Difference between revisions of "Bibliography"

From Greek Song
Jump to: navigation, search
(Tyrtaeus: Pucci, Pietro (2006))
(Ibycus)
 
(886 intermediate revisions by 5 users not shown)
Line 1: Line 1:
The goal of this site is to complement the bibliographies on archaic and classical Greek lyric, iambic and elegiac poetry collected by Douglas E. Gerber. Gerber has made an extensive and annotated overview of publications in this field between 1920 and 1989 in:
+
The lists of publications on this page aim to complement Douglas E. Gerber extensive and annotated bibliographies of archaic and classical Greek lyric, and iambic and elegiac poetry for the years 1920-1989:
  
 
* Gerber, Douglas E. (1989) 'Pindar and Bacchylides 1934-1987', ''Lustrum'' 31: 97-269.
 
* Gerber, Douglas E. (1989) 'Pindar and Bacchylides 1934-1987', ''Lustrum'' 31: 97-269.
Line 7: Line 7:
 
* Gerber, Douglas E. (1994) 'Greek lyric poetry since 1920. Part II: From Alcman to fragmenta adespota', ''Lustrum'' 36: 7-188 and 285-97.
 
* Gerber, Douglas E. (1994) 'Greek lyric poetry since 1920. Part II: From Alcman to fragmenta adespota', ''Lustrum'' 36: 7-188 and 285-97.
  
Our aim is to provide a bibliography that contains relevant publications on archaic and classical Greek poetry (including the choruses of classical drama) especially after 1989. The bibliography follows Gerber's division into genres and ancient poets, but one can also use the 'search' function in the left sidebar in order to find publications.
+
See, too, Arlette Neumann-Hartmann recently published bibliography for Pindar and Bacchylides covering the years 1988 - 2007:
 +
 
 +
* Neumann-Hartmann, Arlette (2010) 'Pindar und Bakchylides (1988–2007)', ''Lustrum: Internationale Forschungsberichte aus dem Bereich des klassischen Altertums'' 52: 181–463.
 +
 
 +
Our aim is to provide a bibliography that contains relevant publications on archaic and classical Greek poetry (including the choruses of classical drama) especially after 1989. The bibliography follows Gerber's division into genres and ancient poets, but one can also use the 'search' function in the left sidebar in order to find publications. Another way to search through the documents is to use the CTRL-F search function of your browser. In this way, one can more conveniently search for specific words in publications. Unfortunately, it is still impossible to search for themes or keywords that are not mentioned in the title.  
  
  
 
== Greek Song General ==
 
== Greek Song General ==
* Anderson, W. D. (1994) ''Music and Musicians in Ancient Greece''. Ithaca, NY.
+
=== General ===
 +
* Alexiou, M. (2002) ''The Ritual Lament in Greek Tradition''. Second edition revised by D. Yatromanolakis and P. Roilos. Lanham/Oxford. <!-- VERWIJDERD OP VERZOEK VAN YATROMANOLAKIS Reviewed by D. Wright [http://bmcr.brynmawr.edu/2003/2003-01-10.html BMCR 2003.01.10]-->
  
* Barker, Andrew (1984) ''Greek Musical Writings. Vol. I: The Musician and His Art''. Cambridge. [http://www.amazon.ca/gp/reader/0521235936/ref=sib_rdr_toc?ie=UTF8&p=S007&j=0#reader-page Table of Contents].
+
* Bagordo, A. (2011) 'Lyrik', in: Handbuch der griechischen Literatur der Antike, Bd. I, Zimmermann, Bernhard (ed.) München.
  
* Barker, Andrew (1989) ''Greek Musical Writings. Vol. II: Harmonic and Acoustic Theory''. Cambridge. [http://www.amazon.ca/gp/reader/0521616972/ref=sib_rdr_toc?ie=UTF8&p=S006&j=0#reader-page Table of Contents].
+
* Boedeker, D. (1984) 'Descent from Heaven: Images of Dew in Greek Poetry and Religion', ''American Classical Studies'' 13.
  
* Barker, Andrew (1995) ‘Heterophonia and poikilia: accompaniments to Greek melody’, in ''Mousike. Metrica, ritmica e musica greca in memoria di Giovanni Comotti'', eds. B. Gentili and F. Perusino. Pisa: 41-60.
+
* Bowie, E. (2010) 'The Trojan War's Reception in Early Greek Lyric, Iambic and Elegiac Poetry' in: ''Intentional History. Spinning Time in Ancient Greece'' eds. L. Foxhall, H.-J. Gehrke, N. Luraghi. Stuttgart: 57-87.  
  
* Barker, Andrew 'Armonica’ (2001) in ''Storia della Scienza'', vol. 1, S. Petruccioli (ed.), Istituto della Enciclopedia Italiana. Rome: 909-926.
+
* Briand, M. (2011), « De la parure à l’harmonie du monde : esthétique et idéologie du kosmos dans la poésie mélique grecque archaïque », L. Bodiou, Fl. Gherchanoc, V. Huet, V. Mehl, Parures et artifices : le corps exposé dans l’Antiquité, L’Harmattan, p. 217-232.  
  
* Barker, Andrew (2005) ''Psicomusicologia nella Grecia Antica. A cura di Angelo Meriani. Università degli Studi di Salerno. Quaderni del Dipartimento di Scienze dell'Antichità''. Napoli. Reviewed by Raffa, Massimo [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-08.html ''BMCR'' 2006.06.08].
+
* Briand, M. (2012),  « Pour un parallèle intempestif. Poètes norvégiennes contemporaines / grecques anciennes », in Le Pan poétique des muses | Revue internationale de poésie entre théories & pratiques : « Poésie, Danse & Genre » [En ligne], n°2|Automne 2012, http://0z.fr/wZC2S
  
* Barker, Andrew (2007) ''The Science of Harmonics in Classical Greece''. Cambridge. [http://catdir.loc.gov/catdir/toc/ecip0711/2007007746.html Table of Contents].
+
* Briand, M. (2013), "Un genre, des genres, pas de genre : sur les désignations et les pratiques grecques anciennes de la poésie d’éloge", in Alain Bègue (ed.), La poesía epidíctica del Siglo de Oro y sus antecedentes (I). Versos de elogío, Editorial Academía del Hispanismo, Vigo, p. 19-41
  
* Boedeker, Deborah (1984) 'Descent from Heaven: Images of Dew in Greek Poetry and Religion', ''American Classical Studies'' 13.
+
* Budelmann, F. (ed.) (2009) ''The Cambridge Companion to Greek Lyric''. Cambridge.
 +
** Contents: 1. Introducing Greek lyric Felix Budelmann; Part I. Contexts and Topics: 2. Genre, occasion and performance Chris Carey; 3. Greek lyric and the politics and sociologies of archaic and classical Greek communities Simon Hornblower; 4. Greek lyric and gender Eva Stehle; 5. Greek lyric and the place of humans in the world Mark Griffith; 6. Greek lyric and early Greek literary history Barbara Graziosi and Johannes Haubold; 7. Language and pragmatics Giovan Battista D'Alessio; 8. Metre and music Luigi Battezzato; Part II. Poets and Traditions: 9. Iambos Chris Carey; 10. Elegy Antonio Aloni; 11. Alcman, Stesichorus and Ibycus Eveline Krummen; 12. Alcaeus and Sappho Dimitrios Yatromanolakis; 13. Anacreon and the Anacreontea Felix Budelmann; 14. Simonides, Pindar and Bacchylides Hayden Pelliccia; 15. Ancient Greek popular song Dimitrios Yatromanolakis; 16. Timotheus the New Musician Eric Csapo and Peter Wilson; Part III. Reception: 17. Lyric in the Hellenistic period and beyond Silvia Barbantani; 18. Lyric in Rome Alessandro Barchiesi; 19. Greek lyric from the Renaissance to the eighteenth century Pantelis Michelakis; 20. Sappho and Pindar the nineteenth and twentieth centuries Margaret Williamson; 21. Lyric and lyrics: perspectives, ancient and modern Michael Silk.
  
* Calame, Claude (2005) ''Masques d’autorité. Fiction et pragmatique dans la poétique grecque''. Paris. English translation (2005) ''Masks of Authority. Fiction and Pragmatics in Ancient Greek Poetics''. Ithaca NY and London.
+
* Calame, C. (1998) 'La poésie lyrique grecque, un genre inexistant?'€™, ''Littérature'' 11: 87–110. (English translation in preparation for Readings in Greek Lyric, ed. I. Rutherford. Oxford.)
  
* Calame, Claude (2004) ‘Deictic ambiguity and auto-referentiality: some examples from Greek poetics’, ''Arethusa'' 37: 427-31.
+
* Cavarzere, A., Aloni, A. and Barchiesi, A. (eds.) (2001) ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', Lanham, Md. and Oxford. Reviewed by C. Keane [http://bmcr.brynmawr.edu/2002/2002-07-35.html BMCR 2002.07.35]
  
* Calame, Claude (2006) ''Pratiques poétiques de la mémoire. Représentations de l’espace-temps en Grèce ancienne''. Paris. English translation is forthcoming at Harvard University Press.
+
* Dougherty, C. (1994) '€˜Archaic Greek foundation poetry: questions of genre and occasion'€™, ''JHS'' 114: 35–46.
  
* Calame, Claude (2007) 'Gardens of Love and Meadows of the Beyond: Ritual Encounters with the Gods and Poetical Perfomances in Ancient Greece' in ''Sacred Gardens and Landscapes: Ritual and Agency'', ed. M. Conan. Washington: 43-54.
+
* Fowler, B.H. (1992) ''Archaic Greek Poetry: An Anthology''. Madison, Wis.
  
* Collins, D. (2004) ''Master of the Game: Competition and Perfomance in Greek Poetry''. Cambridge, MA.
+
* Franklin, J.C. (2013) “‘Song-Benders of Circular Choruses’: Dithyramb and the ‘Demise of Music‘“, in Wilson, P./ Kowalzig, B. (eds.), ''Dithyramb in Context'', Oxford: 213–36.
  
* D'Angour, Armand (2006) 'The New Music – so what’s new?' in ''Rethinking Revolutions through Ancient Greece'', eds. Goldhill and Osborne. Cambridge: 264-283.
+
* Franklin, J.C. (2016) ''Kinyras: The Divine Lyre''. (Hellenic Studies 70), Washington D.C..
  
* David, A.P. (2006) ''The Dance of the Muses: Choral Theory and Ancient Greek Poetics''. New York. Review by Ronald J.J. Blankenborg [http://ccat.sas.upenn.edu/bmcr/2007/2007-04-46.html ''BMCR'' 2007.04.46].
+
* Franklin, J.C. (2007) “‘A Feast of Music’: The Greco-Lydian Musical Movement on the Assyrian Periphery“, in Collins, B. J./Bachvarova, M./ Rutherford, I. (eds.), ''Anatolian Interfaces: Hittites, Greeks and Their Neighbors'', Oxford: 193–203.
  
* Ford, Andrew L. (1988) 'The Classical Definition of rhapsôdia', ''Classical Philology'' 83: 300-307. It considers the early usage of "rhapsody" and related terms and argues that their meaning (essentially, "the performance of verse without melody") is based on  modes of performance rather than a formally or thematically homogeneous corpus of poetry.
+
* Franklin, J.C.  2003) “The Language of Musical Technique in Greek Epic Diction“, Gaia. Revue interdisciplinaire sur la Grèce archaïque 7: 295-307.
  
* Fowler, Barbara Hughes (1992) ''Archaic Greek Poetry: An Anthology''. Madison, Wis.
+
* Gentili, B. (1990) ''Poetry and its Public in Ancient Greece''. Baltimore. Reviewed by S.D. Olson [http://bmcr.brynmawr.edu/1991/02.02.06.html BMCR 02.02.06]
  
* Franklin, John C. (2002) 'Musical Syncretism and the Greek Orientalizing Period' in ''Archäologie früher Klangerzeugung und Tonordnungen'', eds. E. Hickmann and R. Eichmann. Serie Studien zur Musikarchäologie, Orient-Archäologie. Rahden: 441-51. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/MusicSync.pdf PDF]. [http://www.kingmixers.com/Syncrestism.html Abstract].
+
* Gentili, B. and Catenacci, C. (2007) ''Polinnia. Poesia greca arcaica. Terza edizione''. Firenze. Contains elegiac, iambic and lyric poetry with introduction and commentary. Reviewed by L. Athanassaki (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-04-23.html BMCR 2008.04.23].
  
* Franklin, John C. (2002) 'Diatonic Music in Greece: a Reassessment of its Antiquity', ''Mnemosyne'' 56.1: 669-702. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/DiatonicmusicinGreece.pdf PDF]. [http://www.kingmixers.com/Diatonic.html Abstract].
+
* Gentili, B. and Lomiento, L. (2008) ''Metrics and Rhythmics: History of Poetic Forms in Ancient Greece'' (English translation by E. Christian Kopff of 2003 edition: ''Metrica e ritmica: Storia delle forme poetiche nella Grecia antica''. Milan. Review: [http://bmcr.brynmawr.edu/2004/2004-09-09.html BMCR 2004.09.09]). ''Studi di metrica classica'' 12. Pisa/Roma: Fabrizio Serra Editore. Reviewed by A. Tessier [http://bmcr.brynmawr.edu/2009/2009-11-31.html BMCR 2009.11.31].
  
* Franklin, John C. (2003) 'The Language of Musical Technique in Greek Epic Diction', ''Gaia. Revue interdisciplinaire sur la Grèce archaïque'' 7: 295-307. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/MusicalTechnique.pdf PDF]. [http://www.kingmixers.com/MusicalTechnique.html Abstract].
+
* Gerber, D.E. (1997) (ed.) ''A Companion to the Greek Lyric Poets''. Leiden.
 +
** Contents: Iambos (Archilochus, Semonides, Hipponax) - Christopher Brown. Elegy (Callinus, Tyrtaeus, Mimnermus, Solon, Theognis, Xenophanes) - Douglas Gerber. Personal poetry (Alcaeus, Sappho,Ibycus, Anacreon, Corrina) - Bonnie Maclachan. Public poetry (Alcman, Stesichorus, Simonides, Pindar, Bacchylides) - Emmet Robbins.
  
* Franklin, John C. (2004) 'Structural Sympathies in Ancient Greek and South-Slavic Heroic Song' in ''Music Archeological Sources: Artifacts, Oral Tradition, Written Evidence'', eds. E. Hickmann and R. Eichmann. Serie Studien zur Musikarchäologie, Orient-Archäologie. Rahden: 241-251. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/StructuralSympathies.pdf PDF]. [http://www.kingmixers.com/Serbo.html Abstract].
+
* Gerber, D.E. (2003) 'Λοξός with reference to the Eyes and Neck in Greek Poetry' in: ''Studi di Filologia e Tradizione Greca in memoria di Aristide Colonna'', eds. F. Benedetti and S. Grandolini. Napoli, vol. 1: 355-358.
  
* Franklin, John C. (2005) 'Hearing Greek Microtones', with audio CD in ''Ancient Greek Music in Performance'', eds. Hagel, S. and Harrauer, Ch. Wiener Studien Beiheft 29 Vienna. From a paper and audio-demonstration (with [http://www.kingmixers.com/virtuallyre.html Virtual Lyre]), delivered at Performing Ancient Greek Music Today, Österreichische Akademie der Wissenschaften, Vienna, September 29-October 1, 2003. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/HGM.pdf PDF]. [http://www.kingmixers.com/Hearing%20Greek%20Microtones.html Abstract].
+
* Goldhill, S. (1991) ''The Poet’s Voice: Essays on Poetics and Greek Literature''. Cambridge.
  
* Franklin, John C. (2006) 'Lyre Gods of the Bronze Age Musical Koine', ''The Journal of Ancient Near Eastern Religions'' 6.2: 39-70. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/LyreGodsWeb.pdf PDF]. [http://www.kingmixers.com/WisdomLyre.html#lyregods Abstract].
+
* Graziosi, B. (2002) ''Inventing Homer. The Early Reception of Epic''. Cambridge. About the reception of Homer in lyric, elegy and iambus.
  
* Gentili, B. (1990) ''Poetry and its Public in Ancient Greece''. Baltimore.
+
* Griffith, M. (1990) '€˜Contest and contradiction in early Greek poetry'€™, in ''Cabinet of the Muses: Essays on Classical and Comparative Literature in Honor of Thomas G. Rosenmeyer'', ed. M. Griffith and D. Mastronarde. Atlanta: 185–207.
  
* Gentili, Bruno and Carmine Catenacci (2007) ''Polinnia. Poesia greca arcaica. Terza edizione''. Firenze. Contains elegiac, iambic and lyric poetry with introduction and commentary. Reviewed by Athanassaki, Lucia (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-04-23.html ''BMCR'' 2008.04.23].
+
* Griffiths, A. (1995) '€˜Non-aristocratic elements in archaic poetry'€™, in ''The Greek World'', ed. A. Powell. London: 85–103.
  
* Graziosi, Barbara (2002) ''Inventing Homer. The Early Reception of Epic''. Cambridge. About the reception of Homer in lyric, elegy and iambus.
+
* Hunter, R.L. and Rutherford, I. (eds.) (2009) ''Wandering Poets in Ancient Greek Culture. Travel, locality and Pan-Hellenism''. Cambridge. [http://ebooks.cambridge.org/popups/pdf_viewer.jsf?cid=CBO9780511576133A005&ref=false&pubCode=CUP&urlPrefix=cambridge Table of contents] Reviewed by R. Roosevelt [http://bmcr.brynmawr.edu/2010/2010-01-55.html BMCR 2010.01.55]
  
* Kurke, Leslie (2000) 'The Strangeness of ‘Song Culture’: Archaic Greek Poetry', in ''Literature in the Greek & Roman Worlds: A New Perspective'', ed. Oliver Taplin. Oxford University Press: 58-87.
+
* Hutchinson, G.O. (ed.) (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
* Kurke, Leslie (2007) 'Archaic Greek Poetry', in ''The Cambridge Companion to Archaic Greece'', ed. H. Alan Shapiro. Cambridge: 141-68. Review by Angela Kühr, [http://ccat.sas.upenn.edu/bmcr/2008/2008-01-13.html ''BMCR'' 2008.01.13].
+
* Ieranò, G. (1997) ''Il Ditirambo di Dioniso''. Pisa and Rome. [Testimonia on dithyramb, with commentary]
  
* Lardinois, A.P.M.H. (1995) ''Wisdom in Context: The Use of Gnomic Statements in Archaic Greek Poetry''. Ph.D. Diss. Princeton University.
+
* Jones, G.S. (2008) ''Singing the Skolion: a Study of Poetics and Politics in Ancient Greece''. Ph.D. Diss. Johns Hopkins University.
 +
** My dissertation collects and examines for the first time all testimonia related to the skolion and all surviving songs identified as skolia.  I offer a new definition of the term based on the three elements of melic genre: occasion, content, style.  I also examine the Panhellenization and historical development of the genre with special attention paid to the political implications of the Attic skolia.
  
* Malhomme, Florence and Anne Gabrièle Wersinger (eds.) (2007) ''Mousikè et Aretè. La mousique et l'éthique de l'antiquité à l'âge moderne. Actes du colloque international tenu en Sorbonne les 15-17 décembre 2003''. Paris: Librairie Philosophique J. Vrin. Reviewed by Raffa, Massimo (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-03-20.html ''BMCR'' 2008.03.20].
+
* Klinck, Anne L. (2008) ''Woman's songs in Ancient Greece''. Montreal. Reviewed by M.R. Lefkowitz [http://bmcr.brynmawr.edu/2009/2009-06-56.html BMCR 2009.06.56]
  
* Murray, Penelope and Peter Wilson (eds.) (2004) ''Music and the Muses: The Culture of Mousike in the Classical Athenian City''. Oxford. [http://catdir.loc.gov/catdir/enhancements/fy0620/2004300274-t.html Table of Contents]. Reviewed by  Wright, Matthew (2004) [http://ccat.sas.upenn.edu/bmcr/2004/2004-07-16.html ''BMCR'' 2004.07.16] and Raffa, Massimo (2005) [http://www.ircps.org/publications/aestimatio/archive.htm ''Aestimatio''] 2: 109–119, [http://www.ircps.org/publications/aestimatio/pdf/Volume2/2005-10-01_Raffa.pdf PDF].
+
* Kurke, Leslie (2000) 'The Strangeness of 'Song Culture'€™: Archaic Greek Poetry', in ''Literature in the Greek & Roman Worlds: A New Perspective'', ed. O. Taplin. Oxford University Press: 58-87.
  
* Nagy, Gregory (1997) ''The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry''. Johns Hopkins University Press (revised edition; first published in 1979). [http://www.press.jhu.edu/books/nagy/BofAS/toc.html Free-to-view online edition]. [http://www.intute.ac.uk/artsandhumanities/cgi-bin/fullrecord.pl?handle=humbul15083 More information] is available at [http://www.intute.ac.uk Intute], catalogued by Emma Bridges.
+
* Kurke, Leslie (2007) 'Archaic Greek Poetry', in ''The Cambridge Companion to Archaic Greece'', ed. H. Alan Shapiro. Cambridge: 141-68. Reviewed by A. Kühr [http://ccat.sas.upenn.edu/bmcr/2008/2008-01-13.html BMCR 2008.01.13].
  
* Petropoulos, J.C.B. (2003) ''Eroticism in Ancient and Medieval Greek Poetry''. London. Review by Vayos J. Liapis [http://ccat.sas.upenn.edu/bmcr/2004/2004-10-01.html ''BMCR'' 2004.10.01].
+
* Lardinois, A.P.M.H. (1995) ''Wisdom in Context: The Use of Gnomic Statements in Archaic Greek Poetry''. Ph.D. Diss. Princeton University.
  
* Psaroudakēs, Stelios (1995) 'Acoustic study of the aulos by the method of physical modeling. Report' in ''International conference “Physical modeling in music (ancient instruments, singing/speech, psychoacoustics)”, Aristotle University of Thessalonikē –  Program of Psychoacoustics, Thessalonikē, 10-12 July. Proceedings.''
+
* Lattmann, C. (2005) 'Die Dichtungsklassifikation des Aristoteles. Eine neue Interpretation von Aristot. poet. 1448a19–24', ''Philologus'' 149: 28-€“51. [http://www.klassalt.uni-kiel.de/abteilungen/graezistik/websites/lattmann/claas-lattmann-aristotles-classification-of-poetry Abstract].
  
* Psaroudakēs, Stelios (2000) 'The arm-crossbar junction of the Classical Hellenic kithara', in ''Studien zur Musikarchäologie II. Music Archaeology of early Metal Ages. Papers from the 1st Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 18-24 May, 1998'', Ellen Hickmann & Ingo Laufs & Ricardo Eichmann (eds.). Orient-Archäologie 7. Rahden, Westf.: 263-78.
+
* MacLachlan, B. (1993) ''The Age of Grace: Charis in Early Greek Poetry.'' Princeton. Reviewed by M.R. Halleran [http://bmcr.brynmawr.edu/1994/94.02.17.html BMCR 94.02.17]
  
* Psaroudakēs, Stelios (2002) 'The aulos of Argithea', in ''Studien zur Musikarchäologie III. The archaeology of sound: origin and organisation. Papers from the 2nd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 17-23 September, 2000 & Music Archaeology in the Aegean and Anatolia. Papers from the Colloquium on Music Archaeology organised by the Deutsches Archäologisches Institut (Istanbul) in cooperation with the ICTM-Study Group on Music Archaeology and the Institut Français d’Archéologie (Istanbul), Minar Sinan University, Istanbul, 12-16 April, 1993. (Orient-Archäologie, 10)'', Ellen Hickmann & Anne Kilmer Ricardo Eichmann (eds.). Rahden, Westf: 335-66.
+
* Malhomme, Florence and Anne Gabrièle Wersinger (eds.) (2007) ''Mousike et Arete. La mousique et l'éthique de l'antiquité à l'âge moderne. Actes du colloque international tenu en Sorbonne les 15-17 décembre 2003''. Paris: Librairie Philosophique J. Vrin. Reviewed by Raffa, Massimo (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-03-20.html ''BMCR'' 2008.03.20].
  
* Psaroudakēs, Stelios (2004) 'The Orestes Papyrus: some thoughts on the dubious musical signs', in ''Studien zur Musikarchäologie IV. Musical archaeological sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 9-16 June, 2002, and other contributions. (Orient-Archäologie, 15)'', Ellen Hickmann & Ingo Laufs & Ricardo Eichmann (eds.). Rahden, Westf: Marie Leidorf GmbH: 471-92.
+
* Martin, R. (2009) 'Gnomes in Poems: Wisdom Performance on the Athenian Stage', in ''Antiphílesis: Studies on Classical,Byzantine and Modern Greek Literature and Culture. In Honour of Professor John-Theophanes A. Papademetriou.'' eds. E. Karamalengou and E.D. Makrygianni. Stuttgart: 116-27.
  
* Psaroudakēs, Stelios (2004) 'Archaeomusicology and ethnomusicology in dialogue', ''Ευλιμένη'' 4: 189-200. This paper addresses a variety of issues in archaeomusicology, including song and its interpretation, mainly in the domain on "performance style", as opposed to that of "composition style".  
+
* Mojsik, T. (2011) ''Between Tradition and Innovation: Genealogy, Names and the Number of the Muses. Akme. Studia historica, 9.''   Warszawa. Reviewed by P. Murray [http://bmcr.brynmawr.edu/2012/2012-09-56.html BMCR 2012-09.56].  
  
* Ψαρουδάκης, Στέλιος (1998) «Τα μουσικά  όργανα των αρχαίων Ελλήνων», ''Καθημερινή – Επτά  Ημέρες, Κυριακή 18 Ιανουαρίου'': 2-6.
+
* Nagy, G. (1997) ''The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry''. Johns Hopkins University Press (revised edition; first published in 1979). [http://www.press.jhu.edu/books/nagy/BofAS/toc.html Free-to-view online edition]. [http://www.intute.ac.uk/artsandhumanities/cgi-bin/fullrecord.pl?handle=humbul15083 More information] is available at [http://www.intute.ac.uk Intute], catalogued by Emma Bridges.
  
* Ψαρουδάκης, Στέλιος (2001) «Η αρχαία ελληνική μουσική σημειογραφία. Οι πρόσφατες απόψεις του Egert Pöhlmann», ''Μούσα'' 8-9: 78-93. (in modern Greek)
+
* Nagy, G. (2009) 'Perfecting the Hymn in the Homeric Hymn to Apollo'€™ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.), Athens: 17-44.
  
* Ψαρουδάκης, Στέλιος (2003) «Πρωτογενή αερόφωνα και η αβέβαιη μαρτυρία του Δισπηλιού», ''Πολυφωνία'' 2: 7-20. (in modern Greek) This article compares the neolithic dispelio "aulos" (lake kastoria, makedonia) with other neolithic musical pipes from this country and the rest of the world (pure organological study). The find does not exhibit the characteristics of the other musical pipes, and as a result, we cannot hold with certainty that is was used as an aulos.
+
* Nobili, C.(2006) 'Motivi della poesia nuziale in Odissea VI 149-185', ''Rendiconti dell'Istituto lombardo di scienze e lettere. Classe di lettere e scienze morali'' 140: 59-74. It investigates the precence of motifs typical of wedding song in ''Odyssey'' 6.
  
* Ψαρουδάκης, Στέλιος & Χρήστος Τερζής (2007) «Ανθολόγιον – Μέτρα και μέλη από την ελληνική αρχαιότητα», in DVD ''Εν Χορδαίς και Οργάνοις – Ένα πανόραμα της ελληνικής μουσικής''. Συναυλία του Τμήματος Μουσικών Σπουδών του Πανεπιστημίου Αθηνών, Παρασκευή 4 Μαΐου 2007. Μέρος πρώτο. Αθήνα: Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών.  
+
* Nobili, C (2016) ''Corone di gloria. Epigrammi agonistici ed epinici dal VII al IV sec. a.C.'', Alessandria.
  
* Ψαρουδάκης, Στέλιος (2007) «Αρχαία ελληνική μουσική», in ''Μουσική'', Απόστολος Κώστιος (ed.). Αθήνα: Εκδοτική Αθηνών: 201-15. Originally published in (1999) in ''Ελληνική Εκπαιδευτική Εγκυκλοπαίδεια.'' Vol. 28. ''Θέατρο, Κινηματογράφος, Μουσική, Χορός''. Αθήνα: 28-33. (in modern Greek)
+
* Riu, X., Pòrtulas, J (eds.) (2012) ''Approaches to Greek Poetry.'' Messina.
  
* Ψαρουδάκης, Στέλιος & Σωτηρία Αδάμ (2004) «Ύε Κύε. Οι Ολυμπιακοί αγώνες στην αρχαιότητα». CD containing ancient Hellenic song and modern musical compositions inspired by it. Part of the volume: Μαρία Καΐλα & Georges Thill & Έλενα Θεοδωροπούλου & Γιώτα Ξανθάκου (edd.), Ύε Κύε. Οι Ολυμπιακοί αγώνες στην αρχαιότητα. Αθήνα: Ατραπός. Contribution to the CD (recittion, song, lyre) with the songs: Εις Μούσαν, «Εις Καλλιόπην και Απόλλωνα», «Εις Φοίβον», Εις  Ήλιον. Accompanying notes on pp. 220-23 of the book.
+
* Swift, L. (2015) ‘Lyric Visions of Epic Combat: The Spectacle of War in Archaic Personal Song’, in War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Combat, eds A. Bakogianni and V. Hope. London: 93-109.
** The disc, apart from two modern compositions, contains performances of three ancient hellenic hymns by mesomedes of crete (2nd century AD), accompanied by a reconstructed chelys-lyre.
 
  
* Tsachalinas, Kostas & Katerina Tzedaki & Peter Cook & Stelios Psaroudakēs & Dimitris Kamarotos & T. Rikakis (1997) 'Physical modeling simulation of the ancient Greek Elgin auloi' in ''International computer music conference, Aristotle University of Thessalonikē – Program of Psychoacoustics & The International Computer Music Association, Thessalonikē, Hellas, 25-30 September. Proceedings''. San Francisco: 454-57.
+
* Thomas, R. (1995) '€˜The place of the poet in archaic society'€™, in ''The Greek World'', ed. A. Powell. London: 104-29.
  
* Tsagarakis, Odysseus (1977) ''Self-expression in Early Greek Lyric, Elegiac and Iambic Poetry''. Wiesbaden. Review by Bremer, Jan Maarten (1980) ''Mnemosyne'' 33: 182-187 and by Kirkwood, G. M. (1980) ''Phoenix'' 34.1: 92-3.
+
* Vetta, M. (1999) ''Symposion: Antologia della lirica greca''. Naples.
  
* Wilson, Peter (ed.) (2007) ''The Greek Theatre and Festivals. Documentary Studies. Oxford Studies in Ancient Documents.'' Oxford: Oxford University Press. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011345.html Table of Contents]. Reviewed by Mitchell-Boyask, Robin (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-05-24.html ''BMCR''  2008.05.24].
+
* Wilson, P. (ed.) (2007) ''The Greek Theatre and Festivals. Documentary Studies. Oxford Studies in Ancient Documents.'' Oxford: Oxford University Press. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011345.html Table of Contents]. Reviewed by R. Mitchell-Boyask [http://ccat.sas.upenn.edu/bmcr/2008/2008-05-24.html BMCR 2008.05.24].
  
== Greek Elegy and Iambus ==
+
=== Metre, music and musical instruments ===
 +
* Anderson, W. D. (1994) ''Music and Musicians in Ancient Greece''. Ithaca, NY.
  
=== Elegy and Iambus General ===
+
* Barker, A. (1984) ''Greek Musical Writings. Vol. I: The Musician and His Art''. Cambridge. [http://www.amazon.ca/gp/reader/0521235936/ref=sib_rdr_toc?ie=UTF8&p=S007&j=0#reader-page Table of Contents].
  
=== Iambus General ===
+
* Barker, A. (1989) ''Greek Musical Writings. Vol. II: Harmonic and Acoustic Theory''. Cambridge. [http://www.amazon.ca/gp/reader/0521616972/ref=sib_rdr_toc?ie=UTF8&p=S006&j=0#reader-page Table of Contents].
* Acosta-Hughes, B. (2002) ''Polyeideia: The Iambi of Callimachus and the Archaic Iambic Tradition''. Berkeley and London.
 
  
=== Archilochus ===
+
* Barker, A. (1995) 'Heterophonia and poikilia: accompaniments to Greek melody'€™, in ''Mousike. Metrica, ritmica e musica greca in memoria di Giovanni Comotti'', eds. B. Gentili and F. Perusino. Pisa: 41-60.
* Aloni, A. (1981) ''Le Muse di Archiloco: Ricerche sullo stile archilocheo''. Copenhagen. Review by Slings, S.R. (1984) ''Mnemosyne'' 37: 169-171.
 
  
* Aloni, A. and  A. Iannucci (2007) ''L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco''. Firenze: Le Monnier Università.
+
* Barker, A. (2001) 'Armonica'€™  in ''Storia della Scienza'', vol. 1, S. Petruccioli (ed.), Istituto della Enciclopedia Italiana. Rome: 909-926.
  
* Barker, E. T. E. and J. P. Christensen (2006) ‘Fight club: the new Archilochus fragment and its resonance with Homeric epic’, ''MD'' 57: 9-41.
+
* Barker, A. (2005) ''Psicomusicologia nella Grecia Antica. A cura di Angelo Meriani. Università degli Studi di Salerno. Quaderni del Dipartimento di Scienze dell'Antichità ''. Napoli. Reviewed by Raffa, Massimo [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-08.html ''BMCR'' 2006.06.08].
  
* Bremer, Jan Maarten (1978) ''Het gemaskerde Ik. De poëtische persoonlijkheid in enige Griekse gedichten''. Amsterdam. (in Dutch) Inaugural lecture, mainly concerned with Archilochus' Cologne Epode.
+
* Barker, A. (2007) ''The Science of Harmonics in Classical Greece''. Cambridge. [http://catdir.loc.gov/catdir/toc/ecip0711/2007007746.html Table of Contents]. Reviewed by N. Sidoli [http://bmcr.brynmawr.edu/2009/2009-10-38.html BMCR 2009.10.38]
  
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
+
* Bélis, A. (1999) ''Les musiciens dans l’antiquité''. Paris.
  
* Corrêa, P.C. (1998) ''Armas e Varões: A Guerra na Lírica de Arquíloco''. São Paulo.
+
* Bundrick, S.D. (2005) ''Music and Image in Classical Athens''. Cambridge. Reviewed by S. Gibson [http://bmcr.brynmawr.edu/2006/2006-07-46.html BMCR 2006.07.46]
  
* Corrêa, P.C. (2001) 'The Fox and the Hedgehog', ''Revista Phaos'' 1: 80 - 92. On Archilochus 201 IEG.
+
* Budelmann, F. (2001) '€˜Sound and text: the rhythm and metre of archaic and classical Greek poetry in ancient and Byzantine scholarship'€™, in ''Homer,Tragedy and Beyond: Essays in Honour of P. E. Easterling'', ed. F. Budelmann and P. Michelakis. London: 209–40.
  
* Corrêa, P.C. (2002) 'Muddy Eels', ''Rivista Synthesis (La Plata)'' 9: 81 -90. On Archilochus 189 IEG.
+
* D'Angour, A. (2006) 'The New Music - so what'€™s new?' in ''Rethinking Revolutions through Ancient Greece'', eds. Goldhill and Osborne. Cambridge: 264-283.
  
* Corrêa, P.C. (2007) 'A Human Fable and the Justice of Beasts in Archilochus' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 101-117.
+
* Ford, A. (1988) 'The Classical Definition of rhapsôdia', ''Classical Philology'' 83: 300-307.  
  
* Ford, Andrew L. (1993) 'L'inventeur de la poésie lyrique: Archiloque le colon', ''Métis. Revue de l'anthropologie grecque'' 8.1-2: 59-73.
+
* Franklin, J.C. (2002) 'Musical Syncretism and the Greek Orientalizing Period' in ''Archäologie früher Klangerzeugung und Tonordnungen'', eds. E. Hickmann and R. Eichmann. Serie Studien zur Musikarchäologie, Orient-Archäologie. Rahden: 441-51. [http://www.kingmixers.com/FranklinPDFfilescopy/MusicalSyncretism.pdf PDF]. [http://www.kingmixers.com/Syncrestism.html Abstract].
  
* Mayer, Péter (2006) 'Krieg aus Versehen? - Zur Funktion und Aussage der Telephos-Geschichte im neuen Archilochos (''P. Oxy.'' 4708, fr. 1)', ''Zeitschrift für Papyrologie und Epigraphik'' 157: 15-18.
+
* Franklin, J.C. (2002) 'Diatonic Music in Greece: a Reassessment of its Antiquity', ''Mnemosyne'' 56.1: 669-702. [http://www.kingmixers.com/FranklinPDFfilescopy/DiatonicMusicinGreece.pdf PDF]. [http://www.kingmixers.com/Diatonic.html Abstract].
  
* Mayer, Péter (2006) 'Der Mann, das Mädchen und der Dichter - Zur Frage der Absicht dreier Personen: eine Verführungsgeschichte (Archil. 196a W2)', ''Acta Classica Universitatis Scientiarum Debreceniensis (Debrecen)'' 42: 5-20.
+
* Franklin, J.C. (2003) 'The Language of Musical Technique in Greek Epic Diction', ''Gaia. Revue interdisciplinaire sur la Grèce archaïque'' 7: 295-307. [http://www.kingmixers.com/FranklinPDFfilescopy/MusicalTechniqueEpicDiction.pdf PDF]. [http://www.kingmixers.com/MusicalTechnique.html Abstract].
  
* Medaglia, S.M. (1982) ''Note di esegesi archilochea''. Roma. Review by Slings, S.R. (1988) ''Mnemosyne'' 41: 134-135.
+
* Franklin, J.C. (2004) 'Structural Sympathies in Ancient Greek and South Slavic Heroic Singing' in Hickmann, E. & Eichmann, R. (eds.), ''Musikarchäologische Quellengruppen: Bodenurkunden, mündliche Überlieferung, Aufzeichnung.'' [http://www.kingmixers.com/FranklinPDFfilescopy/StructuralSympathiesGreekSlavic.pdf PDF]
  
* Miralles, C. and J. Pòrtulas (1983) ''Archilochus and the iambic poetry''. Roma. Review by Slings, S.R. (1987) ''Mnemosyne'' 40: 430-432.
+
* Franklin, J.C. (2005) 'Hearing Greek Microtones', with audio CD in ''Ancient Greek Music in Performance'', eds. Hagel, S. and Harrauer, Ch. Wiener Studien Beiheft 29 Vienna. From a paper and audio-demonstration (with [http://www.kingmixers.com/virtuallyre.html Virtual Lyre]), delivered at Performing Ancient Greek Music Today, Österreichische Akademie der Wissenschaften, Vienna, September 29-October 1, 2003. [http://www.kingmixers.com/FranklinPDFfilescopy/HearingGreekMicrotones.pdf PDF]. [http://www.kingmixers.com/Hearing%20Greek%20Microtones.html Abstract].
  
* Nicolosi, Anika (trans. and comm.) (2007) ''Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708)''. Eikasmos, 14. Bologna: Pàtron Editore.
+
* Franklin, J.C. (2006) '€˜The Wisdom of the Lyre: Soundings in Ancient Greece, Cyprus and the Near East', ''Musikarchäologie im Kontext: Archäologische Befunde, historische Zusammenhänge, soziokulturelle Beziehungen.'' eds. E. Hickmann & R. Eichmann: 379-98.   [http://www.kingmixers.com/FranklinPDFfilescopy/WisdomLyre.pdf PDF]
  
* Rotstein, Andrea (2007) ‘Critias’ invective against Archilochus’, ''Classical Philology'' 102: 139-54.
+
* Franklin, J.C. (2006) 'Lyre Gods of the Bronze Age Musical Koine' in ''The Journal of Ancient Near Eastern Religions'' 6.2: 39–70.  [http://www.kingmixers.com/FranklinPDFfilescopy/LyreGodsWeb.pdf PDF]
  
* Slings, S.R. (1975) 'Three notes on the new Archilochus papyrus', ''Zeitschrift für Papyrologie und Epigraphik'' 18: 170.
+
* Franklin, J.C. (2010) 'Remembering Music in Early Greece', in ''The Historiography of Music in Global Perspective.'' ed. S. Mirelman. Piscataway. 9–50. [http://www.kingmixers.com/FranklinPDFfilescopy/RememberingMusic.pdf PDF]
  
* Slings, S.R. (1976) 'Archilochus, the hasty mind and the hasty bitch', ''Zeitschrift für Papyrologie und Epigraphik'' 21: 283-288.
+
* Franklin, J. C. (2012) 'The Lesbian Singers: Towards a Reconstruction of Hellanicus'€™ ''Karneian Victors''.'€ In ''Poesia, musica e agoni nella Grecia antica'' eds. D. Castaldo, F. Giannachi & A. Manieri. Galatina: 720-764 [http://www.kingmixers.com/FranklinPDFfilescopy/FranklinKarneianVictors.pdf PDF]
  
* Slings, S.R. (1980) 'Archilochus, eerste Keulse epode', ''Lampas'' 13: 315-335. (in Dutch)
+
* Franklin, J. C. (2014) “Ethnicity and Musical Identity in the Lyric Landscape of Early Cyprus”, ''Greek and Roman Musical Studies'' 2: 146–76.
  
* Slings, S.R. (1982) 'Archilochus and the ant', ''Zeitschrift für Papyrologie und Epigraphik'' 45: 69-70.  
+
* Franklin, J. C. (2011) “Music”, “Aulos” and “Phorminx” in Finkelberg, M. (ed.), ''The Homer Encyclopedia'' (Oxford), s.vv.
  
* Slings, S.R. (1980-82) 'Archilochus, S 478 (a), 3 Page', ''Museum Criticum'' 15-17: 11-14.
+
* Franklin, J. C. (2008) “Realizations in Ancient Greek Music: Beyond the Fragments“ (with CD selections), in Hickmann, E./Eichmann, R./Both, A. A. (eds.), Challenges and Objectives in Music Archaeology. Papers from the 5th Symposium of the International Study Group on Music Archaeology at the Ethnological Museum, State Museums Berlin, 19-23 September, 2006. Studien zur Musikarchäologie 6/Orient-Archäologie 22 (Rahden,): 323–6
  
* Slings, S.R. (1983) 'Once more Archilochus and the ant', ''Zeitschrift für Papyrologie und Epigraphik'' 53: 31-36.  
+
* Franklin, J. C. (in press) “Epicentric Tonality and the Greek Lyric Tradition”, in A. D’Angour/T. Phillips (ed.), Music and Text in Ancient Greece (Cambridge, in press).
  
* Slings, S.R. (1986) 'Archilochus: new fragments from the Sosthenes inscription', ''Zeitschrift für Papyrologie und Epigraphik''  63: 1-3.  
+
* Franklin, J. C. (in press) “A Musical Maze for Asklepios? An Archaeoacoustic Assessment of the Thymele at Epidauros”, in Schultz, P., et al., The Thymele at Epidauros: Healing, Space, and Musical Performance in Late Classical Greece (in press).
  
* Slings, S.R. (1988) 'Archilochus, fr. 188,3', ''Zeitschrift für Papyrologie und Epigraphik'' 72: 21.  
+
* Franklin, J. C. (in press) “THEIOS AOIDOS: A New Reading of the Lyre-Player Group of Seals”, Gaia. Revue interdisciplinaire sur la Grèce archaïque 18.
  
* Slings, S.R. (1989) 'Anonymus, Parallel lines from Homer and Archilochus', ''Zeitschrift für Papyrologie und Epigraphik'' 79: 1-8.  
+
* Gentili, B. and Perusino, F. (eds.) (1999) ''La colometria antica dei testi poetici greci''. Pisa and Rome. Reviewed by H. Perdicoyianni-Paléologou [http://bmcr.brynmawr.edu/2000/2000-07-12.html BMCR 2000.07.12]
  
* Slings, S.R. (1990) 'Archilochus van Paros, soldaat en dichter', ''Hermeneus'' 62: 281-289. (in Dutch)
+
* Levin, F.R. (2009) ''Greek reflections on the nature of music''. Cambridge; New York: Cambridge University Press. Reviewed by C. Marchetti [http://bmcr.brynmawr.edu/2009/2009-12-34.html BMCR 2009.12.34].
  
* Slings, S.R. (1992) 'For the third time: Archilochus and the ant', ''Eikasmos'' 3:  13-17.  
+
* Martinelli, M.C. (1995) ''Gli strumenti del poeta: elementi di metrica greca''. Bologna.
  
* Slings, S.R. (1995) 'Archilochus, fr. 188, 1-2', ''Zeitschrift für Papyrologie und Epigraphik''  106: 1-2.
+
* Mathiesen, T.J. (1999) ''Apollo’s Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages''. Lincoln, Nebr. and London.
  
=== Semonides ===
+
* Murray, P. and Wilson, P. (eds.) (2004) ''Music and the Muses: The Culture of Mousike in the Classical Athenian City''. Oxford. [http://catdir.loc.gov/catdir/enhancements/fy0620/2004300274-t.html Table of Contents]. Reviewed by M. Wright[http://ccat.sas.upenn.edu/bmcr/2004/2004-07-16.html ''BMCR'' 2004.07.16] and M. Raffa [http://www.ircps.org/publications/aestimatio/archive.htm ''Aestimatio''] 2: 109-€“119, [http://www.ircps.org/publications/aestimatio/pdf/Volume2/2005-10-01_Raffa.pdf PDF].
* Van Wees, Hans (2005) 'The invention of the female mind. Women, property and gender ideology in archaic Greece', in ''Women and Property in the Ancient Near East and Greece'', eds. D. Lyons and R. Westbrook. Published on website of Center for Hellenic Studies, Washington DC. pp. 26. [http://chs.harvard.edu/chs/women_and_property URL]. Includes discussion of Fr 7.
 
  
=== Hipponax ===
+
* Nagy, G. (1996) 'Metrical convergences and divergences in early Greek poetry and song'€™, in ''Struttura e storia dell’esametro omerico'', ed. M. Fantuzzi and R. Pretagostini, vol. II. Rome: 63â€-110. (Revised version of Nagy 1990: 439–64.)
* Faraone, Christopher A. (2004) 'Hipponax Frag. 128W: Epic Parody or Expulsive Incantation?', ''Classical Antiquity'' 23: 209-45.
 
  
* Nicolosi, Anika (trans. and comm.) (2007) ''Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708)''. Eikasmos, 14. Bologna: Pàtron Editore.
+
* Nicolai, R.(ed.)(2003) ''Rysmos: Studi di poesia, metrica e musica greca'', Rome.
  
=== Ananius ===
+
* Pöhlmann, E. and West, M.L. (eds.) (2001) ''Documents of Ancient Greek Music''. Oxford. Reviewed by. W.A. Johnson [http://bmcr.brynmawr.edu/2003/2003-04-08.html BMCR 2003.04.08]
  
=== Adespota Iambica ===
+
* Psaroudaki“s, S. (1995) 'Acoustic study of the aulos by the method of physical modeling. Report' in ''International conference “Physical modeling in music (ancient instruments, singing/speech, psychoacoustics)”, Aristotle University of Thessalonikē –  Program of Psychoacoustics, Thessalonikē, 10-12 July. Proceedings.''
  
=== Elegy General ===
+
* Psaroudaki“s, S. (2000) 'The arm-crossbar junction of the Classical Hellenic kithara', in ''Studien zur Musikarchäologie II. Music Archaeology of early Metal Ages. Papers from the 1st Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 18-24 May, 1998'', eds. E. Hickmann, I. Laufs, R. Eichmann. Orient-Archäologie 7. Rahden: 263-78.
  
* Aloni, A. and  A. Iannucci (2007) ''L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco''. Firenze: Le Monnier Università.
+
* Psaroudaki“s, S. (2002) 'The aulos of Argithea', in ''Studien zur Musikarchäologie III. The archaeology of sound: origin and organisation. Papers from the 2nd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 17-23 September, 2000 & Music Archaeology in the Aegean and Anatolia. Papers from the Colloquium on Music Archaeology organised by the Deutsches Archäologisches Institut (Istanbul) in cooperation with the ICTM-Study Group on Music Archaeology and the Institut Français d’Archéologie (Istanbul), Minar Sinan University, Istanbul, 12-16 April, 1993. (Orient-Archäologie, 10)'', eds. E. Hickmann, A. Kilmer, R. Eichmann. Rahden: 335-66.
  
* Faraone, Christopher A. (2005) 'Exhortation and Meditation: Alternating Stanzas as a Structural Device in Early Greek Elegy', ''Classical Philology'' 100: 317-36.
+
* Psaroudakis, S. (2004) 'The Orestes Papyrus: some thoughts on the dubious musical signs', in ''Studien zur Musikarchäologie IV. Musical archaeological sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 9-16 June, 2002, and other contributions. (Orient-Archäologie, 15)'', eds. E. Hickmann, I. Laufs, R. Eichmann. Rahden, Westf: Marie Leidorf GmbH: 471-92.
  
* Faraone, Christopher A. (2005) 'Catalogues, Priamels and Stanzaic Structure in Early Greek Elegy', ''Transactions of the American Philological Association'' 135: 249-65.  
+
* Psaroudaki“s, S. (2004) 'Archaeomusicology and ethnomusicology in dialogue', ''Ευλιμένη'' 4: 189-200. This paper addresses a variety of issues in archaeomusicology, including song and its interpretation, mainly in the domain on "performance style", as opposed to that of "composition style".  
  
* Faraone, Christopher A. (2008) ''The Stanzaic Architecture of Early Greek Elegy''. Oxford and New York: Oxford University Press.
+
* Ψαρουδάκης, Στέλιος (1998) «Τα μουσικά  όργανα των αρχαίων Ελλήνων», ''Καθημερινή – Επτά  Ημέρες, Κυριακή 18 Ιανουαρίου'': 2-6.
  
* Raalte, Marlein van (1988) 'Greek Elegiac Verse Rhythm', ''Glotta'' 66: 145-78.
+
* Ψαρουδάκης, Στέλιος (2001) «Η αρχαία ελληνική μουσική σημειογραφία. Οι πρόσφατες απόψεις του Egert Pöhlmann», ''Μούσα'' 8-9: 78-93. (in modern Greek)
  
* Slings, S.R. (2000) 'Symposion and Interpretation: Elegy as group-song and the so-called awakening individual', ''Acta Antiqua Hungariensia'' 40: 423-434.
+
* * Ψαρουδάκης, Στέλιος (2003) «Πρωτογενή αερόφωνα και η αβέβαιη μαρτυρία του Δισπηλιού», ''Πολυφωνία'' 2: 7-20. (in modern Greek) This article compares the neolithic dispelio "aulos" (lake kastoria, makedonia) with other neolithic musical pipes from this country and the rest of the world (pure organological study). The find does not exhibit the characteristics of the other musical pipes, and as a result, we cannot hold with certainty that is was used as an aulos.
  
=== Callinus ===
+
* Ψαρουδάκης, Στέλιος & Χρήστος Τερζής (2007) «Ανθολόγιον – Μέτρα και μέλη από την ελληνική αρχαιότητα», in DVD ''Εν Χορδαίς και Οργάνοις – Ένα πανόραμα της ελληνικής μουσικής''. Συναυλία του Τμήματος Μουσικών Σπουδών του Πανεπιστημίου Αθηνών, Παρασκευή 4 Μαΐου 2007. Μέρος πρώτο. Αθήνα: Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών.
  
=== Tyrtaeus ===
+
* Ψαρουδάκης, Στέλιος (2007) «Αρχαία ελληνική μουσική», in ''Μουσική'', Απόστολος Κώστιος (ed.). Αθήνα: Εκδοτική Αθηνών: 201-15. Originally published in (1999) in ''Ελληνική Εκπαιδευτική Εγκυκλοπαίδεια.'' Vol. 28. ''Θέατρο, Κινηματογράφος, Μουσική, Χορός''. Αθήνα: 28-33. (in modern Greek)
* Faraone, Christopher A. (2006) 'Stanzaic Structure and Responsion in the Elegiac Poetry of Tyrtaeus', ''Mnemosyne'' 59: 19-52.
 
  
* Pucci, Pietro (2006) 'Il testo di Tirteo nel tessuto omerico' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 21-41. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
+
* Ψαρουδάκης, Στέλιος & Σωτηρία Αδάμ (2004) «Ύε Κύε. Οι Ολυμπιακοί αγώνες στην αρχαιότητα». CD containing ancient Hellenic song and modern musical compositions inspired by it. Part of the volume: Μαρία Καΐλα & Georges Thill & Έλενα Θεοδωροπούλου & Γιώτα Ξανθάκου (edd.), Ύε Κύε. Οι Ολυμπιακοί αγώνες στην αρχαιότητα. Αθήνα: Ατραπός. Contribution to the CD (recittion, song, lyre) with the songs: Εις Μούσαν, «Εις Καλλιόπην και Απόλλωνα», «Εις Φοίβον», Εις  Ήλιον. Accompanying notes on pp. 220-23 of the book.
 +
** The disc, apart from two modern compositions, contains performances of three ancient hellenic hymns by mesomedes of crete (2nd century AD), accompanied by a reconstructed chelys-lyre.
  
* Van Wees, Hans (1999) ‘Tyrtaeus’ Eunomia: nothing to do with the Great Rhetra’, in ''Sparta: New Perspectives'', eds. Stephen Hodkinson and Anton Powell. London: 1-41.
+
* Restani, D. (ed.) (1995) ''Musica e mito nella Grecia antica''. Bologna.
  
* Van Wees, Hans (2002) ‘Gute Ordnung ohne Große Rhetra: noch einmal zu Tyrtaios’ Eunomia’, ''Göttinger Forum für Altertumswissenschaft'' 5: 89-103. [http://gfa.gbv.de/z/2002 URL]
+
* Rocconi, E. (1998) '€˜Harmoniai e teoria dei gene musicali nella Grecia antica'€™, ''SemRom'' 1.2: 345-64.
  
* Van Wees, Hans (2003) 'Conquerors and serfs: wars of conquest and forced labour in archaic Greece', in ''Helots and their Masters in Laconia and Messenia: histories, ideologies, structures'', eds. N. Luraghi and S. Alcock. Cambridge, MA: 33-80. Includes discussion of Tyrtaeus' fragments.
+
* Sicking, C.M.J. (1993) ''Griechische Verslehre''. (Handbuch der Altertumswissenschaft 2.4). Munich.
  
=== Mimnermus ===
+
* Steinrück, M. (2007) ''A quoi sert la métrique? Interprétation littéraire et analyse des formes métriques grecques: Une introduction''. Avec la collaboration d'Alessandra Lukinovich. Grenoble.
* Slings, S.R. (2000) ''Symposium: Speech and Ideology. Two hermeneutical issues in early Greek lyric, with special reference to Mimnermus''. Amsterdam (KNAW), Mededelingen KNAW afd. Letterkunde, 63, 1. Concerns the performance of lyric poetry in the archaic period. Review by Bremer, Jan Maarten (2003) ''Mnemosyne'' 56: 614-15.
 
  
=== Solon ===
+
* Taplin, O. & Wyles, R. ed. (2010) ''The Pronomos Vase and its Context.'' Oxford/New York. Reviewed by K. Seaman [http://bmcr.brynmawr.edu/2012/2012-03-17.html BMCR 2012.03.17]
* Blok, J.H. & A.P.M.H. Lardinois (eds.) (2006) ''Solon of Athens: New Historical and Philological Approaches''. Leiden.
 
  
* Lardinois, A.P.M.H. (2006) 'Have we Solon's verses?' in ''Solon of Athens: New Historical and Philological Approaches'', eds. J.H. Blok & A.P.M.H. Lardinois. Leiden: 15-35. Dutch version (2006) ''Lampas'' 39: 91-109.
+
* Tsachalinas, K. & Katerina, T. & Cook, P. & Psaroudakēs, S. & Kamarotos, D. & Rikakis, T. (1997) 'Physical modeling simulation of the ancient Greek Elgin auloi' in ''International computer music conference, Aristotle University of Thessaloniki“:€“ Program of Psychoacoustics & The International Computer Music Association, Thessalonikē, Hellas, 25-30 September. Proceedings''. San Francisco: 454-57.
  
* Lewis, John David (2006) ''Solon the Thinker: Political Thought in Archaic Athens''. London.
+
* Wallace, R.W (2003) 'An early fifth-century Athenian revolution in aulos music'€™, ''HSCPh'' 101: 73–92.
  
* Van Wees, Hans (1999) 'The mafia of early Greece. Violent exploitation in the seventh and sixth centuries BC' in ''Organized Crime in Antiquity'', ed. Keith Hopwood. London: 1-51. Includes discussion of Solon's 'political' fragments.
+
* West, M. L. (1992) ''Ancient Greek Music.'' Oxford. Reviewed by W.A. Johnston [http://bmcr.brynmawr.edu/2003/2003-04-08.html BMCR 2003.04.08]
  
* Van Wees, Hans (2006) 'Mass and elite in Solon's Athens: the property classes revisited', in ''Solon of Athens: new historical and philological approaches'', eds. J. Blok and A. Lardinois. Leiden: 351-89. Abbreviated version in Dutch: (2006) 'Massa en elite in Solon's Athene: de betekenis van de vermogensklassen', ''Lampas'' 39: 131-52. Includes discussion of Solon's 'political' fragments.
+
* Wilson, P. (2004) 'Athenian strings'€™, in ''Music and the Muses: The Culture of ‘Mousikē’ in the Classical Athenian City'', ed. P. Murray and P. Wilson. Oxford: 269–306.
  
=== Theognis ===
+
* Yatromanolakis, D. (2011) ''Music and cultural politics in Greek and Chinese societies. Vol. 1.: Greek antiquity.'' Harvard.
* Ford, Andrew L. (1985) 'The Seal of Theognis: The Politics of Authorship in Archaic Greece' in ''Theognis of Megara: Poetry and the Polis'', eds. T.J. Figueira and G. Nagy. Baltimore: 82-95.
 
  
* Kurke, L. (1989) 'Kapêleia and Deceit: Theognis 59–60', ''American Journal of Philology'' 110: 535–44.
+
=== Performance ===
 +
* Aloni, A. (1998) ''Cantare glorie di eroi: Comunicazione e performance poetica nella Grecia arcaica''. Turin.
  
* Martin, R.P. (2001) ‘Just Like a Woman: Enigmas of the Lyric Voice’, in ''Making Silence Speak: Women’s Voices in Greek Literature and Society'', eds. A. Lardinois and L. McClure. Princeton, N.J.: 55-74.
+
* Athanassaki, L. & Bowie, E. (2011) (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' Berlin & Boston. [http://www.degruyter.com/view/supplement/9783110254020_Contents.pdf Table of Contents]
  
* Wees, Hans van (2000) ‘Megara’s mafiosi.  Timocracy and violence in Theognis’, in ''Alternatives to Athens. Varieties of political organization and community in ancient Greece'', eds. R. Brock and S. Hodkinson. Oxford University Press: 52-67. Abbreviated version in Dutch: (2003) ‘Maffiosi in Megara: timocratie en geweld in Theognis’, ''Lampas'' 36: 284-99.
+
* Bierl, A. (2009) ''Ritual and Performativity. The Chorus of Old Comedy'' (transl. by Alex Hollmann), Center for Hellenic Studies. Washington, DC: Harvard Press. (Hellenic Studies 20). New and revised edition.  
  
=== Xenophanes ===
+
* Boegehold, A.L. 2000. 'Acting out some songs'€™, ''Syllecta Classica'' 11: 1-15.
* Granger, Herbert (2007) 'Poetry and Prose: Xenophanes of Colophon', ''Transactions of the American Philological Association'' 137.2: 403-33. [http://muse.jhu.edu/journals/transactions_of_the_american_philological_association/toc/apa137.2.html Abstract]. [http://muse.jhu.edu/journals/transactions_of_the_american_philological_association/v137/137.2granger.pdf PDF].
 
  
=== Critias ===
+
* Bowman, L. (2004) '€˜The 'women'€™s tradition'€ in Greek poetry', ''Phoenix'' 58: 1–27.
* Iannucci, A. (1998) 'Elegia e lotta politica. Note di lettura a Crit. fr. 5 W.', ''AION (filol)'' 20: 107-127.
 
  
* Iannucci, A. (2002) ''La parola e l'azione. I frammenti simposiali di Crizia''. Bologna. Review by P. Wilson in [http://ccat.sas.upenn.edu/bmcr/2004/2004-09-16.html BMCR 2004.09.16].
+
* Briand, M. (2000) 'Inspiration, enthousiasme et polyphonies: ἔνθεος et la performance poétique', ''Noésis'' (L'antique notion d'inspiration, dir. J. Assaël): 97-154.
  
* Iannucci, A. (2003) 'Una ‘corona di giambi’. Ipotesi di lettura del fr. 2 Gent.-Pr. di Crizia', ''Seminari Romani di Cultura Greca'', VI 1: 31-42.
+
* Calame, C. (2004) '€˜Deictic ambiguity and auto-referentiality: some examples from Greek poetics'€™, ''Arethusa'' 37: 427-31.
  
* Rotstein, Andrea (2007) ‘Critias’ invective against Archilochus’, ''Classical Philology'' 102: 139-54.
+
* Calame, C. (2005) ''Masques d’autorité. Fiction et pragmatique dans la poétique grecque''. Paris. English translation (2005) ''Masks of Authority. Fiction and Pragmatics in Ancient Greek Poetics''. Ithaca NY and London. Reviewed by H. van Noorden [http://bmcr.brynmawr.edu/2005/2005-09-36.html BMCR 2005.09.36]
  
=== Dionysius Chalcus ===
+
* Calame, C. (2006) ''Pratiques poétiques de la mémoire. Représentations de l’espace-temps en Grèce ancienne''. Paris. English translation: 2009 Harvard. Reviewed by E.M. Griffiths [http://bmcr.brynmawr.edu/2007/2007-04-05.html BMCR 2007.04.05] 
  
=== Euenus ===
+
* Calame, C. (2007) 'Gardens of Love and Meadows of the Beyond: Ritual Encounters with the Gods and Poetical Perfomances in Ancient Greece' in ''Sacred Gardens and Landscapes: Ritual and Agency'', ed. M. Conan. Washington: 43-54.
  
=== Ion ===
+
* Carey, C. (2010) '€˜The victory ode in the theatre'€™, ''BICS supplements''. [http://eprints.ucl.ac.uk/19956/ electronic version]
  
=== Phocylides ===
+
* Collins, D. (2004) ''Master of the Game: Competition and Performance in Greek Poetry''. Cambridge, MA. Reviewed by C. Werner [http://bmcr.brynmawr.edu/2005/2005-05-18.html BMCR 2005.05.18]
  
=== Adespota Elegiaca ===
+
* D'Alessio, G. B. (2004) '€˜Past future and present past: temporal deixis in Greek archaic lyric'€™, ''Arethusa'' 37: 267–94.
  
 +
* David, A.P. (2006) ''The Dance of the Muses: Choral Theory and Ancient Greek Poetics''. New York. Review by Ronald J.J. Blankenborg [http://ccat.sas.upenn.edu/bmcr/2007/2007-04-46.html BMCR 2007.04.46].
  
== Greek Lyric Poetry ==
+
* Dougherty, C. (1994) '€˜Archaic Greek foundation poetry: questions of genre and occasion'€™, ''JHS'' 114: 35–46.
  
=== Lyric General ===
+
* Ford, A. (1988) 'The Classical Definition of rhapsôdia', ''Classical Philology'' 83: 300-307.  
* Ahrens, H. L. (1853) ‘Über die Mischung der Dialekte in der griechischen Lyrik’, in ''Verhandlungen der dreizehnten Versammlung Deutscher Philologen, Schulmänner und Orientalisten in Göttingen vom 29. September bis 2. Oktober'', Göttingen: 55-80, reprinted in ''Kleine Schriften''. I, Hannover 1853 (= Hildesheim-New York 1977): 157-81.
 
  
* Athanassaki, L. (2002) 'On Horace 1.15 and Choral Lyric' in ''Horace and Greek Lyric'', ed. M. Paschalis. ''Rethymnon Classical Studies'' 1: 85-101.
+
* Gentili, B. (1990) ''Poetry and its Public in Ancient Greece''. Baltimore. Reviewed by S.D. Olson [http://bmcr.brynmawr.edu/1991/02.02.06.html BMCR 02.02.06]
  
* Athanassaki, L. (2005) 'Χορεία. Η ποιητική της παράστασης', ''Thallo'' 16: 37-76.
+
* Goldhill, S. and Osborne, R. (eds.) (1999) ''Performance Culture and Athenian Democracy''. Cambridge.
  
* Barrett, W. S. (2007) ''Greek Lyric, Tragedy, and Textual Criticism: Collected Papers''. Assembled and edited by M.L. West. Oxford, New York. The papers deal with Stesichorus, Pindar, Bacchylides and Euripides. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011752.html Table of Contents].
+
* Grandolini, S. (1991) '€˜Canto processionale e culto nell’antica Grecia'€™, in ''L'€™inno tra rituale e letteratura nel mondo antico: Atti di un colloquio Napoli'' 21–24 ottobre 1991, AION 13: 125–40.
  
* Bierl, Anton (2001) ''Der Chor in der Alten Komödie. Ritual und Performativität'' (unter besonderer Berücksichtigung von Aristophanes' ''Thesmophoriazusen'' und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126). It has been translated by Alex Hollmann into English as:
+
* Griffith, M. (1990) ‘Contest and contradiction in early Greek poetry’, in ''Cabinet of the Muses: Essays on Classical and Comparative Literature in Honor of Thomas G. Rosenmeyer'', ed. M. Griffith and D. Mastronarde. Atlanta: 185-€“207.
** Bierl, Anton (2007) ''Ritual and Performativity: The Chorus in Old Comedy''. Harvard Press, Center of Hellenic Studies. With many interpretations of comic, tragic and satyric songs, with a general introduction of more than 90 pages to the Chorus and song culture in general; it includes an interpretation of Alcman and an intense analysis of popular Phallus-Songs in ch. 2.
 
  
* Bremer, Jan Maarten and W.D. Furley (2001) ''Greek Hymns. Selected Cult Songs from the Archaic to the Hellenistic period''. Tübingen.
+
* Hagel, S. and Harrauer, C. (2005) (eds.) ''Ancient Greek Music in Performance'' (Book and Audio CD). Vienna.
  
* Bremer, Jan Maarten (2008) 'Traces of the Hymn in the Epinikion', ''Mnemosyne'' 61: 1-17. [http://www.swetswise.com.proxy.ubn.ru.nl:8080/swetsfo/swproxy?url=http%3A%2F%2Fopenurl.ingenta.com%2Fcontent%2Fswetsnet-4.1.8057b0ad6528f5df0c29150bac728f60%3Fgenre%3Darticle%26issn%3D0026-7074%26volume%3D61%26issue%3D1%26spage%3D1%26epage%3D17%26aulast%3DBremer&ts=1202555031030&cs=4113296875&userName=9021463.ipdirect&emCondId=2043297&articleID=35750230&yevoID=2197893&titleID=137377&referer=2&remoteAddr=131.174.248.1 PDF].
+
* Lech, M.L. (2009) 'Marching choruses?: Choral performance in Athens' ''GRBS'' 49, 3.
** Abstract: E.L. Bundy's (1962) approach to Pindar's victory odes might lead to the assumption that the poet's praise is always and exclusively addressed to the human laudandus and his polis. Readers of Currie's recent monograph (2005) might even be led one step further: does Pindar insinuate that the laudandus receives heroic status and becomes immortal? In this paper it is argued in the first place that in many, if not all, epinicians praise of the gods comes in first place, praise of the gods being the foundation and the echo-chamber of the praise directed at the victorious athlete. A second point is that in a significant number of passages the athlete is reminded by the epinician poet that he is just a mortal, and that his present and passing felicity, obtained by hard effort, is a far cry from the easy and everlasting happiness of the immortal gods.
 
  
* Calame, Claude (1977a) ''Les Chœurs de jeunes filles en Grèce archaïque''. Vol. I: ''Morphologie, fonction religieuse et sociale''; vol. II: ''Alcman'', Roma. The first volume has been translated by Derek Collins and Janice Orion (2001: 2nd ed.) ''Choruses of young women in ancient Greece: their morphology, religious role, and social functions''. Lanham, New York and Oxford.
+
* Mojsik, T. (2006) 'Vates socialis - metapoetyka antyczna a ryty przejścia (Vates socialis - ancient metapoetic and rites of passage)', in  ''Inicjacje: społeczne znaczenie sytuacji liminalnych w rytach przejścia'', red. J. Sieradzan. Białystok: 53-66.
  
* Calame, Claude (1977b) ''Rito e poesia corale in Grecia. Guida storica e critica'', Roma and Bari.
+
* Mojsik, T. (2008) 'Muses and gender of inspiration', ''"Sakarya University: The Journal of Art and Science'' 10.1: 67-78. [http://www.fed.sakarya.edu.tr/arsiv/yayinlenmis_dergiler/2008_1/2008_1_5.pdf electronic version]
  
* Calame, Claude (1997) 'Diction formulaire et fonction pratique dans la poésie mélique archaïque' in ''Hommage à Milman Parry. Le style formulaire de l'épopée homérique et la théorie de l'oralité poétique'', ed. F. Létoublon. Amsterdam: 215-222.
+
* Nagy, G. (2000) '€˜Reading Greek poetry aloud: evidence from the Bacchylides papyri'€™, ''QUCC'' 93 (= n.s. 64.1): 7-28.
  
* Calame, Claude (1998) 'La poésie lyrique grecque, un genre inexistant?' ''Littérature'' 11: 87-110. English translation in preparation for I. Rutherford (ed.) ''Oxford Readings in Greek Lyric''. Oxford.
+
* Nobili, C. (2014) 'Performances of Girls at the Spartan Festival of the Hyakinthia', in A. Kieburg – S. Moraw (eds.), ''Mädchen im Altertum/ Girls in Antiquity, Frauen – Forschung – Archäologie 11'', Münster: 135-148.
  
* Calame, Claude (2002) ''L'Éros dans la Grèce antique''. Paris (2nd edn.). English translation (1999) ''The Poetics of Eros in Ancient Greece''. Princeton.
+
* Peponi, A.-E. (2009) ' ''Choreia'' and Aesthetics in the ''Homeric Hymn to Apollo'': The Performance of the Delian Maidens (Lines 156–64)', ''Classical Antiquity'' 28.1: 39–70.
  
* Calame, Claude (2006) 'Identifications génériques entre marques discursives et pratiques énonciatives: pragmatique des genres “lyriques“' in ''Le savoir des genres'', eds. R. Baroni and M. Macé. Rennes: 35-55.
+
* Quattrocelli, L. (2002) 'Poesia e convivialità a Sparta arcaica. Nuove prospettive di studio', ''Cahiers Glotz'' 13: 7-32.
  
* Calame, Claude (2007) 'Mythos, musische Leistung und Ritual am Beispiel der melischen Dichtung' in ''Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen'', eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. ''MythosEikonPoiesis'' Bd. 1.1–2. Berlin and New York: 179-210.
+
* Quattrocelli, L. (2008) 'Poetry and Pottery related to the Symposium in Archaic Sparta', in ''Proceedings of the IX Symposium on Mediterranean Archeology  2005'', eds. O. Menozzi, M. L. Di Marzio, and D. Fossataro. Oxford: 63-67.
  
* Contiades-Tsitsoni, E. (1990) ''Hymenaios und Epithalamion. Das Hochzeitslied in der frühgriechischen Lyrik'', Stuttgart. ''Beträge zur Altertumskunde'' 16.
+
* Rotstein, A. (2012) '''Mousikoi Agones'' and the Conceptualization of Genre in Ancient Greece' in: ''CA'' 31.1: 92-127.
  
* D'Angour, Armand (1997) 'How the Dithyramb Got Its Shape', ''Classical Quarterly'' 47.2: 331-351.
+
* Scully, S. (2009) '€˜Apollo and the Dance of the Olympians'€™ in ''Apolline Politics and Poetics '', eds. L. Athanassaki, R.P. Martin, and J.F. Miller. Athens: 91-108.
  
* D'Angour, Armand (2007) 'The Sound of Music: modulations and innovations in drama and dithyramb' in ''Debating the Athenian Cultural Revolution'', ed. R. Osborne Cambridge: 288-300.
+
* Silk, M.S. (1995) 'Language, poetry and enactment'€™, ''Dialogos'' 2: 109-€“32.
  
* Danielewicz, J. (1990) 'Deixis in Greek Choral Lyrik', ''QUCC'' 63: 7-17.
+
* Vetta, M. (1996) '€˜Convivialità  pubblica e poesia per simposio in Greciâ'€™, ''QUCC'' 83 (= n.s. 54.3): 197-€“209.
  
* Danielewicz, J. (1990) 'Towards an Understanding of the Chrorus: Homer on Early Forms of Lyric Poetry', ''Eos'' 78: 55-62.
+
* Wecowski, M. (2002) 'Homer and the origins of the symposion' in ''Omero tremila anni dopo. Atti del congresso di Genova 6-8 luglio 2000'', ed. F. Montanari. Roma: 625-637.
  
* Davies, M. (1988) 'Monody, Choral Lyric, and the Tyranny of the Handbook', ''CQ n.s.'' 38: 52-64.
+
* Wecowski, M. (2002) 'Towards a definition of the symposion' in ''Euergesias charin. Studies Presented to Benedetto Bravo and Ewa Wipszycka by Their Disciples'', eds. T. Derda, J. Urbanik, M. Wecowski. Warszawa: 337-361.  
  
* Davies, M. (1991) ''Poetarum Melicorum Graecorum Fragmenta''. Vol. 1: Alcman, Stesichorus, Ibicus. Oxford.
+
* Wecowski, M. (2011) ''Sympozjon, czyli wspólne picie : początki greckiej biesiady arystokratycznej (IX-VII wiek p.n.e.).'' Warszawa : Wydawnictwo Naukowe Sub Lupa.
  
* Ford, Andrew L. (2006) 'The Genre of Genres: Paeans and Paian in Early Greek Poetry', ''Poetica'' 38.3-4: 277-296. It reviews the many attempts to define paeans (esp. by Käppel and Schroeder) as part of a broader discussion of the usefulness of genre terms in reading early Greek lyric. It reads several of Timotheus' fragments to argue that predicating the epithet was the core of the "genre".
+
* Wecowski, M. (2012) 'When did the Symposion Rise? Some archaeological considerations regarding the emergence of the Greek aristocratic banquet', ''Archaiognosia'' 16: 25-54.  
  
* Fowler, R.L. (1987) ''The Nature of Early Greek Lyric: Three Preliminary Studies''. Toronto.
+
* Wilson, P. (ed.) (2007) ''The Greek Theatre and Festivals. Documentary Studies. Oxford Studies in Ancient Documents.'' Oxford: Oxford University Press. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011345.html Table of Contents]. Reviewed by R. Mitchell-Boyask [http://ccat.sas.upenn.edu/bmcr/2008/2008-05-24.html BMCR 2008.05.24].
  
* Fröhder, D. (1994) ''Die dichterische Form der Homerischen Hymnen: untersucht am Typus der mittelgrossen Preislieder''. Hildesheim. ''Spudasmata'' 53.
+
* Yatromanolakis, D. (2009) 'Symposia, Noses, Πρόσωπα: A Kylix in the Company of Banqueters on the Ground', in ''An Archaeology of  Representations: Ancient Greek Vase-Painting and Contemporary Methodologies'', ed. D. Yatromanolakis. Athens: 414-465.
  
* Gentili, B. (1984) ''Poesia e pubblico nella Grecia antica da Omero al V secolo''. Roma-Bari. Revised and updated version translated, with an introduction, by Cole, A.T. (1988) ''Poetry and Its Public in Ancient Greece from Homer to the Fifth Century''. Baltimore.
+
=== Transmission and Reception ===
  
* González de Tobia, Ana M. (2005) ‘El canto coral ‘fundador’ de una poética que vincula fiesta y memoria’, in ''Memoria e Festa'', eds. de Souza Lessa, F. and da Cunha Bustamante, M. R. Rio de Janeiro: 165-172.
+
* Budelmann, F. (2001) '€˜Sound and text: the rhythm and metre of archaic and classical Greek poetry in ancient and Byzantine scholarship'€™, in ''Homer, Tragedy and Beyond: Essays in Honour of P. E. Easterling'', ed. F. Budelmann and P. Michelakis. London: 209–40.
  
* Harvey, A.E. (1955) 'The Classification of Greek Lyric Poetry', ''CQ n.s.'' 5: 157-175.
+
* Calame, C. (2010) 'The Authority of Orpheus, Poet and Bard : Between Oral Tradition and Written Practice', in: ''Allusion, Authority, and Truth. Critical Perspectives on Greek Poetic and Rhetorical Praxis'', Ph. Mitsis & Ch. Tsagalis eds.,  Berlin: 13-35.
  
* Hutchinson, G. O. (2001) ''Greek Lyric Poetry: A Commentary on Selected Larger Pieces''. Oxford.
+
* Dougherty, C. (1993) ''The Poetics of Colonization: From City to Text in Archaic Greece''. New York and Oxford. Reviewed by M.W. Edwards [http://bmcr.brynmawr.edu/1994/94.05.04.html BMCR 1994.05.04]
** Contains new texts of, and detailed commentaries on, Alcman 1 and 3 Davies, Stesichorus 222 (b) Davies, Sappho 1, 16, 31, 96 Voigt, Alcaeus 129, 130b, 298 Voigt, Ibycus S151 Davies, Anacreon 347 fr. 1, 358, 417 Page, Simonides 542, 543 Page, Bacchylides 3, Pindar ''Olympian'' 6, Sophocles ''Ajax'' 1185-1222, Euripides ''Medea'' 627-662; introductions on individual poets and on tragic lyric.
 
  
* Ingalls, Wayne (2000) ‘Ritual Performance as Training for Daughters in Archaic Greece’, ''Phoenix'' 54: 1-20.
+
* Ford, A. (2002) ''The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece''. Princeton, N.J. and Oxford. Reviewed by E. Papaioannou [http://bmcr.brynmawr.edu/2003/2003-06-07.html BMCR 2003.06.07]
  
* Käppel, L. (1992) ''Paian. Studien zur Geschichte einer Gattung''. Berlin. ''Untersuchungen zur antiken Literatur und Geschichte'' 37.
+
* Ford, A. (2003) '€˜From letters to literature: reading the 'song culture'€ of classical Greece'€™, in ''Written Texts and the Rise of Literate Culture in Ancient Greece'', ed. H. Yunis. Cambridge: 15–37.
  
* Klug, W. (1954) ''Untersuchungen zum Gebet in der frühgriechischen Lyrik''. Dissertation. Hamburg.
+
* Gentili, B. and Perusino, F. (eds.) (1999) ''La colometria antica dei testi poetici greci''. Pisa and Rome. Reviewed by H. Perdicoyianni-Paléologou [http://bmcr.brynmawr.edu/2000/2000-07-12.html BMCR 2000.07.12]
  
* Kowalzig, Barbara (2007) ''Singing for the Gods. Performances of Myth and Ritual in Archaic and Classical Greece''. Oxford Classical Monographs. Oxford: Oxford University Press.  
+
* Hummel, P. (1997) ''Philogica Lyrica: La poésie lyrique grecque au miroir de l'érudition philologique de l'€™antiquité à  la Renaissance''. Louvain.
  
* Lambin, G. (1992) ''La chanson grecque dans l'antiquité''. Paris.
+
* Petropoulos, J.C.B. (2003) ''Eroticism in Ancient and Medieval Greek Poetry''. London. Review by Vayos J. Liapis [http://ccat.sas.upenn.edu/bmcr/2004/2004-10-01.html ''BMCR'' 2004.10.01].
  
* Lattke, M. (1991) ''Hymnus: Materialien zu einer Geschichte der antiken Hymnologie''. Fribourg. ''Novum Testamentum et orbis antiquus'' 19.
+
* Sistakou, E. (ed.) (2017) Hellenistic Lyricism (Trends in Classics series), Berlin. Table of contents here: http://hellpoet.hypotheses.org/294
  
* Ley, G. (1993) 'Monody, Choral Song, and Athenian Festival Performance', ''Maia'' 45: 105-124.
+
== Greek Elegy and Iambus ==
  
* Lyghounis, Maria Gilda (1991) 'Elementi tradizionali nella poesia nuziale greca', ''Materiall e discussioni per I'analisi dei testi classici'' 27: 159-98.
+
=== Elegy and Iambus General ===
  
* MacDowell, D.M. (1989) 'Athenian Laws abouth Choruses' in ''Symposion 1982: Vorträge zur griechischen und hellenistischen Rechtsgeschichte (Santander 1.-4. September)'', ed. F.J. Fernández Nieto. Köln: 65-77.
+
* Carey, C. and L. Swift eds (2016) ''Iambus and Elegy: New Approaches''. Oxford.
  
* Martin, Richard (2007) 'Outer Limits, Choral Space' in ''Visualizing the Tragic'', eds. C. Kraus, S. Goldhill, H. Foley and J. Elsner. Festschrift for F. Zeitlin. New York, Oxford: 35-62.
+
* Bartol, K. (1993) ''Greek Elegy and Iambus. Studies in Ancient Literary Sources''. Poznań.
  
* Miller, P. A. (1994) ''Lyric Texts and Lyric Consciousness: The Birth of a Genre from Archaic Greece to Augustean Rome''. London.
+
* Bowie, E.L. (2001) ‘Ancestors of historiography in early Greek elegiac and iambic poetry?’, in ''The Historian’s Craft in the Age of Herodotus'', ed. N. Luraghi. Oxford: 45-66.
  
* Mullen, W. (1982) ''Choreia: Pindar and Dance''. Princeton.
+
* Gentili, B. & Prato, C. ed. (1988-2002) ''Poetarum elegiacorum testimonia et fragmenta''. Second revised edition. Leipzig.  
  
* Naerebout, F.G. (1997) ''Attractive Performances. Ancient Greek Dance: Three Preliminary Studies''. Amsterdam.
+
* Vetta, M. (1992) ‘Il simposio: la monodia e il giambo’, in ''Lo spazio letterario della Grecia antica, ed. G. Cambiano et al., vol. I.1 La produzione e la circolazione del testo: La polis''. Rome: 177–218.
  
* Nagy, G. (1990) ''Pindar's Homer. The Lyric Possession of an Epic Past''. Baltimore and London. [http://www.press.jhu.edu/books/nagy/PH.html Free-to-view online edition]. [http://www.intute.ac.uk/artsandhumanities/cgi-bin/fullrecord.pl?handle=humbul15952 More information] is available at [http://www.intute.ac.uk/ Intute], catalogued by Emma Bridges.
+
* West, M.L. ed. (1989–92) ''Iambi et elegi ante Alexandrum cantati'', 2nd edn. (2 vols.). Oxford.
  
* Nagy, G. (1994/5) 'Transformations of Choral Lyric Traditions in the Context of Athenian State Theater', ''Arion'' 3.1: 41-55.
+
* Wilson, P. (1999) ‘The aulos in Athens’, in ''Performance Culture and Athenian Democracy'', ed. S. Goldhill and R. Osborne. Cambridge: 58–85.
  
* Peponi, Anastasia-Erasmia (1991) 'Flexible Lyric, Inflexible Theory: around W.R. Johnson’s ''The Idea of Lyric: Lyric Modes in Ancient and Modern Poetry'' '. Berkeley 1982. in ''Logou Charin'' 2: 167-182. (in Greek)
+
=== Iambus General ===
 +
* Acosta-Hughes, B. (2002) ''Polyeideia: The Iambi of Callimachus and the Archaic Iambic Tradition''. Berkeley and London. Reviewed by P. Ojennus [http://bmcr.brynmawr.edu/2003/2003-02-04.html BMCR 2003.02.04]
  
* Peponi, Anastasia-Erasmia (1993) ''Representation of Space and Time in Early Archaic Lyric Poetry''. PhD dissertation Thessaloniki.
+
* Bowie, E. L. (2002) ‘Early Greek iambic poetry: the importance of narrative’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md./Oxford: 1-27.
  
* Peponi, Anastasia-Erasmia (1995) 'Teaching Lyric Poetry in High Schools by means of Modern Greek Translations' ''Thallo'' 7: 103-112. (in Greek)
+
* Bowie, E. L. (2002) ‘Ionic iambos and Attic komoidia: father and daughter, or just cousins’, in ''The Language of Greek Comedy'' ed. A. Willi, Oxford: 33-50.
  
* Peponi, Anastasia-Erasmia (2002) 'Mixed Pleasures, Blended Discourses: Poetry, Medicine and the Body in Plato’s ''Philebus'' 46-47c', ''Classical Antiquity'' 21: 135-160. (reception of archaic lyric poetry in Plato)
+
* Brown, C. G. (1997) ‘Iambos’ in ''A Companion to the Greek Lyric Poets'', ed. D.E. Gerber, Leiden: 11-88.
  
* Peponi, Anastasia-Erasmia (2002) 'Fantasizing Lyric: Horace, Epistles 1.19' in ''Horace and Greek Lyric Poetry'', ed. M. Paschalis. Rethymnon: 19-45. (reception of archaic lyric poetry in Horace)
+
* Carey, C. (2009) ‘Iambus’ in ''Cambridge Companion to Greek Lyric'', ed. F. Budelmann. Cambridge: 149-167.
  
* Psaroudakēs, Stelios (2006) 'A lyre from the cemetery of the Acharnian Gate, Athens' in ''Studien zur Musikarchäologie V. Music Archaeology in context. Archaeological semantics, historical implications, socio-cultural connotations. Papers from the 4th Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 19-26 September, 2004. Orient-Archäologie 20'', Ellen Hickmann & Arnd Adje Both & Ricardo Eichmann (eds.). Rahden, Westf.: 59-79.
+
* Kantzios, I. (2005) ''The Trajectory of Archaic Greek Trimeters''. Leiden and Boston. Reviewed by L. Lomiento [http://bmcr.brynmawr.edu/2006/2006-03-34.html BMCR 2006.03.34]
  
* Ψαρουδάκης, Στέλιος (2007) «Η λύρα στον ελλαδικό χώρο στις εποχές του Χαλκού και το Σιδήρου», ''Αρχαιολογία και Τέχνες'' 90: 59-67. (in modern Greek)
+
* Lennartz, K. (2000) ‘Zum “erweiterten” Jambusbegriff’, ''RhM'' 143: 225–50.
  
* Race, W.H. (1992) 'How Greek Poems Begin', ''YCS'' 29: 13-38.
+
* Lennartz, K. (2010) ''Iambos. Philologische Untersuchungen zur Geschichte einer Gattung in der Antike''. Wiesbaden.
  
* Ruijgh, C.J. (1980) 'De ontwikkeling van de lyrische kunsttaal, met name van het literaire dialect van de koorlyriek', ''Lampas'' 5: 416-435.
+
* Mayer, Peter. (2008) ''Aristoteles über das Wort 'iambeion' und über die Anfänge des Iambos (Poet. 1448b,30-32 - eine Pseudo-Etymologie?).'' ''Wiener Humanistische Blätter'' (Wien) 49: 19–27.
  
* Rutherford, I. (1993) 'Paeanic Ambiguity: A Study of the Representation of the Paean in Greek Literature', ''QUCC'' 44: 97-92.
+
* Nobili, C. (2016) 'Iambi in Sparta', ''Greek and Roman Musical Studies'' 4: 38-50.
  
* Rutherford, I. (1997) 'Odes and Ends: Closure in Greek Lyric Poetry' in ''Classical Closure. Reading the End in Greek and Latin Literature'', eds. Roberts, D. and D. Fowler. Princeton [...].
+
* Riu, X. (2008) ‘On the difference between praise and invective’ in: ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades. Paroikia, Paros, 7-9 October 2005'', eds. D. Katsonopoulou, I. Petropoulos, and S. Katsarou. Athens: 73-82.  
  
* Rutherford, I. (2001) ''Pindar's Paeans. A Reading of the Fragments with a Survey of the Genre''. Oxford.
+
* Rotstein, A. (2010) ''The Idea of Iambos''. Oxford. Reviewed by C. Eckermann [http://bmcr.brynmawr.edu/2010/2010-06-21.html BMCR 2010.06.21]
  
* Schmidt, E.G. (1974) 'Zur Interpretation und Rezeption frühgriechischer Lyrik' in ''Die Antike in der sozialistischen Kultur, Internationale Arbeitskonferenz des Instituts für Altertumswissenschaft der Friedrich-Schiller-Universität Jena, 27.-29. Juni 1973''. Jena: 93-109.
+
* Steinrück, M. (2000) ''Iambos. Studien zum Publikum einer Gattung in der frühgriechischen Literatur.'' Hildesheim.
  
* Schmitz, H. (1970) ''Hypsos und Bios. Stilistische Untersuchungen zum Alltagsrealismus in der archaischen griechischen Chorlyrik''. Bern.
+
* Suárez de la Torre, E. (2002) ''Yambógrafos griegos''. Madrid.
  
* Segal, C. (1989) 'Song, Ritual, and Commemoration in Early Greek Poetry and Tragedy', ''Oral Tradition'' 4: 330-359.
+
=== Archilochus ===
 +
* Aloni, A. (1981) ''Le Muse di Archiloco: Ricerche sullo stile archilocheo''. Copenhagen. Review by Slings, S.R. (1984) ''Mnemosyne'' 37: 169-171.
  
* Segal, C. (1998) ''Aglaia. The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham-Boulder-New York-Oxford.
+
* Aloni, A. and  Iannucci, A. (2007) ''L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco''. Firenze: Le Monnier Università.
  
* Seidensticker, Bernd (2005) 'Dithyramb, Comedy, and Satyr-Play' in ''A Companion to Greek Tragedy'', ed. Justina Gregory. Oxford: Blackwell: 38-54. Reviewed by Wright, Matthew (2006) [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-39.html ''BMCR'' 2006.06.39].
+
* Barker, E.T.E. and Christensen, J.P (2006) ‘Fight club: the new Archilochus fragment and its resonance with Homeric epic’, ''MD'' 57: 9-41.
  
* Slings, S.R. (ed.) (1990) ''The poet's I in archaic Greek lyric''. Amsterdam.
+
* Bettarini, L. (2010) 'Archiloco fr. 201 W.2: meglio volpe o riccio?' in ''ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.)'', ed. E. Lelli. Pisa/Roma: 45-51.
  
* Slings, S.R. (1990) 'The I in personal archaic lyric: an introduction' in ''The poet's I in archaic Greek lyric'', ed. S.R. Slings. Amsterdam: 1-30.
+
* Bremer, J.M. (1978) ''Het gemaskerde Ik. De poëtische persoonlijkheid in enige Griekse gedichten''. Amsterdam. (in Dutch) Inaugural lecture, mainly concerned with Archilochus' Cologne Epode.
  
* Stehle, E. (1997) ''Performance and Gender in Ancient Greece. Nondramatic Poetry in its Setting''. Princeton.
+
* Bremer, J.M.; van Erp Taalman Kip, A.M. and Slings, S.R. (eds.) (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
  
* Trümpy, C. (1986) ''Vergleich des Mykenischen mit der Sprache der Chorlyrik. Bewahrt die Chorlyrik eine von Homer unabhängige alte Sprachtradition?''. Bern.
+
* Brown, C.G. (1995) 'The Parched Furrow and the Loss of Youth: Archilochus fr. 188 West', ''Quaderni Urbinati di Cultura Classica'' 50: 29–35.
  
* Webster, T.B.L. (1970) ''The Greek Chorus''. London.  
+
*Brown, C.G. and Gerber, D.E. (1993) ‘The parched furrow: Archilochus fr.188, 1–2 W’, in: ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica. Vol. I.'', ed. R. Pretagostini. Rome: 195–7.
  
* West, M.L. (1992) ''Ancient Greek Music''. Oxford.
+
* Clay, D. (2004) ''Archilochos Heros: The Cult of the Poets in the Greek Polis''. Hellenic Studies 6. Washington, D.C.: Harvard University Press. Reviewed by J. MacPhail [http://bmcr.brynmawr.edu/2005/2005-09-32.html BMCR 2005.09.32]
  
* Wilson, Lyn Hatherly (1996) ''Sappho's Sweetbitter Songs: Configurations of female and male in ancient Greek Lyric''. London and New York.
+
* Corrêa, P.C. (1998) ''Armas e Varões: A Guerra na Lírica de Arquíloco''. São Paulo.  
  
* Wilson, Peter J. (1999) 'The ''aulos'' in Athens', in ''Performance Culture and Athenian Democracy'', S. Goldhill and R. Osborne (eds.). Cambridge: 58-95.
+
* Corrêa, P.C. (2001) 'The Fox and the Hedgehog', ''Revista Phaos'' 1: 80 - 92. On Archilochus 201 IEG.
  
* Wilson, Peter J. (2000) ''The Athenian institution of the Khoregia: the chorus, the city and the stage''. Cambridge and New York.
+
* Corrêa, P.C. (2002) 'Muddy Eels', ''Rivista Synthesis (La Plata)'' 9: 81 -90. On Archilochus 189 IEG.
** Reviews: Josiah Ober (2000) ''BMCR'' 10. Stuart Douglas Olson (2000-2001) ''CW'' 94.4: 418-419. Geert Roskam (2001) ''LEC'' 69.3: 341-342. Jean-Charles Moretti (2001) ''REA'' 103.3-4: 585-586. Herman Van Looy (2001) ''AC'' 70: 447-448. Nicoletta Marini (2002) ''Athenaeum'' 90.2: 662-664. Stephen D. Lambert (2002) ''JHS'' 122: 178-179. Eric Csapo (2002) ''Phoenix'' 56.1-2: 150-153.
 
  
=== Sappho and Alcaeus ===
+
* Corrêa, P.C. (2007) 'A Human Fable and the Justice of Beasts in Archilochus' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 101-117. Reviewed by J. Gibert [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
* Aloni, A. (1983) ‘Eteria e tiaso: I gruppo aristocratici di Lesbo tra economia e ideologia’, ''Dialoghi di Archeologia'' ser. 3, n. 1: 21-35 (= ''id''., ‘Lotta politica e pratica religiosa nella Lesbo di Saffo e Alceo’, ''Atti del Centro ricerche e documentazione sull'antichittà classica'' 11 (1980/81): 213-32)
 
  
* Broger, A. (1996) ''Das Epitheton bei Sappho und Alkaios. Eine sprachwissenschaftliche Untersuchung''. Innsbruck. Review by Slings, S.R. (1999) ''Mnemosyne'' 52: 481-484.  
+
* Ford, A.L. (1993) 'L'inventeur de la poésie lyrique: Archiloque le colon', ''Métis. Revue de l'anthropologie grecque'' 8.1-2: 59-73.
  
* Nagy, Gregory (2007) 'Did Sappho and Alcaeus Ever Meet? Symmetries of Myth and Ritual in Performing the Songs of Ancient Lesbos' in ''Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen'', eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. ''MythosEikonPoiesis'' Bd. 1.1–2. Berlin and New York: ibid. 211-269.
+
* Gagné, R. (2009) 'A Wolf at the Table: Sympotic Perjury in Archilochus', ''TAPA'' 139.2: 251-275.
  
=== Sappho ===
+
* Gerber, D.E. (2000) 'Archilochus fr. 44 West' in: ''Poesia e religione in Grecia. Studi in onore di G. Aurelio Privitera'', eds. M.C. Fera and S. Grandolini. Napoli, vol. 1: 331-333.
Cf. the [http://athena.leidenuniv.nl/letteren/opleiding/klassieketalen/index.php3?m=184&c=199 bibliography on Sappho] made by Martine Cuypers that forms part of a [http://athena.leidenuniv.nl/letteren/opleiding/klassieketalen/index.php3?m=184&c=86 Hellenistic Bibliography].
 
  
* Aloni, A. (1997) ''Saffo: Frammenti''. Florence.
+
* Gerber, D.E. (2004) 'Archilochus fr. 218 W.' in: ''Dais Philesistephanos. Studies in Honour of Professor Staffan Fogelmark. Presented on the Occasion of his 65th Birthday 12 April 2004'', eds. P. Sandin and M.W. Schiebe. Uppsala: 19-20.
  
* Aloni, A. (2001) ‘What is that man doing in Sappho, fr. 31 V.?’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md., and Oxford: 29-40.
+
* Gerber, D.E. (2008) 'Archilochos and Tradition' in: ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades Paroikia, Paros, 7-9 October 2005'', eds. D. Katsonopoulou, I. Petropoulos, and S. Katsarou. Athens: 17-22.
  
* Bierl, Anton (2004) ' 'Ich aber (sage), das Schönste ist, was einer liebt!' Eine pragmatische Deutung von Sappho Fr. 16 LP/V', ''Quaderni Urbinati di Cultura Classica'' n.s. 74.2 (103): 91–124.
+
* Handley, E. (2007) 'Night Thoughts (Archilochus 23 and 196a West)' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 95-100. Reviewed by J. Gibert[http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
  
* Bremer, Jan Maarten (1982) 'A reaction to Tsagarakis' discussion of Sappho fr. 31', ''Rheinisches Museum'' 125: 113-116.
+
* Harrison, S.  (2001) ‘Some generic problems in Horace’s Epodes: or, on (not) being Archilochus’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', ed. A. Cavarzere et al. Lanham, Md. and Oxford: 165–86.
  
* Calame, Claude (1996) 'Sappho's Group: An Initiation into womanhood' in ''Reading Sappho. Contemporary Approaches'', ed. E. Greene, Berkeley and London: 113-124.
+
* Hawkins, J. N. (2016). Anger, Bile, and the Poet’s Body in the Archilochean Tradition. ''Iambus and Elegy: New Approaches'': 310-321.
  
* D'Angour, Armand (2006) 'Conquering Love: Sappho 31 and Catullus 51', ''Classical Quarterly'' 56: 297-300.
+
* Hawkins, T. (2009) 'This is the Death of the Earth: Crisis Narratives in Archilochus and Mnesiepes', ''Transactions of the American Philological Association'' 139.1: 1-20.
  
* Dosuna, Julián Méndez (2008) 'Miscellanea: Knees and Fawns in the New Sappho', ''Mnemosyne'' 61.1: 108-14. [http://www.swetswise.com.proxy.ubn.ru.nl:8080/swetsfo/swproxy?url=http%3A%2F%2Fopenurl.ingenta.com%2Fcontent%2Fswetsnet-4.1.2dae033a21a66b009d41d8e9ea102dbd%3Fgenre%3Darticle%26issn%3D0026-7074%26volume%3D61%26issue%3D1%26spage%3D108%26epage%3D114%26aulast%3DDosuna&ts=1202555509461&cs=2005023008&userName=9021463.ipdirect&emCondId=2043297&articleID=35750235&yevoID=2197893&titleID=137377&referer=1&remoteAddr=131.174.248.1 PDF].
+
* Irwin, E. (1998) ‘Biography, fiction and the Archilochean ainos’, ''JHS'' 118: 177–83.
  
* Greene, E. (ed.) (1996) ''Reading Sappho: Contemporary Approaches''. Berkeley and London.
+
* Létoublon, F. (2008) 'Archiloque et l'"encyclopédie" homérique', ''Pallas'' 77: 51-62.
  
* Lardinois, A.P.M.H. (1989) 'Lesbian Sappho and Sappho of Lesbos' in ''From Sappho to de Sade: Moments in the History of Sexuality'', ed. J.N. Bremmer. London: 15-35. Dutch version (1988) and Portugese translation (1995).
+
* Marcaccini, C. (2001) ''Construire un’identità, scrivere la storia: Archiloco, Paro e la colonizzazione di Taso''. Florence.
  
* Lardinois, A.P.M.H. (1994) 'Subject and Circumstance in Sappho's Poetry', ''Transactions of the American Philological Association'' 124: 57-84.
+
* Massimiliano O. (ed.) (2009), ''La lira, la vacca e le donne insolenti: contesti di ricezione e promozione della figura e della poesia di Archiloco dall'arcaismo all'ellenismo.'' Minima philologica 5. Alessandria. Reviewed by Rougier-Blanc, Sylvie (2010) [http://bmcr.brynmawr.edu/2010/2010-10-61.html ''BMCR'' 2010.10.61].
  
* Lardinois, A.P.M.H. (1996) 'Who Sang Sappho's Songs?' in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene Berkeley: 150-172.
+
* Mayer, P. (2006) 'Krieg aus Versehen? - Zur Funktion und Aussage der Telephos-Geschichte im neuen Archilochos (''P. Oxy.'' 4708, fr. 1)', ''ZPE'' 157: 15-18.
  
* Lardinois, A.P.M.H. (2001) 'Keening Sappho: Female Speech Genres in Sappho's Poetry' in ''Making Silence Speak: Women's Voices in Greek Literature and Society'', eds. A. Lardinois and L. McClure. Princeton: 75-92.
+
* Mayer, P. (2006) 'Der Mann, das Mädchen und der Dichter - Zur Frage der Absicht dreier Personen: eine Verführungsgeschichte (Archil. 196a W2)', ''Acta Classica Universitatis Scientiarum Debreceniensis (Debrecen)'' 42: 5-20.
  
* Lardinois, A.P.M.H. ((2003) 'Drie gedaantes van Helena: Moderne interpretaties van Sappho Fr. 16' (Modern interpretations of Sappho Fr. 16), ''Lampas'' 36: 261-283.
+
* Medaglia, S.M. (1982) ''Note di esegesi archilochea''. Roma. Review by S.R. Slings, (1988) ''Mnemosyne'' 41: 134-135.
  
* Lardinois, A.P.M.H. (2007) 'Seks à la Sappho', ''Lampas'' 40: 273-80. In Dutch.
+
* Miralles, C. and Pòrtulas, J. (1983) ''Archilochus and the iambic poetry''. Roma. Review by S.R. Slings (1987) ''Mnemosyne'' 40: 430-432.
  
* Peponi, Anastasia-Erasmia (1985) 'Narrative Modes in a lyric  litê: Sappho 1 L.P' ''Philologos'' 41: 244-259. (in Greek)
+
* Nesselrath, H.G. (2007) 'Lucian and Archilochus, or: How to Make Use of the Ancient Iambographers in the Context of the Second Sophistic' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 132-43. Reviewed by J. Gibert [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
  
* Peponi, Anastasia-Erasmia (1995) 'Lyric Transformations of Epic Helen: the Technique of Poetic Suppression in Sappho 16 L.P.' in ''Proceedings of the 7th International Symposium of Ithaki'': 315-328. (in Greek)
+
* Nicolosi, A. (trans. and comm.) (2007) ''Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708)''. Eikasmos, 14. Bologna: Pàtron Editore. Reviewed by R.M. Rosen [http://bmcr.brynmawr.edu/2009/2009-04-09.html BMCR 2009.04.09].
  
* Peponi, Anastasia-Erasmia (1997) 'Mythoplokos Eros: Sappho’s Allusion to her Poetics' in ''Acta: First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-T. Papademetriou. Athens: 139-165. (in Greek)
+
* Nobili, C. (2009) 'Tra epos ed elegia: il nuovo Archiloco', ''Maia'' 61.2: 229-249.
  
* Rawles, Richard (2006) 'Notes on the interpretation of the 'New Sappho' ' ''ZPE'' 157: 1-7.
+
* Obbink, D. (2005) ‘4708, Archilochus, Elegies’, ''Oxyrhynchus Papyri'' 69: 18–42.
  
* Slings, S.R. (1988) 'Sappho fr. 1,19', ''Zeitschrift für Papyrologie und Epigraphik'' 72: 19-20.  
+
* Obbink, D. (2006) ‘A New Archilochus poem’, ''ZPE'' 156: 1–4.
  
* Slings, S.R. (1991) 'Sappho fr. 1, 8 V.: Golden house or golden chariot?', ''Mnemosyne'' 44: 404-410.  
+
* Pòrtulas, J. (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* Slings, S.R. (1994) 'Sappho, fr. 94, 10', ''Zeitschrift für Papyrologie und Epigraphik'' 102: 8.  
+
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. Alessandria: 57–71.
  
* Slings, S.R. (1994) 'Two notes on Sappho's wedding songs', ''Mnemosyne'' 47: 677-679.  
+
* Riu, X. (2012) 'On the Reception of Archilochus and of invective in antiquity', in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 249-282.
  
* Tasagarakis, O. (1979) 'Some neglected aspects of love in Sappho’s Fr. 31 LP', ''Rheinisches Museum'' 122: 97-118.
+
* Rosen, R.M. (2007) 'The Hellenistic Epigrams on Archilochus and Hipponax' in ''Brill's Companion to Hellenistic Epigram'' eds. P. Bing & J. Steffen Bruss. Leiden: 459–476. Reviewed by M.A. Tueller [http://bmcr.brynmawr.edu/2008/2008-06-19.html BMCR 2008.06.19]
  
* Yatromanolakis, Dimitrios (2007) ''Sappho In The Making: The Early Reception''. Harvard University Press.
+
* Rotstein, A. (2007) ‘Critias’ invective against Archilochus’, ''Classical Philology'' 102: 139-54.
 +
 +
* Rotstein, A. (2008) “‘I do not care about ''iamboi''” (Archil. Fr. 215W)’, in ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades'', eds. D. Katsonopoulou, I. Petropoulos and S. Katsarou. Athens: 65-80.
  
* Yossi, M. J.,– D. Kioussi and – A. Tatsi (eds) (2004) ''Thelxis. Fifteen Essays on Sappho''. Athens: Smili Editions. Articles by B. Gentili, Cl. Calame, J. McIntosh Snyder, J. J. Winkler, E. Greene, A. Lardinois, P. A. Rosenmeyer. I. Le. Pfeijffer, K. Stanley, Ch. Segal, W. Stehle Stigers. J. Svenbro, E. Robbins, R. Palmisciano, Anne Carson translated into modern Greek with an Introduction by the Editors.– (an En Kyklo publication)
+
* Rotstein, A. (2010) ''The Idea of Iambos''. Oxford: 151-166, 230-234, 256-259, 281-318.
  
=== Alcaeus ===
+
* Slings, S.R. (1975) 'Three notes on the new Archilochus papyrus', ''Zeitschrift für Papyrologie und Epigraphik'' 18: 170.
* Andrisano, A. (2001) ‘Iambic motifs in Alcaeus' lyrics’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md., and Oxford: 41-64.
+
 
 +
* Slings, S.R. (1976) 'Archilochus, the hasty mind and the hasty bitch', ''Zeitschrift für Papyrologie und Epigraphik'' 21: 283-288.
  
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
+
* Slings, S.R. (1980) 'Archilochus, eerste Keulse epode', ''Lampas'' 13: 315-335. (in Dutch)
  
* Kurke, Leslie (1994) 'Crisis and Decorum in Sixth–Century Lesbos: Reading Alkaios Otherwise', ''Quaderni Urbinati di cultura classica'', n.s. 47: 67–92.
+
* Slings, S.R. (1982) 'Archilochus and the ant', ''Zeitschrift für Papyrologie und Epigraphik'' 45: 69-70.  
  
* Lelli, Emanuele (2006) ''Volpe e leone. Il proverbio nella poesia greca (Alceo, Cratino, Callimaco). Filologia e critica, 93''. Roma: Edizioni dell'Ateneo. [http://catdir.loc.gov/catdir/toc/casalini05/06544053.pdf Table of Contents]. Reviewed by Massimiliano Ornaghi, [http://ccat.sas.upenn.edu/bmcr/2008/2008-01-39.html BMCR 2008.01.39].
+
* Slings, S.R. (1980-82) 'Archilochus, S 478 (a), 3 Page', ''Museum Criticum'' 15-17: 11-14.
  
=== Incertum utrius auctoris fragmenta ===
+
* Slings, S.R. (1983) 'Once more Archilochus and the ant', ''Zeitschrift für Papyrologie und Epigraphik'' 53: 31-36.
  
=== Alcman ===
+
* Slings, S.R. (1986) 'Archilochus: new fragments from the Sosthenes inscription', ''Zeitschrift für Papyrologie und Epigraphik'' 63: 1-3.  
* Bierl, Anton (2007) 'L'uso intertestuale di Alcmane nel finale della Lisistrata di Aristofane. Coro e rito nel contesto performativo' in ''Dalla lirica corale alla poesia drammatica. Forme e funzioni del canto corale nella tragedia e nella commedia greca'', eds. F. Perusino and M. Colantonio. Pisa: 259–290. With a comparison between Alcman and the last songs in Ar. ''Lysistrata''.
 
  
* Calame, Claude (1983) ''Alcman. Texte critique, témoignages, traduction et commentaire''. Roma.
+
* Slings, S.R. (1988) 'Archilochus, fr. 188,3', ''Zeitschrift für Papyrologie und Epigraphik'' 72: 21.  
  
* Peponi, Anastasia-Erasmia (2004) 'Initiating the Viewer: Deixis and Visual Perception in Alcman’s Lyric Drama', ''Arethusa'' 37.3: 295-316.
+
* Slings, S.R. (1989) 'Anonymus, Parallel lines from Homer and Archilochus', ''Zeitschrift für Papyrologie und Epigraphik'' 79: 1-8.  
  
* Peponi, Anastasia-Erasmia (2007) 'Sparta’s Prima Ballerina: ''Choreia'' in Alcman's Second ''Partheneion'' (3 ''PMGF'')', ''Classical Quarterly'' 57.2: 351-62.
+
* Slings, S.R. (1990) 'Archilochus van Paros, soldaat en dichter', ''Hermeneus'' 62: 281-289. (in Dutch)
  
* Priestley, J.M. (2007) 'The φαρος of Alcman's ''Partheneion'' 1', ''Mnemosyne'' 60.2: 175-95.
+
* Slings, S.R. (1992) 'For the third time: Archilochus and the ant', ''Eikasmos'' 3: 13-17.  
  
* Robbins, E. (1991) 'Alcman’s Partheneion: Legend and Choral Ceremony', ''CQ'' 44: 7-16.
+
* Slings, S.R. (1995) 'Archilochus, fr. 188, 1-2', ''Zeitschrift für Papyrologie und Epigraphik'' 106: 1-2.
  
=== Stesichorus ===
+
* Steinrück, M. (1991) ''Leise Laute, Arbeiten über das Verhältnis von Rhythmus und Lautresponsion bei Archilochos''. Lausanne Basel.
* Arrighetti, G. (1995) 'L'arte di Stesicoro nel giudizio degli antichi', in ''Poésie et lyrique antiques: Actes du colloque organisé par C. Meillier à l’Université Charles-de-Gaulle, Lille III, 2-4 juin 1993'', ed. L. Dubois. Lille: 55-72.
 
  
* Barker, Andrew (2001) 'La musica di Stesicoro', ''Quaderni Urbinati di Cultura Classica'' 67.1: 7-20.
+
* Steinrück, M. (2008) 'Les publics d'Archiloque', ''Pallas'' 77: 41-50.
  
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
+
* Suárez de la Torre, E. (1977) 'Un reciente problema para la Filología Clásica: el nuevo fragmento atribuido a Arquíloco' (en colaboración con A. Melero), ''CFC'' 13: 167-199.
  
* Slings, S.R. (1998) 'Hoge en lage lyriek in de zesde eeuw. I: Stesichoros', ''Hermeneus'' 70:188-195. In Dutch.
+
* Suárez de la Torre, E. (2000) 'Archilochus ‘Biography’, Dionysos, and Mythical Patterns' in ''Poesia e religione in Grecia. Studi in Onore di G. Aurelio Privitera. Volume II'', eds. M. Cannata Fera and S. Grandolini. Napoli: 639-658.
  
=== Ibycus ===
+
* Swift, L. (2016) ‘Poetics and Precedents in Archilochus’ Erotic Imagery’, in Iambus and Elegy: New Approaches, eds. C. Carey and L. Swift. Oxford:. 253–270.
* Tortorelli, William (2004) 'A Proposed Colometry of Ibycus 286', ''Classical Philology'' 99.4: 370-376. [http://www.journals.uchicago.edu/doi/abs/10.1086/429942 URL]
 
  
* Ucciardello, Giuseppe (2005) 'Sulla tradizione del testo di Ibico', in ''Lirica e Teatro in Grecia. Il Testo e la sua ricezione (Atti del II Incontro di Studi, Perugia 23-24 gennaio 2003)'', a cura di S. Grandolini. Napoli: 21-88.
+
* Swift, L. (2015) ‘Negotiating Seduction: Archilochus’ Cologne Epode and the Transformation of Epic, Philologus 159(1): 2-28
  
=== Anacreon ===
+
* Swift, L. (2014) ‘Telephus on Paros: Genealogy and Myth in the “New Archilochus” Poem (P. Oxy. 4708), CQ 64(2): 433-47.
* Achilleos, S. (2004) ‘The ''Anacreontea'' and a tradition of refined male sociability’ in ''A Pleasing Sinne: Drink and Conviviality in Seventeenth-Century England'', ed. A. Smyth. Cambridge: 21-35.
 
  
* Aloni, A. (2000) 'Anacreonte a Atene: datazione e significato di alcune iscrizioni tiranniche', ''ZPE'' 130: 81-94.
+
* Swift, L. (2014) ‘The Animal Fable and Greek Iambus: Ainoi and Half-Ainoi in Archilochus, in Gêneros poéticos na Grécia antiga: Confluências e fronteiras, eds. C. Werner and B. Sebastini.  São Paulo: 49-77.
  
* Iannucci, A. (1999) 'Callimaco, Anacreonte e il ‘bere vino’ (Callim. Aet. fr. 178,11 s. Pf.; Anacr. fr. 56 Gent. = 2 W.)', ''Quaderni del Dipartimento di Filologia, Linguistica e Tradizione Classica  di Torino'' 12: 131-140.
+
* Swift, L. (2012) ‘Archilochus the “Anti-Hero” Heroism, Flight and Values in Homer and the New Archilochus Fragment (P. Oxy. LXIX 4708), JHS 132: 139-55.
  
* Ladianou, Katerina (2005) 'The Poetics of Choreia: Imitation and Dance in the ''Anacreontea'' ', ''Quaderni Urbinati di Cultura Classica'' 80: 47-60.
+
* West, M.L. (2006) ‘Archilochus and Telephos’, ''ZPE'' 156: 11–17.
  
* Slings, S.R. (1978) 'Anacreon's two meadows', ''Zeitschrift für Papyrologie und Epigraphik'' 30: 38.  
+
=== Semonides ===
 +
*Carson, A. (1999) ''Economy of the Unlost: Reading Simonides of Keos with Paul Celan.'' Princeton, N.J.
  
* Slings, S.R. (1998) 'Hoge en lage lyriek in de zesde eeuw: II Anakreon', ''Hermeneus'' 70: 247-253. In Dutch.
+
* Hubbard, Th.K. (1994) 'Elemental Psychology and the Date of Semonides of Amorgos', ''AJPh'' 115: 175-197.
  
=== Simonides ===
+
* Hubbard, Th.K. (1996) ' 'New Simonides' or old Semonides? Second Thoughts on POxy 3965, fr. 26, ''Arethusa'' 29: 255-262 (= in (2001) ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 226-231).
* Aloni, A. (2001) ‘The proem of Simonides’ Plataea Elegy and the circumstances of its Performance’, in ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 86-105.
 
  
* Aloni, A. (2006) ‘A proposito di Simon. fr. 22 W2 e Ael. Aristid. 31,2 K.’, ''Eikasmos'' 17: 69-73.
+
* Osborne, R. (2001) ‘The use of abuse: Semonides 7’, ''PCPhS'' 47: 47–64.
  
* Barchiesi, A. (1996) ‘Poetry, praise, and patronage: Simonides in the fourth book of Horace’s Odes’, ''ClAnt'' 15: 5-47.
+
* Steinrück, M. (1994) ''Regards sur la femme: analyse rythmique et interprétation de Sémonide frg. 7 Tedeschi-Pellizer''. Roma.
  
* Barchiesi, A. (2001) ‘Simonides and Horace on the death of Achilles’, in ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 255-260.
+
* Steinrück, M. (1994) 'Echos phoniques et débuts de mots dans le iambe de Sémonide d'Amorgos', ''Revue informatique et statistique dans les sciences humaines'' 30: 139-153.
  
* Boedeker, Deborah (1995) 'Simonides on Plataea: Narrative Elegy, Mythodic History' ''ZPE'' 107: 217-229.
+
* Van Wees, H. (2005) 'The invention of the female mind. Women, property and gender ideology in archaic Greece', in ''Women and Property in the Ancient Near East and Greece'', eds. D. Lyons and R. Westbrook. Published on website of Center for Hellenic Studies, Washington DC. pp. 26. [http://chs.harvard.edu/chs/women_and_property URL]. Includes discussion of Fr 7.
  
* Boedeker, Deborah (1998) 'The New Simonides and Heroization at Plataia' in ''Archaic Greece: New Approaches and New Evidence'', eds. Nick Fisher and Hans van Wees. Cardiff and London: 231-249.
+
=== Hipponax ===
  
* Boedeker, Deborah (2001) 'Heroic Historiography: Simonides and Herodotus on Plataea' in ''The New Simonides: Contexts of Praise and Desire'', eds. Boedeker and Sider. Oxford: 120-134. (Earlier version with same title in ''The New Simonides'', edd. Deborah Boedeker and David Sider = ''Arethusa'' 29 [1996]: 223-242)
+
* Alexandrou, M. (2016). 'A commentary on the fragments of the iambic poet Hipponax' (Doctoral dissertation, UCL (University College London)).
  
* Boedeker, Deborah (2001) '“Paths to Heroization at Plataea' in ''The New Simonides: Contexts of Praise and Desire'', eds. Boedeker and Sider. Oxford: 148-163.
+
* Carey, C. (2003) ‘Ipponatte e la tradizione giambica’ in ''Studi di filologia e tradizione greca in memoria di A. Colonna'', eds. F. Benedetti and S. Grandolini. Perugia: 213-228.
  
* Boedeker, Deborah and David Sider (eds.) (2001) ''The New Simonides: Contexts of Praise and Desire''. Oxford.
+
* Carey, C. (2008) ‘Hipponax narrator’, ''AAHung'' 48: 89-102.
  
* Bravi, Luigi (2006) ''Gli epigrammi di Simonide e le vie della tradizione. Filologia e critica'' 94. Roma: Edizioni dell'Ateneo. Reviewed by Sider, David (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-02-47.html ''BMCR'' 2008.02.47].
+
* Cazzato, V. (2015) ‘Hipponax’ poetic initiation and Herodas’ “Dream”’, ''The Cambridge Classical Journal'' 61: 1-14.
  
* Bremer, Jan Maarten (1991) 'Poets and their patrons', in ''Fragmenta Dramatica'', eds. A. Harder and H. Hofmann. Göttingen: 39-60. In this paper a substantial section on Simonides and Pindar.
+
* Dale, A. (2013). 'HIPPONAX FR. 42 IEG2' Zeitschrift für Papyrologie und Epigraphik 187: 49-51.
  
* Mayer, Péter (2007) 'Überlegungen zum Vortragskontext und zur Aussage der 'Plataia-Elegie' des Simonides (frr. 10-18 W2)', ''Hermes'' 135: 373-388.
+
* Degani, E. (1995) ‘Ipponatte e i poeti filologi’, in ''Atti del Congresso ‘Poeti e Filologi, Filologi-Poeti’. Composizione e studio della poesia epica e lirica nel mondo greco e romano'', Brescia, Università Cattolica, 26–27 aprile 1995, ed. A. Porro and G. Milanese, Aevum(ant) 8: 105–36.
  
* Petrovic, Andrej (2002) 'Der simonideische makros logos und die sophokleische ''Antigone''. Zur Identifizierung einer alten dramatischen Gestaltungsweise', ''Phaos Revista de Estudos Classicos'' 2: 121-131.
+
* Faraone, C.A. (2004) 'Hipponax Frag. 128W: Epic Parody or Expulsive Incantation?', ''Classical Antiquity'' 23: 209-45.
  
* Petrovic, Andrej (2007) ''Kommentar zu den simonideischen Versinschriften''. Leiden-Boston: Brill.
+
* Fowler, R.L. (1990) ‘Two more new verses of Hipponax (and a spurium of Philoxenus)?’, ''ICS'' 15: 1–22.
  
* Rawles, Richard (2005) 'Simonides and a new papyrus in Princeton', ''ZPE'' 153: 59-67. This article is an edition of P. Princeton inv. AM87-59A with comment. The papyrus contains a Simonides testimonium.
+
* Hawkins, S. (2013). ''Studies in the Language of Hipponax''. Bremen.
  
* Rawles, Richard (2008) 'Simonides and Theocritus 4: intertextual readings', ''MD'' 59: 9-34.
+
*Hawkins, T. (2016). 'Bupalus in Scheria: Hipponax’s Odyssean Transcontextualizations' in ''Iambus and Elegy: New Approaches'', C. Carey and L. Swift (eds) Oxford: 229-52.
  
* Rutherford, Ian (1990) 'Paeans by Simonides', ''HSCP'' 93: 169-209.
+
* Miralles, C. and J. Pòrtulas (1988) ''The Poetry of Hipponax''. Rome.
  
* Rutherford, Ian (1996) 'The New Simonides: towards a commentary', ''Arethusa'' 29: 167-192.
+
* Neri, C. (1995) 'L'empietà del naso (Hippon. fr.129a,1 Dg.)', ''Eikasmós'' 6: 11-14.
  
* Slings, S.R. (2003) 'De nieuwe Simonides', ''Lampas'' 36: 243-260. In Dutch.
+
* Nicolosi, A. (ed.) (2007) ''Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708)''. Bologna. Edition, translation and commentary Reviewed by R.M. Rosen [http://bmcr.brynmawr.edu/2009/2009-04-09.html BMCR 2009.04.09].
  
=== Pindar ===
+
* Rosen, R.M. (1990) ‘Hipponax and the Homeric Odysseus’, ''Eikasmos'' 1: 11–25.
Cf. the [http://athena.leidenuniv.nl/letteren/opleiding/klassieketalen/index.php3?m=184&c=211  bibliography on Pindar] made by Martine Cuypers that forms part of a [http://athena.leidenuniv.nl/letteren/opleiding/klassieketalen/index.php3?m=184&c=86 Hellenistic Bibliography].
 
  
* Anzai, Makoto (1990) ‘The first person in the epinicion’, ''JCS'' 38: 16-29.
+
* Rosen, R.M. (2007) 'The Hellenistic Epigrams on Archilochus and Hipponax' in ''Brill's Companion to Hellenistic Epigram'' eds. P. Bing & J. Steffen Bruss. Leiden.  
  
* Anzai, Makoto (1994) ‘First-person forms in Pindar: a re-examination’, ''BICS'' 39: 141-150. This contribution to the meaning of ‘I’ in epinician poetry contains an interpretation of Pindar’s ''Isthmian Eight'', lines 1-18 and an examination of parodoi in tragedy in order to provide indirect confirmation of the theory that an epinican chorus came marching to the place of performance.
+
* Rosen, R.M. (2007) ''Making Mockery. The Poetics of Ancient Satire. Classical Culture and Society.'' Oxford. Chapter 5 focuses on Hipponax and Callimachus.  
  
* Anzai, Makoto (1999) ‘A chorus who performs a poet: Pindar's ''Third Nemean ode'', 1-12’, ''Mediterraneus'' 22: 19-42.
+
* Suárez de la Torre, E. (1987) 'Hiponacte cómico', ''Emerita'' 55: 113-139.
  
* Athanassaki, L. (1990) ''Mantic Vision and Diction in Pindar’s Victory Odes''. PhD thesis. Brown University.
+
* Watkins, C. (2007) 'Hipponactea quaedam' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 118-25. Reviewed by J. Gibert [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
  
* Athanassaki, L. (1997) 'Οι κυρηναϊκοί θρύλοι στην μυθοποιητική πρόταση του McLaugΠινδάρου' in ''Acta of the First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-Th. Papademetriou. Athens: 199-233. With an extensive English summary.
+
=== Ananius ===
  
* Athanassaki, L. (2003) 'Transformations of Colonial Disruption into Narrative Continuity in Pindar’s Epinician Odes', ''HSCP'' 101: 93-128.
+
* Carey C.(2016). 'Mapping ''iambos'': Mining the minor talents', in I''ambus and Elegy: New Approaches'', C. Carey and L. Swift (eds), Oxford: 122-39.
  
* Athanassaki, L. (2003) 'A Divine Audience for the Celebration of Asopichus' Victory in Pindar's ''Fourteenth Olympian Ode'' ' in ''Gestures. Essays in Ancient History, Literature and Philosophy Presented to Alan L. Boegehold on the Occasion of His Retirement and His Seventy-Fifth Birthday'', eds. G. W. Bakewell and J. P. Sickinger. Oxford: 3-15.
+
=== Adespota Iambica ===
  
* Athanassaki, L. (2004) 'Deixis, Performance, and Poetics in Pindar's ''First Olympian Ode'' ' in ''Deixis in Choral Lyric'', ed. Nancy Felson. ''Arethusa'': 317-341.
+
=== Elegy General ===
  
* Barker, Andrew (2003) 'Lullaby for an eagle (Pindar, ''Pythian'' 1)', in ''Sleep'', T. Wiedemann and K. Dowden (eds.). Nottingham Classical Literature Studies vol. 8. Bari: 107-124.
+
* Adkins, A.W.H. (1985) ''Poetic Craft in the Early Greek Elegists''. Chicago-London.
  
* Berge, Lukas van den (2007) 'Mythical chronology in the Odes of Pindar: The cases of ''Pythian'' 10 and ''Olympian'' 3' in ''The Language of Literature. Linguistic Approaches to Classical Texts'', eds.  Rutger J. Allan and Michel Buijs. Leiden: Brill. ''Amsterdam Studies in Classical Philology'' 13: 29-41. Reviewed by Kölligan, Daniel (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-01.html ''BMCR'' 2008.07.01].
+
* Aloni, A. and  Iannucci, A. (2007) ''L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco''. Firenze: Le Monnier Università.
  
* Boeke, Hanna (2007) ''The Value of Victory in Pindar's Odes. Gnomai, Cosmology and the Role of the Poet''. Leiden and Boston.''Mnemosyne Supplementa'' 285.
+
* Barnes, H.R. (1995) ‘The structure of the elegiac hexameter: a comparison of the structure of elegiac and stichic hexameter verse’, in ''Struttura e storia dell’esametro omerico'', ed. M. Fantuzzi and R. Pretagostini, vol. I. Rome: 135–61.
  
* Bonifazi, Anna (2000) 'Sull’ idea di sotterfugio orale negli epinici pindarici', ''Quaderni Urbinati di Cultura Classica'' 95: 69-86.
+
* Bowie, E.L. (1990) ''Miles ludens''? The problem of martial exhortation in early Greek elegy’, in ''Sympotica: A Symposium on the Symposion''. ed. O. Murray. Oxford: 221-229.
  
* Bonifazi, Anna (2001) ''Mescolare un cratere di canti. Pragmatica della poesia epinicia in Pindaro''. Alessandria.
+
* Budelmann, F. and T. Power (2013). 'The inbetweenness of sympotic elegy.' JHS 133: 1-19.
  
* Bonifazi, Anna (2004a) 'Communication in Pindar’s Deictic Acts', ''Arethusa'' 37: 391-414.
+
* Faraone, C.A. (2005) 'Exhortation and Meditation: Alternating Stanzas as a Structural Device in Early Greek Elegy', ''CPh'' 100: 317-36. [Tyrtaeus 10, 11; Callinus 1; Xenophanes 1]
  
* Bonifazi, Anna (2004b) 'κεῖνος in Pindar: Between Grammar and Poetic Intention', ''Classical Philology'' 99: 283-99.
+
* Faraone, C.A. (2005) 'Catalogues, Priamels and Stanzaic Structure in Early Greek Elegy', ''TAPhA'' 135: 249-65. [Simonides  16; Tyrtaeus 12; Theognidea 699-718; Solon 13, 27]
  
* Bonifazi, Anna (2004c) 'Relative Pronouns and Memory: Pindar Beyond Syntax', ''Harvard Studies in Classical Philology'' 102: 41-68.
+
* Faraone, C.A. (2008) ''The Stanzaic Architecture of Early Greek Elegy''. Oxford. Reviewed by Eckerman, Chris (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-30.html ''BMCR'' 2008.08.30].
  
* Bremer, Jan Maarten (1990) 'Pindar's paradoxical ego and a recent controversy about the performance of his epinicians', in ''The Poet's I in Archaic Greek Poetry'', ed. S.R. Slings. Amsterdam: 41-58.
+
* Gerber, D.E. (1997) ‘Elegy’, in ''A Companion to the Greek Lyric Poets'', ed. D.E. Gerber. Leiden: 89–132.
  
* Bremer, Jan Maarten (1991) 'Poets and their patrons', in ''Fragmenta Dramatica'', eds. A. Harder and H. Hofmann. Göttingen: 39-60. In this paper a substantial section on Simonides and Pindar.
+
* Giordano-Zecharya, M. (2003) ‘Tabellae auris: musica e memoria nella trasmissione della lirica monodica’, in ''ΡΥΣΜΟΣ: Studi di poesia, metrica e musica greca offerti dagli allievi a Luigi Enrico Rossi per i suoi settant’anni'', ed. R. Nicolai. Rome: 73–92.
  
* Bundy, E.L. (1986) ''Studia Pindarica''. Berkeley and Los Angeles.
+
* Lulli, L. (2007) "‘Anomalie’ linguistiche e performances poetiche. Osservazioni sui tratti linguistici epicorici nell’epica greca postomerica e nell’elegia arcaica di argomento storico-narrativo", ''SemRom'' 10.2: pp. 35–62.
  
* Burnett, Anne Pippin (1998) ‘Spontaneity, savaging, and praise in Pindar's ''sixth paean'' ’, ''AJPh'' 119.4: 493-520.
+
* Lulli, L. (2009) 'Appunti per una storia grafico-editoriale del genere letterario dell’elegia in età ellenistico-romana', ''Scripta. International Journal of Palaeography and Codicology'' 2: 135–157.
  
* Calame, Claude (1996) ''Mythe et histoire dans l'Antiquité grecque. La création symbolique d'une colonie''. Lausanne. English translation (2003) ''Myth and History in Ancient Greece. The Symbolic Creation of a Colony''. Princeton.
+
* Lulli, L. (2011) ''Narrare in Distichi: L'elegia greca arcaica e classica di argomento storico-mitico''. Rome.  
  
* Carey, Christopher (1991) 'The Victory Ode in Performance: The Case for the Chorus', ''Classical Philology'' 86.3: 192-200. [http://links.jstor.org/sici?sici=0009-837X%28199107%2986%3A3%3C192%3ATVOIPT%3E2.0.CO%3B2-3 URL].
+
* Lulli, L. (2015) "Epica ed elegia. Incontri di due generi letterari nei luoghi della performance", in L. Bettarini (ed.), ''A più mani. Linee di ricerca tracciate in 'Sapienza''', Roma-Pisa: 89–102.
  
* D’Alessio, G. B. (1992) ‘Pindaro, peana VIIb (fr. 52h Sn.-M.), in ''Proceedings of the XIX International Congress of Papyrology'', Cairo: vol. 1: 353-73.
+
* Lulli, L. (2016) "Elegy and Epic: A Complex Relationship", in L. Swift, C. Carey (eds.), ''Iambus and Elegy. New Approaches'', Oxford-New York: 193-209.
  
* D’Alessio, G. B. (1994) ‘First-person problems in Pindar’, ''BICS'' 39: 117–39.
+
* Nobili, C. (2006) 'Omero e l'elegia trenodica', ''Acme'' 59.3: 3-24. It investigates the problem of threnodic elegy and presents the possibility to trace motifs typical of threnodic elegy in Homeric poems.
  
* D’Alessio, G. B. (1997) 'Pindar's prosodia and the classification of Pindaric papyrus fragments', ''ZPE'' 118: 23-60.
+
* Nobili, C. (2011) 'Threnodic elegy in Sparta', ''Greek, Roman, Byzantine Studies'' 51.1: 26-48.
  
* Faraone, Christopher A. (1993) 'The Wheel, the Whip and Other Implements of Torture: Erotic Magic in Pindar ''Pythian'' 4. 213-19', ''Classical Journal'' 88: 1-19.
+
* Nobili, C. (2016) 'Choral elegy', in C. Carey – L. Swift (eds.), I''ambus and Elegy. New Approaches'', Oxford: 33-55.
  
* Faraone, Christopher A. (2002) 'A Drink from the Daughters of Mnemosyne: Poetry, Eschatology and Memory at the End of Pindar's ''Isthmian'' 6' in ''Vertis in usum: Studies in Honor of Edward Courtney'', eds. J.F. Miller, C. Damon and K.S. Myers. Munich and Leipzig. ''Beiträge zur Altertumskunde'' 161: 259-70.
+
* Raalte, M. van (1988) 'Greek Elegiac Verse Rhythm', ''Glotta'' 66: 145-78.
  
* Fisher, Nick (2006) ‘The pleasures of reciprocity: Charis and the Athletic Body in Pindar’ in ''Penser et représenter le corps dans l’antiquité'', eds. Fr. Prost & J. Wilgaux. Presses Universitaires de Rennes: 227-46.
+
* Scott Garner, R. (2011) ''Traditional Elegy. The Interplay of Meter, Tradition, and Context in Early Greek Poetry.'' Oxford.  
  
* González de Tobia, Ana M. (1999) ‘Párphasis: concepto multiplicador en la ''Nemea'' VIII de Píndaro’, ''Limes'' 11: 57-68.
+
* Slings, S.R. (2000) 'Symposion and Interpretation: Elegy as group-song and the so-called awakening individual', ''Acta Antiqua Hungariensia'' 40: 423-434.
  
* González de Tobia, Ana M. (2000) ‘Párphasis: concepto multiplicador en la ''Nemea'' VIII de Píndaro’, in ''EPIEIKEIA: Studia Graeca in memoriam Jesús Lens Tuero'', eds. Alganza Roldán, J. M., Camacho Rojo, J. M., Fuentes González, P. P. and Villena Pansoda, M. Athos-Pergamos, Granada: 187-197.  
+
* Suárez de la Torre, E. (2012) ''Elegíacos Griegos.'' Madrid. Spanish translation with introduction.  
  
* Heath, Malcolm and Mary Lefkowitz (1991) 'Epinician Performance', ''Classical Philology'' 86.3: 173-191. [http://links.jstor.org/sici?sici=0009-837X%28199107%2986%3A3%3C173%3AEP%3E2.0.CO%3B2-9 URL].  
+
* Tsagalis, Christos C. (2008) ''Inscribing Sorrow: Fourth-century Attic Funerary Epigrams. Trends in Classics - Supplementary Volumes 1''. Berlin and New York. Reviewed by Garulli, Valentina (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-09-18.html ''BMCR'' 2008.09.18].
  
* Henry, W.B. (2005) ''Pindar’s Nemeans: A Selection''. München. (Commentary on Nemean Odes 4, 6, 8, 10, 11).
+
* Zanetto, G. (2004) ‘Omero e l’elegia arcaica’, in ''Momenti della ricezione omerica: Poesia arcaica e teatro'', ed. G. Zanetto et al. (Quaderni di Acme 67). Milan: 37–50.
  
* Hornblower, S. & C. Morgan (eds.) (2007) ''Pindar’s Poetry, Patrons and Festivals''. Oxford.
+
=== Callinus ===
** Rev.: Roman Ivanov [http://ccat.sas.upenn.edu/bmcr/2007/2007-10-45.html BMCR 2007.10.45]
 
  
* Kurke, L. (1988) 'The Poet’s Pentathlon: Genre in Pindar’s First Isthmian', ''Greek, Roman, and Byzantine Studies'' 29: 97–113.
+
* Christenson, D. (2000). 'Callinus and Militia Amoris in Achilles Tatius' 'Leucippe and Cleitophon'' The Classical Quarterly 50(2): 631-632.
  
* Kurke, L. (1990) 'Pindar’s Sixth Pythian and the Tradition of Advice Poetry', ''Transactions of the American Philological Association 120: 85–107.
+
=== Tyrtaeus ===
  
* Kurke, L. (1991) ''The Traffic in Praise: Pindar and the Poetics of Social Economy''. Ithaca, NY.
+
* Année, M. (2007) 'La mémoire oubliée: perspectives poétiques de l'élégie chez Tyrtée', [http://www.paris-sorbonne.fr/IMG/pdf/Magali_Annee.pdf ''Camenulae'' 1].
  
* Kurke, L. (1991) 'Fathers and Sons: A Note on Pindaric Ambiguity', ''American Journal of Philology'' 112: 287–300.
+
* Année, M. (2010) 'Pouvoir du λόγος e λόγος d'un pouvoir chez Tyrtée' in ''Linguaggi del potere, poteri del linguaggio'', eds. E. Bona and M. Curnis. Alessandria: 79-85.
  
* Kurke, L. (1996) 'Pindar and the Prostitutes, or Reading Ancient ‘Pornography’ ', ''Arion'' 3rd series, 4.2: 49–75. Reprinted in (1999) ''Constructions of the Classical Body'', ed. James I. Porter. Ann Arbor: 101–25.  
+
* Belloni, L. (2003) 'Il re suadente: (Tyrt. 9 G.-P., 1-9)' in ''Studi di filologia e tradizione greca in memoria di Aristide Colonna'', eds. F. Benedetti and S. Grandolini. Napoli: 63-75.  
  
* Kurke, L. (2005) 'Choral Lyric as ‘Ritualization’: Poetic Sacrifice and Poetic Ego in Pindar’s Sixth Paian', ''Classical Antiquity'' 25.1: 81-130.
+
* Faraone, C.A. (2006) 'Stanzaic Structure and Responsion in the Elegiac Poetry of Tyrtaeus', ''Mnemosyne'' 59: 19-52.
  
* Kurke, Leslie (2007) 'Visualizing the Choral: Poetry, Performance, and Elite Negotiation in Fifth-Century Thebes' in ''Visualizing the Tragic: Drama, Myth, and Ritual in Greek Art and Literature'', eds. C. Kraus et al. Oxford University Press: 63-101.
+
* Föllinger, S. (2005) 'Geschlecht und Körperwahrnehmung in der frühgriechischen Dichtung' in ''Medizin, Geschichte und Geschlecht: körperhistorische Rekonstruktionen von Identitäten und Differenzen'', eds. F. Stahnisch and F. Steger. Stuttgart: 27-39. [Homer, Tyrtaeus and Mimnermus].
  
* Lateur, P. (vert.) (1999) ''Pindaros. Zegezangen''. Amsterdam. (Dutch translation)
+
* Gerber, D.E. (2003) 'Λοξός with reference to the eyes and neck in Greek poetry' in ''Studi di filologia e tradizione greca in memoria di Aristide Colonna'', eds. F. Benedetti and S. Grandolini. Napoli: 355-8.
  
* Lefkowitz, M.R. (1991) ''First person Fictions: Pindar’s Poetic ‘I’ ''. Oxford.
+
* Hölscher, U. (1986) 'Tyrtaios über die Eunomie' in ''Studien zur alten Geschichte. Siegfried Lauffer zum 70. Geburtstag'', ed. H. Kalcyk, B. Gullath and A. Graeber Roma: 413-20.
  
* Maehler, H. (1989) ''Pindarus''. Pars II: ''Fragmenta, Indices''. Leipzig: Teubner. (Text edition)
+
* Link, S. (2003) 'Eunomie im Schoss der Rhetra? Zum Verhältnis von Tyrt. frgm. 14 W und Plut. Lyk. 6, 2 und 8', ''GFA'' 6: 141-150. [http://gfa.gbv.de/dr,gfa,006,2003,a,11.pdf PDF]
  
* Martin, Richard (2004) 'Home is the Hero: Deixis and Semantics in Pythian 8' in ''The Poetics of Deixis in Alcman, Pindar, and other Lyric'', ed. N. Felson [''Arethusa'' 37.3: 253-468]: 343-63. [http://muse.jhu.edu/journals/arethusa/toc/are37.3.html Contents ''Arethusa'' vol. 37]. [http://muse.jhu.edu/journals/arethusa/v037/37.3martin.pdf Access Article PDF].
+
* Luginbill, R.D. (2002) ‘Tyrtaeus ''12West'': come join the Spartan army’, ''CQ'' 52: 405–14.
  
* McLaughlin, Gráinne (2004) 'Professional Foul: Persona in Pindar' in ''Games and Festivals in Classical Antiquity. Proceedings of the Conference held in Edinburgh 10-12 July 2000. BAR International Series, 1220'', eds. Sinclair Bell, Glenys Davies. Oxford: Archaeopress: 25-32. Especially on Pindar's ''Olympian'' 1. Reviewed by Evans, Stephen (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-04-20.html ''BMCR'' 2008.04.20].
+
* Meier, M. (1998) ''Aristokraten und Damoden: Untersuchungen zur inneren Entwicklung Spartas im 7. Jahrhundert v. Chr. und zur politischen Funktion der Dichtung des Tyrtaios.'' Stuttgart. Reviewed by H. van Wees [http://bmcr.brynmawr.edu/1999/1999-10-15.html BMCR 1999.10.15]
  
* Morgan, Kathryn A. (1993) 'Pindar the Professional and the Rhetoric of the ΚΩΜΟΣ', ''Classical Philology'' 88.1: 1-15. [http://links.jstor.org/sici?sici=0009-837X%28199301%2988%3A1%3C1%3APTPATR%3E2.0.CO%3B2-5 URL].
+
* Meier, M. (2002), 'Tyrtaios fr. 1B G/P bzw. fr. °14 G/P (= fr. 4 W) und die Grosse Rhetra : kein Zusammenhang?', ''GFA'' 5: 65-87. [http://gfa.gbv.de/dr,gfa,005,2002,a,05.pdf PDF]
  
* Pfeijffer, I.L. (1999) ''Three Aeginian Odes of Pindar: A Commentary on Nemean V, Nemean III and Pythian VIII''. Leiden. Commentary on ''Pythian'' 8, ''Nemean'' 3, 5.
+
* Meier, M. (2003), 'Tyrtaios: die Entstehung eines Bildes', ''Antike und Abendland'' 49: 157-182.
  
* Race, W.H. (1990) ''Style and Rhetoric in Pindar's Odes''. Atlanta. ''American Philological Association'' 24.
+
* Munding, H. (1993), 'Tyrtaios 9 Diehl (= 12 West) auf dem Hintergrund des Hesiodischen Areté-Passus (E. 286-292)' in ''Antike Texte in Forschung und Schule: Festschrift für Willibald Heilmann zum 65. Geburtstag'', ed. C. Neumeister. Frankfurt: 29-37.
  
* Race (ed.), W.H. (1997) ''Pindar''. 2 vols. Loeb Classical Library. Cambridge, MA. (Text edition and translation)
+
* Nafissi, M. (2010), 'The Great ''Rhetra'' (Plut. ''Lyc.'' 6): a retrospective and intentional construct?' in: ''Intentional History. Spinning Time in Ancient Greece.'' eds. L. Foxhall, H.-J. Gehrke, N. Luraghi. Stuttgart: 89-119.  
  
* Rutherford, Ian (1988) 'Pindar on the Birth of Apollo', ''CQ'' 38: 65-75.
+
* Noussia, M. (2010) “Lo stile 'semplice' di Tirteo?”, in P. Chiron and C. Lévy (eds), ''Les Noms du Style dans l'Antiquité gréco-latine, Deuxième et Troisième Journées d' Étude, Paris IV (12 mais 2005), Paris XII (13 Mai 2005)''. Leuven: 11-24.
  
* Rutherford, Ian (1991) 'New Fragments of Pindar's Paeans', ''ZPE'' 86: 5-8.
+
* Pucci, P. (2006) 'Il testo di Tirteo nel tessuto omerico' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: 21-41. Reviewed by V. Jennings [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* Rutherford, Ian (1991) 'Neoptolemus and the Paean-Cry', ''ZPE'' 88: 1-10.
+
* Quattrocelli, L. (2006) ‘Tirteo: poesia e ἀνδρεία a Sparta arcaica’, in ''I luoghi e la poesia nella Grecia antica'', eds. M. Vetta and C. Catenacci. Alessandria: 133-144.
  
* Rutherford, Ian (1991) 'Pindar Paean VIIIA, The "Cassandra" of Bacchylides and the Anonymous "Cassandra" in P.Oxy.2368: An Exploration in Lyric Structure', ''Eos'' 79: 5-12.
+
* Quattrocelli, L. (2009) ‘Tirteo e la retorica dell’élite’, ''Annali dell’Istituto Orientale di Napoli'': 7-23.
  
* Rutherford, Ian (1992) 'Two Heroic Prosodia: A Study of Pindar, Pa.XIV-V', ''ZPE'' 92: 59-72.
+
* Schwinge, E.R. (1997), 'Tyrtaios über seine Dichtung (Fr. 9 G.-P. = 12 W.)', ''Hermes'' 125: 387-395.  
  
* Rutherford, Ian (1995) 'Et Hominum et Deorum . . . Laudes (?). A Hypothesis about the Organisation of Pindar's Paean-Book', ''ZPE'' 107: 44-52.
+
* Van Wees, Hans (1999) ‘Tyrtaeus’ Eunomia: nothing to do with the Great Rhetra’, in ''Sparta: New Perspectives'', eds. S. Hodkinson and A. Powell. London: 1-41.
  
* Rutherford, Ian (1997) 'For the Aeginetans . . . a Prosodion: An Unnoticed Title at Pindar, Paean 6, 123 And What it Means for the Poem', ''ZPE'' 118: 1-22.
+
* Van Wees, Hans (2002) ‘Gute Ordnung ohne Große Rhetra: noch einmal zu Tyrtaios’ Eunomia’, ''Göttinger Forum für Altertumswissenschaft'' 5: 89-103. [http://gfa.gbv.de/z/2002 URL] [http://gfa.gbv.de/dr,gfa,005,2002,a,06.pdf PDF]
  
* Rutherford, Ian (2001) ''Pindar's Paeans: a reading of the fragments with a survey of the genre''. Oxford.
+
* Van Wees, Hans (2003) 'Conquerors and serfs: wars of conquest and forced labour in archaic Greece', in ''Helots and their Masters in Laconia and Messenia: histories, ideologies, structures'', eds. N. Luraghi and S. Alcock. Cambridge, MA: 33-80. Includes discussion of Tyrtaeus' fragments.
  
* Schmidt, E.G. (ed.) (1981) ''Aischylos und Pindar. Studien zu Werk und Nachwirkung''. Berlin. ''Schriften zur Geschichte und Kultur der Antike'' 19.
+
=== Mimnermus ===
 +
* Allen, A. (1993) ''The Fragments of Mimnermus: Text and Commentary''. Stuttgart.
  
* Snell, B. and H. Maehler (1987) ''Pindarus''. Pars I: ''Epinicia'', 8th edition (and later). Leipzig: Teubner. (Text edition)
+
* Föllinger, S. (2005), 'Geschlecht und Körperwahrnehmung in der frühgriechischen Dichtung' in ''Medizin, Geschichte und Geschlecht: körperhistorische Rekonstruktionen von Identitäten und Differenzen'', eds. F. Stahnisch and F. Steger. Stuttgart: 27-39. [Homer, Tyrtaeus and Mimnermus].
  
* Tatsi, Anna (2008) 'On the Meaning of chronos in Pindar's ''Nemean'' 1.46', ''Mnemosyne'' 61.1: 120-129.
+
* Gerber, D.E. (2003) 'Mimnermus, Fragment 1.3 W.' in: ''Literature, Art, History: Studies on Classical Antiquity and Tradition. In Honour of W.J. Henderson'', eds. A.F. Basson & W.J. Dominik. Frankfurt am Main: 193-195.
  
* Van der Weiden, M.J.H. (1991) ''The Dithyrambs of Pindar: introduction, text and commentary''. Amsterdam: Gieben. Reviewed by Hamilton, Richard (1992) [http://ccat.sas.upenn.edu/bmcr/1992/03.03.21.html ''BMCR'' 03.03.21].
+
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. Alessandria: 57–71.
  
* Willcock, M.M. (1995) ''Pindar: Victory Odes''. Cambridge. (Commentary on Olympian 2, 7, 11; Nemean 4; Isthmian 3, 4, 7).
+
* Slings, S.R. (2000) ''Symposium: Speech and Ideology. Two hermeneutical issues in early Greek lyric, with special reference to Mimnermus''. Amsterdam (KNAW), Mededelingen KNAW afd. Letterkunde, 63, 1. Concerns the performance of lyric poetry in the archaic period. Review by J.M. Bremer (2003) ''Mnemosyne'' 56: 614-15 and D.E. Gerber [http://bmcr.brynmawr.edu/2000/2000-12-16.html BMCR 2002.12.16].
  
* Yossi, Mary J. (1999) “'Amoibaia deipna: Sympotic scenes in Pindar’'s ''Olympian'' 1'”, ''Indiktos'' 10: 110-123 [Greek text followed by modern Greek translation in pp. 100-109]. –(in modern Greek)
+
* Suárez de la Torre, E. (1985) 'El viaje nocturno del sol y la Nanno de Mimnermo', ''EClás'' 89: 5-20.
  
=== Bacchylides ===
+
=== Solon ===
* Bagordo, A. and B. Zimmermann (eds.) (2000) ''Bakchylides 100 Jahre nach seiner Wiederentdeckung''. München: ''Zetemata, Monographien zur klassischen Altertumswissenschaft'' 106.
+
* Almeida, J.A. (2003) ''Justice as an Aspect of the Polis Idea in Solon's Political Poems. A Reading of the Fragments in Light of the Researches of New Classical Archaeology.'' Leiden. Reviewed by A.J. Dominguez [http://bmcr.brynmawr.edu/2004/2004-02-51.html BMRC 2004.02.15]
  
* Bremer, Jan Maarten (2000) 'Der dithyrambischer Agon: ein kompetitiver Gottesdienst oder gar keiner?' in ''Bakchylides 100 Jahre nach seiner Wiederentdeckung'', eds. A. Bagordo, B. Zimmermann. München: 59-67.
+
* Anhalt, E.K. (1993) ''Solon the Singer.'' Lanham, MD.
  
* Burnett, A.P. (1985) ''The Art of Bacchylides''. Cambridge Mass.
+
* Blaise, F. (1995) ‘Le fragment 36 W. de Solon: pratique et fondation des normes politiques’, ''Revue des Études Grecques'' 108: 24-37.
  
* Fearn, David W. (2003) 'Mapping Phleious:  Politics and Myth-Making in Bacchylides 9', ''Classical Quarterly'' 53.2: 347-67.
+
* Blaise, F. (2005) ‘Poésie, politique, religion. Solon entre les dieux et les hommes (l’ “Eunomie” et l’ “Elégie aux Muses”, 4 et 13 West)’, ''Revue de Philosophie Ancienne'' 23: 3-40.
  
* Fearn, David W. (2007) ''Bacchylides: Politics, Performance, Poetic Tradition''. Oxford: Oxford Classical Monographs Series.
+
* Blaise, F. (2006) ‘Poetics and politics. Tradition re-worked in Solon’s “Eunomia” (poem 4)’, in ''Solon of Athens: New Historical and Philological Approaches'', eds. J.H. Blok & A.P.M.H. Lardinois. Leiden: 114-133.
  
* González de Tobia, Ana M. (1981) ''Los Epinicios de Baquílides. Una interpretación'', PhD. Dissertation, unpublished, Universidad Nacional de La Plata, Argentina.
+
* Blaise, F. (2010) 'Le bonheur redéfini. Solon, 23 W.', in D. Thouard-Ch. König (éds.), ''La Philologie au présent. Pour Jean Bollack''. Lille (Presses du Septentrion): 57-67.  
  
* González de Tobia, Ana M. (1994) ‘Itinerario crítico en torno de Baquílides’, in  ''Volumen Homenaje a Aída Barbagelata. In memoriam'', eds. Wendt, S. and Royo, M.  Actualidad Producciones, Buenos Aires, Tomo 1: 137-150.
+
* Blaise, F. (2011) 'La mer juste : Solon, 12 W', ''Revue des Etudes Grecques'' 124: 535-547.  
  
* González de Tobia, Ana M. (2000) ‘Baquílides, Epinicio II y el concepto de la fama’, in ''Homenaje a Corina Corchón'', eds. Calvo, F., Fontán, M.I., Gallotti, M. C. and Wainschenker, D. Universidad de Buenos Aires, Buenos Aires: 39-50.  
+
* Blaise, F. (2012) 'Solon entre Zeus et loup: un usage provocant des représentations et des formes poétiques traditionnelles (poème 36 W)' in ''Approaches to Greek Poetry'' X. Riu & J. Pòrtulas. Messina: 99-119.
  
* González de Tobia, Ana M. (2000) ‘La poesía de Baquílides como proyección de una aretá inconfundible’, ''Synthesis'' 7: 149-163.
+
* Blok, J.H. and Lardinois, A.P.M.H. (eds.) (2006) ''Solon of Athens: New Historical and Philological Approaches''. Leiden. Reviewed by B.M. Lavelle [http://bmcr.brynmawr.edu/2007/2007-04-26.html BMCR 2007.04.26].
  
* González de Tobia, Ana M. (2001) ‘Una metáfora al servicio del pensamiento poético, Baquílides 3’, ''Iter'': 217-232.
+
* Carvalho, S. and Neto, F.J (2014) 'A crise social na Atenas de Sólon e o estabelecimento da justiça baseada no governo da lei', ''Humanitas''66: 59-85.
  
* González de Tobia, Ana M. (2004) ‘El pensamiento moral del Baquílides, entre ólbos y areté’, in ''Ética y Estética. De Grecia a la modernidad'', ed. González de Tobia, Ana M. Universidad Nacional de La Plata, La Plata: 59-74.
+
* Gagné, R. (2009) 'Spilling the Sea Out of its Cup: Solon's Elegy to the Muses,' ''Quaderni urbinati di cultura classica'' 133: 23-49.
  
* González de Tobia, Ana M. (2006) ‘Bacchylides’ moral thought, between olbos and areta’, paper presented at the Epinician Conference, 5-9 july 2006, University College London (UCL) London, UK. Unpublished.
+
* Irwin, E. (2005) ''Solon and Early Greek Poetry: The Politics of Exhortation''. Cambridge.
  
* González de Tobia, Ana M. (2007) ‘Lenguaje, Discurso y Civilización en Baquílides 11’, in ''Lenguaje, Discurso y Civilización. De Grecia a la modernidad'', ed. González de Tobia, Ana M. La Plata: 99-116.
+
* Lardinois, A.P.M.H. (2006) 'Have we Solon's verses?' in ''Solon of Athens: New Historical and Philological Approaches'', eds. J.H. Blok & A.P.M.H. Lardinois. Leiden: 15-35. Dutch version (2006) ''Lampas'' 39: 91-109.
  
* Käppel, L. (2000) 'Bakchylides und das System der chorlyrischen Gattungen im 5. Jh. v.Chr.' in ''Bakchylides 100 Jahre nach seiner Wiederentdeckung'', eds. A. Bagordo, B. Zimmermann. München: 11-27.
+
* Lewis, J.D.(2006) ''Solon the Thinker: Political Thought in Archaic Athens''. London. Reviewed by Z. Papakonstantinou [http://bmcr.brynmawr.edu/2007/2007-05-28.html BMCR 2007.05.28]
  
* Pfeijffer, I.L. and S.R. Slings (eds.) (1999) ''One Hundred Years of Bacchylides. Proceedings of a colloquium held at the Vrije Universiteit Amsterdam''. Amsterdam.
+
* Monedero, A.J.D. (2001) ''Solón de Atenas. Editorial Crítica.'' Barcelona. Reviewed by E. Katz Anhalt [http://bmcr.brynmawr.edu/2002/2002-08-42.html BMCR 2002.08.24]
 +
 
 +
* Mossé, C. (1996) ‘Due miti politici: Licurgo e Solone’, in ''I Greci: Storia cultura arte società, II, Una storia greca, 1, Formazione'', ed. S. Settis. Turin: 1325–35.
  
* Power, Timothy (2000) ‘The «parthenoi» of Bacchylides 13’, ''Harvard studies in classical philology'' 100: 67-81.
+
* Mülke, C. (2002) ''Solons Politische Elegien und Iamben (Fr. 1-13; 32-37 West). Einleitung, Übersetzung, Kommentar.'' Munich/Leipzig. Reviewed by E. Irwin [http://bmcr.brynmawr.edu/2005/2005-05-26.html BMRC 2005.05.26]
  
* Rutherford, Ian (1991) 'Pindar Paean VIIIA, The "Cassandra" of Bacchylides and the Anonymous "Cassandra" in P.Oxy.2368: An Exploration in Lyric Structure', ''Eos'' 79: 5-12.
+
* Nagy, G. and M. Noussia-Fantuzzi eds. (2015). ''Solon in the Making: The Early Reception in the Fifth and Fourth Centuries''. Trends in Classics 7.1. De Gruyter.
  
* Slings, S.R. (1990) 'Bacchylides XVIII 41-42', ''Zeitschrift für Papyrologie und Epigraphik'' 80: 9-10.  
+
* Noussia, M. (2001) ''Solone: Frammenti dell’opera poetica''. Milan.
  
* Slings, S.R. (2000) 'Information Unit and Metrical Unit' in ''Bakchylides: 100 Jahre nach seiner Wiederentdeckung'', eds. A. Bagordo and B. Zimmermann. München. ''Zetemata, Monographien zur klassischen Altertumswissenschaft'' 106: 113-130.
+
* Noussia-Fantuzzi, M. (2010) ''Solon the Athenian: The Poetic Fragments'', Brill Academic Publishers, Leiden, pp. xiv+579. Reviewed by D.E. Gerber [http://bmcr.brynmawr.edu/2011/2011-05-05.html BMCR 2011.05.05].
  
=== Corinna, Boeotica ===
+
* Suárez de la Torre, E. (2002) 'La renovación del léxico poético en Solón y los niveles de lengua' in ''Niveles de lengua y literatura'', ed. A. López Eire. Salamanca.
* Yossi, Mary J. (1997) “'Corinna Fr. 654 PMG: Archaic or a Case for Metamorphosis”' in ''Acta: First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-T. Papademetriou. Athens: 167-186. (in Greek with summary in English)
 
  
=== Poetae Minores ===
+
* Wees, H. van (1999) 'The mafia of early Greece. Violent exploitation in the seventh and sixth centuries BC' in ''Organized Crime in Antiquity'', ed. Keith Hopwood. London: 1-51. Includes discussion of Solon's 'political' fragments.
  
==== Arion ====
+
* Wees, H. van (2006) 'Mass and elite in Solon's Athens: the property classes revisited', in ''Solon of Athens: new historical and philological approaches'', eds. J. Blok and A. Lardinois. Leiden: 351-89. Abbreviated version in Dutch: (2006) 'Massa en elite in Solon's Athene: de betekenis van de vermogensklassen', ''Lampas'' 39: 131-52. Includes discussion of Solon's 'political' fragments.
  
==== Ariphron ====
+
=== Theognis ===
 +
* Bagordo, A. (2000) 'Teognide 769-772 e il lessico metaletterario arcaico', ''SemRom'' 3: 183-203.
  
==== Aristotle ====
+
* Bowie, E. (2012) 'An Early Chapter in the History of the Theognidea' in ''Approaches to Greek Poetry'' X. Riu & J. Pòrtulas. Messina: 121-148.
  
==== Castorion ====
+
* Colesanti, G. (2011) ''Questioni Teognidee. La genesi simposiale di un corpus di elegie''. Roma. [http://www.storiaeletteratura.it/catalog/title/index.php?cmd=ext&title_id=1394 More information].
  
==== Diagoras ====
+
* Condello, F. (2010) 'Proverbi in Teognide, Teognide in proverbio' in ''ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.)'' ed. E. Lelli. Pisa/Roma: 61-85.
  
==== Eumelus ====
+
* Edmunds, L. (1997) ‘The seal of Theognis (vv. 19–30)’, in ''Poet, Public and Performance: Essays in Ancient Greek Literature and Literary History'', ed. L. Edmunds and R. Wallace. Baltimore and London: 29–48.
  
==== Euripides (Lyric) ====
+
* Ford, A.L. (1985) 'The Seal of Theognis: The Politics of Authorship in Archaic Greece' in ''Theognis of Megara: Poetry and the Polis'', eds. T.J. Figueira and G. Nagy. Baltimore: 82-95.
  
==== Hybrias ====
+
* Kurke, L. (1989) 'Kapêleia and Deceit: Theognis 59–60', ''American Journal of Philology'' 110: 535–44.
  
==== Lasus ====
+
* Lane Fox, R. (2000) ‘Theognis: an alternative to democracy’, in ''Alternatives to Athens: Varieties of Political Organization and Community in Ancient Greece'', ed. R. Brock and S. Hodkinson. Oxford: 35–51.
  
==== Licymnius ====
+
* Lauriola, R. (1999) 'Theog. 207-210: un caso di prolessi narrativa', ''Athenaeum'' 87.1: 15-26.
  
==== Melanippides ====
+
* Martin, R.P. (2001) ‘Just Like a Woman: Enigmas of the Lyric Voice’, in ''Making Silence Speak: Women’s Voices in Greek Literature and Society'', eds. A. Lardinois and L. McClure. Princeton, N.J.: 55-74.
  
==== Myrtis ====
+
* Palutan, M.G. (1995) ‘Osservazioni sui carmi eolici di Teocrito (28, 29 e 30)’, ''AION'' (filol) 17: 89–107.
  
==== Philoxenus ====
+
* Pòrtulas, J. (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
==== Pratinas ====
+
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. ''Alessandria'': 57–71.
  
==== Praxilla ====
+
* Rösler, W. (2006) 'La raccolta di Teognide: «il più antico libro dimostrabilmente edito dall'autore stesso». Considerazioni su una tesi di Richard Reitzenstein' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 55-67. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
==== Telesilla ====
+
* Selle, H. (2008) ''Theognis und die Theognidea''. Berlin & New York.
  
==== Telestes ====
+
* Stein-Hölkeskamp, E. (1996) 'Adel und Volk bei Theognis' in ''Volk und Verfassung im vorhellenistischen Griechenland, Beiträge auf dem Symposium zu Ehren von Karl-Wilhelm Welwei in Bochum, 1.-2. März 1996.'' eds. Walter Eder, Karl-Joachim Hölkeskamp. Stuttgart: 21-35.
  
==== Terpander ====
+
* Vetta, M.  (2000) ‘Teognide e anonimi nella Silloge teognidea’, in ''La letteratura pseudepigrafa nella cultura greca e romana: Atti di un incontro di studi'', Napoli, 15–17 gennaio 1998, AION(filol) 22: 123–41.
  
==== Timocreon ====
+
* Wees, H. van (2000) ‘Megara’s mafiosi.  Timocracy and violence in Theognis’, in ''Alternatives to Athens.  Varieties of political organization and community in ancient Greece'', eds. R. Brock and S. Hodkinson. Oxford University Press: 52-67.  Abbreviated version in Dutch: (2003) ‘Maffiosi in Megara: timocratie en geweld in Theognis’, ''Lampas'' 36: 284-99.
  
==== Timotheus ====
+
* Yossi, M.J. (Μ. Ι. Γιόση) (2009) 'δεῦρο σὺν αὐλητῆρι. Συμποτική ποιητική στο Θεογνίδειο corpus' ['Deuro syn auleteri: Sympotic poetics in the Theognidean corpus'], in:  ''ΑΝΤΙΦΙΛΗΣΙΣ. Studies on Classical, Byzantine and Modern Greek Literature and Culture in Honour of John-Theophanes A. Papademetriou'', ed. Eleni Karamalengou and Eugenia Makrygianni. Stuttgart: 99 - 106.
* Ford, Andrew L. (2006) 'The Genre of Genres: Paeans and Paian in Early Greek Poetry', ''Poetica'' 38.3-4: 277-296. It reviews the many attempts to define paeans (esp. by Käppel and Schroeder) as part of a broader discussion of the usefulness of genre terms in reading early Greek lyric. It reads several of Timotheus' fragments to argue that predicating the epithet was the core of the "genre".
 
  
=== Carmina Popularia ===
+
=== Xenophanes ===
 +
* Granger, Herbert (2007) 'Poetry and Prose: Xenophanes of Colophon', ''Transactions of the American Philological Association'' 137.2: 403-33. [http://muse.jhu.edu/journals/transactions_of_the_american_philological_association/toc/apa137.2.html Abstract]. [http://muse.jhu.edu/journals/transactions_of_the_american_philological_association/v137/137.2granger.pdf PDF].
  
=== Carmina Convivalia ===
+
=== Critias ===
 +
* Iannucci, A. (1998) 'Elegia e lotta politica. Note di lettura a Crit. fr. 5 W.', ''AION (filol)'' 20: 107-127.
  
=== Fragmenta Adespota ===
+
* Iannucci, A. (2002) ''La parola e l'azione. I frammenti simposiali di Crizia''. Bologna. Review by P. Wilson in [http://ccat.sas.upenn.edu/bmcr/2004/2004-09-16.html BMCR 2004.09.16].
* Rawles, Richard (2006) 'Musical Notes on the new anonymous lyric poem from Köln' ''ZPE'' 157: 8-13. Concerns the anonymous poem transmitted in P. Köln 21351 & 21376 along with the "New Sappho". It is suggested that the initial vocatives are addressed to Hermes.
 
  
* Ucciardello, Giuseppe (2001) 'POxy. XXXII 2636: commentario a Pindaro o a Ibico?' in ''I lirici greci. Forme di comunicazione e storia del testo (Atti dell'Incontro di Studi - Messina 5-6 novembre 1999)'', eds. M. Cannatà Fera - G.B. D’Alessio. Messina: 87-116.
+
* Iannucci, A. (2003) 'Una ‘corona di giambi’. Ipotesi di lettura del fr. 2 Gent.-Pr. di Crizia', ''Seminari Romani di Cultura Greca'', VI 1: 31-42.
  
* Ucciardello, Giuseppe (2004) 'Su due frammenti lirici adespoti (P.Oxy. XXXII 2631 = S 454 SLG; P.Oxy. IV 674 = Pind. fr. 338 M.)', ''ZPE'' 149: 29-34.
+
* Pòrtulas, Jaume (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* Ucciardello, Giuseppe (2004/5) 'P.Oxy. XXXIX 2880 (lirica corale?): nuova edizione e note di commento', ''Analecta Papyrologica'' 16-17: 21-31.
+
* Rotstein, Andrea (2007) ‘Critias’ invective against Archilochus’, ''Classical Philology'' 102: 139-54.
  
* Ucciardello, Giuseppe (2007) 'A single scribe in P.Oxy. IV 660 + P.Oxy. XXIII 2623 + PSI inv. 1907 (Choral Lyric: Simonides?)', ''ZPE'' 160: 4-14.
+
=== Dionysius Chalcus ===
  
== Dramatic Chorus ==
+
* Rufilanchas, D. R. (2003). 'Dionysius Chalcus fr. 3 again' JHS 123: 181-186.
* Adrados, Francisco R. (1975) ''Festival, Comedy and Tragedy: The Greek Origins of Theatre''. Leiden. Translation from the Spanish by Christopher Holme. (1972) ''Fiesta, Comedia y Tragedia''. Barcelona.
 
  
* Bierl, Anton (2001) ''Der Chor in der Alten Komödie. Ritual und Performativität'' (unter besonderer Berücksichtigung von Aristophanes' ''Thesmophoriazusen'' und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126). It has been translated by Alex Hollmann into English as:
+
=== Euenus ===
** Bierl, Anton (2007) ''Ritual and Performativity: The Chorus in Old Comedy''. Harvard Press, Center of Hellenic Studies. With many interpretations of comic, tragic and satyric songs, with a general introduction of more than 90 pages to the Chorus and song culture in general; it includes an interpretation of Alcman and an intense analysis of popular Phallus-Songs in ch. 2.
 
  
* D'Angour, Armand (2007) 'The Sound of Music: modulations and innovations in drama and dithyramb' in ''Debating the Athenian Cultural Revolution'', ed. R. Osborne Cambridge: 288-300.
+
=== Ion ===
 +
* Jennings, Victoria and Andrea Katsaros (eds.) (2007) ''The World of Ion of Chios. Mnemosyne Supplementa 288. Monographs on Greek and Roman Language and Literature''. Leiden. Reviewed by Tell, Hakan (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-10-13.html ''BMCR'' 2008.10.13].
  
* Martin, Richard (2007) 'Ancient Theatre and Performance Culture' in ''The Cambridge Companion to Greek and Roman Theatre'', eds. M. McDonald and J.M. Walton. Cambridge 36-54.
+
=== Phocylides ===
  
=== Tragic Chorus ===
+
=== Adespota Elegiaca ===
  
==== Tragic Chorus General ====
+
* Lulli, L., Sbardella, L. (2013) "P. Oxy. 69. 4708 fr. 1. 22-28. Una nuova proposta di integrazione", «ZPE» 186: 27–35.
* ''Arion'' 3.1 (1994/1995): ''The Chorus in Greek Tragedy and Culture''. I.
 
  
* ''Arion'' 4.1 (1996/1997): ''The Chorus in Greek Tragedy and Culture''. II.
+
== Greek Lyric Poetry ==
  
* Bacon, H.H. (1996/7) 'The Chorus in Greek Life and Drama', ''Arion'' 4.1: 6-24.
+
=== Lyric General ===
 +
* Ahrens, H. L. (1853) ‘Über die Mischung der Dialekte in der griechischen Lyrik’, in ''Verhandlungen der dreizehnten Versammlung Deutscher Philologen, Schulmänner und Orientalisten in Göttingen vom 29. September bis 2. Oktober'', Göttingen: 55-80, reprinted in ''Kleine Schriften''. I, Hannover 1853 (= Hildesheim-New York 1977): 157-81.
  
* Bagordo, A. (2003) ''Reminiszenzen früher Lyrik bei den attischen Tragikern: Beiträge zur Anspielungstechnik und poetischen Tradition''. Munich.
+
* Angeli Bernardini, P. (1991) ‘L’inno agli dei nella lirica corale greca e la sua dimensione sacrale’, in ''L’inno tra rituale e letteratura nel mondo antico: Atti di un colloquio Napoli 21–24 ottobre 1991, AION'' 13: 85–94.
  
* Battezzato, Luigi (2005) 'Lyric' in ''A Companion to Greek Tragedy'', ed. Justina Gregory. Oxford: Blackwell: 149-66. Presents an overview of the tragic chorus. Reviewed by Wright, Matthew (2006) [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-39.html ''BMCR'' 2006.06.39].
+
* Athanassaki, L. (2002) 'On Horace 1.15 and Choral Lyric' in ''Horace and Greek Lyric'', ed. M. Paschalis. ''Rethymnon Classical Studies'' 1: 85-101.
  
* Bieber, M. (1954) 'The Entrances and Exits of Actors and Chorus in Greek Plays', ''American Journal of Achaeology'' 58: 277-281.
+
* Athanassaki, L. (2005) 'Χορεία. Η ποιητική της παράστασης', ''Thallo'' 16: 37-76.
  
* Bierl, Anton (1991) ''Dionysos und die griechische Tragödie. Politische und 'metatheatralische' Aspekte im Text''. ''Classica Monacensia'' 1. Tübingen. Dissertation, with many interpretations of tragic songs where Dionysus plays a role.
+
* Athanassaki, L. (2009) '' Ἀείδετο πὰν τέμενος: οι χορικές παραστάσεις και το κοινό τους στην αρχαϊκή και πρώϊμη κλασική περίοδο''. Herakleion. Study of choral performance contexts especially in Alcman, Pindar, and Bacchylides. [http://www.cup.gr/ViewShopProduct.aspx?ProductId=279696&LangId=1 More information]. Reviewed by  Ladianou, Katerina (2010) [http://bmcr.brynmawr.edu/2010/2010-09-21.html ''BMCR'' 2010.09.21].
  
* Bierl, Anton (2006) 'Tragödie als Spiel und das Satyrspiel. Die Geburt des griechischen Theaters aus dem Geiste des Chortanzes und seines Gottes Dionysos', in ''Aufgang. Jahrbuch für Denken, Dichten, Musik''. Bd. 3: ''Kind und Spiel'', eds. J. Sánchez de Murillo and M. Thurner. Stuttgart: 111–138. Wth a new interpretation of the Hyporcheme of Pratinas.
+
* Athanassaki, Lucia & Bowie, Ewen (2011) (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' Berlin & Boston. [http://www.degruyter.com/view/supplement/9783110254020_Contents.pdf Table of Contents]
  
* Brown, A.D. Fitton (1957) 'The Size of the Greek Tragic Chorus', ''Classical Review'' 7.1: 1-4.
+
* Bagordo, A. (1999) 'Eine Bemerkung zum Epinikion', ''Hermes'' 127: 118-120.
  
* Brown, S. G. (1977) 'A Contextual Analysis of Tragic Meter: The Anapest', in ''Ancient and Modern: Essays in Honor of Gerald Else'', eds. John H. D'Arms and John W. Eadie. Ann Arbor: 45-78.
+
* Bagordo, A. (2003) ''Reminiszenzen früher Lyrik bei den attischen Tragikern: Beiträge zur Anspielungstechnik und poetischen Tradition''. Munich.
  
* Calame, Claude (1994) 'From Choral Poetry to Tragic Stasimon: The Enactment of Women's Song', ''Arion'' 3: 135-152. Contains a comparison of Pindar's ''Partheneion'' 2 and the parodoi in Aeschylus' ''Seven against Thebes'' and in Euripides' ''Phoenician Women''.
+
* Barbantani, S. (1993) ‘I poeti lirici del canone alessandrino nell’epigrammatistica’, ''Aevum(ant)'' 6: 5–97.
  
* Calame, Claude (1999) 'Performative aspects of the choral voice in Greek tragedy: civic identity in performance', in ''Performance culture and Athenian democracy'', eds. S. Goldhill and R. Osborne. Cambridge: 125-153.
+
* Barrett, W. S. (2007) ''Greek Lyric, Tragedy, and Textual Criticism: Collected Papers''. Assembled and edited by M.L. West. Oxford, New York. The papers deal with Stesichorus, Pindar, Bacchylides and Euripides. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011752.html Table of Contents].
  
* Calame, Claude (2005) 'The Tragic Choral Group: Dramatic Roles and Social Functions' in ''A Companion to Tragedy'', ed. R. Bushnell. Oxford: 215-233.
+
* Blasing, M. K. (2007) ''Lyric Poetry: The Pain and the Pleasure of Words''. Princeton, N. J., and Woodstock.
  
* Calder, W. M. (1982) ‘The size of Thespis' chorus’, ''AJPh'' 103: 319-320.
+
* Bierl, Anton (2001) ''Der Chor in der Alten Komödie. Ritual und Performativität'' (unter besonderer Berücksichtigung von Aristophanes' ''Thesmophoriazusen'' und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126). It has been translated by Alex Hollmann into English as:
 +
** Bierl, Anton (2009) ''Ritual and Performativity. The Chorus of Old Comedy'' (transl. by Alex Hollmann), Center for Hellenic Studies. Washington, DC: Harvard Press. (Hellenic Studies 20). New and revised edition.  
  
* Castellani, V. (1989) 'The Value of a Kindly Chorus: Female Choruses in Attic Tragedy' in ''Women in Theatre'', ed. Redmond, J. Cambridge and New York. ''Themes in Drama'' 11: 1-18.
+
* Bremer, Jan Maarten and W.D. Furley (2001) ''Greek Hymns. Selected Cult Songs from the Archaic to the Hellenistic period''. Tübingen.
  
* Cerbo, E. (1993) 'Gli inni ad Eros in tragedia: struttura e funzione' in ''Tradizione e innovazione nella cultura greca da Omero all' età ellenistica. Scritti in onore di Bruno Gentili'', ed. Pretagostini, R. Vol. 2. Roma: 645-656.
+
* Bremer, Jan Maarten (2008) 'Traces of the Hymn in the Epinikion', ''Mnemosyne'' 61: 1-17. [http://www.swetswise.com.proxy.ubn.ru.nl:8080/swetsfo/swproxy?url=http%3A%2F%2Fopenurl.ingenta.com%2Fcontent%2Fswetsnet-4.1.8057b0ad6528f5df0c29150bac728f60%3Fgenre%3Darticle%26issn%3D0026-7074%26volume%3D61%26issue%3D1%26spage%3D1%26epage%3D17%26aulast%3DBremer&ts=1202555031030&cs=4113296875&userName=9021463.ipdirect&emCondId=2043297&articleID=35750230&yevoID=2197893&titleID=137377&referer=2&remoteAddr=131.174.248.1 PDF].
  
* Conacher, D.J. (1975) 'Some Dramatic Uses of the Chorus in Greek Tragedy', ''The University of Toronto Quarterly'' 44: 81-.
+
* Briand, Michel (1996) 'Énonciation lyrique et dialogue dans la poésie archaïque grecque: de Stésichore à Pindare, Bacchylide et Sappho', in ''Travaux du Cercle de Linguistique de Nice'', numéro spécial sur "La pragmatique" (dir. S. Mellet): 119-172.
  
* Csapo, E. and Slater, W.J. (1995) ''The Context of Ancient Drama''. Ann Arbor.
+
* Briand, Michel (2005) 'Questions de cohérence et de cohésion dans la poésie mélique grecque archaïque: la transition entre discours d'actualité et récit mythique' in ''Cohésion et cohérence. Études de linguistique textuelle'', ed. Anna Jaubert. Lyon: 79-98.
  
* Dale, A.M. (1950) 'Stasimon and Hyporchema', ''Eranos'' 48: 14-20.
+
* Calame, Claude (1977a) ''Les Chœurs de jeunes filles en Grèce archaïque''. Vol. I: ''Morphologie, fonction religieuse et sociale''; vol. II: ''Alcman'', Roma. The first volume has been translated by Derek Collins and Janice Orion (2001: 2nd ed.) ''Choruses of young women in ancient Greece: their morphology, religious role, and social functions''. Lanham, New York and Oxford.
  
* Dale, A.M. (1969) 'The Chorus in the Action of Greek Tragedy', in ''Collected Papers'', Dale, A.M. Cambridge.
+
* Calame, Claude (1977b) ''Rito e poesia corale in Grecia. Guida storica e critica'', Roma and Bari.
  
* Davidson, J.F. (1986) 'The Circle and the Tragic Chorus', ''G&R'' 3: 38-46.
+
* Calame, Claude (1997) 'Diction formulaire et fonction pratique dans la poésie mélique archaïque' in ''Hommage à Milman Parry. Le style formulaire de l'épopée homérique et la théorie de l'oralité poétique'', ed. F. Létoublon. Amsterdam: 215-222.
  
* Dorsch, K.-D. (1983) ''Götterhymnsen in den Chorliedern der griechischen Tragiker: Form, Inhalt und Funktion''. PhD Diss. Münster.
+
* Calame, Claude (1998) 'La poésie lyrique grecque, un genre inexistant?' ''Littérature'' 11: 87-110. English translation in preparation for I. Rutherford (ed.) ''Oxford Readings in Greek Lyric''. Oxford.
  
* Foley, H. (2003) 'Choral Identity in Greek Tragedy', ''Classical Philology'' 98: 1-30.
+
* Calame, Claude (2002) ''L'Éros dans la Grèce antique''. Paris (2nd edn.). English translation (1999) ''The Poetics of Eros in Ancient Greece''. Princeton.
  
* Foley, H. (2007) 'Envisioning the Tragic Chorus on the Modern Stage' in ''Visualizing the Tragic'', eds. C. Kraus, S. Goldhill, H. Foley and J. Elsner. Festschrift for F. Zeitlin. New York, Oxford: 353-78.
+
* Calame, Claude (2006) 'Identifications génériques entre marques discursives et pratiques énonciatives: pragmatique des genres “lyriques“' in ''Le savoir des genres'', eds. R. Baroni and M. Macé. Rennes: 35-55.
  
* Forbes, G.B. (1967) 'The Actor, the Chorus, and Music in Greek Drama', ''The Southern Speech Journal'' 33: *.
+
* Calame, Claude (2007) 'Mythos, musische Leistung und Ritual am Beispiel der melischen Dichtung' in ''Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen'', eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. ''MythosEikonPoiesis'' Bd. 1.1–2. Berlin and New York: 179-210.  Reviewed by Reyes Bertolín Cebrián [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-09.html ''BMCR'' 2008.08.09].
  
* Gentili, B. (1984) ''Poesia e pubblico nella Grecia antica da Omero al V secolo''. Roma-Bari. Revised and updated version translated, with an introduction, by Cole, A.T. (1988) ''Poetry and Its Public in Ancient Greece from Homer to the Fifth Century''. Baltimore.
+
* Calame, Claude (2009) ‘Apollo in Delphi and in Delos: Poetic Performances between Paean and Dithyramb’ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.), Athens: 169-98.
  
* Golder, Herbert A. (1996-1997) ’Making a scene: gesture, tableau, and the tragic chorus’, ''Arion'' 4.1: 1-19.
+
* Campbell, David A. (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others.'' Cambridge, Mass. and London.
  
* Goldhill, S. (1996) 'Collectivity and Otherness - The Authority of the Tragic Chorus: Response to Gould' in ''Tragedy and the Tragic'', ed. Silk, M.S. Oxford: 244-256.
+
* Campbell, David A. (1992) ''Greek Lyric IV: Bacchylides, Corinna, and Others.'' Cambridge, Mass. and London.
  
* Gould, J. (2001) 'Tragedy and Collective Experience' in ''Myth, Ritual Memory, and Exchange'', ed. Gould, John. Oxford: 378-404. Originally published in Silk, M.S. (ed.) (1996) ''Tragedy and the Tragic''. Oxford: 217-243.
+
* Campbell, David A. (1993) ''Greek Lyric V: The New School of Poetry and Anonymous Songs and Hymns.'' Cambridge, Mass. and London.
  
* Gould, J. (2001) 'Myth, Memory, and the Chorus: 'Tragic Rationality' ' in ''Myth, Ritual Memory, and Exchange'', ed. Gould, J. Oxford: 405-414. Originally published in Buxton, Richard (ed.) (1999) ''From Myth to Reason? Studies in the Development of Greek Thought''. Oxford: 107-16.
+
* Carey, Christopher (2000) ‘The panegyrist’s persona’ in ''Religione e poesia in Grecia: miscellanea G.A. Privitera'', eds. U. Pizzani and M. Cannatà Fera. Bari: 165-177.
  
* Henrichs, A. (1994/5) ' 'Why should I dance?': Choral Self-referentiality in Greek Tragedy', ''Arion'' 3.1: 56-111.
+
* Carey, Christopher (2001) ‘Poesia pubblica in performance’ in ''I lirici greci'', ed. M. Cannatà Fera. Messina: 11-26.
  
* Henrichs, A. (1996) '' 'Warum soll ich denn tanzen?' Dionysisches im Chor der griechischen Tragödie''. Stuttgard-Leipzig. ''Lectio Teubneriana'' 4.
+
* Cassio, A. C.(2005) ‘I dialetti eolici e la lingua della lirica corale’, in ''Dialetti e lingue letterarie nella Grecia arcaica'', ed. F. Bertolini and F. Gasti. Pavia: 13–44.
  
* Herington, J. (1985) ''Poetry into Drama. Early Tragedy and the Greek Poetic Tradition''. Berkeley-London.
+
* Cingano, E. (2003) ‘Entre skolion et enkomion: Réflexions sur le “genre” et la performance de la lyrique chorale grecque’, in ''La poésie grecque antique'', ed. J. Jouanna and J. Leclant. (Cahiers de la Villa ‘Kerylos’, 14). Paris: 17–45.
  
* Hutchinson, G. O. (2001) ''Greek Lyric Poetry: A Commentary on Selected Larger Pieces''. Oxford.
+
* Contiades-Tsitsoni, E. (1990) ''Hymenaios und Epithalamion. Das Hochzeitslied in der frühgriechischen Lyrik'', Stuttgart. ''Beträge zur Altertumskunde'' 16.
** Contains new texts of, and detailed commentaries on, Alcman 1 and 3 Davies, Stesichorus 222 (b) Davies, Sappho 1, 16, 31, 96 Voigt, Alcaeus 129, 130b, 298 Voigt, Ibycus S151 Davies, Anacreon 347 fr. 1, 358, 417 Page, Simonides 542, 543 Page, Bacchylides 3, Pindar ''Olympian'' 6, Sophocles ''Ajax'' 1185-1222, Euripides ''Medea'' 627-662; introductions on individual poets and on tragic lyric.
 
  
* Kaimio, M. (1970) ''The Chorus of Greek Drama within the Light of the Person and Number Used''. Helsinki. ''Societas scientarum Fennica commentationes humanarum litterarum'' 46.
+
* D'Angour, Armand (1997) 'How the Dithyramb Got Its Shape', ''Classical Quarterly'' 47.2: 331-351.
  
* Kranz, W. (1933) ''Stasimon. Untersuchungen zu Form und Gehalt der griechischen Tragödie''. Berlin.
+
* D'Angour, Armand (2007) 'The Sound of Music: modulations and innovations in drama and dithyramb' in ''Debating the Athenian Cultural Revolution'', ed. R. Osborne Cambridge: 288-300.
  
* Lattimore, R. (1965) ''The Poetry of Greek Tragedy'' Baltimore.
+
* D’Alessio, Giam B. (2009) ‘Defining local identities in Greek lyric poetry’, in ''Wandering Poets in Ancient Greek Culture: Travel, Locality and Panhellenism'', ed. R. Hunter and I. Rutherford. Cambridge: 137–67.
  
* MacClure, L. (1999) ''Spoken like a Woman: Speech and Gender in Athenian Drama''. Princeton.
+
* Danielewicz, J. (1990) 'Deixis in Greek Choral Lyrik', ''QUCC'' 63: 7-17.
  
* Martin, Richard (2007) 'Outer Limits, Choral Space' in ''Visualizing the Tragic'', eds. C. Kraus, S. Goldhill, H. Foley and J. Elsner. Festschrift for F. Zeitlin. New York, Oxford: 35-62.
+
* Danielewicz, J. (1990) 'Towards an Understanding of the Chorus: Homer on Early Forms of Lyric Poetry', ''Eos'' 78: 55-62.
  
* Meijering, R. (1985) ’Aristophanes of Byzantium and scholia on the composition of the dramatic chorus’ in ''SCHOLIA. Studia ad criticam interpretationemque textuum Graecorum et ad historiam juris Graeco-Romani pertinentia D. Holwerda oblata'', eds. W.J. Aerts, J.H.A. Lokin, S.L. Radt and N.v.d. Wal. Groningen: 91-102
+
* Danielewicz, J. (2001) ‘Metatext and its functions in Greek lyric poetry’, in ''Texts, Ideas, and the Classics: Scholarship, Theory, and Classical Literature'', ed. S. Harrison. Oxford: 46–61.
  
* Montgomery, H.C. (1942) 'Some Later Uses of the Greek Tragic Chorus', ''Classical Journal'' 38: 148-60.  
+
* Davies, M. (1988) 'Monody, Choral Lyric, and the Tyranny of the Handbook', ''CQ n.s.'' 38: 52-64.
  
* Parry, H. (1978) ''The Lyric Poems of Greek Tragedy''. Toronto-Sarasota.
+
* Davies, M. (1991) ''Poetarum Melicorum Graecorum Fragmenta''. Vol. 1: Alcman, Stesichorus, Ibicus. Oxford.
  
* Pickard-Cambrindge, A.W. (1927) ''Dithyramb, Tragedy and Comedy''. Oxford.
+
* Depew, M. (2000) ‘Enacted and represented dedications: genre and Greek hymn’, in ''Matrices of Genre: Authors, Canons and Society'', ed. M. Depew and D. Obbink. Cambridge, Mass. and London: 59–79.
  
* Pöhlmann, E. (1997) 'The Tragic Chorus and the Limits of Dramatic Convention in the Fifth Century B.C.' in ''Scaenica Saravi-Varsoviensia: Beiträge zum antiken Theater und zu seinem Nachleben'', eds. J. Axer and W. Görle. Warschau: 1-10.
+
* Fearn, D. (ed.) (2010) ''Aegina: Contexts for Choral Lyric Poetry''. Oxford. [http://www.amazon.com/gp/reader/0199546517/ref=sib_dp_bod_toc?ie=UTF8&p=S008#reader-link Table of Contents]
  
* Riemer, P. and Zimmermann, B. (eds.) (1998) ''Der Chor im antiken und modernen Drama''. Stuttgart. ''Drama'' 7.
+
* Felson, N. (ed.) (2004) ‘The poetics of deixis in Alcman, Pindar and other lyric’, ''Arethusa'' 37.3: 253–468.
  
* Roberts, Deborah H. (1987) ’Parting words. Final lines in Sophocles and Euripides’, ''CQ'' 37: 51-64.
+
* Ford, Andrew L. (2006) 'The Genre of Genres: Paeans and Paian in Early Greek Poetry', ''Poetica'' 38.3-4: 277-296. It reviews the many attempts to define paeans (esp. by Käppel and Schroeder) as part of a broader discussion of the usefulness of genre terms in reading early Greek lyric. It reads several of Timotheus' fragments to argue that predicating the epithet was the core of the "genre".
  
* Rode, J. (1971) 'Das Chorlied' in ''Die Bauformen der griechischen Tragödie'', ed. W. Jens. München: 85-115.
+
* Fowler, R.L. (1987) ''The Nature of Early Greek Lyric: Three Preliminary Studies''. Toronto.
  
* Rutherford, I. (1994/5) 'Apollo in Ivy: The Tragic Paean', ''Arion'' 3.1: 112-135.
+
* Fröhder, D. (1994) ''Die dichterische Form der Homerischen Hymnen: untersucht am Typus der mittelgrossen Preislieder''. Hildesheim. ''Spudasmata'' 53.
  
* Segal, C. (1989) 'Song, Ritual, and Commemoration in Early Greek Poetry and Tragedy', ''Oral Tradition'' 4: 330-359.
+
* Gentili, B. (1984) ''Poesia e pubblico nella Grecia antica da Omero al V secolo''. Roma-Bari. Revised and updated version translated, with an introduction, by Cole, A.T. (1988) ''Poetry and Its Public in Ancient Greece from Homer to the Fifth Century''. Baltimore.
  
* Sifakis, G.M. (2001) 'The Function and Significance of Music in Greek Tragedy', ''BICS'' 45: 21-35.
+
* Gerber, D.E. (1997) ''A Companion to the Greek Lyric Poets''. Leiden-New York-London-Köln.
  
* Silk, M.S. (1998) 'Style, Voice, and Authority in the Choruses of Greek Drama' in ''Der Chor im antiken und modernen Drama'', eds. Riemer, P. and Zimmermann, B. Stuttgart. ''Drama'' 7: 1-26.
+
* Gerber, D.E. (2012) 'Aspects of women in Greek lyric poetry', in: ''Hyperboreans. Essays in Greek and Latin Poetry, Philosophy, Rhetoric and Linguistics''. P. Corrêa, M. Martinho, J.M. Macedo, A.P. Hasegawa eds. Sao Paulo: 11-24.
  
* Stehle, Eva (2004) ‘Choral Prayer in Greek Tragedy: Euphemia or Aischrologia?’ in ''Music and the Muses: The Culture of Mousike in the Classical Athenian City'', eds. Murray, Penelope and Peter Wilson. Oxford: 121-155.
+
* Greene, R. (1999) ‘The lyric’, in ''The Cambridge History of Literary Criticism, vol. III: The Renaissance'', ed. G. P. Norton. Cambridge: 216–28.
  
* Stössel, F. (1987) ''Die Vorgeschichte des griechischen Theaters''. Darmstadt.
+
* González de Tobia, Ana M. (2005) ‘El canto coral ‘fundador’ de una poética que vincula fiesta y memoria’, in ''Memoria e Festa'', eds. de Souza Lessa, F. and da Cunha Bustamante, M. R. Rio de Janeiro: 165-172.
 +
 
 +
* Harvey, A.E. (1955) 'The Classification of Greek Lyric Poetry', ''CQ n.s.'' 5: 157-175.
  
* Webster, T.B.L. ''The Greek Chorus''. London 1970.  
+
* Hutchinson, G. O. (2001) ''Greek Lyric Poetry: A Commentary on Selected Larger Pieces''. Oxford.
 +
** Contains new texts of, and detailed commentaries on, Alcman 1 and 3 Davies, Stesichorus 222 (b) Davies, Sappho 1, 16, 31, 96 Voigt, Alcaeus 129, 130b, 298 Voigt, Ibycus S151 Davies, Anacreon 347 fr. 1, 358, 417 Page, Simonides 542, 543 Page, Bacchylides 3, Pindar ''Olympian'' 6, Sophocles ''Ajax'' 1185-1222, Euripides ''Medea'' 627-662; introductions on individual poets and on tragic lyric.
  
* Weiner, A. (1980) 'The Function of the Greek Tragic Chorus', ''Theatre Journal'' 32: 205-12.
+
* Ingalls, Wayne (2000) ‘Ritual Performance as Training for Daughters in Archaic Greece’, ''Phoenix'' 54: 1-20.
  
* Wilson, P. (1997) 'Leading the Tragic ''Khoros'': Tragic Prestige in the Democratic City', in ''Greek Tragedy and the Historian'', C.B.R. Pelling (ed.). Oxford: 81-108.
+
* Käppel, L. (1992) ''Paian. Studien zur Geschichte einer Gattung''. Berlin. ''Untersuchungen zur antiken Literatur und Geschichte'' 37.
  
* Wilson, Peter (2005) 'Music' in ''A Companion to Greek Tragedy'', ed. Justina Gregory. Oxford: Blackwell: 183-93. On music in Greek tragedy. Reviewed by Wright, Matthew (2006) [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-39.html ''BMCR'' 2006.06.39].
+
* Klug, W. (1954) ''Untersuchungen zum Gebet in der frühgriechischen Lyrik''. Dissertation. Hamburg.
  
* Winkler, J.J. (1990) 'The Ephebe's Song: Tragoidia and Polis' in ''Before Sexuality: The Context of Erotic Experience in the Ancient Greek World'', eds. D. Halperin, J.J. Winkler, F.I. Zeitlin. Princeton: 20-62.
+
* Kowalzig, Barbara (2007) ''Singing for the Gods. Performances of Myth and Ritual in Archaic and Classical Greece''. Oxford Classical Monographs. Oxford: Oxford University Press. Reviewed by Seaford, Richard (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-09-25.html ''BMCR'' 2008.09.25].
  
==== Aeschylus ====
+
* Lambin, G. (1992) ''La chanson grecque dans l'antiquité''. Paris.
  
===== Aeschylus: General =====
+
* Lattke, M. (1991) ''Hymnus: Materialien zu einer Geschichte der antiken Hymnologie''. Fribourg. ''Novum Testamentum et orbis antiquus'' 19.
* Finley, J.H. (1966) ''Pindar and Aeschylus''. Cambridge Mass.
 
  
* Moritz, H.E. (1979) 'Refrain in Aeschylus: Literary Adaptation of Traditional Form', ''CP'' 74: 187-213.
+
* * LeVen, Pauline (2013)'"You Make Less Sense Than a (New) Dithyramb." Sociology of a Riddling Style' in: ''The Muse at Play. Riddles and Wordplay in Greek and Latin Poetry'', ed. J. Kwapisz, D. Petrain & M. Szymanski. Berlin: 44-64.
  
* Podlecki, A. J. (1972) 'The Aeschylean Chorus as Dramatic Persona', in ''Studi classici in onore di Q. Cataudella''. Catania. 1: 187-204.  
+
* Ley, G. (1993) 'Monody, Choral Song, and Athenian Festival Performance', ''Maia'' 45: 105-124.
  
* Schenker, David J. (1989) ''The character of the Aeschylean chorus''. Berkeley.
+
* Lyghounis, Maria Gilda (1991) 'Elementi tradizionali nella poesia nuziale greca', ''Materiall e discussioni per I'analisi dei testi classici'' 27: 159-98.
  
* Schmidt, E.G. (ed.) (1981) ''Aischylos und Pindar. Studien zu Werk und Nachwirkung''. Berlin. ''Schriften zur Geschichte und Kultur der Antike'' 19.
+
* MacDowell, D.M. (1989) 'Athenian Laws abouth Choruses' in ''Symposion 1982: Vorträge zur griechischen und hellenistischen Rechtsgeschichte (Santander 1.-4. September)'', ed. F.J. Fernández Nieto. Köln: 65-77.
  
* Scott, William C. (1984) ''Musical design in Aeschylean theater''. Hanover and London.
+
* Mace, S. (1993) ‘Amour, encore! The development of δηὖτε in archaic lyric’, ''GRBS'' 34:335–64.
  
===== Aeschylus: ''Oresteia'' =====
+
* Martin, R. P. (2001) ‘Just like a woman: enigmas of the lyric voice’, in ''Making Silence Speak: Women’s Voices in Greek Literature and Society'', ed. A. Lardinois and L. McClure. Princeton, N.J.: 55–74.
* Conacher D. J. (1974) ‘Interaction between chorus and characters in the ''Oresteia'' , ''AJPh'' 95: 323-343.
 
  
* Scott, W. (1984) 'The Splitting of Choral Lyric in Aeschylus' ''Oresteia'' ', ''AJPh'' 105: 150-165.
+
* Martin, Richard (2007) 'Outer Limits, Choral Space' in ''Visualizing the Tragic'', eds. C. Kraus, S. Goldhill, H. Foley and J. Elsner. Festschrift for F. Zeitlin. New York, Oxford: 35-62.
  
===== Aeschylus: ''Agamemnon'' =====
+
* Miller, P. A. (1994) ''Lyric Texts and Lyric Consciousness: The Birth of a Genre from Archaic Greece to Augustean Rome''. London.
* Adrados, F.R. (1989) 'La divination dans les choeurs de l' ''Agamemnon'' d' Eschyle', ''Revue des Etudes Grecques'' 102: 295-307.
 
  
* Athanassaki, L. (1994) 'Choral and Prophetic Discourse in the First Stasimon of the ''Agamemnon'' ', ''CJ'' 89: 149-62.
+
* Mullen, W. (1982) ''Choreia: Pindar and Dance''. Princeton.
  
* Fletcher, Judith (1999) ’Choral voice and narrative in the first stasimon of Aeschylus ''Agamemnon'' ’, ''Phoenix'' 53: 29-49.
+
* Naerebout, F.G. (1997) ''Attractive Performances. Ancient Greek Dance: Three Preliminary Studies''. Amsterdam.
** Abstract: This article examines represented speech in the first stasimon of Agamemnon. I argue that the speech of the domwn profhtai at 410 ff. is deliberately open-ended and thus double-voiced. It functions to change the perspective of the chorus from the vantage point of the Atreidae to the more critical perspective of the Argive citizens.
 
  
* Gantz, G. (1983) ‘The chorus of Aischylos' ''Agamemnon'' ’, ''HSPh'' 87: 65-86.
+
* Nagy, G. (1990) ''Pindar's Homer. The Lyric Possession of an Epic Past''. Baltimore and London. [http://www.press.jhu.edu/books/nagy/PH.html Free-to-view online edition]. [http://www.intute.ac.uk/artsandhumanities/cgi-bin/fullrecord.pl?handle=humbul15952 More information] is available at [http://www.intute.ac.uk/ Intute], catalogued by Emma Bridges.
  
* Harriot, R.M. (1982) 'The Argive Elders, the Discerning Shepherd and the Fawning Dog: Misleading Communication in the ''Agamemnon'' ', ''Classical Quarterly'' 32: 9-17.
+
* Nagy, G. (1994/5) 'Transformations of Choral Lyric Traditions in the Context of Athenian State Theater', ''Arion'' 3.1: 41-55.
  
* Lynn-George, M. (1993) 'A reflection on Homeric dawn in the parodos of Aeschylus, ''Agamemnon'' ', ''Classical Quarterly'' 43: 1-9.
+
* Nagy, G. (2008) 'Lyric and Greek Myth' in ''The Cambridge Companion to Greek Mythology'', ed. Roger D. Woodard. Cambridge: Cambridge University Press: 19-51. With emphasis on the Lesbian poets Sappho and Alcaeus. Reviewed by Kühr, Angela [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-10.html ''BMCR'' 2008.08.10].
  
* Schenker, David J. (1991) ‘A study in choral character: Aeschylus, ''Agamemnon'' 489-502’, ''TAPhA'' 121: 63-73.
+
* Neri, Camillo (2004) ''La lirica greca. Temi e testi''. Roma.
  
* Sienkewicz, T. J. (1980) 'Circles, Confusion, and the Chorus of ''Agamemnon'' ', ''Eranos'' 78: 133-142.
+
* Neumann-Hartmann, Arlette (2008) 'Prosopographie zu den Epinikien von Pindar und Bakchylides', ''Nikephoros'' 21: 81–131.
  
* Smethurst, M. J. (1972) ‘The authority of the elders. The ''Agamemnon'' of Aeschylus’, ''CPh'' 67: 89-93.
+
* Neumann-Hartmann, Arlette (2009) 'Epinikien und ihr Aufführungsrahmen'. ''Nikephoros'' Beihefte Bd. 17. Hildesheim.
  
* Thiel, R. (1993) ''Chor und tragische Handlung im Agamemnon des Aischylos'' Stuttgart. ''Beiträge zur Altertumskunde'' 35.
+
* Neumann-Hartmann, Arlette (2009) 'The Dedication of Victory Crowns and the Performance of Epinikian Odes'. ''BICS'' 52: 1–13.
  
===== Aeschylus: ''Choephori'' =====
+
* Neumann-Hartmann, Arlette (2010) 'Pindar und Bakchylides (1988–2007)'. ''Lustrum: Internationale Forschungsberichte aus dem Bereich des klassischen Altertums'' 52: 181–463.
* Stinton, T.C.W. (1979) ‘The First Stasimon of Aeschylus’ ''Choephori'' ’, ''CQ'' ns 29: 252-62. Reprinted in his (1990) ''Collected Papers on Greek Tragedy''. Oxford: 384-96.
 
  
===== Aeschylus: ''Eumenides'' =====
+
* Nicholson, N. (1999-2000) 'Pederastic poets and adult patrons: maintaining authority in late archaic lyric', ''CW'' 93: 235-259.
* Faraone, Christopher A. (1985) 'Aeschylus' Hymnos Desmios (''Eum''. 306) and Attic Judicial Curse Tablets', ''Journal of Hellenic Studies'' 105: 150-54.
 
  
* Maxwell-Stuart, P.G. (1973) 'The Appearance of Aeschylus' Erinyes', ''Greece & Rome'' 20: 81-84.
+
* Noussia-Fantuzzi, M. (2015), 'The Epic Cycle, Stesichorus, and Ibycus', in ''The Greek Epic Cycle and its Ancient Reception. A Companion'', ed. M. Fantuzzi & C. Tsagalis. Cambridge: 430-449.
  
* Prins, Y. (1991) 'The power of the speech act: Aeschylus' furies and their binding song', ''Arethusa'' 24: 177-195.
+
* Peponi, Anastasia-Erasmia (1991) 'Flexible Lyric, Inflexible Theory: around W.R. Johnson’s ''The Idea of Lyric: Lyric Modes in Ancient and Modern Poetry'' '. Berkeley 1982. in ''Logou Charin'' 2: 167-182. (in Greek)
  
* Roisman, H.M. (1989) 'The opening of the second stasimon in Aeschylus' ''Eumenides'' ', ''Eranos'' 87: 7-11.
+
* Peponi, Anastasia-Erasmia (1993) ''Representation of Space and Time in Early Archaic Lyric Poetry''. PhD dissertation Thessaloniki.
  
===== Aeschylus: ''Persae'' =====
+
* Peponi, Anastasia-Erasmia (1995) 'Teaching Lyric Poetry in High Schools by means of Modern Greek Translations' ''Thallo'' 7: 103-112. (in Greek)
* Bednarczyk-Kedziorek, Ewa (1988) ’The chorus as a narrator in the Persae of Aeschylus’, ''SPhP'' 7: 23-35.
 
  
* Michelini, A.N. (1982) ''Tradition and Dramatic Form in The Persians of Aeschylus''. Leiden.
+
* Peponi, Anastasia-Erasmia (2002) 'Mixed Pleasures, Blended Discourses: Poetry, Medicine and the Body in Plato’s ''Philebus'' 46-47c', ''Classical Antiquity'' 21: 135-160. (reception of archaic lyric poetry in Plato)
  
* Schenker, David J. (1994) 'The Queen and the chorus in Aeschylus' ''Persae'' ', ''Phoenix'' 48: 283-293.
+
* Peponi, Anastasia-Erasmia (2002) 'Fantasizing Lyric: Horace, Epistles 1.19' in ''Horace and Greek Lyric Poetry'', ed. M. Paschalis. Rethymnon: 19-45. (reception of archaic lyric poetry in Horace)
  
===== Aeschylus: ''Prometheus'' =====
+
* Peponi, Anastasia-Erasmia (2009) ' ''Choreia'' and Aesthetics in the ''Homeric Hymn to Apollo'': The Performance of the Delian Maidens (Lines 156–64)', ''Classical Antiquity'' 28.1: 39–70.
* Flintoff, E. (1984) ‘Athetos at ''Prometheus vinctus'' 150’, ''Hermes'' 112: 367-372.
 
  
* Golden, L. (1966) ''In Praise of Prometheus''. Chapel Hill.
+
* Psaroudakēs, Stelios (2006) 'A lyre from the cemetery of the Acharnian Gate, Athens' in ''Studien zur Musikarchäologie V. Music Archaeology in context. Archaeological semantics, historical implications, socio-cultural connotations. Papers from the 4th Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 19-26 September, 2004. Orient-Archäologie 20'', eds. Ellen Hickmann & Arnd Adje Both & Ricardo Eichmann. Rahden, Westf.: 59-79.
  
* Inoue, E. (1977) ‘Prometheus as teacher and the chorus's descent, ''P. V.'' 278 ff.’, ''CQ'' 27: 256-260.
+
* Ψαρουδάκης, Στέλιος (2007) «Η λύρα στον ελλαδικό χώρο στις εποχές του Χαλκού και το Σιδήρου», ''Αρχαιολογία και Τέχνες'' 90: 59-67. (in modern Greek)
  
* Karsai, György (2001) ’The structure of ''Prometheus Bound'' ’, ''AAntHung'' 41 (3-4): 293-302.
+
* Race, W.H. (1992) 'How Greek Poems Begin', ''YCS'' 29: 13-38.
  
* Scott, William C. (1987) ’The development of the chorus in ''Prometheus bound'' , ''TAPhA'' 117: 85-96.
+
* Ruijgh, C.J. (1980) 'De ontwikkeling van de lyrische kunsttaal, met name van het literaire dialect van de koorlyriek', ''Lampas'' 5: 416-435.
  
* Sienkewicz, T. (1984) ’The chorus of ''Prometheus bound''. Harmony of suffering’, ''Ramus'' 13: 60-73.
+
* Rutherford, I. (1993) 'Paeanic Ambiguity: A Study of the Representation of the Paean in Greek Literature', ''QUCC'' 44: 97-92.
  
===== Aeschylus: ''Septem contra Thebas'' =====
+
* Rutherford, I. (1997) 'Odes and Ends: Closure in Greek Lyric Poetry' in ''Classical Closure. Reading the End in Greek and Latin Literature'', eds. Roberts, D. and D. Fowler. Princeton [...].
* Brown, A.L. (1977) 'Eteocles and the Chorus in the ''Seven Against Thebes'' ', ''Phoenix'' 31: 300-318.
 
  
* Bruit-Zidman, L. (1991) 'La voix des femmes: Les femmes et la guerre dans ''Les Sept Contre Thèbes'' ' in ''Mélanges Étienne Bernand'', eds. Nicole Fick and Jean-Claude Carrière. Paris: Annales Littéraires de l’Université de Besançon: 43-54.
+
* Rutherford, I. (2001) ''Pindar's Paeans. A Reading of the Fragments with a Survey of the Genre''. Oxford.
  
* Delcourt, Marie (1932) 'Le rôle du choeur dans ''Les Sept devant Thèbes'' ', ''l’Antiquité Classique'' 1: 25-33.
+
* Rutherford, I.  (2003) ‘The prosodion: approaches to lyric genre’, in ''Studi di filologia e tradizione greca in memoria di Aristide Colonna'', ed. F. Benedetti and S. Grandolini. Naples and Perugia: 713–26.
  
* Goff, B. (1995) 'The Women of Thebes', ''CJ'' 90: 353-365.
+
* Schmidt, E.G. (1974) 'Zur Interpretation und Rezeption frühgriechischer Lyrik' in ''Die Antike in der sozialistischen Kultur, Internationale Arbeitskonferenz des Instituts für Altertumswissenschaft der Friedrich-Schiller-Universität Jena, 27.-29. Juni 1973''. Jena: 93-109.
  
* Manton, G. R. (1961) 'The Second Stasimon of the ''Seven Against Thebes'' ', ''Bulletin of the Institute of Classical Studies'' 8: 77-84.
+
* Schmitz, H. (1970) ''Hypsos und Bios. Stilistische Untersuchungen zum Alltagsrealismus in der archaischen griechischen Chorlyrik''. Bern.
  
* Stehle, Eva (2005) 'Prayer and curse in Aeschylus’ ''Seven agaisnt Thebes'' ', ''Classical Philology'' 100: 101-22.
+
* Schröder, S. (1999) ''Geschichte und Theorie der Gattung Paian: Eine kritische Untersuchung mit einem Ausblick auf Behandlung und Auffassung der lyrischen Gattungen bei den alexandrinischen Philologen''. (Beiträge zur Altertumskunde 121). Stuttgart and Leipzig.
  
* Valakas, K. (1993) 'The First Stasimon and the Chorus in Aeschylus' ''Seven Against Thebes'' ', ''Studi Italiani di filologia classica'' (''SDFC''), 11.1-2: 55-86.
+
* Segal, C. (1989) 'Song, Ritual, and Commemoration in Early Greek Poetry and Tragedy', ''Oral Tradition'' 4: 330-359.
  
* Zimmermann, Bernhard (2002) ‘Coro e azione drammatica nei ''Sette contro Tebe'' di Eschilo’ in ''I Sette a Tebe. Dal mito alla letteratura. Atti del Seminario Internazionale, Torino 21-22 Febbraio 2001'', eds. Antonio Aloni, Elisabetta Berardi, Giuliana Besso, Sergio Cecchin. Bologna: 117-124. Review by Neil W. Bernstein, [http://ccat.sas.upenn.edu/bmcr/2003/2003-12-05.html BMCR 2003.12.05].
+
* Segal, C. (1998) ''Aglaia. The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham-Boulder-New York-Oxford.
  
===== Aeschylus: ''Supplices'' =====
+
* Seidensticker, Bernd (2005) 'Dithyramb, Comedy, and Satyr-Play' in ''A Companion to Greek Tragedy'', ed. Justina Gregory. Oxford: Blackwell: 38-54. Reviewed by Wright, Matthew (2006) [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-39.html ''BMCR'' 2006.06.39].
* Hester, D. A. (1987) ’A chorus of one Danaid’, ''Antichthon'' 21: 9-18.
 
  
* Murnaghan, Sheila (2005) 'Women in Groups: Aeschylus' ''Suppliants'' and the Female Choruses of Greek Tragedy' in ''The Soul of Tragedy: Essays on Athenian Drama'', eds. Victoria Pedrick and Steven M. Oberhelman. Chicago: 183-198.
+
* Slings, S.R. (ed.) (1990) ''The poet's I in archaic Greek lyric''. Amsterdam.
  
==== Sophocles ====
+
* Slings, S.R. (1990) 'The I in personal archaic lyric: an introduction' in ''The poet's I in archaic Greek lyric'', ed. S.R. Slings. Amsterdam: 1-30.
  
===== Sophocles: ''General'' =====
+
* Stehle, E. (1997) ''Performance and Gender in Ancient Greece. Nondramatic Poetry in its Setting''. Princeton.
* Burton, R.W.B. (1980) ''The Chorus in Sophocles' Tragedies''. Oxford.
 
  
* Davidson, J.F. (1986) ’Chorus, theatre, text, and Sophocles’ in ''Studies in honour of T. B. L. Webster'', eds. J.H. Betts, J.T. Hooker and J.R. Green. Bristol: 69-78.
+
* Suárez de la Torre, Emilio (1998) 'La lírica griega' in ''Géneros literarios poéticos grecolatinos'', eds. D. Estefanía et al. Madrid/Santiago de Compostela: 63-106.
  
* Davidson, J.F. (1991) 'Starting a Choral Ode: Some Sophoclean Techniques', ''Prudentia'' 23.1: 31-44.
+
* Suárez de la Torre, Emilio (2002) ''Antología de la lírica griega arcaica''. Madrid.
  
* Esposito, S.J. (1984) ''The chorus in Sophocles. The tension of foreground and background in ''Philoctetes'' and ''Trachiniae''.'' Baltimore.
+
* Suárez de la Torre, Emilio (2005) 'Diversidad de lo popular en la poesía griega arcaica', ''Classica'' 17/18: 73-99.
  
* Esposito, S. (1996) 'The Changing Role of the Sophoclean Chorus', ''Arion'' 4: 85-114.
+
* Suárez de la Torre, Emilio (2007) 'Helena, de la épica a la lírica griega arcaica (Safo, Alceo, Estesícoro)' in AA.VV., ''O mito de Helena de Tróia à actualidade''. Coimbra. vol. I: 55-79.
  
* Gardiner, C.P. (1974) ''The dramatic character and function of the Sophoclean chorus''. Princeton.
+
* Trümpy, C. (1986) ''Vergleich des Mykenischen mit der Sprache der Chorlyrik. Bewahrt die Chorlyrik eine von Homer unabhängige alte Sprachtradition?''. Bern.
  
* Gardiner, C.P. (1987) ''The Sophoclean Chorus: A Study of Charakter and Function''. Iowa City.
+
* Webster, T.B.L. (1970) ''The Greek Chorus''. London.  
  
* Heikkilä, Kai (1991) ’Now I have the mind to dance: the references of the chorus to their own dancing in Sophocles' tragedies’, ''Arctos'' 25: 51-68.
+
* West, M.L. (1992) ''Ancient Greek Music''. Oxford.
  
* Kurtz, J.G. (1984) ''Some observations about the dianoia of the chorus in Sophocles' Theban plays''. Boston.
+
* Wilson, Lyn Hatherly (1996) ''Sappho's Sweetbitter Songs: Configurations of female and male in ancient Greek Lyric''. London and New York.
  
* Paulsen, T. (1989) ''Die Rolle des Chors in den späten Sophokles-Tragödien: Untersuchungen zu ''Elektra'', ''Philoktet'' und ''Oidipus auf Kolonos''.'' Bari.
+
* Wilson, Peter J. (1999) 'The ''aulos'' in Athens', in ''Performance Culture and Athenian Democracy'', eds. S. Goldhill and R. Osborne. Cambridge: 58-95.
  
* Rosenmeyer, T.G. (1993) 'Elusory Voices: Thoughts about the Sophoclean Chorus' in ''Nomodeiktes: Greek Studies in Honor of Martin Oswald'', eds. R.M. Rosen and J. Farrell. Ann Arbor: 557-571.
+
* Wilson, Peter J. (2000) ''The Athenian institution of the Khoregia: the chorus, the city and the stage''. Cambridge and New York.  
 +
** Reviews: Josiah Ober (2000) ''BMCR'' 10. Stuart Douglas Olson (2000-2001) ''CW'' 94.4: 418-419. Geert Roskam (2001) ''LEC'' 69.3: 341-342. Jean-Charles Moretti (2001) ''REA'' 103.3-4: 585-586. Herman Van Looy (2001) ''AC'' 70: 447-448. Nicoletta Marini (2002) ''Athenaeum'' 90.2: 662-664. Stephen D. Lambert (2002) ''JHS'' 122: 178-179. Eric Csapo (2002) ''Phoenix'' 56.1-2: 150-153.
  
* Scott, William C. (1996) ''Muscial design in Sophoclean theater''. Hanover and London.
+
* Yatromanolakis, D. and P. Roilos (2003) ''Towards a Ritual Poetics''. Athens.
  
* Shucard, S.C. (1973) ‘Some developments in Sophocles' late plays of intrigue’, ''CJ'' 69: 133-138. (''Philoctetes'' and ''Electra'')
+
* Yatromanolakis, D. and P. Roilos (2005) ''Pros mia Teletourgike Poietike''. Preface Marcel Detienne. Athens.
  
===== Sophocles: ''Ajax'' =====
+
* Yatromanolakis, D. (2009) 'Symposia, Noses, Πρόσωπα: A Kylix in the Company of Banqueters on the Ground', in ''An Archaeology of  Representations: Ancient Greek Vase-Painting and Contemporary Methodologies'', Yatromanolakis, D. (ed.), Athens: 414-465.
  
===== Sophocles: ''Antigone'' =====
+
* Zimmermann, B. (1992) ''Dithyrambos: Geschichte einer Gattung''. Göttingen.
* Coleman, R. (1972) ‘The rôle of the chorus in Sophocles' ''Antigone''’, ''PCPhS'' 18: 4-27.
 
  
* Crane, G. (1989) 'Creon and the Ode to Man in Sophocles' ''Antigone'' ', ''Harvard Studies in Classical Philology'' 92: 103-116.
+
=== Sappho and Alcaeus ===
 +
* Aloni, A. (1983) ‘Eteria e tiaso: I gruppo aristocratici di Lesbo tra economia e ideologia’, ''Dialoghi di Archeologia'' ser. 3, n. 1: 21-35 (= ''id''., ‘Lotta politica e pratica religiosa nella Lesbo di Saffo e Alceo’, ''Atti del Centro ricerche e documentazione sull'antichittà classica'' 11 (1980/81): 213-32)
  
* Harder, M.A. (1995) 'Lips sealed by Fear?: Het koor in Sophokles' ''Antigone'' ', ''Lampas'' 28: 217-235. (in Dutch)
+
* Broger, A. (1996) ''Das Epitheton bei Sappho und Alkaios. Eine sprachwissenschaftliche Untersuchung''. Innsbruck. Review by Slings, S.R. (1999) ''Mnemosyne'' 52: 481-484.
  
* Hester, D. (1986) ’The central character(s) of the ''Antigone'' and their relationship to the chorus’, ''Ramus'' 15: 74-81.
+
* Caciagli, Stefano (2007) ''Poesia e società: comunicazione poetica e formazioni sociali nella Lesbo del VII/VI secolo a.C.''. Ph.D. dissertation, University of Bologna. [http://amsdottorato.cib.unibo.it/188/ PDF (in the not revised version)].
  
* Kitzinger, Rachel (2008) ''The choruses of Sophokles' ''Antigone'' and ''Philoktetes'': a dance of words. Mnemosyne Supplementa'' 292. Leiden, Boston: Brill.
+
* Caciagli, Stefano (2010) 'Il temenos di Messon: uno stesso contesto per Saffo e Alceo', ''LEXIS'' 28: 227-256.\
  
* McDevitt, A.S. (1972) ‘Sophocles' praise of man in the ''Antigone''’, ''Ramus'' 1: 152-164.
+
* Caciagli, Stefano (2011) 'Poeti e Società. Comunicazione poetica e formazioni sociali nella Lesbo del VII/VI secolo a.C.' (with a preface of Claude Calame), ''LXIV Supplement of «LEXIS»'' (Hakkert, Amsterdam.
  
* McDevitt, A.S. (1982) ‘The first kommos of Sophocles' ''Antigone'', ''Ramus'' 11: 134-144.
+
* Nagy, Gregory (2007) 'Did Sappho and Alcaeus Ever Meet? Symmetries of Myth and Ritual in Performing the Songs of Ancient Lesbos' in ''Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen'', eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. ''MythosEikonPoiesis'' Bd. 1.1–2. Berlin and New York: ibid. 211-269. Reviewed by Reyes Bertolín Cebrián [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-09.html ''BMCR'' 2008.08.09].
  
* McDevitt, A.S. (1991) ‘Wrong again, or who'd be a chorus (Sophocles' ''Antigone''), ''LCM'' 16: 71.
+
* Suárez de la Torre, Emilio (2007) 'Helena, de la épica a la lírica griega arcaica (Safo, Alceo, Estesícoro)' in AA.VV., ''O mito de Helena de Tróia à actualidade''. Coimbra. vol. I: 55-79.
  
* Petrovic, Andrej (2002) 'Der simonideische makros logos und die sophokleische ''Antigone''. Zur Identifizierung einer alten dramatischen Gestaltungsweise', ''Phaos Revista de Estudos Classicos'' 2: 121-131.
+
* Yatromanolakis, D. (2009) 'Alcaeus and Sappho', in ''The Cambridge Companion to Greek Lyric'', Budelmann, Felix (ed.). Cambridge: 204-26.
  
* Psaroudakēs, Stelios (1990) 'Antigone and the nine ugly Muses', ''Classical Association News'' 2: 6-7. This is a critique of a performance of ''Antigone'' in London in 1990. It argues that, although there is a lot we can do musicwise with the information we have about music in tragedy, people choose to ignore this information, and as a result avoid its application, producing "musicless" versions of the plays, totally detached from ancient intentions and styles.
+
=== Sappho ===
 +
Cf. the [http://sites.google.com/site/hellenisticbibliography/pre-hellenistic/sappho bibliography on Sappho] made by Martine Cuypers that forms part of a [http://sites.google.com/site/hellenisticbibliography/ Hellenistic Bibliography].
  
* Rösler, W. (1983) 'Der Chor als Mitspieler. Beobachtungen zur ''Antigone'' ', ''A&A'' 29: 107-124.
+
* Aloni, A. (1997) ''Saffo: Frammenti''. Florence.
  
* Schwinge, E.R. (1971) 'Die Rolle des Chors in der sophokleischen ''Antigone'' ', ''Gymnasium'' 78: 294-321.
+
* Aloni, A. (2001) ‘What is that man doing in Sappho, fr. 31 V.?’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md., and Oxford: 29-40.
  
* Sourvinou-Inwood, C. (1989) 'The fourth stasimon of Sophocles' ''Antigone'' ', ''Bulletin of the Institute of Classical Studies'' 36: 141-165.
+
* Bernsdorff, Hans (2004) 'Schwermut des Alters im neuen Kölner Sappho-Papyrus', ''Zeitschrift für Papyrologie und Epigraphik'' 150: 27-35.
  
===== Sophocles: ''Electra'' =====
+
* Bernsdorff, Hans (2005) 'Offene Gedichtschlüsse', ''Zeitschrift für Papyrologie und Epigraphik'' 153: 1-6.
* Ierulli, Molly (1993) ’A community of women? The protagonist and the chorus in Sophocles' ''Electra''’, ''Métis'' 8 (1-2): 217-229.
 
  
* Paulsen, T. (1989) ''Die Rolle des Chors in den späten Sophokles-Tragödien: Untersuchungen zu ''Elektra'', ''Philoktet'' und ''Oidipus auf Kolonos''.'' Bari.
+
* Bessone, F. (2003) ‘Saffo, la lirica, l'elegia. Su Ovidio, ‘Heroides’ 15’, ''MD'' 51: 209-243.
  
* Shucard, S.C. (1973) ‘Some developments in Sophocles' late plays of intrigue’, ''CJ'' 69: 133-138. (''Philoctetes'' and ''Electra'')
+
* Bessone, F. (2003) Conversione poetica e riconversione letteraria: l’epistola di Saffo nelle Heroides, in ''Incontri triestini di filologia classica'', vol. 2: Incontri 2002-2003, eds. L. Cristante e A. Tessier. ''Polymnia'' 4. Trieste: 115-143.
  
===== Sophocles: ''Oedipus Coloneus'' =====
+
* Bierl, Anton (2004) ' 'Ich aber (sage), das Schönste ist, was einer liebt!' Eine pragmatische Deutung von Sappho Fr. 16 LP/V', ''Quaderni Urbinati di Cultura Classica'' n.s. 74.2 (103): 91–124.  
* Dhuga, U.S. (2005) ‘Choral Identity in Sophocles' ''Oedipus Coloneus''’, ''American Journal of Philology'' 126.3: 333-62. [http://muse.jhu.edu/journals/american_journal_of_philology/v126/126.3dhuga.pdf PDF].
+
** [http://chs.harvard.edu/wa/pageR?tn=ArticleWrapper&bdc=12&mn=2922 Online edition (2009)] (Published here under a Creative Commons Attribution-Noncommerical-No derivative works License 3.0).
  
* Falkner, Thomas M. (1987) ’Strengthless, Friendless, Loveless: the Chorus and the Cultural Construction of Old Age in Sophocles' ''Oedipus at Colonus''’ in ''From the Bard to Broadway'', ed. K. Hartigan. Lanham: 51-59.
+
* Bierl, Anton. (2009) [http://chs.harvard.edu/wa/pageR?tn=ArticleWrapper&bdc=12&mn=2122 ''Der neue Sappho-Papyrus aus Köln und Sapphos Erneuerung. Virtuelle Choralität, Eros, Tod, Orpheus und Musik''] (Published under a Creative Commons Attribution-Noncommercial-No derivative works License 3.0).
  
* Paulsen, T. (1989) ''Die Rolle des Chors in den späten Sophokles-Tragödien: Untersuchungen zu ''Elektra'', ''Philoktet'' und ''Oidipus auf Kolonos''.'' Bari.
+
* Bierl, Anton (2010) ‘Sappho in Athens. Reperformance and Performative Contextualizations of the New Cologne Papyrus, or Old Age and Rejuvenation through Chorality’, first publication in electronic form on the Athens Dialogues–website online [http://athensdialogues.chs.harvard.edu/cgi-bin/WebObjects/athensdialogues.woa/wa/dist?dis=36 http://athensdialogues.chs.harvard.edu/cgi-bin/WebObjects/athensdialogues.woa/wa/dist?dis=36].
  
* Travis, Roger Matthew (1996) ''Allegorical fantasy and the chorus in Sophocles' ''Oedipus Coloneus''.'' PhD dissertation Berkeley.
+
* Bremer, J.M. (1982) 'A reaction to Tsagarakis' discussion of Sappho fr. 31', ''Rheinisches Museum'' 125: 113-116.
  
* Travis, Roger Matthew (1999) ''Allegory and the tragic chorus in Sophocles' ''Oedipus at Colonus''.'' Lanham. Reviewed by Edmunds, Lowell (2001) ''CR'' 51.2: 379.
+
* Brunet, P. (1998) ''L’Egal des Dieux: Cent versions''. Paris.
  
===== Sophocles: ''Oedipus Tyrannus'' =====
+
* Caciagli, S. (2009) 'Sapph. fr. 27 V.: l'unità del pubblico saffico', ''QUCC'' 91: 63-80.  
* Ax, W. (1932) 'Die Parodos des ''Oedipus Tyrannos'' ', ''Hermes'' 67: 413-437.
 
  
* Carey, C. (1986) ’The second stasimon of Sophocles' ''Oedipus Tyrannus''’, ''JHS'' 106: 175-179.
+
* Calame, C. (1996) 'Sappho's Group: An Initiation into womanhood' in ''Reading Sappho. Contemporary Approaches'', ed. E. Greene, Berkeley and London: 113-124.
  
* Conacher, Desmond J. (1999) ''Oedipus'' without footnotes’, ''EMC'' 18.1: 35-44.
+
* Calame, C. (2005) ‘Une poétique de la mémoire: Espaces et temps chez Sappho’, in ''Koryphaiōi ‘andri: Mélanges offerts à André Hurst'', ed. A. Kolde et al. Geneva: 53–67.
  
* Erp Taalman Kip, A.M. van (1976) ‘Some reflections on the chorus in Sophocles' ''Oedipus Tyrannus''’, in ''Miscellanea tragica in honorem J. C. Kamerbeek'', eds. J.M. Bremer, S.L. Radt and C.J. Ruijgh. Amsterdam: 71-83.
+
* Calame, C. (2012) 'La memoria poetica nei canti di Saffo: Performance musicale e creazione sociale' in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 45-97.
  
* Machin, A. (1989) 'Sur le troisième stasimon d' ''Oedipe-Roi'' ', ''Revue des études grecques'' 102: 192-201.
+
* Carson, A.(2002) ''If Not, Winter: Fragments of Sappho.'' New York.
  
* McDevitt, A.S. (1969) ‘The dramatic integration of the chorus in ''Oedipus Tyrannus'', ''Classica et mediaevalia'' 30: 78-101.
+
* Carvalho, S. (2011) ''Representações e hermenêutica do" Eu" em Safo: análise de quatro fragmentos'', Coimbra.
  
* Sansone, D. (1975) ‘The third stasimon of the ''Oedipus Tyrannos''’, ''CPh'' 70: 110-117.
+
* Clark, C. (2001) ‘The body of desire: nonverbal communication in Sappho 31 V’, ''Syllecta Classica'' 12: 1–32.
  
* Segal, C. (1997) 'The Chorus and the Gods in ''Oedipus Tyrannus'' ', ''Arion'' 4: 20-32.
+
* Dale, A. (2011). Sapphica. Harvard Studies in Classical Philology, 106, 47-74.
  
* Sidwell, K. (1992) 'The argument of the second stasimon of ''Oedipus Tyrannus'' ', ''Journal of Hellenic Studies'' 112: 106-122.
+
* D'Angour, A. (2006) 'Conquering Love: Sappho 31 and Catullus 51', ''CQ'' 56: 297-300.
  
* Vellacott, P.H. (1967) ‘The chorus in ''Oedipus tyrannus''’, ''G&R'' 14: 109-125.
+
* DuBois, P. (1995) ''Sappho Is Burning.'' Chicago and London.
  
* Winnington-Ingram, R.P. (1971) ‘The second stasimon of the ''Oedipus Tyrannus''’, ''JHS'' 91: 119-135.
+
* Dosuna, J. Méndez (2008) 'Miscellanea: Knees and Fawns in the New Sappho', ''Mnemosyne'' 61.1: 108-14. [http://www.swetswise.com.proxy.ubn.ru.nl:8080/swetsfo/swproxy?url=http%3A%2F%2Fopenurl.ingenta.com%2Fcontent%2Fswetsnet-4.1.2dae033a21a66b009d41d8e9ea102dbd%3Fgenre%3Darticle%26issn%3D0026-7074%26volume%3D61%26issue%3D1%26spage%3D108%26epage%3D114%26aulast%3DDosuna&ts=1202555509461&cs=2005023008&userName=9021463.ipdirect&emCondId=2043297&articleID=35750235&yevoID=2197893&titleID=137377&referer=1&remoteAddr=131.174.248.1 PDF].
  
===== Sophocles: ''Philoctetes'' =====
+
* Ferrari, F. (2003) ‘Il pubblico di Saffo’, ''SIFC'' 4th series 1: 42–89.
* Bers, V. (1981) ‘The perjured chorus in Sophocles' ''Philoctetes''’, ''Hermes'' 109: 500-504.
 
  
* Davidson, John (1991) ’The Philoctetes stasimon’, ''LCM'' 16: 125-128.
+
* Ferrari, F. (2010) ''Sappho's Gift: The Poet and Her Community''. Transl. from (2007) ''Una mitra per Kleis: Saffo e il suo pubblico''. Giardini, Pisa. Benjamin Acosta-Hughes and Lucia Prauscello (tr.), Michigan Classical Press, Ann Arbor.  
  
* Esposito, S.J. (1984) ''The chorus in Sophocles. The tension of foreground and background in ''Philoctetes'' and ''Trachiniae''.'' Baltimore.
+
* Goldhill, S. (2006) ‘The touch of Sappho’, in ''Classics and the Uses of Reception'', ed. C. Martindale and R. F. Thomas. Oxford: 250–73.
  
* Haldane, J.A. (1963) 'A Paean in the ''Philoctetes'' ', ''CQ'' 13: 53-56.
+
* Greene, E. (1994) ‘Apostrophe and women’s erotics in the poetry of Sappho’, ''TAPhA'' 124: 41–56. (Reprinted in Reading Sappho: Contemporary Approaches, ed.E. Greene. Berkeley and London 1996: 233–47.)
  
* Kitzinger, Rachel (2008) ''The choruses of Sophokles' ''Antigone'' and ''Philoktetes'': a dance of words. Mnemosyne Supplementa'' 292. Leiden, Boston: Brill.
+
* Greene, E. (ed.) (1996) ''Reading Sappho: Contemporary Approaches''. Berkeley and London.
  
* Paulsen, T. (1989) ''Die Rolle des Chors in den späten Sophokles-Tragödien: Untersuchungen zu ''Elektra'', ''Philoktet'' und ''Oidipus auf Kolonos''.'' Bari.
+
* Greene, E. (ed.) (1996) ''Re-Reading Sappho: Reception and Transmission'', Berkeley and London.
 +
** Contents: 1. Reflecting Sappho - Glenn W. Most 2. Sappho's afterlife in translation - Yopie Prins 3. Sappho's splintered tongue : silence in Sappho 31 and Catullus 51 - Dolores O'Higgins 4. Ventriloquizing Sappho, or the lesbian muse - Elizabeth D. Harvey 5. Sappho in early modern England : a study in sexual reputation - Harriet Andreadis 6. Sex and philology : Sappho and the rise of German nationalism - Joan DeJean 7. Sappho schoolmistress - Holt N. Parker 8. H.D. and Sappho : "A precious inch of palimpsest" - Erika Rohrbach 9. Sapphistries - Susan Gubar.
  
* Schein, Seth L. (1988) ’The chorus in Sophocles' ''Philoctetes'', ''SIFC'' 6: 196-204.
+
* Greene, E.(2002) ‘Subjects, objects, and erotic symmetry in Sappho’s fragments’, in ''Among Women: From the Homosocial to the Homosexual'', ed. N. Rabinowitz and L. Auanger. Austin: 82–105.
  
* Shucard, S.C. (1973) ‘Some developments in Sophocles' late plays of intrigue’, ''CJ'' 69: 133-138. (''Philoctetes'' and ''Electra'')
+
* Greene, E. (2008) 'Masculine and Feminine, Public and Private, in the Poetry of Sappho' in ''Dialogism and Lyric Self-fashioning: Bakhtin and the Voices of a Genre'', ed. Jacob Blevins, Selinsgrove, Pa. Reviewed by Kershner, S.M. [http://bmcr.brynmawr.edu/2009/2009-06-57.html ''BMCR'' 2009.06.57].
  
===== Sophocles: ''Trachiniae'' =====
+
* Greene, E. & M. Skinner (eds.) (2009), ''The New Sappho on Old Age'', Cambridge, MA. [http://www.let.ru.nl/greeksong/images/c/c4/TheNewSappho.pdf Table of Contents]
* Easterling, P.E. (1981) ‘The end of the ''Trachiniae'', ''ICS'' 6.1: 56-75.
 
  
* Esposito, S.J. (1984) ''The chorus in Sophocles. The tension of foreground and background in ''Philoctetes'' and ''Trachiniae''.'' Baltimore.
+
* Gronewald, M. and R.W. Daniel (2004a) ‘Ein neuer Sappho-Papyrus’, ''ZPE'' 147: 1–8.
  
* Esposito, S.J. (1997) 'The Third Stasimon of Sophocles' ''Trachiniae'' ', ''Classical World'' 91.1: 21-38.
+
* Gronewald, M. and R.W. Daniel (2004b) ‘Nachtrag zum neuen Sappho-Papyrus’, ''ZPE'' 149: 1–4.
  
* Parry, H. (1986) 'Aphrodite and the Furies in Sophocles' ''Trachiniae'' ', in ''Greek Tragedy and its Legacy: Essays Presented to D.J. Conacher'', M. Cropp et al. (eds.). Calgary: 103-114.
+
* Gronewald, M. and R.W. Daniel (2005) ‘Lyrischer Text (Sappho-Papyrus), ''ZPE'' 154: 7–12.
  
* Segal, C. (1975) 'Mariage et sacrifice dans les ''Trachiniennes'' de Sophocle', ''Acta Classicorum'' 44: 30-53.
+
* Hutchinson, G.O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
* Solmsen, F. (1985) ‘ἀλλ’ εἰδέναι χρὴ δρῶσαν: The meaning of Sophocles' ''Trachiniai'' 588-93’, ''AJPh'' 106: 490-496.
+
* Jay, P. and C. Lewis (1996) (eds.) ''Sappho: Through English Poetry''. London.
  
==== Euripides (tragedy) ====
+
* Laity, C. (1990) ‘H.D. and A. C. Swinburne: decadence and Sapphic Modernism’, in ''Lesbian Texts and Contexts: Radical Revisions'', ed. K. Jay and J. Glasgow. New York: 217–40.
===== Euripides: ''General'' =====
 
* Furley, W.D. (2000) 'Hymns in Euripidean Tragedy' in ''Euripides and Tragic Theater in the Late Fifth Century'', M. Cropp, K. Lee, D. Sansone (eds.). Champaign.
 
  
* Henrichs, A. (1996) 'Dancing in Athens, Dancing on Delos: Some Patterns of Choral Projection in Euripides', ''Philologus'' 140: 48-62.
+
* Lardinois, A.P.M.H. (1989) 'Lesbian Sappho and Sappho of Lesbos' in ''From Sappho to de Sade: Moments in the History of Sexuality'', ed. J.N. Bremmer. London: 15-35. Dutch version (1988) and Portugese translation (1995).
  
* Hose, M. (1990) ''Studien zum Chor bei Euripides. Teil 1: Einführung, Chor im Eingang, Chor in Handlung''. Stuttgart (Beiträge zur Altertumskunde. 10).
+
* Lardinois, A.P.M.H. (1994) 'Subject and Circumstance in Sappho's Poetry', ''Transactions of the American Philological Association'' 124: 57-84.
  
* Hose, M. (1991) ''Studien zum Chor bei Euripides. Teil 2: Das Chorlied, die Chortragödien, die Rolle des Chores in den Tragödien des Euripides''. Stuttgart (Beiträge zur Altertumskunde. 20).
+
* Lardinois, A.P.M.H. (1996) 'Who Sang Sappho's Songs?' in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene Berkeley: 150-172.
  
* MacClure, L. (1995) 'Female Speech and Characterization in Euripides' in ''Lo spettacolo delle voci'', F. de Martino and A.H. Sommerstein (eds.). Bari: 35-60.
+
* Lardinois, A.P.M.H. (2001) 'Keening Sappho: Female Speech Genres in Sappho's Poetry' in ''Making Silence Speak: Women's Voices in Greek Literature and Society'', eds. A. Lardinois and L. McClure. Princeton: 75-92.
  
* Mantziou, M. (1981) Hymns and Hymnal Prayers in fifth-century Greek Tragedy with special Reference to Euripides. PhD thesis London.
+
* Lardinois, A.P.M.H. ((2003) 'Drie gedaantes van Helena: Moderne interpretaties van Sappho Fr. 16' (Modern interpretations of Sappho Fr. 16), ''Lampas'' 36: 261-283.
  
* Mastronarde, Donald J. (1998) 'Il coro euripideo: autorità e integrazione', ''Quaderni Urbinati di Cultura Classica'' 60: 55-80.
+
* Lardinois, A.P.M.H. (2007) 'Seks à la Sappho', ''Lampas'' 40: 273-80. In Dutch.
 +
 
 +
* Lardinois, A.P.M.H. (2008) ' ‘Someone, I say, will remember us’: Oral Memory in Sappho’s Poetry' in ''Orality, Literacy, Memory in the Ancient Greek and Roman World'', ed. A. MacKay. Leiden: 79-96.
  
* Mastronarde, Donald J. (1999) ‘Knowledge and Authority in the Choral Voice of Euripidean Tragedy’, ''Syllecta Classica'' 10: 87-104. Countervailing factors encourage and discourage identification of the audience watching a Greek tragedy with the chorus and its reliance on the chorus' interpretations. Euripides goes further than Aeschylus and Sophocles in underminding this identification.
+
* Lardinois, A.P.M.H. (2009) 'Lesbian Sappho Revisited', in ''Myths, Martyrs, and Modernity. Studies in the History of Religions in Honour of Jan N. Bremmer'', eds. Y.B. Kuiper, J.H.F. Dijkstra & J.E.A. Kroesen. Leiden: Brill: 13-30.
  
* Möller, C. (1933) ''Vom Chorlied bei Euripides''. Göttingen.
+
* Lardinois, A.P.M.H. (2009) ‘The New Sappho Poem (P. Koln 21351 and 21376): Key to the Old Fragments’, in ''The New Sappho on Old Age'', eds. E. Greene & M. Skinner. Cambridge, MA: Harvard Univ. Press: 41-57.
  
* Panagl, O. (1971) ''Die "dithyrambischen Stasima" des Euripides: Untersuchungen zur Komposition und Erzähltechnik''. Wien.
+
* Malnati, A. (1993) ‘Revisione dell’ ostrakon fiorentino di Saffo’, ''Analecta Papyrologica'' 5: 21–22.
  
* Phoutrides, A.E. (1916) 'The Chorus of Euripides', ''HSCP'' 27: 77-170.
+
* Nagy, G. (1973/1990) ‘Phaethon, Sappho’s Phaon, and the white rock of Leucas’, ''HSCPh'' 77 (1973): 137–77. (Revised version in id., Greek Mythology and Poetics. Ithaca, N.Y. 1990: 223–62.)
  
* Rehm, R. (1996/7) 'Performing the Chorus: Choral Action, Interaction, and Absence in Euripides', ''Arion'' 4: 45-60.
+
* Nagy, G. (1996) ‘Mimesis in lyric: Sappho’s Aphrodite and the Changing Woman of the Apache’, in id., ''Poetry as Performance: Homer and Beyond''. Cambridge: 87–103.
  
===== Euripides: ''Andromache'' =====
+
* Neri, C. (2001) 'In margine a Sapph. fr. 96,8 V.', ''Eikasmós'' 12: 11-18.
  
===== Euripides: ''Bacchae'' =====
+
* Neri, C. (2005) 'Sudore freddo e tremore (Sapph. fr. 31,13 V. ~ Sen. Tro. 487s. ~ Apul. Met. I 13, II 30, X 10)', ''Eikasmós'' 16: 51-62 (con F. Citti).
* Arthur, M. (1972) ‘The choral odes of the ''Bacchae of Euripides''’, ''YClS'' 22: 145-179.
 
  
* Murnaghan, Sheila (2006) 'The Daughters of Cadmus: Chorus and Characters in Euripides' ''Bacchae'' and ''Ion'' ' in ''Greek Drama III: Essays in Honour of Kevin Lee'', eds. John Davidson, Frances Muecke, and Peter Wilson. ''BICS'' Supplement 87. London: 99-112.
+
* Nobili, C. (2016) 'Mercanti e cortigiane: la fortuna di un topos da Saffo a Eliodoro', ''Rivista di Filologia e Istruzione Classica'' 144: 5-24.
  
* Segal, Charles (1997) 'Chorus and community in Euripides' ''Bacchae'' ' in ''Poet, public, and performance in ancient Greece'', Lowell Edmunds and Robert W. Wallace (eds.) (with a preface by Maurizio Bettini). Baltimore (Md.): 65-86. Reviewed by Goldhill, Simon (1998) [http://ccat.sas.upenn.edu/bmcr/1998/98.2.05.html ''BMCR'' 98.2.05] and Ferrando, Serena (2000) ''Maia'' 52.2: 402-404.
+
* Peponi, A.-E. (1985) 'Narrative Modes in a lyric  litê: Sappho 1 L.P' ''Philologos'' 41: 244-259. (in Greek)
  
===== Euripides: ''Electra'' =====
+
* Peponi, A.-E. (1995) 'Lyric Transformations of Epic Helen: the Technique of Poetic Suppression in Sappho 16 L.P.' in ''Proceedings of the 7th International Symposium of Ithaki'': 315-328. (in Greek)
* Baur, D. (1997) 'Chor und Tragödie unter besonderer Berücksichtigung von Euripides' ''Elektra'' ', ''Poetica'' 29: 26-47.
 
  
* Rosivach, Vincent J. (1978) 'The “Golden Lamb” Ode in Euripides’ ''Electra'' ', ''CP'' 73: 189-99.
+
* Peponi, A.-E. (1997) 'Mythoplokos Eros: Sappho’s Allusion to her Poetics' in ''Acta: First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-T. Papademetriou. Athens: 139-165. (in Greek)
  
* Zeitlin, Froma I. (1970) 'The Argive Festival of Hera and Euripides’ ''Electra'' ', ''TAPA'' 101: 645-669.
+
* Peterson, L.H. (1994) ‘Sappho and the making of Tennysonian lyric’, ''English Literary History'' 61: 121–37.
  
===== Euripides: ''Heracles'' =====
+
* Powell, J. (2007) ''The Poetry of Sappho''. Oxford.
* Kyriakou, Poulcheria (1999) ’The chorus in the ''Heracles'' and the ''Iphigeneia in Tauris'' of Euripides’, ''Hellenica'' 49.1: 7-27.
 
  
* Parry, H. (1965) 'The Second Stasimon of Euripides, ''Heracles'' (637-700)', ''AJP'' 86: 363-374.
+
* Prins, Y. (1999) ''Victorian Sappho''. Princeton, N.J. and Chichester.
  
===== Euripides: ''Hippolytus'' =====
+
* Rawles, R. (2006) 'Notes on the interpretation of the 'New Sappho' ' ''ZPE'' 157: 1-7.
* Bond, G.W. (1980) 'A chorus in ''Hippolytus''. Manuscript text versus dramatic realism’, ''Hermathena'' 129: 59-63.
 
  
* Swift, L.A. (2006) 'Mixed Choruses and Marriage Songs: a New Interpretation of the Third Stasimon of the ''Hippolytos'' ', ''Journal of Hellenic Studies'' 126: 125-140.
+
* Rayor, D.J. (1991) ''Sappho’s Lyre: Archaic Lyric and Women Poets of Ancient Greece: Translations, with introduction and notes by D. J.R.'' Berkeley.  
** Abstract: This article uses evidence drawn from ''hymenaios'' and wedding ritual to reach a new interpretation of the third stasimon of the ''Hippolytos'', and its rôle in the play.  There is longstanding contention about whether a second (male) chorus participates in the ode, singing in antiphony with the existing tragic chorus.  Even scholars who accept that a second chorus is present have tended to regard it as an aberration which needs to be explained away, rather than a deliberate choice with poetic significance.  I discuss the cultural implications of such a chorus, examining our evidence for real-life mixed choruses, and then applying this to the ode itself. The evidence for mixed choruses suggests they are strongly associated with marriage.  Looking more closely at the language and imagery of the ode, there are allusions to the ''topoi'' of wedding songs and ritual running through it. The ode can use these as a device to trigger deep-rooted responses and associations from the audience, as these motifs are drawn from the cultural tradition which the audience shares. The ''topoi'' tie in with the theme of marriage and sexuality within the ''Hippolytos'' as a whole.  But while their usual purpose is to set up conventional models and ways of thinking, the way they are deployed in the ode in fact serves to undermine these models, and to put a darker spin on the norms of sexual behaviour.  This strand of imagery therefore also provides a filter for interpreting Hippolytos’ own attitude towards sexuality, and a guide to how we are meant to respond to it.
 
  
===== Euripides: ''Ion'' =====
+
* Reynolds, M. (1999) (ed.) ''The Sappho Companion''. London.
* Murnaghan, Sheila (2006) 'The Daughters of Cadmus: Chorus and Characters in Euripides' ''Bacchae'' and ''Ion'' ' in ''Greek Drama III: Essays in Honour of Kevin Lee'', eds. John Davidson, Frances Muecke, and Peter Wilson. ''BICS'' Supplement 87. London: 99-112.
 
  
* Willetts, R.F. (1973) ‘Action and character in the ''Ion'' of Euripides’, ''JHS'' 93: 201-209.
+
* Reynolds, M. (2003) ''The Sappho History''. Basingstoke.
  
===== Euripides: ''Ιphigenia Taurica'' =====
+
* Rösler, W. (1990) ‘Realitätsbezug und Imagination in Sapphos Gedicht ΦΑΙΝΕΤΑΙ ΜΟΙ ΚΗΝΟΣ’, in ''Der Übergang von der Mündlichkeit zur Literatur bei den Griechen'', ed. W. Kullmann and M. Reichel. Tübingen: 271–87.
* Kyriakou, Poulcheria (1999) ’The chorus in the ''Heracles'' and the ''Iphigeneia in Tauris'' of Euripides’, ''Hellenica'' 49.1: 7-27.
 
  
===== Euripides: ''Medea'' =====
+
* Rösler, W. (1992) ‘Homoerotik und Initiation: Über Sappho’, in ''Homoerotische Lyrik. 6. Kolloquium der Forschungsstelle für europäische Lyrik des Mittelalters an der Universität Mannheim'', ed. T. Stemmler. Tübingen: 43–54.
* Segal, C. (1997) 'On the Fifth Stasimon of Euripides' ''Medea'' ', ''American Journal of Philology'' 118: 167-184.
 
  
===== Euripides: ''Orestes'' =====
+
* Segal, C.P. (1998) ‘Beauty, desire, and absence:Helen in Sappho, Alcaeus, and Ibycus’, in ''Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham,Md.: 63–83.
* Damen, Mark (1990) ’Electra's monody and the role of the chorus in Euripides' ''Orestes'' 960-1012’, ''TAPhA'' 120: 133-145.
 
  
* Psaroudakēs, Stelios (2004) 'The Orestes Papyrus: some thoughts on the dubious musical signs', in ''Studien zur Musikarchäologie IV. Musical archaeological sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 9-16 June, 2002, and other contributions. (Orient-Archäologie, 15)'', Ellen Hickmann & Ingo Laufs & Ricardo Eichmann (eds.). Rahden, Westf: Marie Leidorf GmbH: 471-92.
+
* Skinner, M.B. (1993) ‘Woman and language in archaic Greece, or, why is Sappho a woman?’, in ''Feminist Theory and the Classics'', ed. N. S. Rabinowitz and A. Richlin. New York: 125–44. (Reprinted with slight changes in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene. Berkeley and London 1996: 175–92).
  
===== Euripides: ''Phoenissae'' =====
+
* Skinner, M.B. (2002) ‘Aphrodite garlanded: Erôs and poetic creativity in Sappho and Nossis’, in ''Among Women: From the Homosocial to the Homoerotic in the Ancient World'', ed. N. S. Rabinowitz and L. Auanger. Austin: 60–81.
* Arthur, M. (1977) 'The Curse of Civilization: The Choral Odes of the ''Phoenissae'' ', ''HSCP'' 81: 163-184.
 
  
* Hartigan, Karelisa V. (2000) 'Why 'Phoenician' women?', ''Eranos'' 98: 25-31.
+
* Slings, S.R. (1988) 'Sappho fr. 1,19', ''Zeitschrift für Papyrologie und Epigraphik'' 72: 19-20.  
  
===== Euripides: ''Supplices'' =====
+
* Slings, S.R. (1991) 'Sappho fr. 1, 8 V.: Golden house or golden chariot?', ''Mnemosyne'' 44: 404-410.  
* Scully, Stephen P. (1996-1997) 'Orchestra and stage in Euripides' ''Suppliant women'' ', ''Arion'' 4.1: 61-84.
 
  
===== Euripides: ''Troades'' =====
+
* Slings, S.R. (1994) 'Sappho, fr. 94, 10', ''Zeitschrift für Papyrologie und Epigraphik'' 102: 8.  
* Sienkewicz T.J. (1975) ''Euripides' ''Trojan Women''. An interpretative study based upon the role of the chorus and ironic development''. PhD Dissertation, Stanford University.
 
  
* Sienkewicz T.J. (1978) 'Euripides' ''Trojan Women''. An interpretation', ''Helios'' 6: 81-95.
+
* Slings, S.R. (1994) 'Two notes on Sappho's wedding songs', ''Mnemosyne'' 47: 677-679.
  
=== Comic Chorus ===
+
* Snyder, J. M. (1997) ''Lesbian Desire in the Lyrics of Sappho''. New York.  
* Bierl, Anton (1999) 'Doppeltanz oder doppelte Freude? – Gedanken zum umstrittenen διπλῆν (Ar. ''Thesm''. 982) aus einer performativen Perspektive' in ''Der Chor im antiken und modernen Drama'', eds. P. Riemer and B. Zimmermann. ''Drama'' 7. Stuttgart and Weimar: 27–47.
 
  
* Bierl, Anton (2001) ''Der Chor in der Alten Komödie. Ritual und Performativität'' (unter besonderer Berücksichtigung von Aristophanes' ''Thesmophoriazusen'' und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126). It has been translated by Alex Hollmann into English as:
+
* Steinrück, M. (1999) 'Homer bei Sappho?', ''Mnemosyne'' 52: 139-149.
** Bierl, Anton (2007) ''Ritual and Performativity: The Chorus in Old Comedy''. Harvard Press, Center of Hellenic Studies. With many interpretations of comic, tragic and satyric songs, with a general introduction of more than 90 pages to the Chorus and song culture in general; it includes an interpretation of Alcman and an intense analysis of popular Phallus-Songs in ch. 2.
 
  
* Bierl, Anton (2007) 'L'uso intertestuale di Alcmane nel finale della Lisistrata di Aristofane. Coro e rito nel contesto performativo' in ''Dalla lirica corale alla poesia drammatica. Forme e funzioni del canto corale nella tragedia e nella commedia greca'', eds. F. Perusino and M. Colantonio. Pisa: 259–290. With a comparison between Alcman and the last songs in Ar. ''Lysistrata''.
+
* Steinrück, M. (2000) 'Neues zu Sappho", ''ZPE'' 131: 10-12.
  
* Calame, Claude (2004) 'Choral Forms in Aristophanic Comedy: Musical Mimesis and Dramatic Performance in Classical Athens' in ''Music and the Muses. The Culture of Mousike in the Classical Athenian City'', eds. P. Murray and P. Wilson. Oxford: 157-184.
+
* Steinrück, M. (2000) 'Sappho sans sa vie', in ''Biographie des hommes - biographie des dieux'', ed. M.-L. Desclos. Grenoble: 113-127.
  
* Cavallini, E. (1983) 'Echi della lirica arcaica nella Lisistrata di Aristofane', ''MCr'' 18: 70-15.
+
* Steinrück, M. (2008) 'Sapphos Alterslied und kein Ende', ''QUCC'' 86: 89-94.
  
* Faraone, Christopher A. (1997) 'Salvation and Female Heroics in the Parodos of Aristophanes' ''Lysistrata'' ', ''Journal of Hellenic Studies'' 117: 38-59.
+
* Steinrück, M. (2010) 'Sappho und die Wahrheit (Ergänzungen zu Fr. 88 V.)', QUCC 94, 79-87.
  
* Kugelmeier, Chr. (1996) ''Reflexe früher und zeitgenössischer Lyrik in der Alten attischen Komödie''. Stuttgart (Beiträge zur Altertumskunde. 80).
+
* Stehle, E. (1990) ‘Sappho’s gaze: fantasies of a goddess and a young man’, ''Differences'' 2: 88–125. (Reprinted with slight changes in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene. Berkeley and London 1996: 193–225.)
  
* Lech, Marcel Lysgaard (2005) 'A note on Aristophanes' ''Clouds'' 76', ''Classica et Mediaevalia'' 56: 49-55.
+
* Suárez de la Torre, E. (2000) 'Safo: el alma, el verso, el cuerpo' in ''La mujer, alma de la literatura'', ed. por E. Moral y A. de la Villa. Valladolid: 15-27.
  
* Puetz, Babette (2007) ''The Symposium and Komos in Aristophanes''. Warminster: Aris & Phillips. Reviewed by Beta, Simone [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-05.html BMCR 2008.07.05].
+
* Tasagarakis, O. (1979) 'Some neglected aspects of love in Sappho’s Fr. 31 LP', ''Rheinisches Museum'' 122: 97-118.
  
* Willi, Andreas (2003) ''The Languages of Aristophanes. Aspects of Linguistic Variation in Classical Attic Greek''. Oxford. Reviewed by Blomqvist, Jerker [http://ccat.sas.upenn.edu/bmcr/2004/2004-06-04.html ''BMCR'' 2004.06.04].
+
* Tzamali, E. (1996) ''Syntax und Stil bei Sappho''. Dettelbach.
  
=== Satyr Chorus ===
+
* Ucciardello, G. (2001) ‘Sapph. frr. 88 e 159 V. in POxy. LXIV 4411’, ''ZPE'' 136: 167–8.
* Slenders, W.L.G.M. (2007) ''Τραγῳδία παίζουσα. Taaleigen en stijl van het Klassiekgriekse satyrspel''. PhD Dissertation Radboud University Nijmegen. (in Dutch with an English summary)
 
  
== Varia ==
+
* Vanita, R. (1996) ''Sappho and the Virgin Mary: Same-Sex Love and the English Literary Imagination''. New York.
* Boedeker, Deborah (1974) ''Aphrodite's Entry into Greek Epic''. ''Mnemosyne'' Supplement 32. Leiden.
 
  
* Cala[me, Claude (1988) ''Métamorphoses du mythe en Grèce antique''. Genève.
+
* Wiater, N. (2010) 'Der utopische Körper. Die Interpretation frühgriechischer Lyrik am Beispiel von Sappho frg. 31LP' in: ''Antike – Lyrik – Heute. Griechisch-römisches Altertum in Gedichten von der Moderne bis zur Gegenwart'', eds. Elit, S., Bremer, K., Reents, F. (Hgg.). Remscheid: 23-49.
  
* Calame, Claude (1990) ''Thésée et l'imaginaire athénien. Légende et culte en Grèce classique''. Lausanne (2nd edn. 1996).
+
* Williamson, M. (1995) ''Sappho’s Immortal Daughters''. Cambridge, Mass.
  
* Calame, Claude (2000) ''Poétique des mythes en Grèce antique''. Paris. An English translation is forthcoming at Cambridge University Press.
+
* Wilson, L.H. (1996) ''Sappho’s Sweetbitter Songs: Configurations of Female and Male in Ancient Greek Lyric''. London.
  
* Calame, Claude and Roger Chartier (2004) ''Identités d’auteur dans l’Antiquité et la tradition européenne''. Grenoble.
+
* Winkler, J.J. (1990) ‘Double consciousness in Sappho’s lyrics’, in id., ''The Constraints of Desire: The Anthropology of Sex and Gender in Ancient Greece''. New York: 162–87.
 +
 
 +
* Worman, N. (1997) ‘The body as argument: Helen in four Greek texts’, ''ClAnt'' 16: 151–203.
 +
 
 +
* Yatromanolakis, D. (1999) 'Alexandrian Sappho Revisited', ''Harvard Studies in Classical Philology'' 99: 179-195.(reprinted in (2002) ''Greek Literature. Vol. 7: Greek Literature in the Hellenistic Period'', ed. G. Nagy. New York/London.)
 +
 
 +
* Yatromanolakis, D. (1999) 'When Two Fragments Meet: Sapph. fr. 22 V.', ''ZPE'' 128: 22-23.
 +
 
 +
* Yatromanolakis, D. (2001) 'Visualizing Poetry: An Early Representation of Sappho', ''Classical Philology'' 96: 159-168.
 +
 
 +
* Yatromanolakis, D. (2003) 'Ritual Poetics in Archaic Lesbos: Contextualizing Genre in Sappho', in ''Towards a Ritual Poetics'', D. Yatromanolakis and P. Roilos. Athens: 43-59.
 +
 
 +
* Yatromanolakis, D. (2004) 'Exploring Lyric Tropes', ''Synkrise/ Comparaison'' 15: 70-79.
 +
 
 +
* Yatromanolakis, D. (2004) ‘Fragments, brackets, and poetics: on Anne Carson’s If Not, Winter’, International Journal of the Classical Tradition 11: 266–72.
 +
 
 +
* Yatromanolakis, D. (2005) 'Contrapuntal Inscriptions', ''ZPE'' 152: 16-30.
 +
 
 +
* Yatromanolakis, D. (2006) 'A Lyric Epos', ''Helenika'' 56: 381-388.
 +
 
 +
* Yatromanolakis, D. (2007) ''Sappho In The Making: The Early Reception''. Cambridge, MA.
 +
 
 +
* Yatromanolakis, D. (2008) 'P.Colon. inv. 21351 + 21376 and P.Oxy. 1787 fr. 1: Music, Politics, and Hellenistic Anthologies', ''Hellenika'' 58: 237-255.
 +
 
 +
* Yatromanolakis, D. (2008) ''Fragments of Sappho: A Commentary''. Cambridge, Mass.
 +
 
 +
* Yossi, M.J., D. Kioussi and A. Tatsi (eds) (2004) ''Thelxis. Fifteen Essays on Sappho''. Athens: Smili Editions. Articles by B. Gentili, C. Calame, J. McIntosh Snyder, J. J. Winkler, E. Greene, A. Lardinois, P. A. Rosenmeyer. I. Le. Pfeijffer, K. Stanley, Ch. Segal, W. Stehle Stigers. J. Svenbro, E. Robbins, R. Palmisciano, Anne Carson translated into modern Greek with an Introduction by the Editors. (an En Kyklo publication)
 +
 
 +
* Yossi, Mary J. (Μ.Ι. Γιόση)  (2008)  'Τεθνάκην δ’ἀδόλως θέλω. Αποσπάσματα ερωτικού (;) λόγου. Σαπφώ απ..94 V.' ['tethnaken d’ adolos thelo (Sappho Fr. 94 V.): Fragments of erotic (?) discourse'], in:  ''Proceedings of the XII International Symposium on Sappho (Leukada, July 25-28, 2007)'', 25-34.
 +
 
 +
* Zellner, H.M. (2006) 'Sappho's proof that death is an evil', ''GRBS'' 46: 333-337.
 +
 
 +
* Zonana, J. (1990) ‘Swinburne’s Sappho: The Muse as sister-goddess’, ''Victorian Poetry'' 28: 39–50.
 +
 
 +
=== Alcaeus ===
 +
* Andrisano, A. (2001) ‘Iambic motifs in Alcaeus' lyrics’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md., and Oxford: 41-64.
 +
 
 +
* Bachvarova, M.R. (2007) 'Oath and allusion in Alcaeus fr. 129' in ''Horkos. The Oath in Greek Society'', eds. Alan H. Sommerstein, Judith Fletcher. Exeter: 179-188. Reviewed by Kellogg, Danielle L. (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-55.html ''BMCR'' 2008.08.55].
 +
 
 +
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
 +
 
 +
* Buè, F. (2016), 'The λεπάς in Alcaeus. A Study on fr. 359 Voigt', GRMS, 4, 2016, pp. 14-37.
 +
 
 +
* Caciagli, S. (2009) 'Lupi e codardi nell’Heraion di Lesbo', ''ZPE'' 171: 216-220.
 +
 
 +
* Caciagli, S. (2009) 'Un serment violé chez Alcée', ''REG'' 122.1: 185-200.
 +
 
 +
* Cairns, F. (1983). ‘Alcaeus’ Hymn to Hermes, P. Oxy 2734 Fr. 1 and Horace Odes 1,10’, Quaderni Urbinati di Cultura Classica 42: 29-35.
 +
 
 +
* Cannatà Fera, M. (2012) 'Sisifo in Alceo' in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 29-43.
 +
 
 +
* Cazzato, V. (2016) '‘Symposia en plein air in Alcaeus and others’, in ''The Cup of Song. Essays on Poetry and the Symposion'', eds. V. Cazzato, D. Obbink, E. Prodi, Oxford.
 +
 
 +
* Gagné, R. (2009) 'Atreid Ancestors in Alkaios', ''Journal of Hellenic Studies'' 129: 39-43.
 +
 
 +
* Hutchinson, G.O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
 +
 
 +
* Kurke, L. (1994) 'Crisis and Decorum in Sixth–Century Lesbos: Reading Alkaios Otherwise', ''Quaderni Urbinati di cultura classica'', n.s. 47: 67-92.
 +
 
 +
* Lelli, E. (2006) ''Volpe e leone. Il proverbio nella poesia greca (Alceo, Cratino, Callimaco). Filologia e critica, 93''. Roma: Edizioni dell'Ateneo. [http://catdir.loc.gov/catdir/toc/casalini05/06544053.pdf Table of Contents]. Reviewed by Massimiliano Ornaghi, [http://ccat.sas.upenn.edu/bmcr/2008/2008-01-39.html BMCR 2008.01.39].
 +
 
 +
* Lelli, E. (2010) 'La pragmatica proverbiale di Alceo' in ''ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.)'' ed. E. Lelli. Pisa/Roma: 53-60.
 +
 
 +
* Lentini, G. (2002) 'I simposi del tiranno: Sui frr. 70–72 V. di Alceo' in ''ZPE'' 139: 3–18.
 +
 
 +
* Liberman, G. (1999) ''Alcée: Fragments''. (2 vols.). Paris.
 +
 
 +
* Nagy, Gregory (1993) ‘Alcaeus in sacred space’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 221–5.
 +
 
 +
* Neri, Camillo (1996) 'Poeti, filologi e patelle (Alcae. fr. 359 V., Dicaearch. fr. 99 Wehrli, Ar. Byz. fr. 367 Sl.)', ''Eikasmós'' 7: 25-55.
 +
 
 +
* Pardini, A. (1991) ‘La ripartizione in libri dell’opera di Alceo: Per un esame della questione’, ''RFIC'' 119: 257–84.
 +
 
 +
* Porro, A. (1990) ‘La fortuna di Alceo: tradizione e studio della poesia alcaica fino al II sec.d.C.’, Aevum(ant) 3: 75–98.
 +
 
 +
* Porro, A. (1994) ''Vetera Alcaica: L’esegesi di Alceo dagli Alessandrini all’età imperiale''. Milan.
 +
 
 +
* Porro, A. (1995) ‘Alceo e le metafore dei giochi simposiali’, in ''Studia classica Iohanni Tarditi oblata'', ed. L. Belloni et al., vol. I. Milan: 357–68.
 +
 
 +
* Porro, A. (2004) ‘Alcaeus’, in ''Commentaria et lexica Graeca in papyris reperta, pars I, vol. 1, fasc. 1: Aeschines-Alcaeus'', ed. G. Bastianini et al. Munich and Leipzig: 75–246.
 +
 
 +
* Segal, C. P.  (1998) ‘Beauty, desire, and absence: Helen in Sappho, Alcaeus, and Ibycus’, in ''Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham,Md.: 63–83.
 +
 
 +
* Yatromanolakis, D. (2008) 'Genre Categories and Interdiscursivity in Alkaios and Archaic Greece', ''Synkrise/Comparaison'' 19: 169-187.
 +
 
 +
=== Incertum utrius auctoris fragmenta ===
 +
 
 +
=== Alcman ===
 +
Cf. The [http://alkman.georgehinge.com/bibliographie.html Alcman bibliography] that is maintained by George Hinge. This website forms part of a project on the dialect of Alcman (in German with a summary in English and Danish).
 +
 
 +
* Athanassaki, L. (2009) ''ἀείδετο πὰν τέμενος. Οι χορικές παραστάσεις και το κοινό τους στην αρχαϊκή και πρώϊμη κλασική περίοδο''. Herakleion. Study of choral performance contexts especially in Alcman, Pindar, and Bacchylides. [http://www.cup.gr/ViewShopProduct.aspx?ProductId=279696&LangId=1 More information].
 +
 
 +
* Bagordo, A. (1998) 'Zu Alkman, Fr. 17 Davies', ''Hermes'' 126: 259–-68.
 +
 
 +
* Bierl, Anton (2007) 'L'uso intertestuale di Alcmane nel finale della Lisistrata di Aristofane. Coro e rito nel contesto performativo' in ''Dalla lirica corale alla poesia drammatica. Forme e funzioni del canto corale nella tragedia e nella commedia greca'', eds. F. Perusino and M. Colantonio. Pisa: 259–290. With a comparison between Alcman and the last songs in Ar. ''Lysistrata''.
 +
 
 +
* Bierl, Anton (2011), ‘Alcman at the End of Aristophanes' Lysistrata: Ritual Interchorality", in: L. Athanassaki, E. Bowie (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'' (Trends in Classics, Supp. 10), Berlin/New York: 415–436.
 +
 
 +
* Bowie, Ewen (2011), 'Alcman's First Partheneion and what the Sirens sang', in: L. Athanassaki, E. Bowie (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'' (Trends in Classics, Supp. 10), Berlin/New York, 33-66.
 +
 
 +
* Buè,F. (2015), 'La musica degli uccelli e la parola del divino: Alcmane e Messiaen', RCCM, 2, pp. 365-383.
 +
 
 +
* Buè,F. (2018), 'The Voice of Doves', RCCM, 1, pp. 25-45.
 +
 
 +
* Caciagli, Stefano (2009) 'Un contesto per Alcm. PMGF 1', ''Eikasmos'' 20: 19-46.
 +
 
 +
* Calame, Claude (1983) ''Alcman. Texte critique, témoignages, traduction et commentaire''. Roma.
 +
 
 +
* Carey, Chris (2011), 'Alcman: From Laconia to Alexandria', in: . Athanassaki, E. Bowie (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'' (Trends in Classics, Supp. 10), Berlin/New York: 437-61.
 +
 
 +
* Clark, Christina A. (1996) ‘The Gendering of the Body in Alcman’s ''Partheneion'' 1: Narrative, Sex, and Social Order in Archaic Sparta’, ''Helios'' 23: 143-172.
 +
 
 +
* Felson, N. (ed.) (2004) ‘The poetics of deixis in Alcman, Pindar and other lyric’, ''Arethusa'' 37.3: 253–468.
 +
 
 +
* Ferrari, Gloria (2008) ''Alcman and the Cosmos of Sparta''. Chicago and London. Reviewed by A. J. Podlecki [http://bmcr.brynmawr.edu/2009/2009-10-59.html ''BMCR'' 2009.10.59].
 +
 
 +
* Hinge, George (2006) ''Die Sprache Alkmans: Textgeschichte und Sprachgeschichte''. Wiesbaden: Dr. Ludwig Reichert Verlag. ''Serta Graeca'' 24. Cf. his website [http://alkman.georgehinge.com/index.html Die Sprache Alkmans].
 +
 
 +
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
 +
 
 +
* Lillo, A. (1995) ‘El hapax κλεεννά y la lengua poética de Alcmán’, ''Emerita'' 63: 21–45.
 +
 
 +
* Patterson, Lee E. (2005) 'Alcman’s Partheneion and Eliade’s Sacred Time', ''Classical and Modern Literature'' 25.1: 115-27.
 +
 
 +
* Peponi, Anastasia-Erasmia (2004) 'Initiating the Viewer: Deixis and Visual Perception in Alcman’s Lyric Drama', ''Arethusa''  37.3: 295-316.
 +
 
 +
* Peponi, Anastasia-Erasmia (2007) 'Sparta’s Prima Ballerina: ''Choreia'' in Alcman's Second ''Partheneion'' (3 ''PMGF'')', ''Classical Quarterly'' 57.2: 351-62.
 +
 
 +
* Peron, Jacques (1987) ‘Demi-chœurs chez Alcman, Parth. I, v. 39-59’, ''Grazer Beiträge'' 14: 35-53.
 +
 
 +
* Priestley, J.M. (2007) 'The φαρος of Alcman's ''Partheneion'' 1', ''Mnemosyne'' 60.2: 175-95.
 +
 
 +
* Poltera, O. (1997) ''Le langage de Simonide: Etude sur la tradition poétique et son renouvellement''. (Sapheneia 1). Bern.
 +
 
 +
* Puelma, M. (1995) ‘Die Selbstbeschreibung des Chores in Alkmans großem Partheneion-Fragment (fr. 1 P. = 23 B., 1 D. V. 36–105)’, in M. Puelma, Labor et lima: Kleine Schriften und Nachträge, ed. I. Fasel. Basel: 51–110. [Originally published in MH 34 (1977): 1–55.]
 +
 
 +
* Robbins, Emmet (1991) 'Alcman’s Partheneion: Legend and Choral Ceremony', ''CQ'' 44: 7-16.
 +
 
 +
* Robbins, Emmet (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. Douglas E. Gerber. Leiden: 223–42.
 +
 
 +
* Rossi, L. E. (1993) ‘Lirica arcaica e scoli simposiali (Alc. 249,6–9 V. e carm. conv. 891 P.)’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 237–46.
 +
 
 +
* Sassi, M. M. (2005) ‘Poesie und Kosmogonie: Der Fall Alkman’, in ''Frühgriechisches Denken'', ed. G. Rechenauer. Göttingen: 63–80.
 +
 
 +
* Swift L. (2016) ‘Visual Imagery in Parthenaic Song’, in The Look of Lyric: Greek Song and the Visual, eds V. Cazzato and A. Lardinois. Leiden: 255-97
 +
 
 +
* Too, Y. L. (1997) ‘Alcman’s Parthenion: the maidens dance the city’, ''QUCC'' 85 (= n.s. 56.2): 7–29.
 +
 
 +
=== Stesichorus ===
 +
* Arrighetti, G. (1995) 'L'arte di Stesicoro nel giudizio degli antichi', in ''Poésie et lyrique antiques: Actes du colloque organisé par C. Meillier à l’Université Charles-de-Gaulle, Lille III, 2-4 juin 1993'', ed. L. Dubois. Lille: 55-72.
 +
 
 +
* Barker, Andrew (2001) 'La musica di Stesicoro', ''Quaderni Urbinati di Cultura Classica'' 67.1: 7-20.
 +
 
 +
* Bassi, K. (1993) ‘Helen and the discourse of denial in Stesichorus’ ''Palinode''’, ''Arethusa'' 26: 51-75.
 +
 
 +
* Beecroft, A.J. (2006) ‘“This is not a true story”: Stesichorus’s ''Palinode'' and the revenge of the epichoric’, ''TAPhA'' 136: 47-69.
 +
 
 +
* Blaise, Fabienne (1995) ‘Les deux (?) Hélène de Stésichore’, in ''Poésie et lyrique antique'', ed. L. Dubois, Lille: 29-40. Full text: [[Media:Blaise1995Stesichorus.pdf]].
 +
 
 +
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
 +
 
 +
* Campbell, D. A. (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others''. Cambridge, Mass. and London.
 +
 
 +
* Carruesco, J. (2012) 'Helen’s Voice and Choral Mimesis from Homer to Stesichorus' in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 149-172.
 +
 
 +
* Cingano, E. (1990) ‘L’Opera di Ibico e di Stesicoro nella classificazione degli antichi e dei moderni’, in ''Lirica Greca e Latina. Atti del Convegno di studi Polacco-Italiano, Poznan 2–5 maggio 1990, (AION 12)'': 189–224.
 +
 
 +
* Cingano, E. (1993) ‘Indizi di esecuzione corale in Stesicoro’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 347–61.
 +
 
 +
* D'Alessio, G. B. (2013). THE WANDERINGS OF THE THESTORIDS:(STESICHORUS FR. 193.16-22 PMGF). Zeitschrift für Papyrologie und Epigraphik, 186, 36-37.
 +
 
 +
* D’Alfonso, F. (1994) ''Stesicoro e la performance: Studio sulle modalità esecutive dei carmi stesicorei''. Rome.
 +
 
 +
* Demos, M. (1999) ''Lyric Quotation in Plato''. Lanham, Md. [Simonides, Pindar, Stesichorus]
 +
 
 +
* Finglass, P. J., & Kelly, A. (Eds.). (2015). ''Stesichorus in Context''. Cambridge.
 +
 
 +
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
 +
 
 +
* Irvine, J. A. D. (1997) ‘Keres in Stesichorus’ Geryoneis: P. Oxy. 2617 fr. 1 (A)–(B) = SLG 21 Reconsidered’, ''ZPE'' 115: 37–46.
 +
 
 +
* Lazzeri, Massimo (2008) ''Studi sulla Gerioneide di Stesicoro''. Quaderni del Dipartimento di scienze dell'antichità / Università degli studi di Salerno 35. Napoli: Arte tipografica.
 +
 
 +
* Massimilla, G. (1995) ‘L’influsso di Stesicoro sulla poesia ellenistica’, in ''Poésie et lyrique antiques: Actes du colloque organisé par C. Meillier à l’Université Charles-de-Gaulle'', Lille III, 2–4 juin 1993, ed. L. Dubois. Lille: 41–53.
 +
 
 +
* Müller-Goldingen, C. (2000) ‘Tradition und Innovation: Zu Stesichoros’ Umgang mit dem Mythos’, ''AC'' 69: 1–19.
 +
 
 +
* Neri, Camillo (2008) 'Trattativa contro il fato (Stesich. PMGF 222b,176-231)', ''Eikasmós'' 19: 11-44.
 +
 
 +
* Noussia-Fantuzzi, M. (2013). 'A Scenario for the Portrayal of the Monster Geryon in Stesichorus’Geryoneis', Trends in Classics 5.2: 234-59.
 +
 
 +
* Noussia-Fantuzzi, M. (2015) 'The Epic Cycle, Stesichorus, and Ibycus’ in: The Greek Epic Cycle and its ncient Reception: a companion, eds. M. Fantuzzi and C. Tsagalis. Cambridge: 430-49.
 +
 
 +
* Robbins, Emmet (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. D. E. Gerber. Leiden: 223–42.
 +
 
 +
* Schade, G. (2003) ''Stesichoros: Papyrus Oxyrhynchus 2359, 3876, 2619, 2803''. (Mnemosyne suppl. 237). Leiden and Boston.
 +
 
 +
* Slings, S.R. (1998) 'Hoge en lage lyriek in de zesde eeuw. I: Stesichoros', ''Hermeneus'' 70:188-195. In Dutch.
 +
 
 +
* Suárez de la Torre, Emilio (2007) 'Helena, de la épica a la lírica griega arcaica (Safo, Alceo, Estesícoro)' in AA.VV., ''O mito de Helena de Tróia à actualidade''. Coimbra. vol. I: 55-79.
 +
 
 +
* Swift, L. (2016) ‘Stesichorus on Stage’, in Stesichorus in Context, eds P. J. Finglass and A. Kelly. Cambridge: 125-44.
 +
 
 +
=== Ibycus ===
 +
* Bonanno, M. G. (2004) ‘Come guarire dal complesso epico: L’Ode a Policrate di Ibico’, in ''Samo. Storia, letteratura, scienza: Atti delle giornate di studio'', Ravenna, 14–16 novembre 2002, ed. E. Cavallini. Pisa and Rome: 67–96.
 +
 
 +
* Cazzato, V. (2013) ‘Worlds of erôs in Ibycus fr. 286 PMGF’, in ''Eros in Ancient Greece'', edited by E. Sanders, C. Thumiger, C. Carey, and N. Lowe, Oxford.
 +
 
 +
* Cairns, F. (2017). ‘Beauty, Fame and Politics in Ibycus S151 PMGF’, Prometheus. Rivista di studi classici 43: 43-55.
 +
 
 +
* Cingano, E. (1990) ‘L’Opera di Ibico e di Stesicoro nella classificazione degli antichi e dei moderni’, in ''Lirica Greca e Latina. Atti del Convegno di studi Polacco-Italiano, Poznan 2–5 maggio 1990, (AION 12)'': 189–224.
 +
 
 +
* Campbell, D. A. (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others''. Cambridge, Mass. and London.
 +
 
 +
* Giannini, P. (2004) ‘Ibico a Samo’, in ''Samo. Storia, letteratura, scienza: Atti delle giornate di studio'', Ravenna, 14–16 novembre 2002, ed. E. Cavallini. Pisa and Rome: 51–64.
 +
 
 +
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
 +
 
 +
* Noussia-Fantuzzi, M. (2015) 'The Epic Cycle, Stesichorus, and Ibycus’ in: The Greek Epic Cycle and its ncient Reception: a companion, eds. M. Fantuzzi and C. Tsagalis. Cambridge: 430-49.
 +
 
 +
* Pardini, A.(2001) ‘Interpretare segni di lettura: in margine a P.Oxy. 1790 (Ibico)’, ''RCCM'' 43: 39–46.
 +
 
 +
* Segal, C. P.  (1998) ‘Beauty, desire, and absence: Helen in Sappho, Alcaeus, and Ibycus’, in ''Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham,Md.: 63–83.
 +
 
 +
* Tortorelli, William (2004) 'A Proposed Colometry of Ibycus 286', ''Classical Philology'' 99.4: 370-376. [http://www.journals.uchicago.edu/doi/abs/10.1086/429942 URL]
 +
 
 +
* Ucciardello, Giuseppe (2005) 'Sulla tradizione del testo di Ibico', in ''Lirica e Teatro in Grecia. Il Testo e la sua ricezione (Atti del II Incontro di Studi, Perugia 23-24 gennaio 2003)'', a cura di S. Grandolini. Napoli: 21-88.
 +
 
 +
=== Anacreon ===
 +
* Achilleos, S. (2004) ‘The ''Anacreontea'' and a tradition of refined male sociability’ in ''A Pleasing Sinne: Drink and Conviviality in Seventeenth-Century England'', ed. A. Smyth. Cambridge: 21-35.
 +
 
 +
* Aloni, A. (2000) 'Anacreonte a Atene: datazione e significato di alcune iscrizioni tiranniche', ''ZPE'' 130: 81-94.
 +
 
 +
* Bernsdorff, H. (2011). Notes on P. Oxy. 3722 (Commentary on Anacreon). Zeitschrift für Papyrologie und Epigraphik, 29-34.
 +
 
 +
* Braghetti, G. A. (2001) 'L'interpretazione dell' "io" nella lirica arcaica: alcuni esempi anacreontei', in ''I lirici greci: forme della comunicazione e storia del testo'', eds. M. Cannatà Fera and G. B. D'Alessio. Messina: 135-40.
 +
 
 +
* Brown, M. (1999) ‘Passion and love: Anacreontic song and the roots of Romantic lyric’, ''English Literary History'' 66: 373–404.
 +
 
 +
* Budelmann, Felix (2009) 'Anacreon and the Anacreontea' in ''The Cambridge companion to Greek lyric'', Budelmann, Felix (ed.). Cambridge: 227-39.
 +
 
 +
* Campbell, D. A. (1990) ‘Herrick to Anacreon’, in ''Cabinet of the Muses: Essays on Classical and Comparative Literature in Honor of Thomas G. Rosenmeyer'', ed. M. Griffith and D. J. Mastronarde. Atlanta, Ga.: 333–41.
 +
 
 +
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
 +
 
 +
* Iannucci, A. (1999) 'Callimaco, Anacreonte e il ‘bere vino’ (Callim. Aet. fr. 178,11 s. Pf.; Anacr. fr. 56 Gent. = 2 W.)', ''Quaderni del Dipartimento di Filologia, Linguistica e Tradizione Classica  di Torino'' 12: 131-140.
 +
 
 +
* Kantzios, Ippokratis (2005) 'Tyranny and the Symposion of Anacreon', ''Classical Journal'' 100: 227-45.
 +
 
 +
* Ladianou, Katerina (2005) 'The Poetics of Choreia: Imitation and Dance in the ''Anacreontea'' ', ''Quaderni Urbinati di Cultura Classica'' 80: 47-60.
 +
 
 +
* Lenz, L. (1994) ‘Zwei Flaneure: Anakreon 54 D (=388 PMG) und Horaz’ 4. Epode’, ''Gymnasium'' 101: 483–501.
 +
 
 +
* Mason, T. (1990) ‘Abraham Cowley and the wisdom of Anacreon’, ''The Cambridge Quarterly'' 19: 103–37.
 +
 
 +
* Molfino, M. (1998) ‘Lusit Anacreon. Esegesi anacreontea antica in P.Oxy. 3722’,''Maia'' 50: 317–28.
 +
 
 +
* O’Brien, J. (1995) ''Anacreon Redivivus: A Study of Anacreontic Translation in Midsixteenth-century France''. Ann Arbor.
 +
 
 +
* Pelliccia, H. (1991) ‘Anacreon 13 (358 PMG)’, ''CPh'' 86: 30–6.
 +
 
 +
* Pfeijffer, I. L. (2000) ‘Playing ball with Homer: an interpretation of Anacreon 358 PMG’, ''Mnemosyne'' 53: 164–84.
 +
 
 +
* Price, S. D. (1990) ‘Ancreontic vases reconsidered’, ''GRBS'' 31: 133–75.
 +
 
 +
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. Alessandria: 57–71.
 +
 
 +
* Ridgway, B. S. (1998) ‘An issue of methodology: Anakreon, Perikles, Xanthippos’, ''AJA'' 102: 717–38.
 +
 
 +
* Rosenmeyer, P. A. (1992) ''The Poetics of Imitation: Anacreon and the Anacreontic Tradition''. Cambridge.
 +
 
 +
* Rosenmeyer, P. A.  (2002) ‘The Greek Anacreontics and sixteenth-century French lyric poetry’, in ''The Classical Heritage in France'', ed. G. Sandy. Leiden: 393–424.
 +
 
 +
* Roth, M. (2000) ‘“Anacreon” and drink poetry; or, the art of feeling very very good’, ''Texas Studies in Literature and Language'', 42: 314–45.
 +
 
 +
* Slings, S.R. (1978) 'Anacreon's two meadows', ''Zeitschrift für Papyrologie und Epigraphik'' 30: 38.
 +
 
 +
* Slings, S.R. (1998) 'Hoge en lage lyriek in de zesde eeuw: II Anakreon', ''Hermeneus'' 70: 247-253. In Dutch.
 +
 
 +
* Steinrück, M. (1995) 'Lautechos bei Anacreon', in ''Lo spettacolo delle voci'', eds. F. De Martino A.H. Sommerstein. Bari: 173-192.
 +
 
 +
* Vetta, M. (1998) ‘Anacreonte e i cospiratori di Samo (fr. 21 G.)’, ''RCCM'' 40: 321–7.
 +
 
 +
* Vox, O. (1990) ''Studi Anacreontei''. Bari.
 +
 
 +
* Williamson, M. (1998) ‘Eros the blacksmith: performing masculinity in Anakreon’s love lyrics’, in ''Thinking Men: Masculinity and its Self-Representation in the Classical Tradition'', ed. L. Foxhall and J. Salmon. London: 71–82.
 +
 
 +
* Yatromanolakis, Dimitrios  (2007) ''Sappho In The Making: The Early Reception''. Cambridge, MA.
 +
 
 +
=== Simonides ===
 +
* Aloni, A. (1994) 'L’elegia di Simonide dedicate alla battaglia di Platea (Sim. frr. 10-18 W2 ) e l’occasione della sua performance', ''ZPE'' 102 (1994) 9-22. In English as:  'The proem of Simonides’ Plataea elegy and the circumstances of its performance', in Boedeker and Sider (2001), pp. 86-105.
 +
 
 +
* Aloni, A. (2006) ‘A proposito di Simon. fr. 22 W2 e Ael. Aristid. 31,2 K.’, ''Eikasmos'' 17: 69-73.
 +
 
 +
* Andreoli, Francesca (2005) ''Per un riesame critico del 'nuovo Simonide' elegiaco''. Parma. [https://dspace-unipr.cilea.it/bitstream/1889/406/7/simonide.pdf PDF].
 +
 
 +
* Angeli Bernardini, P. (1969) 'Simonide: Rassegna critica delle edizioni, traduzioni e studi dal 1949 al 1968 (1969'), ''QUCC'' 8 (1969) 140-68.
 +
 
 +
* Argentieri, L. (1988) ‘Epigrammi e libro: Morfologia delle raccolte epigrammatiche premeleagree’, ''ZPE'' 121: 1 20.
 +
 
 +
* Arrighetti, G. (2007) ‘La ἐπώνυμος ἡμιθέων γενεή di Simonide, fr. 11, 16-18 W2’. ''Eikasmos'' 18: 89-98.
 +
 
 +
* Arroyo, A. M. (2010) ‘Simonide e Teognide: i contesti eroici dell’elegia classica’, in E. Bona and M. Curnis (eds.), Linguaggi del potere, poteri del linguaggio = Langages du pouvoir, pouvoirs du langage (Alessandria): 97-106.
 +
 
 +
* Barchiesi, A. (1996) ‘Poetry, praise, and patronage: Simonides in the fourth book of Horace’s Odes’, ''ClAnt'' 15: 5-47.
 +
 
 +
* Barchiesi, A. (1995) ‘Simonide e Orazio sulla morte di Achille’, ''ZPE'' 104: 33-8.
 +
 
 +
* Barigazzi, A. (1963). ‘Nuovi frammenti delle elegie di Simonide (Ox.Pap. 2327)’, MH 20: 61-76.
 +
 
 +
* Barrigón Fuentes, C. (2002). L’a expresión del sentimiento amoroso en Simónides’. ''Humanitas'' (Coimbra) 54: 9-33.
 +
 
 +
* Barrigón Fuentes, C. (2007). ‘Simónides de Ceos y su concepción poética’, in E. Suárez De La Torre (ed.), ''Teoría y Práctica de la Composición Poética en el Mundo Antiguo e su Pervivencia'' (Valladolid).
 +
 
 +
* Bartol, K. (1993) ''Greek Elegy and Iambus: Studies in Ancient Literary Sources''. Uniwersytet im. Adama Mickiewicza w Poznaniu.
 +
 
 +
* Bartol, K. (1998) 'Schnee beim Gelage zu Simonides, ''Eleg''. 25 W.2', ''Eos'' 85: 185-188.
 +
 
 +
* Bartol, K. (1999) 'Between Loyalty and Treachery. P. Oxy. 2327 fr. 1+ 2(a) col. I = Simonides 21 West2 - Some Reconsiderations', ''ZPE'' 126: 26-28.
 +
 
 +
* Bearzot, Cinzia. (1997). ‘P.Oxy. 3965: Considerazioni sulla data e sull’ispirazione dell’elegia di Simonide per la battaglia di Platea’, in B. Kramer et al. (eds.), ''Akten des 21. Internationalen Papyrologenkongresses'', Berlin, 13.-19. 8. 1995 (Stuttgart): 71-9.
 +
 
 +
* Bell, J. M. (1978) ‘Κίμβιξ καὶ σοφός: Simonides in the anecdotal tradition’, ''QUCC'' 28: 29–86.
 +
 
 +
* Benelli, L. (2013) 'P. Oxy. XXV 2434 Fr. 5–6', APF 59.2: 298-300.
 +
 
 +
* Bernsdorff, H. (1996) 'Zu Simonides Fr. 22 West2', ''ZPE'' 114: 24-26.
 +
 
 +
* Boedeker, D. (1995) 'Simonides on Plataea: Narrative Elegy, Mythodic History' ''ZPE'' 107: 217-229.
 +
 
 +
* Boedeker, D. (1998) 'The New Simonides and Heroization at Plataia' in ''Archaic Greece: New Approaches and New Evidence'', eds. Nick Fisher and Hans van Wees. Cardiff and London: 231-249.
 +
 
 +
* Boedeker, D. (2007). ‘The View from Eleusis Demeter in the Persian Wars’, in E. Bridges, E. Hall, and P. J. Rhodes (eds.), Cultural Responses to the Persian Wars: Antiquity to the Third Millennium (New York): 65-80.
 +
 
 +
* Boedeker, D. and Sider, D. (eds.) (2001) ''The New Simonides: Contexts of Praise and Desire''. Oxford.
 +
** Contents: '''Part I''' Fragments 1-22 W² : text, apparatus criticus, and translation - David Sider '''Part II''' 1. The new Simonides : toward a commentary - Ian Rutherford 2. "These fragments we have shored against our ruin" - Peter Parsons 3. The genre of Plataea : generic unity in the new Simonides - Dirk Obbink 4. The proem of Simonides' Plataea elegy and the circumstances of its performance - Antonio Aloni 5. A bard of the Iron Age and his auxiliary muse - Eva Stehle 6. Heroic historiography : Simonides and Herodotus on Plataea - Deborah Boedeker 7. Epic and epiphanies : Herodotus and the "new Simonides" - Simon Hornblower 8. Paths to heroization at Plataea - Deborah Boedeker 9. Lords of Hellas, old men of the sea : the occasion of Simonides' elegy on Plataea - P.-J. Shaw 10.  The new Simonides and Homer's Hemitheoi - Jenny Strauss Clay 11. Utopian and erotic fusion in a new elegy by Simonides - Sarah Mace 12. To sing or to mourn? A reappraisal of Simonides 22 W² - Dimitrios Yatromanolakis 13. "New Simonides" or old Semonides? Second thoughts on POxy 3965 fr. 26 - Thomas K. Hubbard 14. Heroes, descendants of Hemitheoi : the proemium of Theocritus and Simonides 11 W² - Marco Fantuzzi 15. The poet unleaved : Simonides and Callimachus - Richard Hunter 16. Simonides and Horace on the death of Achilles - Alessandro Barchiesi 17. Simonides and Horace - Stephen Harrison 18. "As is the generation of leaves" in Homer, Simonides, Horace, and Stobaeus - David Sider
 +
 
 +
* Bravi, Luigi (ed.) (2006) ''Gli epigrammi di Simonide e le vie della tradizione. Filologia e critica'' 94. Roma: Edizioni dell'Ateneo. Reviewed by Sider, David (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-02-47.html ''BMCR'' 2008.02.47].
 +
 
 +
* Bravi,  Luigi. (2005). ‘Gli epigrammi di Simonide e il P.Mil.Vogl. VIII 309’, in M. Di Marco et al., eds. Posidippo e gli altri: Il poeta, il genere, il contesto culture e letterario. Pisa/Rome: pp. 1-7.
 +
 
 +
* Bremer, J.M. (1991) 'Poets and their patrons', in ''Fragmenta Dramatica'', eds. A. Harder and H. Hofmann. Göttingen: 39-60. In this paper a substantial section on Simonides and Pindar.
 +
 
 +
* Bremmer, J. (2006). ‘The rise of the hero cult and the new Simonides’, ZPE 158: 15-26.
 +
 
 +
* Brillante, C. (2000) 'Simonide, fr. Eleg. 22 West2', ''QUCC'' 64: 29-38.
 +
 
 +
* Burzacchini, G. (1995). ‘Note al nuovo Simonide’, Eikasmos 6: 21-35.
 +
 
 +
* Campbell, D.A. (ed.) (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others''. Cambridge MA and London.
 +
 
 +
* Capra, A. (2001) ‘“Addio, Achille”, o il commiato dell’epos (Simon. fr. 11,13–21 W.2)’, ''Eikasmos 12'': 43–54.
 +
 
 +
* Capra, A.  (2004) ‘Simonide e le corone di Omero’, in ''Momenti della ricezione omerica: Poesia arcaica e teatro'', ed. G. Zanetto et al. (Quaderni di Acme 67). Milan: 101–26.
 +
 
 +
* Capra, A.and M. Curti (1995). ‘Semidei simonidei: Note sull’elegia di Simonide per la battaglia di Platea (P.Oxy. 3965 frr. 1-2 + 2327 fr. 6 + 27 col. i)’, ''ZPE'' 104: 27-32.
 +
 
 +
* Cassio, A. C. (1994). ‘I distici del polyandrion di Ambracia e l᾿ ‘io anonimo’ nell᾿epigramma greco’, ''SMEA'' 33: 101-17.
 +
 
 +
* Cataudella, Q. ,’L’elegia di Semonide e l’ode di Orazio IV 7’, ''Boll. di Filol. class.'' 1929) 229-32; repr. in id. ''Intorno ai lirici greci'' (Rome 1972) 16-20.
 +
 
 +
* Catenacci, C. (2000). ‘L’eros impossibile e ruoli omoerotici (Simonide fr. 21 West2)’, ''QUCC'' 66: 57-67.
 +
 
 +
* Catenacci, C.. (2001). ‘Simonide e i Corinzi nella battaglia di Platea (Plut. De Herodt. malign. 872D-E = Simon. frr.15-16 West)’, ''QUCC'' 67: 117-31.
 +
 
 +
* Catenacci, C.. (2002). ‘Simonide, fr. 11, 17 W2: (elegia per la battaglia di Platea)’, in M. S. Celentano (ed.), ''Τέρψις: In ricordo di Maria Laetitia Coletti'' (Alessandria), pp.  29-33.
 +
 
 +
* Demos, M. (1999) ''Lyric Quotation in Plato''. Lanham, Md. [Simonides, Pindar, Stesichorus]
 +
 
 +
* D’Alfonso, F. (2003). ‘Il ringiovanimento nelle terre dell'utopia: (Simonides 22 W.2 = P.Oxy. 2327 fr. 3 + 2a col. II + b + 4 + P.Oxy. 3965 fr. 27)’, ''Riv.Cultura Class.Med''. 1: 7-32.
 +
 
 +
* Danielewicz, J. (1994). ‘Nowo odkryte elegie Simonidesa’, ''Meander'' 49: 211-18.
 +
 
 +
* Erbse, H. (1998). ‘Zu den Epigrammen des Simonides’. ''RhM'' 141: 213 30.
 +
 
 +
* Fantuzzi, M. (1998). ‘Il proemio di Theocr. 17 e Simon. IEG2  W: Eroi, discendenti di semidei’, ''Prometheus'' 24: 97-110.
 +
 
 +
* Flower, M. A. (2000) ‘From Simonides to Isocrates: the fifth-century origins of fourth century panhellenism’, ''ClAnt'' 19: 65–101.
 +
 
 +
* Grethlein, J. (2010). ''The Greeks and Their Past: Poetry, Oratory and History in the Fifth Century BCE.'' (Cambridge). Ch. 3, ‘Elegy: The ‘New Simonides’ and earlier elegies’, pp. 47-73.
 +
 
 +
* Hutchinson, G.O. (ed.) (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
 +
 
 +
* Hunter, R. (1993). ‘One party or two?: Simonides 22 West2’, ''ΖPΕ'' 99: 11-14.
 +
 
 +
* Kowerski, L.M. (2005) ''Simonides on the Persian Wars: A Study of the Elegiac Verses of the ‘New Simonides’''. New York and London.
 +
 
 +
* Mace, S. (2001) 'Utopian and erotic fusion in a new elegy by Simonides (22 West2)', in ''The New Simonides: Contexts of Praise and Desire'', ed. D. Boedeker and D. Sider. New York and Oxford: 185–207.
 +
 
 +
* Mayer, Péter (2007) 'Überlegungen zum Vortragskontext und zur Aussage der 'Plataia-Elegie' des Simonides (frr. 10-18 W2)', ''Hermes'' 135: 373-388.
 +
 
 +
* Molyneux, J.H. (1992) ''Simonides: A Historical Study''. Wauconda.
 +
 
 +
* Most, G.W. (1994) ‘Simonides’ ode to Scopas in contexts’, in ''Modern Critical Theory and Classical Literature'', ed. I. J. F. de Jong and J. P. Sullivan. Leiden: 127–52.
 +
 
 +
* Nobili,, C. (2012) 'Un epinicio di Simonide per gli Spartani (Simonide frr. 34 e 76 Poltera = 519 fr. 132 PMG/S 319 e S 363 SLG)', in M.P. Bologna, M. Ornaghi (eds.), ''Novissima studia. Dieci anni di antichistica milanese. Atti dei seminari di dipartimento 2011'', Milan: 151-180.
 +
 
 +
* Obbink, D. (1996) 'The Hymnic structure of the New Simonides', ''Arethusa'' 29: 193-204.
 +
 
 +
* O’ Hara, J. (1998) 'Venus or the Muse as 'ally' (Lucr. 1.24, Simon. frag. Eleg. 11.20-22 W)', ''CP'' 93: 69-74.
 +
 
 +
* Parsons, P.J. (1992) ‘3965: Simonides, Elegies’, in ''Oxyrhynchus Papyri'' 59: 4–50.
 +
 
 +
* Petrovic, A. (2002) 'Der simonideische makros logos und die sophokleische ''Antigone''. Zur Identifizierung einer alten dramatischen Gestaltungsweise', ''Phaos Revista de Estudos Classicos'' 2: 121-131.
 +
 
 +
* Petrovic, A. (2007) ''Kommentar zu den simonideischen Versinschriften''. Leiden-Boston: Brill.
 +
 
 +
* Poltera, O. (1997) ''Le langage de Simonide. Étude sur la tradition poétique et son renouvellement''. Bern.
 +
 
 +
* Poltera, O. (ed.) (2008) ''Simonides lyricus. Testimonia und Fragmente. Einleitung, kritische Ausgabe, Übersetzung und Kommentar''. Basel.
 +
 
 +
* Rawles, R. (2005) 'Simonides and a new papyrus in Princeton', ''ZPE'' 153: 59-67. This article is an edition of P. Princeton inv. AM87-59A with comment. The papyrus contains a Simonides testimonium.
 +
 
 +
* Rawles, R. (2008) 'Simonides and Theocritus 4: intertextual readings', ''MD'' 59: 9-34.
 +
 
 +
* Rawles, R. (2008) 'Simonides fr.11.14 W: "Close-fighting Danaans"', ''Mnemosyne'' 61.3: 459-66.
 +
 
 +
* Rawles, R. (2008) 'Simonides and Theocritus 4: intertextual readings.' ''Materiali e discussioni per l’analisi dei testi classici.'' 59, 9-34.
 +
 
 +
* Rawles, R. (2013) 'Aristophanes’ Simonides: Lyric Models for Praise and Blame.' in: ''Greek Comedy and the Discourse of Genres'', E. Bakola, L. Prauscello and M. Telo eds. Cambridge. <!-- Pages! -->
 +
 
 +
* Robbins, E. (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. D. E. Gerber. Leiden: 223–42.
 +
 
 +
* Rutherford, I. (1990) 'Paeans by Simonides', ''HSCP'' 93: 169-209.
 +
 
 +
* Rutherford, I. (1996) 'The New Simonides: towards a commentary', ''Arethusa'' 29: 167-192.
 +
 
 +
* Schachter, A. (1998) 'Simonides’ Elegy on Plataia: the occasion of its performance', ''ZPE'' 123: 25-30.
 +
 
 +
* Slings, S.R. (2003) 'De nieuwe Simonides', ''Lampas'' 36: 243-260. In Dutch.
 +
 
 +
* Suárez de la Torre, E. (1998) 'El adjetivo ἐπώνυμος en la elegía por la batalla de Platea de Simónides (Fr. 11.17 West2)', ''Lexis'' 16: 29-32.
 +
 
 +
* Wiater, N. (2005) 'Eine poetologische Deutung des σηκός in Simonides Fr. 531 PMG', ''Hermes'' 133/1: 44-55.
 +
 
 +
* Yatromanolakis, D. (1998) 'Simonides fr. eleg. 22 W2: To Sing or to Mourn?', ''Zeitschrift fuer Papyrologie und Epigraphik'' 120: 1-11 (reprinted in (2002) ''Greek Literature. Vol. 3. Greek Literature in the Archaic Period: The Emergence of Authorship'', ed. G. Nagy. New York/London).
 +
 
 +
=== Pindar ===
 +
Cf. the [http://sites.google.com/site/hellenisticbibliography/pre-hellenistic/pindar  bibliography on Pindar] compiled by Martine Cuypers that forms part of a [http://sites.google.com/site/hellenisticbibliography/ Hellenistic Bibliography] and the bibliography compiled by G. Tsatsani of the University of Crete: [[Media:TSATSANI-Bibliography_in_Pindar's_Odes.pdf‎]].
 +
 
 +
* Agocs, P. (2009) 'Memory and Forgetting in Pindar's Seventh Isthmian' in ''Strategies of Remembrance from Pindar to Hölderlin'', ed. Lucie Dolezalova. Cambridge Scholars' Press: Newcastle: 33-91.
 +
 
 +
* Agocs, P. & Carey, C. & Rawles, R. (ed.) (2012) ''Reading the Victory Ode''. Cambridge. [http://greeksong.ruhosting.nl/images/7/7b/Ag%C3%B3cs_victory_ode_toc.pdf Table of Contents]
 +
 
 +
* Anzai, M. (1990) ‘The first person in the epinicion’, ''JCS'' 38: 16-29.
 +
 
 +
* Anzai, M. (1994) ‘First-person forms in Pindar: a re-examination’, ''BICS'' 39: 141-150. This contribution to the meaning of ‘I’ in epinician poetry contains an interpretation of Pindar’s ''Isthmian Eight'', lines 1-18 and an examination of parodoi in tragedy in order to provide indirect confirmation of the theory that an epinican chorus came marching to the place of performance.
 +
 
 +
* Anzai, M. (1999) ‘A chorus who performs a poet: Pindar's ''Third Nemean ode'', 1-12’, ''Mediterraneus'' 22: 19-42.
 +
 
 +
* Athanassaki, L. (1990) ''Mantic Vision and Diction in Pindar’s Victory Odes''. PhD thesis. Brown University.
 +
 
 +
* Athanassaki, L. (1997) 'Οι κυρηναϊκοί θρύλοι στην μυθοποιητική πρόταση του McLaugΠινδάρου' in ''Acta of the First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-Th. Papademetriou. Athens: 199-233. With an extensive English summary.
 +
 
 +
* Athanassaki, L. (2003) 'Transformations of Colonial Disruption into Narrative Continuity in Pindar’s Epinician Odes', ''HSCP'' 101: 93-128.
 +
 
 +
* Athanassaki, L. (2003) 'A Divine Audience for the Celebration of Asopichus' Victory in Pindar's ''Fourteenth Olympian Ode'' ' in ''Gestures. Essays in Ancient History, Literature and Philosophy Presented to Alan L. Boegehold on the Occasion of His Retirement and His Seventy-Fifth Birthday'', eds. G. W. Bakewell and J. P. Sickinger. Oxford: 3-15.
 +
 
 +
* Athanassaki, L. (2004) 'Deixis, Performance, and Poetics in Pindar's ''First Olympian Ode'' ' in ''Deixis in Choral Lyric'', ed. Nancy Felson. ''Arethusa'': 317-341.
 +
 
 +
* Athanassaki, L. (2009) ‘Apollo and his Oracle in Pindar’s Epinicians: Poetic Representations, Politics, and Ideology’ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.). Athens: 405-72.
 +
 
 +
* Athanassaki, L. (2009) 'Deixis, Narratology, and the Performance of Choral Lyric: On Pindar's ''First Pythian Ode'' ' in ''Narratology and Interpretation. The Content of the Form of the Ancient Texts'', eds. J. Gretlein and A. Rengakos. Berlin. 241-73.
 +
 
 +
* Athanassaki, L. (2009) ''ἀείδετο πὰν τέμενος. Οι χορικές παραστάσεις και το κοινό τους στην αρχαϊκή και πρώϊμη κλασική περίοδο''. Herakleion. Study of choral performance contexts especially in Alcman, Pindar, and Bacchylides.  [http://www.cup.gr/ViewShopProduct.aspx?ProductId=279696&LangId=1 More information]. Reviewed by Katerina Ladianou [http://bmcr.brynmawr.edu/2010/2010-09-21.html BMCR 2010.09.21].
 +
 
 +
* Athanassaki, L. (2010) 'Giving Wings to the Aeginetan Sculptures: The Panhellenic Aspirations of Pindar's ''Olympian Eight'' ' in ''Aegina: Contexts For Choral Lyric Poetry'', ed. D. Fearn. Oxford. 257-93. [http://www.amazon.com/gp/reader/0199546517/ref=sib_dp_bod_toc?ie=UTF8&p=S008#reader-link Table of Contents]
 +
 
 +
* Athanassaki, L. (2011) 'Song, politics, and cultural memory: Pindar's Pythian 7 and the Alcmaeonid temple of Apollo' in: ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'', eds. L. Athanassaki & E.L. Bowie. Berlin/New York: 235-68.
 +
 
 +
* Athanassaki, L. (2012) 'Recreating the Emotional Experience of Contest and Victory Celebrations: Spectators and Celebrants in Pindar’s Epinicians' in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 173-219.
 +
 
 +
* Bagordo, A. (2003) 'L'omaggio letterario di un ateniese a un tebano (Aesch. ''Sept''. 774; Pind. fr. [dith.] 75.3 ss. Sn.-M.)' in ''RHYSMOS. Studi di poesia, metrica e musica greca offerti dagli allievi a Luigi Enrico Rossi per i suoi settant' anni'', ed. R. Nicolai. Roma: 205-9.
 +
 
 +
* Barker, A. (2003) 'Lullaby for an eagle (Pindar, ''Pythian'' 1)', in ''Sleep'', T. Wiedemann and K. Dowden (eds.). Nottingham Classical Literature Studies vol. 8. Bari: 107-124.
 +
 
 +
* Benelli, L. (2012) 'Zu P. Oxy. 2451 Frr. 1-2', ''RFIC'' 140.1: 62-86.
 +
 
 +
* Benelli, L. (2013) ' Anmerkungen zu einigen Papyruskommentaren zu Pindar ', ''Mnemosyne'' 66.4-5: 616-633.
 +
 
 +
* Berge, L. van den (2007) 'Mythical chronology in the Odes of Pindar: The cases of ''Pythian'' 10 and ''Olympian'' 3' in ''The Language of Literature. Linguistic Approaches to Classical Texts'', eds.  R.J. Allan and M. Buijs. Leiden: 29-41. Reviewed by D. Kölligan [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-01.html BMCR 2008.07.01].
 +
 
 +
* Boeke, Hanna (2007) ''The Value of Victory in Pindar's Odes. Gnomai, Cosmology and the Role of the Poet''. Leiden and Boston.''Mnemosyne Supplementa'' 285. [http://lccn.loc.gov/2007046054 Table of Contents]. Reviewed by Xanthou, Maria G. [http://ccat.sas.upenn.edu/bmcr/2008/2008-11-23.html ''BMCR'' 2008.11.23].
 +
 
 +
* Bona, G. (1995) 'Pindaro tra poeti e filologi alessandrini', in ''Atti del Congresso ‘Poeti e Filologi, Filologi-Poeti’. Composizione e studio della poesia epica e lirica nel mondo greco e romano, Brescia, Università Cattolica, 26-27 aprile 1995'', eds. A. Porro and G. Milanese, ''Aevum(ant)'' 8: 87-103.
 +
 
 +
* Bonifazi, A. (2000) 'Sull’ idea di sotterfugio orale negli epinici pindarici', ''Quaderni Urbinati di Cultura Classica'' 95: 69-86.
 +
 
 +
* Bonifazi, A. (2001) ''Mescolare un cratere di canti. Pragmatica della poesia epinicia in Pindaro''. Alessandria.
 +
 
 +
* Bonifazi, A. (2004) 'Communication in Pindar’s Deictic Acts', ''Arethusa'' 37: 391-414.
 +
 
 +
* Bonifazi, A. (2004) 'κεῖνος in Pindar: Between Grammar and Poetic Intention', ''Classical Philology'' 99: 283-99.
 +
 
 +
* Bonifazi, A. (2004) 'Relative Pronouns and Memory: Pindar Beyond Syntax', ''Harvard Studies in Classical Philology'' 102: 41-68.
 +
 
 +
* Braswell, B.K. (ed.) (1998) ''A Commentary on Pindar Nemean Nine. (Texte und Kommentare'' 19). Berlin and New York. Reviewed by R. Hamilton [http://bmcr.brynmawr.edu/1999/1999-01-01.html BMCR 1999.01.01]
 +
 
 +
* Bremer, J.M. (1990) 'Pindar's paradoxical ego and a recent controversy about the performance of his epinicians', in ''The Poet's I in Archaic Greek Poetry'', ed. S.R. Slings. Amsterdam: 41-58.
 +
 
 +
* Bremer, J.M. (1991) 'Poets and their patrons', in ''Fragmenta Dramatica'', eds. A. Harder and H. Hofmann. Göttingen: 39-60. In this paper a substantial section on Simonides and Pindar.
 +
 
 +
* Briand, M. (intro., tard., comm.) (2014), Pindare. Olympiques, Les Belles Lettres, coll. Commentario, Paris
 +
 
 +
* Briand, M. (1996) 'Quand Pindare dit qu'il se tait... Analyses sémantiques et pragmatiques du silence énoncé' in ''Hommage à Jean-Pierre Weiss'', Publications de la Faculté des Lettres de l'Université de Nice: 211-239.
 +
 
 +
* Briand, M. (2001) 'Quand Pindare nomme Homère... Théories du nom propre, étymologies, intertextualités et énonciation lyrique' in ''Fiction d'auteur? Le discours biographique sur l'auteur de l'Antiquité à nos jours'', eds. S. Dubel et S. Rabau. Paris: 25-46.
 +
 
 +
* Briand, M. (2003) 'Le vocabulaire de l'excellence chez Pindare', ''Revue de philologie, de littérature et d'histoire anciennes'' 77.2: 203-218.
 +
 
 +
* Briand, M. (2008) 'Les épinicies de Pindare sont-elles lyriques? ou Du trouble dans les genres poétiques anciens' in ''Le genre de travers: littérature et transgénéricité'', eds. D. Moncond'huy & H. Scepi. La Licorne, PU de Rennes: 21-42.
 +
 
 +
* Briand, M. (2016), « Dépense et travail, dévorations et déchirures : une face sombre de l’épinicie pindarique », in J. Peigney (dir.), Dossier thématique : déchirer, dévorer, dépenser, Gaïa, Grenoble, p. 183-200.
 +
 
 +
* Briand, M. (2016, “Light and Vision in Pindar's Olympian Odes: Interplays of Imagination and Performance”, The Look of Lyric: Greek Song and the Visual, Studies in Archaic and Classical Greek Song, Vol. 1, eds. V. Cazzato & A.  Lardinois, with an intr. by A.-E. Peponi, Leiden, Brill, p. 238-254  (open access: http://booksandjournals.brillonline.com/content/books/b9789004314849_011
 +
 
 +
* Briand, M. (2016), " Entre spectacle et texte: contextes, instances et procédures pragmatiques chez Pindare et Horace", in Bénédicte Delignon, Nadine Le Meur & Olivier Thévenaz (éds.), La poésie lyrique dans la cité antique. Les Odes d'Horace au miroir de la lyrique grecque archaïque, CEROR, Lyon, p. 192-212.
 +
 
 +
* Briand, M. (2016), « Des sensations au sujet éthique : la danse physico-mentale du νόος dans la poésie « lyrique » archaïque », in Fabio Stella (dir.), La notion d’intelligence (nous – noein) dans la Grèce antique, De Homère au Platonisme, revue Methodos (textes et savoirs) 16 : https://methodos.revues.org/4361
 +
 
 +
* Briand, M. (2013), « Vision spectaculaire et vision imaginative dans la poésie mélique grecque. Le cas des épinicies de Pindare », in Régis Courtray (éd.), Pallas, numéro Regard et représentation dans l’Antiquité, 92, p. 115-131 (1.1, 3, 4) https://pallas.revues.org/173?lang=fr
 +
 
 +
* Briand, M. (2013), "Les paradoxes de l’orateur mélique : les discours de Jason, Chiron, Méléagre et d’autres, chez Pindare et Bacchylide“, in Hélène Vial (dir.), Poètes et orateurs dans l’Antiquité. Mises en scène réciproques, PU Blais pascal, Clermont-Ferrand, Coll. Erga 13, p. 39-56.
 +
 
 +
* Briand, M. (2011),  "Φίλος, ἐχθρός, ἐρατός chez Pindare : pragmatique de l'éloge et construction des valeurs", in Sandrine Coin-Longeray (éd.), L’amour et la haine. Études littéraires et lexicales, Éd. Chemins de Tr@verse, Coll. Tr@boules, Univ. de Saint-Étienne, Centre Jean Palerne, p. 88-123.
 +
 
 +
* Briand, M. (2010), "Liaison poétique, alliance rituelle : harmonia chez Pindare", in Pierre Gaye, Florence Malhomme, Gioia M. Rispoli, Anne Gabrièle Wersinger (dir.), L'Harmonie, entre philosophie, science et arts, de l’Antiquité à l’âge moderne",. Atti della Accademia Pontaniana, n. s. vol. LIX suppl., p. 209-227.
 +
 
 +
*Briand, M. (2010), "Les épinicies de Pindare et de Bacchylide comme rites de passage : pragmatique et poétique de la fête et de la fiction méliques", in Philippe Hameau (dir.) avec la collab. De Christian Abry et Françoise Létoublon, Les rites de passage. De la Grèce d'Homère à notre XXIe siècle, Grenoble, Musée Dauphinois, p. 91-100.
 +
 
 +
* Briand, M. (2011), « « Ô mon âme, n'aspire pas à la vie immortelle … Sur les avatars de Pindare, Pythique III, 61-62, des scholiastes anciens à Saint-John Perse, Paul Valéry, Albert Camus, et à l'entour » », Rursus [En ligne], 6 , mis en ligne le 01 février 2011, URL : http://rursus.revues.org/468
 +
 
 +
* Briand, M. (2009), "La danse et la philologie : à partir du mouvement strophique dans les scholies anciennes à Pindare", S. David, C. Daude, E. Geny & C. Muckensturm-Poulle (eds.), Traduire les scholies de Pindare ... I De la traduction au commentaire : problèmes de méthode, avec une préface de Cl. Calame, Dialogues d'histoire ancienne, Supplément 2, PU de Franche-Comté, 2009, 93-106.
 +
 
 +
* Briand, M. (2008) 'La limite et l'envol: les fins paradoxales des épinicies de Pindare', in ''Commencer et finir.Débuts et fins dans les littératures grecque, latine et néolatine'', eds. B. Bureau & C. Nicolas. Lyon: 557-572.
 +
 
 +
* Brix, M. (1995) ‘Pindare en France, de Boileau à Villemain’ ''LEC'' 63: 135-53.
 +
 
 +
* Bulman, P. (1992), ''Phthonos in Pindar''. Berkeley. Reviewed by M.W. Dickie [http://bmcr.brynmawr.edu/1993/04.01.03.html BMCR 04.01.03]
 +
 
 +
* Bundy, E.L. (1986) ''Studia Pindarica''. Berkeley and Los Angeles.
 +
 
 +
* Burnett, Anne Pippin (1998) ‘Spontaneity, savaging, and praise in Pindar's ''sixth paean'' ’, ''AJPh'' 119.4: 493-520.
 +
 
 +
* Burnett, A. P. (2005) ''Pindar’s Songs for Young Athletes of Aegina.'' Oxford.
 +
 
 +
* Cairns, F. (1977). ‘EROS in Pindar’s First Olympian Ode’, Hermes 105: 129-32.
 +
 
 +
* Cairns, F. (1991).  Some Reflections of the Ranking of the Major Games in Fifth Century B.C. Epinician Poetry: Achaia und Elis in der Antike (ed. A.D. Rizakis, Melethemata 13, Athens): 95-98.
 +
 
 +
* Cairns,, F. (2005). ‘Pindar Olympian 7: Rhodes, Athens, and the Diagorids’, Eikasmos 16: 63-91.
 +
 
 +
* Cairns,, F. (2011). ‘Money and the Poet: The First Stasimon of Pindar Isthmian 2’, Mnemosyne 64: 21-36.
 +
 
 +
* Calame, Claude (1996) ''Mythe et histoire dans l'Antiquité grecque. La création symbolique d'une colonie''. Lausanne. English translation (2003) ''Myth and History in Ancient Greece. The Symbolic Creation of a Colony''. Princeton.
 +
 
 +
* Cannatà Fera, M. (1990) ''Pindarus: threnorum fragmenta.'' Rome.
 +
 
 +
* Cannatà Fera, M. (1992) '''Il Pindaro di Plutarco' (Quaderni di Messana 3)'', Messina.
 +
 
 +
* Carey, Christopher (1991) 'The Victory Ode in Performance: The Case for the Chorus', ''Classical Philology'' 86.3: 192-200. [http://links.jstor.org/sici?sici=0009-837X%28199107%2986%3A3%3C192%3ATVOIPT%3E2.0.CO%3B2-3 URL].
 +
 
 +
* Carey, Christopher (1993) ‘Pindar’s Ninth Nemean Ode’ in ''Tria Lustra'', ed. H. Jocelyn. Liverpool: 97-107.
 +
 
 +
* Carey, Christopher (1995) ‘Pindar and the victory ode’ in ''The passionate intellect'', ed. L. Ayres. Princeton: 85-101.
 +
 
 +
* Carey, Christopher (2007) ‘Pindar, place and performance’ in ''Pindar’s Poetry, Patrons, and Festivals'', eds. S. Hornblower and C. Morgan. Oxford: 199-210.
 +
 
 +
* Clay, Jenny S. (2011), 'Olympians 1–3: A song cycle?' in: Athanassaki, Lucia & Bowie, Ewen (2011) (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' Berlin/New York: 337-47.
 +
 
 +
* Currie, B. (2004) ‘Reperformance scenarios for Pindar’s odes’, in ''Oral Performance and Its Context'', ed. C. J. Mackie. (Mnemosyne Supplement 248). Leiden and Boston: 49–69.
 +
 
 +
* Currie, B. (2005) ''Pindar and the Cult of Heroes''. Oxford and New York.
 +
 
 +
* Currie, B. (2011), 'Epinician choregia: funding a Pindaric chorus', in: Athanassaki, Lucia & Bowie, Ewen (2011) (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' Berlin/New York: 269-310.
 +
 
 +
* D’Alessio, G. B. (1992) ‘Pindaro, peana VIIb (fr. 52h Sn.-M.)’, in ''Proceedings of the XIX International Congress of Papyrology'', Cairo: vol. 1: 353-73.
 +
 
 +
* D’Alessio, G. B. (1994) ‘First-person problems in Pindar’, ''BICS'' 39: 117–39.
 +
 
 +
* D’Alessio, G. B. (1995) ‘Una via lontana dal cammino degli uomini (Parm. frr. 1+6 D.-K.; Pind. Ol. VI 22–27; pae. VIIb 10–20)’, ''SIFC'' 3rd series 13: 143–81.
 +
 
 +
* D’Alessio, G. B. (1997) 'Pindar's prosodia and the classification of Pindaric papyrus fragments', ''ZPE'' 118: 23-60.
 +
 
 +
* D’Alessio, G. B. (2001) ‘Sulla struttura del libro dei Peani di Pindaro’, in ''I lirici greci: forme della comunicazione e storia del testo'', ed. M. Cannatà Fera and G. B. D’Alessio. Messina: 69–86.
 +
 
 +
* D’Alessio, G. B. (2004) ‘Precisazioni su Pindaro, Paeana 7b’, ''Prometheus'' 30: 23–6.
 +
 
 +
* D’Alessio, G.B. (2009) ‘Re-Constructing Pindar’s ''First Hymn'': The Theban “Theogony” and the Birth of Apollo’ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.), Athens: 129-48.
 +
 
 +
* Daude, C., S. David, M. Fartzoff, C. Muckensturm-Poulle (texte, trad. et comm.) (2013), ''Scholies à Pindare. Vol.I Vies de Pindare et scholies à la première Olympique'', ISTA, PU de Franche-Comté (préface by M. Briand).
 +
 
 +
* David, S. & Daude, C. & Geny, E. & Muckensturm-Poulle, C. (ed.) (2009) ''Traduire les scholies de Pindare. I. De la traduction au commentaire: problèmes de méthode. Dialogues d'histoire ancienne''. Franche-Comté. Reviewed by G. Bitto [http://bmcr.brynmawr.edu/2010/2010-08-39.html BMCR 2010.08.39]
 +
 
 +
* Demos, M. (1999) Lyric Quotation in Plato. Lanham, Md. [Simonides, Pindar, Stesichorus]
 +
 
 +
* Di Benedetto, V. (1991) ‘Pindaro, Pae. 7b, 11–14’, ''RFIC'' 119: 164–76.
 +
 
 +
* Faraone, C.A. (1993) 'The Wheel, the Whip and Other Implements of Torture: Erotic Magic in Pindar ''Pythian'' 4. 213-19', ''Classical Journal'' 88: 1-19.
 +
 
 +
* Faraone, C.A. (2002) 'A Drink from the Daughters of Mnemosyne: Poetry, Eschatology and Memory at the End of Pindar's ''Isthmian'' 6' in ''Vertis in usum: Studies in Honor of Edward Courtney'', eds. J.F. Miller, C. Damon and K.S. Myers. Munich and Leipzig. ''Beiträge zur Altertumskunde'' 161: 259-70.
 +
 
 +
* Fearn, David W. (2009) 'Oligarchic Hestia: Bacchylides 14B and Pindar, Nemean 11', ''Journal of Hellenic Studies'' 129: 23–38.
 +
 
 +
* Felson, N. (2009) ‘Epinician Apollo in Story Time: ''Pythian'' 9, ''Olympian'' 6 and ''Pythian'' 3’ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.), Athens: 149-68.
 +
 
 +
* Felson, N. (1999) ‘Vicarious transport: fictive deixis in Pindar’s Pythian Four’, ''HSCPh'' 99: 1–31.
 +
 
 +
* Felson, N. (ed.) (2004) ‘The poetics of deixis in Alcman, Pindar and other lyric’, ''Arethusa'' 37.3: 253–468.
 +
 
 +
* Ferrari, F. (ed.) (2008) ''Pindaro, Pitiche. Classici greci e latini''. Milano. Reviewed by Xanthou, Maria G. (2010) [http://bmcr.brynmawr.edu/2010/2010-01-40.html ''BMCR'' 2010.01.40].
 +
 
 +
* Ferrari, F. (2002) ‘La carraia di Omero e la via degli dei: sul Peana VIIb di Pindaro’, ''Seminari Romani di Cultura Greca'' V 2: 197–212.
 +
 
 +
* Finglass, P.J. (ed.) (2007) ''Pindar: Pythian Eleven. Cambridge Classical Texts and Commentaries'' 45. Cambridge: Cambridge University Press. Reviewed by Slater, William (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-37.html ''BMCR'' 2008.08.37].
 +
 
 +
* Fisher, N. (2006) ‘The pleasures of reciprocity: Charis and the Athletic Body in Pindar’ in ''Penser et représenter le corps dans l’antiquité'', eds. Fr. Prost and J. Wilgaux. Presses Universitaires de Rennes: 227-46.
 +
 
 +
* Gentili, B.; Bernardini P. A.; Cingano E. and Giannini, P. (1995) ''Pindaro: Le Pitiche''. Milan.
 +
 
 +
* Gerber, D.E. (2002) ''A Commentary on Pindar Olympian Nine''. Stuttgart.
 +
 
 +
* González de Tobia, A.M. (1999) ‘Párphasis: concepto multiplicador en la ''Nemea'' VIII de Píndaro’, ''Limes'' 11: 57-68.
 +
 
 +
* González de Tobia, A.M. (2000) ‘Párphasis: concepto multiplicador en la ''Nemea'' VIII de Píndaro’, in ''EPIEIKEIA: Studia Graeca in memoriam Jesús Lens Tuero'', eds. Alganza Roldán, J. M., Camacho Rojo, J. M., Fuentes González, P. P. and Villena Pansoda, M. Athos-Pergamos, Granada: 187-197.
 +
 
 +
* Hamilton, J. T. (2003) ''Soliciting Darkness: Pindar, Obscurity, and the Classical Tradition''. Cambridge, Mass. and London.
 +
 
 +
* Harrison, S. (1995) ‘Horace, Pindar, Iullus Antonius and Augustus: Odes 4.2’, in ''Homage to Horace'', ed. S. Harrison. Oxford: 108–27.
 +
 
 +
* Heath, M. and Lefkowitz, M. (1991) 'Epinician Performance', ''CPh'' 86.3: 173-191. [http://links.jstor.org/sici?sici=0009-837X%28199107%2986%3A3%3C173%3AEP%3E2.0.CO%3B2-9 URL].
 +
 
 +
* Henry, W.B. (2005) ''Pindar’s Nemeans: A Selection''. München. (Commentary on Nemean Odes 4, 6, 8, 10, 11).
 +
 
 +
* Henry, W.B. (2007) 'Pindaric Accompaniments' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 126-31. Reviewed by J. Gibert [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
 +
 
 +
* Hornblower, S. (2004) ''Thucydides and Pindar: Historical Narrative and the World of Epinikian Poetry''. Oxford. Reviewed by B. Currie [http://bmcr.brynmawr.edu/2006/2006-01-36.html BMCR 2006.01.36].
 +
 
 +
* Hornblower, S. and Morgan, C. (eds.) (2007) ''Pindar’s Poetry, Patrons and Festivals''. Oxford. Reviewed by R. Ivanov [http://ccat.sas.upenn.edu/bmcr/2007/2007-10-45.html BMCR 2007.10.45]
 +
 
 +
* Hornblower, S. (2007) '“Dolphins in the sea” (Isthmian 9. 7): Pindar and the Aiginetans' in ''Pindar’s Poetry, Patrons and Festivals: From Archaic Greece to the Roman Empire'', ed. S. Hornblower and C. Morgan. Oxford: 287–308.
 +
 
 +
* Hornblower, S. (2007) ‘Victory-language in Pindar, the historians and inscriptions’, in ''Contests and Rewards in the Homeric Epics: Proceedings of 10th International Symposium on the Odyssey, Ithaki 2004'', ed. M. Paizi-Apostolopolou, A. Rengakos and C. Tsangalis. Ithaka: 331–8.
 +
 
 +
* Hubbard, T. (2002) ‘Pindar, Theoxenos, and the homoerotic eye’, ''Arethusa'' 35: 255–96.
 +
 
 +
* Hubbard, T. (2005) ‘Pindar’s tenth Olympian and athlete-trainer paederasty’, ''Journal of Homosexuality'' 49: 137–71.
 +
 
 +
* Hubbard, T. (2011), 'The dissemination of Pindar’s non-epinician choral lyric' in: Athanassaki, Lucia & Bowie, Ewen (2011) (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' Berlin/New York: 347-64.
 +
 
 +
* Hummel, P. (1993) ''La syntaxe de Pindar''. Louvain.
 +
 
 +
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
 +
 
 +
* Jølle, J. (2003) ‘The Pindaric challenge: Goethe’s “Wanderers Sturmlied”’, ''Oxford German Studies'' 32: 53–85.
 +
 
 +
* Kantzios, I. (2003) 'Pindar’s Muses', ''Classical Bulletin'' 79: 5-34.
 +
 
 +
* Krummen, E. (1990) ''Pyrsos Hymnon: Festliche Gegenwart und mythisch-rituelle Tradition als Voraussetzung einer Pindarinterpretation (Isthmie 4, Pythie 5, Olympie 1 und 3)''. Berlin. (English translation in preparation.)
 +
 
 +
* Kurke, L. (1988) 'The Poet’s Pentathlon: Genre in Pindar’s First Isthmian', ''Greek, Roman, and Byzantine Studies'' 29: 97–113.
 +
 
 +
* Kurke, L. (1990) 'Pindar’s Sixth Pythian and the Tradition of Advice Poetry', ''Transactions of the American Philological Association 120: 85–107.
 +
 
 +
* Kurke, L. (1991) ''The Traffic in Praise: Pindar and the Poetics of Social Economy''. Ithaca, NY.
 +
 
 +
* Kurke, L. (1991) 'Fathers and Sons: A Note on Pindaric Ambiguity', ''American Journal of Philology'' 112: 287–300.
 +
 
 +
* Kurke, L. (1996) 'Pindar and the Prostitutes, or Reading Ancient ‘Pornography’ ', ''Arion'' 3rd series, 4.2: 49–75. Reprinted in (1999) ''Constructions of the Classical Body'', ed. James I. Porter. Ann Arbor: 101–25.
 +
 
 +
* Kurke, L. (2005) 'Choral Lyric as ‘Ritualization’: Poetic Sacrifice and Poetic Ego in Pindar’s Sixth Paian', ''Classical Antiquity'' 25.1: 81-130.
 +
 
 +
* Kurke, L. (2007) 'Visualizing the Choral: Poetry, Performance, and Elite Negotiation in Fifth-Century Thebes' in ''Visualizing the Tragic: Drama, Myth, and Ritual in Greek Art and Literature'', eds. C. Kraus et al. Oxford University Press: 63-101.
 +
 
 +
* Lavecchia, S. (2000) ''Pindari dithyramborum fragmenta''. Rome and Pisa.
 +
 
 +
* Lattmann, C. (2010) ''Das Gleiche im Verschiedenen. Metapher des Sports und Lob des Siegers in Pindars Epinikien''. Berlin.[http://www.degruyterny.com/cont/fb/at/detail.cfm?id=IS-9783110247107-1 More information] [http://www.degruyterny.com/files/pdf/9783110247107Inhaltsverzeichnis.pdf Table of Contents]
 +
 
 +
* Lateur, P. (ed.) (1999) ''Pindaros. Zegezangen''. Amsterdam. (Dutch translation)
 +
 
 +
* Lefkowitz, M.R. (1991) ''First person Fictions: Pindar’s Poetic ‘I’ ''. Oxford.
 +
 
 +
* Lefkowitz, M.R. (1995) ‘The first person in Pindar reconsidered – again’, ''BICS'' 40: 139–50.
 +
 
 +
* Lowe, N.J. (2007) ‘Epinikian eidography’, in ''Pindar’s Poetry, Patrons and Festivals: From Archaic Greece to the Roman Empire'', ed. S. Hornblower and C. Morgan. Oxford: 167–76.
 +
 
 +
* Lundahl, K. (2008) ''Les banquets chez Pindare''. Ph.D. diss. University of Gothenburg.
 +
 
 +
* MacLachlan, B. (2007) 'Epinician swearing' in ''Horkos. The Oath in Greek Society'', eds. A. Sommerstein, J. Fletcher. Exeter: 91-101. Reviewed by D.L. Kellogg [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-55.html BMCR 2008.08.55].
 +
 
 +
* Mackie, H. (2003) ''Graceful Errors: Pindar and the Performance of Praise''. Ann Arbor. Reviewed by F. Budelmann [http://bmcr.brynmawr.edu/2003/2003-12-26.html BMCR 2003.12.26].
 +
 
 +
* Maehler, H. (ed.) (1989) ''Pindarus''. Pars II: ''Fragmenta, Indices''. Leipzig: Teubner. (Text edition)
 +
 
 +
* Mann, C. (2000) ‘Der Dichter und sein Auftraggeber: Die Epinikien Bakchylides’ und Pindars als Träger von Ideologien’, in ''Bakchylides: 100 Jahre nach seiner Wiederentdeckung'', ed. A. Bagordo and B. Zimmermann. Munich: 29–46.
 +
 
 +
* Martin, R. (2004) 'Home is the Hero: Deixis and Semantics in Pythian 8' in ''The Poetics of Deixis in Alcman, Pindar, and other Lyric'', ed. N. Felson [''Arethusa'' 37.3: 253-468]: 343-63. [http://muse.jhu.edu/journals/arethusa/toc/are37.3.html Contents ''Arethusa'' vol. 37]. [http://muse.jhu.edu/journals/arethusa/v037/37.3martin.pdf Access Article PDF].
 +
 
 +
* McLaughlin, G. (2004) 'Professional Foul: Persona in Pindar' in ''Games and Festivals in Classical Antiquity. Proceedings of the Conference held in Edinburgh 10-12 July 2000. BAR International Series, 1220'', eds. S. Bell and G. Davies. Oxford: 25-32. Reviewed by S. Evans [http://ccat.sas.upenn.edu/bmcr/2008/2008-04-20.html BMCR 2008.04.20].
 +
 
 +
* McMahon, L. (2002) ‘The next new thing?’, ''Literary Imagination'' 4/3: 353–85 [http://litimag.oxfordjournals.org/cgi/reprint/4/3/353.pdf online version]
 +
 
 +
* Meillier, C. (1995) ‘L’éloge royal dans l’Hymne à Délos de Callimaque. Homère, Pindare, Callimaque: une dialectique de l’épique et du lyrique’, in ''Poésie et lyrique antiques: Actes du colloque organisé par C. Meillier à l’Université Charles-de-Gaulle'', Lille III, 2–4 juin 1993, ed. L. Dubois. Lille: 129–48.
 +
 
 +
* Morgan, K.A. (2015) ''Pindar and the Construction of Syracusan Monarchy in the Fifth Century B.C''. Oxford and New York.
 +
 
 +
* Morgan, K.A. (1993) 'Pindar the Professional and the Rhetoric of the ΚΩΜΟΣ', ''Classical Philology'' 88.1: 1-15. [http://links.jstor.org/sici?sici=0009-837X%28199301%2988%3A1%3C1%3APTPATR%3E2.0.CO%3B2-5 URL].
 +
 
 +
* Morrison, A.D. (2011) 'Pindar and the Aeginetan patrai: Pindar’s intersecting audiences' in ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'', eds. L. Athanassaki and E.L. Bowie. Berlin/New York: 311-36.
 +
 
 +
* Most, G. W. (1996) ‘Horatian and Pindaric lyric in England’, in ''Zeitgenosse Horaz: Der Dichter und seine Leser seit zwei Jahrtausenden'', ed. H. Krasser et al. Tübingen: 117–52.
 +
 
 +
* Nagy, G. (1990) ''Pindar’s Homer: The Lyric Possession of an Epic Past''. Baltimore and London.
 +
 
 +
* Negri, M. (2004) ''Pindaro ad Alessandria''. Brescia.
 +
 
 +
* Pavlou, M. (2008) 'Metapoetics, Poetic Tradition, and Praise in Pindar Olympian 9', ''Mnemosyne'' 61.4: 533-567.
 +
 
 +
* Pavlou, M. (2010) 'Pindar Nemean 5: Real and Poetic Statues', ''Phoenix'' 64’: 1-18.
 +
 
 +
* Pavlou, M. (2010) 'Pindar Olympian 3: Mapping Acragas on the Periphery of the Earth' , ''Classical Quarterly '' 60.2: 313–326.
 +
 
 +
* Pavlou, M. (2011) ‘Past and Present in Pindar’s Religious Poetry’, in: ''Orality and Literacy in the Ancient World Vol. VIII'' A. Lardinois and J. Blok and M. van der Poel (eds). Leiden: 59-78.
 +
 
 +
* Pavlou, M. (2012) 'Fathers in absentia in Pindar's Epinicians', ''GRBS'' 52: 57-88.
 +
 
 +
* Pavlou, M. (2012) 'Pindar and the Reconstruction of the Past' in ''Greek Notions of the Past in the Archaic and Classical Eras'' eds. J. Marincola, L. Llewellyn-Jones, C. Maciver. Edinburgh: 95-112.
 +
 
 +
* Pfeijffer, I.L. (ed.) (1999) ''Three Aeginian Odes of Pindar: A Commentary on Nemean V, Nemean III and Pythian VIII''. Leiden. Commentary on ''Pythian'' 8, ''Nemean'' 3, 5.
 +
 
 +
* Power, T. (2011), 'Cyberchorus: Pindar's  Κηληδόνες and the aura of the artificial' in ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'', eds. L. Athanassaki and E.L. Bowie. Berlin/New York: 67-114.
 +
 
 +
* Race, W.H. (1990) ''Style and Rhetoric in Pindar's Odes''. Atlanta.
 +
 
 +
* Race, W.H. (ed.) (1997) ''Pindar''. 2 vols. Loeb Classical Library. Cambridge, MA. (Text edition and translation)
 +
 
 +
* Revard, S.P. (1993) ‘Cowley’s “Pindarique Odes” and the politics of the interregnum’, ''Criticism'' 35: 391–418.
 +
 
 +
* Revard, S.P. (2001) ''Pindar and the Renaissance Hymn-Ode, 1450–1700''. Tempe, Ariz.
 +
 
 +
* Riu, X. (2008) ‘On the difference between praise and invective’ in: ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades. Paroikia, Paros, 7-9 October 2005'', eds. D. Katsonopoulou, I. Petropoulos, and S. Katsarou. Athens: 73-82.
 +
 
 +
* Robbins, E. (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. D.E. Gerber. Leiden: 223–42.
 +
 
 +
* Rutherford, I. (1988) 'Pindar on the Birth of Apollo', ''CQ'' 38: 65-75.
 +
 
 +
* Rutherford, I. (1991) 'New Fragments of Pindar's Paeans', ''ZPE'' 86: 5-8.
 +
 
 +
* Rutherford, I. (1991) 'Neoptolemus and the Paean-Cry', ''ZPE'' 88: 1-10.
 +
 
 +
* Rutherford, I. (1991) 'Pindar Paean VIIIA, The "Cassandra" of Bacchylides and the Anonymous "Cassandra" in P.Oxy.2368: An Exploration in Lyric Structure', ''Eos'' 79: 5-12.
 +
 
 +
* Rutherford, I. (1992) 'Two Heroic Prosodia: A Study of Pindar, Pa.XIV-V', ''ZPE'' 92: 59-72.
 +
 
 +
* Rutherford, I. (1995) 'Et Hominum et Deorum . . . Laudes (?). A Hypothesis about the Organisation of Pindar's Paean-Book', ''ZPE'' 107: 44-52.
 +
 
 +
* Rutherford, I. (1997) 'For the Aeginetans . . . a Prosodion: An Unnoticed Title at Pindar, Paean 6, 123 And What it Means for the Poem', ''ZPE'' 118: 1-22.
 +
 
 +
* Rutherford, I. (2001) ''Pindar's Paeans: a reading of the fragments with a survey of the genre''. Oxford. Reviewed by G.T. Patten [http://bmcr.brynmawr.edu/2002/2002-10-41.html BMCR 2002.10.41] and L. Käppel [http://bmcr.brynmawr.edu/2002/2002-10-38.html BMCR 2002.10.38]
 +
 
 +
* Schmid, M. J. (1998)