)'' 20: 107-127.
 
  
* Iannucci, A. (2002) ''La parola e l'azione. I frammenti simposiali di Crizia''. Bologna. Review by P. Wilson in [http://ccat.sas.upenn.edu/bmcr/2004/2004-09-16.html BMCR 2004.09.16].
+
* Wecowski, M. (2012) 'When did the Symposion Rise? Some archaeological considerations regarding the emergence of the Greek aristocratic banquet', ''Archaiognosia'' 16: 25-54.  
  
* Iannucci, A. (2003) 'Una ‘corona di giambi’. Ipotesi di lettura del fr. 2 Gent.-Pr. di Crizia', ''Seminari Romani di Cultura Greca'', VI 1: 31-42.
+
* Wilson, P. (ed.) (2007) ''The Greek Theatre and Festivals. Documentary Studies. Oxford Studies in Ancient Documents.'' Oxford: Oxford University Press. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011345.html Table of Contents]. Reviewed by R. Mitchell-Boyask [http://ccat.sas.upenn.edu/bmcr/2008/2008-05-24.html BMCR 2008.05.24].
  
* Pòrtulas, Jaume (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
+
* Yatromanolakis, D. (2009) 'Symposia, Noses, Πρόσωπα: A Kylix in the Company of Banqueters on the Ground', in ''An Archaeology of  Representations: Ancient Greek Vase-Painting and Contemporary Methodologies'', ed. D. Yatromanolakis. Athens: 414-465.
  
* Rotstein, Andrea (2007) ‘Critias’ invective against Archilochus’, ''Classical Philology'' 102: 139-54.
+
=== Transmission and Reception ===
  
=== Dionysius Chalcus ===
+
* Budelmann, F. (2001) '€˜Sound and text: the rhythm and metre of archaic and classical Greek poetry in ancient and Byzantine scholarship'€™, in ''Homer, Tragedy and Beyond: Essays in Honour of P. E. Easterling'', ed. F. Budelmann and P. Michelakis. London: 209–40.
  
=== Euenus ===
+
* Calame, C. (2010) 'The Authority of Orpheus, Poet and Bard : Between Oral Tradition and Written Practice', in: ''Allusion, Authority, and Truth. Critical Perspectives on Greek Poetic and Rhetorical Praxis'', Ph. Mitsis & Ch. Tsagalis eds.,  Berlin: 13-35.
  
=== Ion ===
+
* Dougherty, C. (1993) ''The Poetics of Colonization: From City to Text in Archaic Greece''. New York and Oxford. Reviewed by M.W. Edwards [http://bmcr.brynmawr.edu/1994/94.05.04.html BMCR 1994.05.04]
  
=== Phocylides ===
+
* Ford, A. (2002) ''The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece''. Princeton, N.J. and Oxford. Reviewed by E. Papaioannou [http://bmcr.brynmawr.edu/2003/2003-06-07.html BMCR 2003.06.07]
  
=== Adespota Elegiaca ===
+
* Ford, A. (2003) '€˜From letters to literature: reading the 'song culture'€ of classical Greece'€™, in ''Written Texts and the Rise of Literate Culture in Ancient Greece'', ed. H. Yunis. Cambridge: 15–37.
  
 +
* Gentili, B. and Perusino, F. (eds.) (1999) ''La colometria antica dei testi poetici greci''. Pisa and Rome. Reviewed by H. Perdicoyianni-Paléologou [http://bmcr.brynmawr.edu/2000/2000-07-12.html BMCR 2000.07.12]
  
== Greek Lyric Poetry ==
+
* Hummel, P. (1997) ''Philogica Lyrica: La poésie lyrique grecque au miroir de l'érudition philologique de l'€™antiquité à  la Renaissance''. Louvain.
  
=== Lyric General ===
+
* Petropoulos, J.C.B. (2003) ''Eroticism in Ancient and Medieval Greek Poetry''. London. Review by Vayos J. Liapis [http://ccat.sas.upenn.edu/bmcr/2004/2004-10-01.html ''BMCR'' 2004.10.01].
* Ahrens, H. L. (1853) ‘Über die Mischung der Dialekte in der griechischen Lyrik’, in ''Verhandlungen der dreizehnten Versammlung Deutscher Philologen, Schulmänner und Orientalisten in Göttingen vom 29. September bis 2. Oktober'', Göttingen: 55-80, reprinted in ''Kleine Schriften''. I, Hannover 1853 (= Hildesheim-New York 1977): 157-81.
 
  
* Athanassaki, L. (2002) 'On Horace 1.15 and Choral Lyric' in ''Horace and Greek Lyric'', ed. M. Paschalis. ''Rethymnon Classical Studies'' 1: 85-101.
+
* Sistakou, E. (ed.) (2017) Hellenistic Lyricism (Trends in Classics series), Berlin. Table of contents here: http://hellpoet.hypotheses.org/294
  
* Athanassaki, L. (2005) 'Χορεία. Η ποιητική της παράστασης', ''Thallo'' 16: 37-76.
+
== Greek Elegy and Iambus ==
  
* Barrett, W. S. (2007) ''Greek Lyric, Tragedy, and Textual Criticism: Collected Papers''. Assembled and edited by M.L. West. Oxford, New York. The papers deal with Stesichorus, Pindar, Bacchylides and Euripides. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011752.html Table of Contents].
+
=== Elegy and Iambus General ===
  
* Bierl, Anton (2001) ''Der Chor in der Alten Komödie. Ritual und Performativität'' (unter besonderer Berücksichtigung von Aristophanes' ''Thesmophoriazusen'' und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126). It has been translated by Alex Hollmann into English as:
+
* Carey, C. and L. Swift eds (2016) ''Iambus and Elegy: New Approaches''. Oxford.
** Bierl, Anton (2007) ''Ritual and Performativity: The Chorus in Old Comedy''. Harvard Press, Center of Hellenic Studies. With many interpretations of comic, tragic and satyric songs, with a general introduction of more than 90 pages to the Chorus and song culture in general; it includes an interpretation of Alcman and an intense analysis of popular Phallus-Songs in ch. 2.
 
  
* Bremer, Jan Maarten and W.D. Furley (2001) ''Greek Hymns. Selected Cult Songs from the Archaic to the Hellenistic period''. Tübingen.
+
* Bartol, K. (1993) ''Greek Elegy and Iambus. Studies in Ancient Literary Sources''. Poznań.
  
* Bremer, Jan Maarten (2008) 'Traces of the Hymn in the Epinikion', ''Mnemosyne'' 61: 1-17. [http://www.swetswise.com.proxy.ubn.ru.nl:8080/swetsfo/swproxy?url=http%3A%2F%2Fopenurl.ingenta.com%2Fcontent%2Fswetsnet-4.1.8057b0ad6528f5df0c29150bac728f60%3Fgenre%3Darticle%26issn%3D0026-7074%26volume%3D61%26issue%3D1%26spage%3D1%26epage%3D17%26aulast%3DBremer&ts=1202555031030&cs=4113296875&userName=9021463.ipdirect&emCondId=2043297&articleID=35750230&yevoID=2197893&titleID=137377&referer=2&remoteAddr=131.174.248.1 PDF].
+
* Bowie, E.L. (2001) ‘Ancestors of historiography in early Greek elegiac and iambic poetry?’, in ''The Historian’s Craft in the Age of Herodotus'', ed. N. Luraghi. Oxford: 45-66.
** Abstract: E.L. Bundy's (1962) approach to Pindar's victory odes might lead to the assumption that the poet's praise is always and exclusively addressed to the human laudandus and his polis. Readers of Currie's recent monograph (2005) might even be led one step further: does Pindar insinuate that the laudandus receives heroic status and becomes immortal? In this paper it is argued in the first place that in many, if not all, epinicians praise of the gods comes in first place, praise of the gods being the foundation and the echo-chamber of the praise directed at the victorious athlete. A second point is that in a significant number of passages the athlete is reminded by the epinician poet that he is just a mortal, and that his present and passing felicity, obtained by hard effort, is a far cry from the easy and everlasting happiness of the immortal gods.
 
  
* Briand, Michel (1996) 'Énonciation lyrique et dialogue dans la poésie archaïque grecque: de Stésichore à Pindare, Bacchylide et Sappho', in ''Travaux du Cercle de Linguistique de Nice'', numéro spécial sur "La pragmatique" (dir. S. Mellet): 119-172.
+
* Gentili, B. & Prato, C. ed. (1988-2002) ''Poetarum elegiacorum testimonia et fragmenta''. Second revised edition. Leipzig.  
  
* Briand, Michel (2005) 'Questions de cohérence et de cohésion dans la poésie mélique grecque archaïque: la transition entre discours d'actualité et récit mythique' in ''Cohésion et cohérence. Études de linguistique textuelle'', ed. Anna Jaubert. Lyon: 79-98.
+
* Vetta, M. (1992) ‘Il simposio: la monodia e il giambo’, in ''Lo spazio letterario della Grecia antica, ed. G. Cambiano et al., vol. I.1 La produzione e la circolazione del testo: La polis''. Rome: 177–218.
  
* Calame, Claude (1977a) ''Les Chœurs de jeunes filles en Grèce archaïque''. Vol. I: ''Morphologie, fonction religieuse et sociale''; vol. II: ''Alcman'', Roma. The first volume has been translated by Derek Collins and Janice Orion (2001: 2nd ed.) ''Choruses of young women in ancient Greece: their morphology, religious role, and social functions''. Lanham, New York and Oxford.
+
* West, M.L. ed. (1989–92) ''Iambi et elegi ante Alexandrum cantati'', 2nd edn. (2 vols.). Oxford.
  
* Calame, Claude (1977b) ''Rito e poesia corale in Grecia. Guida storica e critica'', Roma and Bari.
+
* Wilson, P. (1999) ‘The aulos in Athens’, in ''Performance Culture and Athenian Democracy'', ed. S. Goldhill and R. Osborne. Cambridge: 58–85.
  
* Calame, Claude (1997) 'Diction formulaire et fonction pratique dans la poésie mélique archaïque' in ''Hommage à Milman Parry. Le style formulaire de l'épopée homérique et la théorie de l'oralité poétique'', ed. F. Létoublon. Amsterdam: 215-222.
+
=== Iambus General ===
 +
* Acosta-Hughes, B. (2002) ''Polyeideia: The Iambi of Callimachus and the Archaic Iambic Tradition''. Berkeley and London. Reviewed by P. Ojennus [http://bmcr.brynmawr.edu/2003/2003-02-04.html BMCR 2003.02.04]
  
* Calame, Claude (1998) 'La poésie lyrique grecque, un genre inexistant?' ''Littérature'' 11: 87-110. English translation in preparation for I. Rutherford (ed.) ''Oxford Readings in Greek Lyric''. Oxford.
+
* Bowie, E. L. (2002) ‘Early Greek iambic poetry: the importance of narrative’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md./Oxford: 1-27.
  
* Calame, Claude (2002) ''L'Éros dans la Grèce antique''. Paris (2nd edn.). English translation (1999) ''The Poetics of Eros in Ancient Greece''. Princeton.
+
* Bowie, E. L. (2002) ‘Ionic iambos and Attic komoidia: father and daughter, or just cousins’, in ''The Language of Greek Comedy'' ed. A. Willi, Oxford: 33-50.
  
* Calame, Claude (2006) 'Identifications génériques entre marques discursives et pratiques énonciatives: pragmatique des genres “lyriques“' in ''Le savoir des genres'', eds. R. Baroni and M. Macé. Rennes: 35-55.
+
* Brown, C. G. (1997) ‘Iambos’ in ''A Companion to the Greek Lyric Poets'', ed. D.E. Gerber, Leiden: 11-88.
  
* Calame, Claude (2007) 'Mythos, musische Leistung und Ritual am Beispiel der melischen Dichtung' in ''Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen'', eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. ''MythosEikonPoiesis'' Bd. 1.1–2. Berlin and New York: 179-210. Reviewed by Reyes Bertolín Cebrián [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-09.html ''BMCR'' 2008.08.09].
+
* Carey, C. (2009) ‘Iambus’ in ''Cambridge Companion to Greek Lyric'', ed. F. Budelmann. Cambridge: 149-167.
  
* Contiades-Tsitsoni, E. (1990) ''Hymenaios und Epithalamion. Das Hochzeitslied in der frühgriechischen Lyrik'', Stuttgart. ''Beträge zur Altertumskunde'' 16.
+
* Kantzios, I. (2005) ''The Trajectory of Archaic Greek Trimeters''. Leiden and Boston. Reviewed by L. Lomiento [http://bmcr.brynmawr.edu/2006/2006-03-34.html BMCR 2006.03.34]
  
* D'Angour, Armand (1997) 'How the Dithyramb Got Its Shape', ''Classical Quarterly'' 47.2: 331-351.
+
* Lennartz, K. (2000) ‘Zum “erweiterten” Jambusbegriff’, ''RhM'' 143: 225–50.
  
* D'Angour, Armand (2007) 'The Sound of Music: modulations and innovations in drama and dithyramb' in ''Debating the Athenian Cultural Revolution'', ed. R. Osborne Cambridge: 288-300.
+
* Lennartz, K. (2010) ''Iambos. Philologische Untersuchungen zur Geschichte einer Gattung in der Antike''. Wiesbaden.
  
* Danielewicz, J. (1990) 'Deixis in Greek Choral Lyrik', ''QUCC'' 63: 7-17.
+
* Mayer, Peter. (2008) ''Aristoteles über das Wort 'iambeion' und über die Anfänge des Iambos (Poet. 1448b,30-32 - eine Pseudo-Etymologie?).'' ''Wiener Humanistische Blätter'' (Wien) 49: 19–27.
  
* Danielewicz, J. (1990) 'Towards an Understanding of the Chrorus: Homer on Early Forms of Lyric Poetry', ''Eos'' 78: 55-62.
+
* Nobili, C. (2016) 'Iambi in Sparta', ''Greek and Roman Musical Studies'' 4: 38-50.
  
* Davies, M. (1988) 'Monody, Choral Lyric, and the Tyranny of the Handbook', ''CQ n.s.'' 38: 52-64.
+
* Riu, X. (2008) ‘On the difference between praise and invective’ in: ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades. Paroikia, Paros, 7-9 October 2005'', eds. D. Katsonopoulou, I. Petropoulos, and S. Katsarou. Athens: 73-82.  
  
* Davies, M. (1991) ''Poetarum Melicorum Graecorum Fragmenta''. Vol. 1: Alcman, Stesichorus, Ibicus. Oxford.
+
* Rotstein, A. (2010) ''The Idea of Iambos''. Oxford. Reviewed by C. Eckermann [http://bmcr.brynmawr.edu/2010/2010-06-21.html BMCR 2010.06.21]
  
* Ford, Andrew L. (2006) 'The Genre of Genres: Paeans and Paian in Early Greek Poetry', ''Poetica'' 38.3-4: 277-296. It reviews the many attempts to define paeans (esp. by Käppel and Schroeder) as part of a broader discussion of the usefulness of genre terms in reading early Greek lyric. It reads several of Timotheus' fragments to argue that predicating the epithet was the core of the "genre".
+
* Steinrück, M. (2000) ''Iambos. Studien zum Publikum einer Gattung in der frühgriechischen Literatur.'' Hildesheim.
  
* Fowler, R.L. (1987) ''The Nature of Early Greek Lyric: Three Preliminary Studies''. Toronto.
+
* Suárez de la Torre, E. (2002) ''Yambógrafos griegos''. Madrid.
  
* Fröhder, D. (1994) ''Die dichterische Form der Homerischen Hymnen: untersucht am Typus der mittelgrossen Preislieder''. Hildesheim. ''Spudasmata'' 53.
+
=== Archilochus ===
 +
* Aloni, A. (1981) ''Le Muse di Archiloco: Ricerche sullo stile archilocheo''. Copenhagen. Review by Slings, S.R. (1984) ''Mnemosyne'' 37: 169-171.
  
* Gentili, B. (1984) ''Poesia e pubblico nella Grecia antica da Omero al V secolo''. Roma-Bari. Revised and updated version translated, with an introduction, by Cole, A.T. (1988) ''Poetry and Its Public in Ancient Greece from Homer to the Fifth Century''. Baltimore.
+
* Aloni, A. and  Iannucci, A. (2007) ''L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco''. Firenze: Le Monnier Università.
  
* Gerber, D.E. (1997) ''A Companion to the Greek Lyric Poets''. Leiden-New York-London-Köln.
+
* Barker, E.T.E. and Christensen, J.P (2006) ‘Fight club: the new Archilochus fragment and its resonance with Homeric epic’, ''MD'' 57: 9-41.
  
* González de Tobia, Ana M. (2005) ‘El canto coral ‘fundador’ de una poética que vincula fiesta y memoria’, in ''Memoria e Festa'', eds. de Souza Lessa, F. and da Cunha Bustamante, M. R. Rio de Janeiro: 165-172.
+
* Bettarini, L. (2010) 'Archiloco fr. 201 W.2: meglio volpe o riccio?' in ''ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.)'', ed. E. Lelli. Pisa/Roma: 45-51.
  
* Harvey, A.E. (1955) 'The Classification of Greek Lyric Poetry', ''CQ n.s.'' 5: 157-175.
+
* Bremer, J.M. (1978) ''Het gemaskerde Ik. De poëtische persoonlijkheid in enige Griekse gedichten''. Amsterdam. (in Dutch) Inaugural lecture, mainly concerned with Archilochus' Cologne Epode.
  
* Hutchinson, G. O. (2001) ''Greek Lyric Poetry: A Commentary on Selected Larger Pieces''. Oxford.
+
* Bremer, J.M.; van Erp Taalman Kip, A.M. and Slings, S.R. (eds.) (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
** Contains new texts of, and detailed commentaries on, Alcman 1 and 3 Davies, Stesichorus 222 (b) Davies, Sappho 1, 16, 31, 96 Voigt, Alcaeus 129, 130b, 298 Voigt, Ibycus S151 Davies, Anacreon 347 fr. 1, 358, 417 Page, Simonides 542, 543 Page, Bacchylides 3, Pindar ''Olympian'' 6, Sophocles ''Ajax'' 1185-1222, Euripides ''Medea'' 627-662; introductions on individual poets and on tragic lyric.
 
  
* Ingalls, Wayne (2000) ‘Ritual Performance as Training for Daughters in Archaic Greece’, ''Phoenix'' 54: 1-20.
+
* Brown, C.G. (1995) 'The Parched Furrow and the Loss of Youth: Archilochus fr. 188 West', ''Quaderni Urbinati di Cultura Classica'' 50: 29–35.
  
* Käppel, L. (1992) ''Paian. Studien zur Geschichte einer Gattung''. Berlin. ''Untersuchungen zur antiken Literatur und Geschichte'' 37.
+
*Brown, C.G. and Gerber, D.E. (1993) ‘The parched furrow: Archilochus fr.188, 1–2 W’, in: ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica. Vol. I.'', ed. R. Pretagostini. Rome: 195–7.
  
* Klug, W. (1954) ''Untersuchungen zum Gebet in der frühgriechischen Lyrik''. Dissertation. Hamburg.
+
* Clay, D. (2004) ''Archilochos Heros: The Cult of the Poets in the Greek Polis''. Hellenic Studies 6. Washington, D.C.: Harvard University Press. Reviewed by J. MacPhail [http://bmcr.brynmawr.edu/2005/2005-09-32.html BMCR 2005.09.32]
  
* Kowalzig, Barbara (2007) ''Singing for the Gods. Performances of Myth and Ritual in Archaic and Classical Greece''. Oxford Classical Monographs. Oxford: Oxford University Press. Reviewed by Seaford, Richard (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-09-25.html ''BMCR'' 2008.09.25].
+
* Corrêa, P.C. (1998) ''Armas e Varões: A Guerra na Lírica de Arquíloco''. São Paulo.  
  
* Lambin, G. (1992) ''La chanson grecque dans l'antiquité''. Paris.
+
* Corrêa, P.C. (2001) 'The Fox and the Hedgehog', ''Revista Phaos'' 1: 80 - 92. On Archilochus 201 IEG.
  
* Lattke, M. (1991) ''Hymnus: Materialien zu einer Geschichte der antiken Hymnologie''. Fribourg. ''Novum Testamentum et orbis antiquus'' 19.
+
* Corrêa, P.C. (2002) 'Muddy Eels', ''Rivista Synthesis (La Plata)'' 9: 81 -90. On Archilochus 189 IEG.
  
* Ley, G. (1993) 'Monody, Choral Song, and Athenian Festival Performance', ''Maia'' 45: 105-124.
+
* Corrêa, P.C. (2007) 'A Human Fable and the Justice of Beasts in Archilochus' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 101-117. Reviewed by J. Gibert [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
  
* Lyghounis, Maria Gilda (1991) 'Elementi tradizionali nella poesia nuziale greca', ''Materiall e discussioni per I'analisi dei testi classici'' 27: 159-98.
+
* Ford, A.L. (1993) 'L'inventeur de la poésie lyrique: Archiloque le colon', ''Métis. Revue de l'anthropologie grecque'' 8.1-2: 59-73.
  
* MacDowell, D.M. (1989) 'Athenian Laws abouth Choruses' in ''Symposion 1982: Vorträge zur griechischen und hellenistischen Rechtsgeschichte (Santander 1.-4. September)'', ed. F.J. Fernández Nieto. Köln: 65-77.
+
* Gagné, R. (2009) 'A Wolf at the Table: Sympotic Perjury in Archilochus', ''TAPA'' 139.2: 251-275.
  
* Martin, Richard (2007) 'Outer Limits, Choral Space' in ''Visualizing the Tragic'', eds. C. Kraus, S. Goldhill, H. Foley and J. Elsner. Festschrift for F. Zeitlin. New York, Oxford: 35-62.
+
* Gerber, D.E. (2000) 'Archilochus fr. 44 West' in: ''Poesia e religione in Grecia. Studi in onore di G. Aurelio Privitera'', eds. M.C. Fera and S. Grandolini. Napoli, vol. 1: 331-333.
  
* Miller, P. A. (1994) ''Lyric Texts and Lyric Consciousness: The Birth of a Genre from Archaic Greece to Augustean Rome''. London.
+
* Gerber, D.E. (2004) 'Archilochus fr. 218 W.' in: ''Dais Philesistephanos. Studies in Honour of Professor Staffan Fogelmark. Presented on the Occasion of his 65th Birthday 12 April 2004'', eds. P. Sandin and M.W. Schiebe. Uppsala: 19-20.
  
* Mullen, W. (1982) ''Choreia: Pindar and Dance''. Princeton.
+
* Gerber, D.E. (2008) 'Archilochos and Tradition' in: ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades Paroikia, Paros, 7-9 October 2005'', eds. D. Katsonopoulou, I. Petropoulos, and S. Katsarou. Athens: 17-22.
  
* Naerebout, F.G. (1997) ''Attractive Performances. Ancient Greek Dance: Three Preliminary Studies''. Amsterdam.
+
* Handley, E. (2007) 'Night Thoughts (Archilochus 23 and 196a West)' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 95-100. Reviewed by J. Gibert[http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
  
* Nagy, G. (1990) ''Pindar's Homer. The Lyric Possession of an Epic Past''. Baltimore and London. [http://www.press.jhu.edu/books/nagy/PH.html Free-to-view online edition]. [http://www.intute.ac.uk/artsandhumanities/cgi-bin/fullrecord.pl?handle=humbul15952 More information] is available at [http://www.intute.ac.uk/ Intute], catalogued by Emma Bridges.
+
* Harrison, S. (2001) ‘Some generic problems in Horace’s Epodes: or, on (not) being Archilochus’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', ed. A. Cavarzere et al. Lanham, Md. and Oxford: 165–86.
  
* Nagy, G. (1994/5) 'Transformations of Choral Lyric Traditions in the Context of Athenian State Theater', ''Arion'' 3.1: 41-55.
+
* Hawkins, J. N. (2016). Anger, Bile, and the Poet’s Body in the Archilochean Tradition. ''Iambus and Elegy: New Approaches'': 310-321.
  
* Nagy, G. (2008) 'Lyric and Greek Myth' in ''The Cambridge Companion to Greek Mythology'', ed. Roger D. Woodard. Cambridge: Cambridge University Press: 19-51. With emphasis on the Lesbian poets Sappho and Alcaeus. Reviewed by Kühr, Angela [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-10.html ''BMCR'' 2008.08.10].
+
* Hawkins, T. (2009) 'This is the Death of the Earth: Crisis Narratives in Archilochus and Mnesiepes', ''Transactions of the American Philological Association'' 139.1: 1-20.
  
* Neri, Camillo (2004) ''La lirica greca. Temi e testi''. Roma.
+
* Irwin, E. (1998) ‘Biography, fiction and the Archilochean ainos’, ''JHS'' 118: 177–83.
  
* Nicholson, N. (1999-2000) 'Pederastic poets and adult patrons: maintaining authority in late archaic lyric', ''CW'' 93: 235-259.
+
* Létoublon, F. (2008) 'Archiloque et l'"encyclopédie" homérique', ''Pallas'' 77: 51-62.
  
* Peponi, Anastasia-Erasmia (1991) 'Flexible Lyric, Inflexible Theory: around W.R. Johnson’s ''The Idea of Lyric: Lyric Modes in Ancient and Modern Poetry'' '. Berkeley 1982. in ''Logou Charin'' 2: 167-182. (in Greek)
+
* Marcaccini, C. (2001) ''Construire un’identità, scrivere la storia: Archiloco, Paro e la colonizzazione di Taso''. Florence.
  
* Peponi, Anastasia-Erasmia (1993) ''Representation of Space and Time in Early Archaic Lyric Poetry''. PhD dissertation Thessaloniki.
+
* Massimiliano O. (ed.) (2009), ''La lira, la vacca e le donne insolenti: contesti di ricezione e promozione della figura e della poesia di Archiloco dall'arcaismo all'ellenismo.'' Minima philologica 5. Alessandria. Reviewed by Rougier-Blanc, Sylvie (2010) [http://bmcr.brynmawr.edu/2010/2010-10-61.html ''BMCR'' 2010.10.61].
  
* Peponi, Anastasia-Erasmia (1995) 'Teaching Lyric Poetry in High Schools by means of Modern Greek Translations' ''Thallo'' 7: 103-112. (in Greek)
+
* Mayer, P. (2006) 'Krieg aus Versehen? - Zur Funktion und Aussage der Telephos-Geschichte im neuen Archilochos (''P. Oxy.'' 4708, fr. 1)', ''ZPE'' 157: 15-18.
  
* Peponi, Anastasia-Erasmia (2002) 'Mixed Pleasures, Blended Discourses: Poetry, Medicine and the Body in Plato’s ''Philebus'' 46-47c', ''Classical Antiquity'' 21: 135-160. (reception of archaic lyric poetry in Plato)
+
* Mayer, P. (2006) 'Der Mann, das Mädchen und der Dichter - Zur Frage der Absicht dreier Personen: eine Verführungsgeschichte (Archil. 196a W2)', ''Acta Classica Universitatis Scientiarum Debreceniensis (Debrecen)'' 42: 5-20.
  
* Peponi, Anastasia-Erasmia (2002) 'Fantasizing Lyric: Horace, Epistles 1.19' in ''Horace and Greek Lyric Poetry'', ed. M. Paschalis. Rethymnon: 19-45. (reception of archaic lyric poetry in Horace)
+
* Medaglia, S.M. (1982) ''Note di esegesi archilochea''. Roma. Review by S.R. Slings, (1988) ''Mnemosyne'' 41: 134-135.
  
* Psaroudakēs, Stelios (2006) 'A lyre from the cemetery of the Acharnian Gate, Athens' in ''Studien zur Musikarchäologie V. Music Archaeology in context. Archaeological semantics, historical implications, socio-cultural connotations. Papers from the 4th Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 19-26 September, 2004. Orient-Archäologie 20'', Ellen Hickmann & Arnd Adje Both & Ricardo Eichmann (eds.). Rahden, Westf.: 59-79.
+
* Miralles, C. and Pòrtulas, J. (1983) ''Archilochus and the iambic poetry''. Roma. Review by S.R. Slings (1987) ''Mnemosyne'' 40: 430-432.
  
* Ψαρουδάκης, Στέλιος (2007) «Η λύρα στον ελλαδικό χώρο στις εποχές του Χαλκού και το Σιδήρου», ''Αρχαιολογία και Τέχνες'' 90: 59-67. (in modern Greek)
+
* Nesselrath, H.G. (2007) 'Lucian and Archilochus, or: How to Make Use of the Ancient Iambographers in the Context of the Second Sophistic' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 132-43. Reviewed by J. Gibert [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
  
* Race, W.H. (1992) 'How Greek Poems Begin', ''YCS'' 29: 13-38.
+
* Nicolosi, A. (trans. and comm.) (2007) ''Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708)''. Eikasmos, 14. Bologna: Pàtron Editore. Reviewed by R.M. Rosen [http://bmcr.brynmawr.edu/2009/2009-04-09.html BMCR 2009.04.09].
  
* Ruijgh, C.J. (1980) 'De ontwikkeling van de lyrische kunsttaal, met name van het literaire dialect van de koorlyriek', ''Lampas'' 5: 416-435.
+
* Nobili, C. (2009) 'Tra epos ed elegia: il nuovo Archiloco', ''Maia'' 61.2: 229-249.
  
* Rutherford, I. (1993) 'Paeanic Ambiguity: A Study of the Representation of the Paean in Greek Literature', ''QUCC'' 44: 97-92.
+
* Obbink, D. (2005) ‘4708, Archilochus, Elegies’, ''Oxyrhynchus Papyri'' 69: 18–42.
  
* Rutherford, I. (1997) 'Odes and Ends: Closure in Greek Lyric Poetry' in ''Classical Closure. Reading the End in Greek and Latin Literature'', eds. Roberts, D. and D. Fowler. Princeton [...].
+
* Obbink, D. (2006) ‘A New Archilochus poem’, ''ZPE'' 156: 1–4.
  
* Rutherford, I. (2001) ''Pindar's Paeans. A Reading of the Fragments with a Survey of the Genre''. Oxford.
+
* Pòrtulas, J. (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* Schmidt, E.G. (1974) 'Zur Interpretation und Rezeption frühgriechischer Lyrik' in ''Die Antike in der sozialistischen Kultur, Internationale Arbeitskonferenz des Instituts für Altertumswissenschaft der Friedrich-Schiller-Universität Jena, 27.-29. Juni 1973''. Jena: 93-109.
+
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. Alessandria: 57–71.
  
* Schmitz, H. (1970) ''Hypsos und Bios. Stilistische Untersuchungen zum Alltagsrealismus in der archaischen griechischen Chorlyrik''. Bern.
+
* Riu, X. (2012) 'On the Reception of Archilochus and of invective in antiquity', in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 249-282.
  
* Segal, C. (1989) 'Song, Ritual, and Commemoration in Early Greek Poetry and Tragedy', ''Oral Tradition'' 4: 330-359.
+
* Rosen, R.M. (2007) 'The Hellenistic Epigrams on Archilochus and Hipponax' in ''Brill's Companion to Hellenistic Epigram'' eds. P. Bing & J. Steffen Bruss. Leiden: 459–476. Reviewed by M.A. Tueller [http://bmcr.brynmawr.edu/2008/2008-06-19.html BMCR 2008.06.19]
  
* Segal, C. (1998) ''Aglaia. The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham-Boulder-New York-Oxford.
+
* Rotstein, A. (2007) ‘Critias’ invective against Archilochus’, ''Classical Philology'' 102: 139-54.
 +
 +
* Rotstein, A. (2008) “‘I do not care about ''iamboi''” (Archil. Fr. 215W)’, in ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades'', eds. D. Katsonopoulou, I. Petropoulos and S. Katsarou. Athens: 65-80.
  
* Seidensticker, Bernd (2005) 'Dithyramb, Comedy, and Satyr-Play' in ''A Companion to Greek Tragedy'', ed. Justina Gregory. Oxford: Blackwell: 38-54. Reviewed by Wright, Matthew (2006) [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-39.html ''BMCR'' 2006.06.39].
+
* Rotstein, A. (2010) ''The Idea of Iambos''. Oxford: 151-166, 230-234, 256-259, 281-318.
  
* Slings, S.R. (ed.) (1990) ''The poet's I in archaic Greek lyric''. Amsterdam.
+
* Slings, S.R. (1975) 'Three notes on the new Archilochus papyrus', ''Zeitschrift für Papyrologie und Epigraphik'' 18: 170.
  
* Slings, S.R. (1990) 'The I in personal archaic lyric: an introduction' in ''The poet's I in archaic Greek lyric'', ed. S.R. Slings. Amsterdam: 1-30.
+
* Slings, S.R. (1976) 'Archilochus, the hasty mind and the hasty bitch', ''Zeitschrift für Papyrologie und Epigraphik'' 21: 283-288.
  
* Stehle, E. (1997) ''Performance and Gender in Ancient Greece. Nondramatic Poetry in its Setting''. Princeton.
+
* Slings, S.R. (1980) 'Archilochus, eerste Keulse epode', ''Lampas'' 13: 315-335. (in Dutch)
  
* Trümpy, C. (1986) ''Vergleich des Mykenischen mit der Sprache der Chorlyrik. Bewahrt die Chorlyrik eine von Homer unabhängige alte Sprachtradition?''. Bern.
+
* Slings, S.R. (1982) 'Archilochus and the ant', ''Zeitschrift für Papyrologie und Epigraphik'' 45: 69-70.  
  
* Webster, T.B.L. (1970) ''The Greek Chorus''. London.  
+
* Slings, S.R. (1980-82) 'Archilochus, S 478 (a), 3 Page', ''Museum Criticum'' 15-17: 11-14.
  
* West, M.L. (1992) ''Ancient Greek Music''. Oxford.
+
* Slings, S.R. (1983) 'Once more Archilochus and the ant', ''Zeitschrift für Papyrologie und Epigraphik'' 53: 31-36.  
  
* Wilson, Lyn Hatherly (1996) ''Sappho's Sweetbitter Songs: Configurations of female and male in ancient Greek Lyric''. London and New York.
+
* Slings, S.R. (1986) 'Archilochus: new fragments from the Sosthenes inscription', ''Zeitschrift für Papyrologie und Epigraphik'' 63: 1-3.  
  
* Wilson, Peter J. (1999) 'The ''aulos'' in Athens', in ''Performance Culture and Athenian Democracy'', S. Goldhill and R. Osborne (eds.). Cambridge: 58-95.
+
* Slings, S.R. (1988) 'Archilochus, fr. 188,3', ''Zeitschrift für Papyrologie und Epigraphik'' 72: 21.  
  
* Wilson, Peter J. (2000) ''The Athenian institution of the Khoregia: the chorus, the city and the stage''. Cambridge and New York.
+
* Slings, S.R. (1989) 'Anonymus, Parallel lines from Homer and Archilochus', ''Zeitschrift für Papyrologie und Epigraphik'' 79: 1-8.  
** Reviews: Josiah Ober (2000) ''BMCR'' 10. Stuart Douglas Olson (2000-2001) ''CW'' 94.4: 418-419. Geert Roskam (2001) ''LEC'' 69.3: 341-342. Jean-Charles Moretti (2001) ''REA'' 103.3-4: 585-586. Herman Van Looy (2001) ''AC'' 70: 447-448. Nicoletta Marini (2002) ''Athenaeum'' 90.2: 662-664. Stephen D. Lambert (2002) ''JHS'' 122: 178-179. Eric Csapo (2002) ''Phoenix'' 56.1-2: 150-153.
 
  
* Yatromanolakis, D. and P. Roilos (2003) ''Towards a Ritual Poetics''. Athens.
+
* Slings, S.R. (1990) 'Archilochus van Paros, soldaat en dichter', ''Hermeneus'' 62: 281-289. (in Dutch)
  
* Yatromanolakis, D. and P. Roilos (2005) ''Pros mia Teletourgike Poietike''. Preface Marcel Detienne. Athens.
+
* Slings, S.R. (1992) 'For the third time: Archilochus and the ant', ''Eikasmos'' 3:  13-17.  
  
=== Sappho and Alcaeus ===
+
* Slings, S.R. (1995) 'Archilochus, fr. 188, 1-2', ''Zeitschrift für Papyrologie und Epigraphik'' 106: 1-2.
* Aloni, A. (1983) ‘Eteria e tiaso: I gruppo aristocratici di Lesbo tra economia e ideologia’, ''Dialoghi di Archeologia'' ser. 3, n. 1: 21-35 (= ''id''., ‘Lotta politica e pratica religiosa nella Lesbo di Saffo e Alceo’, ''Atti del Centro ricerche e documentazione sull'antichittà classica'' 11 (1980/81): 213-32)
 
  
* Broger, A. (1996) ''Das Epitheton bei Sappho und Alkaios. Eine sprachwissenschaftliche Untersuchung''. Innsbruck. Review by Slings, S.R. (1999) ''Mnemosyne'' 52: 481-484.  
+
* Steinrück, M. (1991) ''Leise Laute, Arbeiten über das Verhältnis von Rhythmus und Lautresponsion bei Archilochos''. Lausanne Basel.
  
* Nagy, Gregory (2007) 'Did Sappho and Alcaeus Ever Meet? Symmetries of Myth and Ritual in Performing the Songs of Ancient Lesbos' in ''Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen'', eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. ''MythosEikonPoiesis'' Bd. 1.1–2. Berlin and New York: ibid. 211-269. Reviewed by Reyes Bertolín Cebrián [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-09.html ''BMCR'' 2008.08.09].
+
* Steinrück, M. (2008) 'Les publics d'Archiloque', ''Pallas'' 77: 41-50.
  
=== Sappho ===
+
* Suárez de la Torre, E. (1977) 'Un reciente problema para la Filología Clásica: el nuevo fragmento atribuido a Arquíloco' (en colaboración con A. Melero), ''CFC'' 13: 167-199.
Cf. the [http://athena.leidenuniv.nl/letteren/opleiding/klassieketalen/index.php3?m=184&c=199 bibliography on Sappho] made by Martine Cuypers that forms part of a [http://athena.leidenuniv.nl/letteren/opleiding/klassieketalen/index.php3?m=184&c=86 Hellenistic Bibliography].
 
  
* Aloni, A. (1997) ''Saffo: Frammenti''. Florence.
+
* Suárez de la Torre, E. (2000) 'Archilochus ‘Biography’, Dionysos, and Mythical Patterns' in ''Poesia e religione in Grecia. Studi in Onore di G. Aurelio Privitera. Volume II'', eds. M. Cannata Fera and S. Grandolini. Napoli: 639-658.
  
* Aloni, A. (2001) ‘What is that man doing in Sappho, fr. 31 V.?’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md., and Oxford: 29-40.
+
* Swift, L. (2016) ‘Poetics and Precedents in Archilochus’ Erotic Imagery’, in Iambus and Elegy: New Approaches, eds. C. Carey and L. Swift. Oxford:. 253–270.
  
* Bierl, Anton (2004) ' 'Ich aber (sage), das Schönste ist, was einer liebt!' Eine pragmatische Deutung von Sappho Fr. 16 LP/V', ''Quaderni Urbinati di Cultura Classica'' n.s. 74.2 (103): 91–124.
+
* Swift, L. (2015) ‘Negotiating Seduction: Archilochus’ Cologne Epode and the Transformation of Epic, Philologus 159(1): 2-28
  
* Bremer, Jan Maarten (1982) 'A reaction to Tsagarakis' discussion of Sappho fr. 31', ''Rheinisches Museum'' 125: 113-116.
+
* Swift, L. (2014) ‘Telephus on Paros: Genealogy and Myth in the “New Archilochus” Poem (P. Oxy. 4708), CQ 64(2): 433-47.
  
* Calame, Claude (1996) 'Sappho's Group: An Initiation into womanhood' in ''Reading Sappho. Contemporary Approaches'', ed. E. Greene, Berkeley and London: 113-124.
+
* Swift, L. (2014) ‘The Animal Fable and Greek Iambus: Ainoi and Half-Ainoi in Archilochus, in Gêneros poéticos na Grécia antiga: Confluências e fronteiras, eds. C. Werner and B. Sebastini.  São Paulo: 49-77.
  
* D'Angour, Armand (2006) 'Conquering Love: Sappho 31 and Catullus 51', ''Classical Quarterly'' 56: 297-300.
+
* Swift, L. (2012) ‘Archilochus the “Anti-Hero” Heroism, Flight and Values in Homer and the New Archilochus Fragment (P. Oxy. LXIX 4708), JHS 132: 139-55.
  
* Dosuna, Julián Méndez (2008) 'Miscellanea: Knees and Fawns in the New Sappho', ''Mnemosyne'' 61.1: 108-14. [http://www.swetswise.com.proxy.ubn.ru.nl:8080/swetsfo/swproxy?url=http%3A%2F%2Fopenurl.ingenta.com%2Fcontent%2Fswetsnet-4.1.2dae033a21a66b009d41d8e9ea102dbd%3Fgenre%3Darticle%26issn%3D0026-7074%26volume%3D61%26issue%3D1%26spage%3D108%26epage%3D114%26aulast%3DDosuna&ts=1202555509461&cs=2005023008&userName=9021463.ipdirect&emCondId=2043297&articleID=35750235&yevoID=2197893&titleID=137377&referer=1&remoteAddr=131.174.248.1 PDF].
+
* West, M.L. (2006) ‘Archilochus and Telephos’, ''ZPE'' 156: 11–17.
  
* Greene, E. (ed.) (1996) ''Reading Sappho: Contemporary Approaches''. Berkeley and London.
+
=== Semonides ===
 +
*Carson, A. (1999) ''Economy of the Unlost: Reading Simonides of Keos with Paul Celan.'' Princeton, N.J.
  
* Lardinois, A.P.M.H. (1989) 'Lesbian Sappho and Sappho of Lesbos' in ''From Sappho to de Sade: Moments in the History of Sexuality'', ed. J.N. Bremmer. London: 15-35. Dutch version (1988) and Portugese translation (1995).
+
* Hubbard, Th.K. (1994) 'Elemental Psychology and the Date of Semonides of Amorgos', ''AJPh'' 115: 175-197.
  
* Lardinois, A.P.M.H. (1994) 'Subject and Circumstance in Sappho's Poetry', ''Transactions of the American Philological Association'' 124: 57-84.
+
* Hubbard, Th.K. (1996) ' 'New Simonides' or old Semonides? Second Thoughts on POxy 3965, fr. 26, ''Arethusa'' 29: 255-262 (= in (2001) ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 226-231).
  
* Lardinois, A.P.M.H. (1996) 'Who Sang Sappho's Songs?' in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene Berkeley: 150-172.
+
* Osborne, R. (2001) ‘The use of abuse: Semonides 7’, ''PCPhS'' 47: 47–64.
  
* Lardinois, A.P.M.H. (2001) 'Keening Sappho: Female Speech Genres in Sappho's Poetry' in ''Making Silence Speak: Women's Voices in Greek Literature and Society'', eds. A. Lardinois and L. McClure. Princeton: 75-92.
+
* Steinrück, M. (1994) ''Regards sur la femme: analyse rythmique et interprétation de Sémonide frg. 7 Tedeschi-Pellizer''. Roma.
  
* Lardinois, A.P.M.H. ((2003) 'Drie gedaantes van Helena: Moderne interpretaties van Sappho Fr. 16' (Modern interpretations of Sappho Fr. 16), ''Lampas'' 36: 261-283.
+
* Steinrück, M. (1994) 'Echos phoniques et débuts de mots dans le iambe de Sémonide d'Amorgos', ''Revue informatique et statistique dans les sciences humaines'' 30: 139-153.
  
* Lardinois, A.P.M.H. (2007) 'Seks à la Sappho', ''Lampas'' 40: 273-80. In Dutch.
+
* Van Wees, H. (2005) 'The invention of the female mind. Women, property and gender ideology in archaic Greece', in ''Women and Property in the Ancient Near East and Greece'', eds. D. Lyons and R. Westbrook. Published on website of Center for Hellenic Studies, Washington DC. pp. 26. [http://chs.harvard.edu/chs/women_and_property URL]. Includes discussion of Fr 7.
  
* Neri, Camillo (2001) 'In margine a Sapph. fr. 96,8 V.', ''Eikasmós'' 12: 11-18.
+
=== Hipponax ===
  
* Neri, Camillo (2005) 'Sudore freddo e tremore (Sapph. fr. 31,13 V. ~ Sen. Tro. 487s. ~ Apul. Met. I 13, II 30, X 10)', ''Eikasmós'' 16: 51-62 (con F. Citti).
+
* Alexandrou, M. (2016). 'A commentary on the fragments of the iambic poet Hipponax' (Doctoral dissertation, UCL (University College London)).
  
* Peponi, Anastasia-Erasmia (1985) 'Narrative Modes in a lyric  litê: Sappho 1 L.P' ''Philologos'' 41: 244-259. (in Greek)
+
* Carey, C. (2003) ‘Ipponatte e la tradizione giambica’ in ''Studi di filologia e tradizione greca in memoria di A. Colonna'', eds. F. Benedetti and S. Grandolini. Perugia: 213-228.
  
* Peponi, Anastasia-Erasmia (1995) 'Lyric Transformations of Epic Helen: the Technique of Poetic Suppression in Sappho 16 L.P.' in ''Proceedings of the 7th International Symposium of Ithaki'': 315-328. (in Greek)
+
* Carey, C. (2008) ‘Hipponax narrator’, ''AAHung'' 48: 89-102.
  
* Peponi, Anastasia-Erasmia (1997) 'Mythoplokos Eros: Sappho’s Allusion to her Poetics' in ''Acta: First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-T. Papademetriou. Athens: 139-165. (in Greek)
+
* Cazzato, V. (2015) ‘Hipponax’ poetic initiation and Herodas’ “Dream”’, ''The Cambridge Classical Journal'' 61: 1-14.
  
* Rawles, Richard (2006) 'Notes on the interpretation of the 'New Sappho' ' ''ZPE'' 157: 1-7.
+
* Dale, A. (2013). 'HIPPONAX FR. 42 IEG2' Zeitschrift für Papyrologie und Epigraphik 187: 49-51.
  
* Slings, S.R. (1988) 'Sappho fr. 1,19', ''Zeitschrift für Papyrologie und Epigraphik'' 72: 19-20.  
+
* Degani, E. (1995) ‘Ipponatte e i poeti filologi’, in ''Atti del Congresso ‘Poeti e Filologi, Filologi-Poeti’. Composizione e studio della poesia epica e lirica nel mondo greco e romano'', Brescia, Università Cattolica, 26–27 aprile 1995, ed. A. Porro and G. Milanese, Aevum(ant) 8: 105–36.
  
* Slings, S.R. (1991) 'Sappho fr. 1, 8 V.: Golden house or golden chariot?', ''Mnemosyne'' 44: 404-410.  
+
* Faraone, C.A. (2004) 'Hipponax Frag. 128W: Epic Parody or Expulsive Incantation?', ''Classical Antiquity'' 23: 209-45.
  
* Slings, S.R. (1994) 'Sappho, fr. 94, 10', ''Zeitschrift für Papyrologie und Epigraphik'' 102: 8.  
+
* Fowler, R.L. (1990) ‘Two more new verses of Hipponax (and a spurium of Philoxenus)?’, ''ICS'' 15: 1–22.
  
* Slings, S.R. (1994) 'Two notes on Sappho's wedding songs', ''Mnemosyne'' 47: 677-679.  
+
* Hawkins, S. (2013). ''Studies in the Language of Hipponax''. Bremen.
  
* Steinrück, M. (1999) 'Homer bei Sappho?', ''Mnemosyne'' 52: 139-149.
+
*Hawkins, T. (2016). 'Bupalus in Scheria: Hipponax’s Odyssean Transcontextualizations' in ''Iambus and Elegy: New Approaches'', C. Carey and L. Swift (eds) Oxford: 229-52.
  
* Steinrück, M. (2000) 'Neues zu Sappho", ''ZPE'' 131: 10-12.
+
* Miralles, C. and J. Pòrtulas (1988) ''The Poetry of Hipponax''. Rome.
  
* Steinrück, M. (2000) 'Sappho sans sa vie', in ''Biographie des hommes - biographie des dieux'', ed. M.-L. Desclos. Grenoble: 113-127.
+
* Neri, C. (1995) 'L'empietà del naso (Hippon. fr.129a,1 Dg.)', ''Eikasmós'' 6: 11-14.
  
* Steinrück, M. (2008) 'Sapphos Alterslied und kein Ende', ''QUCC'' 86: 89-94.
+
* Nicolosi, A. (ed.) (2007) ''Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708)''. Bologna. Edition, translation and commentary Reviewed by R.M. Rosen [http://bmcr.brynmawr.edu/2009/2009-04-09.html BMCR 2009.04.09].
  
* Tasagarakis, O. (1979) 'Some neglected aspects of love in Sappho’s Fr. 31 LP', ''Rheinisches Museum'' 122: 97-118.
+
* Rosen, R.M. (1990) ‘Hipponax and the Homeric Odysseus’, ''Eikasmos'' 1: 11–25.
  
* Yatromanolakis, D. (1999) 'Alexandrian Sappho Revisited', ''Harvard Studies in Classical Philology'' 99: 179-195.(reprinted in (2002) ''Greek Literature. Vol. 7: Greek Literature in the Hellenistic Period'', ed. G. Nagy. New York/London.)
+
* Rosen, R.M. (2007) 'The Hellenistic Epigrams on Archilochus and Hipponax' in ''Brill's Companion to Hellenistic Epigram'' eds. P. Bing & J. Steffen Bruss. Leiden.  
  
* Yatromanolakis, D. (1999) 'When Two Fragments Meet: Sapph. fr. 22 V.', ''ZPE'' 128: 22-23.
+
* Rosen, R.M. (2007) ''Making Mockery. The Poetics of Ancient Satire. Classical Culture and Society.'' Oxford. Chapter 5 focuses on Hipponax and Callimachus.  
  
* Yatromanolakis, D. (2001) 'Visualizing Poetry: An Early Representation of Sappho', ''Classical Philology'' 96: 159-168.
+
* Suárez de la Torre, E. (1987) 'Hiponacte cómico', ''Emerita'' 55: 113-139.
  
* Yatromanolakis, D. (2002) 'Heteroglossikoi Dialogoi kai Anasunthese sten Sappho tou Odussea Elyte', ''Synkrise/ Comparaison'' 13: 60-72. In Greek.
+
* Watkins, C. (2007) 'Hipponactea quaedam' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 118-25. Reviewed by J. Gibert [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
  
* Yatromanolakis, D. (2003) 'Ritual Poetics in Archaic Lesbos: Contextualizing Genre in Sappho', in ''Towards a Ritual Poetics'', D. Yatromanolakis and P. Roilos. Athens: 43-59.
+
=== Ananius ===
  
* Yatromanolakis, D. (2004) 'Exploring Lyric Tropes', ''Synkrise/ Comparaison'' 15: 70-79.
+
* Carey C.(2016). 'Mapping ''iambos'': Mining the minor talents', in I''ambus and Elegy: New Approaches'', C. Carey and L. Swift (eds), Oxford: 122-39.
  
* Yatromanolakis, D. (2005) 'Contrapuntal Inscriptions', ''ZPE'' 152: 16-30.
+
=== Adespota Iambica ===
  
* Yatromanolakis, D. (2006) 'A Lyric Epos', ''Helenika'' 56: 381-388.
+
=== Elegy General ===
  
* Yatromanolakis, D. (2007) ''Sappho In The Making: The Early Reception''. Cambridge, MA. This book focuses on archaic, classical, and Hellenistic socioaesthetics cultures and song-making, but it also explores a lot of later, Roman and Greek material; it includes extensive sections on Anakreon and other archaic and classical poets.
+
* Adkins, A.W.H. (1985) ''Poetic Craft in the Early Greek Elegists''. Chicago-London.
  
* Yatromanolakis, D. (2008) 'P.Colon. inv. 21351 + 21376 and P.Oxy. 1787 fr. 1: Music, Politics, and Hellenistic Anthologies', ''Hellenika'' 58.
+
* Aloni, A. and  Iannucci, A. (2007) ''L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco''. Firenze: Le Monnier Università.
  
* Yossi, M. J., D. Kioussi and A. Tatsi (eds) (2004) ''Thelxis. Fifteen Essays on Sappho''. Athens: Smili Editions. Articles by B. Gentili, Cl. Calame, J. McIntosh Snyder, J. J. Winkler, E. Greene, A. Lardinois, P. A. Rosenmeyer. I. Le. Pfeijffer, K. Stanley, Ch. Segal, W. Stehle Stigers. J. Svenbro, E. Robbins, R. Palmisciano, Anne Carson translated into modern Greek with an Introduction by the Editors. (an En Kyklo publication)
+
* Barnes, H.R. (1995) ‘The structure of the elegiac hexameter: a comparison of the structure of elegiac and stichic hexameter verse’, in ''Struttura e storia dell’esametro omerico'', ed. M. Fantuzzi and R. Pretagostini, vol. I. Rome: 135–61.
  
=== Alcaeus ===
+
* Bowie, E.L. (1990) ‘''Miles ludens''? The problem of martial exhortation in early Greek elegy’, in ''Sympotica: A Symposium on the Symposion''. ed. O. Murray. Oxford: 221-229.
* Andrisano, A. (2001) ‘Iambic motifs in Alcaeus' lyrics’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md., and Oxford: 41-64.
+
 
 +
* Budelmann, F. and T. Power (2013). 'The inbetweenness of sympotic elegy.' JHS 133: 1-19.
  
* Bachvarova, Mary R. (2007) 'Oath and allusion in Alcaeus fr. 129' in ''Horkos. The Oath in Greek Society'', eds. Alan H. Sommerstein, Judith Fletcher. Exeter: 179-188. Reviewed by Kellogg, Danielle L. (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-55.html ''BMCR'' 2008.08.55].
+
* Faraone, C.A. (2005) 'Exhortation and Meditation: Alternating Stanzas as a Structural Device in Early Greek Elegy', ''CPh'' 100: 317-36. [Tyrtaeus 10, 11; Callinus 1; Xenophanes 1]
  
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
+
* Faraone, C.A. (2005) 'Catalogues, Priamels and Stanzaic Structure in Early Greek Elegy', ''TAPhA'' 135: 249-65. [Simonides  16; Tyrtaeus 12; Theognidea 699-718; Solon 13, 27]
  
* Kurke, Leslie (1994) 'Crisis and Decorum in Sixth–Century Lesbos: Reading Alkaios Otherwise', ''Quaderni Urbinati di cultura classica'', n.s. 47: 67-92.
+
* Faraone, C.A. (2008) ''The Stanzaic Architecture of Early Greek Elegy''. Oxford. Reviewed by Eckerman, Chris (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-30.html ''BMCR'' 2008.08.30].
  
* Lelli, Emanuele (2006) ''Volpe e leone. Il proverbio nella poesia greca (Alceo, Cratino, Callimaco). Filologia e critica, 93''. Roma: Edizioni dell'Ateneo. [http://catdir.loc.gov/catdir/toc/casalini05/06544053.pdf Table of Contents]. Reviewed by Massimiliano Ornaghi, [http://ccat.sas.upenn.edu/bmcr/2008/2008-01-39.html BMCR 2008.01.39].
+
* Gerber, D.E. (1997) ‘Elegy’, in ''A Companion to the Greek Lyric Poets'', ed. D.E. Gerber. Leiden: 89–132.
  
* Neri, Camillo (1996) 'Poeti, filologi e patelle (Alcae. fr. 359 V., Dicaearch. fr. 99 Wehrli, Ar. Byz. fr. 367 Sl.)', ''Eikasmós'' 7: 25-55.
+
* Giordano-Zecharya, M. (2003) ‘Tabellae auris: musica e memoria nella trasmissione della lirica monodica’, in ''ΡΥΣΜΟΣ: Studi di poesia, metrica e musica greca offerti dagli allievi a Luigi Enrico Rossi per i suoi settant’anni'', ed. R. Nicolai. Rome: 73–92.
  
* Yatromanolakis, D. (2008) 'Genre Categories and Interdiscursivity in Alkaios and Archaic Greece', ''Synkrise/Comparaison'' 19.
+
* Lulli, L. (2007) "‘Anomalie’ linguistiche e performances poetiche. Osservazioni sui tratti linguistici epicorici nell’epica greca postomerica e nell’elegia arcaica di argomento storico-narrativo", ''SemRom'' 10.2: pp. 35–62.
  
=== Incertum utrius auctoris fragmenta ===
+
* Lulli, L. (2009) 'Appunti per una storia grafico-editoriale del genere letterario dell’elegia in età ellenistico-romana', ''Scripta. International Journal of Palaeography and Codicology'' 2: 135–157.
  
=== Alcman ===
+
* Lulli, L. (2011) ''Narrare in Distichi: L'elegia greca arcaica e classica di argomento storico-mitico''. Rome.  
Cf. The [http://alkman.georgehinge.com/bibliographie.html Alcman bibliography] that is maintained by George Hinge. This website forms part of a project on the dialect of Alcman (in German with a summary in English and Danish).
 
  
* Bierl, Anton (2007) 'L'uso intertestuale di Alcmane nel finale della Lisistrata di Aristofane. Coro e rito nel contesto performativo' in ''Dalla lirica corale alla poesia drammatica. Forme e funzioni del canto corale nella tragedia e nella commedia greca'', eds. F. Perusino and M. Colantonio. Pisa: 259–290. With a comparison between Alcman and the last songs in Ar. ''Lysistrata''.
+
* Lulli, L. (2015) "Epica ed elegia. Incontri di due generi letterari nei luoghi della performance", in L. Bettarini (ed.), ''A più mani. Linee di ricerca tracciate in 'Sapienza''', Roma-Pisa: 89–102.
  
* Calame, Claude (1983) ''Alcman. Texte critique, témoignages, traduction et commentaire''. Roma.
+
* Lulli, L. (2016) "Elegy and Epic: A Complex Relationship", in L. Swift, C. Carey (eds.), ''Iambus and Elegy. New Approaches'', Oxford-New York: 193-209.
  
* Hinge, George (2006) ''Die Sprache Alkmans: Textgeschichte und Sprachgeschichte''. Wiesbaden: Dr. Ludwig Reichert Verlag. ''Serta Graeca'' 24. Cf. his website [http://alkman.georgehinge.com/index.html Die Sprache Alkmans].
+
* Nobili, C. (2006) 'Omero e l'elegia trenodica', ''Acme'' 59.3: 3-24. It investigates the problem of threnodic elegy and presents the possibility to trace motifs typical of threnodic elegy in Homeric poems.
  
* Peponi, Anastasia-Erasmia (2004) 'Initiating the Viewer: Deixis and Visual Perception in Alcman’s Lyric Drama', ''Arethusa'' 37.3: 295-316.
+
* Nobili, C. (2011) 'Threnodic elegy in Sparta', ''Greek, Roman, Byzantine Studies'' 51.1: 26-48.
  
* Peponi, Anastasia-Erasmia (2007) 'Sparta’s Prima Ballerina: ''Choreia'' in Alcman's Second ''Partheneion'' (3 ''PMGF'')', ''Classical Quarterly'' 57.2: 351-62.
+
* Nobili, C. (2016) 'Choral elegy', in C. Carey – L. Swift (eds.), I''ambus and Elegy. New Approaches'', Oxford: 33-55.
  
* Priestley, J.M. (2007) 'The φαρος of Alcman's ''Partheneion'' 1', ''Mnemosyne'' 60.2: 175-95.
+
* Raalte, M. van (1988) 'Greek Elegiac Verse Rhythm', ''Glotta'' 66: 145-78.
  
* Robbins, E. (1991) 'Alcman’s Partheneion: Legend and Choral Ceremony', ''CQ'' 44: 7-16.
+
* Scott Garner, R. (2011) ''Traditional Elegy. The Interplay of Meter, Tradition, and Context in Early Greek Poetry.'' Oxford.  
  
=== Stesichorus ===
+
* Slings, S.R. (2000) 'Symposion and Interpretation: Elegy as group-song and the so-called awakening individual', ''Acta Antiqua Hungariensia'' 40: 423-434.
* Arrighetti, G. (1995) 'L'arte di Stesicoro nel giudizio degli antichi', in ''Poésie et lyrique antiques: Actes du colloque organisé par C. Meillier à l’Université Charles-de-Gaulle, Lille III, 2-4 juin 1993'', ed. L. Dubois. Lille: 55-72.
 
  
* Barker, Andrew (2001) 'La musica di Stesicoro', ''Quaderni Urbinati di Cultura Classica'' 67.1: 7-20.
+
* Suárez de la Torre, E. (2012) ''Elegíacos Griegos.'' Madrid. Spanish translation with introduction.  
  
* Blaise, Fabienne (1995) ‘Les deux (?) Hélène de Stésichore’, in ''Poésie et lyrique antique'', ed. L. Dubois, Lille: 29-40. Full text: [[Media:Blaise1995Stesichorus.pdf]].
+
* Tsagalis, Christos C. (2008) ''Inscribing Sorrow: Fourth-century Attic Funerary Epigrams. Trends in Classics - Supplementary Volumes 1''. Berlin and New York. Reviewed by Garulli, Valentina (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-09-18.html ''BMCR'' 2008.09.18].
  
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
+
* Zanetto, G. (2004) ‘Omero e l’elegia arcaica’, in ''Momenti della ricezione omerica: Poesia arcaica e teatro'', ed. G. Zanetto et al. (Quaderni di Acme 67). Milan: 37–50.
  
* Neri, Camillo (2008) 'Trattativa contro il fato (Stesich. PMGF 222b,176-231)', ''Eikasmós'' 19: 11-44.
+
=== Callinus ===
  
* Slings, S.R. (1998) 'Hoge en lage lyriek in de zesde eeuw. I: Stesichoros', ''Hermeneus'' 70:188-195. In Dutch.
+
* Christenson, D. (2000). 'Callinus and Militia Amoris in Achilles Tatius' 'Leucippe and Cleitophon'' The Classical Quarterly 50(2): 631-632.
  
=== Ibycus ===
+
=== Tyrtaeus ===
* Tortorelli, William (2004) 'A Proposed Colometry of Ibycus 286', ''Classical Philology'' 99.4: 370-376. [http://www.journals.uchicago.edu/doi/abs/10.1086/429942 URL]
 
  
* Ucciardello, Giuseppe (2005) 'Sulla tradizione del testo di Ibico', in ''Lirica e Teatro in Grecia. Il Testo e la sua ricezione (Atti del II Incontro di Studi, Perugia 23-24 gennaio 2003)'', a cura di S. Grandolini. Napoli: 21-88.
+
* Année, M. (2007) 'La mémoire oubliée: perspectives poétiques de l'élégie chez Tyrtée', [http://www.paris-sorbonne.fr/IMG/pdf/Magali_Annee.pdf ''Camenulae'' 1].
  
=== Anacreon ===
+
* Année, M. (2010) 'Pouvoir du λόγος e λόγος d'un pouvoir chez Tyrtée' in ''Linguaggi del potere, poteri del linguaggio'', eds. E. Bona and M. Curnis. Alessandria: 79-85.
* Achilleos, S. (2004) ‘The ''Anacreontea'' and a tradition of refined male sociability’ in ''A Pleasing Sinne: Drink and Conviviality in Seventeenth-Century England'', ed. A. Smyth. Cambridge: 21-35.
 
  
* Aloni, A. (2000) 'Anacreonte a Atene: datazione e significato di alcune iscrizioni tiranniche', ''ZPE'' 130: 81-94.
+
* Belloni, L. (2003) 'Il re suadente: (Tyrt. 9 G.-P., 1-9)' in ''Studi di filologia e tradizione greca in memoria di Aristide Colonna'', eds. F. Benedetti and S. Grandolini. Napoli: 63-75.  
  
* Iannucci, A. (1999) 'Callimaco, Anacreonte e il ‘bere vino’ (Callim. Aet. fr. 178,11 s. Pf.; Anacr. fr. 56 Gent. = 2 W.)', ''Quaderni del Dipartimento di Filologia, Linguistica e Tradizione Classica  di Torino'' 12: 131-140.
+
* Faraone, C.A. (2006) 'Stanzaic Structure and Responsion in the Elegiac Poetry of Tyrtaeus', ''Mnemosyne'' 59: 19-52.
  
* Ladianou, Katerina (2005) 'The Poetics of Choreia: Imitation and Dance in the ''Anacreontea'' ', ''Quaderni Urbinati di Cultura Classica'' 80: 47-60.
+
* Föllinger, S. (2005) 'Geschlecht und Körperwahrnehmung in der frühgriechischen Dichtung' in ''Medizin, Geschichte und Geschlecht: körperhistorische Rekonstruktionen von Identitäten und Differenzen'', eds. F. Stahnisch and F. Steger. Stuttgart: 27-39. [Homer, Tyrtaeus and Mimnermus].
  
* Slings, S.R. (1978) 'Anacreon's two meadows', ''Zeitschrift für Papyrologie und Epigraphik'' 30: 38.  
+
* Gerber, D.E. (2003) 'Λοξός with reference to the eyes and neck in Greek poetry' in ''Studi di filologia e tradizione greca in memoria di Aristide Colonna'', eds. F. Benedetti and S. Grandolini. Napoli: 355-8.
  
* Slings, S.R. (1998) 'Hoge en lage lyriek in de zesde eeuw: II Anakreon', ''Hermeneus'' 70: 247-253. In Dutch.
+
* Hölscher, U. (1986) 'Tyrtaios über die Eunomie' in ''Studien zur alten Geschichte. Siegfried Lauffer zum 70. Geburtstag'', ed. H. Kalcyk, B. Gullath and A. Graeber Roma: 413-20.
  
* Steinrück, M. (1995) 'Lautechos bei Anacreon', in ''Lo spettacolo delle voci'', eds. F. De Martino A.H. Sommerstein. Bari: 173-192.
+
* Link, S. (2003) 'Eunomie im Schoss der Rhetra? Zum Verhältnis von Tyrt. frgm. 14 W und Plut. Lyk. 6, 2 und 8', ''GFA'' 6: 141-150. [http://gfa.gbv.de/dr,gfa,006,2003,a,11.pdf PDF]
  
=== Simonides ===
+
* Luginbill, R.D. (2002) ‘Tyrtaeus ''12West'': come join the Spartan army’, ''CQ'' 52: 405–14.
* Aloni, A. (2001) ‘The proem of Simonides’ Plataea Elegy and the circumstances of its Performance’, in ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 86-105.
 
  
* Aloni, A. (2006) ‘A proposito di Simon. fr. 22 W2 e Ael. Aristid. 31,2 K.’, ''Eikasmos'' 17: 69-73.
+
* Meier, M. (1998) ''Aristokraten und Damoden: Untersuchungen zur inneren Entwicklung Spartas im 7. Jahrhundert v. Chr. und zur politischen Funktion der Dichtung des Tyrtaios.'' Stuttgart. Reviewed by H. van Wees [http://bmcr.brynmawr.edu/1999/1999-10-15.html BMCR 1999.10.15]
  
* Andreoli, Francesca (2005) ''Per un riesame critico del 'nuovo Simonide' elegiaco''. Parma. [https://dspace-unipr.cilea.it/bitstream/1889/406/7/simonide.pdf PDF].
+
* Meier, M. (2002), 'Tyrtaios fr. 1B G/P bzw. fr. °14 G/P (= fr. 4 W) und die Grosse Rhetra : kein Zusammenhang?', ''GFA'' 5: 65-87. [http://gfa.gbv.de/dr,gfa,005,2002,a,05.pdf PDF]
  
* Barchiesi, A. (1996) ‘Poetry, praise, and patronage: Simonides in the fourth book of Horace’s Odes’, ''ClAnt'' 15: 5-47.
+
* Meier, M. (2003), 'Tyrtaios: die Entstehung eines Bildes', ''Antike und Abendland'' 49: 157-182.
  
* Barchiesi, A. (2001) ‘Simonides and Horace on the death of Achilles’, in ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 255-260.
+
* Munding, H. (1993), 'Tyrtaios 9 Diehl (= 12 West) auf dem Hintergrund des Hesiodischen Areté-Passus (E. 286-292)' in ''Antike Texte in Forschung und Schule: Festschrift für Willibald Heilmann zum 65. Geburtstag'', ed. C. Neumeister. Frankfurt: 29-37.
  
* Barrigón, Maria Carmen (2002) 'La expresión del sentimiento amoroso en Simónides', ''Humanitas'' 54: 9-33.
+
* Nafissi, M. (2010), 'The Great ''Rhetra'' (Plut. ''Lyc.'' 6): a retrospective and intentional construct?' in: ''Intentional History. Spinning Time in Ancient Greece.'' eds. L. Foxhall, H.-J. Gehrke, N. Luraghi. Stuttgart: 89-119.  
  
* Bartol, Krystyna (1993) ''Greek Elegy and Iambus: Studies in Ancient Literary Sources''. Uniwersytet im. Adama Mickiewicza w Poznaniu.
+
* Noussia, M. (2010) “Lo stile 'semplice' di Tirteo?”, in P. Chiron and C. Lévy (eds), ''Les Noms du Style dans l'Antiquité gréco-latine, Deuxième et Troisième Journées d' Étude, Paris IV (12 mais 2005), Paris XII (13 Mai 2005)''. Leuven: 11-24.
  
* Bartol, Krystyna (1998) 'Schnee beim Gelage zu Simonides, ''Eleg''. 25 W.2', ''Eos'' 85: 185-188.
+
* Pucci, P. (2006) 'Il testo di Tirteo nel tessuto omerico' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: 21-41. Reviewed by V. Jennings [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* Bartol, Krystyna (1999) 'Between Loyalty and Treachery. P. Oxy. 2327 fr. 1+ 2(a) col. I = Simonides 21 West2 - Some Reconsiderations', ''ZPE'' 126: 26-28.
+
* Quattrocelli, L. (2006) ‘Tirteo: poesia e ἀνδρεία a Sparta arcaica’, in ''I luoghi e la poesia nella Grecia antica'', eds. M. Vetta and C. Catenacci. Alessandria: 133-144.
  
* Bernsdorff, H. (1996) 'Zu Simonides Fr. 22 West2', ''ZPE'' 114: 24-26.
+
* Quattrocelli, L. (2009) ‘Tirteo e la retorica dell’élite’, ''Annali dell’Istituto Orientale di Napoli'': 7-23.
  
* Boedeker, Deborah (1995) 'Simonides on Plataea: Narrative Elegy, Mythodic History' ''ZPE'' 107: 217-229.
+
* Schwinge, E.R. (1997), 'Tyrtaios über seine Dichtung (Fr. 9 G.-P. = 12 W.)', ''Hermes'' 125: 387-395.  
  
* Boedeker, Deborah (1998) 'The New Simonides and Heroization at Plataia' in ''Archaic Greece: New Approaches and New Evidence'', eds. Nick Fisher and Hans van Wees. Cardiff and London: 231-249.  
+
* Van Wees, Hans (1999) ‘Tyrtaeus’ Eunomia: nothing to do with the Great Rhetra’, in ''Sparta: New Perspectives'', eds. S. Hodkinson and A. Powell. London: 1-41.
  
* Boedeker, Deborah (2001) 'Heroic Historiography: Simonides and Herodotus on Plataea' in ''The New Simonides: Contexts of Praise and Desire'', eds. Boedeker and Sider. Oxford: 120-134. (Earlier version with same title in ''The New Simonides'', edd. Deborah Boedeker and David Sider = ''Arethusa'' 29 [1996]: 223-242)
+
* Van Wees, Hans (2002) ‘Gute Ordnung ohne Große Rhetra: noch einmal zu Tyrtaios’ Eunomia’, ''Göttinger Forum für Altertumswissenschaft'' 5: 89-103. [http://gfa.gbv.de/z/2002 URL] [http://gfa.gbv.de/dr,gfa,005,2002,a,06.pdf PDF]
  
* Boedeker, Deborah (2001) 'Paths to Heroization at Plataea' in ''The New Simonides: Contexts of Praise and Desire'', eds. Boedeker and Sider. Oxford: 148-163.
+
* Van Wees, Hans (2003) 'Conquerors and serfs: wars of conquest and forced labour in archaic Greece', in ''Helots and their Masters in Laconia and Messenia: histories, ideologies, structures'', eds. N. Luraghi and S. Alcock. Cambridge, MA: 33-80. Includes discussion of Tyrtaeus' fragments.
  
* Boedeker, Deborah and David Sider (eds.) (2001) ''The New Simonides: Contexts of Praise and Desire''. Oxford.
+
=== Mimnermus ===
 +
* Allen, A. (1993) ''The Fragments of Mimnermus: Text and Commentary''. Stuttgart.
  
* Bravi, Luigi (2006) ''Gli epigrammi di Simonide e le vie della tradizione. Filologia e critica'' 94. Roma: Edizioni dell'Ateneo. Reviewed by Sider, David (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-02-47.html ''BMCR'' 2008.02.47].
+
* Föllinger, S. (2005), 'Geschlecht und Körperwahrnehmung in der frühgriechischen Dichtung' in ''Medizin, Geschichte und Geschlecht: körperhistorische Rekonstruktionen von Identitäten und Differenzen'', eds. F. Stahnisch and F. Steger. Stuttgart: 27-39. [Homer, Tyrtaeus and Mimnermus].
  
* Bremer, Jan Maarten (1991) 'Poets and their patrons', in ''Fragmenta Dramatica'', eds. A. Harder and H. Hofmann. Göttingen: 39-60. In this paper a substantial section on Simonides and Pindar.
+
* Gerber, D.E. (2003) 'Mimnermus, Fragment 1.3 W.' in: ''Literature, Art, History: Studies on Classical Antiquity and Tradition. In Honour of W.J. Henderson'', eds. A.F. Basson & W.J. Dominik. Frankfurt am Main: 193-195.
  
* Brillante, C. (2000) 'Simonide, fr. Eleg. 22 West2', ''QUCC'' 64: 29-38.
+
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. Alessandria: 57–71.
  
* Hornblower, S. (2001) 'Epic and Epiphanies: Herodotus and the New Simonides', in ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 135-47.
+
* Slings, S.R. (2000) ''Symposium: Speech and Ideology. Two hermeneutical issues in early Greek lyric, with special reference to Mimnermus''. Amsterdam (KNAW), Mededelingen KNAW afd. Letterkunde, 63, 1. Concerns the performance of lyric poetry in the archaic period. Review by J.M. Bremer (2003) ''Mnemosyne'' 56: 614-15 and D.E. Gerber [http://bmcr.brynmawr.edu/2000/2000-12-16.html BMCR 2002.12.16].
  
* Hubbard, Th.K. (1996) ' 'New Simonides' or old Semonides? Second Thoughts on POxy 3965, fr. 26, ''Arethusa'' 29: 255-262 (= in (2001) ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 226-231).
+
* Suárez de la Torre, E. (1985) 'El viaje nocturno del sol y la Nanno de Mimnermo', ''EClás'' 89: 5-20.
  
* Hunter, R. (1993) 'One Party or Two?: Simonides 22 West2', ''ZPE'' 99: 11-14 (= in (2001) ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 242-254).
+
=== Solon ===
 +
* Almeida, J.A. (2003) ''Justice as an Aspect of the Polis Idea in Solon's Political Poems. A Reading of the Fragments in Light of the Researches of New Classical Archaeology.'' Leiden. Reviewed by A.J. Dominguez [http://bmcr.brynmawr.edu/2004/2004-02-51.html BMRC 2004.02.15]
  
* Mayer, Péter (2007) 'Überlegungen zum Vortragskontext und zur Aussage der 'Plataia-Elegie' des Simonides (frr. 10-18 W2)', ''Hermes'' 135: 373-388.
+
* Anhalt, E.K. (1993) ''Solon the Singer.'' Lanham, MD.
  
* Molyneux, J.H. (1992) ''Simonides: A Historical Study''. Wauconda 1992.
+
* Blaise, F. (1995) ‘Le fragment 36 W. de Solon: pratique et fondation des normes politiques’, ''Revue des Études Grecques'' 108: 24-37.
  
* Obbink, Dirk (1996) 'The Hymnic structure of the New Simonides', ''Arethusa'' 29: 193-204.
+
* Blaise, F. (2005) ‘Poésie, politique, religion. Solon entre les dieux et les hommes (l’ “Eunomie” et l’ “Elégie aux Muses”, 4 et 13 West)’, ''Revue de Philosophie Ancienne'' 23: 3-40.
  
* Obbink, Dirk (2001) 'The Genre of Plataea. Generic Unity in the New Simonides', in ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 65-85.
+
* Blaise, F. (2006) ‘Poetics and politics. Tradition re-worked in Solon’s “Eunomia” (poem 4)’, in ''Solon of Athens: New Historical and Philological Approaches'', eds. J.H. Blok & A.P.M.H. Lardinois. Leiden: 114-133.
  
* O’ Hara, J. (1998) 'Venus or the Muse as 'ally' (Lucr. 1.24, Simon. frag. Eleg. 11.20-22 W)', ''CP'' 93: 69-74.
+
* Blaise, F. (2010) 'Le bonheur redéfini. Solon, 23 W.', in D. Thouard-Ch. König (éds.), ''La Philologie au présent. Pour Jean Bollack''. Lille (Presses du Septentrion): 57-67.  
  
* Petrovic, Andrej (2002) 'Der simonideische makros logos und die sophokleische ''Antigone''. Zur Identifizierung einer alten dramatischen Gestaltungsweise', ''Phaos Revista de Estudos Classicos'' 2: 121-131.
+
* Blaise, F. (2011) 'La mer juste : Solon, 12 W', ''Revue des Etudes Grecques'' 124: 535-547.  
  
* Petrovic, Andrej (2007) ''Kommentar zu den simonideischen Versinschriften''. Leiden-Boston: Brill.
+
* Blaise, F. (2012) 'Solon entre Zeus et loup: un usage provocant des représentations et des formes poétiques traditionnelles (poème 36 W)' in ''Approaches to Greek Poetry'' X. Riu & J. Pòrtulas. Messina: 99-119.
  
* Poltera, O. (1997) ''Le langage de Simonide. Étude sur la tradition poétique et son renouvellement''. Bern.
+
* Blok, J.H. and Lardinois, A.P.M.H. (eds.) (2006) ''Solon of Athens: New Historical and Philological Approaches''. Leiden. Reviewed by B.M. Lavelle [http://bmcr.brynmawr.edu/2007/2007-04-26.html BMCR 2007.04.26].
  
* Rawles, Richard (2005) 'Simonides and a new papyrus in Princeton', ''ZPE'' 153: 59-67. This article is an edition of P. Princeton inv. AM87-59A with comment. The papyrus contains a Simonides testimonium.
+
* Carvalho, S. and Neto, F.J (2014) 'A crise social na Atenas de Sólon e o estabelecimento da justiça baseada no governo da lei', ''Humanitas''66: 59-85.
  
* Rawles, Richard (2008) 'Simonides and Theocritus 4: intertextual readings', ''MD'' 59: 9-34.
+
* Gagné, R. (2009) 'Spilling the Sea Out of its Cup: Solon's Elegy to the Muses,' ''Quaderni urbinati di cultura classica'' 133: 23-49.
  
* Rawles, Richard (2008) 'Simonides fr.11.14 W: "Close-fighting Danaans"', ''Mnemosyne'' 61.3: 459-66.
+
* Irwin, E. (2005) ''Solon and Early Greek Poetry: The Politics of Exhortation''. Cambridge.
  
* Rutherford, Ian (1990) 'Paeans by Simonides', ''HSCP'' 93: 169-209.
+
* Lardinois, A.P.M.H. (2006) 'Have we Solon's verses?' in ''Solon of Athens: New Historical and Philological Approaches'', eds. J.H. Blok & A.P.M.H. Lardinois. Leiden: 15-35. Dutch version (2006) ''Lampas'' 39: 91-109.
  
* Rutherford, Ian (1996) 'The New Simonides: towards a commentary', ''Arethusa'' 29: 167-192.
+
* Lewis, J.D.(2006) ''Solon the Thinker: Political Thought in Archaic Athens''. London. Reviewed by Z. Papakonstantinou [http://bmcr.brynmawr.edu/2007/2007-05-28.html BMCR 2007.05.28]
  
* Schachter, A. (1998) 'Simonides’ Elegy on Plataia: the occasion of its performance', ''ZPE'' 123: 25-30.
+
* Monedero, A.J.D. (2001) ''Solón de Atenas. Editorial Crítica.'' Barcelona. Reviewed by E. Katz Anhalt [http://bmcr.brynmawr.edu/2002/2002-08-42.html BMCR 2002.08.24]
  
* Slings, S.R. (2003) 'De nieuwe Simonides', ''Lampas'' 36: 243-260. In Dutch.
+
* Mossé, C. (1996) ‘Due miti politici: Licurgo e Solone’, in ''I Greci: Storia cultura arte società, II, Una storia greca, 1, Formazione'', ed. S. Settis. Turin: 1325–35.
  
* Yatromanolakis, D. (1998) 'Simonides fr. eleg. 22 W2: To Sing or to Mourn?', ''Zeitschrift fuer Papyrologie und Epigraphik'' 120: 1-11 (reprinted in (2002) ''Greek Literature. Vol. 3. Greek Literature in the Archaic Period: The Emergence of Authorship'', ed. G. Nagy. New York/London).
+
* Mülke, C. (2002) ''Solons Politische Elegien und Iamben (Fr. 1-13; 32-37 West). Einleitung, Übersetzung, Kommentar.'' Munich/Leipzig. Reviewed by E. Irwin [http://bmcr.brynmawr.edu/2005/2005-05-26.html BMRC 2005.05.26]
  
* Yatromanolakis, D. (2001) 'To Sing or to Mourn?: A Reappraisal of Simonides 22 W2', in ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. Oxford/New York: 208-225.
+
* Nagy, G. and M. Noussia-Fantuzzi eds. (2015). ''Solon in the Making: The Early Reception in the Fifth and Fourth Centuries''. Trends in Classics 7.1. De Gruyter.
  
=== Pindar ===
+
* Noussia, M. (2001) ''Solone: Frammenti dell’opera poetica''. Milan.
Cf. the [http://athena.leidenuniv.nl/letteren/opleiding/klassieketalen/index.php3?m=184&c=211  bibliography on Pindar] made by Martine Cuypers that forms part of a [http://athena.leidenuniv.nl/letteren/opleiding/klassieketalen/index.php3?m=184&c=86 Hellenistic Bibliography].
 
  
* Anzai, Makoto (1990) ‘The first person in the epinicion’, ''JCS'' 38: 16-29.
+
* Noussia-Fantuzzi, M. (2010) ''Solon the Athenian: The Poetic Fragments'', Brill Academic Publishers, Leiden, pp. xiv+579. Reviewed by D.E. Gerber [http://bmcr.brynmawr.edu/2011/2011-05-05.html BMCR 2011.05.05].
  
* Anzai, Makoto (1994) ‘First-person forms in Pindar: a re-examination’, ''BICS'' 39: 141-150. This contribution to the meaning of ‘I’ in epinician poetry contains an interpretation of Pindar’s ''Isthmian Eight'', lines 1-18 and an examination of parodoi in tragedy in order to provide indirect confirmation of the theory that an epinican chorus came marching to the place of performance.
+
* Suárez de la Torre, E. (2002) 'La renovación del léxico poético en Solón y los niveles de lengua' in ''Niveles de lengua y literatura'', ed. A. López Eire. Salamanca.
  
* Anzai, Makoto (1999) ‘A chorus who performs a poet: Pindar's ''Third Nemean ode'', 1-12’, ''Mediterraneus'' 22: 19-42.
+
* Wees, H. van (1999) 'The mafia of early Greece. Violent exploitation in the seventh and sixth centuries BC' in ''Organized Crime in Antiquity'', ed. Keith Hopwood. London: 1-51. Includes discussion of Solon's 'political' fragments.
  
* Athanassaki, L. (1990) ''Mantic Vision and Diction in Pindar’s Victory Odes''. PhD thesis. Brown University.
+
* Wees, H. van (2006) 'Mass and elite in Solon's Athens: the property classes revisited', in ''Solon of Athens: new historical and philological approaches'', eds. J. Blok and A. Lardinois. Leiden: 351-89. Abbreviated version in Dutch: (2006) 'Massa en elite in Solon's Athene: de betekenis van de vermogensklassen', ''Lampas'' 39: 131-52. Includes discussion of Solon's 'political' fragments.
  
* Athanassaki, L. (1997) 'Οι κυρηναϊκοί θρύλοι στην μυθοποιητική πρόταση του McLaugΠινδάρου' in ''Acta of the First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-Th. Papademetriou. Athens: 199-233. With an extensive English summary.
+
=== Theognis ===
 +
* Bagordo, A. (2000) 'Teognide 769-772 e il lessico metaletterario arcaico', ''SemRom'' 3: 183-203.
  
* Athanassaki, L. (2003) 'Transformations of Colonial Disruption into Narrative Continuity in Pindar’s Epinician Odes', ''HSCP'' 101: 93-128.
+
* Bowie, E. (2012) 'An Early Chapter in the History of the Theognidea' in ''Approaches to Greek Poetry'' X. Riu & J. Pòrtulas. Messina: 121-148.
  
* Athanassaki, L. (2003) 'A Divine Audience for the Celebration of Asopichus' Victory in Pindar's ''Fourteenth Olympian Ode'' ' in ''Gestures. Essays in Ancient History, Literature and Philosophy Presented to Alan L. Boegehold on the Occasion of His Retirement and His Seventy-Fifth Birthday'', eds. G. W. Bakewell and J. P. Sickinger. Oxford: 3-15.
+
* Colesanti, G. (2011) ''Questioni Teognidee. La genesi simposiale di un corpus di elegie''. Roma. [http://www.storiaeletteratura.it/catalog/title/index.php?cmd=ext&title_id=1394 More information].
  
* Athanassaki, L. (2004) 'Deixis, Performance, and Poetics in Pindar's ''First Olympian Ode'' ' in ''Deixis in Choral Lyric'', ed. Nancy Felson. ''Arethusa'': 317-341.
+
* Condello, F. (2010) 'Proverbi in Teognide, Teognide in proverbio' in ''ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.)'' ed. E. Lelli. Pisa/Roma: 61-85.
  
* Barker, Andrew (2003) 'Lullaby for an eagle (Pindar, ''Pythian'' 1)', in ''Sleep'', T. Wiedemann and K. Dowden (eds.). Nottingham Classical Literature Studies vol. 8. Bari: 107-124.
+
* Edmunds, L. (1997) ‘The seal of Theognis (vv. 19–30)’, in ''Poet, Public and Performance: Essays in Ancient Greek Literature and Literary History'', ed. L. Edmunds and R. Wallace. Baltimore and London: 29–48.
  
* Berge, Lukas van den (2007) 'Mythical chronology in the Odes of Pindar: The cases of ''Pythian'' 10 and ''Olympian'' 3' in ''The Language of Literature. Linguistic Approaches to Classical Texts'', eds. Rutger J. Allan and Michel Buijs. Leiden: Brill. ''Amsterdam Studies in Classical Philology'' 13: 29-41. Reviewed by Kölligan, Daniel (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-01.html ''BMCR'' 2008.07.01].
+
* Ford, A.L. (1985) 'The Seal of Theognis: The Politics of Authorship in Archaic Greece' in ''Theognis of Megara: Poetry and the Polis'', eds. T.J. Figueira and G. Nagy. Baltimore: 82-95.
  
* Boeke, Hanna (2007) ''The Value of Victory in Pindar's Odes. Gnomai, Cosmology and the Role of the Poet''. Leiden and Boston.''Mnemosyne Supplementa'' 285.
+
* Kurke, L. (1989) 'Kapêleia and Deceit: Theognis 59–60', ''American Journal of Philology'' 110: 535–44.
  
* Bonifazi, Anna (2000) 'Sull’ idea di sotterfugio orale negli epinici pindarici', ''Quaderni Urbinati di Cultura Classica'' 95: 69-86.
+
* Lane Fox, R. (2000) ‘Theognis: an alternative to democracy’, in ''Alternatives to Athens: Varieties of Political Organization and Community in Ancient Greece'', ed. R. Brock and S. Hodkinson. Oxford: 35–51.
  
* Bonifazi, Anna (2001) ''Mescolare un cratere di canti. Pragmatica della poesia epinicia in Pindaro''. Alessandria.
+
* Lauriola, R. (1999) 'Theog. 207-210: un caso di prolessi narrativa', ''Athenaeum'' 87.1: 15-26.
  
* Bonifazi, Anna (2004a) 'Communication in Pindar’s Deictic Acts', ''Arethusa'' 37: 391-414.
+
* Martin, R.P. (2001) ‘Just Like a Woman: Enigmas of the Lyric Voice’, in ''Making Silence Speak: Women’s Voices in Greek Literature and Society'', eds. A. Lardinois and L. McClure. Princeton, N.J.: 55-74.
  
* Bonifazi, Anna (2004b) 'κεῖνος in Pindar: Between Grammar and Poetic Intention', ''Classical Philology'' 99: 283-99.
+
* Palutan, M.G. (1995) ‘Osservazioni sui carmi eolici di Teocrito (28, 29 e 30)’, ''AION'' (filol) 17: 89–107.
  
* Bonifazi, Anna (2004c) 'Relative Pronouns and Memory: Pindar Beyond Syntax', ''Harvard Studies in Classical Philology'' 102: 41-68.
+
* Pòrtulas, J. (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* Bremer, Jan Maarten (1990) 'Pindar's paradoxical ego and a recent controversy about the performance of his epinicians', in ''The Poet's I in Archaic Greek Poetry'', ed. S.R. Slings. Amsterdam: 41-58.
+
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. ''Alessandria'': 57–71.
  
* Bremer, Jan Maarten (1991) 'Poets and their patrons', in ''Fragmenta Dramatica'', eds. A. Harder and H. Hofmann. Göttingen: 39-60. In this paper a substantial section on Simonides and Pindar.
+
* Rösler, W. (2006) 'La raccolta di Teognide: «il più antico libro dimostrabilmente edito dall'autore stesso». Considerazioni su una tesi di Richard Reitzenstein' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 55-67. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* Briand, Michel (1996) 'Quand Pindare dit qu'il se tait... Analyses sémantiques et pragmatiques du silence énoncé' in ''Hommage à Jean-Pierre Weiss'', Publications de la Faculté des Lettres de l'Université de Nice: 211-239.
+
* Selle, H. (2008) ''Theognis und die Theognidea''. Berlin & New York.
  
* Briand, Michel (2001) 'Quand Pindare nomme Homère... Théories du nom propre, étymologies, intertextualités et énonciation lyrique' in ''Fiction d'auteur? Le discours biographique sur l'auteur de l'Antiquité à nos jours'', eds. S. Dubel et S. Rabau. Paris: 25-46.
+
* Stein-Hölkeskamp, E. (1996) 'Adel und Volk bei Theognis' in ''Volk und Verfassung im vorhellenistischen Griechenland, Beiträge auf dem Symposium zu Ehren von Karl-Wilhelm Welwei in Bochum, 1.-2. März 1996.'' eds. Walter Eder, Karl-Joachim Hölkeskamp. Stuttgart: 21-35.  
  
* Briand, Michel (2003) 'Le vocabulaire de l'excellence chez Pindare', ''Revue de philologie, de littérature et d'histoire anciennes'' 77.2: 203-218.
+
* Vetta, M.  (2000) ‘Teognide e anonimi nella Silloge teognidea’, in ''La letteratura pseudepigrafa nella cultura greca e romana: Atti di un incontro di studi'', Napoli, 15–17 gennaio 1998, AION(filol) 22: 123–41.
  
* Briand, Michel (2008) 'Les épinicies de Pindare sont-elles lyriques? ou Du trouble dans les genres poétiques anciens' in ''Le genre de travers: littérature et transgénéricité'', eds. D. Moncond'huy & H. Scepi. La Licorne, PU de Rennes: 21-42.
+
* Wees, H. van (2000) ‘Megara’s mafiosi.  Timocracy and violence in Theognis’, in ''Alternatives to Athens.  Varieties of political organization and community in ancient Greece'', eds. R. Brock and S. Hodkinson. Oxford University Press: 52-67.  Abbreviated version in Dutch: (2003) ‘Maffiosi in Megara: timocratie en geweld in Theognis’, ''Lampas'' 36: 284-99.
  
* Briand, Michel (2008) 'La limite et l'envol: les fins paradoxales des épinicies de Pindare', in ''Commencer et finir.Débuts et fins dans les littératures grecque, latine et néolatine'', eds. B. Bureau & C. Nicolas. Lyon: 557-572.
+
* Yossi, M.J. (Μ. Ι. Γιόση) (2009) 'δεῦρο σὺν αὐλητῆρι. Συμποτική ποιητική στο Θεογνίδειο corpus' ['Deuro syn auleteri: Sympotic poetics in the Theognidean corpus'], in''ΑΝΤΙΦΙΛΗΣΙΣ. Studies on Classical, Byzantine and Modern Greek Literature and Culture in Honour of John-Theophanes A. Papademetriou'', ed. Eleni Karamalengou and Eugenia Makrygianni. Stuttgart: 99 - 106.
  
* Bundy, E.L. (1986) ''Studia Pindarica''. Berkeley and Los Angeles.
+
=== Xenophanes ===
 +
* Granger, Herbert (2007) 'Poetry and Prose: Xenophanes of Colophon', ''Transactions of the American Philological Association'' 137.2: 403-33. [http://muse.jhu.edu/journals/transactions_of_the_american_philological_association/toc/apa137.2.html Abstract]. [http://muse.jhu.edu/journals/transactions_of_the_american_philological_association/v137/137.2granger.pdf PDF].
  
* Burnett, Anne Pippin (1998) ‘Spontaneity, savaging, and praise in Pindar's ''sixth paean'' ’, ''AJPh'' 119.4: 493-520.
+
=== Critias ===
 +
* Iannucci, A. (1998) 'Elegia e lotta politica. Note di lettura a Crit. fr. 5 W.', ''AION (filol)'' 20: 107-127.
  
* Calame, Claude (1996) ''Mythe et histoire dans l'Antiquité grecque. La création symbolique d'une colonie''. Lausanne. English translation (2003) ''Myth and History in Ancient Greece. The Symbolic Creation of a Colony''. Princeton.
+
* Iannucci, A. (2002) ''La parola e l'azione. I frammenti simposiali di Crizia''. Bologna. Review by P. Wilson in [http://ccat.sas.upenn.edu/bmcr/2004/2004-09-16.html BMCR 2004.09.16].
  
* Carey, Christopher (1991) 'The Victory Ode in Performance: The Case for the Chorus', ''Classical Philology'' 86.3: 192-200. [http://links.jstor.org/sici?sici=0009-837X%28199107%2986%3A3%3C192%3ATVOIPT%3E2.0.CO%3B2-3 URL].
+
* Iannucci, A. (2003) 'Una ‘corona di giambi’. Ipotesi di lettura del fr. 2 Gent.-Pr. di Crizia', ''Seminari Romani di Cultura Greca'', VI 1: 31-42.
  
* D’Alessio, G. B. (1992) ‘Pindaro, peana VIIb (fr. 52h Sn.-M.)’, in ''Proceedings of the XIX International Congress of Papyrology'', Cairo: vol. 1: 353-73.
+
* Pòrtulas, Jaume (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* D’Alessio, G. B. (1994) ‘First-person problems in Pindar’, ''BICS'' 39: 117–39.
+
* Rotstein, Andrea (2007) ‘Critias’ invective against Archilochus’, ''Classical Philology'' 102: 139-54.
  
* D’Alessio, G. B. (1997) 'Pindar's prosodia and the classification of Pindaric papyrus fragments', ''ZPE'' 118: 23-60.
+
=== Dionysius Chalcus ===
  
* Faraone, Christopher A. (1993) 'The Wheel, the Whip and Other Implements of Torture: Erotic Magic in Pindar ''Pythian'' 4. 213-19', ''Classical Journal'' 88: 1-19.
+
* Rufilanchas, D. R. (2003). 'Dionysius Chalcus fr. 3 again' JHS 123: 181-186.
  
* Faraone, Christopher A. (2002) 'A Drink from the Daughters of Mnemosyne: Poetry, Eschatology and Memory at the End of Pindar's ''Isthmian'' 6' in ''Vertis in usum: Studies in Honor of Edward Courtney'', eds. J.F. Miller, C. Damon and K.S. Myers. Munich and Leipzig. ''Beiträge zur Altertumskunde'' 161: 259-70.
+
=== Euenus ===
  
* Finglass, P.J. (ed.) (2007) ''Pindar: Pythian Eleven. Cambridge Classical Texts and Commentaries'' 45. Cambridge: Cambridge University Press. Reviewed by Slater, William (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-37.html ''BMCR'' 2008.08.37].
+
=== Ion ===
 +
* Jennings, Victoria and Andrea Katsaros (eds.) (2007) ''The World of Ion of Chios. Mnemosyne Supplementa 288. Monographs on Greek and Roman Language and Literature''. Leiden. Reviewed by Tell, Hakan (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-10-13.html ''BMCR'' 2008.10.13].
  
* Fisher, Nick (2006) ‘The pleasures of reciprocity: Charis and the Athletic Body in Pindar’ in ''Penser et représenter le corps dans l’antiquité'', eds. Fr. Prost & J. Wilgaux. Presses Universitaires de Rennes: 227-46.
+
=== Phocylides ===
  
* González de Tobia, Ana M. (1999) ‘Párphasis: concepto multiplicador en la ''Nemea'' VIII de Píndaro’, ''Limes'' 11: 57-68.
+
=== Adespota Elegiaca ===
  
* González de Tobia, Ana M. (2000) ‘Párphasis: concepto multiplicador en la ''Nemea'' VIII de Píndaro’, in ''EPIEIKEIA: Studia Graeca in memoriam Jesús Lens Tuero'', eds. Alganza Roldán, J. M., Camacho Rojo, J. M., Fuentes González, P. P. and Villena Pansoda, M. Athos-Pergamos, Granada: 187-197.  
+
* Lulli, L., Sbardella, L. (2013) "P. Oxy. 69. 4708 fr. 1. 22-28. Una nuova proposta di integrazione", «ZPE» 186: 27–35.
  
* Heath, Malcolm and Mary Lefkowitz (1991) 'Epinician Performance', ''Classical Philology'' 86.3: 173-191. [http://links.jstor.org/sici?sici=0009-837X%28199107%2986%3A3%3C173%3AEP%3E2.0.CO%3B2-9 URL].
+
== Greek Lyric Poetry ==
  
* Henry, W.B. (2005) ''Pindar’s Nemeans: A Selection''. München. (Commentary on Nemean Odes 4, 6, 8, 10, 11).
+
=== Lyric General ===
 +
* Ahrens, H. L. (1853) ‘Über die Mischung der Dialekte in der griechischen Lyrik’, in ''Verhandlungen der dreizehnten Versammlung Deutscher Philologen, Schulmänner und Orientalisten in Göttingen vom 29. September bis 2. Oktober'', Göttingen: 55-80, reprinted in ''Kleine Schriften''. I, Hannover 1853 (= Hildesheim-New York 1977): 157-81.
  
* Henry, W.B. (2007) 'Pindaric Accompaniments' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: ##. Reviewed by Gibert, John (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html ''BMCR'' 2008.06.23].
+
* Angeli Bernardini, P. (1991) ‘L’inno agli dei nella lirica corale greca e la sua dimensione sacrale’, in ''L’inno tra rituale e letteratura nel mondo antico: Atti di un colloquio Napoli 21–24 ottobre 1991, AION'' 13: 85–94.
  
* Hornblower, S. & C. Morgan (eds.) (2007) ''Pindar’s Poetry, Patrons and Festivals''. Oxford.
+
* Athanassaki, L. (2002) 'On Horace 1.15 and Choral Lyric' in ''Horace and Greek Lyric'', ed. M. Paschalis. ''Rethymnon Classical Studies'' 1: 85-101.
** Rev.: Roman Ivanov [http://ccat.sas.upenn.edu/bmcr/2007/2007-10-45.html BMCR 2007.10.45]
 
  
* Kurke, L. (1988) 'The Poet’s Pentathlon: Genre in Pindar’s First Isthmian', ''Greek, Roman, and Byzantine Studies'' 29: 97–113.
+
* Athanassaki, L. (2005) 'Χορεία. Η ποιητική της παράστασης', ''Thallo'' 16: 37-76.
  
* Kurke, L. (1990) 'Pindar’s Sixth Pythian and the Tradition of Advice Poetry', ''Transactions of the American Philological Association 120: 85–107.
+
* Athanassaki, L. (2009) '' Ἀείδετο πὰν τέμενος: οι χορικές παραστάσεις και το κοινό τους στην αρχαϊκή και πρώϊμη κλασική περίοδο''. Herakleion. Study of choral performance contexts especially in Alcman, Pindar, and Bacchylides. [http://www.cup.gr/ViewShopProduct.aspx?ProductId=279696&LangId=1 More information]. Reviewed by  Ladianou, Katerina (2010) [http://bmcr.brynmawr.edu/2010/2010-09-21.html ''BMCR'' 2010.09.21].
  
* Kurke, L. (1991) ''The Traffic in Praise: Pindar and the Poetics of Social Economy''. Ithaca, NY.
+
* Athanassaki, Lucia & Bowie, Ewen (2011) (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' Berlin & Boston. [http://www.degruyter.com/view/supplement/9783110254020_Contents.pdf Table of Contents]
  
* Kurke, L. (1991) 'Fathers and Sons: A Note on Pindaric Ambiguity', ''American Journal of Philology'' 112: 287–300.
+
* Bagordo, A. (1999) 'Eine Bemerkung zum Epinikion', ''Hermes'' 127: 118-120.
  
* Kurke, L. (1996) 'Pindar and the Prostitutes, or Reading Ancient ‘Pornography’ ', ''Arion'' 3rd series, 4.2: 49–75. Reprinted in (1999) ''Constructions of the Classical Body'', ed. James I. Porter. Ann Arbor: 101–25.  
+
* Bagordo, A. (2003) ''Reminiszenzen früher Lyrik bei den attischen Tragikern: Beiträge zur Anspielungstechnik und poetischen Tradition''. Munich.
  
* Kurke, L. (2005) 'Choral Lyric as ‘Ritualization’: Poetic Sacrifice and Poetic Ego in Pindar’s Sixth Paian', ''Classical Antiquity'' 25.1: 81-130.
+
* Barbantani, S. (1993) ‘I poeti lirici del canone alessandrino nell’epigrammatistica’, ''Aevum(ant)'' 6: 5–97.
  
* Kurke, Leslie (2007) 'Visualizing the Choral: Poetry, Performance, and Elite Negotiation in Fifth-Century Thebes' in ''Visualizing the Tragic: Drama, Myth, and Ritual in Greek Art and Literature'', eds. C. Kraus et al. Oxford University Press: 63-101.
+
* Barrett, W. S. (2007) ''Greek Lyric, Tragedy, and Textual Criticism: Collected Papers''. Assembled and edited by M.L. West. Oxford, New York. The papers deal with Stesichorus, Pindar, Bacchylides and Euripides. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011752.html Table of Contents].
  
* Lateur, P. (vert.) (1999) ''Pindaros. Zegezangen''. Amsterdam. (Dutch translation)
+
* Blasing, M. K. (2007) ''Lyric Poetry: The Pain and the Pleasure of Words''. Princeton, N. J., and Woodstock.
  
* Lefkowitz, M.R. (1991) ''First person Fictions: Pindar’s Poetic ‘I’ ''. Oxford.
+
* Bierl, Anton (2001) ''Der Chor in der Alten Komödie. Ritual und Performativität'' (unter besonderer Berücksichtigung von Aristophanes' ''Thesmophoriazusen'' und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126). It has been translated by Alex Hollmann into English as:
 +
** Bierl, Anton (2009) ''Ritual and Performativity. The Chorus of Old Comedy'' (transl. by Alex Hollmann), Center for Hellenic Studies. Washington, DC: Harvard Press. (Hellenic Studies 20). New and revised edition.  
  
* Lundahl, Kalle (2008) ''Les banquets chez Pindare''. Ph.D. diss. University of Gothenburg.
+
* Bremer, Jan Maarten and W.D. Furley (2001) ''Greek Hymns. Selected Cult Songs from the Archaic to the Hellenistic period''. Tübingen.
  
* MacLachlan, Bonnie (2007) 'Epinician swearing' in ''Horkos. The Oath in Greek Society'', eds. Alan H. Sommerstein, Judith Fletcher. Exeter: 91-101. Reviewed by Kellogg, Danielle L. (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-55.html ''BMCR'' 2008.08.55].
+
* Bremer, Jan Maarten (2008) 'Traces of the Hymn in the Epinikion', ''Mnemosyne'' 61: 1-17. [http://www.swetswise.com.proxy.ubn.ru.nl:8080/swetsfo/swproxy?url=http%3A%2F%2Fopenurl.ingenta.com%2Fcontent%2Fswetsnet-4.1.8057b0ad6528f5df0c29150bac728f60%3Fgenre%3Darticle%26issn%3D0026-7074%26volume%3D61%26issue%3D1%26spage%3D1%26epage%3D17%26aulast%3DBremer&ts=1202555031030&cs=4113296875&userName=9021463.ipdirect&emCondId=2043297&articleID=35750230&yevoID=2197893&titleID=137377&referer=2&remoteAddr=131.174.248.1 PDF].
  
* Maehler, H. (1989) ''Pindarus''. Pars II: ''Fragmenta, Indices''. Leipzig: Teubner. (Text edition)
+
* Briand, Michel (1996) 'Énonciation lyrique et dialogue dans la poésie archaïque grecque: de Stésichore à Pindare, Bacchylide et Sappho', in ''Travaux du Cercle de Linguistique de Nice'', numéro spécial sur "La pragmatique" (dir. S. Mellet): 119-172.
  
* Martin, Richard (2004) 'Home is the Hero: Deixis and Semantics in Pythian 8' in ''The Poetics of Deixis in Alcman, Pindar, and other Lyric'', ed. N. Felson [''Arethusa'' 37.3: 253-468]: 343-63. [http://muse.jhu.edu/journals/arethusa/toc/are37.3.html Contents ''Arethusa'' vol. 37]. [http://muse.jhu.edu/journals/arethusa/v037/37.3martin.pdf Access Article PDF].
+
* Briand, Michel (2005) 'Questions de cohérence et de cohésion dans la poésie mélique grecque archaïque: la transition entre discours d'actualité et récit mythique' in ''Cohésion et cohérence. Études de linguistique textuelle'', ed. Anna Jaubert. Lyon: 79-98.
  
* McLaughlin, Gráinne (2004) 'Professional Foul: Persona in Pindar' in ''Games and Festivals in Classical Antiquity. Proceedings of the Conference held in Edinburgh 10-12 July 2000. BAR International Series, 1220'', eds. Sinclair Bell, Glenys Davies. Oxford: Archaeopress: 25-32. Especially on Pindar's ''Olympian'' 1. Reviewed by Evans, Stephen (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-04-20.html ''BMCR'' 2008.04.20].
+
* Calame, Claude (1977a) ''Les Chœurs de jeunes filles en Grèce archaïque''. Vol. I: ''Morphologie, fonction religieuse et sociale''; vol. II: ''Alcman'', Roma. The first volume has been translated by Derek Collins and Janice Orion (2001: 2nd ed.) ''Choruses of young women in ancient Greece: their morphology, religious role, and social functions''. Lanham, New York and Oxford.
  
* Morgan, Kathryn A. (1993) 'Pindar the Professional and the Rhetoric of the ΚΩΜΟΣ', ''Classical Philology'' 88.1: 1-15. [http://links.jstor.org/sici?sici=0009-837X%28199301%2988%3A1%3C1%3APTPATR%3E2.0.CO%3B2-5 URL].  
+
* Calame, Claude (1977b) ''Rito e poesia corale in Grecia. Guida storica e critica'', Roma and Bari.
  
* Pfeijffer, I.L. (1999) ''Three Aeginian Odes of Pindar: A Commentary on Nemean V, Nemean III and Pythian VIII''. Leiden. Commentary on ''Pythian'' 8, ''Nemean'' 3, 5.
+
* Calame, Claude (1997) 'Diction formulaire et fonction pratique dans la poésie mélique archaïque' in ''Hommage à Milman Parry. Le style formulaire de l'épopée homérique et la théorie de l'oralité poétique'', ed. F. Létoublon. Amsterdam: 215-222.
  
* Race, W.H. (1990) ''Style and Rhetoric in Pindar's Odes''. Atlanta. ''American Philological Association'' 24.
+
* Calame, Claude (1998) 'La poésie lyrique grecque, un genre inexistant?' ''Littérature'' 11: 87-110. English translation in preparation for I. Rutherford (ed.) ''Oxford Readings in Greek Lyric''. Oxford.
  
* Race (ed.), W.H. (1997) ''Pindar''. 2 vols. Loeb Classical Library. Cambridge, MA. (Text edition and translation)
+
* Calame, Claude (2002) ''L'Éros dans la Grèce antique''. Paris (2nd edn.). English translation (1999) ''The Poetics of Eros in Ancient Greece''. Princeton.
  
* Rutherford, Ian (1988) 'Pindar on the Birth of Apollo', ''CQ'' 38: 65-75.
+
* Calame, Claude (2006) 'Identifications génériques entre marques discursives et pratiques énonciatives: pragmatique des genres “lyriques“' in ''Le savoir des genres'', eds. R. Baroni and M. Macé. Rennes: 35-55.
  
* Rutherford, Ian (1991) 'New Fragments of Pindar's Paeans', ''ZPE'' 86: 5-8.
+
* Calame, Claude (2007) 'Mythos, musische Leistung und Ritual am Beispiel der melischen Dichtung' in ''Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen'', eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. ''MythosEikonPoiesis'' Bd. 1.1–2. Berlin and New York: 179-210.  Reviewed by Reyes Bertolín Cebrián [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-09.html ''BMCR'' 2008.08.09].
  
* Rutherford, Ian (1991) 'Neoptolemus and the Paean-Cry', ''ZPE'' 88: 1-10.
+
* Calame, Claude (2009) ‘Apollo in Delphi and in Delos: Poetic Performances between Paean and Dithyramb’ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.), Athens: 169-98.
  
* Rutherford, Ian (1991) 'Pindar Paean VIIIA, The "Cassandra" of Bacchylides and the Anonymous "Cassandra" in P.Oxy.2368: An Exploration in Lyric Structure', ''Eos'' 79: 5-12.
+
* Campbell, David A. (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others.'' Cambridge, Mass. and London.
  
* Rutherford, Ian (1992) 'Two Heroic Prosodia: A Study of Pindar, Pa.XIV-V', ''ZPE'' 92: 59-72.
+
* Campbell, David A. (1992) ''Greek Lyric IV: Bacchylides, Corinna, and Others.'' Cambridge, Mass. and London.
  
* Rutherford, Ian (1995) 'Et Hominum et Deorum . . . Laudes (?). A Hypothesis about the Organisation of Pindar's Paean-Book', ''ZPE'' 107: 44-52.
+
* Campbell, David A. (1993) ''Greek Lyric V: The New School of Poetry and Anonymous Songs and Hymns.'' Cambridge, Mass. and London.
  
* Rutherford, Ian (1997) 'For the Aeginetans . . . a Prosodion: An Unnoticed Title at Pindar, Paean 6, 123 And What it Means for the Poem', ''ZPE'' 118: 1-22.
+
* Carey, Christopher (2000) ‘The panegyrist’s persona’ in ''Religione e poesia in Grecia: miscellanea G.A. Privitera'', eds. U. Pizzani and M. Cannatà Fera. Bari: 165-177.
  
* Rutherford, Ian (2001) ''Pindar's Paeans: a reading of the fragments with a survey of the genre''. Oxford.
+
* Carey, Christopher (2001) ‘Poesia pubblica in performance’ in ''I lirici greci'', ed. M. Cannatà Fera. Messina: 11-26.
  
* Schmidt, E.G. (ed.) (1981) ''Aischylos und Pindar. Studien zu Werk und Nachwirkung''. Berlin. ''Schriften zur Geschichte und Kultur der Antike'' 19.
+
* Cassio, A. C.(2005) ‘I dialetti eolici e la lingua della lirica corale’, in ''Dialetti e lingue letterarie nella Grecia arcaica'', ed. F. Bertolini and F. Gasti. Pavia: 13–44.
  
* Snell, B. and H. Maehler (1987) ''Pindarus''. Pars I: ''Epinicia'', 8th edition (and later). Leipzig: Teubner. (Text edition)
+
* Cingano, E. (2003) ‘Entre skolion et enkomion: Réflexions sur le “genre” et la performance de la lyrique chorale grecque’, in ''La poésie grecque antique'', ed. J. Jouanna and J. Leclant. (Cahiers de la Villa ‘Kerylos’, 14). Paris: 17–45.
  
* Tatsi, Anna (2008) 'On the Meaning of chronos in Pindar's ''Nemean'' 1.46', ''Mnemosyne'' 61.1: 120-129.
+
* Contiades-Tsitsoni, E. (1990) ''Hymenaios und Epithalamion. Das Hochzeitslied in der frühgriechischen Lyrik'', Stuttgart. ''Beträge zur Altertumskunde'' 16.
  
* Tsitsibakou-Vasalos, Evanthia (2007) ''Ancient Poetic Etymology. The Pelopids: Fathers and Sons''. Stuttgart: Franz Steiner Verlag. ''Palingenesia'' 89. Chapter 3, the longest in the book, discusses the significance of the name Pelops from Homer to Nonnus with emphasis on Pindar, ''Olympian'' 1. Reviewed by Paschalis, Michael [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-58.html ''BMCR'' 2008.07.58].
+
* D'Angour, Armand (1997) 'How the Dithyramb Got Its Shape', ''Classical Quarterly'' 47.2: 331-351.
  
* Van der Weiden, M.J.H. (1991) ''The Dithyrambs of Pindar: introduction, text and commentary''. Amsterdam: Gieben. Reviewed by Hamilton, Richard (1992) [http://ccat.sas.upenn.edu/bmcr/1992/03.03.21.html ''BMCR'' 03.03.21].
+
* D'Angour, Armand (2007) 'The Sound of Music: modulations and innovations in drama and dithyramb' in ''Debating the Athenian Cultural Revolution'', ed. R. Osborne Cambridge: 288-300.
  
* Willcock, M.M. (1995) ''Pindar: Victory Odes''. Cambridge. (Commentary on Olympian 2, 7, 11; Nemean 4; Isthmian 3, 4, 7).
+
* D’Alessio, Giam B. (2009) ‘Defining local identities in Greek lyric poetry’, in ''Wandering Poets in Ancient Greek Culture: Travel, Locality and Panhellenism'', ed. R. Hunter and I. Rutherford. Cambridge: 137–67.
  
* Yossi, Mary J. (1999) “'Amoibaia deipna: Sympotic scenes in Pindar’'s ''Olympian'' 1'”, ''Indiktos'' 10: 110-123 [Greek text followed by modern Greek translation in pp. 100-109]. –(in modern Greek)
+
* Danielewicz, J. (1990) 'Deixis in Greek Choral Lyrik', ''QUCC'' 63: 7-17.
  
=== Bacchylides ===
+
* Danielewicz, J. (1990) 'Towards an Understanding of the Chorus: Homer on Early Forms of Lyric Poetry', ''Eos'' 78: 55-62.
* Bagordo, A. and B. Zimmermann (eds.) (2000) ''Bakchylides 100 Jahre nach seiner Wiederentdeckung''. München: ''Zetemata, Monographien zur klassischen Altertumswissenschaft'' 106.
 
  
* Bremer, Jan Maarten (2000) 'Der dithyrambischer Agon: ein kompetitiver Gottesdienst oder gar keiner?' in ''Bakchylides 100 Jahre nach seiner Wiederentdeckung'', eds. A. Bagordo, B. Zimmermann. München: 59-67.
+
* Danielewicz, J. (2001) ‘Metatext and its functions in Greek lyric poetry’, in ''Texts, Ideas, and the Classics: Scholarship, Theory, and Classical Literature'', ed. S. Harrison. Oxford: 46–61.
  
* Briand, Michel (1997) 'Fiction et diction dans la cinquième Épinicie de Bacchylide', ''Lalies'' 17: 271-281.
+
* Davies, M. (1988) 'Monody, Choral Lyric, and the Tyranny of the Handbook', ''CQ n.s.'' 38: 52-64.
  
* Burnett, A.P. (1985) ''The Art of Bacchylides''. Cambridge Mass.
+
* Davies, M. (1991) ''Poetarum Melicorum Graecorum Fragmenta''. Vol. 1: Alcman, Stesichorus, Ibicus. Oxford.
  
* Fearn, David W. (2003) 'Mapping Phleious: Politics and Myth-Making in Bacchylides 9', ''Classical Quarterly'' 53.2: 347-67.
+
* Depew, M. (2000) ‘Enacted and represented dedications: genre and Greek hymn’, in ''Matrices of Genre: Authors, Canons and Society'', ed. M. Depew and D. Obbink. Cambridge, Mass. and London: 59–79.
  
* Fearn, David W. (2007) ''Bacchylides: Politics, Performance, Poetic Tradition''. Oxford: Oxford Classical Monographs Series.
+
* Fearn, D. (ed.) (2010) ''Aegina: Contexts for Choral Lyric Poetry''. Oxford. [http://www.amazon.com/gp/reader/0199546517/ref=sib_dp_bod_toc?ie=UTF8&p=S008#reader-link Table of Contents]
  
* González de Tobia, Ana M. (1981) ''Los Epinicios de Baquílides. Una interpretación'', PhD. Dissertation, unpublished, Universidad Nacional de La Plata, Argentina.
+
* Felson, N. (ed.) (2004) ‘The poetics of deixis in Alcman, Pindar and other lyric’, ''Arethusa'' 37.3: 253–468.
  
* González de Tobia, Ana M. (1994) ‘Itinerario crítico en torno de Baquílides’, in  ''Volumen Homenaje a Aída Barbagelata. In memoriam'', eds. Wendt, S. and Royo, M. Actualidad Producciones, Buenos Aires, Tomo 1: 137-150.
+
* Ford, Andrew L. (2006) 'The Genre of Genres: Paeans and Paian in Early Greek Poetry', ''Poetica'' 38.3-4: 277-296. It reviews the many attempts to define paeans (esp. by Käppel and Schroeder) as part of a broader discussion of the usefulness of genre terms in reading early Greek lyric. It reads several of Timotheus' fragments to argue that predicating the epithet was the core of the "genre".
  
* González de Tobia, Ana M. (2000) ‘Baquílides, Epinicio II y el concepto de la fama’, in ''Homenaje a Corina Corchón'', eds. Calvo, F., Fontán, M.I., Gallotti, M. C. and Wainschenker, D. Universidad de Buenos Aires, Buenos Aires: 39-50.  
+
* Fowler, R.L. (1987) ''The Nature of Early Greek Lyric: Three Preliminary Studies''. Toronto.
  
* González de Tobia, Ana M. (2000) ‘La poesía de Baquílides como proyección de una aretá inconfundible’, ''Synthesis'' 7: 149-163.
+
* Fröhder, D. (1994) ''Die dichterische Form der Homerischen Hymnen: untersucht am Typus der mittelgrossen Preislieder''. Hildesheim. ''Spudasmata'' 53.
  
* González de Tobia, Ana M. (2001) ‘Una metáfora al servicio del pensamiento poético, Baquílides 3’, ''Iter'': 217-232.
+
* Gentili, B. (1984) ''Poesia e pubblico nella Grecia antica da Omero al V secolo''. Roma-Bari. Revised and updated version translated, with an introduction, by Cole, A.T. (1988) ''Poetry and Its Public in Ancient Greece from Homer to the Fifth Century''. Baltimore.
  
* González de Tobia, Ana M. (2004) ‘El pensamiento moral del Baquílides, entre ólbos y areté’, in ''Ética y Estética. De Grecia a la modernidad'', ed. González de Tobia, Ana M. Universidad Nacional de La Plata, La Plata: 59-74.
+
* Gerber, D.E. (1997) ''A Companion to the Greek Lyric Poets''. Leiden-New York-London-Köln.
  
* González de Tobia, Ana M. (2006) ‘Bacchylides’ moral thought, between olbos and areta’, paper presented at the Epinician Conference, 5-9 july 2006, University College London (UCL) London, UK. Unpublished.
+
* Gerber, D.E. (2012) 'Aspects of women in Greek lyric poetry', in: ''Hyperboreans. Essays in Greek and Latin Poetry, Philosophy, Rhetoric and Linguistics''. P. Corrêa, M. Martinho, J.M. Macedo, A.P. Hasegawa eds. Sao Paulo: 11-24.
  
* González de Tobia, Ana M. (2007) ‘Lenguaje, Discurso y Civilización en Baquílides 11’, in ''Lenguaje, Discurso y Civilización. De Grecia a la modernidad'', ed. González de Tobia, Ana M. La Plata: 99-116.
+
* Greene, R. (1999) ‘The lyric’, in ''The Cambridge History of Literary Criticism, vol. III: The Renaissance'', ed. G. P. Norton. Cambridge: 216–28.
  
* Käppel, L. (2000) 'Bakchylides und das System der chorlyrischen Gattungen im 5. Jh. v.Chr.' in ''Bakchylides 100 Jahre nach seiner Wiederentdeckung'', eds. A. Bagordo, B. Zimmermann. München: 11-27.
+
* González de Tobia, Ana M. (2005) ‘El canto coral ‘fundador’ de una poética que vincula fiesta y memoria’, in ''Memoria e Festa'', eds. de Souza Lessa, F. and da Cunha Bustamante, M. R. Rio de Janeiro: 165-172.
  
* MacLachlan, Bonnie (2007) 'Epinician swearing' in ''Horkos. The Oath in Greek Society'', eds. Alan H. Sommerstein, Judith Fletcher. Exeter: 91-101. Reviewed by Kellogg, Danielle L. (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-55.html ''BMCR'' 2008.08.55].
+
* Harvey, A.E. (1955) 'The Classification of Greek Lyric Poetry', ''CQ n.s.'' 5: 157-175.
  
* Pfeijffer, I.L. and S.R. Slings (eds.) (1999) ''One Hundred Years of Bacchylides. Proceedings of a colloquium held at the Vrije Universiteit Amsterdam''. Amsterdam.
+
* Hutchinson, G. O. (2001) ''Greek Lyric Poetry: A Commentary on Selected Larger Pieces''. Oxford.
 +
** Contains new texts of, and detailed commentaries on, Alcman 1 and 3 Davies, Stesichorus 222 (b) Davies, Sappho 1, 16, 31, 96 Voigt, Alcaeus 129, 130b, 298 Voigt, Ibycus S151 Davies, Anacreon 347 fr. 1, 358, 417 Page, Simonides 542, 543 Page, Bacchylides 3, Pindar ''Olympian'' 6, Sophocles ''Ajax'' 1185-1222, Euripides ''Medea'' 627-662; introductions on individual poets and on tragic lyric.
  
* Power, Timothy (2000) ‘The «parthenoi» of Bacchylides 13’, ''Harvard studies in classical philology'' 100: 67-81.
+
* Ingalls, Wayne (2000) ‘Ritual Performance as Training for Daughters in Archaic Greece’, ''Phoenix'' 54: 1-20.
  
* Rutherford, Ian (1991) 'Pindar Paean VIIIA, The "Cassandra" of Bacchylides and the Anonymous "Cassandra" in P.Oxy.2368: An Exploration in Lyric Structure', ''Eos'' 79: 5-12.
+
* Käppel, L. (1992) ''Paian. Studien zur Geschichte einer Gattung''. Berlin. ''Untersuchungen zur antiken Literatur und Geschichte'' 37.
  
* Slings, S.R. (1990) 'Bacchylides XVIII 41-42', ''Zeitschrift für Papyrologie und Epigraphik'' 80: 9-10.  
+
* Klug, W. (1954) ''Untersuchungen zum Gebet in der frühgriechischen Lyrik''. Dissertation. Hamburg.
  
* Slings, S.R. (2000) 'Information Unit and Metrical Unit' in ''Bakchylides: 100 Jahre nach seiner Wiederentdeckung'', eds. A. Bagordo and B. Zimmermann. München. ''Zetemata, Monographien zur klassischen Altertumswissenschaft'' 106: 113-130.
+
* Kowalzig, Barbara (2007) ''Singing for the Gods. Performances of Myth and Ritual in Archaic and Classical Greece''. Oxford Classical Monographs. Oxford: Oxford University Press. Reviewed by Seaford, Richard (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-09-25.html ''BMCR'' 2008.09.25].
  
=== Corinna, Boeotica ===
+
* Lambin, G. (1992) ''La chanson grecque dans l'antiquité''. Paris.
* Yossi, Mary J. (1997) 'Corinna Fr. 654 PMG: Archaic or a Case for Metamorphosis' in ''Acta: First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-T. Papademetriou. Athens: 167-186. (in Greek with summary in English)
 
  
=== Erinna ===
+
* Lattke, M. (1991) ''Hymnus: Materialien zu einer Geschichte der antiken Hymnologie''. Fribourg. ''Novum Testamentum et orbis antiquus'' 19.
* Neri, Camillo (1994) 'Erinna in Eronda', ''Eikasmós'' 5: 221-232.
 
  
* Neri, Camillo (1996) ''Studi sulle testimonianze di Erinna''. Bologna.
+
* * LeVen, Pauline (2013)'"You Make Less Sense Than a (New) Dithyramb." Sociology of a Riddling Style' in: ''The Muse at Play. Riddles and Wordplay in Greek and Latin Poetry'', ed. J. Kwapisz, D. Petrain & M. Szymanski. Berlin: 44-64.
  
* Neri, Camillo (1996) 'Il poemetto e l'epigramma. Note sulla fortuna dell'opera di Erinna in età ellenistica', ''Aevum Antiquum'' 9: 193-215.
+
* Ley, G. (1993) 'Monody, Choral Song, and Athenian Festival Performance', ''Maia'' 45: 105-124.
  
* Neri, Camillo (1997) 'Erinna a Ossirinco', ''ZPE'' 115: 57-72.
+
* Lyghounis, Maria Gilda (1991) 'Elementi tradizionali nella poesia nuziale greca', ''Materiall e discussioni per I'analisi dei testi classici'' 27: 159-98.
  
* Neri, Camillo (1998) 'Baucide e le bambole (Erinna: SH 401,1-4, 19-22)', ''Athenaeum'' 86.1: 165-178.
+
* MacDowell, D.M. (1989) 'Athenian Laws abouth Choruses' in ''Symposion 1982: Vorträge zur griechischen und hellenistischen Rechtsgeschichte (Santander 1.-4. September)'', ed. F.J. Fernández Nieto. Köln: 65-77.
  
* Neri, Camillo (1998) 'Cambio di ritmo (Erinna: SH 401,14s. ~ Carm.pop. fr.30(c) PMG 876)', ''Prometheus'' 24: 19-24.
+
* Mace, S. (1993) ‘Amour, encore! The development of δηὖτε in archaic lyric’, ''GRBS'' 34:335–64.
  
* Neri, Camillo (1999) 'Le lune di Erinna (SH 401,6 e 12)', ''Quaderni di Cultura e di Tradizione Classica dell'Università degli Studi di Palermo'' 12: 7-18.
+
* Martin, R. P.  (2001) ‘Just like a woman: enigmas of the lyric voice’, in ''Making Silence Speak: Women’s Voices in Greek Literature and Society'', ed. A. Lardinois and L. McClure. Princeton, N.J.: 55–74.
  
* Neri, Camillo (2002) 'L'agnella e il rasoio (Erinna SH 401,13)' in ''TIMHS CHARIN. «Homenaje al Profesor Pedro A. Gainzarain»'', ed. María José García Soler. Vitoria-Gasteiz: 61-68.
+
* Martin, Richard (2007) 'Outer Limits, Choral Space' in ''Visualizing the Tragic'', eds. C. Kraus, S. Goldhill, H. Foley and J. Elsner. Festschrift for F. Zeitlin. New York, Oxford: 35-62.
  
* Neri, Camillo (2003) ''Erinna. Testimonianze e frammenti''. Bologna (earlier editions were published in 1994 (Ph.D. dissertation Padova) and 2000).
+
* Miller, P. A. (1994) ''Lyric Texts and Lyric Consciousness: The Birth of a Genre from Archaic Greece to Augustean Rome''. London.
  
=== Poetae Minores ===
+
* Mullen, W. (1982) ''Choreia: Pindar and Dance''. Princeton.
  
==== Arion ====
+
* Naerebout, F.G. (1997) ''Attractive Performances. Ancient Greek Dance: Three Preliminary Studies''. Amsterdam.
  
==== Ariphron ====
+
* Nagy, G. (1990) ''Pindar's Homer. The Lyric Possession of an Epic Past''. Baltimore and London. [http://www.press.jhu.edu/books/nagy/PH.html Free-to-view online edition]. [http://www.intute.ac.uk/artsandhumanities/cgi-bin/fullrecord.pl?handle=humbul15952 More information] is available at [http://www.intute.ac.uk/ Intute], catalogued by Emma Bridges.
  
==== Aristotle ====
+
* Nagy, G. (1994/5) 'Transformations of Choral Lyric Traditions in the Context of Athenian State Theater', ''Arion'' 3.1: 41-55.
  
==== Castorion ====
+
* Nagy, G. (2008) 'Lyric and Greek Myth' in ''The Cambridge Companion to Greek Mythology'', ed. Roger D. Woodard. Cambridge: Cambridge University Press: 19-51. With emphasis on the Lesbian poets Sappho and Alcaeus. Reviewed by Kühr, Angela [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-10.html ''BMCR'' 2008.08.10].
  
==== Diagoras ====
+
* Neri, Camillo (2004) ''La lirica greca. Temi e testi''. Roma.
  
==== Eumelus ====
+
* Neumann-Hartmann, Arlette (2008) 'Prosopographie zu den Epinikien von Pindar und Bakchylides', ''Nikephoros'' 21: 81–131.
  
==== Euripides (Lyric) ====
+
* Neumann-Hartmann, Arlette (2009) 'Epinikien und ihr Aufführungsrahmen'. ''Nikephoros'' Beihefte Bd. 17. Hildesheim.
  
==== Hybrias ====
+
* Neumann-Hartmann, Arlette (2009) 'The Dedication of Victory Crowns and the Performance of Epinikian Odes'. ''BICS'' 52: 1–13.
  
==== Lasus ====
+
* Neumann-Hartmann, Arlette (2010) 'Pindar und Bakchylides (1988–2007)'. ''Lustrum: Internationale Forschungsberichte aus dem Bereich des klassischen Altertums'' 52: 181–463.
  
==== Licymnius ====
+
* Nicholson, N. (1999-2000) 'Pederastic poets and adult patrons: maintaining authority in late archaic lyric', ''CW'' 93: 235-259.
  
==== Melanippides ====
+
* Noussia-Fantuzzi, M. (2015), 'The Epic Cycle, Stesichorus, and Ibycus', in ''The Greek Epic Cycle and its Ancient Reception. A Companion'', ed. M. Fantuzzi & C. Tsagalis. Cambridge: 430-449.
  
==== Myrtis ====
+
* Peponi, Anastasia-Erasmia (1991) 'Flexible Lyric, Inflexible Theory: around W.R. Johnson’s ''The Idea of Lyric: Lyric Modes in Ancient and Modern Poetry'' '. Berkeley 1982. in ''Logou Charin'' 2: 167-182. (in Greek)
  
==== Philoxenus ====
+
* Peponi, Anastasia-Erasmia (1993) ''Representation of Space and Time in Early Archaic Lyric Poetry''. PhD dissertation Thessaloniki.
  
==== Pratinas ====
+
* Peponi, Anastasia-Erasmia (1995) 'Teaching Lyric Poetry in High Schools by means of Modern Greek Translations' ''Thallo'' 7: 103-112. (in Greek)
  
==== Praxilla ====
+
* Peponi, Anastasia-Erasmia (2002) 'Mixed Pleasures, Blended Discourses: Poetry, Medicine and the Body in Plato’s ''Philebus'' 46-47c', ''Classical Antiquity'' 21: 135-160. (reception of archaic lyric poetry in Plato)
  
==== Telesilla ====
+
* Peponi, Anastasia-Erasmia (2002) 'Fantasizing Lyric: Horace, Epistles 1.19' in ''Horace and Greek Lyric Poetry'', ed. M. Paschalis. Rethymnon: 19-45. (reception of archaic lyric poetry in Horace)
  
==== Telestes ====
+
* Peponi, Anastasia-Erasmia (2009) ' ''Choreia'' and Aesthetics in the ''Homeric Hymn to Apollo'': The Performance of the Delian Maidens (Lines 156–64)', ''Classical Antiquity'' 28.1: 39–70.
  
==== Terpander ====
+
* Psaroudakēs, Stelios (2006) 'A lyre from the cemetery of the Acharnian Gate, Athens' in ''Studien zur Musikarchäologie V. Music Archaeology in context. Archaeological semantics, historical implications, socio-cultural connotations. Papers from the 4th Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 19-26 September, 2004. Orient-Archäologie 20'', eds. Ellen Hickmann & Arnd Adje Both & Ricardo Eichmann. Rahden, Westf.: 59-79.
  
==== Timocreon ====
+
* Ψαρουδάκης, Στέλιος (2007) «Η λύρα στον ελλαδικό χώρο στις εποχές του Χαλκού και το Σιδήρου», ''Αρχαιολογία και Τέχνες'' 90: 59-67. (in modern Greek)
  
==== Timotheus ====
+
* Race, W.H. (1992) 'How Greek Poems Begin', ''YCS'' 29: 13-38.
* Ford, Andrew L. (2006) 'The Genre of Genres: Paeans and Paian in Early Greek Poetry', ''Poetica'' 38.3-4: 277-296. It reviews the many attempts to define paeans (esp. by Käppel and Schroeder) as part of a broader discussion of the usefulness of genre terms in reading early Greek lyric. It reads several of Timotheus' fragments to argue that predicating the epithet was the core of the "genre".
 
  
=== Carmina Popularia ===
+
* Ruijgh, C.J. (1980) 'De ontwikkeling van de lyrische kunsttaal, met name van het literaire dialect van de koorlyriek', ''Lampas'' 5: 416-435.
* Neri, Camillo (2003) 'Sotto la politica. Una lettura dei carmina popularia melici', ''Lexis'' 21: 193-260.
 
  
=== Carmina Convivalia ===
+
* Rutherford, I. (1993) 'Paeanic Ambiguity: A Study of the Representation of the Paean in Greek Literature', ''QUCC'' 44: 97-92.
  
=== Fragmenta Adespota ===
+
* Rutherford, I. (1997) 'Odes and Ends: Closure in Greek Lyric Poetry' in ''Classical Closure. Reading the End in Greek and Latin Literature'', eds. Roberts, D. and D. Fowler. Princeton [...].
* Rawles, Richard (2006) 'Musical Notes on the new anonymous lyric poem from Köln' ''ZPE'' 157: 8-13. Concerns the anonymous poem transmitted in P. Köln 21351 & 21376 along with the "New Sappho". It is suggested that the initial vocatives are addressed to Hermes.
 
  
* Ucciardello, Giuseppe (2001) 'POxy. XXXII 2636: commentario a Pindaro o a Ibico?' in ''I lirici greci. Forme di comunicazione e storia del testo (Atti dell'Incontro di Studi - Messina 5-6 novembre 1999)'', eds. M. Cannatà Fera - G.B. D’Alessio. Messina: 87-116.
+
* Rutherford, I. (2001) ''Pindar's Paeans. A Reading of the Fragments with a Survey of the Genre''. Oxford.
  
* Ucciardello, Giuseppe (2004) 'Su due frammenti lirici adespoti (P.Oxy. XXXII 2631 = S 454 SLG; P.Oxy. IV 674 = Pind. fr. 338 M.)', ''ZPE'' 149: 29-34.
+
* Rutherford, I.  (2003) ‘The prosodion: approaches to lyric genre’, in ''Studi di filologia e tradizione greca in memoria di Aristide Colonna'', ed. F. Benedetti and S. Grandolini. Naples and Perugia: 713–26.
  
* Ucciardello, Giuseppe (2004/5) 'P.Oxy. XXXIX 2880 (lirica corale?): nuova edizione e note di commento', ''Analecta Papyrologica'' 16-17: 21-31.
+
* Schmidt, E.G. (1974) 'Zur Interpretation und Rezeption frühgriechischer Lyrik' in ''Die Antike in der sozialistischen Kultur, Internationale Arbeitskonferenz des Instituts für Altertumswissenschaft der Friedrich-Schiller-Universität Jena, 27.-29. Juni 1973''. Jena: 93-109.
  
* Ucciardello, Giuseppe (2007) 'A single scribe in P.Oxy. IV 660 + P.Oxy. XXIII 2623 + PSI inv. 1907 (Choral Lyric: Simonides?)', ''ZPE'' 160: 4-14.
+
* Schmitz, H. (1970) ''Hypsos und Bios. Stilistische Untersuchungen zum Alltagsrealismus in der archaischen griechischen Chorlyrik''. Bern.
  
== Dramatic Chorus ==
+
* Schröder, S. (1999) ''Geschichte und Theorie der Gattung Paian: Eine kritische Untersuchung mit einem Ausblick auf Behandlung und Auffassung der lyrischen Gattungen bei den alexandrinischen Philologen''. (Beiträge zur Altertumskunde 121). Stuttgart and Leipzig.
* Adrados, Francisco R. (1975) ''Festival, Comedy and Tragedy: The Greek Origins of Theatre''. Leiden. Translation from the Spanish by Christopher Holme. (1972) ''Fiesta, Comedia y Tragedia''. Barcelona.
 
  
* Bierl, Anton (2001) ''Der Chor in der Alten Komödie. Ritual und Performativität'' (unter besonderer Berücksichtigung von Aristophanes' ''Thesmophoriazusen'' und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126). It has been translated by Alex Hollmann into English as:
+
* Segal, C. (1989) 'Song, Ritual, and Commemoration in Early Greek Poetry and Tragedy', ''Oral Tradition'' 4: 330-359.
** Bierl, Anton (2007) ''Ritual and Performativity: The Chorus in Old Comedy''. Harvard Press, Center of Hellenic Studies. With many interpretations of comic, tragic and satyric songs, with a general introduction of more than 90 pages to the Chorus and song culture in general; it includes an interpretation of Alcman and an intense analysis of popular Phallus-Songs in ch. 2.
 
  
* D'Angour, Armand (2007) 'The Sound of Music: modulations and innovations in drama and dithyramb' in ''Debating the Athenian Cultural Revolution'', ed. R. Osborne Cambridge: 288-300.
+
* Segal, C. (1998) ''Aglaia. The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham-Boulder-New York-Oxford.
  
* Martin, Richard (2007) 'Ancient Theatre and Performance Culture' in ''The Cambridge Companion to Greek and Roman Theatre'', eds. M. McDonald and J.M. Walton. Cambridge 36-54.
+
* Seidensticker, Bernd (2005) 'Dithyramb, Comedy, and Satyr-Play' in ''A Companion to Greek Tragedy'', ed. Justina Gregory. Oxford: Blackwell: 38-54. Reviewed by Wright, Matthew (2006) [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-39.html ''BMCR'' 2006.06.39].
  
=== Tragic Chorus ===
+
* Slings, S.R. (ed.) (1990) ''The poet's I in archaic Greek lyric''. Amsterdam.
  
==== Tragic Chorus General ====
+
* Slings, S.R. (1990) 'The I in personal archaic lyric: an introduction' in ''The poet's I in archaic Greek lyric'', ed. S.R. Slings. Amsterdam: 1-30.
* ''Arion'' 3.1 (1994/1995): ''The Chorus in Greek Tragedy and Culture''. I.
 
  
* ''Arion'' 4.1 (1996/1997): ''The Chorus in Greek Tragedy and Culture''. II.
+
* Stehle, E. (1997) ''Performance and Gender in Ancient Greece. Nondramatic Poetry in its Setting''. Princeton.
  
* Bacon, H.H. (1996/7) 'The Chorus in Greek Life and Drama', ''Arion'' 4.1: 6-24.
+
* Suárez de la Torre, Emilio (1998) 'La lírica griega' in ''Géneros literarios poéticos grecolatinos'', eds. D. Estefanía et al. Madrid/Santiago de Compostela: 63-106.
  
* Bagordo, A. (2003) ''Reminiszenzen früher Lyrik bei den attischen Tragikern: Beiträge zur Anspielungstechnik und poetischen Tradition''. Munich.
+
* Suárez de la Torre, Emilio (2002) ''Antología de la lírica griega arcaica''. Madrid.
  
* Battezzato, Luigi (2005) 'Lyric' in ''A Companion to Greek Tragedy'', ed. Justina Gregory. Oxford: Blackwell: 149-66. Presents an overview of the tragic chorus. Reviewed by Wright, Matthew (2006) [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-39.html ''BMCR'' 2006.06.39].
+
* Suárez de la Torre, Emilio (2005) 'Diversidad de lo popular en la poesía griega arcaica', ''Classica'' 17/18: 73-99.
  
* Bieber, M. (1954) 'The Entrances and Exits of Actors and Chorus in Greek Plays', ''American Journal of Achaeology'' 58: 277-281.
+
* Suárez de la Torre, Emilio (2007) 'Helena, de la épica a la lírica griega arcaica (Safo, Alceo, Estesícoro)' in AA.VV., ''O mito de Helena de Tróia à actualidade''. Coimbra. vol. I: 55-79.
  
* Bierl, Anton (1991) ''Dionysos und die griechische Tragödie. Politische und 'metatheatralische' Aspekte im Text''. ''Classica Monacensia'' 1. Tübingen. Dissertation, with many interpretations of tragic songs where Dionysus plays a role.
+
* Trümpy, C. (1986) ''Vergleich des Mykenischen mit der Sprache der Chorlyrik. Bewahrt die Chorlyrik eine von Homer unabhängige alte Sprachtradition?''. Bern.
  
* Bierl, Anton (2006) 'Tragödie als Spiel und das Satyrspiel. Die Geburt des griechischen Theaters aus dem Geiste des Chortanzes und seines Gottes Dionysos', in ''Aufgang. Jahrbuch für Denken, Dichten, Musik''. Bd. 3: ''Kind und Spiel'', eds. J. Sánchez de Murillo and M. Thurner. Stuttgart: 111–138. Wth a new interpretation of the Hyporcheme of Pratinas.
+
* Webster, T.B.L. (1970) ''The Greek Chorus''. London.  
  
* Brown, A.D. Fitton (1957) 'The Size of the Greek Tragic Chorus', ''Classical Review'' 7.1: 1-4.
+
* West, M.L. (1992) ''Ancient Greek Music''. Oxford.
  
* Brown, S. G. (1977) 'A Contextual Analysis of Tragic Meter: The Anapest', in ''Ancient and Modern: Essays in Honor of Gerald Else'', eds. John H. D'Arms and John W. Eadie. Ann Arbor: 45-78.
+
* Wilson, Lyn Hatherly (1996) ''Sappho's Sweetbitter Songs: Configurations of female and male in ancient Greek Lyric''. London and New York.
  
* Calame, Claude (1994) 'From Choral Poetry to Tragic Stasimon: The Enactment of Women's Song', ''Arion'' 3:  135-152. Contains a comparison of Pindar's ''Partheneion'' 2 and the parodoi in Aeschylus' ''Seven against Thebes'' and in Euripides' ''Phoenician Women''.
+
* Wilson, Peter J. (1999) 'The ''aulos'' in Athens', in ''Performance Culture and Athenian Democracy'', eds. S. Goldhill and R. Osborne. Cambridge: 58-95.
  
* Calame, Claude (1999) 'Performative aspects of the choral voice in Greek tragedy: civic identity in performance', in ''Performance culture and Athenian democracy'', eds. S. Goldhill and R. Osborne. Cambridge: 125-153.
+
* Wilson, Peter J. (2000) ''The Athenian institution of the Khoregia: the chorus, the city and the stage''. Cambridge and New York.
 +
** Reviews: Josiah Ober (2000) ''BMCR'' 10. Stuart Douglas Olson (2000-2001) ''CW'' 94.4: 418-419. Geert Roskam (2001) ''LEC'' 69.3: 341-342. Jean-Charles Moretti (2001) ''REA'' 103.3-4: 585-586. Herman Van Looy (2001) ''AC'' 70: 447-448. Nicoletta Marini (2002) ''Athenaeum'' 90.2: 662-664. Stephen D. Lambert (2002) ''JHS'' 122: 178-179. Eric Csapo (2002) ''Phoenix'' 56.1-2: 150-153.
  
* Calame, Claude (2005) 'The Tragic Choral Group: Dramatic Roles and Social Functions' in ''A Companion to Tragedy'', ed. R. Bushnell. Oxford: 215-233.
+
* Yatromanolakis, D. and P. Roilos (2003) ''Towards a Ritual Poetics''. Athens.
  
* Calder, W. M. (1982) ‘The size of Thespis' chorus’, ''AJPh'' 103: 319-320.
+
* Yatromanolakis, D. and P. Roilos (2005) ''Pros mia Teletourgike Poietike''. Preface Marcel Detienne. Athens.
  
* Castellani, V. (1989) 'The Value of a Kindly Chorus: Female Choruses in Attic Tragedy' in ''Women in Theatre'', ed. Redmond, J. Cambridge and New York. ''Themes in Drama'' 11: 1-18.
+
* Yatromanolakis, D. (2009) 'Symposia, Noses, Πρόσωπα: A Kylix in the Company of Banqueters on the Ground', in ''An Archaeology of  Representations: Ancient Greek Vase-Painting and Contemporary Methodologies'', Yatromanolakis, D. (ed.), Athens: 414-465.
  
* Cerbo, E. (1993) 'Gli inni ad Eros in tragedia: struttura e funzione' in ''Tradizione e innovazione nella cultura greca da Omero all' età ellenistica. Scritti in onore di Bruno Gentili'', ed. Pretagostini, R. Vol. 2. Roma: 645-656.
+
* Zimmermann, B. (1992) ''Dithyrambos: Geschichte einer Gattung''. Göttingen.
  
* Conacher, D.J. (1975) 'Some Dramatic Uses of the Chorus in Greek Tragedy', ''The University of Toronto Quarterly'' 44: 81-.
+
=== Sappho and Alcaeus ===
 +
* Aloni, A. (1983) ‘Eteria e tiaso: I gruppo aristocratici di Lesbo tra economia e ideologia’, ''Dialoghi di Archeologia'' ser. 3, n. 1: 21-35 (= ''id''., ‘Lotta politica e pratica religiosa nella Lesbo di Saffo e Alceo’, ''Atti del Centro ricerche e documentazione sull'antichittà classica'' 11 (1980/81): 213-32)
  
* Csapo, E. and Slater, W.J. (1995) ''The Context of Ancient Drama''. Ann Arbor.
+
* Broger, A. (1996) ''Das Epitheton bei Sappho und Alkaios. Eine sprachwissenschaftliche Untersuchung''. Innsbruck. Review by Slings, S.R. (1999) ''Mnemosyne'' 52: 481-484.
  
* Dale, A.M. (1950) 'Stasimon and Hyporchema', ''Eranos'' 48: 14-20.
+
* Caciagli, Stefano (2007) ''Poesia e società: comunicazione poetica e formazioni sociali nella Lesbo del VII/VI secolo a.C.''. Ph.D. dissertation, University of Bologna. [http://amsdottorato.cib.unibo.it/188/ PDF (in the not revised version)].
  
* Dale, A.M. (1969) 'The Chorus in the Action of Greek Tragedy', in ''Collected Papers'', Dale, A.M. Cambridge.
+
* Caciagli, Stefano (2010) 'Il temenos di Messon: uno stesso contesto per Saffo e Alceo', ''LEXIS'' 28: 227-256.\
  
* Davidson, J.F. (1986) 'The Circle and the Tragic Chorus', ''G&R'' 3: 38-46.
+
* Caciagli, Stefano (2011) 'Poeti e Società. Comunicazione poetica e formazioni sociali nella Lesbo del VII/VI secolo a.C.' (with a preface of Claude Calame), ''LXIV Supplement of «LEXIS»'' (Hakkert, Amsterdam.
  
* Dorsch, K.-D. (1983) ''Götterhymnsen in den Chorliedern der griechischen Tragiker: Form, Inhalt und Funktion''. PhD Diss. Münster.
+
* Nagy, Gregory (2007) 'Did Sappho and Alcaeus Ever Meet? Symmetries of Myth and Ritual in Performing the Songs of Ancient Lesbos' in ''Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen'', eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. ''MythosEikonPoiesis'' Bd. 1.1–2. Berlin and New York: ibid. 211-269. Reviewed by Reyes Bertolín Cebrián [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-09.html ''BMCR'' 2008.08.09].
  
* Foley, H. (2003) 'Choral Identity in Greek Tragedy', ''Classical Philology'' 98: 1-30.
+
* Suárez de la Torre, Emilio (2007) 'Helena, de la épica a la lírica griega arcaica (Safo, Alceo, Estesícoro)' in AA.VV., ''O mito de Helena de Tróia à actualidade''. Coimbra. vol. I: 55-79.
  
* Foley, H. (2007) 'Envisioning the Tragic Chorus on the Modern Stage' in ''Visualizing the Tragic'', eds. C. Kraus, S. Goldhill, H. Foley and J. Elsner. Festschrift for F. Zeitlin. New York, Oxford: 353-78.
+
* Yatromanolakis, D. (2009) 'Alcaeus and Sappho', in ''The Cambridge Companion to Greek Lyric'', Budelmann, Felix (ed.). Cambridge: 204-26.
  
* Forbes, G.B. (1967) 'The Actor, the Chorus, and Music in Greek Drama', ''The Southern Speech Journal'' 33: *.
+
=== Sappho ===
 +
Cf. the [http://sites.google.com/site/hellenisticbibliography/pre-hellenistic/sappho bibliography on Sappho] made by Martine Cuypers that forms part of a [http://sites.google.com/site/hellenisticbibliography/ Hellenistic Bibliography].
  
* Gentili, B. (1984) ''Poesia e pubblico nella Grecia antica da Omero al V secolo''. Roma-Bari. Revised and updated version translated, with an introduction, by Cole, A.T. (1988) ''Poetry and Its Public in Ancient Greece from Homer to the Fifth Century''. Baltimore.
+
* Aloni, A. (1997) ''Saffo: Frammenti''. Florence.
  
* Golder, Herbert A. (1996-1997) ’Making a scene: gesture, tableau, and the tragic chorus’, ''Arion'' 4.1: 1-19.
+
* Aloni, A. (2001) ‘What is that man doing in Sappho, fr. 31 V.?’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md., and Oxford: 29-40.
  
* Goldhill, S. (1996) 'Collectivity and Otherness - The Authority of the Tragic Chorus: Response to Gould' in ''Tragedy and the Tragic'', ed. Silk, M.S. Oxford: 244-256.
+
* Bernsdorff, Hans (2004) 'Schwermut des Alters im neuen Kölner Sappho-Papyrus', ''Zeitschrift für Papyrologie und Epigraphik'' 150: 27-35.
  
* Gould, J. (2001) 'Tragedy and Collective Experience' in ''Myth, Ritual Memory, and Exchange'', ed. Gould, John. Oxford: 378-404. Originally published in Silk, M.S. (ed.) (1996) ''Tragedy and the Tragic''. Oxford: 217-243.
+
* Bernsdorff, Hans (2005) 'Offene Gedichtschlüsse', ''Zeitschrift für Papyrologie und Epigraphik'' 153: 1-6.
  
* Gould, J. (2001) 'Myth, Memory, and the Chorus: 'Tragic Rationality' ' in ''Myth, Ritual Memory, and Exchange'', ed. Gould, J. Oxford: 405-414. Originally published in Buxton, Richard (ed.) (1999) ''From Myth to Reason? Studies in the Development of Greek Thought''. Oxford: 107-16.
+
* Bessone, F. (2003) ‘Saffo, la lirica, l'elegia. Su Ovidio, ‘Heroides’ 15’, ''MD'' 51: 209-243.
  
* Henrichs, A. (1994/5) ' 'Why should I dance?': Choral Self-referentiality in Greek Tragedy', ''Arion'' 3.1: 56-111.
+
* Bessone, F. (2003) Conversione poetica e riconversione letteraria: l’epistola di Saffo nelle Heroides, in ''Incontri triestini di filologia classica'', vol. 2: Incontri 2002-2003, eds. L. Cristante e A. Tessier. ''Polymnia'' 4. Trieste: 115-143.
  
* Henrichs, A. (1996) '' 'Warum soll ich denn tanzen?' Dionysisches im Chor der griechischen Tragödie''. Stuttgard-Leipzig. ''Lectio Teubneriana'' 4.
+
* Bierl, Anton (2004) ' 'Ich aber (sage), das Schönste ist, was einer liebt!' Eine pragmatische Deutung von Sappho Fr. 16 LP/V', ''Quaderni Urbinati di Cultura Classica'' n.s. 74.2 (103): 91–124.
 +
** [http://chs.harvard.edu/wa/pageR?tn=ArticleWrapper&bdc=12&mn=2922 Online edition (2009)] (Published here under a Creative Commons Attribution-Noncommerical-No derivative works License 3.0).
  
* Herington, J. (1985) ''Poetry into Drama. Early Tragedy and the Greek Poetic Tradition''. Berkeley-London.
+
* Bierl, Anton. (2009) [http://chs.harvard.edu/wa/pageR?tn=ArticleWrapper&bdc=12&mn=2122 ''Der neue Sappho-Papyrus aus Köln und Sapphos Erneuerung. Virtuelle Choralität, Eros, Tod, Orpheus und Musik''] (Published under a Creative Commons Attribution-Noncommercial-No derivative works License 3.0).
  
* Hutchinson, G. O. (2001) ''Greek Lyric Poetry: A Commentary on Selected Larger Pieces''. Oxford.
+
* Bierl, Anton (2010) ‘Sappho in Athens. Reperformance and Performative Contextualizations of the New Cologne Papyrus, or Old Age and Rejuvenation through Chorality’, first publication in electronic form on the Athens Dialogues–website online [http://athensdialogues.chs.harvard.edu/cgi-bin/WebObjects/athensdialogues.woa/wa/dist?dis=36 http://athensdialogues.chs.harvard.edu/cgi-bin/WebObjects/athensdialogues.woa/wa/dist?dis=36].
** Contains new texts of, and detailed commentaries on, Alcman 1 and 3 Davies, Stesichorus 222 (b) Davies, Sappho 1, 16, 31, 96 Voigt, Alcaeus 129, 130b, 298 Voigt, Ibycus S151 Davies, Anacreon 347 fr. 1, 358, 417 Page, Simonides 542, 543 Page, Bacchylides 3, Pindar ''Olympian'' 6, Sophocles ''Ajax'' 1185-1222, Euripides ''Medea'' 627-662; introductions on individual poets and on tragic lyric.
 
  
* Kaimio, M. (1970) ''The Chorus of Greek Drama within the Light of the Person and Number Used''. Helsinki. ''Societas scientarum Fennica commentationes humanarum litterarum'' 46.
+
* Bremer, J.M. (1982) 'A reaction to Tsagarakis' discussion of Sappho fr. 31', ''Rheinisches Museum'' 125: 113-116.
  
* Kranz, W. (1933) ''Stasimon. Untersuchungen zu Form und Gehalt der griechischen Tragödie''. Berlin.
+
* Brunet, P. (1998) ''L’Egal des Dieux: Cent versions''. Paris.
  
* Lattimore, R. (1965) ''The Poetry of Greek Tragedy'' Baltimore.
+
* Caciagli, S. (2009) 'Sapph. fr. 27 V.: l'unità del pubblico saffico', ''QUCC'' 91: 63-80.  
  
* MacClure, L. (1999) ''Spoken like a Woman: Speech and Gender in Athenian Drama''. Princeton.
+
* Calame, C. (1996) 'Sappho's Group: An Initiation into womanhood' in ''Reading Sappho. Contemporary Approaches'', ed. E. Greene, Berkeley and London: 113-124.
  
* Martin, Richard (2007) 'Outer Limits, Choral Space' in ''Visualizing the Tragic'', eds. C. Kraus, S. Goldhill, H. Foley and J. Elsner. Festschrift for F. Zeitlin. New York, Oxford: 35-62.
+
* Calame, C.  (2005) ‘Une poétique de la mémoire: Espaces et temps chez Sappho’, in ''Koryphaiōi ‘andri: Mélanges offerts à André Hurst'', ed. A. Kolde et al. Geneva: 53–67.
  
* Meijering, R. (1985) ’Aristophanes of Byzantium and scholia on the composition of the dramatic chorus’ in ''SCHOLIA. Studia ad criticam interpretationemque textuum Graecorum et ad historiam juris Graeco-Romani pertinentia D. Holwerda oblata'', eds. W.J. Aerts, J.H.A. Lokin, S.L. Radt and N.v.d. Wal. Groningen: 91-102
+
* Calame, C. (2012) 'La memoria poetica nei canti di Saffo: Performance musicale e creazione sociale' in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 45-97.
  
* Montgomery, H.C. (1942) 'Some Later Uses of the Greek Tragic Chorus', ''Classical Journal'' 38: 148-60.  
+
* Carson, A.(2002) ''If Not, Winter: Fragments of Sappho.'' New York.
  
* Parry, H. (1978) ''The Lyric Poems of Greek Tragedy''. Toronto-Sarasota.
+
* Carvalho, S. (2011) ''Representações e hermenêutica do" Eu" em Safo: análise de quatro fragmentos'', Coimbra.
  
* Pickard-Cambrindge, A.W. (1927) ''Dithyramb, Tragedy and Comedy''. Oxford.
+
* Clark, C. (2001) ‘The body of desire: nonverbal communication in Sappho 31 V’, ''Syllecta Classica'' 12: 1–32.
  
* Pöhlmann, E. (1997) 'The Tragic Chorus and the Limits of Dramatic Convention in the Fifth Century B.C.' in ''Scaenica Saravi-Varsoviensia: Beiträge zum antiken Theater und zu seinem Nachleben'', eds. J. Axer and W. Görle. Warschau: 1-10.
+
* Dale, A. (2011). Sapphica. Harvard Studies in Classical Philology, 106, 47-74.
  
* Riemer, P. and Zimmermann, B. (eds.) (1998) ''Der Chor im antiken und modernen Drama''. Stuttgart. ''Drama'' 7.
+
* D'Angour, A. (2006) 'Conquering Love: Sappho 31 and Catullus 51', ''CQ'' 56: 297-300.
  
* Roberts, Deborah H. (1987) ’Parting words. Final lines in Sophocles and Euripides’, ''CQ'' 37: 51-64.
+
* DuBois, P. (1995) ''Sappho Is Burning.'' Chicago and London.
  
* Rode, J. (1971) 'Das Chorlied' in ''Die Bauformen der griechischen Tragödie'', ed. W. Jens. München: 85-115.
+
* Dosuna, J. Méndez (2008) 'Miscellanea: Knees and Fawns in the New Sappho', ''Mnemosyne'' 61.1: 108-14. [http://www.swetswise.com.proxy.ubn.ru.nl:8080/swetsfo/swproxy?url=http%3A%2F%2Fopenurl.ingenta.com%2Fcontent%2Fswetsnet-4.1.2dae033a21a66b009d41d8e9ea102dbd%3Fgenre%3Darticle%26issn%3D0026-7074%26volume%3D61%26issue%3D1%26spage%3D108%26epage%3D114%26aulast%3DDosuna&ts=1202555509461&cs=2005023008&userName=9021463.ipdirect&emCondId=2043297&articleID=35750235&yevoID=2197893&titleID=137377&referer=1&remoteAddr=131.174.248.1 PDF].
  
* Rutherford, I. (1994/5) 'Apollo in Ivy: The Tragic Paean', ''Arion'' 3.1: 112-135.
+
* Ferrari, F. (2003) ‘Il pubblico di Saffo’, ''SIFC'' 4th series 1: 42–89.
  
* Segal, C. (1989) 'Song, Ritual, and Commemoration in Early Greek Poetry and Tragedy', ''Oral Tradition'' 4: 330-359.
+
* Ferrari, F. (2010) ''Sappho's Gift: The Poet and Her Community''. Transl. from (2007) ''Una mitra per Kleis: Saffo e il suo pubblico''. Giardini, Pisa. Benjamin Acosta-Hughes and Lucia Prauscello (tr.), Michigan Classical Press, Ann Arbor.  
  
* Sifakis, G.M. (2001) 'The Function and Significance of Music in Greek Tragedy', ''BICS'' 45: 21-35.
+
* Goldhill, S. (2006) ‘The touch of Sappho’, in ''Classics and the Uses of Reception'', ed. C. Martindale and R. F. Thomas. Oxford: 250–73.
  
* Silk, M.S. (1998) 'Style, Voice, and Authority in the Choruses of Greek Drama' in ''Der Chor im antiken und modernen Drama'', eds. Riemer, P. and Zimmermann, B. Stuttgart. ''Drama'' 7: 1-26.
+
* Greene, E. (1994) ‘Apostrophe and women’s erotics in the poetry of Sappho’, ''TAPhA'' 124: 41–56. (Reprinted in Reading Sappho: Contemporary Approaches, ed.E. Greene. Berkeley and London 1996: 233–47.)
  
* Stehle, Eva (2004) ‘Choral Prayer in Greek Tragedy: Euphemia or Aischrologia?’ in ''Music and the Muses: The Culture of Mousike in the Classical Athenian City'', eds. Murray, Penelope and Peter Wilson. Oxford: 121-155.
+
* Greene, E. (ed.) (1996) ''Reading Sappho: Contemporary Approaches''. Berkeley and London.
  
* Stössel, F. (1987) ''Die Vorgeschichte des griechischen Theaters''. Darmstadt.
+
* Greene, E. (ed.) (1996) ''Re-Reading Sappho: Reception and Transmission'', Berkeley and London.
 +
** Contents: 1. Reflecting Sappho - Glenn W. Most 2. Sappho's afterlife in translation - Yopie Prins 3. Sappho's splintered tongue : silence in Sappho 31 and Catullus 51 - Dolores O'Higgins 4. Ventriloquizing Sappho, or the lesbian muse - Elizabeth D. Harvey 5. Sappho in early modern England : a study in sexual reputation - Harriet Andreadis 6. Sex and philology : Sappho and the rise of German nationalism - Joan DeJean 7. Sappho schoolmistress - Holt N. Parker 8. H.D. and Sappho : "A precious inch of palimpsest" - Erika Rohrbach 9. Sapphistries - Susan Gubar.
  
* Webster, T.B.L. ''The Greek Chorus''. London 1970.  
+
* Greene, E.(2002) ‘Subjects, objects, and erotic symmetry in Sappho’s fragments’, in ''Among Women: From the Homosocial to the Homosexual'', ed. N. Rabinowitz and L. Auanger. Austin: 82–105.
  
* Weiner, A. (1980) 'The Function of the Greek Tragic Chorus', ''Theatre Journal'' 32: 205-12.
+
* Greene, E. (2008) 'Masculine and Feminine, Public and Private, in the Poetry of Sappho' in ''Dialogism and Lyric Self-fashioning: Bakhtin and the Voices of a Genre'', ed. Jacob Blevins, Selinsgrove, Pa. Reviewed by Kershner, S.M. [http://bmcr.brynmawr.edu/2009/2009-06-57.html ''BMCR'' 2009.06.57].
  
* Wilson, P. (1997) 'Leading the Tragic ''Khoros'': Tragic Prestige in the Democratic City', in ''Greek Tragedy and the Historian'', C.B.R. Pelling (ed.). Oxford: 81-108.
+
* Greene, E. & M. Skinner (eds.) (2009), ''The New Sappho on Old Age'', Cambridge, MA. [http://www.let.ru.nl/greeksong/images/c/c4/TheNewSappho.pdf Table of Contents]
  
* Wilson, Peter (2005) 'Music' in ''A Companion to Greek Tragedy'', ed. Justina Gregory. Oxford: Blackwell: 183-93. On music in Greek tragedy. Reviewed by Wright, Matthew (2006) [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-39.html ''BMCR'' 2006.06.39].
+
* Gronewald, M. and R.W. Daniel (2004a) ‘Ein neuer Sappho-Papyrus’, ''ZPE'' 147: 1–8.
  
* Winkler, J.J. (1990) 'The Ephebe's Song: Tragoidia and Polis' in ''Before Sexuality: The Context of Erotic Experience in the Ancient Greek World'', eds. D. Halperin, J.J. Winkler, F.I. Zeitlin. Princeton: 20-62.
+
* Gronewald, M. and R.W. Daniel (2004b) ‘Nachtrag zum neuen Sappho-Papyrus’, ''ZPE'' 149: 1–4.
  
==== Aeschylus ====
+
* Gronewald, M. and R.W. Daniel (2005) ‘Lyrischer Text (Sappho-Papyrus)’, ''ZPE'' 154: 7–12.
  
===== Aeschylus: General =====
+
* Hutchinson, G.O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
* Finley, J.H. (1966) ''Pindar and Aeschylus''. Cambridge Mass.
 
  
* Moritz, H.E. (1979) 'Refrain in Aeschylus: Literary Adaptation of Traditional Form', ''CP'' 74: 187-213.
+
* Jay, P. and C. Lewis (1996) (eds.) ''Sappho: Through English Poetry''. London.
  
* Podlecki, A. J. (1972) 'The Aeschylean Chorus as Dramatic Persona', in ''Studi classici in onore di Q. Cataudella''. Catania. 1: 187-204.  
+
* Laity, C. (1990) ‘H.D. and A. C. Swinburne: decadence and Sapphic Modernism’, in ''Lesbian Texts and Contexts: Radical Revisions'', ed. K. Jay and J. Glasgow. New York: 217–40.
  
* Schenker, David J. (1989) ''The character of the Aeschylean chorus''. Berkeley.
+
* Lardinois, A.P.M.H. (1989) 'Lesbian Sappho and Sappho of Lesbos' in ''From Sappho to de Sade: Moments in the History of Sexuality'', ed. J.N. Bremmer. London: 15-35. Dutch version (1988) and Portugese translation (1995).
  
* Schmidt, E.G. (ed.) (1981) ''Aischylos und Pindar. Studien zu Werk und Nachwirkung''. Berlin. ''Schriften zur Geschichte und Kultur der Antike'' 19.
+
* Lardinois, A.P.M.H. (1994) 'Subject and Circumstance in Sappho's Poetry', ''Transactions of the American Philological Association'' 124: 57-84.
  
* Scott, William C. (1984) ''Musical design in Aeschylean theater''. Hanover and London.
+
* Lardinois, A.P.M.H. (1996) 'Who Sang Sappho's Songs?' in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene Berkeley: 150-172.
  
===== Aeschylus: ''Oresteia'' =====
+
* Lardinois, A.P.M.H. (2001) 'Keening Sappho: Female Speech Genres in Sappho's Poetry' in ''Making Silence Speak: Women's Voices in Greek Literature and Society'', eds. A. Lardinois and L. McClure. Princeton: 75-92.
* Conacher D. J. (1974) ‘Interaction between chorus and characters in the ''Oresteia'' ’, ''AJPh'' 95: 323-343.
 
  
* Scott, W. (1984) 'The Splitting of Choral Lyric in Aeschylus' ''Oresteia'' ', ''AJPh'' 105: 150-165.
+
* Lardinois, A.P.M.H. ((2003) 'Drie gedaantes van Helena: Moderne interpretaties van Sappho Fr. 16' (Modern interpretations of Sappho Fr. 16), ''Lampas'' 36: 261-283.
  
===== Aeschylus: ''Agamemnon'' =====
+
* Lardinois, A.P.M.H. (2007) 'Seks à la Sappho', ''Lampas'' 40: 273-80. In Dutch.
* Adrados, F.R. (1989) 'La divination dans les choeurs de l' ''Agamemnon'' d' Eschyle', ''Revue des Etudes Grecques'' 102: 295-307.
 
  
* Athanassaki, L. (1994) 'Choral and Prophetic Discourse in the First Stasimon of the ''Agamemnon'' ', ''CJ'' 89: 149-62.
+
* Lardinois, A.P.M.H. (2008) ' ‘Someone, I say, will remember us’: Oral Memory in Sappho’s Poetry' in ''Orality, Literacy, Memory in the Ancient Greek and Roman World'', ed. A. MacKay. Leiden: 79-96.
  
* Fletcher, Judith (1999) ’Choral voice and narrative in the first stasimon of Aeschylus ''Agamemnon'' , ''Phoenix'' 53: 29-49.
+
* Lardinois, A.P.M.H. (2009) 'Lesbian Sappho Revisited', in ''Myths, Martyrs, and Modernity. Studies in the History of Religions in Honour of Jan N. Bremmer'', eds. Y.B. Kuiper, J.H.F. Dijkstra & J.E.A. Kroesen. Leiden: Brill: 13-30.
** Abstract: This article examines represented speech in the first stasimon of Agamemnon. I argue that the speech of the domwn profhtai at 410 ff. is deliberately open-ended and thus double-voiced. It functions to change the perspective of the chorus from the vantage point of the Atreidae to the more critical perspective of the Argive citizens.
 
  
* Gantz, G. (1983) ‘The chorus of Aischylos' ''Agamemnon'' ’, ''HSPh'' 87: 65-86.
+
* Lardinois, A.P.M.H. (2009) ‘The New Sappho Poem (P. Koln 21351 and 21376): Key to the Old Fragments’, in ''The New Sappho on Old Age'', eds. E. Greene & M. Skinner. Cambridge, MA: Harvard Univ. Press: 41-57.
  
* Harriot, R.M. (1982) 'The Argive Elders, the Discerning Shepherd and the Fawning Dog: Misleading Communication in the ''Agamemnon'' ', ''Classical Quarterly'' 32: 9-17.
+
* Malnati, A. (1993) ‘Revisione dell’ ostrakon fiorentino di Saffo’, ''Analecta Papyrologica'' 5: 21–22.
  
* Lynn-George, M. (1993) 'A reflection on Homeric dawn in the parodos of Aeschylus, ''Agamemnon'' ', ''Classical Quarterly'' 43: 1-9.
+
* Nagy, G. (1973/1990) ‘Phaethon, Sappho’s Phaon, and the white rock of Leucas’, ''HSCPh'' 77 (1973): 137–77. (Revised version in id., Greek Mythology and Poetics. Ithaca, N.Y. 1990: 223–62.)
  
* Schenker, David J. (1991) ‘A study in choral character: Aeschylus, ''Agamemnon'' 489-502’, ''TAPhA'' 121: 63-73.
+
* Nagy, G. (1996) ‘Mimesis in lyric: Sappho’s Aphrodite and the Changing Woman of the Apache’, in id., ''Poetry as Performance: Homer and Beyond''. Cambridge: 87–103.
  
* Sienkewicz, T. J. (1980) 'Circles, Confusion, and the Chorus of ''Agamemnon'' ', ''Eranos'' 78: 133-142.
+
* Neri, C. (2001) 'In margine a Sapph. fr. 96,8 V.', ''Eikasmós'' 12: 11-18.
  
* Smethurst, M. J. (1972) ‘The authority of the elders. The ''Agamemnon'' of Aeschylus’, ''CPh'' 67: 89-93.
+
* Neri, C. (2005) 'Sudore freddo e tremore (Sapph. fr. 31,13 V. ~ Sen. Tro. 487s. ~ Apul. Met. I 13, II 30, X 10)', ''Eikasmós'' 16: 51-62 (con F. Citti).
  
* Thiel, R. (1993) ''Chor und tragische Handlung im Agamemnon des Aischylos'' Stuttgart. ''Beiträge zur Altertumskunde'' 35.
+
* Nobili, C. (2016) 'Mercanti e cortigiane: la fortuna di un topos da Saffo a Eliodoro', ''Rivista di Filologia e Istruzione Classica'' 144: 5-24.
  
===== Aeschylus: ''Choephori'' =====
+
* Peponi, A.-E. (1985) 'Narrative Modes in a lyric  litê: Sappho 1 L.P' ''Philologos'' 41: 244-259. (in Greek)
* Stinton, T.C.W. (1979) ‘The First Stasimon of Aeschylus’ ''Choephori'' ’, ''CQ'' ns 29: 252-62. Reprinted in his (1990) ''Collected Papers on Greek Tragedy''. Oxford: 384-96.
 
  
===== Aeschylus: ''Eumenides'' =====
+
* Peponi, A.-E. (1995) 'Lyric Transformations of Epic Helen: the Technique of Poetic Suppression in Sappho 16 L.P.' in ''Proceedings of the 7th International Symposium of Ithaki'': 315-328. (in Greek)
* Faraone, Christopher A. (1985) 'Aeschylus' Hymnos Desmios (''Eum''. 306) and Attic Judicial Curse Tablets', ''Journal of Hellenic Studies'' 105: 150-54.
 
  
* Maxwell-Stuart, P.G. (1973) 'The Appearance of Aeschylus' Erinyes', ''Greece & Rome'' 20: 81-84.
+
* Peponi, A.-E. (1997) 'Mythoplokos Eros: Sappho’s Allusion to her Poetics' in ''Acta: First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-T. Papademetriou. Athens: 139-165. (in Greek)
  
* Prins, Y. (1991) 'The power of the speech act: Aeschylus' furies and their binding song', ''Arethusa'' 24: 177-195.
+
* Peterson, L.H. (1994) ‘Sappho and the making of Tennysonian lyric’, ''English Literary History'' 61: 121–37.
  
* Roisman, H.M. (1989) 'The opening of the second stasimon in Aeschylus' ''Eumenides'' ', ''Eranos'' 87: 7-11.
+
* Powell, J. (2007) ''The Poetry of Sappho''. Oxford.
  
===== Aeschylus: ''Persae'' =====
+
* Prins, Y. (1999) ''Victorian Sappho''. Princeton, N.J. and Chichester.
* Bednarczyk-Kedziorek, Ewa (1988) ’The chorus as a narrator in the Persae of Aeschylus’, ''SPhP'' 7: 23-35.
 
  
* Michelini, A.N. (1982) ''Tradition and Dramatic Form in The Persians of Aeschylus''. Leiden.
+
* Rawles, R. (2006) 'Notes on the interpretation of the 'New Sappho' ' ''ZPE'' 157: 1-7.
  
* Schenker, David J. (1994) 'The Queen and the chorus in Aeschylus' ''Persae'' ', ''Phoenix'' 48: 283-293.
+
* Rayor, D.J. (1991) ''Sappho’s Lyre: Archaic Lyric and Women Poets of Ancient Greece: Translations, with introduction and notes by D. J.R.'' Berkeley.  
  
===== Aeschylus: ''Prometheus'' =====
+
* Reynolds, M. (1999) (ed.) ''The Sappho Companion''. London.
* Flintoff, E. (1984) ‘Athetos at ''Prometheus vinctus'' 150’, ''Hermes'' 112: 367-372.
 
  
* Golden, L. (1966) ''In Praise of Prometheus''. Chapel Hill.
+
* Reynolds, M. (2003) ''The Sappho History''. Basingstoke.
  
* Inoue, E. (1977) ‘Prometheus as teacher and the chorus's descent, ''P. V.'' 278 ff.’, ''CQ'' 27: 256-260.
+
* Rösler, W. (1990) ‘Realitätsbezug und Imagination in Sapphos Gedicht ΦΑΙΝΕΤΑΙ ΜΟΙ ΚΗΝΟΣ’, in ''Der Übergang von der Mündlichkeit zur Literatur bei den Griechen'', ed. W. Kullmann and M. Reichel. Tübingen: 271–87.
  
* Karsai, György (2001) ’The structure of ''Prometheus Bound'' , ''AAntHung'' 41 (3-4): 293-302.
+
* Rösler, W. (1992) ‘Homoerotik und Initiation: Über Sappho’, in ''Homoerotische Lyrik. 6. Kolloquium der Forschungsstelle für europäische Lyrik des Mittelalters an der Universität Mannheim'', ed. T. Stemmler. Tübingen: 43–54.
  
* Scott, William C. (1987) ’The development of the chorus in ''Prometheus bound'' , ''TAPhA'' 117: 85-96.
+
* Segal, C.P. (1998) ‘Beauty, desire, and absence:Helen in Sappho, Alcaeus, and Ibycus’, in ''Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham,Md.: 63–83.
  
* Sienkewicz, T. (1984) ’The chorus of ''Prometheus bound''. Harmony of suffering’, ''Ramus'' 13: 60-73.
+
* Skinner, M.B. (1993) ‘Woman and language in archaic Greece, or, why is Sappho a woman?’, in ''Feminist Theory and the Classics'', ed. N. S. Rabinowitz and A. Richlin. New York: 125–44. (Reprinted with slight changes in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene. Berkeley and London 1996: 175–92).
  
===== Aeschylus: ''Septem contra Thebas'' =====
+
* Skinner, M.B. (2002) ‘Aphrodite garlanded: Erôs and poetic creativity in Sappho and Nossis’, in ''Among Women: From the Homosocial to the Homoerotic in the Ancient World'', ed. N. S. Rabinowitz and L. Auanger. Austin: 60–81.
* Brown, A.L. (1977) 'Eteocles and the Chorus in the ''Seven Against Thebes'' ', ''Phoenix'' 31: 300-318.
 
  
* Bruit-Zidman, L. (1991) 'La voix des femmes: Les femmes et la guerre dans ''Les Sept Contre Thèbes'' ' in ''Mélanges Étienne Bernand'', eds. Nicole Fick and Jean-Claude Carrière. Paris: Annales Littéraires de l’Université de Besançon: 43-54.
+
* Slings, S.R. (1988) 'Sappho fr. 1,19', ''Zeitschrift für Papyrologie und Epigraphik'' 72: 19-20.  
  
* Delcourt, Marie (1932) 'Le rôle du choeur dans ''Les Sept devant Thèbes'' ', ''l’Antiquité Classique'' 1: 25-33.
+
* Slings, S.R. (1991) 'Sappho fr. 1, 8 V.: Golden house or golden chariot?', ''Mnemosyne'' 44: 404-410.  
  
* Goff, B. (1995) 'The Women of Thebes', ''CJ'' 90: 353-365.
+
* Slings, S.R. (1994) 'Sappho, fr. 94, 10', ''Zeitschrift für Papyrologie und Epigraphik'' 102: 8.  
  
* Manton, G. R. (1961) 'The Second Stasimon of the ''Seven Against Thebes'' ', ''Bulletin of the Institute of Classical Studies'' 8: 77-84.
+
* Slings, S.R. (1994) 'Two notes on Sappho's wedding songs', ''Mnemosyne'' 47: 677-679.
  
* Stehle, Eva (2005) 'Prayer and curse in Aeschylus’ ''Seven agaisnt Thebes'' ', ''Classical Philology'' 100: 101-22.
+
* Snyder, J. M. (1997) ''Lesbian Desire in the Lyrics of Sappho''. New York.  
  
* Valakas, K. (1993) 'The First Stasimon and the Chorus in Aeschylus' ''Seven Against Thebes'' ', ''Studi Italiani di filologia classica'' (''SDFC''), 11.1-2: 55-86.
+
* Steinrück, M. (1999) 'Homer bei Sappho?', ''Mnemosyne'' 52: 139-149.
  
* Zimmermann, Bernhard (2002) ‘Coro e azione drammatica nei ''Sette contro Tebe'' di Eschilo’ in ''I Sette a Tebe. Dal mito alla letteratura. Atti del Seminario Internazionale, Torino 21-22 Febbraio 2001'', eds. Antonio Aloni, Elisabetta Berardi, Giuliana Besso, Sergio Cecchin. Bologna: 117-124. Review by Neil W. Bernstein, [http://ccat.sas.upenn.edu/bmcr/2003/2003-12-05.html BMCR 2003.12.05].
+
* Steinrück, M. (2000) 'Neues zu Sappho", ''ZPE'' 131: 10-12.
  
===== Aeschylus: ''Supplices'' =====
+
* Steinrück, M. (2000) 'Sappho sans sa vie', in ''Biographie des hommes - biographie des dieux'', ed. M.-L. Desclos. Grenoble: 113-127.
* Hester, D. A. (1987) ’A chorus of one Danaid’, ''Antichthon'' 21: 9-18.
 
  
* Murnaghan, Sheila (2005) 'Women in Groups: Aeschylus' ''Suppliants'' and the Female Choruses of Greek Tragedy' in ''The Soul of Tragedy: Essays on Athenian Drama'', eds. Victoria Pedrick and Steven M. Oberhelman. Chicago: 183-198.
+
* Steinrück, M. (2008) 'Sapphos Alterslied und kein Ende', ''QUCC'' 86: 89-94.
  
==== Sophocles ====
+
* Steinrück, M. (2010) 'Sappho und die Wahrheit (Ergänzungen zu Fr. 88 V.)', QUCC 94, 79-87.
  
===== Sophocles: ''General'' =====
+
* Stehle, E. (1990) ‘Sappho’s gaze: fantasies of a goddess and a young man’, ''Differences'' 2: 88–125. (Reprinted with slight changes in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene. Berkeley and London 1996: 193–225.)
* Burton, R.W.B. (1980) ''The Chorus in Sophocles' Tragedies''. Oxford.
 
  
* Davidson, J.F. (1986) ’Chorus, theatre, text, and Sophocles’ in ''Studies in honour of T. B. L. Webster'', eds. J.H. Betts, J.T. Hooker and J.R. Green. Bristol: 69-78.
+
* Suárez de la Torre, E. (2000) 'Safo: el alma, el verso, el cuerpo' in ''La mujer, alma de la literatura'', ed. por E. Moral y A. de la Villa. Valladolid: 15-27.
  
* Davidson, J.F. (1991) 'Starting a Choral Ode: Some Sophoclean Techniques', ''Prudentia'' 23.1: 31-44.
+
* Tasagarakis, O. (1979) 'Some neglected aspects of love in Sappho’s Fr. 31 LP', ''Rheinisches Museum'' 122: 97-118.
  
* Esposito, S.J. (1984) ''The chorus in Sophocles. The tension of foreground and background in ''Philoctetes'' and ''Trachiniae''.'' Baltimore.
+
* Tzamali, E. (1996) ''Syntax und Stil bei Sappho''. Dettelbach.
  
* Esposito, S. (1996) 'The Changing Role of the Sophoclean Chorus', ''Arion'' 4: 85-114.
+
* Ucciardello, G. (2001) ‘Sapph. frr. 88 e 159 V. in POxy. LXIV 4411’, ''ZPE'' 136: 167–8.
  
* Gardiner, C.P. (1974) ''The dramatic character and function of the Sophoclean chorus''. Princeton.
+
* Vanita, R. (1996) ''Sappho and the Virgin Mary: Same-Sex Love and the English Literary Imagination''. New York.
  
* Gardiner, C.P. (1987) ''The Sophoclean Chorus: A Study of Charakter and Function''. Iowa City.
+
* Wiater, N. (2010) 'Der utopische Körper. Die Interpretation frühgriechischer Lyrik am Beispiel von Sappho frg. 31LP' in: ''Antike – Lyrik – Heute. Griechisch-römisches Altertum in Gedichten von der Moderne bis zur Gegenwart'', eds. Elit, S., Bremer, K., Reents, F. (Hgg.). Remscheid: 23-49.
  
* Heikkilä, Kai (1991) ’Now I have the mind to dance: the references of the chorus to their own dancing in Sophocles' tragedies’, ''Arctos'' 25: 51-68.
+
* Williamson, M. (1995) ''Sappho’s Immortal Daughters''. Cambridge, Mass.
  
* Kurtz, J.G. (1984) ''Some observations about the dianoia of the chorus in Sophocles' Theban plays''. Boston.
+
* Wilson, L.H. (1996) ''Sappho’s Sweetbitter Songs: Configurations of Female and Male in Ancient Greek Lyric''. London.
  
* Paulsen, T. (1989) ''Die Rolle des Chors in den späten Sophokles-Tragödien: Untersuchungen zu ''Elektra'', ''Philoktet'' und ''Oidipus auf Kolonos''.'' Bari.
+
* Winkler, J.J. (1990) ‘Double consciousness in Sappho’s lyrics’, in id., ''The Constraints of Desire: The Anthropology of Sex and Gender in Ancient Greece''. New York: 162–87.
  
* Rosenmeyer, T.G. (1993) 'Elusory Voices: Thoughts about the Sophoclean Chorus' in ''Nomodeiktes: Greek Studies in Honor of Martin Oswald'', eds. R.M. Rosen and J. Farrell. Ann Arbor: 557-571.
+
* Worman, N. (1997) ‘The body as argument: Helen in four Greek texts’, ''ClAnt'' 16: 151–203.
  
* Scott, William C. (1996) ''Muscial design in Sophoclean theater''. Hanover and London.
+
* Yatromanolakis, D. (1999) 'Alexandrian Sappho Revisited', ''Harvard Studies in Classical Philology'' 99: 179-195.(reprinted in (2002) ''Greek Literature. Vol. 7: Greek Literature in the Hellenistic Period'', ed. G. Nagy. New York/London.)
  
* Shucard, S.C. (1973) ‘Some developments in Sophocles' late plays of intrigue’, ''CJ'' 69: 133-138. (''Philoctetes'' and ''Electra'')
+
* Yatromanolakis, D. (1999) 'When Two Fragments Meet: Sapph. fr. 22 V.', ''ZPE'' 128: 22-23.
  
===== Sophocles: ''Ajax'' =====
+
* Yatromanolakis, D. (2001) 'Visualizing Poetry: An Early Representation of Sappho', ''Classical Philology'' 96: 159-168.
  
===== Sophocles: ''Antigone'' =====
+
* Yatromanolakis, D. (2003) 'Ritual Poetics in Archaic Lesbos: Contextualizing Genre in Sappho', in ''Towards a Ritual Poetics'', D. Yatromanolakis and P. Roilos. Athens: 43-59.
* Coleman, R. (1972) ‘The rôle of the chorus in Sophocles' ''Antigone'', ''PCPhS'' 18: 4-27.
 
  
* Crane, G. (1989) 'Creon and the Ode to Man in Sophocles' ''Antigone'' ', ''Harvard Studies in Classical Philology'' 92: 103-116.
+
* Yatromanolakis, D. (2004) 'Exploring Lyric Tropes', ''Synkrise/ Comparaison'' 15: 70-79.
  
* Harder, M.A. (1995) 'Lips sealed by Fear?: Het koor in Sophokles' ''Antigone'' ', ''Lampas'' 28: 217-235. (in Dutch)
+
* Yatromanolakis, D. (2004) ‘Fragments, brackets, and poetics: on Anne Carson’s If Not, Winter’, International Journal of the Classical Tradition 11: 266–72.
  
* Hester, D. (1986) ’The central character(s) of the ''Antigone'' and their relationship to the chorus’, ''Ramus'' 15: 74-81.
+
* Yatromanolakis, D. (2005) 'Contrapuntal Inscriptions', ''ZPE'' 152: 16-30.
  
* Kitzinger, Rachel (2008) ''The choruses of Sophokles' ''Antigone'' and ''Philoktetes'': a dance of words. Mnemosyne Supplementa'' 292. Leiden, Boston: Brill.
+
* Yatromanolakis, D. (2006) 'A Lyric Epos', ''Helenika'' 56: 381-388.
  
* McDevitt, A.S. (1972) ‘Sophocles' praise of man in the ''Antigone''’, ''Ramus'' 1: 152-164.
+
* Yatromanolakis, D. (2007) ''Sappho In The Making: The Early Reception''. Cambridge, MA.
  
* McDevitt, A.S. (1982) ‘The first kommos of Sophocles' ''Antigone'', ''Ramus'' 11: 134-144.
+
* Yatromanolakis, D. (2008) 'P.Colon. inv. 21351 + 21376 and P.Oxy. 1787 fr. 1: Music, Politics, and Hellenistic Anthologies', ''Hellenika'' 58: 237-255.
  
* McDevitt, A.S. (1991) ‘Wrong again, or who'd be a chorus (Sophocles' ''Antigone''), ''LCM'' 16: 71.
+
* Yatromanolakis, D. (2008) ''Fragments of Sappho: A Commentary''. Cambridge, Mass.
  
* Petrovic, Andrej (2002) 'Der simonideische makros logos und die sophokleische ''Antigone''. Zur Identifizierung einer alten dramatischen Gestaltungsweise', ''Phaos Revista de Estudos Classicos'' 2: 121-131.
+
* Yossi, M.J., D. Kioussi and A. Tatsi (eds) (2004) ''Thelxis. Fifteen Essays on Sappho''. Athens: Smili Editions. Articles by B. Gentili, C. Calame, J. McIntosh Snyder, J. J. Winkler, E. Greene, A. Lardinois, P. A. Rosenmeyer. I. Le. Pfeijffer, K. Stanley, Ch. Segal, W. Stehle Stigers. J. Svenbro, E. Robbins, R. Palmisciano, Anne Carson translated into modern Greek with an Introduction by the Editors. (an En Kyklo publication)
  
* Psaroudakēs, Stelios (1990) 'Antigone and the nine ugly Muses', ''Classical Association News'' 2: 6-7. This is a critique of a performance of ''Antigone'' in London in 1990. It argues that, although there is a lot we can do musicwise with the information we have about music in tragedy, people choose to ignore this information, and as a result avoid its application, producing "musicless" versions of the plays, totally detached from ancient intentions and styles.
+
* Yossi, Mary J. (Μ.Ι. Γιόση)  (2008) 'Τεθνάκην δ’ἀδόλως θέλω. Αποσπάσματα ερωτικού (;) λόγου. Σαπφώ απ..94 V.' ['tethnaken d’ adolos thelo (Sappho Fr. 94 V.): Fragments of erotic (?) discourse'], in:  ''Proceedings of the XII International Symposium on Sappho (Leukada, July 25-28, 2007)'', 25-34.
  
* Rösler, W. (1983) 'Der Chor als Mitspieler. Beobachtungen zur ''Antigone'' ', ''A&A'' 29: 107-124.
+
* Zellner, H.M. (2006) 'Sappho's proof that death is an evil', ''GRBS'' 46: 333-337.
  
* Schwinge, E.R. (1971) 'Die Rolle des Chors in der sophokleischen ''Antigone'' ', ''Gymnasium'' 78: 294-321.
+
* Zonana, J. (1990) ‘Swinburne’s Sappho: The Muse as sister-goddess’, ''Victorian Poetry'' 28: 39–50.
  
* Sourvinou-Inwood, C. (1989) 'The fourth stasimon of Sophocles' ''Antigone'' ', ''Bulletin of the Institute of Classical Studies'' 36: 141-165.
+
=== Alcaeus ===
 +
* Andrisano, A. (2001) ‘Iambic motifs in Alcaeus' lyrics’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md., and Oxford: 41-64.
  
===== Sophocles: ''Electra'' =====
+
* Bachvarova, M.R. (2007) 'Oath and allusion in Alcaeus fr. 129' in ''Horkos. The Oath in Greek Society'', eds. Alan H. Sommerstein, Judith Fletcher. Exeter: 179-188. Reviewed by Kellogg, Danielle L. (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-55.html ''BMCR'' 2008.08.55].
* Ierulli, Molly (1993) ’A community of women? The protagonist and the chorus in Sophocles' ''Electra'', ''Métis'' 8 (1-2): 217-229.
 
  
* Paulsen, T. (1989) ''Die Rolle des Chors in den späten Sophokles-Tragödien: Untersuchungen zu ''Elektra'', ''Philoktet'' und ''Oidipus auf Kolonos''.'' Bari.
+
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
  
* Shucard, S.C. (1973) ‘Some developments in Sophocles' late plays of intrigue’, ''CJ'' 69: 133-138. (''Philoctetes'' and ''Electra'')
+
* Buè, F. (2016), 'The λεπάς in Alcaeus. A Study on fr. 359 Voigt', GRMS, 4, 2016, pp. 14-37.
  
===== Sophocles: ''Oedipus Coloneus'' =====
+
* Caciagli, S. (2009) 'Lupi e codardi nell’Heraion di Lesbo', ''ZPE'' 171: 216-220.
* Dhuga, U.S. (2005) ‘Choral Identity in Sophocles' ''Oedipus Coloneus'', ''American Journal of Philology'' 126.3: 333-62. [http://muse.jhu.edu/journals/american_journal_of_philology/v126/126.3dhuga.pdf PDF].
 
  
* Falkner, Thomas M. (1987) ’Strengthless, Friendless, Loveless: the Chorus and the Cultural Construction of Old Age in Sophocles' ''Oedipus at Colonus''’ in ''From the Bard to Broadway'', ed. K. Hartigan. Lanham: 51-59.
+
* Caciagli, S. (2009) 'Un serment violé chez Alcée', ''REG'' 122.1: 185-200.
  
* Paulsen, T. (1989) ''Die Rolle des Chors in den späten Sophokles-Tragödien: Untersuchungen zu ''Elektra'', ''Philoktet'' und ''Oidipus auf Kolonos''.'' Bari.
+
* Cairns, F. (1983). ‘Alcaeus’ Hymn to Hermes, P. Oxy 2734 Fr. 1 and Horace Odes 1,10’, Quaderni Urbinati di Cultura Classica 42: 29-35.
  
* Travis, Roger Matthew (1996) ''Allegorical fantasy and the chorus in Sophocles' ''Oedipus Coloneus''.'' PhD dissertation Berkeley.
+
* Cannatà Fera, M. (2012) 'Sisifo in Alceo' in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 29-43.
  
* Travis, Roger Matthew (1999) ''Allegory and the tragic chorus in Sophocles' ''Oedipus at Colonus''.'' Lanham. Reviewed by Edmunds, Lowell (2001) ''CR'' 51.2: 379.
+
* Cazzato, V. (2016) '‘Symposia en plein air in Alcaeus and others’, in ''The Cup of Song. Essays on Poetry and the Symposion'', eds. V. Cazzato, D. Obbink, E. Prodi, Oxford.
  
===== Sophocles: ''Oedipus Tyrannus'' =====
+
* Gagné, R. (2009) 'Atreid Ancestors in Alkaios', ''Journal of Hellenic Studies'' 129: 39-43.
* Ax, W. (1932) 'Die Parodos des ''Oedipus Tyrannos'' ', ''Hermes'' 67: 413-437.
 
  
* Carey, C. (1986) ’The second stasimon of Sophocles' ''Oedipus Tyrannus''’, ''JHS'' 106: 175-179.
+
* Hutchinson, G.O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
* Conacher, Desmond J. (1999) ''Oedipus'' without footnotes’, ''EMC'' 18.1: 35-44.
+
* Kurke, L. (1994) 'Crisis and Decorum in Sixth–Century Lesbos: Reading Alkaios Otherwise', ''Quaderni Urbinati di cultura classica'', n.s. 47: 67-92.
  
* Erp Taalman Kip, A.M. van (1976) ‘Some reflections on the chorus in Sophocles' ''Oedipus Tyrannus''’, in ''Miscellanea tragica in honorem J. C. Kamerbeek'', eds. J.M. Bremer, S.L. Radt and C.J. Ruijgh. Amsterdam: 71-83.
+
* Lelli, E. (2006) ''Volpe e leone. Il proverbio nella poesia greca (Alceo, Cratino, Callimaco). Filologia e critica, 93''. Roma: Edizioni dell'Ateneo. [http://catdir.loc.gov/catdir/toc/casalini05/06544053.pdf Table of Contents]. Reviewed by Massimiliano Ornaghi, [http://ccat.sas.upenn.edu/bmcr/2008/2008-01-39.html BMCR 2008.01.39].
  
* Machin, A. (1989) 'Sur le troisième stasimon d' ''Oedipe-Roi'' ', ''Revue des études grecques'' 102: 192-201.
+
* Lelli, E. (2010) 'La pragmatica proverbiale di Alceo' in ''ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.)'' ed. E. Lelli. Pisa/Roma: 53-60.  
  
* McDevitt, A.S. (1969) ‘The dramatic integration of the chorus in ''Oedipus Tyrannus''’, ''Classica et mediaevalia'' 30: 78-101.
+
* Lentini, G. (2002) 'I simposi del tiranno: Sui frr. 70–72 V. di Alceo' in ''ZPE'' 139: 3–18.
  
* Sansone, D. (1975) ‘The third stasimon of the ''Oedipus Tyrannos''’, ''CPh'' 70: 110-117.
+
* Liberman, G. (1999) ''Alcée: Fragments''. (2 vols.). Paris.
  
* Segal, C. (1997) 'The Chorus and the Gods in ''Oedipus Tyrannus'' ', ''Arion'' 4: 20-32.
+
* Nagy, Gregory (1993) ‘Alcaeus in sacred space’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 221–5.
  
* Sidwell, K. (1992) 'The argument of the second stasimon of ''Oedipus Tyrannus'' ', ''Journal of Hellenic Studies'' 112: 106-122.
+
* Neri, Camillo (1996) 'Poeti, filologi e patelle (Alcae. fr. 359 V., Dicaearch. fr. 99 Wehrli, Ar. Byz. fr. 367 Sl.)', ''Eikasmós'' 7: 25-55.
  
* Vellacott, P.H. (1967) ‘The chorus in ''Oedipus tyrannus''’, ''G&R'' 14: 109-125.
+
* Pardini, A. (1991) ‘La ripartizione in libri dell’opera di Alceo: Per un esame della questione’, ''RFIC'' 119: 257–84.
  
* Winnington-Ingram, R.P. (1971) ‘The second stasimon of the ''Oedipus Tyrannus''’, ''JHS'' 91: 119-135.
+
* Porro, A. (1990) ‘La fortuna di Alceo: tradizione e studio della poesia alcaica fino al II sec.d.C.’, Aevum(ant) 3: 75–98.
  
===== Sophocles: ''Philoctetes'' =====
+
* Porro, A. (1994) ''Vetera Alcaica: L’esegesi di Alceo dagli Alessandrini all’età imperiale''. Milan.
* Bers, V. (1981) ‘The perjured chorus in Sophocles' ''Philoctetes''’, ''Hermes'' 109: 500-504.
 
  
* Davidson, John (1991) ’The Philoctetes stasimon’, ''LCM'' 16: 125-128.
+
* Porro, A. (1995) ‘Alceo e le metafore dei giochi simposiali’, in ''Studia classica Iohanni Tarditi oblata'', ed. L. Belloni et al., vol. I. Milan: 357–68.
  
* Esposito, S.J. (1984) ''The chorus in Sophocles. The tension of foreground and background in ''Philoctetes'' and ''Trachiniae''.'' Baltimore.
+
* Porro, A. (2004) ‘Alcaeus’, in ''Commentaria et lexica Graeca in papyris reperta, pars I, vol. 1, fasc. 1: Aeschines-Alcaeus'', ed. G. Bastianini et al. Munich and Leipzig: 75–246.
  
* Haldane, J.A. (1963) 'A Paean in the ''Philoctetes'' ', ''CQ'' 13: 53-56.
+
* Segal, C. P. (1998) ‘Beauty, desire, and absence: Helen in Sappho, Alcaeus, and Ibycus’, in ''Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham,Md.: 63–83.
  
* Kitzinger, Rachel (2008) ''The choruses of Sophokles' ''Antigone'' and ''Philoktetes'': a dance of words. Mnemosyne Supplementa'' 292. Leiden, Boston: Brill.
+
* Yatromanolakis, D. (2008) 'Genre Categories and Interdiscursivity in Alkaios and Archaic Greece', ''Synkrise/Comparaison'' 19: 169-187.
  
* Paulsen, T. (1989) ''Die Rolle des Chors in den späten Sophokles-Tragödien: Untersuchungen zu ''Elektra'', ''Philoktet'' und ''Oidipus auf Kolonos''.'' Bari.
+
=== Incertum utrius auctoris fragmenta ===
  
* Schein, Seth L. (1988) ’The chorus in Sophocles' ''Philoctetes''’, ''SIFC'' 6: 196-204.
+
=== Alcman ===
 +
Cf. The [http://alkman.georgehinge.com/bibliographie.html Alcman bibliography] that is maintained by George Hinge. This website forms part of a project on the dialect of Alcman (in German with a summary in English and Danish).
  
* Shucard, S.C. (1973) ‘Some developments in Sophocles' late plays of intrigue’, ''CJ'' 69: 133-138. (''Philoctetes'' and ''Electra'')
+
* Athanassaki, L. (2009) ''ἀείδετο πὰν τέμενος. Οι χορικές παραστάσεις και το κοινό τους στην αρχαϊκή και πρώϊμη κλασική περίοδο''. Herakleion. Study of choral performance contexts especially in Alcman, Pindar, and Bacchylides. [http://www.cup.gr/ViewShopProduct.aspx?ProductId=279696&LangId=1 More information].
  
===== Sophocles: ''Trachiniae'' =====
+
* Bagordo, A. (1998) 'Zu Alkman, Fr. 17 Davies', ''Hermes'' 126: 259–-68.
* Easterling, P.E. (1981) ‘The end of the ''Trachiniae''’, ''ICS'' 6.1: 56-75.
 
  
* Esposito, S.J. (1984) ''The chorus in Sophocles. The tension of foreground and background in ''Philoctetes'' and ''Trachiniae''.'' Baltimore.
+
* Bierl, Anton (2007) 'L'uso intertestuale di Alcmane nel finale della Lisistrata di Aristofane. Coro e rito nel contesto performativo' in ''Dalla lirica corale alla poesia drammatica. Forme e funzioni del canto corale nella tragedia e nella commedia greca'', eds. F. Perusino and M. Colantonio. Pisa: 259–290. With a comparison between Alcman and the last songs in Ar. ''Lysistrata''.
  
* Esposito, S.J. (1997) 'The Third Stasimon of Sophocles' ''Trachiniae'' ', ''Classical World'' 91.1: 21-38.
+
* Bierl, Anton (2011), ‘Alcman at the End of Aristophanes' Lysistrata: Ritual Interchorality", in: L. Athanassaki, E. Bowie (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'' (Trends in Classics, Supp. 10), Berlin/New York: 415–436.
  
* Parry, H. (1986) 'Aphrodite and the Furies in Sophocles' ''Trachiniae'' ', in ''Greek Tragedy and its Legacy: Essays Presented to D.J. Conacher'', M. Cropp et al. (eds.). Calgary: 103-114.
+
* Bowie, Ewen (2011), 'Alcman's First Partheneion and what the Sirens sang', in: L. Athanassaki, E. Bowie (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'' (Trends in Classics, Supp. 10), Berlin/New York, 33-66.
  
* Segal, C. (1975) 'Mariage et sacrifice dans les ''Trachiniennes'' de Sophocle', ''Acta Classicorum'' 44: 30-53.
+
* Buè,F. (2015), 'La musica degli uccelli e la parola del divino: Alcmane e Messiaen', RCCM, 2, pp. 365-383.
  
* Solmsen, F. (1985) ‘ἀλλ’ εἰδέναι χρὴ δρῶσαν: The meaning of Sophocles' ''Trachiniai'' 588-93’, ''AJPh'' 106: 490-496.
+
* Buè,F. (2018), 'The Voice of Doves', RCCM, 1, pp. 25-45.
  
==== Euripides (tragedy) ====
+
* Caciagli, Stefano (2009) 'Un contesto per Alcm. PMGF 1', ''Eikasmos'' 20: 19-46.
===== Euripides: ''General'' =====
 
* Furley, W.D. (2000) 'Hymns in Euripidean Tragedy' in ''Euripides and Tragic Theater in the Late Fifth Century'', M. Cropp, K. Lee, D. Sansone (eds.). Champaign.
 
  
* Henrichs, A. (1996) 'Dancing in Athens, Dancing on Delos: Some Patterns of Choral Projection in Euripides', ''Philologus'' 140: 48-62.
+
* Calame, Claude (1983) ''Alcman. Texte critique, témoignages, traduction et commentaire''. Roma.
  
* Hose, M. (1990) ''Studien zum Chor bei Euripides. Teil 1: Einführung, Chor im Eingang, Chor in Handlung''. Stuttgart (Beiträge zur Altertumskunde. 10).
+
* Carey, Chris (2011), 'Alcman: From Laconia to Alexandria', in: . Athanassaki, E. Bowie (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'' (Trends in Classics, Supp. 10), Berlin/New York: 437-61.
  
* Hose, M. (1991) ''Studien zum Chor bei Euripides. Teil 2: Das Chorlied, die Chortragödien, die Rolle des Chores in den Tragödien des Euripides''. Stuttgart (Beiträge zur Altertumskunde. 20).
+
* Clark, Christina A. (1996) ‘The Gendering of the Body in Alcman’s ''Partheneion'' 1: Narrative, Sex, and Social Order in Archaic Sparta’, ''Helios'' 23: 143-172.
  
* MacClure, L. (1995) 'Female Speech and Characterization in Euripides' in ''Lo spettacolo delle voci'', F. de Martino and A.H. Sommerstein (eds.). Bari: 35-60.
+
* Felson, N. (ed.) (2004) ‘The poetics of deixis in Alcman, Pindar and other lyric’, ''Arethusa'' 37.3: 253–468.
  
* Mantziou, M. (1981) Hymns and Hymnal Prayers in fifth-century Greek Tragedy with special Reference to Euripides. PhD thesis London.
+
* Ferrari, Gloria (2008) ''Alcman and the Cosmos of Sparta''. Chicago and London. Reviewed by A. J. Podlecki [http://bmcr.brynmawr.edu/2009/2009-10-59.html ''BMCR'' 2009.10.59].
  
* Mastronarde, Donald J. (1998) 'Il coro euripideo: autorità e integrazione', ''Quaderni Urbinati di Cultura Classica'' 60: 55-80.
+
* Hinge, George (2006) ''Die Sprache Alkmans: Textgeschichte und Sprachgeschichte''. Wiesbaden: Dr. Ludwig Reichert Verlag. ''Serta Graeca'' 24. Cf. his website [http://alkman.georgehinge.com/index.html Die Sprache Alkmans].
  
* Mastronarde, Donald J. (1999) ‘Knowledge and Authority in the Choral Voice of Euripidean Tragedy’, ''Syllecta Classica'' 10: 87-104. Countervailing factors encourage and discourage identification of the audience watching a Greek tragedy with the chorus and its reliance on the chorus' interpretations. Euripides goes further than Aeschylus and Sophocles in underminding this identification.
+
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
* Möller, C. (1933) ''Vom Chorlied bei Euripides''. Göttingen.
+
* Lillo, A. (1995) ‘El hapax κλεεννά y la lengua poética de Alcmán’, ''Emerita'' 63: 21–45.
  
* Panagl, O. (1971) ''Die "dithyrambischen Stasima" des Euripides: Untersuchungen zur Komposition und Erzähltechnik''. Wien.
+
* Patterson, Lee E. (2005) 'Alcman’s Partheneion and Eliade’s Sacred Time', ''Classical and Modern Literature'' 25.1: 115-27.
  
* Phoutrides, A.E. (1916) 'The Chorus of Euripides', ''HSCP'' 27: 77-170.
+
* Peponi, Anastasia-Erasmia (2004) 'Initiating the Viewer: Deixis and Visual Perception in Alcman’s Lyric Drama', ''Arethusa'' 37.3: 295-316.
  
* Rehm, R. (1996/7) 'Performing the Chorus: Choral Action, Interaction, and Absence in Euripides', ''Arion'' 4: 45-60.
+
* Peponi, Anastasia-Erasmia (2007) 'Sparta’s Prima Ballerina: ''Choreia'' in Alcman's Second ''Partheneion'' (3 ''PMGF'')', ''Classical Quarterly'' 57.2: 351-62.
  
===== Euripides: ''Andromache'' =====
+
* Peron, Jacques (1987) ‘Demi-chœurs chez Alcman, Parth. I, v. 39-59’, ''Grazer Beiträge'' 14: 35-53.
  
===== Euripides: ''Bacchae'' =====
+
* Priestley, J.M. (2007) 'The φαρος of Alcman's ''Partheneion'' 1', ''Mnemosyne'' 60.2: 175-95.
* Arthur, M. (1972) ‘The choral odes of the ''Bacchae of Euripides'', ''YClS'' 22: 145-179.
 
  
* Murnaghan, Sheila (2006) 'The Daughters of Cadmus: Chorus and Characters in Euripides' ''Bacchae'' and ''Ion'' ' in ''Greek Drama III: Essays in Honour of Kevin Lee'', eds. John Davidson, Frances Muecke, and Peter Wilson. ''BICS'' Supplement 87. London: 99-112.
+
* Poltera, O. (1997) ''Le langage de Simonide: Etude sur la tradition poétique et son renouvellement''. (Sapheneia 1). Bern.
  
* Segal, Charles (1997) 'Chorus and community in Euripides' ''Bacchae'' ' in ''Poet, public, and performance in ancient Greece'', Lowell Edmunds and Robert W. Wallace (eds.) (with a preface by Maurizio Bettini). Baltimore (Md.): 65-86. Reviewed by Goldhill, Simon (1998) [http://ccat.sas.upenn.edu/bmcr/1998/98.2.05.html ''BMCR'' 98.2.05] and Ferrando, Serena (2000) ''Maia'' 52.2: 402-404.
+
* Puelma, M. (1995) ‘Die Selbstbeschreibung des Chores in Alkmans großem Partheneion-Fragment (fr. 1 P. = 23 B., 1 D. V. 36–105)’, in M. Puelma, Labor et lima: Kleine Schriften und Nachträge, ed. I. Fasel. Basel: 51–110. [Originally published in MH 34 (1977): 1–55.]
  
===== Euripides: ''Electra'' =====
+
* Robbins, Emmet (1991) 'Alcman’s Partheneion: Legend and Choral Ceremony', ''CQ'' 44: 7-16.
* Baur, D. (1997) 'Chor und Tragödie unter besonderer Berücksichtigung von Euripides' ''Elektra'' ', ''Poetica'' 29: 26-47.
 
  
* Rosivach, Vincent J. (1978) 'The “Golden Lamb” Ode in Euripides’ ''Electra'' ', ''CP'' 73: 189-99.
+
* Robbins, Emmet (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. Douglas E. Gerber. Leiden: 223–42.
  
* Zeitlin, Froma I. (1970) 'The Argive Festival of Hera and Euripides’ ''Electra'' ', ''TAPA'' 101: 645-669.
+
* Rossi, L. E. (1993) ‘Lirica arcaica e scoli simposiali (Alc. 249,6–9 V. e carm. conv. 891 P.)’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 237–46.
  
===== Euripides: ''Heracles'' =====
+
* Sassi, M. M. (2005) ‘Poesie und Kosmogonie: Der Fall Alkman’, in ''Frühgriechisches Denken'', ed. G. Rechenauer. Göttingen: 63–80.
* Kyriakou, Poulcheria (1999) ’The chorus in the ''Heracles'' and the ''Iphigeneia in Tauris'' of Euripides’, ''Hellenica'' 49.1: 7-27.
 
  
* Parry, H. (1965) 'The Second Stasimon of Euripides, ''Heracles'' (637-700)', ''AJP'' 86: 363-374. 
+
* Swift L. (2016) ‘Visual Imagery in Parthenaic Song’, in The Look of Lyric: Greek Song and the Visual, eds V. Cazzato and A. Lardinois. Leiden: 255-97
  
===== Euripides: ''Hippolytus'' =====
+
* Too, Y. L. (1997) ‘Alcman’s Parthenion: the maidens dance the city’, ''QUCC'' 85 (= n.s. 56.2): 7–29.
* Bond, G.W. (1980) 'A chorus in ''Hippolytus''. Manuscript text versus dramatic realism’, ''Hermathena'' 129: 59-63.
 
  
* Swift, L.A. (2006) 'Mixed Choruses and Marriage Songs: a New Interpretation of the Third Stasimon of the ''Hippolytos'' ', ''Journal of Hellenic Studies'' 126: 125-140.
+
=== Stesichorus ===
** Abstract: This article uses evidence drawn from ''hymenaios'' and wedding ritual to reach a new interpretation of the third stasimon of the ''Hippolytos'', and its rôle in the play.  There is longstanding contention about whether a second (male) chorus participates in the ode, singing in antiphony with the existing tragic chorus.  Even scholars who accept that a second chorus is present have tended to regard it as an aberration which needs to be explained away, rather than a deliberate choice with poetic significance.  I discuss the cultural implications of such a chorus, examining our evidence for real-life mixed choruses, and then applying this to the ode itself.  The evidence for mixed choruses suggests they are strongly associated with marriage.  Looking more closely at the language and imagery of the ode, there are allusions to the ''topoi'' of wedding songs and ritual running through it.  The ode can use these as a device to trigger deep-rooted responses and associations from the audience, as these motifs are drawn from the cultural tradition which the audience shares. The ''topoi'' tie in with the theme of marriage and sexuality within the ''Hippolytos'' as a whole. But while their usual purpose is to set up conventional models and ways of thinking, the way they are deployed in the ode in fact serves to undermine these models, and to put a darker spin on the norms of sexual behaviour. This strand of imagery therefore also provides a filter for interpreting Hippolytos’ own attitude towards sexuality, and a guide to how we are meant to respond to it.
+
* Arrighetti, G. (1995) 'L'arte di Stesicoro nel giudizio degli antichi', in ''Poésie et lyrique antiques: Actes du colloque organisé par C. Meillier à l’Université Charles-de-Gaulle, Lille III, 2-4 juin 1993'', ed. L. Dubois. Lille: 55-72.
  
===== Euripides: ''Ion'' =====
+
* Barker, Andrew (2001) 'La musica di Stesicoro', ''Quaderni Urbinati di Cultura Classica'' 67.1: 7-20.
* Murnaghan, Sheila (2006) 'The Daughters of Cadmus: Chorus and Characters in Euripides' ''Bacchae'' and ''Ion'' ' in ''Greek Drama III: Essays in Honour of Kevin Lee'', eds. John Davidson, Frances Muecke, and Peter Wilson. ''BICS'' Supplement 87. London: 99-112.
 
  
* Willetts, R.F. (1973) ‘Action and character in the ''Ion'' of Euripides’, ''JHS'' 93: 201-209.
+
* Bassi, K. (1993) ‘Helen and the discourse of denial in Stesichorus’ ''Palinode'', ''Arethusa'' 26: 51-75.  
  
===== Euripides: ''Ιphigenia Taurica'' =====
+
* Beecroft, A.J. (2006) ‘“This is not a true story”: Stesichorus’s ''Palinode'' and the revenge of the epichoric’, ''TAPhA'' 136: 47-69.
* Kyriakou, Poulcheria (1999) ’The chorus in the ''Heracles'' and the ''Iphigeneia in Tauris'' of Euripides’, ''Hellenica'' 49.1: 7-27.
 
  
===== Euripides: ''Medea'' =====
+
* Blaise, Fabienne (1995) ‘Les deux (?) Hélène de Stésichore’, in ''Poésie et lyrique antique'', ed. L. Dubois, Lille: 29-40. Full text: [[Media:Blaise1995Stesichorus.pdf]].
* Segal, C. (1997) 'On the Fifth Stasimon of Euripides' ''Medea'' ', ''American Journal of Philology'' 118: 167-184.
 
  
===== Euripides: ''Orestes'' =====
+
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
* Damen, Mark (1990) ’Electra's monody and the role of the chorus in Euripides' ''Orestes'' 960-1012’, ''TAPhA'' 120: 133-145.
 
  
* Psaroudakēs, Stelios (2004) 'The Orestes Papyrus: some thoughts on the dubious musical signs', in ''Studien zur Musikarchäologie IV. Musical archaeological sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 9-16 June, 2002, and other contributions. (Orient-Archäologie, 15)'', Ellen Hickmann & Ingo Laufs & Ricardo Eichmann (eds.). Rahden, Westf: Marie Leidorf GmbH: 471-92.
+
* Campbell, D. A. (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others''. Cambridge, Mass. and London.
  
===== Euripides: ''Phoenissae'' =====
+
* Carruesco, J. (2012) 'Helen’s Voice and Choral Mimesis from Homer to Stesichorus' in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 149-172.
* Arthur, M. (1977) 'The Curse of Civilization: The Choral Odes of the ''Phoenissae'' ', ''HSCP'' 81: 163-184.
 
  
* Hartigan, Karelisa V. (2000) 'Why 'Phoenician' women?', ''Eranos'' 98: 25-31.
+
* Cingano, E. (1990) ‘L’Opera di Ibico e di Stesicoro nella classificazione degli antichi e dei moderni’, in ''Lirica Greca e Latina. Atti del Convegno di studi Polacco-Italiano, Poznan 2–5 maggio 1990, (AION 12)'': 189–224.
  
===== Euripides: ''Supplices'' =====
+
* Cingano, E. (1993) ‘Indizi di esecuzione corale in Stesicoro’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 347–61.
* Scully, Stephen P. (1996-1997) 'Orchestra and stage in Euripides' ''Suppliant women'' ', ''Arion'' 4.1: 61-84.
 
  
===== Euripides: ''Troades'' =====
+
* D'Alessio, G. B. (2013). THE WANDERINGS OF THE THESTORIDS:(STESICHORUS FR. 193.16-22 PMGF). Zeitschrift für Papyrologie und Epigraphik, 186, 36-37.
* Sienkewicz T.J. (1975) ''Euripides' ''Trojan Women''. An interpretative study based upon the role of the chorus and ironic development''. PhD Dissertation, Stanford University.
 
  
* Sienkewicz T.J. (1978) 'Euripides' ''Trojan Women''. An interpretation', ''Helios'' 6: 81-95.
+
* D’Alfonso, F. (1994) ''Stesicoro e la performance: Studio sulle modalità esecutive dei carmi stesicorei''. Rome.
  
=== Comic Chorus ===
+
* Demos, M. (1999) ''Lyric Quotation in Plato''. Lanham, Md. [Simonides, Pindar, Stesichorus]
* Bierl, Anton (1999) 'Doppeltanz oder doppelte Freude? – Gedanken zum umstrittenen διπλῆν (Ar. ''Thesm''. 982) aus einer performativen Perspektive' in ''Der Chor im antiken und modernen Drama'', eds. P. Riemer and B. Zimmermann. ''Drama'' 7. Stuttgart and Weimar: 27–47.
 
  
* Bierl, Anton (2001) ''Der Chor in der Alten Komödie. Ritual und Performativität'' (unter besonderer Berücksichtigung von Aristophanes' ''Thesmophoriazusen'' und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126). It has been translated by Alex Hollmann into English as:
+
* Finglass, P. J., & Kelly, A. (Eds.). (2015). ''Stesichorus in Context''. Cambridge.
** Bierl, Anton (2007) ''Ritual and Performativity: The Chorus in Old Comedy''. Harvard Press, Center of Hellenic Studies. With many interpretations of comic, tragic and satyric songs, with a general introduction of more than 90 pages to the Chorus and song culture in general; it includes an interpretation of Alcman and an intense analysis of popular Phallus-Songs in ch. 2.
 
  
* Bierl, Anton (2007) 'L'uso intertestuale di Alcmane nel finale della Lisistrata di Aristofane. Coro e rito nel contesto performativo' in ''Dalla lirica corale alla poesia drammatica. Forme e funzioni del canto corale nella tragedia e nella commedia greca'', eds. F. Perusino and M. Colantonio. Pisa: 259–290. With a comparison between Alcman and the last songs in Ar. ''Lysistrata''.
+
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
* Calame, Claude (2004) 'Choral Forms in Aristophanic Comedy: Musical Mimesis and Dramatic Performance in Classical Athens' in ''Music and the Muses. The Culture of Mousike in the Classical Athenian City'', eds. P. Murray and P. Wilson. Oxford: 157-184.
+
* Irvine, J. A. D. (1997) ‘Keres in Stesichorus’ Geryoneis: P. Oxy. 2617 fr. 1 (A)–(B) = SLG 21 Reconsidered’, ''ZPE'' 115: 37–46.
  
* Cavallini, E. (1983) 'Echi della lirica arcaica nella Lisistrata di Aristofane', ''MCr'' 18: 70-15.
+
* Lazzeri, Massimo (2008) ''Studi sulla Gerioneide di Stesicoro''. Quaderni del Dipartimento di scienze dell'antichità / Università degli studi di Salerno 35. Napoli: Arte tipografica.
  
* Faraone, Christopher A. (1997) 'Salvation and Female Heroics in the Parodos of Aristophanes' ''Lysistrata'' ', ''Journal of Hellenic Studies'' 117: 38-59.
+
* Massimilla, G. (1995) ‘L’influsso di Stesicoro sulla poesia ellenistica’, in ''Poésie et lyrique antiques: Actes du colloque organisé par C. Meillier à l’Université Charles-de-Gaulle'', Lille III, 2–4 juin 1993, ed. L. Dubois. Lille: 41–53.
  
* Kugelmeier, Chr. (1996) ''Reflexe früher und zeitgenössischer Lyrik in der Alten attischen Komödie''. Stuttgart (Beiträge zur Altertumskunde. 80).
+
* Müller-Goldingen, C. (2000) ‘Tradition und Innovation: Zu Stesichoros’ Umgang mit dem Mythos’, ''AC'' 69: 1–19.
  
* Lech, Marcel Lysgaard (2005) 'A note on Aristophanes' ''Clouds'' 76', ''Classica et Mediaevalia'' 56: 49-55.
+
* Neri, Camillo (2008) 'Trattativa contro il fato (Stesich. PMGF 222b,176-231)', ''Eikasmós'' 19: 11-44.
  
* Puetz, Babette (2007) ''The Symposium and Komos in Aristophanes''. Warminster: Aris & Phillips. Reviewed by Beta, Simone [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-05.html BMCR 2008.07.05].
+
* Noussia-Fantuzzi, M. (2013). 'A Scenario for the Portrayal of the Monster Geryon in Stesichorus’Geryoneis', Trends in Classics 5.2: 234-59.
  
* Saetta Cottone, Rossella (2001) 'Aristophane: injures et comique. A propos de ''Cavaliers'' 1274ss.', ''Methodos'' 1: 187-206.
+
* Noussia-Fantuzzi, M. (2015) 'The Epic Cycle, Stesichorus, and Ibycus’ in: The Greek Epic Cycle and its ncient Reception: a companion, eds. M. Fantuzzi and C. Tsagalis. Cambridge: 430-49.
  
* Saetta Cottone, Rossella (2003) 'Agathon, Euripide et le thème de la mimesis poétique dans les ''Thesmophories'' d'Aristophane', ''Revue des Études Grecques'' 116.2: 445-469.
+
* Robbins, Emmet (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. D. E. Gerber. Leiden: 223–42.
  
* Willi, Andreas (2003) ''The Languages of Aristophanes. Aspects of Linguistic Variation in Classical Attic Greek''. Oxford. Reviewed by Blomqvist, Jerker [http://ccat.sas.upenn.edu/bmcr/2004/2004-06-04.html ''BMCR'' 2004.06.04].
+
* Schade, G. (2003) ''Stesichoros: Papyrus Oxyrhynchus 2359, 3876, 2619, 2803''. (Mnemosyne suppl. 237). Leiden and Boston.
  
=== Satyr Chorus ===
+
* Slings, S.R. (1998) 'Hoge en lage lyriek in de zesde eeuw. I: Stesichoros', ''Hermeneus'' 70:188-195. In Dutch.
* Slenders, W.L.G.M. (2007) ''Τραγῳδία παίζουσα. Taaleigen en stijl van het Klassiekgriekse satyrspel''. PhD Dissertation Radboud University Nijmegen. (in Dutch with an English summary)
 
  
== Varia ==
+
* Suárez de la Torre, Emilio (2007) 'Helena, de la épica a la lírica griega arcaica (Safo, Alceo, Estesícoro)' in AA.VV., ''O mito de Helena de Tróia à actualidade''. Coimbra. vol. I: 55-79.
* Boedeker, Deborah (1974) ''Aphrodite's Entry into Greek Epic''. ''Mnemosyne'' Supplement 32. Leiden.
 
  
* Cala[me, Claude (1988) ''Métamorphoses du mythe en Grèce antique''. Genève.
+
* Swift, L. (2016) ‘Stesichorus on Stage’, in Stesichorus in Context, eds P. J. Finglass and A. Kelly. Cambridge: 125-44.
  
* Calame, Claude (1990) ''Thésée et l'imaginaire athénien. Légende et culte en Grèce classique''. Lausanne (2nd edn. 1996).
+
=== Ibycus ===
 +
* Bonanno, M. G. (2004) ‘Come guarire dal complesso epico: L’Ode a Policrate di Ibico’, in ''Samo. Storia, letteratura, scienza: Atti delle giornate di studio'', Ravenna, 14–16 novembre 2002, ed. E. Cavallini. Pisa and Rome: 67–96.
  
* Calame, Claude (2000) ''Poétique des mythes en Grèce antique''. Paris. An English translation is forthcoming at Cambridge University Press.
+
* Cazzato, V. (2013) ‘Worlds of erôs in Ibycus fr. 286 PMGF’, in ''Eros in Ancient Greece'', edited by E. Sanders, C. Thumiger, C. Carey, and N. Lowe, Oxford.
  
* Calame, Claude and Roger Chartier (2004) ''Identités d’auteur dans l’Antiquité et la tradition européenne''. Grenoble.
+
* Cairns, F. (2017). ‘Beauty, Fame and Politics in Ibycus S151 PMGF’, Prometheus. Rivista di studi classici 43: 43-55.
 +
 
 +
* Cingano, E. (1990) ‘L’Opera di Ibico e di Stesicoro nella classificazione degli antichi e dei moderni’, in ''Lirica Greca e Latina. Atti del Convegno di studi Polacco-Italiano, Poznan 2–5 maggio 1990, (AION 12)'': 189–224.
 +
 
 +
* Campbell, D. A. (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others''. Cambridge, Mass. and London.
 +
 
 +
* Giannini, P. (2004) ‘Ibico a Samo’, in ''Samo. Storia, letteratura, scienza: Atti delle giornate di studio'', Ravenna, 14–16 novembre 2002, ed. E. Cavallini. Pisa and Rome: 51–64.
 +
 
 +
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
 +
 
 +
* Noussia-Fantuzzi, M. (2015) 'The Epic Cycle, Stesichorus, and Ibycus’ in: The Greek Epic Cycle and its ncient Reception: a companion, eds. M. Fantuzzi and C. Tsagalis. Cambridge: 430-49.
 +
 
 +
* Pardini, A.(2001) ‘Interpretare segni di lettura: in margine a P.Oxy. 1790 (Ibico)’, ''RCCM'' 43: 39–46.
 +
 
 +
* Segal, C. P.  (1998) ‘Beauty, desire, and absence: Helen in Sappho, Alcaeus, and Ibycus’, in ''Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham,Md.: 63–83.
 +
 
 +
* Tortorelli, William (2004) 'A Proposed Colometry of Ibycus 286', ''Classical Philology'' 99.4: 370-376. [http://www.journals.uchicago.edu/doi/abs/10.1086/429942 URL]
 +
 
 +
* Ucciardello, Giuseppe (2005) 'Sulla tradizione del testo di Ibico', in ''Lirica e Teatro in Grecia. Il Testo e la sua ricezione (Atti del II Incontro di Studi, Perugia 23-24 gennaio 2003)'', a cura di S. Grandolini. Napoli: 21-88.
 +
 
 +
=== Anacreon ===
 +
* Achilleos, S. (2004) ‘The ''Anacreontea'' and a tradition of refined male sociability’ in ''A Pleasing Sinne: Drink and Conviviality in Seventeenth-Century England'', ed. A. Smyth. Cambridge: 21-35.
 +
 
 +
* Aloni, A. (2000) 'Anacreonte a Atene: datazione e significato di alcune iscrizioni tiranniche', ''ZPE'' 130: 81-94.
 +
 
 +
* Bernsdorff, H. (2011). Notes on P. Oxy. 3722 (Commentary on Anacreon). Zeitschrift für Papyrologie und Epigraphik, 29-34.
 +
 
 +
* Braghetti, G. A. (2001) 'L'interpretazione dell' "io" nella lirica arcaica: alcuni esempi anacreontei', in ''I lirici greci: forme della comunicazione e storia del testo'', eds. M. Cannatà Fera and G. B. D'Alessio. Messina: 135-40.
 +
 
 +
* Brown, M. (1999) ‘Passion and love: Anacreontic song and the roots of Romantic lyric’, ''English Literary History'' 66: 373–404.
 +
 
 +
* Budelmann, Felix (2009) 'Anacreon and the Anacreontea' in '