Difference between revisions of "Bibliography"

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The goal of this site is to complement the bibliographies on archaic and classical Greek lyric, iambic and elegiac poetry collected by Douglas E. Gerber. Gerber has made an extensive and annotated overview of publications in this field between 1920 and 1989 in:
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The lists of publications on this page aim to complement Douglas E. Gerber extensive and annotated bibliographies of archaic and classical Greek lyric, and iambic and elegiac poetry for the years 1920-1989:
  
 
* Gerber, Douglas E. (1989) 'Pindar and Bacchylides 1934-1987', ''Lustrum'' 31: 97-269.
 
* Gerber, Douglas E. (1989) 'Pindar and Bacchylides 1934-1987', ''Lustrum'' 31: 97-269.
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* Gerber, Douglas E. (1994) 'Greek lyric poetry since 1920. Part II: From Alcman to fragmenta adespota', ''Lustrum'' 36: 7-188 and 285-97.
 
* Gerber, Douglas E. (1994) 'Greek lyric poetry since 1920. Part II: From Alcman to fragmenta adespota', ''Lustrum'' 36: 7-188 and 285-97.
  
Arlette Neumann-Hartmann recently published a bibliography on Pindar and Bacchylides. It covers the period from 1988 to 2007 and continues that of D.E. Gerber:
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See, too, Arlette Neumann-Hartmann recently published bibliography for Pindar and Bacchylides covering the years 1988 - 2007:
  
 
* Neumann-Hartmann, Arlette (2010) 'Pindar und Bakchylides (1988–2007)', ''Lustrum: Internationale Forschungsberichte aus dem Bereich des klassischen Altertums'' 52: 181–463.
 
* Neumann-Hartmann, Arlette (2010) 'Pindar und Bakchylides (1988–2007)', ''Lustrum: Internationale Forschungsberichte aus dem Bereich des klassischen Altertums'' 52: 181–463.
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* Alexiou, M. (2002) ''The Ritual Lament in Greek Tradition''. Second edition revised by D. Yatromanolakis and P. Roilos. Lanham/Oxford. <!-- VERWIJDERD OP VERZOEK VAN YATROMANOLAKIS Reviewed by D. Wright [http://bmcr.brynmawr.edu/2003/2003-01-10.html BMCR 2003.01.10]-->
 
* Alexiou, M. (2002) ''The Ritual Lament in Greek Tradition''. Second edition revised by D. Yatromanolakis and P. Roilos. Lanham/Oxford. <!-- VERWIJDERD OP VERZOEK VAN YATROMANOLAKIS Reviewed by D. Wright [http://bmcr.brynmawr.edu/2003/2003-01-10.html BMCR 2003.01.10]-->
  
* Bagardo, A. (2011) 'Lyrik', in: Handbuch der griechischen Literatur der Antike, Bd. I, Zimmermann, Bernhard (ed.) München.
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* Bagordo, A. (2011) 'Lyrik', in: Handbuch der griechischen Literatur der Antike, Bd. I, Zimmermann, Bernhard (ed.) München.
  
 
* Boedeker, D. (1984) 'Descent from Heaven: Images of Dew in Greek Poetry and Religion', ''American Classical Studies'' 13.
 
* Boedeker, D. (1984) 'Descent from Heaven: Images of Dew in Greek Poetry and Religion', ''American Classical Studies'' 13.
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* Bowie, E. (2010) 'The Trojan War's Reception in Early Greek Lyric, Iambic and Elegiac Poetry' in: ''Intentional History. Spinning Time in Ancient Greece'' eds. L. Foxhall, H.-J. Gehrke, N. Luraghi. Stuttgart: 57-87.
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* Briand, M. (2011), « De la parure à l’harmonie du monde : esthétique et idéologie du kosmos dans la poésie mélique grecque archaïque », L. Bodiou, Fl. Gherchanoc, V. Huet, V. Mehl, Parures et artifices : le corps exposé dans l’Antiquité, L’Harmattan, p. 217-232.
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* Briand, M. (2012),  « Pour un parallèle intempestif. Poètes norvégiennes contemporaines / grecques anciennes », in Le Pan poétique des muses | Revue internationale de poésie entre théories & pratiques : « Poésie, Danse & Genre » [En ligne], n°2|Automne 2012, http://0z.fr/wZC2S
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* Briand, M. (2013), "Un genre, des genres, pas de genre : sur les désignations et les pratiques grecques anciennes de la poésie d’éloge", in Alain Bègue (ed.), La poesía epidíctica del Siglo de Oro y sus antecedentes (I). Versos de elogío, Editorial Academía del Hispanismo, Vigo, p. 19-41
  
 
* Budelmann, F. (ed.) (2009) ''The Cambridge Companion to Greek Lyric''. Cambridge.
 
* Budelmann, F. (ed.) (2009) ''The Cambridge Companion to Greek Lyric''. Cambridge.
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* Fowler, B.H. (1992) ''Archaic Greek Poetry: An Anthology''. Madison, Wis.
 
* Fowler, B.H. (1992) ''Archaic Greek Poetry: An Anthology''. Madison, Wis.
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* Franklin, J.C. (2013) “‘Song-Benders of Circular Choruses’: Dithyramb and the ‘Demise of Music‘“, in Wilson, P./ Kowalzig, B. (eds.), ''Dithyramb in Context'', Oxford: 213–36.
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* Franklin, J.C. (2016) ''Kinyras: The Divine Lyre''. (Hellenic Studies 70), Washington D.C..
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* Franklin, J.C.  (2007) “‘A Feast of Music’: The Greco-Lydian Musical Movement on the Assyrian Periphery“, in Collins, B. J./Bachvarova, M./ Rutherford, I. (eds.), ''Anatolian Interfaces: Hittites, Greeks and Their Neighbors'', Oxford: 193–203.
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* Franklin, J.C.  2003) “The Language of Musical Technique in Greek Epic Diction“, Gaia. Revue interdisciplinaire sur la Grèce archaïque 7: 295-307.
  
 
* Gentili, B. (1990) ''Poetry and its Public in Ancient Greece''. Baltimore. Reviewed by S.D. Olson [http://bmcr.brynmawr.edu/1991/02.02.06.html BMCR 02.02.06]
 
* Gentili, B. (1990) ''Poetry and its Public in Ancient Greece''. Baltimore. Reviewed by S.D. Olson [http://bmcr.brynmawr.edu/1991/02.02.06.html BMCR 02.02.06]
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** Contents: Iambos (Archilochus, Semonides, Hipponax) - Christopher Brown. Elegy (Callinus, Tyrtaeus, Mimnermus, Solon, Theognis, Xenophanes) - Douglas Gerber. Personal poetry (Alcaeus, Sappho,Ibycus, Anacreon, Corrina) - Bonnie Maclachan. Public poetry (Alcman, Stesichorus, Simonides, Pindar, Bacchylides) - Emmet Robbins.
 
** Contents: Iambos (Archilochus, Semonides, Hipponax) - Christopher Brown. Elegy (Callinus, Tyrtaeus, Mimnermus, Solon, Theognis, Xenophanes) - Douglas Gerber. Personal poetry (Alcaeus, Sappho,Ibycus, Anacreon, Corrina) - Bonnie Maclachan. Public poetry (Alcman, Stesichorus, Simonides, Pindar, Bacchylides) - Emmet Robbins.
  
* Gerber, D.E. (2003) 'Λοξός with reference to the Eyes and Neck in Greek Poetry' in: ''Studi di Filologia e Tradizione Greca in memoria di Aristide Colonna'', eds. F. Benedetti and S. Grandolini. Napoli, vol. 1: 355-358.
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* Gerber, D.E. (2003) 'Λοξός with reference to the Eyes and Neck in Greek Poetry' in: ''Studi di Filologia e Tradizione Greca in memoria di Aristide Colonna'', eds. F. Benedetti and S. Grandolini. Napoli, vol. 1: 355-358.
  
 
* Goldhill, S. (1991) ''The Poet’s Voice: Essays on Poetics and Greek Literature''. Cambridge.
 
* Goldhill, S. (1991) ''The Poet’s Voice: Essays on Poetics and Greek Literature''. Cambridge.
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* Malhomme, Florence and Anne Gabrièle Wersinger (eds.) (2007) ''Mousike et Arete. La mousique et l'éthique de l'antiquité à l'âge moderne. Actes du colloque international tenu en Sorbonne les 15-17 décembre 2003''. Paris: Librairie Philosophique J. Vrin. Reviewed by Raffa, Massimo (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-03-20.html ''BMCR'' 2008.03.20].
 
* Malhomme, Florence and Anne Gabrièle Wersinger (eds.) (2007) ''Mousike et Arete. La mousique et l'éthique de l'antiquité à l'âge moderne. Actes du colloque international tenu en Sorbonne les 15-17 décembre 2003''. Paris: Librairie Philosophique J. Vrin. Reviewed by Raffa, Massimo (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-03-20.html ''BMCR'' 2008.03.20].
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* Martin, R. (2009) 'Gnomes in Poems: Wisdom Performance on the Athenian Stage', in ''Antiphílesis: Studies on Classical,Byzantine and Modern Greek Literature and Culture. In Honour of Professor John-Theophanes A. Papademetriou.'' eds. E. Karamalengou and E.D. Makrygianni. Stuttgart: 116-27.
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* Mojsik, T. (2011) ''Between Tradition and Innovation: Genealogy, Names and the Number of the Muses. Akme. Studia historica, 9.''  Warszawa. Reviewed by P. Murray [http://bmcr.brynmawr.edu/2012/2012-09-56.html BMCR 2012-09.56].
  
 
* Nagy, G. (1997) ''The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry''. Johns Hopkins University Press (revised edition; first published in 1979). [http://www.press.jhu.edu/books/nagy/BofAS/toc.html Free-to-view online edition]. [http://www.intute.ac.uk/artsandhumanities/cgi-bin/fullrecord.pl?handle=humbul15083 More information] is available at [http://www.intute.ac.uk Intute], catalogued by Emma Bridges.
 
* Nagy, G. (1997) ''The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry''. Johns Hopkins University Press (revised edition; first published in 1979). [http://www.press.jhu.edu/books/nagy/BofAS/toc.html Free-to-view online edition]. [http://www.intute.ac.uk/artsandhumanities/cgi-bin/fullrecord.pl?handle=humbul15083 More information] is available at [http://www.intute.ac.uk Intute], catalogued by Emma Bridges.
  
* Nagy, Gregory (2009) 'Perfecting the Hymn in the Homeric Hymn to Apollo'€™ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.), Athens: 17-44.
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* Nagy, G. (2009) 'Perfecting the Hymn in the Homeric Hymn to Apollo'€™ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.), Athens: 17-44.
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* Nobili, C.(2006) 'Motivi della poesia nuziale in Odissea VI 149-185', ''Rendiconti dell'Istituto lombardo di scienze e lettere. Classe di lettere e scienze morali'' 140: 59-74. It investigates the precence of motifs typical of wedding song in ''Odyssey'' 6.
  
* Nobili, Cecilia (2006) 'Motivi della poesia nuziale in Odissea VI 149-185', ''Rendiconti dell'Istituto lombardo di scienze e lettere. Classe di lettere e scienze morali'' 140: 59-74. It investigates the precence of motifs typical of wedding song in ''Odyssey'' 6.
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* Nobili, C (2016) ''Corone di gloria. Epigrammi agonistici ed epinici dal VII al IV sec. a.C.'', Alessandria.
  
* Thomas, R. (1995) '€˜The place of the poet in archaic society'€™, in ''The Greek World'', ed. A. Powell. London: 104–29.
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* Riu, X., Pòrtulas, J (eds.) (2012) ''Approaches to Greek Poetry.'' Messina.
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* Swift, L. (2015) ‘Lyric Visions of Epic Combat: The Spectacle of War in Archaic Personal Song’, in War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Combat, eds A. Bakogianni and V. Hope. London: 93-109.
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* Thomas, R. (1995) '€˜The place of the poet in archaic society'€™, in ''The Greek World'', ed. A. Powell. London: 104-29.
  
 
* Vetta, M. (1999) ''Symposion: Antologia della lirica greca''. Naples.
 
* Vetta, M. (1999) ''Symposion: Antologia della lirica greca''. Naples.
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* Barker, A. (1989) ''Greek Musical Writings. Vol. II: Harmonic and Acoustic Theory''. Cambridge. [http://www.amazon.ca/gp/reader/0521616972/ref=sib_rdr_toc?ie=UTF8&p=S006&j=0#reader-page Table of Contents].
 
* Barker, A. (1989) ''Greek Musical Writings. Vol. II: Harmonic and Acoustic Theory''. Cambridge. [http://www.amazon.ca/gp/reader/0521616972/ref=sib_rdr_toc?ie=UTF8&p=S006&j=0#reader-page Table of Contents].
  
* Barker, A. (1995) ‘Heterophonia and poikilia: accompaniments to Greek melody’, in ''Mousike. Metrica, ritmica e musica greca in memoria di Giovanni Comotti'', eds. B. Gentili and F. Perusino. Pisa: 41-60.
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* Barker, A. (1995) 'Heterophonia and poikilia: accompaniments to Greek melody'€™, in ''Mousike. Metrica, ritmica e musica greca in memoria di Giovanni Comotti'', eds. B. Gentili and F. Perusino. Pisa: 41-60.
  
* Barker, A. (2001) 'Armonica’ in ''Storia della Scienza'', vol. 1, S. Petruccioli (ed.), Istituto della Enciclopedia Italiana. Rome: 909-926.
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* Barker, A. (2001) 'Armonica'€™ in ''Storia della Scienza'', vol. 1, S. Petruccioli (ed.), Istituto della Enciclopedia Italiana. Rome: 909-926.
  
* Barker, A. (2005) ''Psicomusicologia nella Grecia Antica. A cura di Angelo Meriani. Università degli Studi di Salerno. Quaderni del Dipartimento di Scienze dell'Antichità''. Napoli. Reviewed by Raffa, Massimo [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-08.html ''BMCR'' 2006.06.08].
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* Barker, A. (2005) ''Psicomusicologia nella Grecia Antica. A cura di Angelo Meriani. Università degli Studi di Salerno. Quaderni del Dipartimento di Scienze dell'Antichità ''. Napoli. Reviewed by Raffa, Massimo [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-08.html ''BMCR'' 2006.06.08].
  
 
* Barker, A. (2007) ''The Science of Harmonics in Classical Greece''. Cambridge. [http://catdir.loc.gov/catdir/toc/ecip0711/2007007746.html Table of Contents]. Reviewed by N. Sidoli [http://bmcr.brynmawr.edu/2009/2009-10-38.html BMCR 2009.10.38]
 
* Barker, A. (2007) ''The Science of Harmonics in Classical Greece''. Cambridge. [http://catdir.loc.gov/catdir/toc/ecip0711/2007007746.html Table of Contents]. Reviewed by N. Sidoli [http://bmcr.brynmawr.edu/2009/2009-10-38.html BMCR 2009.10.38]
  
* Bélis, A. (1999) ''Les musiciens dans l’antiquité''. Paris.
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* Bélis, A. (1999) ''Les musiciens dans l’antiquité''. Paris.
  
 
* Bundrick, S.D. (2005) ''Music and Image in Classical Athens''. Cambridge. Reviewed by S. Gibson [http://bmcr.brynmawr.edu/2006/2006-07-46.html BMCR 2006.07.46]
 
* Bundrick, S.D. (2005) ''Music and Image in Classical Athens''. Cambridge. Reviewed by S. Gibson [http://bmcr.brynmawr.edu/2006/2006-07-46.html BMCR 2006.07.46]
  
* Budelmann, F. (2001) ‘Sound and text: the rhythm and metre of archaic and classical Greek poetry in ancient and Byzantine scholarship’, in ''Homer,Tragedy and Beyond: Essays in Honour of P. E. Easterling'', ed. F. Budelmann and P. Michelakis. London: 209–40.
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* Budelmann, F. (2001) '€˜Sound and text: the rhythm and metre of archaic and classical Greek poetry in ancient and Byzantine scholarship'€™, in ''Homer,Tragedy and Beyond: Essays in Honour of P. E. Easterling'', ed. F. Budelmann and P. Michelakis. London: 209–40.
  
* D'Angour, A. (2006) 'The New Music – so what’s new?' in ''Rethinking Revolutions through Ancient Greece'', eds. Goldhill and Osborne. Cambridge: 264-283.
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* D'Angour, A. (2006) 'The New Music - so what'€™s new?' in ''Rethinking Revolutions through Ancient Greece'', eds. Goldhill and Osborne. Cambridge: 264-283.
  
* Ford, A. (1988) 'The Classical Definition of rhapsôdia', ''Classical Philology'' 83: 300-307.  
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* Ford, A. (1988) 'The Classical Definition of rhapsôdia', ''Classical Philology'' 83: 300-307.  
  
* Franklin, J.C. (2002) 'Musical Syncretism and the Greek Orientalizing Period' in ''Archäologie früher Klangerzeugung und Tonordnungen'', eds. E. Hickmann and R. Eichmann. Serie Studien zur Musikarchäologie, Orient-Archäologie. Rahden: 441-51. [http://www.kingmixers.com/FranklinPDFfilescopy/MusicalSyncretism.pdf PDF]. [http://www.kingmixers.com/Syncrestism.html Abstract].
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* Franklin, J.C. (2002) 'Musical Syncretism and the Greek Orientalizing Period' in ''Archäologie früher Klangerzeugung und Tonordnungen'', eds. E. Hickmann and R. Eichmann. Serie Studien zur Musikarchäologie, Orient-Archäologie. Rahden: 441-51. [http://www.kingmixers.com/FranklinPDFfilescopy/MusicalSyncretism.pdf PDF]. [http://www.kingmixers.com/Syncrestism.html Abstract].
  
 
* Franklin, J.C. (2002) 'Diatonic Music in Greece: a Reassessment of its Antiquity', ''Mnemosyne'' 56.1: 669-702. [http://www.kingmixers.com/FranklinPDFfilescopy/DiatonicMusicinGreece.pdf PDF]. [http://www.kingmixers.com/Diatonic.html Abstract].
 
* Franklin, J.C. (2002) 'Diatonic Music in Greece: a Reassessment of its Antiquity', ''Mnemosyne'' 56.1: 669-702. [http://www.kingmixers.com/FranklinPDFfilescopy/DiatonicMusicinGreece.pdf PDF]. [http://www.kingmixers.com/Diatonic.html Abstract].
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* Franklin, J.C. (2003) 'The Language of Musical Technique in Greek Epic Diction', ''Gaia. Revue interdisciplinaire sur la Grèce archaïque'' 7: 295-307. [http://www.kingmixers.com/FranklinPDFfilescopy/MusicalTechniqueEpicDiction.pdf PDF]. [http://www.kingmixers.com/MusicalTechnique.html Abstract].
 
* Franklin, J.C. (2003) 'The Language of Musical Technique in Greek Epic Diction', ''Gaia. Revue interdisciplinaire sur la Grèce archaïque'' 7: 295-307. [http://www.kingmixers.com/FranklinPDFfilescopy/MusicalTechniqueEpicDiction.pdf PDF]. [http://www.kingmixers.com/MusicalTechnique.html Abstract].
  
* Franklin, J.C. (2004) ‘Structural Sympathies in Ancient Greek and South Slavic Heroic Singing’ in Hickmann, E. & Eichmann, R. (eds.), ''Musikarchäologische Quellengruppen: Bodenurkunden, mündliche überlieferung, Aufzeichnung.'' [http://www.kingmixers.com/FranklinPDFfilescopy/StructuralSympathiesGreekSlavic.pdf PDF]
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* Franklin, J.C. (2004) 'Structural Sympathies in Ancient Greek and South Slavic Heroic Singing' in Hickmann, E. & Eichmann, R. (eds.), ''Musikarchäologische Quellengruppen: Bodenurkunden, mündliche Überlieferung, Aufzeichnung.'' [http://www.kingmixers.com/FranklinPDFfilescopy/StructuralSympathiesGreekSlavic.pdf PDF]
  
 
* Franklin, J.C. (2005) 'Hearing Greek Microtones', with audio CD in ''Ancient Greek Music in Performance'', eds. Hagel, S. and Harrauer, Ch. Wiener Studien Beiheft 29 Vienna. From a paper and audio-demonstration (with [http://www.kingmixers.com/virtuallyre.html Virtual Lyre]), delivered at Performing Ancient Greek Music Today, Österreichische Akademie der Wissenschaften, Vienna, September 29-October 1, 2003. [http://www.kingmixers.com/FranklinPDFfilescopy/HearingGreekMicrotones.pdf PDF]. [http://www.kingmixers.com/Hearing%20Greek%20Microtones.html Abstract].
 
* Franklin, J.C. (2005) 'Hearing Greek Microtones', with audio CD in ''Ancient Greek Music in Performance'', eds. Hagel, S. and Harrauer, Ch. Wiener Studien Beiheft 29 Vienna. From a paper and audio-demonstration (with [http://www.kingmixers.com/virtuallyre.html Virtual Lyre]), delivered at Performing Ancient Greek Music Today, Österreichische Akademie der Wissenschaften, Vienna, September 29-October 1, 2003. [http://www.kingmixers.com/FranklinPDFfilescopy/HearingGreekMicrotones.pdf PDF]. [http://www.kingmixers.com/Hearing%20Greek%20Microtones.html Abstract].
  
* Franklin, J.C. (2006) ‘The Wisdom of the Lyre: Soundings in Ancient Greece, Cyprus and the Near East’, in Hickmann, E. & Eichmann, R. (eds.), ''Musikarchäologie im Kontext: Archäologische Befunde, historische Zusammenhänge, soziokulturelle Beziehungen.'' 379-98.  [http://www.kingmixers.com/FranklinPDFfilescopy/WisdomLyre.pdf PDF]
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* Franklin, J.C. (2006) '€˜The Wisdom of the Lyre: Soundings in Ancient Greece, Cyprus and the Near East', ''Musikarchäologie im Kontext: Archäologische Befunde, historische Zusammenhänge, soziokulturelle Beziehungen.'' eds. E. Hickmann & R. Eichmann: 379-98.  [http://www.kingmixers.com/FranklinPDFfilescopy/WisdomLyre.pdf PDF]
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* Franklin, J.C. (2006) 'Lyre Gods of the Bronze Age Musical Koine' in ''The Journal of Ancient Near Eastern Religions'' 6.2: 39–70.  [http://www.kingmixers.com/FranklinPDFfilescopy/LyreGodsWeb.pdf PDF]
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* Franklin, J.C. (2010) 'Remembering Music in Early Greece', in ''The Historiography of Music in Global Perspective.'' ed. S. Mirelman. Piscataway. 9–50. [http://www.kingmixers.com/FranklinPDFfilescopy/RememberingMusic.pdf PDF]
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* Franklin, J. C. (2012) 'The Lesbian Singers: Towards a Reconstruction of Hellanicus'€™ ''Karneian Victors''.'€ In ''Poesia, musica e agoni nella Grecia antica'' eds. D. Castaldo, F. Giannachi & A. Manieri. Galatina: 720-764 [http://www.kingmixers.com/FranklinPDFfilescopy/FranklinKarneianVictors.pdf PDF]
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* Franklin, J. C. (2014) “Ethnicity and Musical Identity in the Lyric Landscape of Early Cyprus”, ''Greek and Roman Musical Studies'' 2: 146–76.
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* Franklin, J. C. (2011) “Music”, “Aulos” and “Phorminx” in Finkelberg, M. (ed.), ''The Homer Encyclopedia'' (Oxford), s.vv.
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* Franklin, J. C. (2008) “Realizations in Ancient Greek Music: Beyond the Fragments“ (with CD selections), in Hickmann, E./Eichmann, R./Both, A. A. (eds.), Challenges and Objectives in Music Archaeology. Papers from the 5th Symposium of the International Study Group on Music Archaeology at the Ethnological Museum, State Museums Berlin, 19-23 September, 2006. Studien zur Musikarchäologie 6/Orient-Archäologie 22 (Rahden,): 323–6
  
* Franklin, J.C. (2006) `Lyre Gods of the Bronze Age Musical Koine` in ''The Journal of Ancient Near Eastern Religions'' 6.2: 39–70. [http://www.kingmixers.com/FranklinPDFfilescopy/LyreGodsWeb.pdf PDF]
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* Franklin, J. C. (in press) “Epicentric Tonality and the Greek Lyric Tradition”, in A. D’Angour/T. Phillips (ed.), Music and Text in Ancient Greece (Cambridge, in press).
  
* Franklin, J.C. (2010) `Remembering Music in Early Greece`, in ''The Historiography of Music in Global Perspective.'' ed. S. Mirelman. Piscataway. 9–50. [http://www.kingmixers.com/FranklinPDFfilescopy/RememberingMusic.pdf PDF]
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* Franklin, J. C. (in press) “A Musical Maze for Asklepios? An Archaeoacoustic Assessment of the Thymele at Epidauros”, in Schultz, P., et al., The Thymele at Epidauros: Healing, Space, and Musical Performance in Late Classical Greece (in press).
  
* Franklin, J. C. (2012). ‘The Lesbian Singers: Towards a Reconstruction of Hellanicus’ "Karneian Victors.” In: ''Poesia, musica e agoni nella Grecia antica'' eds. D. Castaldo, F. Giannachi & A. Manieri. Galatina: 720–764 [http://www.kingmixers.com/FranklinPDFfilescopy/FranklinKarneianVictors.pdf PDF]
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* Franklin, J. C. (in press) “THEIOS AOIDOS: A New Reading of the Lyre-Player Group of Seals”, Gaia. Revue interdisciplinaire sur la Grèce archaïque 18.
  
 
* Gentili, B. and Perusino, F. (eds.) (1999) ''La colometria antica dei testi poetici greci''. Pisa and Rome. Reviewed by H. Perdicoyianni-Paléologou [http://bmcr.brynmawr.edu/2000/2000-07-12.html BMCR 2000.07.12]
 
* Gentili, B. and Perusino, F. (eds.) (1999) ''La colometria antica dei testi poetici greci''. Pisa and Rome. Reviewed by H. Perdicoyianni-Paléologou [http://bmcr.brynmawr.edu/2000/2000-07-12.html BMCR 2000.07.12]
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* Mathiesen, T.J. (1999) ''Apollo’s Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages''. Lincoln, Nebr. and London.
 
* Mathiesen, T.J. (1999) ''Apollo’s Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages''. Lincoln, Nebr. and London.
  
* Murray, P. and Wilson, P. (eds.) (2004) ''Music and the Muses: The Culture of Mousike in the Classical Athenian City''. Oxford. [http://catdir.loc.gov/catdir/enhancements/fy0620/2004300274-t.html Table of Contents]. Reviewed by M. Wright[http://ccat.sas.upenn.edu/bmcr/2004/2004-07-16.html ''BMCR'' 2004.07.16] and M. Raffa [http://www.ircps.org/publications/aestimatio/archive.htm ''Aestimatio''] 2: 109–119, [http://www.ircps.org/publications/aestimatio/pdf/Volume2/2005-10-01_Raffa.pdf PDF].
+
* Murray, P. and Wilson, P. (eds.) (2004) ''Music and the Muses: The Culture of Mousike in the Classical Athenian City''. Oxford. [http://catdir.loc.gov/catdir/enhancements/fy0620/2004300274-t.html Table of Contents]. Reviewed by M. Wright[http://ccat.sas.upenn.edu/bmcr/2004/2004-07-16.html ''BMCR'' 2004.07.16] and M. Raffa [http://www.ircps.org/publications/aestimatio/archive.htm ''Aestimatio''] 2: 109-€“119, [http://www.ircps.org/publications/aestimatio/pdf/Volume2/2005-10-01_Raffa.pdf PDF].
  
* Nagy, G. (1996) ‘Metrical convergences and divergences in early Greek poetry and song’, in ''Struttura e storia dell’esametro omerico'', ed. M. Fantuzzi and R. Pretagostini, vol. II. Rome: 63–110. (Revised version of Nagy 1990: 439–64.)
+
* Nagy, G. (1996) 'Metrical convergences and divergences in early Greek poetry and song'€™, in ''Struttura e storia dell’esametro omerico'', ed. M. Fantuzzi and R. Pretagostini, vol. II. Rome: 63â€-110. (Revised version of Nagy 1990: 439–64.)
  
 
* Nicolai, R.(ed.)(2003) ''Rysmos: Studi di poesia, metrica e musica greca'', Rome.
 
* Nicolai, R.(ed.)(2003) ''Rysmos: Studi di poesia, metrica e musica greca'', Rome.
  
* Pöhlmann, E. and West, M.L. (eds.) (2001) ''Documents of Ancient Greek Music''. Oxford. Reviewed by. W.A. Johnson [http://bmcr.brynmawr.edu/2003/2003-04-08.html BMCR 2003.04.08]
+
* Pöhlmann, E. and West, M.L. (eds.) (2001) ''Documents of Ancient Greek Music''. Oxford. Reviewed by. W.A. Johnson [http://bmcr.brynmawr.edu/2003/2003-04-08.html BMCR 2003.04.08]
  
* Psaroudakēs, S. (1995) 'Acoustic study of the aulos by the method of physical modeling. Report' in ''International conference “Physical modeling in music (ancient instruments, singing/speech, psychoacoustics)”, Aristotle University of Thessalonikē –  Program of Psychoacoustics, Thessalonikē, 10-12 July. Proceedings.''
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* Psaroudaki“s, S. (1995) 'Acoustic study of the aulos by the method of physical modeling. Report' in ''International conference “Physical modeling in music (ancient instruments, singing/speech, psychoacoustics)”, Aristotle University of Thessalonikē –  Program of Psychoacoustics, Thessalonikē, 10-12 July. Proceedings.''
  
* Psaroudakēs, S. (2000) 'The arm-crossbar junction of the Classical Hellenic kithara', in ''Studien zur Musikarchäologie II. Music Archaeology of early Metal Ages. Papers from the 1st Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 18-24 May, 1998'', eds. Ellen Hickmann & Ingo Laufs & Ricardo Eichmann. Orient-Archäologie 7. Rahden, Westf.: 263-78.
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* Psaroudaki“s, S. (2000) 'The arm-crossbar junction of the Classical Hellenic kithara', in ''Studien zur Musikarchäologie II. Music Archaeology of early Metal Ages. Papers from the 1st Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 18-24 May, 1998'', eds. E. Hickmann, I. Laufs, R. Eichmann. Orient-Archäologie 7. Rahden: 263-78.
  
* Psaroudakēs, S. (2002) 'The aulos of Argithea', in ''Studien zur Musikarchäologie III. The archaeology of sound: origin and organisation. Papers from the 2nd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 17-23 September, 2000 & Music Archaeology in the Aegean and Anatolia. Papers from the Colloquium on Music Archaeology organised by the Deutsches Archäologisches Institut (Istanbul) in cooperation with the ICTM-Study Group on Music Archaeology and the Institut Français d’Archéologie (Istanbul), Minar Sinan University, Istanbul, 12-16 April, 1993. (Orient-Archäologie, 10)'', eds. Ellen Hickmann & Anne Kilmer Ricardo Eichmann. Rahden, Westf: 335-66.
+
* Psaroudaki“s, S. (2002) 'The aulos of Argithea', in ''Studien zur Musikarchäologie III. The archaeology of sound: origin and organisation. Papers from the 2nd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 17-23 September, 2000 & Music Archaeology in the Aegean and Anatolia. Papers from the Colloquium on Music Archaeology organised by the Deutsches Archäologisches Institut (Istanbul) in cooperation with the ICTM-Study Group on Music Archaeology and the Institut Français d’Archéologie (Istanbul), Minar Sinan University, Istanbul, 12-16 April, 1993. (Orient-Archäologie, 10)'', eds. E. Hickmann, A. Kilmer, R. Eichmann. Rahden: 335-66.
  
* Psaroudakēs, S. (2004) 'The Orestes Papyrus: some thoughts on the dubious musical signs', in ''Studien zur Musikarchäologie IV. Musical archaeological sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 9-16 June, 2002, and other contributions. (Orient-Archäologie, 15)'', eds. Ellen Hickmann & Ingo Laufs & Ricardo Eichmann. Rahden, Westf: Marie Leidorf GmbH: 471-92.
+
* Psaroudakis, S. (2004) 'The Orestes Papyrus: some thoughts on the dubious musical signs', in ''Studien zur Musikarchäologie IV. Musical archaeological sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 9-16 June, 2002, and other contributions. (Orient-Archäologie, 15)'', eds. E. Hickmann, I. Laufs, R. Eichmann. Rahden, Westf: Marie Leidorf GmbH: 471-92.
  
* Psaroudakēs, S. (2004) 'Archaeomusicology and ethnomusicology in dialogue', ''Ευλιμένη'' 4: 189-200. This paper addresses a variety of issues in archaeomusicology, including song and its interpretation, mainly in the domain on "performance style", as opposed to that of "composition style".  
+
* Psaroudaki“s, S. (2004) 'Archaeomusicology and ethnomusicology in dialogue', ''Ευλιμένη'' 4: 189-200. This paper addresses a variety of issues in archaeomusicology, including song and its interpretation, mainly in the domain on "performance style", as opposed to that of "composition style".  
  
 
* Ψαρουδάκης, Στέλιος (1998) «Τα μουσικά  όργανα των αρχαίων Ελλήνων», ''Καθημερινή – Επτά  Ημέρες, Κυριακή 18 Ιανουαρίου'': 2-6.
 
* Ψαρουδάκης, Στέλιος (1998) «Τα μουσικά  όργανα των αρχαίων Ελλήνων», ''Καθημερινή – Επτά  Ημέρες, Κυριακή 18 Ιανουαρίου'': 2-6.
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* Restani, D. (ed.) (1995) ''Musica e mito nella Grecia antica''. Bologna.
 
* Restani, D. (ed.) (1995) ''Musica e mito nella Grecia antica''. Bologna.
  
* Rocconi, E. (1998) ‘Harmoniai e teoria dei gene musicali nella Grecia antica’, ''SemRom'' 1.2: 345–64.
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* Rocconi, E. (1998) '€˜Harmoniai e teoria dei gene musicali nella Grecia antica'€™, ''SemRom'' 1.2: 345-64.
  
 
* Sicking, C.M.J. (1993) ''Griechische Verslehre''. (Handbuch der Altertumswissenschaft 2.4). Munich.
 
* Sicking, C.M.J. (1993) ''Griechische Verslehre''. (Handbuch der Altertumswissenschaft 2.4). Munich.
  
* Steinrück, M. (2007) ''A quoi sert la métrique? Interprétation littéraire et analyse des formes métriques grecques: Une introduction''. Avec la collaboration d'Alessandra Lukinovich. Grenoble.
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* Steinrück, M. (2007) ''A quoi sert la métrique? Interprétation littéraire et analyse des formes métriques grecques: Une introduction''. Avec la collaboration d'Alessandra Lukinovich. Grenoble.
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* Taplin, O. & Wyles, R. ed. (2010) ''The Pronomos Vase and its Context.'' Oxford/New York. Reviewed by K. Seaman [http://bmcr.brynmawr.edu/2012/2012-03-17.html BMCR 2012.03.17]
  
* Tsachalinas, K. & Katerina, T. & Cook, P. & Psaroudakēs, S. & Kamarotos, D. & Rikakis, T. (1997) 'Physical modeling simulation of the ancient Greek Elgin auloi' in ''International computer music conference, Aristotle University of Thessalonikē – Program of Psychoacoustics & The International Computer Music Association, Thessalonikē, Hellas, 25-30 September. Proceedings''. San Francisco: 454-57.
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* Tsachalinas, K. & Katerina, T. & Cook, P. & Psaroudakēs, S. & Kamarotos, D. & Rikakis, T. (1997) 'Physical modeling simulation of the ancient Greek Elgin auloi' in ''International computer music conference, Aristotle University of Thessaloniki“:€“ Program of Psychoacoustics & The International Computer Music Association, Thessalonikē, Hellas, 25-30 September. Proceedings''. San Francisco: 454-57.
  
* Wallace, R.W (2003) ‘An early fifth-century Athenian revolution in aulos music’, ''HSCPh'' 101: 73–92.
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* Wallace, R.W (2003) 'An early fifth-century Athenian revolution in aulos music'€™, ''HSCPh'' 101: 73–92.
  
 
* West, M. L. (1992) ''Ancient Greek Music.'' Oxford. Reviewed by W.A. Johnston [http://bmcr.brynmawr.edu/2003/2003-04-08.html BMCR 2003.04.08]
 
* West, M. L. (1992) ''Ancient Greek Music.'' Oxford. Reviewed by W.A. Johnston [http://bmcr.brynmawr.edu/2003/2003-04-08.html BMCR 2003.04.08]
  
* Wilson, P. (2004) ‘Athenian strings’, in ''Music and the Muses: The Culture of ‘Mousikē’ in the Classical Athenian City'', ed. P. Murray and P. Wilson. Oxford: 269–306.
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* Wilson, P. (2004) 'Athenian strings'€™, in ''Music and the Muses: The Culture of ‘Mousikē’ in the Classical Athenian City'', ed. P. Murray and P. Wilson. Oxford: 269–306.
 +
 
 +
* Yatromanolakis, D. (2011) ''Music and cultural politics in Greek and Chinese societies. Vol. 1.: Greek antiquity.'' Harvard.
  
 
=== Performance ===
 
=== Performance ===
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* Bierl, A. (2009) ''Ritual and Performativity. The Chorus of Old Comedy'' (transl. by Alex Hollmann), Center for Hellenic Studies. Washington, DC: Harvard Press. (Hellenic Studies 20). New and revised edition.  
 
* Bierl, A. (2009) ''Ritual and Performativity. The Chorus of Old Comedy'' (transl. by Alex Hollmann), Center for Hellenic Studies. Washington, DC: Harvard Press. (Hellenic Studies 20). New and revised edition.  
  
* Boegehold, A.L. 2000. ‘Acting out some songs’, ''Syllecta Classica'' 11: 1-15.
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* Boegehold, A.L. 2000. 'Acting out some songs'€™, ''Syllecta Classica'' 11: 1-15.
  
* Bowman, L. (2004) ‘The “women’s tradition” in ''Greek poetry’, Phoenix'' 58: 1–27.
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* Bowman, L. (2004) '€˜The 'women'€™s tradition'€ in Greek poetry', ''Phoenix'' 58: 1–27.
  
* Briand, M. (2000) 'Inspiration, enthousiasme et polyphonies: ἔνθεος et la performance poétique', ''Noésis'' (L'antique notion d'inspiration, dir. J. Assaël): 97-154.
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* Briand, M. (2000) 'Inspiration, enthousiasme et polyphonies: ἔνθεος et la performance poétique', ''Noésis'' (L'antique notion d'inspiration, dir. J. Assaël): 97-154.
  
* Calame, C. (2004) ‘Deictic ambiguity and auto-referentiality: some examples from Greek poetics’, ''Arethusa'' 37: 427-31.
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* Calame, C. (2004) '€˜Deictic ambiguity and auto-referentiality: some examples from Greek poetics'€™, ''Arethusa'' 37: 427-31.
  
* Calame, C. (2005) ''Masques d’autorité. Fiction et pragmatique dans la poétique grecque''. Paris. English translation (2005) ''Masks of Authority. Fiction and Pragmatics in Ancient Greek Poetics''. Ithaca NY and London. Reviewed by H. van Noorden [http://bmcr.brynmawr.edu/2005/2005-09-36.html BMCR 2005.09.36]
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* Calame, C. (2005) ''Masques d’autorité. Fiction et pragmatique dans la poétique grecque''. Paris. English translation (2005) ''Masks of Authority. Fiction and Pragmatics in Ancient Greek Poetics''. Ithaca NY and London. Reviewed by H. van Noorden [http://bmcr.brynmawr.edu/2005/2005-09-36.html BMCR 2005.09.36]
  
* Calame, C. (2006) ''Pratiques poétiques de la mémoire. Représentations de l’espace-temps en Grèce ancienne''. Paris. English translation is forthcoming at Harvard University Press. Reviewed by E.M. Griffiths [http://bmcr.brynmawr.edu/2007/2007-04-05.html BMCR 2007.04.05]  
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* Calame, C. (2006) ''Pratiques poétiques de la mémoire. Représentations de l’espace-temps en Grèce ancienne''. Paris. English translation: 2009 Harvard. Reviewed by E.M. Griffiths [http://bmcr.brynmawr.edu/2007/2007-04-05.html BMCR 2007.04.05]
  
 
* Calame, C. (2007) 'Gardens of Love and Meadows of the Beyond: Ritual Encounters with the Gods and Poetical Perfomances in Ancient Greece' in ''Sacred Gardens and Landscapes: Ritual and Agency'', ed. M. Conan. Washington: 43-54.
 
* Calame, C. (2007) 'Gardens of Love and Meadows of the Beyond: Ritual Encounters with the Gods and Poetical Perfomances in Ancient Greece' in ''Sacred Gardens and Landscapes: Ritual and Agency'', ed. M. Conan. Washington: 43-54.
  
* Carey, C. (2010) ‘The victory ode in the theatre’, ''BICS supplements''. [http://eprints.ucl.ac.uk/19956/ electronic version]
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* Carey, C. (2010) '€˜The victory ode in the theatre'€™, ''BICS supplements''. [http://eprints.ucl.ac.uk/19956/ electronic version]
  
* Collins, D. (2004) ''Master of the Game: Competition and Perfomance in Greek Poetry''. Cambridge, MA. Reviewed by C. Werner [http://bmcr.brynmawr.edu/2005/2005-05-18.html BMCR 2005.05.18]
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* Collins, D. (2004) ''Master of the Game: Competition and Performance in Greek Poetry''. Cambridge, MA. Reviewed by C. Werner [http://bmcr.brynmawr.edu/2005/2005-05-18.html BMCR 2005.05.18]
  
* D’Alessio, G. B. (2004) ‘Past future and present past: temporal deixis in Greek archaic lyric’, ''Arethusa'' 37: 267–94.
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* D'Alessio, G. B. (2004) '€˜Past future and present past: temporal deixis in Greek archaic lyric'€™, ''Arethusa'' 37: 267–94.
  
 
* David, A.P. (2006) ''The Dance of the Muses: Choral Theory and Ancient Greek Poetics''. New York. Review by Ronald J.J. Blankenborg [http://ccat.sas.upenn.edu/bmcr/2007/2007-04-46.html BMCR 2007.04.46].
 
* David, A.P. (2006) ''The Dance of the Muses: Choral Theory and Ancient Greek Poetics''. New York. Review by Ronald J.J. Blankenborg [http://ccat.sas.upenn.edu/bmcr/2007/2007-04-46.html BMCR 2007.04.46].
  
* Dougherty, C. (1994) ‘Archaic Greek foundation poetry: questions of genre and occasion’, ''JHS'' 114: 35–46.
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* Dougherty, C. (1994) '€˜Archaic Greek foundation poetry: questions of genre and occasion'€™, ''JHS'' 114: 35–46.
  
* Ford, A. (1988) 'The Classical Definition of rhapsôdia', ''Classical Philology'' 83: 300-307.  
+
* Ford, A. (1988) 'The Classical Definition of rhapsôdia', ''Classical Philology'' 83: 300-307.  
  
 
* Gentili, B. (1990) ''Poetry and its Public in Ancient Greece''. Baltimore. Reviewed by S.D. Olson [http://bmcr.brynmawr.edu/1991/02.02.06.html BMCR 02.02.06]
 
* Gentili, B. (1990) ''Poetry and its Public in Ancient Greece''. Baltimore. Reviewed by S.D. Olson [http://bmcr.brynmawr.edu/1991/02.02.06.html BMCR 02.02.06]
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* Goldhill, S. and Osborne, R. (eds.) (1999) ''Performance Culture and Athenian Democracy''. Cambridge.
 
* Goldhill, S. and Osborne, R. (eds.) (1999) ''Performance Culture and Athenian Democracy''. Cambridge.
  
* Grandolini, S. (1991) ‘Canto processionale e culto nell’antica Grecia’, in ''L’inno tra rituale e letteratura nel mondo antico: Atti di un colloquio Napoli'' 21–24 ottobre 1991, AION 13: 125–40.
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* Grandolini, S. (1991) '€˜Canto processionale e culto nell’antica Grecia'€™, in ''L'€™inno tra rituale e letteratura nel mondo antico: Atti di un colloquio Napoli'' 21–24 ottobre 1991, AION 13: 125–40.
  
* Griffith, M. (1990) ‘Contest and contradiction in early Greek poetry’, in ''Cabinet of the Muses: Essays on Classical and Comparative Literature in Honor of Thomas G. Rosenmeyer'', ed. M. Griffith and D. Mastronarde. Atlanta: 185–207.
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* Griffith, M. (1990) ‘Contest and contradiction in early Greek poetry’, in ''Cabinet of the Muses: Essays on Classical and Comparative Literature in Honor of Thomas G. Rosenmeyer'', ed. M. Griffith and D. Mastronarde. Atlanta: 185-€“207.
  
 
* Hagel, S. and Harrauer, C. (2005) (eds.) ''Ancient Greek Music in Performance'' (Book and Audio CD). Vienna.
 
* Hagel, S. and Harrauer, C. (2005) (eds.) ''Ancient Greek Music in Performance'' (Book and Audio CD). Vienna.
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* Lech, M.L. (2009) 'Marching choruses?: Choral performance in Athens' ''GRBS'' 49, 3.
 
* Lech, M.L. (2009) 'Marching choruses?: Choral performance in Athens' ''GRBS'' 49, 3.
  
* Mojsik, T. (2006) 'Vates socialis - metapoetyka antyczna a ryty przejścia (Vates socialis - ancient metapoetic and rites of passage)', in  ''Inicjacje: społeczne znaczenie sytuacji liminalnych w rytach przejścia'', red. J. Sieradzan. Białystok: 53-66.
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* Mojsik, T. (2006) 'Vates socialis - metapoetyka antyczna a ryty przejścia (Vates socialis - ancient metapoetic and rites of passage)', in  ''Inicjacje: społeczne znaczenie sytuacji liminalnych w rytach przejścia'', red. J. Sieradzan. Białystok: 53-66.
  
 
* Mojsik, T. (2008) 'Muses and gender of inspiration', ''"Sakarya University: The Journal of Art and Science'' 10.1: 67-78. [http://www.fed.sakarya.edu.tr/arsiv/yayinlenmis_dergiler/2008_1/2008_1_5.pdf electronic version]
 
* Mojsik, T. (2008) 'Muses and gender of inspiration', ''"Sakarya University: The Journal of Art and Science'' 10.1: 67-78. [http://www.fed.sakarya.edu.tr/arsiv/yayinlenmis_dergiler/2008_1/2008_1_5.pdf electronic version]
  
* Nagy, Gregory (2000) ‘Reading Greek poetry aloud: evidence from the Bacchylides papyri’, ''QUCC'' 93 (= n.s. 64.1): 7–28.
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* Nagy, G. (2000) '€˜Reading Greek poetry aloud: evidence from the Bacchylides papyri'€™, ''QUCC'' 93 (= n.s. 64.1): 7-28.
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* Nobili, C. (2014) 'Performances of Girls at the Spartan Festival of the Hyakinthia', in A. Kieburg – S. Moraw (eds.), ''Mädchen im Altertum/ Girls in Antiquity, Frauen – Forschung – Archäologie 11'', Münster: 135-148.
  
 
* Peponi, A.-E. (2009) ' ''Choreia'' and Aesthetics in the ''Homeric Hymn to Apollo'': The Performance of the Delian Maidens (Lines 156–64)', ''Classical Antiquity'' 28.1: 39–70.
 
* Peponi, A.-E. (2009) ' ''Choreia'' and Aesthetics in the ''Homeric Hymn to Apollo'': The Performance of the Delian Maidens (Lines 156–64)', ''Classical Antiquity'' 28.1: 39–70.
  
* Scully, S. (2009) ‘Apollo and the Dance of the Olympians’ in ''Apolline Politics and Poetics '', eds. L. Athanassaki, R.P. Martin, and J.F. Miller. Athens: 91-108.
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* Quattrocelli, L. (2002) 'Poesia e convivialità a Sparta arcaica. Nuove prospettive di studio', ''Cahiers Glotz'' 13: 7-32.
  
* Silk, M.S. (1995) ‘Language, poetry and enactment’, ''Dialogos'' 2: 109–32.
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* Quattrocelli, L. (2008) 'Poetry and Pottery related to the Symposium in Archaic Sparta', in ''Proceedings of the IX Symposium on Mediterranean Archeology  2005'', eds. O. Menozzi, M. L. Di Marzio, and D. Fossataro. Oxford: 63-67.
  
* Vetta, M. (1996) ‘Convivialità pubblica e poesia per simposio in Grecia’, ''QUCC'' 83 (= n.s. 54.3): 197–209.
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* Rotstein, A. (2012) '''Mousikoi Agones'' and the Conceptualization of Genre in Ancient Greece' in: ''CA'' 31.1: 92-127.
 +
 
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* Scully, S. (2009) '€˜Apollo and the Dance of the Olympians'€™ in ''Apolline Politics and Poetics '', eds. L. Athanassaki, R.P. Martin, and J.F. Miller. Athens: 91-108.
 +
 
 +
* Silk, M.S. (1995) 'Language, poetry and enactment'€™, ''Dialogos'' 2: 109-€“32.
 +
 
 +
* Vetta, M. (1996) '€˜Convivialità  pubblica e poesia per simposio in Greciâ'€™, ''QUCC'' 83 (= n.s. 54.3): 197-€“209.
  
 
* Wecowski, M. (2002) 'Homer and the origins of the symposion' in ''Omero tremila anni dopo. Atti del congresso di Genova 6-8 luglio 2000'', ed. F. Montanari. Roma: 625-637.
 
* Wecowski, M. (2002) 'Homer and the origins of the symposion' in ''Omero tremila anni dopo. Atti del congresso di Genova 6-8 luglio 2000'', ed. F. Montanari. Roma: 625-637.
  
 
* Wecowski, M. (2002) 'Towards a definition of the symposion' in ''Euergesias charin. Studies Presented to Benedetto Bravo and Ewa Wipszycka by Their Disciples'', eds. T. Derda, J. Urbanik, M. Wecowski. Warszawa: 337-361.  
 
* Wecowski, M. (2002) 'Towards a definition of the symposion' in ''Euergesias charin. Studies Presented to Benedetto Bravo and Ewa Wipszycka by Their Disciples'', eds. T. Derda, J. Urbanik, M. Wecowski. Warszawa: 337-361.  
 +
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* Wecowski, M. (2011) ''Sympozjon, czyli wspólne picie : początki greckiej biesiady arystokratycznej (IX-VII wiek p.n.e.).'' Warszawa : Wydawnictwo Naukowe Sub Lupa.
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* Wecowski, M. (2012) 'When did the Symposion Rise? Some archaeological considerations regarding the emergence of the Greek aristocratic banquet', ''Archaiognosia'' 16: 25-54.
  
 
* Wilson, P. (ed.) (2007) ''The Greek Theatre and Festivals. Documentary Studies. Oxford Studies in Ancient Documents.'' Oxford: Oxford University Press. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011345.html Table of Contents]. Reviewed by R. Mitchell-Boyask [http://ccat.sas.upenn.edu/bmcr/2008/2008-05-24.html BMCR 2008.05.24].
 
* Wilson, P. (ed.) (2007) ''The Greek Theatre and Festivals. Documentary Studies. Oxford Studies in Ancient Documents.'' Oxford: Oxford University Press. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011345.html Table of Contents]. Reviewed by R. Mitchell-Boyask [http://ccat.sas.upenn.edu/bmcr/2008/2008-05-24.html BMCR 2008.05.24].
  
* Yatromanolakis, D. (2009) 'Symposia, Noses, Πρόσωπα: A Kylix in the Company of Banqueters on the Ground', in ''An Archaeology of  Representations: Ancient Greek Vase-Painting and Contemporary Methodologies'', ed. D. Yatromanolakis. Athens: 414-465.
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* Yatromanolakis, D. (2009) 'Symposia, Noses, Πρόσωπα: A Kylix in the Company of Banqueters on the Ground', in ''An Archaeology of  Representations: Ancient Greek Vase-Painting and Contemporary Methodologies'', ed. D. Yatromanolakis. Athens: 414-465.
  
 
=== Transmission and Reception ===
 
=== Transmission and Reception ===
  
* Budelmann, F. (2001) ‘Sound and text: the rhythm and metre of archaic and classical Greek poetry in ancient and Byzantine scholarship’, in ''Homer, Tragedy and Beyond: Essays in Honour of P. E. Easterling'', ed. F. Budelmann and P. Michelakis. London: 209–40.
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* Budelmann, F. (2001) '€˜Sound and text: the rhythm and metre of archaic and classical Greek poetry in ancient and Byzantine scholarship'€™, in ''Homer, Tragedy and Beyond: Essays in Honour of P. E. Easterling'', ed. F. Budelmann and P. Michelakis. London: 209–40.
 +
 
 +
* Calame, C. (2010) 'The Authority of Orpheus, Poet and Bard : Between Oral Tradition and Written Practice', in: ''Allusion, Authority, and Truth. Critical Perspectives on Greek Poetic and Rhetorical Praxis'', Ph. Mitsis & Ch. Tsagalis eds.,  Berlin: 13-35.
  
 
* Dougherty, C. (1993) ''The Poetics of Colonization: From City to Text in Archaic Greece''. New York and Oxford. Reviewed by M.W. Edwards [http://bmcr.brynmawr.edu/1994/94.05.04.html BMCR 1994.05.04]
 
* Dougherty, C. (1993) ''The Poetics of Colonization: From City to Text in Archaic Greece''. New York and Oxford. Reviewed by M.W. Edwards [http://bmcr.brynmawr.edu/1994/94.05.04.html BMCR 1994.05.04]
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* Ford, A. (2002) ''The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece''. Princeton, N.J. and Oxford. Reviewed by E. Papaioannou [http://bmcr.brynmawr.edu/2003/2003-06-07.html BMCR 2003.06.07]
 
* Ford, A. (2002) ''The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece''. Princeton, N.J. and Oxford. Reviewed by E. Papaioannou [http://bmcr.brynmawr.edu/2003/2003-06-07.html BMCR 2003.06.07]
  
* Ford, A. (2003) ‘From letters to literature: reading the “song culture” of classical Greece’, in ''Written Texts and the Rise of Literate Culture in Ancient Greece'', ed. H. Yunis. Cambridge: 15–37.
+
* Ford, A. (2003) '€˜From letters to literature: reading the 'song culture'€ of classical Greece'€™, in ''Written Texts and the Rise of Literate Culture in Ancient Greece'', ed. H. Yunis. Cambridge: 15–37.
  
* Gentili, B. and Perusino, F. (eds.) (1999) ''La colometria antica dei testi poetici greci''. Pisa and Rome. Reviewed by H. Perdicoyianni-Paléologou [http://bmcr.brynmawr.edu/2000/2000-07-12.html BMCR 2000.07.12]
+
* Gentili, B. and Perusino, F. (eds.) (1999) ''La colometria antica dei testi poetici greci''. Pisa and Rome. Reviewed by H. Perdicoyianni-Paléologou [http://bmcr.brynmawr.edu/2000/2000-07-12.html BMCR 2000.07.12]
  
* Hummel, P. (1997) ''Philogica Lyrica: La poésie lyrique grecque au miroir de l’érudition philologique de l’antiquité à la Renaissance''. Louvain.
+
* Hummel, P. (1997) ''Philogica Lyrica: La poésie lyrique grecque au miroir de l'érudition philologique de l'€™antiquité à  la Renaissance''. Louvain.
  
 
* Petropoulos, J.C.B. (2003) ''Eroticism in Ancient and Medieval Greek Poetry''. London. Review by Vayos J. Liapis [http://ccat.sas.upenn.edu/bmcr/2004/2004-10-01.html ''BMCR'' 2004.10.01].
 
* Petropoulos, J.C.B. (2003) ''Eroticism in Ancient and Medieval Greek Poetry''. London. Review by Vayos J. Liapis [http://ccat.sas.upenn.edu/bmcr/2004/2004-10-01.html ''BMCR'' 2004.10.01].
 +
 +
* Sistakou, E. (ed.) (2017) Hellenistic Lyricism (Trends in Classics series), Berlin. Table of contents here: http://hellpoet.hypotheses.org/294
  
 
== Greek Elegy and Iambus ==
 
== Greek Elegy and Iambus ==
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=== Elegy and Iambus General ===
 
=== Elegy and Iambus General ===
  
* Bartol, K. (1993) ''Greek Elegy and Iambus. Studies in Ancient Literary Sources''. Poznań.
+
* Carey, C. and L. Swift eds (2016) ''Iambus and Elegy: New Approaches''. Oxford.
 +
 
 +
* Bartol, K. (1993) ''Greek Elegy and Iambus. Studies in Ancient Literary Sources''. Poznań.
  
* Bowie, E.L. (2001) ‘Ancestors of historiography in early Greek elegiac and iambic poetry?’, in ''The Historian’s Craft in the Age of Herodotus'', ed. N. Luraghi. Oxford: 45-66.
+
* Bowie, E.L. (2001) ‘Ancestors of historiography in early Greek elegiac and iambic poetry?, in ''The Historian’s Craft in the Age of Herodotus'', ed. N. Luraghi. Oxford: 45-66.
  
 
* Gentili, B. & Prato, C. ed. (1988-2002) ''Poetarum elegiacorum testimonia et fragmenta''. Second revised edition. Leipzig.  
 
* Gentili, B. & Prato, C. ed. (1988-2002) ''Poetarum elegiacorum testimonia et fragmenta''. Second revised edition. Leipzig.  
  
* Vetta, M. (1992) ‘Il simposio: la monodia e il giambo’, in ''Lo spazio letterario della Grecia antica, ed. G. Cambiano et al., vol. I.1 La produzione e la circolazione del testo: La polis''. Rome: 177–218.
+
* Vetta, M. (1992) ‘Il simposio: la monodia e il giambo’, in ''Lo spazio letterario della Grecia antica, ed. G. Cambiano et al., vol. I.1 La produzione e la circolazione del testo: La polis''. Rome: 177–218.
  
* West, M.L. ed. (1989–92) ''Iambi et elegi ante Alexandrum cantati'', 2nd edn. (2 vols.). Oxford.
+
* West, M.L. ed. (1989–92) ''Iambi et elegi ante Alexandrum cantati'', 2nd edn. (2 vols.). Oxford.
  
* Wilson, P. (1999) ‘The aulos in Athens’, in ''Performance Culture and Athenian Democracy'', ed. S. Goldhill and R. Osborne. Cambridge: 58–85.
+
* Wilson, P. (1999) ‘The aulos in Athens’, in ''Performance Culture and Athenian Democracy'', ed. S. Goldhill and R. Osborne. Cambridge: 58–85.
  
 
=== Iambus General ===
 
=== Iambus General ===
 
* Acosta-Hughes, B. (2002) ''Polyeideia: The Iambi of Callimachus and the Archaic Iambic Tradition''. Berkeley and London. Reviewed by P. Ojennus [http://bmcr.brynmawr.edu/2003/2003-02-04.html BMCR 2003.02.04]
 
* Acosta-Hughes, B. (2002) ''Polyeideia: The Iambi of Callimachus and the Archaic Iambic Tradition''. Berkeley and London. Reviewed by P. Ojennus [http://bmcr.brynmawr.edu/2003/2003-02-04.html BMCR 2003.02.04]
  
* Bowie, E. L. (2002) ‘Early Greek iambic poetry: the importance of narrative’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md./Oxford: 1-27.
+
* Bowie, E. L. (2002) ‘Early Greek iambic poetry: the importance of narrative’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md./Oxford: 1-27.
  
* Bowie, E. L. (2002) ‘Ionic iambos and Attic komoidia: father and daughter, or just cousins’, in ''The Language of Greek Comedy'' ed. A. Willi, Oxford: 33-50.
+
* Bowie, E. L. (2002) ‘Ionic iambos and Attic komoidia: father and daughter, or just cousins’, in ''The Language of Greek Comedy'' ed. A. Willi, Oxford: 33-50.
  
* Brown, C. G. (1997) ‘Iambos’ in ''A Companion to the Greek Lyric Poets'', ed. D.E. Gerber, Leiden: 11-88.
+
* Brown, C. G. (1997) ‘Iambos’ in ''A Companion to the Greek Lyric Poets'', ed. D.E. Gerber, Leiden: 11-88.
  
* Carey, C. (2009) ‘Iambus’ in ''Cambridge Companion to Greek Lyric'', ed. F. Budelmann. Cambridge: 149-167.
+
* Carey, C. (2009) ‘Iambus’ in ''Cambridge Companion to Greek Lyric'', ed. F. Budelmann. Cambridge: 149-167.
  
 
* Kantzios, I. (2005) ''The Trajectory of Archaic Greek Trimeters''. Leiden and Boston. Reviewed by L. Lomiento [http://bmcr.brynmawr.edu/2006/2006-03-34.html BMCR 2006.03.34]
 
* Kantzios, I. (2005) ''The Trajectory of Archaic Greek Trimeters''. Leiden and Boston. Reviewed by L. Lomiento [http://bmcr.brynmawr.edu/2006/2006-03-34.html BMCR 2006.03.34]
  
* Lennartz, K. (2000) ‘Zum “erweiterten” Jambusbegriff’, ''RhM'' 143: 225–50.
+
* Lennartz, K. (2000) ‘Zum “erweiterten” Jambusbegriff’, ''RhM'' 143: 225–50.
  
 
* Lennartz, K. (2010) ''Iambos. Philologische Untersuchungen zur Geschichte einer Gattung in der Antike''. Wiesbaden.
 
* Lennartz, K. (2010) ''Iambos. Philologische Untersuchungen zur Geschichte einer Gattung in der Antike''. Wiesbaden.
  
* Riu, X. (2008) ‘On the difference between praise and invective’ in: ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades. Paroikia, Paros, 7-9 October 2005'', eds. D. Katsonopoulou, I. Petropoulos, and S. Katsarou. Athens: 73-82.  
+
* Mayer, Peter. (2008) ''Aristoteles über das Wort 'iambeion' und über die Anfänge des Iambos (Poet. 1448b,30-32 - eine Pseudo-Etymologie?).'' ''Wiener Humanistische Blätter'' (Wien) 49: 19–27.
 +
 
 +
* Nobili, C. (2016) 'Iambi in Sparta', ''Greek and Roman Musical Studies'' 4: 38-50.
 +
 
 +
* Riu, X. (2008) ‘On the difference between praise and invective’ in: ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades. Paroikia, Paros, 7-9 October 2005'', eds. D. Katsonopoulou, I. Petropoulos, and S. Katsarou. Athens: 73-82.  
  
 
* Rotstein, A. (2010) ''The Idea of Iambos''. Oxford. Reviewed by C. Eckermann [http://bmcr.brynmawr.edu/2010/2010-06-21.html BMCR 2010.06.21]
 
* Rotstein, A. (2010) ''The Idea of Iambos''. Oxford. Reviewed by C. Eckermann [http://bmcr.brynmawr.edu/2010/2010-06-21.html BMCR 2010.06.21]
  
* Steinrück, M. (2000) ''Iambos. Studien zum Publikum einer Gattung in der frühgriechischen Literatur.'' Hildesheim.
+
* Steinrück, M. (2000) ''Iambos. Studien zum Publikum einer Gattung in der frühgriechischen Literatur.'' Hildesheim.
  
* Suárez de la Torre, E. (2002) ''Yambógrafos griegos''. Madrid.
+
* Suárez de la Torre, E. (2002) ''Yambógrafos griegos''. Madrid.
  
 
=== Archilochus ===
 
=== Archilochus ===
 
* Aloni, A. (1981) ''Le Muse di Archiloco: Ricerche sullo stile archilocheo''. Copenhagen. Review by Slings, S.R. (1984) ''Mnemosyne'' 37: 169-171.
 
* Aloni, A. (1981) ''Le Muse di Archiloco: Ricerche sullo stile archilocheo''. Copenhagen. Review by Slings, S.R. (1984) ''Mnemosyne'' 37: 169-171.
  
* Aloni, A. and  Iannucci, A. (2007) ''L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco''. Firenze: Le Monnier Università.
+
* Aloni, A. and  Iannucci, A. (2007) ''L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco''. Firenze: Le Monnier Università.
  
* Barker, E.T.E. and Christensen, J.P (2006) ‘Fight club: the new Archilochus fragment and its resonance with Homeric epic’, ''MD'' 57: 9-41.
+
* Barker, E.T.E. and Christensen, J.P (2006) ‘Fight club: the new Archilochus fragment and its resonance with Homeric epic’, ''MD'' 57: 9-41.
  
* Bettarini, L. (2010) 'Archiloco fr. 201 W.2: meglio volpe o riccio?' in ''ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.)'', ed. E. Lelli. Pisa/Roma: 45-51.
+
* Bettarini, L. (2010) 'Archiloco fr. 201 W.2: meglio volpe o riccio?' in ''ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.)'', ed. E. Lelli. Pisa/Roma: 45-51.
  
* Bremer, J.M. (1978) ''Het gemaskerde Ik. De poëtische persoonlijkheid in enige Griekse gedichten''. Amsterdam. (in Dutch) Inaugural lecture, mainly concerned with Archilochus' Cologne Epode.
+
* Bremer, J.M. (1978) ''Het gemaskerde Ik. De poëtische persoonlijkheid in enige Griekse gedichten''. Amsterdam. (in Dutch) Inaugural lecture, mainly concerned with Archilochus' Cologne Epode.
  
 
* Bremer, J.M.; van Erp Taalman Kip, A.M. and Slings, S.R. (eds.) (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
 
* Bremer, J.M.; van Erp Taalman Kip, A.M. and Slings, S.R. (eds.) (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
  
* Brown, C.G. (1995) 'The Parched Furrow and the Loss of Youth: Archilochus fr. 188 West', ''Quaderni Urbinati di Cultura Classica'' 50: 29–35.
+
* Brown, C.G. (1995) 'The Parched Furrow and the Loss of Youth: Archilochus fr. 188 West', ''Quaderni Urbinati di Cultura Classica'' 50: 29–35.
  
*Brown, C.G. and Gerber, D.E. (1993) ‘The parched furrow: Archilochus fr.188, 1–2 W’, in: ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica. Vol. I.'', ed. R. Pretagostini. Rome: 195–7.
+
*Brown, C.G. and Gerber, D.E. (1993) ‘The parched furrow: Archilochus fr.188, 1–2 W’, in: ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica. Vol. I.'', ed. R. Pretagostini. Rome: 195–7.
  
 
* Clay, D. (2004) ''Archilochos Heros: The Cult of the Poets in the Greek Polis''. Hellenic Studies 6. Washington, D.C.: Harvard University Press. Reviewed by J. MacPhail [http://bmcr.brynmawr.edu/2005/2005-09-32.html BMCR 2005.09.32]
 
* Clay, D. (2004) ''Archilochos Heros: The Cult of the Poets in the Greek Polis''. Hellenic Studies 6. Washington, D.C.: Harvard University Press. Reviewed by J. MacPhail [http://bmcr.brynmawr.edu/2005/2005-09-32.html BMCR 2005.09.32]
  
* Corrêa, P.C. (1998) ''Armas e Varões: A Guerra na Lírica de Arquíloco''. São Paulo.  
+
* Corrêa, P.C. (1998) ''Armas e Varões: A Guerra na Lírica de Arquíloco''. São Paulo.  
  
* Corrêa, P.C. (2001) 'The Fox and the Hedgehog', ''Revista Phaos'' 1: 80 - 92. On Archilochus 201 IEG.
+
* Corrêa, P.C. (2001) 'The Fox and the Hedgehog', ''Revista Phaos'' 1: 80 - 92. On Archilochus 201 IEG.
  
* Corrêa, P.C. (2002) 'Muddy Eels', ''Rivista Synthesis (La Plata)'' 9: 81 -90. On Archilochus 189 IEG.
+
* Corrêa, P.C. (2002) 'Muddy Eels', ''Rivista Synthesis (La Plata)'' 9: 81 -90. On Archilochus 189 IEG.
  
* Corrêa, P.C. (2007) 'A Human Fable and the Justice of Beasts in Archilochus' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 101-117. Reviewed by J. Gibert [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
+
* Corrêa, P.C. (2007) 'A Human Fable and the Justice of Beasts in Archilochus' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 101-117. Reviewed by J. Gibert [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
  
* Ford, A.L. (1993) 'L'inventeur de la poésie lyrique: Archiloque le colon', ''Métis. Revue de l'anthropologie grecque'' 8.1-2: 59-73.
+
* Ford, A.L. (1993) 'L'inventeur de la poésie lyrique: Archiloque le colon', ''Métis. Revue de l'anthropologie grecque'' 8.1-2: 59-73.
  
* Gagné, R. (2009) 'A Wolf at the Table: Sympotic Perjury in Archilochus', ''TAPA'' 139.2: 251-275.
+
* Gagné, R. (2009) 'A Wolf at the Table: Sympotic Perjury in Archilochus', ''TAPA'' 139.2: 251-275.
  
 
* Gerber, D.E. (2000) 'Archilochus fr. 44 West' in: ''Poesia e religione in Grecia. Studi in onore di G. Aurelio Privitera'', eds. M.C. Fera and S. Grandolini. Napoli, vol. 1: 331-333.
 
* Gerber, D.E. (2000) 'Archilochus fr. 44 West' in: ''Poesia e religione in Grecia. Studi in onore di G. Aurelio Privitera'', eds. M.C. Fera and S. Grandolini. Napoli, vol. 1: 331-333.
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* Handley, E. (2007) 'Night Thoughts (Archilochus 23 and 196a West)' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 95-100. Reviewed by J. Gibert[http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
 
* Handley, E. (2007) 'Night Thoughts (Archilochus 23 and 196a West)' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 95-100. Reviewed by J. Gibert[http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
  
* Harrison, S.  (2001) ‘Some generic problems in Horace’s Epodes: or, on (not) being Archilochus’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', ed. A. Cavarzere et al. Lanham, Md. and Oxford: 165–86.
+
* Harrison, S.  (2001) ‘Some generic problems in Horace’s Epodes: or, on (not) being Archilochus’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', ed. A. Cavarzere et al. Lanham, Md. and Oxford: 165–86.
 +
 
 +
* Hawkins, J. N. (2016). Anger, Bile, and the Poet’s Body in the Archilochean Tradition. ''Iambus and Elegy: New Approaches'': 310-321.
  
 
* Hawkins, T. (2009) 'This is the Death of the Earth: Crisis Narratives in Archilochus and Mnesiepes', ''Transactions of the American Philological Association'' 139.1: 1-20.
 
* Hawkins, T. (2009) 'This is the Death of the Earth: Crisis Narratives in Archilochus and Mnesiepes', ''Transactions of the American Philological Association'' 139.1: 1-20.
  
* Irwin, E. (1998) ‘Biography, fiction and the Archilochean ainos’, ''JHS'' 118: 177–83.
+
* Irwin, E. (1998) ‘Biography, fiction and the Archilochean ainos’, ''JHS'' 118: 177–83.
  
* Létoublon, F. (2008) 'Archiloque et l'"encyclopédie" homérique', ''Pallas'' 77: 51-62.
+
* Létoublon, F. (2008) 'Archiloque et l'"encyclopédie" homérique', ''Pallas'' 77: 51-62.
  
* Marcaccini, C. (2001) ''Construire un’identità, scrivere la storia: Archiloco, Paro e la colonizzazione di Taso''. Florence.
+
* Marcaccini, C. (2001) ''Construire un’identità, scrivere la storia: Archiloco, Paro e la colonizzazione di Taso''. Florence.
  
 
* Massimiliano O. (ed.) (2009), ''La lira, la vacca e le donne insolenti: contesti di ricezione e promozione della figura e della poesia di Archiloco dall'arcaismo all'ellenismo.'' Minima philologica 5. Alessandria. Reviewed by Rougier-Blanc, Sylvie (2010) [http://bmcr.brynmawr.edu/2010/2010-10-61.html ''BMCR'' 2010.10.61].
 
* Massimiliano O. (ed.) (2009), ''La lira, la vacca e le donne insolenti: contesti di ricezione e promozione della figura e della poesia di Archiloco dall'arcaismo all'ellenismo.'' Minima philologica 5. Alessandria. Reviewed by Rougier-Blanc, Sylvie (2010) [http://bmcr.brynmawr.edu/2010/2010-10-61.html ''BMCR'' 2010.10.61].
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* Mayer, P. (2006) 'Krieg aus Versehen? - Zur Funktion und Aussage der Telephos-Geschichte im neuen Archilochos (''P. Oxy.'' 4708, fr. 1)', ''ZPE'' 157: 15-18.
 
* Mayer, P. (2006) 'Krieg aus Versehen? - Zur Funktion und Aussage der Telephos-Geschichte im neuen Archilochos (''P. Oxy.'' 4708, fr. 1)', ''ZPE'' 157: 15-18.
  
* Mayer, P. (2006) 'Der Mann, das Mädchen und der Dichter - Zur Frage der Absicht dreier Personen: eine Verführungsgeschichte (Archil. 196a W2)', ''Acta Classica Universitatis Scientiarum Debreceniensis (Debrecen)'' 42: 5-20.
+
* Mayer, P. (2006) 'Der Mann, das Mädchen und der Dichter - Zur Frage der Absicht dreier Personen: eine Verführungsgeschichte (Archil. 196a W2)', ''Acta Classica Universitatis Scientiarum Debreceniensis (Debrecen)'' 42: 5-20.
  
 
* Medaglia, S.M. (1982) ''Note di esegesi archilochea''. Roma. Review by S.R. Slings, (1988) ''Mnemosyne'' 41: 134-135.
 
* Medaglia, S.M. (1982) ''Note di esegesi archilochea''. Roma. Review by S.R. Slings, (1988) ''Mnemosyne'' 41: 134-135.
  
* Miralles, C. and Pòrtulas, J. (1983) ''Archilochus and the iambic poetry''. Roma. Review by S.R. Slings (1987) ''Mnemosyne'' 40: 430-432.
+
* Miralles, C. and Pòrtulas, J. (1983) ''Archilochus and the iambic poetry''. Roma. Review by S.R. Slings (1987) ''Mnemosyne'' 40: 430-432.
  
 
* Nesselrath, H.G. (2007) 'Lucian and Archilochus, or: How to Make Use of the Ancient Iambographers in the Context of the Second Sophistic' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 132-43. Reviewed by J. Gibert [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
 
* Nesselrath, H.G. (2007) 'Lucian and Archilochus, or: How to Make Use of the Ancient Iambographers in the Context of the Second Sophistic' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 132-43. Reviewed by J. Gibert [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
  
* Nicolosi, A. (trans. and comm.) (2007) ''Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708)''. Eikasmos, 14. Bologna: Pàtron Editore. Reviewed by R.M. Rosen [http://bmcr.brynmawr.edu/2009/2009-04-09.html BMCR 2009.04.09].
+
* Nicolosi, A. (trans. and comm.) (2007) ''Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708)''. Eikasmos, 14. Bologna: Pàtron Editore. Reviewed by R.M. Rosen [http://bmcr.brynmawr.edu/2009/2009-04-09.html BMCR 2009.04.09].
  
 
* Nobili, C. (2009) 'Tra epos ed elegia: il nuovo Archiloco', ''Maia'' 61.2: 229-249.
 
* Nobili, C. (2009) 'Tra epos ed elegia: il nuovo Archiloco', ''Maia'' 61.2: 229-249.
  
* Obbink, D. (2005) ‘4708, Archilochus, Elegies’, ''Oxyrhynchus Papyri'' 69: 18–42.
+
* Obbink, D. (2005) ‘4708, Archilochus, Elegies’, ''Oxyrhynchus Papyri'' 69: 18–42.
  
* Obbink, D. (2006) ‘A New Archilochus poem’, ''ZPE'' 156: 1–4.
+
* Obbink, D. (2006) ‘A New Archilochus poem’, ''ZPE'' 156: 1–4.
  
* Pòrtulas, J. (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
+
* Pòrtulas, J. (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. Alessandria: 57–71.
+
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. Alessandria: 57–71.
  
* Rosen, R.M. (2007) 'The Hellenistic Epigrams on Archilochus and Hipponax' in ''Brill's Companion to Hellenistic Epigram'' eds. P. Bing & J. Steffen Bruss. Leiden: 459–476. Reviewed by M.A. Tueller [http://bmcr.brynmawr.edu/2008/2008-06-19.html BMCR 2008.06.19]
+
* Riu, X. (2012) 'On the Reception of Archilochus and of invective in antiquity', in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 249-282.
  
* Rotstein, A. (2007) ‘Critias’ invective against Archilochus’, ''Classical Philology'' 102: 139-54.
+
* Rosen, R.M. (2007) 'The Hellenistic Epigrams on Archilochus and Hipponax' in ''Brill's Companion to Hellenistic Epigram'' eds. P. Bing & J. Steffen Bruss. Leiden: 459–476. Reviewed by M.A. Tueller [http://bmcr.brynmawr.edu/2008/2008-06-19.html BMCR 2008.06.19]
  
* Rotstein, A. (2008) “‘I do not care about ''iamboi''” (Archil. Fr. 215W)’, in ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades'', eds. D. Katsonopoulou, I. Petropoulos and S. Katsarou. Athens: 65-80.
+
* Rotstein, A. (2007) ‘Critias’ invective against Archilochus’, ''Classical Philology'' 102: 139-54.
 +
 +
* Rotstein, A. (2008) “‘I do not care about ''iamboi''(Archil. Fr. 215W), in ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades'', eds. D. Katsonopoulou, I. Petropoulos and S. Katsarou. Athens: 65-80.
  
 
* Rotstein, A. (2010) ''The Idea of Iambos''. Oxford: 151-166, 230-234, 256-259, 281-318.
 
* Rotstein, A. (2010) ''The Idea of Iambos''. Oxford: 151-166, 230-234, 256-259, 281-318.
  
* Slings, S.R. (1988) 'Archilochus, fr. 188,3', ''Zeitschrift für Papyrologie und Epigraphik'' 72: 21.  
+
* Slings, S.R. (1975) 'Three notes on the new Archilochus papyrus', ''Zeitschrift für Papyrologie und Epigraphik'' 18: 170.
 +
 
 +
* Slings, S.R. (1976) 'Archilochus, the hasty mind and the hasty bitch', ''Zeitschrift für Papyrologie und Epigraphik'' 21: 283-288.
 +
 
 +
* Slings, S.R. (1980) 'Archilochus, eerste Keulse epode', ''Lampas'' 13: 315-335. (in Dutch)
  
* Slings, S.R. (1989) 'Anonymus, Parallel lines from Homer and Archilochus', ''Zeitschrift für Papyrologie und Epigraphik'' 79: 1-8.  
+
* Slings, S.R. (1982) 'Archilochus and the ant', ''Zeitschrift für Papyrologie und Epigraphik''  45: 69-70.
 +
 
 +
* Slings, S.R. (1980-82) 'Archilochus, S 478 (a), 3 Page', ''Museum Criticum'' 15-17: 11-14.
 +
 
 +
* Slings, S.R. (1983) 'Once more Archilochus and the ant', ''Zeitschrift für Papyrologie und Epigraphik'' 53: 31-36.
 +
 
 +
* Slings, S.R. (1986) 'Archilochus: new fragments from the Sosthenes inscription', ''Zeitschrift für Papyrologie und Epigraphik''  63: 1-3.
 +
 
 +
* Slings, S.R. (1988) 'Archilochus, fr. 188,3', ''Zeitschrift für Papyrologie und Epigraphik'' 72: 21.
 +
 
 +
* Slings, S.R. (1989) 'Anonymus, Parallel lines from Homer and Archilochus', ''Zeitschrift für Papyrologie und Epigraphik'' 79: 1-8.  
 +
 
 +
* Slings, S.R. (1990) 'Archilochus van Paros, soldaat en dichter', ''Hermeneus'' 62: 281-289. (in Dutch)
  
 
* Slings, S.R. (1992) 'For the third time: Archilochus and the ant', ''Eikasmos'' 3:  13-17.  
 
* Slings, S.R. (1992) 'For the third time: Archilochus and the ant', ''Eikasmos'' 3:  13-17.  
  
* Slings, S.R. (1995) 'Archilochus, fr. 188, 1-2', ''Zeitschrift für Papyrologie und Epigraphik''  106: 1-2.
+
* Slings, S.R. (1995) 'Archilochus, fr. 188, 1-2', ''Zeitschrift für Papyrologie und Epigraphik''  106: 1-2.
 +
 
 +
* Steinrück, M. (1991) ''Leise Laute, Arbeiten über das Verhältnis von Rhythmus und Lautresponsion bei Archilochos''. Lausanne Basel.
 +
 
 +
* Steinrück, M. (2008) 'Les publics d'Archiloque', ''Pallas'' 77: 41-50.
 +
 
 +
* Suárez de la Torre, E. (1977) 'Un reciente problema para la Filología Clásica: el nuevo fragmento atribuido a Arquíloco' (en colaboración con A. Melero), ''CFC'' 13: 167-199.
 +
 
 +
* Suárez de la Torre, E. (2000) 'Archilochus ‘Biography’, Dionysos, and Mythical Patterns' in ''Poesia e religione in Grecia. Studi in Onore di G. Aurelio Privitera. Volume II'', eds. M. Cannata Fera and S. Grandolini. Napoli: 639-658.
 +
 
 +
* Swift, L. (2016) ‘Poetics and Precedents in Archilochus’ Erotic Imagery’, in Iambus and Elegy: New Approaches, eds. C. Carey and L. Swift. Oxford:. 253–270.
  
* Steinrück, M. (1991) ''Leise Laute, Arbeiten über das Verhältnis von Rhythmus und Lautresponsion bei Archilochos''. Lausanne Basel.
+
* Swift, L. (2015) ‘Negotiating Seduction: Archilochus’ Cologne Epode and the Transformation of Epic, Philologus 159(1): 2-28
  
* Steinrück, M. (2008) 'Les publics d'Archiloque', ''Pallas'' 77: 41-50.
+
* Swift, L. (2014) ‘Telephus on Paros: Genealogy and Myth in the “New Archilochus” Poem (P. Oxy. 4708), CQ 64(2): 433-47.
  
* Suárez de la Torre, E. (1977) 'Un reciente problema para la Filología Clásica: el nuevo fragmento atribuido a Arquíloco' (en colaboración con A. Melero), ''CFC'' 13: 167-199.
+
* Swift, L. (2014) ‘The Animal Fable and Greek Iambus: Ainoi and Half-Ainoi in Archilochus, in Gêneros poéticos na Grécia antiga: Confluências e fronteiras, eds. C. Werner and B. Sebastini. São Paulo: 49-77.
  
* Suárez de la Torre, E. (2000) 'Archilochus ‘Biography’, Dionysos, and Mythical Patterns' in ''Poesia e religione in Grecia. Studi in Onore di G. Aurelio Privitera. Volume II'', eds. M. Cannata Fera and S. Grandolini. Napoli: 639-658.
+
* Swift, L. (2012) ‘Archilochus the “Anti-Hero” Heroism, Flight and Values in Homer and the New Archilochus Fragment (P. Oxy. LXIX 4708), JHS 132: 139-55.
  
* West, M.L. (2006) ‘Archilochus and Telephos’, ''ZPE'' 156: 11–17.
+
* West, M.L. (2006) ‘Archilochus and Telephos’, ''ZPE'' 156: 11–17.
  
 
=== Semonides ===
 
=== Semonides ===
Line 415: Line 509:
 
* Hubbard, Th.K. (1996) ' 'New Simonides' or old Semonides? Second Thoughts on POxy 3965, fr. 26, ''Arethusa'' 29: 255-262 (= in (2001) ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 226-231).
 
* Hubbard, Th.K. (1996) ' 'New Simonides' or old Semonides? Second Thoughts on POxy 3965, fr. 26, ''Arethusa'' 29: 255-262 (= in (2001) ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 226-231).
  
* Osborne, R. (2001) ‘The use of abuse: Semonides 7’, ''PCPhS'' 47: 47–64.
+
* Osborne, R. (2001) ‘The use of abuse: Semonides 7’, ''PCPhS'' 47: 47–64.
  
* Steinrück, M. (1994) ''Regards sur la femme: analyse rythmique et interprétation de Sémonide frg. 7 Tedeschi-Pellizer''. Roma.
+
* Steinrück, M. (1994) ''Regards sur la femme: analyse rythmique et interprétation de Sémonide frg. 7 Tedeschi-Pellizer''. Roma.
  
* Steinrück, M. (1994) 'Echos phoniques et débuts de mots dans le iambe de Sémonide d'Amorgos', ''Revue informatique et statistique dans les sciences humaines'' 30: 139-153.
+
* Steinrück, M. (1994) 'Echos phoniques et débuts de mots dans le iambe de Sémonide d'Amorgos', ''Revue informatique et statistique dans les sciences humaines'' 30: 139-153.
  
 
* Van Wees, H. (2005) 'The invention of the female mind. Women, property and gender ideology in archaic Greece', in ''Women and Property in the Ancient Near East and Greece'', eds. D. Lyons and R. Westbrook. Published on website of Center for Hellenic Studies, Washington DC. pp. 26. [http://chs.harvard.edu/chs/women_and_property URL]. Includes discussion of Fr 7.
 
* Van Wees, H. (2005) 'The invention of the female mind. Women, property and gender ideology in archaic Greece', in ''Women and Property in the Ancient Near East and Greece'', eds. D. Lyons and R. Westbrook. Published on website of Center for Hellenic Studies, Washington DC. pp. 26. [http://chs.harvard.edu/chs/women_and_property URL]. Includes discussion of Fr 7.
  
 
=== Hipponax ===
 
=== Hipponax ===
* Carey, C. (2003) ‘Ipponatte e la tradizione giambica’ in ''Studi di filologia e tradizione greca in memoria di A. Colonna'', eds. F. Benedetti and S. Grandolini. Perugia: 213-228.
 
  
* Carey, C. (2008) ‘Hipponax narrator’, ''AAHung'' 48: 89-102.
+
* Alexandrou, M. (2016). 'A commentary on the fragments of the iambic poet Hipponax' (Doctoral dissertation, UCL (University College London)).
 +
 
 +
* Carey, C. (2003) ‘Ipponatte e la tradizione giambica’ in ''Studi di filologia e tradizione greca in memoria di A. Colonna'', eds. F. Benedetti and S. Grandolini. Perugia: 213-228.
 +
 
 +
* Carey, C. (2008) ‘Hipponax narrator’, ''AAHung'' 48: 89-102.
 +
 
 +
* Cazzato, V. (2015) ‘Hipponax’ poetic initiation and Herodas’ “Dream”’, ''The Cambridge Classical Journal'' 61: 1-14.
 +
 
 +
* Dale, A. (2013). 'HIPPONAX FR. 42 IEG2' Zeitschrift für Papyrologie und Epigraphik 187: 49-51.
  
* Degani, E. (1995) ‘Ipponatte e i poeti filologi’, in ''Atti del Congresso ‘Poeti e Filologi, Filologi-Poeti’. Composizione e studio della poesia epica e lirica nel mondo greco e romano'', Brescia, Università Cattolica, 26–27 aprile 1995, ed. A. Porro and G. Milanese, Aevum(ant) 8: 105–36.
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* Degani, E. (1995) ‘Ipponatte e i poeti filologi’, in ''Atti del Congresso ‘Poeti e Filologi, Filologi-Poeti’. Composizione e studio della poesia epica e lirica nel mondo greco e romano'', Brescia, Università Cattolica, 26–27 aprile 1995, ed. A. Porro and G. Milanese, Aevum(ant) 8: 105–36.
  
 
* Faraone, C.A. (2004)  'Hipponax Frag. 128W: Epic Parody or Expulsive Incantation?', ''Classical Antiquity'' 23: 209-45.
 
* Faraone, C.A. (2004)  'Hipponax Frag. 128W: Epic Parody or Expulsive Incantation?', ''Classical Antiquity'' 23: 209-45.
  
* Fowler, R.L. (1990) ‘Two more new verses of Hipponax (and a spurium of Philoxenus)?’, ''ICS'' 15: 1–22.
+
* Fowler, R.L. (1990) ‘Two more new verses of Hipponax (and a spurium of Philoxenus)?, ''ICS'' 15: 1–22.
  
* Miralles, C. and J. Pòrtulas (1988) ''The Poetry of Hipponax''. Rome.
+
* Hawkins, S. (2013). ''Studies in the Language of Hipponax''. Bremen.
  
* Neri, C. (1995) 'L'empietà del naso (Hippon. fr.129a,1 Dg.)', ''Eikasmós'' 6: 11-14.
+
*Hawkins, T. (2016). 'Bupalus in Scheria: Hipponax’s Odyssean Transcontextualizations' in ''Iambus and Elegy: New Approaches'', C. Carey and L. Swift (eds) Oxford: 229-52.
 +
 
 +
* Miralles, C. and J. Pòrtulas (1988) ''The Poetry of Hipponax''. Rome.
 +
 
 +
* Neri, C. (1995) 'L'empietà del naso (Hippon. fr.129a,1 Dg.)', ''Eikasmós'' 6: 11-14.
  
 
* Nicolosi, A. (ed.) (2007) ''Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708)''. Bologna. Edition, translation and commentary Reviewed by R.M. Rosen [http://bmcr.brynmawr.edu/2009/2009-04-09.html BMCR 2009.04.09].
 
* Nicolosi, A. (ed.) (2007) ''Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708)''. Bologna. Edition, translation and commentary Reviewed by R.M. Rosen [http://bmcr.brynmawr.edu/2009/2009-04-09.html BMCR 2009.04.09].
  
* Rosen, R.M. (1990) ‘Hipponax and the Homeric Odysseus’, ''Eikasmos'' 1: 11–25.
+
* Rosen, R.M. (1990) ‘Hipponax and the Homeric Odysseus’, ''Eikasmos'' 1: 11–25.
  
 
* Rosen, R.M. (2007) 'The Hellenistic Epigrams on Archilochus and Hipponax' in ''Brill's Companion to Hellenistic Epigram'' eds. P. Bing & J. Steffen Bruss. Leiden.  
 
* Rosen, R.M. (2007) 'The Hellenistic Epigrams on Archilochus and Hipponax' in ''Brill's Companion to Hellenistic Epigram'' eds. P. Bing & J. Steffen Bruss. Leiden.  
Line 446: Line 551:
 
* Rosen, R.M. (2007) ''Making Mockery. The Poetics of Ancient Satire. Classical Culture and Society.'' Oxford. Chapter 5 focuses on Hipponax and Callimachus.  
 
* Rosen, R.M. (2007) ''Making Mockery. The Poetics of Ancient Satire. Classical Culture and Society.'' Oxford. Chapter 5 focuses on Hipponax and Callimachus.  
  
* Suárez de la Torre, E. (1987) 'Hiponacte cómico', ''Emerita'' 55: 113-139.
+
* Suárez de la Torre, E. (1987) 'Hiponacte cómico', ''Emerita'' 55: 113-139.
  
 
* Watkins, C. (2007) 'Hipponactea quaedam' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 118-25. Reviewed by J. Gibert [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
 
* Watkins, C. (2007) 'Hipponactea quaedam' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 118-25. Reviewed by J. Gibert [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
  
 
=== Ananius ===
 
=== Ananius ===
 +
 +
* Carey C.(2016). 'Mapping ''iambos'': Mining the minor talents', in I''ambus and Elegy: New Approaches'', C. Carey and L. Swift (eds), Oxford: 122-39.
  
 
=== Adespota Iambica ===
 
=== Adespota Iambica ===
Line 458: Line 565:
 
* Adkins, A.W.H. (1985) ''Poetic Craft in the Early Greek Elegists''. Chicago-London.
 
* Adkins, A.W.H. (1985) ''Poetic Craft in the Early Greek Elegists''. Chicago-London.
  
* Aloni, A. and  Iannucci, A. (2007) ''L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco''. Firenze: Le Monnier Università.
+
* Aloni, A. and  Iannucci, A. (2007) ''L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco''. Firenze: Le Monnier Università.
 +
 
 +
* Barnes, H.R. (1995) ‘The structure of the elegiac hexameter: a comparison of the structure of elegiac and stichic hexameter verse’, in ''Struttura e storia dell’esametro omerico'', ed. M. Fantuzzi and R. Pretagostini, vol. I. Rome: 135–61.
  
* Barnes, H.R. (1995) ‘The structure of the elegiac hexameter: a comparison of the structure of elegiac and stichic hexameter verse’, in ''Struttura e storia dell’esametro omerico'', ed. M. Fantuzzi and R. Pretagostini, vol. I. Rome: 135–61.
+
* Bowie, E.L. (1990) ‘''Miles ludens''? The problem of martial exhortation in early Greek elegy’, in ''Sympotica: A Symposium on the Symposion''. ed. O. Murray. Oxford: 221-229.
  
* Bowie, E.L. (1990) ‘''Miles ludens''? The problem of martial exhortation in early Greek elegy’, in ''Sympotica: A Symposium on the Symposion''. ed. O. Murray. Oxford: 221-229.
+
* Budelmann, F. and T. Power (2013). 'The inbetweenness of sympotic elegy.' JHS 133: 1-19.
  
 
* Faraone, C.A. (2005) 'Exhortation and Meditation: Alternating Stanzas as a Structural Device in Early Greek Elegy', ''CPh'' 100: 317-36. [Tyrtaeus 10, 11; Callinus 1; Xenophanes 1]
 
* Faraone, C.A. (2005) 'Exhortation and Meditation: Alternating Stanzas as a Structural Device in Early Greek Elegy', ''CPh'' 100: 317-36. [Tyrtaeus 10, 11; Callinus 1; Xenophanes 1]
Line 470: Line 579:
 
* Faraone, C.A. (2008) ''The Stanzaic Architecture of Early Greek Elegy''. Oxford. Reviewed by Eckerman, Chris (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-30.html ''BMCR'' 2008.08.30].
 
* Faraone, C.A. (2008) ''The Stanzaic Architecture of Early Greek Elegy''. Oxford. Reviewed by Eckerman, Chris (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-30.html ''BMCR'' 2008.08.30].
  
* Gerber, D.E. (1997) ‘Elegy’, in ''A Companion to the Greek Lyric Poets'', ed. D.E. Gerber. Leiden: 89–132.
+
* Gerber, D.E. (1997) ‘Elegy’, in ''A Companion to the Greek Lyric Poets'', ed. D.E. Gerber. Leiden: 89–132.
  
* Giordano-Zecharya, M. (2003) ‘Tabellae auris: musica e memoria nella trasmissione della lirica monodica’, in ''ΡΥΣΜΟΣ: Studi di poesia, metrica e musica greca offerti dagli allievi a Luigi Enrico Rossi per i suoi settant’anni'', ed. R. Nicolai. Rome: 73–92.
+
* Giordano-Zecharya, M. (2003) ‘Tabellae auris: musica e memoria nella trasmissione della lirica monodica’, in ''ΡΥΣΜΟΣ: Studi di poesia, metrica e musica greca offerti dagli allievi a Luigi Enrico Rossi per i suoi settant’anni'', ed. R. Nicolai. Rome: 73–92.
  
* Nobili, C. (2006) 'Omero e l'elegia trenodica', ''Acme'' 59.3: 3-24. It investigates the problem of threnodic elegy and presents the possibility to trace motifs typical of threnodic elegy in Homeric poems.
+
* Lulli, L. (2007) "‘Anomalie’ linguistiche e performances poetiche. Osservazioni sui tratti linguistici epicorici nell’epica greca postomerica e nell’elegia arcaica di argomento storico-narrativo", ''SemRom'' 10.2: pp. 35–62.
  
* Raalte, M. van (1988) 'Greek Elegiac Verse Rhythm', ''Glotta'' 66: 145-78.
+
* Lulli, L. (2009) 'Appunti per una storia grafico-editoriale del genere letterario dell’elegia in età ellenistico-romana', ''Scripta. International Journal of Palaeography and Codicology'' 2: 135–157.
  
* Scott Garner, R. (2011) ''Traditional Elegy. The Interplay of Meter, Tradition, and Context in Early Greek Poetry.'' Oxford.  
+
* Lulli, L. (2011) ''Narrare in Distichi: L'elegia greca arcaica e classica di argomento storico-mitico''. Rome.  
  
* Slings, S.R. (2000) 'Symposion and Interpretation: Elegy as group-song and the so-called awakening individual', ''Acta Antiqua Hungariensia'' 40: 423-434.
+
* Lulli, L. (2015) "Epica ed elegia. Incontri di due generi letterari nei luoghi della performance", in L. Bettarini (ed.), ''A più mani. Linee di ricerca tracciate in 'Sapienza''', Roma-Pisa: 89–102.
 +
 
 +
* Lulli, L. (2016) "Elegy and Epic: A Complex Relationship", in L. Swift, C. Carey (eds.), ''Iambus and Elegy. New Approaches'', Oxford-New York: 193-209.
 +
 
 +
* Nobili, C. (2006) 'Omero e l'elegia trenodica', ''Acme'' 59.3: 3-24. It investigates the problem of threnodic elegy and presents the possibility to trace motifs typical of threnodic elegy in Homeric poems.
 +
 
 +
* Nobili, C. (2011) 'Threnodic elegy in Sparta', ''Greek, Roman, Byzantine Studies'' 51.1: 26-48.
 +
 
 +
* Nobili, C. (2016) 'Choral elegy', in C. Carey – L. Swift (eds.), I''ambus and Elegy. New Approaches'', Oxford: 33-55.
 +
 
 +
* Raalte, M. van (1988) 'Greek Elegiac Verse Rhythm', ''Glotta'' 66: 145-78.
 +
 
 +
* Scott Garner, R. (2011) ''Traditional Elegy. The Interplay of Meter, Tradition, and Context in Early Greek Poetry.'' Oxford.
 +
 
 +
* Slings, S.R. (2000) 'Symposion and Interpretation: Elegy as group-song and the so-called awakening individual', ''Acta Antiqua Hungariensia'' 40: 423-434.
 +
 
 +
* Suárez de la Torre, E. (2012) ''Elegíacos Griegos.'' Madrid. Spanish translation with introduction.  
  
 
* Tsagalis, Christos C. (2008) ''Inscribing Sorrow: Fourth-century Attic Funerary Epigrams. Trends in Classics - Supplementary Volumes 1''. Berlin and New York. Reviewed by Garulli, Valentina (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-09-18.html ''BMCR'' 2008.09.18].
 
* Tsagalis, Christos C. (2008) ''Inscribing Sorrow: Fourth-century Attic Funerary Epigrams. Trends in Classics - Supplementary Volumes 1''. Berlin and New York. Reviewed by Garulli, Valentina (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-09-18.html ''BMCR'' 2008.09.18].
  
* Zanetto, G. (2004) ‘Omero e l’elegia arcaica’, in ''Momenti della ricezione omerica: Poesia arcaica e teatro'', ed. G. Zanetto et al. (Quaderni di Acme 67). Milan: 37–50.
+
* Zanetto, G. (2004) ‘Omero e l’elegia arcaica’, in ''Momenti della ricezione omerica: Poesia arcaica e teatro'', ed. G. Zanetto et al. (Quaderni di Acme 67). Milan: 37–50.
  
 
=== Callinus ===
 
=== Callinus ===
 +
 +
* Christenson, D. (2000). 'Callinus and Militia Amoris in Achilles Tatius' 'Leucippe and Cleitophon'' The Classical Quarterly 50(2): 631-632.
  
 
=== Tyrtaeus ===
 
=== Tyrtaeus ===
* Année, M. (2007) 'La mémoire oubliée: perspectives poétiques de l'élégie chez Tyrtée', [http://www.paris-sorbonne.fr/IMG/pdf/Magali_Annee.pdf ''Camenulae'' 1].
 
  
* Année, M. (2010) 'Pouvoir du λόγος e λόγος d'un pouvoir chez Tyrtée' in ''Linguaggi del potere, poteri del linguaggio'', eds. E. Bona and M. Curnis. Alessandria: 79-85.
+
* Année, M. (2007) 'La mémoire oubliée: perspectives poétiques de l'élégie chez Tyrtée', [http://www.paris-sorbonne.fr/IMG/pdf/Magali_Annee.pdf ''Camenulae'' 1].
 +
 
 +
* Année, M. (2010) 'Pouvoir du λόγος e λόγος d'un pouvoir chez Tyrtée' in ''Linguaggi del potere, poteri del linguaggio'', eds. E. Bona and M. Curnis. Alessandria: 79-85.
  
 
* Belloni, L. (2003) 'Il re suadente: (Tyrt. 9 G.-P., 1-9)' in ''Studi di filologia e tradizione greca in memoria di Aristide Colonna'', eds. F. Benedetti and S. Grandolini. Napoli: 63-75.  
 
* Belloni, L. (2003) 'Il re suadente: (Tyrt. 9 G.-P., 1-9)' in ''Studi di filologia e tradizione greca in memoria di Aristide Colonna'', eds. F. Benedetti and S. Grandolini. Napoli: 63-75.  
Line 497: Line 625:
 
* Faraone, C.A. (2006) 'Stanzaic Structure and Responsion in the Elegiac Poetry of Tyrtaeus', ''Mnemosyne'' 59: 19-52.
 
* Faraone, C.A. (2006) 'Stanzaic Structure and Responsion in the Elegiac Poetry of Tyrtaeus', ''Mnemosyne'' 59: 19-52.
  
* Föllinger, S. (2005) 'Geschlecht und Körperwahrnehmung in der frühgriechischen Dichtung' in ''Medizin, Geschichte und Geschlecht: körperhistorische Rekonstruktionen von Identitäten und Differenzen'', eds. F. Stahnisch and F. Steger. Stuttgart: 27-39. [Homer, Tyrtaeus and Mimnermus].
+
* Föllinger, S. (2005) 'Geschlecht und Körperwahrnehmung in der frühgriechischen Dichtung' in ''Medizin, Geschichte und Geschlecht: körperhistorische Rekonstruktionen von Identitäten und Differenzen'', eds. F. Stahnisch and F. Steger. Stuttgart: 27-39. [Homer, Tyrtaeus and Mimnermus].
  
* Gerber, D.E. (2003) Λοξός with reference to the eyes and neck in Greek poetry in ''Studi di filologia e tradizione greca in memoria di Aristide Colonna'', eds. F. Benedetti and S. Grandolini. Napoli: 355-8.
+
* Gerber, D.E. (2003) 'Λοξός with reference to the eyes and neck in Greek poetry' in ''Studi di filologia e tradizione greca in memoria di Aristide Colonna'', eds. F. Benedetti and S. Grandolini. Napoli: 355-8.
  
* Hölscher, U. (1986) 'Tyrtaios über die Eunomie' in ''Studien zur alten Geschichte. Siegfried Lauffer zum 70. Geburtstag'', ed. H. Kalcyk, B. Gullath and A. Graeber Roma: 413-20.
+
* Hölscher, U. (1986) 'Tyrtaios über die Eunomie' in ''Studien zur alten Geschichte. Siegfried Lauffer zum 70. Geburtstag'', ed. H. Kalcyk, B. Gullath and A. Graeber Roma: 413-20.
  
* Link, S. (2003) 'Eunomie im Schoss der Rhetra? Zum Verhältnis von Tyrt. frgm. 14 W und Plut. Lyk. 6, 2 und 8', ''GFA'' 6: 141-150.
+
* Link, S. (2003) 'Eunomie im Schoss der Rhetra? Zum Verhältnis von Tyrt. frgm. 14 W und Plut. Lyk. 6, 2 und 8', ''GFA'' 6: 141-150. [http://gfa.gbv.de/dr,gfa,006,2003,a,11.pdf PDF]
  
* Luginbill, R.D. (2002) ‘Tyrtaeus ''12West'': come join the Spartan army’, ''CQ'' 52: 405–14.
+
* Luginbill, R.D. (2002) ‘Tyrtaeus ''12West'': come join the Spartan army’, ''CQ'' 52: 405–14.
  
 
* Meier, M. (1998) ''Aristokraten und Damoden: Untersuchungen zur inneren Entwicklung Spartas im 7. Jahrhundert v. Chr. und zur politischen Funktion der Dichtung des Tyrtaios.'' Stuttgart. Reviewed by H. van Wees [http://bmcr.brynmawr.edu/1999/1999-10-15.html BMCR 1999.10.15]
 
* Meier, M. (1998) ''Aristokraten und Damoden: Untersuchungen zur inneren Entwicklung Spartas im 7. Jahrhundert v. Chr. und zur politischen Funktion der Dichtung des Tyrtaios.'' Stuttgart. Reviewed by H. van Wees [http://bmcr.brynmawr.edu/1999/1999-10-15.html BMCR 1999.10.15]
  
* Meier, M. (2002), 'Tyrtaios fr. 1B G/P bzw. fr. °14 G/P (= fr. 4 W) und die Grosse Rhetra : kein Zusammenhang?', ''GFA'' 5: 65-87.
+
* Meier, M. (2002), 'Tyrtaios fr. 1B G/P bzw. fr. °14 G/P (= fr. 4 W) und die Grosse Rhetra : kein Zusammenhang?', ''GFA'' 5: 65-87. [http://gfa.gbv.de/dr,gfa,005,2002,a,05.pdf PDF]
  
 
* Meier, M. (2003), 'Tyrtaios: die Entstehung eines Bildes', ''Antike und Abendland'' 49: 157-182.
 
* Meier, M. (2003), 'Tyrtaios: die Entstehung eines Bildes', ''Antike und Abendland'' 49: 157-182.
  
* Munding, H. (1993), 'Tyrtaios 9 Diehl (= 12 West) auf dem Hintergrund des Hesiodischen Areté-Passus (E. 286-292)' in ''Antike Texte in Forschung und Schule: Festschrift für Willibald Heilmann zum 65. Geburtstag'', ed. C. Neumeister. Frankfurt: 29-37.
+
* Munding, H. (1993), 'Tyrtaios 9 Diehl (= 12 West) auf dem Hintergrund des Hesiodischen Areté-Passus (E. 286-292)' in ''Antike Texte in Forschung und Schule: Festschrift für Willibald Heilmann zum 65. Geburtstag'', ed. C. Neumeister. Frankfurt: 29-37.
 +
 
 +
* Nafissi, M. (2010), 'The Great ''Rhetra'' (Plut. ''Lyc.'' 6): a retrospective and intentional construct?' in: ''Intentional History. Spinning Time in Ancient Greece.'' eds. L. Foxhall, H.-J. Gehrke, N. Luraghi. Stuttgart: 89-119.  
  
* Noussia, M. (2010) “Lo stile 'semplice' di Tirteo?”, in P. Chiron and C. Lévy (eds), ''Les Noms du Style dans l'Antiquité gréco-latine, Deuxième et Troisième Journées d' Étude, Paris IV (12 mais 2005), Paris XII (13 Mai 2005)''. Leuven: 11-24.
+
* Noussia, M. (2010) “Lo stile 'semplice' di Tirteo?, in P. Chiron and C. Lévy (eds), ''Les Noms du Style dans l'Antiquité gréco-latine, Deuxième et Troisième Journées d' Étude, Paris IV (12 mais 2005), Paris XII (13 Mai 2005)''. Leuven: 11-24.
  
 
* Pucci, P. (2006) 'Il testo di Tirteo nel tessuto omerico' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: 21-41. Reviewed by V. Jennings [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
 
* Pucci, P. (2006) 'Il testo di Tirteo nel tessuto omerico' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: 21-41. Reviewed by V. Jennings [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* Quattrocelli, L. (2006) ‘Tirteo: poesia e ἀνδρεία a Sparta arcaica’, in ''I luoghi e la poesia nella Grecia antica'', eds. M. Vetta and C. Catenacci. Alessandria: 133-144.
+
* Quattrocelli, L. (2006) ‘Tirteo: poesia e ἀνδρεία a Sparta arcaica’, in ''I luoghi e la poesia nella Grecia antica'', eds. M. Vetta and C. Catenacci. Alessandria: 133-144.
 +
 
 +
* Quattrocelli, L. (2009) ‘Tirteo e la retorica dell’élite’, ''Annali dell’Istituto Orientale di Napoli'': 7-23.
  
* Schwinge, E.R. (1997), 'Tyrtaios über seine Dichtung (Fr. 9 G.-P. = 12 W.)', ''Hermes'' 125: 387-395.  
+
* Schwinge, E.R. (1997), 'Tyrtaios über seine Dichtung (Fr. 9 G.-P. = 12 W.)', ''Hermes'' 125: 387-395.  
  
* Van Wees, Hans (1999) ‘Tyrtaeus’ Eunomia: nothing to do with the Great Rhetra’, in ''Sparta: New Perspectives'', eds. S. Hodkinson and A. Powell. London: 1-41.
+
* Van Wees, Hans (1999) ‘Tyrtaeus’ Eunomia: nothing to do with the Great Rhetra’, in ''Sparta: New Perspectives'', eds. S. Hodkinson and A. Powell. London: 1-41.
  
* Van Wees, Hans (2002) ‘Gute Ordnung ohne Große Rhetra: noch einmal zu Tyrtaios’ Eunomia’, ''Göttinger Forum für Altertumswissenschaft'' 5: 89-103. [http://gfa.gbv.de/z/2002 URL] [http://gfa.gbv.de/dr,gfa,005,2002,a,06.pdf PDF]
+
* Van Wees, Hans (2002) ‘Gute Ordnung ohne Große Rhetra: noch einmal zu Tyrtaios’ Eunomia’, ''Göttinger Forum für Altertumswissenschaft'' 5: 89-103. [http://gfa.gbv.de/z/2002 URL] [http://gfa.gbv.de/dr,gfa,005,2002,a,06.pdf PDF]
  
 
* Van Wees, Hans (2003) 'Conquerors and serfs: wars of conquest and forced labour in archaic Greece', in ''Helots and their Masters in Laconia and Messenia: histories, ideologies, structures'', eds. N. Luraghi and S. Alcock. Cambridge, MA: 33-80. Includes discussion of Tyrtaeus' fragments.
 
* Van Wees, Hans (2003) 'Conquerors and serfs: wars of conquest and forced labour in archaic Greece', in ''Helots and their Masters in Laconia and Messenia: histories, ideologies, structures'', eds. N. Luraghi and S. Alcock. Cambridge, MA: 33-80. Includes discussion of Tyrtaeus' fragments.
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* Allen, A. (1993) ''The Fragments of Mimnermus: Text and Commentary''. Stuttgart.
 
* Allen, A. (1993) ''The Fragments of Mimnermus: Text and Commentary''. Stuttgart.
  
* Föllinger, S. (2005), 'Geschlecht und Körperwahrnehmung in der frühgriechischen Dichtung' in ''Medizin, Geschichte und Geschlecht: körperhistorische Rekonstruktionen von Identitäten und Differenzen'', eds. F. Stahnisch and F. Steger. Stuttgart: 27-39. [Homer, Tyrtaeus and Mimnermus].
+
* Föllinger, S. (2005), 'Geschlecht und Körperwahrnehmung in der frühgriechischen Dichtung' in ''Medizin, Geschichte und Geschlecht: körperhistorische Rekonstruktionen von Identitäten und Differenzen'', eds. F. Stahnisch and F. Steger. Stuttgart: 27-39. [Homer, Tyrtaeus and Mimnermus].
  
 
* Gerber, D.E. (2003) 'Mimnermus, Fragment 1.3 W.' in: ''Literature, Art, History: Studies on Classical Antiquity and Tradition. In Honour of W.J. Henderson'', eds. A.F. Basson & W.J. Dominik. Frankfurt am Main: 193-195.
 
* Gerber, D.E. (2003) 'Mimnermus, Fragment 1.3 W.' in: ''Literature, Art, History: Studies on Classical Antiquity and Tradition. In Honour of W.J. Henderson'', eds. A.F. Basson & W.J. Dominik. Frankfurt am Main: 193-195.
  
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. Alessandria: 57–71.
+
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. Alessandria: 57–71.
  
 
* Slings, S.R. (2000) ''Symposium: Speech and Ideology. Two hermeneutical issues in early Greek lyric, with special reference to Mimnermus''. Amsterdam (KNAW), Mededelingen KNAW afd. Letterkunde, 63, 1. Concerns the performance of lyric poetry in the archaic period. Review by J.M. Bremer (2003) ''Mnemosyne'' 56: 614-15 and D.E. Gerber [http://bmcr.brynmawr.edu/2000/2000-12-16.html BMCR 2002.12.16].
 
* Slings, S.R. (2000) ''Symposium: Speech and Ideology. Two hermeneutical issues in early Greek lyric, with special reference to Mimnermus''. Amsterdam (KNAW), Mededelingen KNAW afd. Letterkunde, 63, 1. Concerns the performance of lyric poetry in the archaic period. Review by J.M. Bremer (2003) ''Mnemosyne'' 56: 614-15 and D.E. Gerber [http://bmcr.brynmawr.edu/2000/2000-12-16.html BMCR 2002.12.16].
  
* Suárez de la Torre, E. (1985) 'El viaje nocturno del sol y la Nanno de Mimnermo', ''EClás'' 89: 5-20.
+
* Suárez de la Torre, E. (1985) 'El viaje nocturno del sol y la Nanno de Mimnermo', ''EClás'' 89: 5-20.
  
 
=== Solon ===
 
=== Solon ===
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* Anhalt, E.K. (1993) ''Solon the Singer.'' Lanham, MD.
 
* Anhalt, E.K. (1993) ''Solon the Singer.'' Lanham, MD.
  
* Blaise, F. (1995) ‘Le fragment 36 W. de Solon: pratique et fondation des normes politiques’, ''Revue des Études Grecques'' 108: 24-37.
+
* Blaise, F. (1995) ‘Le fragment 36 W. de Solon: pratique et fondation des normes politiques’, ''Revue des Études Grecques'' 108: 24-37.
  
* Blaise, F. (2005) ‘Poésie, politique, religion. Solon entre les dieux et les hommes (l’ “Eunomie” et l’ “Elégie aux Muses”, 4 et 13 West)’, ''Revue de Philosophie Ancienne'' 23: 3-40.
+
* Blaise, F. (2005) ‘Poésie, politique, religion. Solon entre les dieux et les hommes (l’ “Eunomie” et l’ “Elégie aux Muses”, 4 et 13 West), ''Revue de Philosophie Ancienne'' 23: 3-40.
  
* Blaise, F. (2006) ‘Poetics and politics. Tradition re-worked in Solon’s “Eunomia” (poem 4)’, in ''Solon of Athens: New Historical and Philological Approaches'', eds. J.H. Blok & A.P.M.H. Lardinois. Leiden: 114-133.
+
* Blaise, F. (2006) ‘Poetics and politics. Tradition re-worked in Solon’s “Eunomia” (poem 4), in ''Solon of Athens: New Historical and Philological Approaches'', eds. J.H. Blok & A.P.M.H. Lardinois. Leiden: 114-133.
  
* Blaise, F. (2010) 'Le bonheur redéfini. Solon, 23 W.', in D. Thouard-Ch. König (éds.), ''La Philologie au présent. Pour Jean Bollack''. Lille (Presses du Septentrion): 57-67.  
+
* Blaise, F. (2010) 'Le bonheur redéfini. Solon, 23 W.', in D. Thouard-Ch. König (éds.), ''La Philologie au présent. Pour Jean Bollack''. Lille (Presses du Septentrion): 57-67.  
  
 
* Blaise, F. (2011) 'La mer juste : Solon, 12 W', ''Revue des Etudes Grecques'' 124: 535-547.  
 
* Blaise, F. (2011) 'La mer juste : Solon, 12 W', ''Revue des Etudes Grecques'' 124: 535-547.  
 +
 +
* Blaise, F. (2012) 'Solon entre Zeus et loup: un usage provocant des représentations et des formes poétiques traditionnelles (poème 36 W)' in ''Approaches to Greek Poetry'' X. Riu & J. Pòrtulas. Messina: 99-119.
  
 
* Blok, J.H. and Lardinois, A.P.M.H. (eds.) (2006) ''Solon of Athens: New Historical and Philological Approaches''. Leiden. Reviewed by B.M. Lavelle [http://bmcr.brynmawr.edu/2007/2007-04-26.html BMCR 2007.04.26].
 
* Blok, J.H. and Lardinois, A.P.M.H. (eds.) (2006) ''Solon of Athens: New Historical and Philological Approaches''. Leiden. Reviewed by B.M. Lavelle [http://bmcr.brynmawr.edu/2007/2007-04-26.html BMCR 2007.04.26].
  
* Gagné, R. (2009) 'Spilling the Sea Out of its Cup: Solon's Elegy to the Muses,' ''Quaderni urbinati di cultura classica'' 133: 23-49.
+
* Carvalho, S. and Neto, F.J (2014) 'A crise social na Atenas de Sólon e o estabelecimento da justiça baseada no governo da lei', ''Humanitas''66: 59-85.
 +
 
 +
* Gagné, R. (2009) 'Spilling the Sea Out of its Cup: Solon's Elegy to the Muses,' ''Quaderni urbinati di cultura classica'' 133: 23-49.
  
 
* Irwin, E. (2005) ''Solon and Early Greek Poetry: The Politics of Exhortation''. Cambridge.
 
* Irwin, E. (2005) ''Solon and Early Greek Poetry: The Politics of Exhortation''. Cambridge.
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* Lewis, J.D.(2006) ''Solon the Thinker: Political Thought in Archaic Athens''. London. Reviewed by Z. Papakonstantinou [http://bmcr.brynmawr.edu/2007/2007-05-28.html BMCR 2007.05.28]
 
* Lewis, J.D.(2006) ''Solon the Thinker: Political Thought in Archaic Athens''. London. Reviewed by Z. Papakonstantinou [http://bmcr.brynmawr.edu/2007/2007-05-28.html BMCR 2007.05.28]
  
* Monedero, A.J.D. (2001) ''Solón de Atenas. Editorial Crítica.'' Barcelona. Reviewed by E. Katz Anhalt [http://bmcr.brynmawr.edu/2002/2002-08-42.html BMCR 2002.08.24]
+
* Monedero, A.J.D. (2001) ''Solón de Atenas. Editorial Crítica.'' Barcelona. Reviewed by E. Katz Anhalt [http://bmcr.brynmawr.edu/2002/2002-08-42.html BMCR 2002.08.24]
 +
 
 +
* Mossé, C. (1996) ‘Due miti politici: Licurgo e Solone’, in ''I Greci: Storia cultura arte società, II, Una storia greca, 1, Formazione'', ed. S. Settis. Turin: 1325–35.
  
* Mossé, C. (1996) ‘Due miti politici: Licurgo e Solone’, in ''I Greci: Storia cultura arte società, II, Una storia greca, 1, Formazione'', ed. S. Settis. Turin: 1325–35.
+
* Mülke, C. (2002) ''Solons Politische Elegien und Iamben (Fr. 1-13; 32-37 West). Einleitung, Übersetzung, Kommentar.'' Munich/Leipzig. Reviewed by E. Irwin [http://bmcr.brynmawr.edu/2005/2005-05-26.html BMRC 2005.05.26]
  
* Mülke, C. (2002) ''Solons Politische Elegien und Iamben (Fr. 1-13; 32-37 West). Einleitung, Übersetzung, Kommentar.'' Munich/Leipzig. Reviewed by E. Irwin [http://bmcr.brynmawr.edu/2005/2005-05-26.html BMRC 2005.05.26]
+
* Nagy, G. and M. Noussia-Fantuzzi eds. (2015). ''Solon in the Making: The Early Reception in the Fifth and Fourth Centuries''. Trends in Classics 7.1. De Gruyter.
  
* Noussia, M. (2001) ''Solone: Frammenti dell’opera poetica''. Milan.
+
* Noussia, M. (2001) ''Solone: Frammenti dell’opera poetica''. Milan.
  
 
* Noussia-Fantuzzi, M. (2010) ''Solon the Athenian: The Poetic Fragments'', Brill Academic Publishers, Leiden, pp. xiv+579. Reviewed by D.E. Gerber [http://bmcr.brynmawr.edu/2011/2011-05-05.html BMCR 2011.05.05].
 
* Noussia-Fantuzzi, M. (2010) ''Solon the Athenian: The Poetic Fragments'', Brill Academic Publishers, Leiden, pp. xiv+579. Reviewed by D.E. Gerber [http://bmcr.brynmawr.edu/2011/2011-05-05.html BMCR 2011.05.05].
  
* Suárez de la Torre, E. (2002) 'La renovación del léxico poético en Solón y los niveles de lengua' in ''Niveles de lengua y literatura'', ed. A. López Eire. Salamanca.
+
* Suárez de la Torre, E. (2002) 'La renovación del léxico poético en Solón y los niveles de lengua' in ''Niveles de lengua y literatura'', ed. A. López Eire. Salamanca.
  
 
* Wees, H. van (1999) 'The mafia of early Greece. Violent exploitation in the seventh and sixth centuries BC' in ''Organized Crime in Antiquity'', ed. Keith Hopwood. London: 1-51. Includes discussion of Solon's 'political' fragments.
 
* Wees, H. van (1999) 'The mafia of early Greece. Violent exploitation in the seventh and sixth centuries BC' in ''Organized Crime in Antiquity'', ed. Keith Hopwood. London: 1-51. Includes discussion of Solon's 'political' fragments.
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=== Theognis ===
 
=== Theognis ===
 
* Bagordo, A. (2000) 'Teognide 769-772 e il lessico metaletterario arcaico', ''SemRom'' 3: 183-203.
 
* Bagordo, A. (2000) 'Teognide 769-772 e il lessico metaletterario arcaico', ''SemRom'' 3: 183-203.
 +
 +
* Bowie, E. (2012) 'An Early Chapter in the History of the Theognidea' in ''Approaches to Greek Poetry'' X. Riu & J. Pòrtulas. Messina: 121-148.
  
 
* Colesanti, G. (2011) ''Questioni Teognidee. La genesi simposiale di un corpus di elegie''. Roma. [http://www.storiaeletteratura.it/catalog/title/index.php?cmd=ext&title_id=1394 More information].
 
* Colesanti, G. (2011) ''Questioni Teognidee. La genesi simposiale di un corpus di elegie''. Roma. [http://www.storiaeletteratura.it/catalog/title/index.php?cmd=ext&title_id=1394 More information].
  
* Condello, F. (2010) 'Proverbi in Teognide, Teognide in proverbio' in ''ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.)'' ed. E. Lelli. Pisa/Roma: 61-85.
+
* Condello, F. (2010) 'Proverbi in Teognide, Teognide in proverbio' in ''ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.)'' ed. E. Lelli. Pisa/Roma: 61-85.
  
* Edmunds, L. (1997) ‘The seal of Theognis (vv. 19–30)’, in ''Poet, Public and Performance: Essays in Ancient Greek Literature and Literary History'', ed. L. Edmunds and R. Wallace. Baltimore and London: 29–48.
+
* Edmunds, L. (1997) ‘The seal of Theognis (vv. 19–30), in ''Poet, Public and Performance: Essays in Ancient Greek Literature and Literary History'', ed. L. Edmunds and R. Wallace. Baltimore and London: 29–48.
  
 
* Ford, A.L. (1985) 'The Seal of Theognis: The Politics of Authorship in Archaic Greece' in ''Theognis of Megara: Poetry and the Polis'', eds. T.J. Figueira and G. Nagy. Baltimore: 82-95.
 
* Ford, A.L. (1985) 'The Seal of Theognis: The Politics of Authorship in Archaic Greece' in ''Theognis of Megara: Poetry and the Polis'', eds. T.J. Figueira and G. Nagy. Baltimore: 82-95.
  
* Kurke, L. (1989) 'Kapêleia and Deceit: Theognis 59–60', ''American Journal of Philology'' 110: 535–44.
+
* Kurke, L. (1989) 'Kapêleia and Deceit: Theognis 59–60', ''American Journal of Philology'' 110: 535–44.
  
* Lane Fox, R. (2000) ‘Theognis: an alternative to democracy’, in ''Alternatives to Athens: Varieties of Political Organization and Community in Ancient Greece'', ed. R. Brock and S. Hodkinson. Oxford: 35–51.
+
* Lane Fox, R. (2000) ‘Theognis: an alternative to democracy’, in ''Alternatives to Athens: Varieties of Political Organization and Community in Ancient Greece'', ed. R. Brock and S. Hodkinson. Oxford: 35–51.
  
 
* Lauriola, R. (1999) 'Theog. 207-210: un caso di prolessi narrativa', ''Athenaeum'' 87.1: 15-26.
 
* Lauriola, R. (1999) 'Theog. 207-210: un caso di prolessi narrativa', ''Athenaeum'' 87.1: 15-26.
  
* Martin, R.P. (2001) ‘Just Like a Woman: Enigmas of the Lyric Voice’, in ''Making Silence Speak: Women’s Voices in Greek Literature and Society'', eds. A. Lardinois and L. McClure. Princeton, N.J.: 55-74.
+
* Martin, R.P. (2001) ‘Just Like a Woman: Enigmas of the Lyric Voice’, in ''Making Silence Speak: Women’s Voices in Greek Literature and Society'', eds. A. Lardinois and L. McClure. Princeton, N.J.: 55-74.
  
* Palutan, M.G. (1995) ‘Osservazioni sui carmi eolici di Teocrito (28, 29 e 30)’, ''AION'' (filol) 17: 89–107.
+
* Palutan, M.G. (1995) ‘Osservazioni sui carmi eolici di Teocrito (28, 29 e 30), ''AION'' (filol) 17: 89–107.
  
* Pòrtulas, J. (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
+
* Pòrtulas, J. (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. ''Alessandria'': 57–71.
+
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. ''Alessandria'': 57–71.
  
* Rösler, W. (2006) 'La raccolta di Teognide: «il più antico libro dimostrabilmente edito dall'autore stesso». Considerazioni su una tesi di Richard Reitzenstein' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 55-67. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
+
* Rösler, W. (2006) 'La raccolta di Teognide: «il più antico libro dimostrabilmente edito dall'autore stesso». Considerazioni su una tesi di Richard Reitzenstein' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 55-67. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
 
* Selle, H. (2008) ''Theognis und die Theognidea''. Berlin & New York.
 
* Selle, H. (2008) ''Theognis und die Theognidea''. Berlin & New York.
  
* Stein-Hölkeskamp, E. (1996) 'Adel und Volk bei Theognis' in ''Volk und Verfassung im vorhellenistischen Griechenland, Beiträge auf dem Symposium zu Ehren von Karl-Wilhelm Welwei in Bochum, 1.-2. März 1996.'' eds. Walter Eder, Karl-Joachim Hölkeskamp. Stuttgart: 21-35.  
+
* Stein-Hölkeskamp, E. (1996) 'Adel und Volk bei Theognis' in ''Volk und Verfassung im vorhellenistischen Griechenland, Beiträge auf dem Symposium zu Ehren von Karl-Wilhelm Welwei in Bochum, 1.-2. März 1996.'' eds. Walter Eder, Karl-Joachim Hölkeskamp. Stuttgart: 21-35.  
  
* Vetta, M.  (2000) ‘Teognide e anonimi nella Silloge teognidea’, in ''La letteratura pseudepigrafa nella cultura greca e romana: Atti di un incontro di studi'', Napoli, 15–17 gennaio 1998, AION(filol) 22: 123–41.
+
* Vetta, M.  (2000) ‘Teognide e anonimi nella Silloge teognidea’, in ''La letteratura pseudepigrafa nella cultura greca e romana: Atti di un incontro di studi'', Napoli, 15–17 gennaio 1998, AION(filol) 22: 123–41.
  
* Wees, H. van (2000) ‘Megara’s mafiosi.  Timocracy and violence in Theognis’, in ''Alternatives to Athens.  Varieties of political organization and community in ancient Greece'', eds. R. Brock and S. Hodkinson. Oxford University Press: 52-67.  Abbreviated version in Dutch: (2003) ‘Maffiosi in Megara: timocratie en geweld in Theognis’, ''Lampas'' 36: 284-99.
+
* Wees, H. van (2000) ‘Megara’s mafiosi.  Timocracy and violence in Theognis’, in ''Alternatives to Athens.  Varieties of political organization and community in ancient Greece'', eds. R. Brock and S. Hodkinson. Oxford University Press: 52-67.  Abbreviated version in Dutch: (2003) ‘Maffiosi in Megara: timocratie en geweld in Theognis’, ''Lampas'' 36: 284-99.
  
* Yossi, M.J. (Μ. Ι. Γιόση) (2009) 'δεῦρο σὺν αὐλητῆρι. Συμποτική ποιητική στο Θεογνίδειο corpus' ['Deuro syn auleteri: Sympotic poetics in the Theognidean corpus'], in:  ''ΑΝΤΙΦΙΛΗΣΙΣ. Studies on Classical, Byzantine and Modern Greek Literature and Culture in Honour of John-Theophanes A. Papademetriou'', ed. Eleni Karamalengou and Eugenia Makrygianni. Stuttgart: 99 - 106.
+
* Yossi, M.J. (Μ. Ι. Γιόση) (2009) 'δεῦρο σὺν αὐλητῆρι. Συμποτική ποιητική στο Θεογνίδειο corpus' ['Deuro syn auleteri: Sympotic poetics in the Theognidean corpus'], in:  ''ΑΝΤΙΦΙΛΗΣΙΣ. Studies on Classical, Byzantine and Modern Greek Literature and Culture in Honour of John-Theophanes A. Papademetriou'', ed. Eleni Karamalengou and Eugenia Makrygianni. Stuttgart: 99 - 106.
  
 
=== Xenophanes ===
 
=== Xenophanes ===
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* Iannucci, A. (2002) ''La parola e l'azione. I frammenti simposiali di Crizia''. Bologna. Review by P. Wilson in [http://ccat.sas.upenn.edu/bmcr/2004/2004-09-16.html BMCR 2004.09.16].
 
* Iannucci, A. (2002) ''La parola e l'azione. I frammenti simposiali di Crizia''. Bologna. Review by P. Wilson in [http://ccat.sas.upenn.edu/bmcr/2004/2004-09-16.html BMCR 2004.09.16].
  
* Iannucci, A. (2003) 'Una ‘corona di giambi’. Ipotesi di lettura del fr. 2 Gent.-Pr. di Crizia', ''Seminari Romani di Cultura Greca'', VI 1: 31-42.
+
* Iannucci, A. (2003) 'Una ‘corona di giambi’. Ipotesi di lettura del fr. 2 Gent.-Pr. di Crizia', ''Seminari Romani di Cultura Greca'', VI 1: 31-42.
  
* Pòrtulas, Jaume (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
+
* Pòrtulas, Jaume (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* Rotstein, Andrea (2007) ‘Critias’ invective against Archilochus’, ''Classical Philology'' 102: 139-54.
+
* Rotstein, Andrea (2007) ‘Critias’ invective against Archilochus’, ''Classical Philology'' 102: 139-54.
  
 
=== Dionysius Chalcus ===
 
=== Dionysius Chalcus ===
 +
 +
* Rufilanchas, D. R. (2003). 'Dionysius Chalcus fr. 3 again' JHS 123: 181-186.
  
 
=== Euenus ===
 
=== Euenus ===
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=== Adespota Elegiaca ===
 
=== Adespota Elegiaca ===
  
 +
* Lulli, L., Sbardella, L. (2013) "P. Oxy. 69. 4708 fr. 1. 22-28. Una nuova proposta di integrazione", «ZPE» 186: 27–35.
  
 
== Greek Lyric Poetry ==
 
== Greek Lyric Poetry ==
  
 
=== Lyric General ===
 
=== Lyric General ===
* Ahrens, H. L. (1853) ‘Über die Mischung der Dialekte in der griechischen Lyrik’, in ''Verhandlungen der dreizehnten Versammlung Deutscher Philologen, Schulmänner und Orientalisten in Göttingen vom 29. September bis 2. Oktober'', Göttingen: 55-80, reprinted in ''Kleine Schriften''. I, Hannover 1853 (= Hildesheim-New York 1977): 157-81.
+
* Ahrens, H. L. (1853) ‘Über die Mischung der Dialekte in der griechischen Lyrik’, in ''Verhandlungen der dreizehnten Versammlung Deutscher Philologen, Schulmänner und Orientalisten in Göttingen vom 29. September bis 2. Oktober'', Göttingen: 55-80, reprinted in ''Kleine Schriften''. I, Hannover 1853 (= Hildesheim-New York 1977): 157-81.
  
* Angeli Bernardini, P. (1991) ‘L’inno agli dei nella lirica corale greca e la sua dimensione sacrale’, in ''L’inno tra rituale e letteratura nel mondo antico: Atti di un colloquio Napoli 21–24 ottobre 1991, AION'' 13: 85–94.
+
* Angeli Bernardini, P. (1991) ‘L’inno agli dei nella lirica corale greca e la sua dimensione sacrale’, in ''L’inno tra rituale e letteratura nel mondo antico: Atti di un colloquio Napoli 21–24 ottobre 1991, AION'' 13: 85–94.
  
 
* Athanassaki, L. (2002) 'On Horace 1.15 and Choral Lyric' in ''Horace and Greek Lyric'', ed. M. Paschalis. ''Rethymnon Classical Studies'' 1: 85-101.
 
* Athanassaki, L. (2002) 'On Horace 1.15 and Choral Lyric' in ''Horace and Greek Lyric'', ed. M. Paschalis. ''Rethymnon Classical Studies'' 1: 85-101.
  
* Athanassaki, L. (2005) 'Χορεία. Η ποιητική της παράστασης', ''Thallo'' 16: 37-76.
+
* Athanassaki, L. (2005) 'Χορεία. Η ποιητική της παράστασης', ''Thallo'' 16: 37-76.
  
* Athanassaki, L. (2009) '' Ἀείδετο πὰν τέμενος: οι χορικές παραστάσεις και το κοινό τους στην αρχαϊκή και πρώϊμη κλασική περίοδο''. Herakleion. Study of choral performance contexts especially in Alcman, Pindar, and Bacchylides. [http://www.cup.gr/ViewShopProduct.aspx?ProductId=279696&LangId=1 More information]. Reviewed by  Ladianou, Katerina (2010) [http://bmcr.brynmawr.edu/2010/2010-09-21.html ''BMCR'' 2010.09.21].
+
* Athanassaki, L. (2009) '' Ἀείδετο πὰν τέμενος: οι χορικές παραστάσεις και το κοινό τους στην αρχαϊκή και πρώϊμη κλασική περίοδο''. Herakleion. Study of choral performance contexts especially in Alcman, Pindar, and Bacchylides. [http://www.cup.gr/ViewShopProduct.aspx?ProductId=279696&LangId=1 More information]. Reviewed by  Ladianou, Katerina (2010) [http://bmcr.brynmawr.edu/2010/2010-09-21.html ''BMCR'' 2010.09.21].
  
 
* Athanassaki, Lucia & Bowie, Ewen (2011) (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' Berlin & Boston. [http://www.degruyter.com/view/supplement/9783110254020_Contents.pdf Table of Contents]
 
* Athanassaki, Lucia & Bowie, Ewen (2011) (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' Berlin & Boston. [http://www.degruyter.com/view/supplement/9783110254020_Contents.pdf Table of Contents]
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* Bagordo, A. (1999) 'Eine Bemerkung zum Epinikion', ''Hermes'' 127: 118-120.
 
* Bagordo, A. (1999) 'Eine Bemerkung zum Epinikion', ''Hermes'' 127: 118-120.
  
* Bagordo, A. (2003) ''Reminiszenzen früher Lyrik bei den attischen Tragikern: Beiträge zur Anspielungstechnik und poetischen Tradition''. Munich.
+
* Bagordo, A. (2003) ''Reminiszenzen früher Lyrik bei den attischen Tragikern: Beiträge zur Anspielungstechnik und poetischen Tradition''. Munich.
  
* Barbantani, S. (1993) ‘I poeti lirici del canone alessandrino nell’epigrammatistica’, ''Aevum(ant)'' 6: 5–97.
+
* Barbantani, S. (1993) ‘I poeti lirici del canone alessandrino nell’epigrammatistica’, ''Aevum(ant)'' 6: 5–97.
  
 
* Barrett, W. S. (2007) ''Greek Lyric, Tragedy, and Textual Criticism: Collected Papers''. Assembled and edited by M.L. West. Oxford, New York. The papers deal with Stesichorus, Pindar, Bacchylides and Euripides. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011752.html Table of Contents].
 
* Barrett, W. S. (2007) ''Greek Lyric, Tragedy, and Textual Criticism: Collected Papers''. Assembled and edited by M.L. West. Oxford, New York. The papers deal with Stesichorus, Pindar, Bacchylides and Euripides. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011752.html Table of Contents].
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* Blasing, M. K. (2007) ''Lyric Poetry: The Pain and the Pleasure of Words''. Princeton, N. J., and Woodstock.
 
* Blasing, M. K. (2007) ''Lyric Poetry: The Pain and the Pleasure of Words''. Princeton, N. J., and Woodstock.
  
* Bierl, Anton (2001) ''Der Chor in der Alten Komödie. Ritual und Performativität'' (unter besonderer Berücksichtigung von Aristophanes' ''Thesmophoriazusen'' und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126). It has been translated by Alex Hollmann into English as:
+
* Bierl, Anton (2001) ''Der Chor in der Alten Komödie. Ritual und Performativität'' (unter besonderer Berücksichtigung von Aristophanes' ''Thesmophoriazusen'' und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126). It has been translated by Alex Hollmann into English as:
 
** Bierl, Anton (2009) ''Ritual and Performativity. The Chorus of Old Comedy'' (transl. by Alex Hollmann), Center for Hellenic Studies. Washington, DC: Harvard Press. (Hellenic Studies 20). New and revised edition.  
 
** Bierl, Anton (2009) ''Ritual and Performativity. The Chorus of Old Comedy'' (transl. by Alex Hollmann), Center for Hellenic Studies. Washington, DC: Harvard Press. (Hellenic Studies 20). New and revised edition.  
  
* Bremer, Jan Maarten and W.D. Furley (2001) ''Greek Hymns. Selected Cult Songs from the Archaic to the Hellenistic period''. Tübingen.
+
* Bremer, Jan Maarten and W.D. Furley (2001) ''Greek Hymns. Selected Cult Songs from the Archaic to the Hellenistic period''. Tübingen.
  
 
* Bremer, Jan Maarten (2008) 'Traces of the Hymn in the Epinikion', ''Mnemosyne'' 61: 1-17. [http://www.swetswise.com.proxy.ubn.ru.nl:8080/swetsfo/swproxy?url=http%3A%2F%2Fopenurl.ingenta.com%2Fcontent%2Fswetsnet-4.1.8057b0ad6528f5df0c29150bac728f60%3Fgenre%3Darticle%26issn%3D0026-7074%26volume%3D61%26issue%3D1%26spage%3D1%26epage%3D17%26aulast%3DBremer&ts=1202555031030&cs=4113296875&userName=9021463.ipdirect&emCondId=2043297&articleID=35750230&yevoID=2197893&titleID=137377&referer=2&remoteAddr=131.174.248.1 PDF].
 
* Bremer, Jan Maarten (2008) 'Traces of the Hymn in the Epinikion', ''Mnemosyne'' 61: 1-17. [http://www.swetswise.com.proxy.ubn.ru.nl:8080/swetsfo/swproxy?url=http%3A%2F%2Fopenurl.ingenta.com%2Fcontent%2Fswetsnet-4.1.8057b0ad6528f5df0c29150bac728f60%3Fgenre%3Darticle%26issn%3D0026-7074%26volume%3D61%26issue%3D1%26spage%3D1%26epage%3D17%26aulast%3DBremer&ts=1202555031030&cs=4113296875&userName=9021463.ipdirect&emCondId=2043297&articleID=35750230&yevoID=2197893&titleID=137377&referer=2&remoteAddr=131.174.248.1 PDF].
  
* Briand, Michel (1996) 'Énonciation lyrique et dialogue dans la poésie archaïque grecque: de Stésichore à Pindare, Bacchylide et Sappho', in ''Travaux du Cercle de Linguistique de Nice'', numéro spécial sur "La pragmatique" (dir. S. Mellet): 119-172.
+
* Briand, Michel (1996) 'Énonciation lyrique et dialogue dans la poésie archaïque grecque: de Stésichore à Pindare, Bacchylide et Sappho', in ''Travaux du Cercle de Linguistique de Nice'', numéro spécial sur "La pragmatique" (dir. S. Mellet): 119-172.
  
* Briand, Michel (2005) 'Questions de cohérence et de cohésion dans la poésie mélique grecque archaïque: la transition entre discours d'actualité et récit mythique' in ''Cohésion et cohérence. Études de linguistique textuelle'', ed. Anna Jaubert. Lyon: 79-98.
+
* Briand, Michel (2005) 'Questions de cohérence et de cohésion dans la poésie mélique grecque archaïque: la transition entre discours d'actualité et récit mythique' in ''Cohésion et cohérence. Études de linguistique textuelle'', ed. Anna Jaubert. Lyon: 79-98.
  
* Calame, Claude (1977a) ''Les Chœurs de jeunes filles en Grèce archaïque''. Vol. I: ''Morphologie, fonction religieuse et sociale''; vol. II: ''Alcman'', Roma. The first volume has been translated by Derek Collins and Janice Orion (2001: 2nd ed.) ''Choruses of young women in ancient Greece: their morphology, religious role, and social functions''. Lanham, New York and Oxford.
+
* Calame, Claude (1977a) ''Les Chœurs de jeunes filles en Grèce archaïque''. Vol. I: ''Morphologie, fonction religieuse et sociale''; vol. II: ''Alcman'', Roma. The first volume has been translated by Derek Collins and Janice Orion (2001: 2nd ed.) ''Choruses of young women in ancient Greece: their morphology, religious role, and social functions''. Lanham, New York and Oxford.
  
 
* Calame, Claude (1977b) ''Rito e poesia corale in Grecia. Guida storica e critica'', Roma and Bari.
 
* Calame, Claude (1977b) ''Rito e poesia corale in Grecia. Guida storica e critica'', Roma and Bari.
  
* Calame, Claude (1997) 'Diction formulaire et fonction pratique dans la poésie mélique archaïque' in ''Hommage à Milman Parry. Le style formulaire de l'épopée homérique et la théorie de l'oralité poétique'', ed. F. Létoublon. Amsterdam: 215-222.
+
* Calame, Claude (1997) 'Diction formulaire et fonction pratique dans la poésie mélique archaïque' in ''Hommage à Milman Parry. Le style formulaire de l'épopée homérique et la théorie de l'oralité poétique'', ed. F. Létoublon. Amsterdam: 215-222.
  
* Calame, Claude (1998) 'La poésie lyrique grecque, un genre inexistant?' ''Littérature'' 11: 87-110. English translation in preparation for I. Rutherford (ed.) ''Oxford Readings in Greek Lyric''. Oxford.
+
* Calame, Claude (1998) 'La poésie lyrique grecque, un genre inexistant?' ''Littérature'' 11: 87-110. English translation in preparation for I. Rutherford (ed.) ''Oxford Readings in Greek Lyric''. Oxford.
  
* Calame, Claude (2002) ''L'Éros dans la Grèce antique''. Paris (2nd edn.). English translation (1999) ''The Poetics of Eros in Ancient Greece''. Princeton.
+
* Calame, Claude (2002) ''L'Éros dans la Grèce antique''. Paris (2nd edn.). English translation (1999) ''The Poetics of Eros in Ancient Greece''. Princeton.
  
* Calame, Claude (2006) 'Identifications génériques entre marques discursives et pratiques énonciatives: pragmatique des genres “lyriques“' in ''Le savoir des genres'', eds. R. Baroni and M. Macé. Rennes: 35-55.
+
* Calame, Claude (2006) 'Identifications génériques entre marques discursives et pratiques énonciatives: pragmatique des genres “lyriques“' in ''Le savoir des genres'', eds. R. Baroni and M. Macé. Rennes: 35-55.
  
* Calame, Claude (2007) 'Mythos, musische Leistung und Ritual am Beispiel der melischen Dichtung' in ''Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen'', eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. ''MythosEikonPoiesis'' Bd. 1.1–2. Berlin and New York: 179-210.  Reviewed by Reyes Bertolín Cebrián [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-09.html ''BMCR'' 2008.08.09].
+
* Calame, Claude (2007) 'Mythos, musische Leistung und Ritual am Beispiel der melischen Dichtung' in ''Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen'', eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. ''MythosEikonPoiesis'' Bd. 1.1–2. Berlin and New York: 179-210.  Reviewed by Reyes Bertolín Cebrián [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-09.html ''BMCR'' 2008.08.09].
  
* Calame, Claude (2009) ‘Apollo in Delphi and in Delos: Poetic Performances between Paean and Dithyramb’ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.), Athens: 169-98.
+
* Calame, Claude (2009) ‘Apollo in Delphi and in Delos: Poetic Performances between Paean and Dithyramb’ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.), Athens: 169-98.
  
 
* Campbell, David A. (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others.'' Cambridge, Mass. and London.
 
* Campbell, David A. (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others.'' Cambridge, Mass. and London.
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* Campbell, David A. (1993) ''Greek Lyric V: The New School of Poetry and Anonymous Songs and Hymns.'' Cambridge, Mass. and London.
 
* Campbell, David A. (1993) ''Greek Lyric V: The New School of Poetry and Anonymous Songs and Hymns.'' Cambridge, Mass. and London.
  
* Carey, Christopher (2000) ‘The panegyrist’s persona’ in ''Religione e poesia in Grecia: miscellanea G.A. Privitera'', eds. U. Pizzani and M. Cannatà Fera. Bari: 165-177.
+
* Carey, Christopher (2000) ‘The panegyrist’s persona’ in ''Religione e poesia in Grecia: miscellanea G.A. Privitera'', eds. U. Pizzani and M. Cannatà Fera. Bari: 165-177.
  
* Carey, Christopher (2001) ‘Poesia pubblica in performance’ in ''I lirici greci'', ed. M. Cannatà Fera. Messina: 11-26.
+
* Carey, Christopher (2001) ‘Poesia pubblica in performance’ in ''I lirici greci'', ed. M. Cannatà Fera. Messina: 11-26.
  
* Cassio, A. C.(2005) ‘I dialetti eolici e la lingua della lirica corale’, in ''Dialetti e lingue letterarie nella Grecia arcaica'', ed. F. Bertolini and F. Gasti. Pavia: 13–44.
+
* Cassio, A. C.(2005) ‘I dialetti eolici e la lingua della lirica corale’, in ''Dialetti e lingue letterarie nella Grecia arcaica'', ed. F. Bertolini and F. Gasti. Pavia: 13–44.
  
* Cingano, E. (2003) ‘Entre skolion et enkomion: Réflexions sur le “genre” et la performance de la lyrique chorale grecque’, in ''La poésie grecque antique'', ed. J. Jouanna and J. Leclant. (Cahiers de la Villa ‘Kerylos’, 14). Paris: 17–45.
+
* Cingano, E. (2003) ‘Entre skolion et enkomion: Réflexions sur le “genre” et la performance de la lyrique chorale grecque’, in ''La poésie grecque antique'', ed. J. Jouanna and J. Leclant. (Cahiers de la Villa ‘Kerylos’, 14). Paris: 17–45.
  
* Contiades-Tsitsoni, E. (1990) ''Hymenaios und Epithalamion. Das Hochzeitslied in der frühgriechischen Lyrik'', Stuttgart. ''Beträge zur Altertumskunde'' 16.
+
* Contiades-Tsitsoni, E. (1990) ''Hymenaios und Epithalamion. Das Hochzeitslied in der frühgriechischen Lyrik'', Stuttgart. ''Beträge zur Altertumskunde'' 16.
  
 
* D'Angour, Armand (1997) 'How the Dithyramb Got Its Shape', ''Classical Quarterly'' 47.2: 331-351.
 
* D'Angour, Armand (1997) 'How the Dithyramb Got Its Shape', ''Classical Quarterly'' 47.2: 331-351.
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* D'Angour, Armand (2007) 'The Sound of Music: modulations and innovations in drama and dithyramb' in ''Debating the Athenian Cultural Revolution'', ed. R. Osborne Cambridge: 288-300.
 
* D'Angour, Armand (2007) 'The Sound of Music: modulations and innovations in drama and dithyramb' in ''Debating the Athenian Cultural Revolution'', ed. R. Osborne Cambridge: 288-300.
  
* D’Alessio, Giam B.  (2009) ‘Defining local identities in Greek lyric poetry’, in ''Wandering Poets in Ancient Greek Culture: Travel, Locality and Panhellenism'', ed. R. Hunter and I. Rutherford. Cambridge: 137–67.
+
* D’Alessio, Giam B.  (2009) ‘Defining local identities in Greek lyric poetry’, in ''Wandering Poets in Ancient Greek Culture: Travel, Locality and Panhellenism'', ed. R. Hunter and I. Rutherford. Cambridge: 137–67.
  
 
* Danielewicz, J. (1990) 'Deixis in Greek Choral Lyrik', ''QUCC'' 63: 7-17.
 
* Danielewicz, J. (1990) 'Deixis in Greek Choral Lyrik', ''QUCC'' 63: 7-17.
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* Danielewicz, J. (1990) 'Towards an Understanding of the Chorus: Homer on Early Forms of Lyric Poetry', ''Eos'' 78: 55-62.
 
* Danielewicz, J. (1990) 'Towards an Understanding of the Chorus: Homer on Early Forms of Lyric Poetry', ''Eos'' 78: 55-62.
  
* Danielewicz, J. (2001) ‘Metatext and its functions in Greek lyric poetry’, in ''Texts, Ideas, and the Classics: Scholarship, Theory, and Classical Literature'', ed. S. Harrison. Oxford: 46–61.
+
* Danielewicz, J. (2001) ‘Metatext and its functions in Greek lyric poetry’, in ''Texts, Ideas, and the Classics: Scholarship, Theory, and Classical Literature'', ed. S. Harrison. Oxford: 46–61.
  
 
* Davies, M. (1988) 'Monody, Choral Lyric, and the Tyranny of the Handbook', ''CQ n.s.'' 38: 52-64.
 
* Davies, M. (1988) 'Monody, Choral Lyric, and the Tyranny of the Handbook', ''CQ n.s.'' 38: 52-64.
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* Davies, M. (1991) ''Poetarum Melicorum Graecorum Fragmenta''. Vol. 1: Alcman, Stesichorus, Ibicus. Oxford.
 
* Davies, M. (1991) ''Poetarum Melicorum Graecorum Fragmenta''. Vol. 1: Alcman, Stesichorus, Ibicus. Oxford.
  
* Depew, M. (2000) ‘Enacted and represented dedications: genre and Greek hymn’, in ''Matrices of Genre: Authors, Canons and Society'', ed. M. Depew and D. Obbink. Cambridge, Mass. and London: 59–79.
+
* Depew, M. (2000) ‘Enacted and represented dedications: genre and Greek hymn’, in ''Matrices of Genre: Authors, Canons and Society'', ed. M. Depew and D. Obbink. Cambridge, Mass. and London: 59–79.
  
 
* Fearn, D. (ed.) (2010) ''Aegina: Contexts for Choral Lyric Poetry''. Oxford. [http://www.amazon.com/gp/reader/0199546517/ref=sib_dp_bod_toc?ie=UTF8&p=S008#reader-link Table of Contents]
 
* Fearn, D. (ed.) (2010) ''Aegina: Contexts for Choral Lyric Poetry''. Oxford. [http://www.amazon.com/gp/reader/0199546517/ref=sib_dp_bod_toc?ie=UTF8&p=S008#reader-link Table of Contents]
  
* Felson, N. (ed.) (2004) ‘The poetics of deixis in Alcman, Pindar and other lyric’, ''Arethusa'' 37.3: 253–468.
+
* Felson, N. (ed.) (2004) ‘The poetics of deixis in Alcman, Pindar and other lyric’, ''Arethusa'' 37.3: 253–468.
  
* Ford, Andrew L. (2006) 'The Genre of Genres: Paeans and Paian in Early Greek Poetry', ''Poetica'' 38.3-4: 277-296. It reviews the many attempts to define paeans (esp. by Käppel and Schroeder) as part of a broader discussion of the usefulness of genre terms in reading early Greek lyric. It reads several of Timotheus' fragments to argue that predicating the epithet was the core of the "genre".
+
* Ford, Andrew L. (2006) 'The Genre of Genres: Paeans and Paian in Early Greek Poetry', ''Poetica'' 38.3-4: 277-296. It reviews the many attempts to define paeans (esp. by Käppel and Schroeder) as part of a broader discussion of the usefulness of genre terms in reading early Greek lyric. It reads several of Timotheus' fragments to argue that predicating the epithet was the core of the "genre".
  
 
* Fowler, R.L. (1987) ''The Nature of Early Greek Lyric: Three Preliminary Studies''. Toronto.
 
* Fowler, R.L. (1987) ''The Nature of Early Greek Lyric: Three Preliminary Studies''. Toronto.
  
* Fröhder, D. (1994) ''Die dichterische Form der Homerischen Hymnen: untersucht am Typus der mittelgrossen Preislieder''. Hildesheim. ''Spudasmata'' 53.
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* Fröhder, D. (1994) ''Die dichterische Form der Homerischen Hymnen: untersucht am Typus der mittelgrossen Preislieder''. Hildesheim. ''Spudasmata'' 53.
  
 
* Gentili, B. (1984) ''Poesia e pubblico nella Grecia antica da Omero al V secolo''. Roma-Bari. Revised and updated version translated, with an introduction, by Cole, A.T. (1988) ''Poetry and Its Public in Ancient Greece from Homer to the Fifth Century''. Baltimore.
 
* Gentili, B. (1984) ''Poesia e pubblico nella Grecia antica da Omero al V secolo''. Roma-Bari. Revised and updated version translated, with an introduction, by Cole, A.T. (1988) ''Poetry and Its Public in Ancient Greece from Homer to the Fifth Century''. Baltimore.
  
* Gerber, D.E. (1997) ''A Companion to the Greek Lyric Poets''. Leiden-New York-London-Köln.
+
* Gerber, D.E. (1997) ''A Companion to the Greek Lyric Poets''. Leiden-New York-London-Köln.
 +
 
 +
* Gerber, D.E. (2012) 'Aspects of women in Greek lyric poetry', in: ''Hyperboreans. Essays in Greek and Latin Poetry, Philosophy, Rhetoric and Linguistics''. P. Corrêa, M. Martinho, J.M. Macedo, A.P. Hasegawa eds. Sao Paulo: 11-24.
  
* Greene, R. (1999) ‘The lyric’, in ''The Cambridge History of Literary Criticism, vol. III: The Renaissance'', ed. G. P. Norton. Cambridge: 216–28.
+
* Greene, R. (1999) ‘The lyric’, in ''The Cambridge History of Literary Criticism, vol. III: The Renaissance'', ed. G. P. Norton. Cambridge: 216–28.
  
* González de Tobia, Ana M. (2005) ‘El canto coral ‘fundador’ de una poética que vincula fiesta y memoria’, in ''Memoria e Festa'', eds. de Souza Lessa, F. and da Cunha Bustamante, M. R. Rio de Janeiro: 165-172.
+
* González de Tobia, Ana M. (2005) ‘El canto coral ‘fundador’ de una poética que vincula fiesta y memoria’, in ''Memoria e Festa'', eds. de Souza Lessa, F. and da Cunha Bustamante, M. R. Rio de Janeiro: 165-172.
  
 
* Harvey, A.E. (1955) 'The Classification of Greek Lyric Poetry', ''CQ n.s.'' 5: 157-175.
 
* Harvey, A.E. (1955) 'The Classification of Greek Lyric Poetry', ''CQ n.s.'' 5: 157-175.
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** Contains new texts of, and detailed commentaries on, Alcman 1 and 3 Davies, Stesichorus 222 (b) Davies, Sappho 1, 16, 31, 96 Voigt, Alcaeus 129, 130b, 298 Voigt, Ibycus S151 Davies, Anacreon 347 fr. 1, 358, 417 Page, Simonides 542, 543 Page, Bacchylides 3, Pindar ''Olympian'' 6, Sophocles ''Ajax'' 1185-1222, Euripides ''Medea'' 627-662; introductions on individual poets and on tragic lyric.
 
** Contains new texts of, and detailed commentaries on, Alcman 1 and 3 Davies, Stesichorus 222 (b) Davies, Sappho 1, 16, 31, 96 Voigt, Alcaeus 129, 130b, 298 Voigt, Ibycus S151 Davies, Anacreon 347 fr. 1, 358, 417 Page, Simonides 542, 543 Page, Bacchylides 3, Pindar ''Olympian'' 6, Sophocles ''Ajax'' 1185-1222, Euripides ''Medea'' 627-662; introductions on individual poets and on tragic lyric.
  
* Ingalls, Wayne (2000) ‘Ritual Performance as Training for Daughters in Archaic Greece’, ''Phoenix'' 54: 1-20.
+
* Ingalls, Wayne (2000) ‘Ritual Performance as Training for Daughters in Archaic Greece’, ''Phoenix'' 54: 1-20.
  
* Käppel, L. (1992) ''Paian. Studien zur Geschichte einer Gattung''. Berlin. ''Untersuchungen zur antiken Literatur und Geschichte'' 37.
+
* Käppel, L. (1992) ''Paian. Studien zur Geschichte einer Gattung''. Berlin. ''Untersuchungen zur antiken Literatur und Geschichte'' 37.
  
* Klug, W. (1954) ''Untersuchungen zum Gebet in der frühgriechischen Lyrik''. Dissertation. Hamburg.
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* Klug, W. (1954) ''Untersuchungen zum Gebet in der frühgriechischen Lyrik''. Dissertation. Hamburg.
  
 
* Kowalzig, Barbara (2007) ''Singing for the Gods. Performances of Myth and Ritual in Archaic and Classical Greece''. Oxford Classical Monographs. Oxford: Oxford University Press. Reviewed by Seaford, Richard (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-09-25.html ''BMCR'' 2008.09.25].
 
* Kowalzig, Barbara (2007) ''Singing for the Gods. Performances of Myth and Ritual in Archaic and Classical Greece''. Oxford Classical Monographs. Oxford: Oxford University Press. Reviewed by Seaford, Richard (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-09-25.html ''BMCR'' 2008.09.25].
  
* Lambin, G. (1992) ''La chanson grecque dans l'antiquité''. Paris.
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* Lambin, G. (1992) ''La chanson grecque dans l'antiquité''. Paris.
  
 
* Lattke, M. (1991) ''Hymnus: Materialien zu einer Geschichte der antiken Hymnologie''. Fribourg. ''Novum Testamentum et orbis antiquus'' 19.
 
* Lattke, M. (1991) ''Hymnus: Materialien zu einer Geschichte der antiken Hymnologie''. Fribourg. ''Novum Testamentum et orbis antiquus'' 19.
 +
 +
* * LeVen, Pauline (2013)'"You Make Less Sense Than a (New) Dithyramb." Sociology of a Riddling Style' in: ''The Muse at Play. Riddles and Wordplay in Greek and Latin Poetry'', ed. J. Kwapisz, D. Petrain & M. Szymanski. Berlin: 44-64.
  
 
* Ley, G. (1993) 'Monody, Choral Song, and Athenian Festival Performance', ''Maia'' 45: 105-124.
 
* Ley, G. (1993) 'Monody, Choral Song, and Athenian Festival Performance', ''Maia'' 45: 105-124.
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* Lyghounis, Maria Gilda (1991) 'Elementi tradizionali nella poesia nuziale greca', ''Materiall e discussioni per I'analisi dei testi classici'' 27: 159-98.
 
* Lyghounis, Maria Gilda (1991) 'Elementi tradizionali nella poesia nuziale greca', ''Materiall e discussioni per I'analisi dei testi classici'' 27: 159-98.
  
* MacDowell, D.M. (1989) 'Athenian Laws abouth Choruses' in ''Symposion 1982: Vorträge zur griechischen und hellenistischen Rechtsgeschichte (Santander 1.-4. September)'', ed. F.J. Fernández Nieto. Köln: 65-77.
+
* MacDowell, D.M. (1989) 'Athenian Laws abouth Choruses' in ''Symposion 1982: Vorträge zur griechischen und hellenistischen Rechtsgeschichte (Santander 1.-4. September)'', ed. F.J. Fernández Nieto. Köln: 65-77.
  
* Mace, S. (1993) ‘Amour, encore! The development of δηὖτε in archaic lyric’, ''GRBS'' 34:335–64.
+
* Mace, S. (1993) ‘Amour, encore! The development of δηὖτε in archaic lyric’, ''GRBS'' 34:335–64.
  
* Martin, R. P.  (2001) ‘Just like a woman: enigmas of the lyric voice’, in ''Making Silence Speak: Women’s Voices in Greek Literature and Society'', ed. A. Lardinois and L. McClure. Princeton, N.J.: 55–74.
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* Martin, R. P.  (2001) ‘Just like a woman: enigmas of the lyric voice’, in ''Making Silence Speak: Women’s Voices in Greek Literature and Society'', ed. A. Lardinois and L. McClure. Princeton, N.J.: 55–74.
  
 
* Martin, Richard (2007) 'Outer Limits, Choral Space' in ''Visualizing the Tragic'', eds. C. Kraus, S. Goldhill, H. Foley and J. Elsner. Festschrift for F. Zeitlin. New York, Oxford: 35-62.
 
* Martin, Richard (2007) 'Outer Limits, Choral Space' in ''Visualizing the Tragic'', eds. C. Kraus, S. Goldhill, H. Foley and J. Elsner. Festschrift for F. Zeitlin. New York, Oxford: 35-62.
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* Nagy, G. (1994/5) 'Transformations of Choral Lyric Traditions in the Context of Athenian State Theater', ''Arion'' 3.1: 41-55.
 
* Nagy, G. (1994/5) 'Transformations of Choral Lyric Traditions in the Context of Athenian State Theater', ''Arion'' 3.1: 41-55.
  
* Nagy, G. (2008) 'Lyric and Greek Myth' in ''The Cambridge Companion to Greek Mythology'', ed. Roger D. Woodard. Cambridge: Cambridge University Press: 19-51. With emphasis on the Lesbian poets Sappho and Alcaeus. Reviewed by Kühr, Angela [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-10.html ''BMCR'' 2008.08.10].
+
* Nagy, G. (2008) 'Lyric and Greek Myth' in ''The Cambridge Companion to Greek Mythology'', ed. Roger D. Woodard. Cambridge: Cambridge University Press: 19-51. With emphasis on the Lesbian poets Sappho and Alcaeus. Reviewed by Kühr, Angela [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-10.html ''BMCR'' 2008.08.10].
  
 
* Neri, Camillo (2004) ''La lirica greca. Temi e testi''. Roma.
 
* Neri, Camillo (2004) ''La lirica greca. Temi e testi''. Roma.
  
* Neumann-Hartmann, Arlette (2008) 'Prosopographie zu den Epinikien von Pindar und Bakchylides', ''Nikephoros'' 21: 81–131.
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* Neumann-Hartmann, Arlette (2008) 'Prosopographie zu den Epinikien von Pindar und Bakchylides', ''Nikephoros'' 21: 81–131.
  
* Neumann-Hartmann, Arlette (2009) 'Epinikien und ihr Aufführungsrahmen'. ''Nikephoros'' Beihefte Bd. 17. Hildesheim.
+
* Neumann-Hartmann, Arlette (2009) 'Epinikien und ihr Aufführungsrahmen'. ''Nikephoros'' Beihefte Bd. 17. Hildesheim.
  
* Neumann-Hartmann, Arlette (2009) 'The Dedication of Victory Crowns and the Performance of Epinikian Odes'. ''BICS'' 52: 1–13.
+
* Neumann-Hartmann, Arlette (2009) 'The Dedication of Victory Crowns and the Performance of Epinikian Odes'. ''BICS'' 52: 1–13.
  
* Neumann-Hartmann, Arlette (2010) 'Pindar und Bakchylides (1988–2007)'. ''Lustrum: Internationale Forschungsberichte aus dem Bereich des klassischen Altertums'' 52: 181–463.
+
* Neumann-Hartmann, Arlette (2010) 'Pindar und Bakchylides (1988–2007)'. ''Lustrum: Internationale Forschungsberichte aus dem Bereich des klassischen Altertums'' 52: 181–463.
  
 
* Nicholson, N. (1999-2000) 'Pederastic poets and adult patrons: maintaining authority in late archaic lyric', ''CW'' 93: 235-259.
 
* Nicholson, N. (1999-2000) 'Pederastic poets and adult patrons: maintaining authority in late archaic lyric', ''CW'' 93: 235-259.
  
* Peponi, Anastasia-Erasmia (1991) 'Flexible Lyric, Inflexible Theory: around W.R. Johnson’s ''The Idea of Lyric: Lyric Modes in Ancient and Modern Poetry'' '. Berkeley 1982. in ''Logou Charin'' 2: 167-182. (in Greek)  
+
* Noussia-Fantuzzi, M. (2015), 'The Epic Cycle, Stesichorus, and Ibycus', in ''The Greek Epic Cycle and its Ancient Reception. A Companion'', ed. M. Fantuzzi & C. Tsagalis. Cambridge: 430-449.
 +
 
 +
* Peponi, Anastasia-Erasmia (1991) 'Flexible Lyric, Inflexible Theory: around W.R. Johnson’s ''The Idea of Lyric: Lyric Modes in Ancient and Modern Poetry'' '. Berkeley 1982. in ''Logou Charin'' 2: 167-182. (in Greek)  
  
 
* Peponi, Anastasia-Erasmia (1993) ''Representation of Space and Time in Early Archaic Lyric Poetry''. PhD dissertation Thessaloniki.
 
* Peponi, Anastasia-Erasmia (1993) ''Representation of Space and Time in Early Archaic Lyric Poetry''. PhD dissertation Thessaloniki.
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* Peponi, Anastasia-Erasmia (1995) 'Teaching Lyric Poetry in High Schools by means of Modern Greek Translations' ''Thallo'' 7: 103-112. (in Greek)
 
* Peponi, Anastasia-Erasmia (1995) 'Teaching Lyric Poetry in High Schools by means of Modern Greek Translations' ''Thallo'' 7: 103-112. (in Greek)
  
* Peponi, Anastasia-Erasmia (2002) 'Mixed Pleasures, Blended Discourses: Poetry, Medicine and the Body in Plato’s ''Philebus'' 46-47c', ''Classical Antiquity'' 21: 135-160. (reception of archaic lyric poetry in Plato)
+
* Peponi, Anastasia-Erasmia (2002) 'Mixed Pleasures, Blended Discourses: Poetry, Medicine and the Body in Plato’s ''Philebus'' 46-47c', ''Classical Antiquity'' 21: 135-160. (reception of archaic lyric poetry in Plato)
  
 
* Peponi, Anastasia-Erasmia (2002) 'Fantasizing Lyric: Horace, Epistles 1.19' in ''Horace and Greek Lyric Poetry'', ed. M. Paschalis. Rethymnon: 19-45. (reception of archaic lyric poetry in Horace)
 
* Peponi, Anastasia-Erasmia (2002) 'Fantasizing Lyric: Horace, Epistles 1.19' in ''Horace and Greek Lyric Poetry'', ed. M. Paschalis. Rethymnon: 19-45. (reception of archaic lyric poetry in Horace)
  
* Peponi, Anastasia-Erasmia (2009) ' ''Choreia'' and Aesthetics in the ''Homeric Hymn to Apollo'': The Performance of the Delian Maidens (Lines 156–64)', ''Classical Antiquity'' 28.1: 39–70.
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* Peponi, Anastasia-Erasmia (2009) ' ''Choreia'' and Aesthetics in the ''Homeric Hymn to Apollo'': The Performance of the Delian Maidens (Lines 156–64)', ''Classical Antiquity'' 28.1: 39–70.
  
* Psaroudakēs, Stelios (2006) 'A lyre from the cemetery of the Acharnian Gate, Athens' in ''Studien zur Musikarchäologie V. Music Archaeology in context. Archaeological semantics, historical implications, socio-cultural connotations. Papers from the 4th Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 19-26 September, 2004. Orient-Archäologie 20'', eds. Ellen Hickmann & Arnd Adje Both & Ricardo Eichmann. Rahden, Westf.: 59-79.
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* Psaroudakēs, Stelios (2006) 'A lyre from the cemetery of the Acharnian Gate, Athens' in ''Studien zur Musikarchäologie V. Music Archaeology in context. Archaeological semantics, historical implications, socio-cultural connotations. Papers from the 4th Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 19-26 September, 2004. Orient-Archäologie 20'', eds. Ellen Hickmann & Arnd Adje Both & Ricardo Eichmann. Rahden, Westf.: 59-79.
  
* Ψαρουδάκης, Στέλιος (2007) «Η λύρα στον ελλαδικό χώρο στις εποχές του Χαλκού και το Σιδήρου», ''Αρχαιολογία και Τέχνες'' 90: 59-67. (in modern Greek)
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* Ψαρουδάκης, Στέλιος (2007) «Η λύρα στον ελλαδικό χώρο στις εποχές του Χαλκού και το Σιδήρου», ''Αρχαιολογία και Τέχνες'' 90: 59-67. (in modern Greek)
  
 
* Race, W.H. (1992) 'How Greek Poems Begin', ''YCS'' 29: 13-38.
 
* Race, W.H. (1992) 'How Greek Poems Begin', ''YCS'' 29: 13-38.
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* Rutherford, I. (2001) ''Pindar's Paeans. A Reading of the Fragments with a Survey of the Genre''. Oxford.
 
* Rutherford, I. (2001) ''Pindar's Paeans. A Reading of the Fragments with a Survey of the Genre''. Oxford.
  
* Rutherford, I.  (2003) ‘The prosodion: approaches to lyric genre’, in ''Studi di filologia e tradizione greca in memoria di Aristide Colonna'', ed. F. Benedetti and S. Grandolini. Naples and Perugia: 713–26.
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* Rutherford, I.  (2003) ‘The prosodion: approaches to lyric genre’, in ''Studi di filologia e tradizione greca in memoria di Aristide Colonna'', ed. F. Benedetti and S. Grandolini. Naples and Perugia: 713–26.
  
* Schmidt, E.G. (1974) 'Zur Interpretation und Rezeption frühgriechischer Lyrik' in ''Die Antike in der sozialistischen Kultur, Internationale Arbeitskonferenz des Instituts für Altertumswissenschaft der Friedrich-Schiller-Universität Jena, 27.-29. Juni 1973''. Jena: 93-109.
+
* Schmidt, E.G. (1974) 'Zur Interpretation und Rezeption frühgriechischer Lyrik' in ''Die Antike in der sozialistischen Kultur, Internationale Arbeitskonferenz des Instituts für Altertumswissenschaft der Friedrich-Schiller-Universität Jena, 27.-29. Juni 1973''. Jena: 93-109.
  
 
* Schmitz, H. (1970) ''Hypsos und Bios. Stilistische Untersuchungen zum Alltagsrealismus in der archaischen griechischen Chorlyrik''. Bern.
 
* Schmitz, H. (1970) ''Hypsos und Bios. Stilistische Untersuchungen zum Alltagsrealismus in der archaischen griechischen Chorlyrik''. Bern.
  
* Schröder, S. (1999) ''Geschichte und Theorie der Gattung Paian: Eine kritische Untersuchung mit einem Ausblick auf Behandlung und Auffassung der lyrischen Gattungen bei den alexandrinischen Philologen''. (Beiträge zur Altertumskunde 121). Stuttgart and Leipzig.
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* Schröder, S. (1999) ''Geschichte und Theorie der Gattung Paian: Eine kritische Untersuchung mit einem Ausblick auf Behandlung und Auffassung der lyrischen Gattungen bei den alexandrinischen Philologen''. (Beiträge zur Altertumskunde 121). Stuttgart and Leipzig.
  
 
* Segal, C. (1989) 'Song, Ritual, and Commemoration in Early Greek Poetry and Tragedy', ''Oral Tradition'' 4: 330-359.
 
* Segal, C. (1989) 'Song, Ritual, and Commemoration in Early Greek Poetry and Tragedy', ''Oral Tradition'' 4: 330-359.
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* Segal, C. (1998) ''Aglaia. The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham-Boulder-New York-Oxford.
 
* Segal, C. (1998) ''Aglaia. The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham-Boulder-New York-Oxford.
  
* Seidensticker, Bernd (2005) 'Dithyramb, Comedy, and Satyr-Play' in ''A Companion [[http://www.magicmeshreview.net] to Greek Tragedy'', ed. Justina Gregory. Oxford: Blackwell: 38-54. Reviewed by Wright, Matthew (2006) [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-39.html ''BMCR'' 2006.06.39].
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* Seidensticker, Bernd (2005) 'Dithyramb, Comedy, and Satyr-Play' in ''A Companion to Greek Tragedy'', ed. Justina Gregory. Oxford: Blackwell: 38-54. Reviewed by Wright, Matthew (2006) [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-39.html ''BMCR'' 2006.06.39].
  
 
* Slings, S.R. (ed.) (1990) ''The poet's I in archaic Greek lyric''. Amsterdam.
 
* Slings, S.R. (ed.) (1990) ''The poet's I in archaic Greek lyric''. Amsterdam.
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* Stehle, E. (1997) ''Performance and Gender in Ancient Greece. Nondramatic Poetry in its Setting''. Princeton.
 
* Stehle, E. (1997) ''Performance and Gender in Ancient Greece. Nondramatic Poetry in its Setting''. Princeton.
  
* Suárez de la Torre, Emilio (1998) 'La lírica griega' in ''Géneros literarios poéticos grecolatinos'', eds. D. Estefanía et al. Madrid/Santiago de Compostela: 63-106.
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* Suárez de la Torre, Emilio (1998) 'La lírica griega' in ''Géneros literarios poéticos grecolatinos'', eds. D. Estefanía et al. Madrid/Santiago de Compostela: 63-106.
  
* Suárez de la Torre, Emilio (2002) ''Antología de la lírica griega arcaica''. Madrid.
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* Suárez de la Torre, Emilio (2002) ''Antología de la lírica griega arcaica''. Madrid.
  
* Suárez de la Torre, Emilio (2005) 'Diversidad de lo popular en la poesía griega arcaica', ''Classica'' 17/18: 73-99.
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* Suárez de la Torre, Emilio (2005) 'Diversidad de lo popular en la poesía griega arcaica', ''Classica'' 17/18: 73-99.
  
* Suárez de la Torre, Emilio (2007) 'Helena, de la épica a la lírica griega arcaica (Safo, Alceo, Estesícoro)' in AA.VV., ''O mito de Helena de Tróia à actualidade''. Coimbra. vol. I: 55-79.
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* Suárez de la Torre, Emilio (2007) 'Helena, de la épica a la lírica griega arcaica (Safo, Alceo, Estesícoro)' in AA.VV., ''O mito de Helena de Tróia à actualidade''. Coimbra. vol. I: 55-79.
  
* Trümpy, C. (1986) ''Vergleich des Mykenischen mit der Sprache der Chorlyrik. Bewahrt die Chorlyrik eine von Homer unabhängige alte Sprachtradition?''. Bern.
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* Trümpy, C. (1986) ''Vergleich des Mykenischen mit der Sprache der Chorlyrik. Bewahrt die Chorlyrik eine von Homer unabhängige alte Sprachtradition?''. Bern.
  
 
* Webster, T.B.L. (1970) ''The Greek Chorus''. London.  
 
* Webster, T.B.L. (1970) ''The Greek Chorus''. London.  
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* Yatromanolakis, D. and P. Roilos (2005) ''Pros mia Teletourgike Poietike''. Preface Marcel Detienne. Athens.
 
* Yatromanolakis, D. and P. Roilos (2005) ''Pros mia Teletourgike Poietike''. Preface Marcel Detienne. Athens.
  
* Yatromanolakis, D. (2009) 'Symposia, Noses, Πρόσωπα: A Kylix in the Company of Banqueters on the Ground', in ''An Archaeology of  Representations: Ancient Greek Vase-Painting and Contemporary Methodologies'', Yatromanolakis, D. (ed.), Athens: 414-465.
+
* Yatromanolakis, D. (2009) 'Symposia, Noses, Πρόσωπα: A Kylix in the Company of Banqueters on the Ground', in ''An Archaeology of  Representations: Ancient Greek Vase-Painting and Contemporary Methodologies'', Yatromanolakis, D. (ed.), Athens: 414-465.
  
* Zimmermann, B. (1992) ''Dithyrambos: Geschichte einer Gattung''. Göttingen.
+
* Zimmermann, B. (1992) ''Dithyrambos: Geschichte einer Gattung''. Göttingen.
  
 
=== Sappho and Alcaeus ===
 
=== Sappho and Alcaeus ===
* Aloni, A. (1983) ‘Eteria e tiaso: I gruppo aristocratici di Lesbo tra economia e ideologia’, ''Dialoghi di Archeologia'' ser. 3, n. 1: 21-35 (= ''id''., ‘Lotta politica e pratica religiosa nella Lesbo di Saffo e Alceo’, ''Atti del Centro ricerche e documentazione sull'antichittà classica'' 11 (1980/81): 213-32)
+
* Aloni, A. (1983) ‘Eteria e tiaso: I gruppo aristocratici di Lesbo tra economia e ideologia’, ''Dialoghi di Archeologia'' ser. 3, n. 1: 21-35 (= ''id''., ‘Lotta politica e pratica religiosa nella Lesbo di Saffo e Alceo’, ''Atti del Centro ricerche e documentazione sull'antichittà classica'' 11 (1980/81): 213-32)
  
 
* Broger, A. (1996) ''Das Epitheton bei Sappho und Alkaios. Eine sprachwissenschaftliche Untersuchung''. Innsbruck. Review by Slings, S.R. (1999) ''Mnemosyne'' 52: 481-484.
 
* Broger, A. (1996) ''Das Epitheton bei Sappho und Alkaios. Eine sprachwissenschaftliche Untersuchung''. Innsbruck. Review by Slings, S.R. (1999) ''Mnemosyne'' 52: 481-484.
  
* Caciagli, Stefano (2007) ''Poesia e società: comunicazione poetica e formazioni sociali nella Lesbo del VII/VI secolo a.C.''. Ph.D. dissertation, University of Bologna. [http://amsdottorato.cib.unibo.it/188/ PDF (in the not revised version)].
+
* Caciagli, Stefano (2007) ''Poesia e società: comunicazione poetica e formazioni sociali nella Lesbo del VII/VI secolo a.C.''. Ph.D. dissertation, University of Bologna. [http://amsdottorato.cib.unibo.it/188/ PDF (in the not revised version)].
  
 
* Caciagli, Stefano (2010) 'Il temenos di Messon: uno stesso contesto per Saffo e Alceo', ''LEXIS'' 28: 227-256.\
 
* Caciagli, Stefano (2010) 'Il temenos di Messon: uno stesso contesto per Saffo e Alceo', ''LEXIS'' 28: 227-256.\
  
* Caciagli, Stefano (2011) 'Poeti e Società. Comunicazione poetica e formazioni sociali nella Lesbo del VII/VI secolo a.C.' (with a preface of Claude Calame), ''LXIV Supplement of «LEXIS»'' (Hakkert, Amsterdam.
+
* Caciagli, Stefano (2011) 'Poeti e Società. Comunicazione poetica e formazioni sociali nella Lesbo del VII/VI secolo a.C.' (with a preface of Claude Calame), ''LXIV Supplement of «LEXIS»'' (Hakkert, Amsterdam.
  
* Nagy, Gregory (2007) 'Did Sappho and Alcaeus Ever Meet? Symmetries of Myth and Ritual in Performing the Songs of Ancient Lesbos' in ''Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen'', eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. ''MythosEikonPoiesis'' Bd. 1.1–2. Berlin and New York: ibid. 211-269. Reviewed by Reyes Bertolín Cebrián [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-09.html ''BMCR'' 2008.08.09].
+
* Nagy, Gregory (2007) 'Did Sappho and Alcaeus Ever Meet? Symmetries of Myth and Ritual in Performing the Songs of Ancient Lesbos' in ''Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen'', eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. ''MythosEikonPoiesis'' Bd. 1.1–2. Berlin and New York: ibid. 211-269. Reviewed by Reyes Bertolín Cebrián [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-09.html ''BMCR'' 2008.08.09].
  
* Suárez de la Torre, Emilio (2007) 'Helena, de la épica a la lírica griega arcaica (Safo, Alceo, Estesícoro)' in AA.VV., ''O mito de Helena de Tróia à actualidade''. Coimbra. vol. I: 55-79.
+
* Suárez de la Torre, Emilio (2007) 'Helena, de la épica a la lírica griega arcaica (Safo, Alceo, Estesícoro)' in AA.VV., ''O mito de Helena de Tróia à actualidade''. Coimbra. vol. I: 55-79.
  
 
* Yatromanolakis, D. (2009) 'Alcaeus and Sappho', in ''The Cambridge Companion to Greek Lyric'', Budelmann, Felix (ed.). Cambridge: 204-26.
 
* Yatromanolakis, D. (2009) 'Alcaeus and Sappho', in ''The Cambridge Companion to Greek Lyric'', Budelmann, Felix (ed.). Cambridge: 204-26.
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* Aloni, A. (1997) ''Saffo: Frammenti''. Florence.
 
* Aloni, A. (1997) ''Saffo: Frammenti''. Florence.
  
* Aloni, A. (2001) ‘What is that man doing in Sappho, fr. 31 V.?’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md., and Oxford: 29-40.
+
* Aloni, A. (2001) ‘What is that man doing in Sappho, fr. 31 V.?, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md., and Oxford: 29-40.
  
* Bernsdorff, Hans (2004) 'Schwermut des Alters im neuen Kölner Sappho-Papyrus', ''Zeitschrift für Papyrologie und Epigraphik'' 150: 27-35.
+
* Bernsdorff, Hans (2004) 'Schwermut des Alters im neuen Kölner Sappho-Papyrus', ''Zeitschrift für Papyrologie und Epigraphik'' 150: 27-35.
  
* Bernsdorff, Hans (2005) 'Offene Gedichtschlüsse', ''Zeitschrift für Papyrologie und Epigraphik'' 153: 1-6.
+
* Bernsdorff, Hans (2005) 'Offene Gedichtschlüsse', ''Zeitschrift für Papyrologie und Epigraphik'' 153: 1-6.
  
* Bessone, F. (2003) ‘Saffo, la lirica, l'elegia. Su Ovidio, ‘Heroides’ 15’, ''MD'' 51: 209-243.
+
* Bessone, F. (2003) ‘Saffo, la lirica, l'elegia. Su Ovidio, ‘Heroides’ 15’, ''MD'' 51: 209-243.
  
* Bessone, F.  (2003) Conversione poetica e riconversione letteraria: l’epistola di Saffo nelle Heroides, in ''Incontri triestini di filologia classica'', vol. 2: Incontri 2002-2003, eds. L. Cristante e A. Tessier. ''Polymnia'' 4. Trieste: 115-143.
+
* Bessone, F.  (2003) Conversione poetica e riconversione letteraria: l’epistola di Saffo nelle Heroides, in ''Incontri triestini di filologia classica'', vol. 2: Incontri 2002-2003, eds. L. Cristante e A. Tessier. ''Polymnia'' 4. Trieste: 115-143.
  
* Bierl, Anton (2004) ' 'Ich aber (sage), das Schönste ist, was einer liebt!' Eine pragmatische Deutung von Sappho Fr. 16 LP/V', ''Quaderni Urbinati di Cultura Classica'' n.s. 74.2 (103): 91–124.  
+
* Bierl, Anton (2004) ' 'Ich aber (sage), das Schönste ist, was einer liebt!' Eine pragmatische Deutung von Sappho Fr. 16 LP/V', ''Quaderni Urbinati di Cultura Classica'' n.s. 74.2 (103): 91–124.  
 
** [http://chs.harvard.edu/wa/pageR?tn=ArticleWrapper&bdc=12&mn=2922 Online edition (2009)] (Published here under a Creative Commons Attribution-Noncommerical-No derivative works License 3.0).
 
** [http://chs.harvard.edu/wa/pageR?tn=ArticleWrapper&bdc=12&mn=2922 Online edition (2009)] (Published here under a Creative Commons Attribution-Noncommerical-No derivative works License 3.0).
  
* Bierl, Anton. (2009) [http://chs.harvard.edu/wa/pageR?tn=ArticleWrapper&bdc=12&mn=2122 ''Der neue Sappho-Papyrus aus Köln und Sapphos Erneuerung. Virtuelle Choralität, Eros, Tod, Orpheus und Musik''] (Published under a Creative Commons Attribution-Noncommercial-No derivative works License 3.0).
+
* Bierl, Anton. (2009) [http://chs.harvard.edu/wa/pageR?tn=ArticleWrapper&bdc=12&mn=2122 ''Der neue Sappho-Papyrus aus Köln und Sapphos Erneuerung. Virtuelle Choralität, Eros, Tod, Orpheus und Musik''] (Published under a Creative Commons Attribution-Noncommercial-No derivative works License 3.0).
 +
 
 +
* Bierl, Anton (2010) ‘Sappho in Athens. Reperformance and Performative Contextualizations of the New Cologne Papyrus, or Old Age and Rejuvenation through Chorality’, first publication in electronic form on the Athens Dialogues–website online [http://athensdialogues.chs.harvard.edu/cgi-bin/WebObjects/athensdialogues.woa/wa/dist?dis=36 http://athensdialogues.chs.harvard.edu/cgi-bin/WebObjects/athensdialogues.woa/wa/dist?dis=36].
  
* Bierl, Anton (2010) ‘Sappho in Athens. Reperformance and Performative Contextualizations of the New Cologne Papyrus, or Old Age and Rejuvenation through Chorality’, first publication in electronic form on the Athens Dialogues–website online [http://athensdialogues.chs.harvard.edu/cgi-bin/WebObjects/athensdialogues.woa/wa/dist?dis=36 http://athensdialogues.chs.harvard.edu/cgi-bin/WebObjects/athensdialogues.woa/wa/dist?dis=36].
+
* Bremer, J.M. (1982) 'A reaction to Tsagarakis' discussion of Sappho fr. 31', ''Rheinisches Museum'' 125: 113-116.
  
* Bremer, Jan Maarten (1982) 'A reaction to Tsagarakis' discussion of Sappho fr. 31', ''Rheinisches Museum'' 125: 113-116.
+
* Brunet, P. (1998) ''L’Egal des Dieux: Cent versions''. Paris.
  
* Brunet, P. (1998) ''L’Egal des Dieux: Cent versions''. Paris.
+
* Caciagli, S. (2009) 'Sapph. fr. 27 V.: l'unità del pubblico saffico', ''QUCC'' 91: 63-80.  
  
* Caciagli, Stefano (2009) 'Sapph. fr. 27 V.: l'unità del pubblico saffico', ''QUCC'' 91: 63-80.  
+
* Calame, C. (1996) 'Sappho's Group: An Initiation into womanhood' in ''Reading Sappho. Contemporary Approaches'', ed. E. Greene, Berkeley and London: 113-124.
  
* Calame, Claude (1996) 'Sappho's Group: An Initiation into womanhood' in ''Reading Sappho. Contemporary Approaches'', ed. E. Greene, Berkeley and London: 113-124.
+
* Calame, C.  (2005) ‘Une poétique de la mémoire: Espaces et temps chez Sappho’, in ''Koryphaiōi ‘andri: Mélanges offerts à André Hurst'', ed. A. Kolde et al. Geneva: 53–67.
  
* Calame, C. (2005) ‘Une poétique de la mémoire: Espaces et temps chez Sappho’, in ''Koryphaiōi ‘andri: Mélanges offerts à André Hurst'', ed. A. Kolde et al. Geneva: 53–67.
+
* Calame, C. (2012) 'La memoria poetica nei canti di Saffo: Performance musicale e creazione sociale' in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 45-97.
  
 
* Carson, A.(2002) ''If Not, Winter: Fragments of Sappho.'' New York.
 
* Carson, A.(2002) ''If Not, Winter: Fragments of Sappho.'' New York.
  
* Clark, C. (2001) ‘The body of desire: nonverbal communication in Sappho 31 V’, ''Syllecta Classica'' 12: 1–32.
+
* Carvalho, S. (2011) ''Representações e hermenêutica do" Eu" em Safo: análise de quatro fragmentos'', Coimbra.
 +
 
 +
* Clark, C. (2001) ‘The body of desire: nonverbal communication in Sappho 31 V’, ''Syllecta Classica'' 12: 1–32.
  
* D'Angour, Armand (2006) 'Conquering Love: Sappho 31 and Catullus 51', ''CQ'' 56: 297-300.
+
* Dale, A. (2011). Sapphica. Harvard Studies in Classical Philology, 106, 47-74.
 +
 
 +
* D'Angour, A. (2006) 'Conquering Love: Sappho 31 and Catullus 51', ''CQ'' 56: 297-300.
  
 
* DuBois, P. (1995) ''Sappho Is Burning.'' Chicago and London.
 
* DuBois, P. (1995) ''Sappho Is Burning.'' Chicago and London.
  
* Dosuna, Julián Méndez (2008) 'Miscellanea: Knees and Fawns in the New Sappho', ''Mnemosyne'' 61.1: 108-14. [http://www.swetswise.com.proxy.ubn.ru.nl:8080/swetsfo/swproxy?url=http%3A%2F%2Fopenurl.ingenta.com%2Fcontent%2Fswetsnet-4.1.2dae033a21a66b009d41d8e9ea102dbd%3Fgenre%3Darticle%26issn%3D0026-7074%26volume%3D61%26issue%3D1%26spage%3D108%26epage%3D114%26aulast%3DDosuna&ts=1202555509461&cs=2005023008&userName=9021463.ipdirect&emCondId=2043297&articleID=35750235&yevoID=2197893&titleID=137377&referer=1&remoteAddr=131.174.248.1 PDF].
+
* Dosuna, J. Méndez (2008) 'Miscellanea: Knees and Fawns in the New Sappho', ''Mnemosyne'' 61.1: 108-14. [http://www.swetswise.com.proxy.ubn.ru.nl:8080/swetsfo/swproxy?url=http%3A%2F%2Fopenurl.ingenta.com%2Fcontent%2Fswetsnet-4.1.2dae033a21a66b009d41d8e9ea102dbd%3Fgenre%3Darticle%26issn%3D0026-7074%26volume%3D61%26issue%3D1%26spage%3D108%26epage%3D114%26aulast%3DDosuna&ts=1202555509461&cs=2005023008&userName=9021463.ipdirect&emCondId=2043297&articleID=35750235&yevoID=2197893&titleID=137377&referer=1&remoteAddr=131.174.248.1 PDF].
  
* Ferrari, F.  (2003) ‘Il pubblico di Saffo’, ''SIFC'' 4th series 1: 42–89.
+
* Ferrari, F.  (2003) ‘Il pubblico di Saffo’, ''SIFC'' 4th series 1: 42–89.
  
 
* Ferrari, F. (2010) ''Sappho's Gift: The Poet and Her Community''. Transl. from (2007) ''Una mitra per Kleis: Saffo e il suo pubblico''. Giardini, Pisa. Benjamin Acosta-Hughes and Lucia Prauscello (tr.), Michigan Classical Press, Ann Arbor.  
 
* Ferrari, F. (2010) ''Sappho's Gift: The Poet and Her Community''. Transl. from (2007) ''Una mitra per Kleis: Saffo e il suo pubblico''. Giardini, Pisa. Benjamin Acosta-Hughes and Lucia Prauscello (tr.), Michigan Classical Press, Ann Arbor.  
  
* Goldhill, S. (2006) ‘The touch of Sappho’, in ''Classics and the Uses of Reception'', ed. C. Martindale and R. F. Thomas. Oxford: 250–73.
+
* Goldhill, S. (2006) ‘The touch of Sappho’, in ''Classics and the Uses of Reception'', ed. C. Martindale and R. F. Thomas. Oxford: 250–73.
  
* Greene, E. (1994) ‘Apostrophe and women’s erotics in the poetry of Sappho’, ''TAPhA'' 124: 41–56. (Reprinted in Reading Sappho: Contemporary Approaches, ed.E. Greene. Berkeley and London 1996: 233–47.)
+
* Greene, E. (1994) ‘Apostrophe and women’s erotics in the poetry of Sappho’, ''TAPhA'' 124: 41–56. (Reprinted in Reading Sappho: Contemporary Approaches, ed.E. Greene. Berkeley and London 1996: 233–47.)
  
 
* Greene, E. (ed.) (1996) ''Reading Sappho: Contemporary Approaches''. Berkeley and London.
 
* Greene, E. (ed.) (1996) ''Reading Sappho: Contemporary Approaches''. Berkeley and London.
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** Contents: 1. Reflecting Sappho - Glenn W. Most 2. Sappho's afterlife in translation - Yopie Prins 3. Sappho's splintered tongue : silence in Sappho 31 and Catullus 51 - Dolores O'Higgins 4. Ventriloquizing Sappho, or the lesbian muse - Elizabeth D. Harvey 5. Sappho in early modern England : a study in sexual reputation - Harriet Andreadis 6. Sex and philology : Sappho and the rise of German nationalism - Joan DeJean 7. Sappho schoolmistress - Holt N. Parker 8. H.D. and Sappho : "A precious inch of palimpsest" - Erika Rohrbach 9. Sapphistries - Susan Gubar.
 
** Contents: 1. Reflecting Sappho - Glenn W. Most 2. Sappho's afterlife in translation - Yopie Prins 3. Sappho's splintered tongue : silence in Sappho 31 and Catullus 51 - Dolores O'Higgins 4. Ventriloquizing Sappho, or the lesbian muse - Elizabeth D. Harvey 5. Sappho in early modern England : a study in sexual reputation - Harriet Andreadis 6. Sex and philology : Sappho and the rise of German nationalism - Joan DeJean 7. Sappho schoolmistress - Holt N. Parker 8. H.D. and Sappho : "A precious inch of palimpsest" - Erika Rohrbach 9. Sapphistries - Susan Gubar.
  
* Greene, E.(2002) ‘Subjects, objects, and erotic symmetry in Sappho’s fragments’, in ''Among Women: From the Homosocial to the Homosexual'', ed. N. Rabinowitz and L. Auanger. Austin: 82–105.
+
* Greene, E.(2002) ‘Subjects, objects, and erotic symmetry in Sappho’s fragments’, in ''Among Women: From the Homosocial to the Homosexual'', ed. N. Rabinowitz and L. Auanger. Austin: 82–105.
  
 
* Greene, E. (2008) 'Masculine and Feminine, Public and Private, in the Poetry of Sappho' in ''Dialogism and Lyric Self-fashioning: Bakhtin and the Voices of a Genre'', ed. Jacob Blevins, Selinsgrove, Pa. Reviewed by Kershner, S.M. [http://bmcr.brynmawr.edu/2009/2009-06-57.html ''BMCR'' 2009.06.57].
 
* Greene, E. (2008) 'Masculine and Feminine, Public and Private, in the Poetry of Sappho' in ''Dialogism and Lyric Self-fashioning: Bakhtin and the Voices of a Genre'', ed. Jacob Blevins, Selinsgrove, Pa. Reviewed by Kershner, S.M. [http://bmcr.brynmawr.edu/2009/2009-06-57.html ''BMCR'' 2009.06.57].
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* Greene, E. & M. Skinner (eds.) (2009), ''The New Sappho on Old Age'', Cambridge, MA. [http://www.let.ru.nl/greeksong/images/c/c4/TheNewSappho.pdf Table of Contents]
 
* Greene, E. & M. Skinner (eds.) (2009), ''The New Sappho on Old Age'', Cambridge, MA. [http://www.let.ru.nl/greeksong/images/c/c4/TheNewSappho.pdf Table of Contents]
  
* Gronewald, M. and R. W. Daniel (2004a) ‘Ein neuer Sappho-Papyrus’, ''ZPE'' 147: 1–8.
+
* Gronewald, M. and R.W. Daniel (2004a) ‘Ein neuer Sappho-Papyrus’, ''ZPE'' 147: 1–8.
  
* Gronewald, M. and R. W. Daniel (2004b) ‘Nachtrag zum neuen Sappho-Papyrus’, ''ZPE'' 149: 1–4.
+
* Gronewald, M. and R.W. Daniel (2004b) ‘Nachtrag zum neuen Sappho-Papyrus’, ''ZPE'' 149: 1–4.
  
* Gronewald, M. and R. W. Daniel (2005) ‘Lyrischer Text (Sappho-Papyrus)’, ''ZPE'' 154: 7–12.
+
* Gronewald, M. and R.W. Daniel (2005) ‘Lyrischer Text (Sappho-Papyrus), ''ZPE'' 154: 7–12.
  
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
+
* Hutchinson, G.O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
 
* Jay, P. and C. Lewis (1996) (eds.) ''Sappho: Through English Poetry''. London.
 
* Jay, P. and C. Lewis (1996) (eds.) ''Sappho: Through English Poetry''. London.
  
* Laity, C. (1990) ‘H.D. and A. C. Swinburne: decadence and Sapphic Modernism’, in ''Lesbian Texts and Contexts: Radical Revisions'', ed. K. Jay and J. Glasgow. New York: 217–40.
+
* Laity, C. (1990) ‘H.D. and A. C. Swinburne: decadence and Sapphic Modernism’, in ''Lesbian Texts and Contexts: Radical Revisions'', ed. K. Jay and J. Glasgow. New York: 217–40.
  
 
* Lardinois, A.P.M.H. (1989) 'Lesbian Sappho and Sappho of Lesbos' in ''From Sappho to de Sade: Moments in the History of Sexuality'', ed. J.N. Bremmer. London: 15-35. Dutch version (1988) and Portugese translation (1995).
 
* Lardinois, A.P.M.H. (1989) 'Lesbian Sappho and Sappho of Lesbos' in ''From Sappho to de Sade: Moments in the History of Sexuality'', ed. J.N. Bremmer. London: 15-35. Dutch version (1988) and Portugese translation (1995).
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* Lardinois, A.P.M.H. ((2003) 'Drie gedaantes van Helena: Moderne interpretaties van Sappho Fr. 16' (Modern interpretations of Sappho Fr. 16), ''Lampas'' 36: 261-283.
 
* Lardinois, A.P.M.H. ((2003) 'Drie gedaantes van Helena: Moderne interpretaties van Sappho Fr. 16' (Modern interpretations of Sappho Fr. 16), ''Lampas'' 36: 261-283.
  
* Lardinois, A.P.M.H. (2007) 'Seks à la Sappho', ''Lampas'' 40: 273-80. In Dutch.
+
* Lardinois, A.P.M.H. (2007) 'Seks à la Sappho', ''Lampas'' 40: 273-80. In Dutch.
  
* Lardinois, A.P.M.H. (2008) ' ‘Someone, I say, will remember us’: Oral Memory in Sappho’s Poetry' in ''Orality, Literacy, Memory in the Ancient Greek and Roman World'', ed. A. MacKay. Leiden: 79-96.
+
* Lardinois, A.P.M.H. (2008) ' ‘Someone, I say, will remember us’: Oral Memory in Sappho’s Poetry' in ''Orality, Literacy, Memory in the Ancient Greek and Roman World'', ed. A. MacKay. Leiden: 79-96.
  
 
* Lardinois, A.P.M.H. (2009)  'Lesbian Sappho Revisited', in ''Myths, Martyrs, and Modernity. Studies in the History of Religions in Honour of Jan N. Bremmer'', eds. Y.B. Kuiper, J.H.F. Dijkstra & J.E.A. Kroesen. Leiden: Brill: 13-30.
 
* Lardinois, A.P.M.H. (2009)  'Lesbian Sappho Revisited', in ''Myths, Martyrs, and Modernity. Studies in the History of Religions in Honour of Jan N. Bremmer'', eds. Y.B. Kuiper, J.H.F. Dijkstra & J.E.A. Kroesen. Leiden: Brill: 13-30.
  
* Lardinois, A.P.M.H. (2009) ‘The New Sappho Poem (P. Koln 21351 and 21376): Key to the Old Fragments’, in ''The New Sappho on Old Age'', eds. E. Greene & M. Skinner. Cambridge, MA: Harvard Univ. Press: 41-57.
+
* Lardinois, A.P.M.H. (2009) ‘The New Sappho Poem (P. Koln 21351 and 21376): Key to the Old Fragments’, in ''The New Sappho on Old Age'', eds. E. Greene & M. Skinner. Cambridge, MA: Harvard Univ. Press: 41-57.
  
* Malnati, A. (1993) ‘Revisione dell’ ostrakon fiorentino di Saffo’, ''Analecta Papyrologica'' 5: 21–22.
+
* Malnati, A. (1993) ‘Revisione dell’ ostrakon fiorentino di Saffo’, ''Analecta Papyrologica'' 5: 21–22.
  
* Nagy, G. (1973/1990) ‘Phaethon, Sappho’s Phaon, and the white rock of Leucas’, ''HSCPh'' 77 (1973): 137–77. (Revised version in id., Greek Mythology and Poetics. Ithaca, N.Y. 1990: 223–62.)
+
* Nagy, G. (1973/1990) ‘Phaethon, Sappho’s Phaon, and the white rock of Leucas’, ''HSCPh'' 77 (1973): 137–77. (Revised version in id., Greek Mythology and Poetics. Ithaca, N.Y. 1990: 223–62.)
  
* Nagy, G. (1996) ‘Mimesis in lyric: Sappho’s Aphrodite and the Changing Woman of the Apache’, in id., ''Poetry as Performance: Homer and Beyond''. Cambridge: 87–103.
+
* Nagy, G. (1996) ‘Mimesis in lyric: Sappho’s Aphrodite and the Changing Woman of the Apache’, in id., ''Poetry as Performance: Homer and Beyond''. Cambridge: 87–103.
  
* Neri, Camillo (2001) 'In margine a Sapph. fr. 96,8 V.', ''Eikasmós'' 12: 11-18.
+
* Neri, C. (2001) 'In margine a Sapph. fr. 96,8 V.', ''Eikasmós'' 12: 11-18.
  
* Neri, Camillo (2005) 'Sudore freddo e tremore (Sapph. fr. 31,13 V. ~ Sen. Tro. 487s. ~ Apul. Met. I 13, II 30, X 10)', ''Eikasmós'' 16: 51-62 (con F. Citti).
+
* Neri, C. (2005) 'Sudore freddo e tremore (Sapph. fr. 31,13 V. ~ Sen. Tro. 487s. ~ Apul. Met. I 13, II 30, X 10)', ''Eikasmós'' 16: 51-62 (con F. Citti).
  
* Peponi, Anastasia-Erasmia (1985) 'Narrative Modes in a lyric  litê: Sappho 1 L.P' ''Philologos'' 41: 244-259. (in Greek)
+
* Nobili, C. (2016) 'Mercanti e cortigiane: la fortuna di un topos da Saffo a Eliodoro', ''Rivista di Filologia e Istruzione Classica'' 144: 5-24.
  
* Peponi, Anastasia-Erasmia (1995) 'Lyric Transformations of Epic Helen: the Technique of Poetic Suppression in Sappho 16 L.P.' in ''Proceedings of the 7th International Symposium of Ithaki'': 315-328. (in Greek)
+
* Peponi, A.-E. (1985) 'Narrative Modes in a lyric  litê: Sappho 1 L.P' ''Philologos'' 41: 244-259. (in Greek)
  
* Peponi, Anastasia-Erasmia (1997) 'Mythoplokos Eros: Sappho’s Allusion to her Poetics' in ''Acta: First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-T. Papademetriou. Athens: 139-165. (in Greek)
+
* Peponi, A.-E. (1995) 'Lyric Transformations of Epic Helen: the Technique of Poetic Suppression in Sappho 16 L.P.' in ''Proceedings of the 7th International Symposium of Ithaki'': 315-328. (in Greek)
  
* Peterson, L. H. (1994) ‘Sappho and the making of Tennysonian lyric’, ''English Literary History'' 61: 121–37.
+
* Peponi, A.-E. (1997) 'Mythoplokos Eros: Sappho’s Allusion to her Poetics' in ''Acta: First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-T. Papademetriou. Athens: 139-165. (in Greek)
 +
 
 +
* Peterson, L.H. (1994) ‘Sappho and the making of Tennysonian lyric’, ''English Literary History'' 61: 121–37.
  
 
* Powell, J. (2007) ''The Poetry of Sappho''. Oxford.
 
* Powell, J. (2007) ''The Poetry of Sappho''. Oxford.
Line 1,008: Line 1,165:
 
* Prins, Y. (1999) ''Victorian Sappho''. Princeton, N.J. and Chichester.
 
* Prins, Y. (1999) ''Victorian Sappho''. Princeton, N.J. and Chichester.
  
* Rawles, Richard (2006) 'Notes on the interpretation of the 'New Sappho' ' ''ZPE'' 157: 1-7.
+
* Rawles, R. (2006) 'Notes on the interpretation of the 'New Sappho' ' ''ZPE'' 157: 1-7.
  
* Rayor, D. J. (1991) ''Sappho’s Lyre: Archaic Lyric and Women Poets of Ancient Greece: Translations, with introduction and notes by D. J.R.'' Berkeley.  
+
* Rayor, D.J. (1991) ''Sappho’s Lyre: Archaic Lyric and Women Poets of Ancient Greece: Translations, with introduction and notes by D. J.R.'' Berkeley.  
  
 
* Reynolds, M. (1999) (ed.) ''The Sappho Companion''. London.
 
* Reynolds, M. (1999) (ed.) ''The Sappho Companion''. London.
  
* Reynolds, M.(2003) ''The Sappho History''. Basingstoke.
+
* Reynolds, M. (2003) ''The Sappho History''. Basingstoke.
  
* Rösler, W. (1990) ‘Realitätsbezug und Imagination in Sapphos Gedicht ΦΑΙΝΕΤΑΙ ΜΟΙ ΚΗΝΟΣ’, in ''Der Übergang von der Mündlichkeit zur Literatur bei den Griechen'', ed. W. Kullmann and M. Reichel. Tübingen: 271–87.
+
* Rösler, W. (1990) ‘Realitätsbezug und Imagination in Sapphos Gedicht ΦΑΙΝΕΤΑΙ ΜΟΙ ΚΗΝΟΣ’, in ''Der Übergang von der Mündlichkeit zur Literatur bei den Griechen'', ed. W. Kullmann and M. Reichel. Tübingen: 271–87.
  
* Rösler, W. (1992) ‘Homoerotik und Initiation: Über Sappho’, in ''Homoerotische Lyrik. 6. Kolloquium der Forschungsstelle für europäische Lyrik des Mittelalters an der Universität Mannheim'', ed. T. Stemmler. Tübingen: 43–54.
+
* Rösler, W. (1992) ‘Homoerotik und Initiation: Über Sappho’, in ''Homoerotische Lyrik. 6. Kolloquium der Forschungsstelle für europäische Lyrik des Mittelalters an der Universität Mannheim'', ed. T. Stemmler. Tübingen: 43–54.
  
* Segal, C. P. (1998) ‘Beauty, desire, and absence:Helen in Sappho, Alcaeus, and Ibycus’, in ''Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham,Md.: 63–83.
+
* Segal, C.P. (1998) ‘Beauty, desire, and absence:Helen in Sappho, Alcaeus, and Ibycus’, in ''Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham,Md.: 63–83.
  
* Skinner, M. B. (1993) ‘Woman and language in archaic Greece, or, why is Sappho a woman?’, in ''Feminist Theory and the Classics'', ed. N. S. Rabinowitz and A. Richlin. New York: 125–44. (Reprinted with slight changes in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene. Berkeley and London 1996: 175–92).
+
* Skinner, M.B. (1993) ‘Woman and language in archaic Greece, or, why is Sappho a woman?, in ''Feminist Theory and the Classics'', ed. N. S. Rabinowitz and A. Richlin. New York: 125–44. (Reprinted with slight changes in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene. Berkeley and London 1996: 175–92).
  
* Skinner, M. B. (2002) ‘Aphrodite garlanded: Erôs and poetic creativity in Sappho and Nossis’, in ''Among Women: From the Homosocial to the Homoerotic in the Ancient World'', ed. N. S. Rabinowitz and L. Auanger. Austin: 60–81.
+
* Skinner, M.B. (2002) ‘Aphrodite garlanded: Erôs and poetic creativity in Sappho and Nossis’, in ''Among Women: From the Homosocial to the Homoerotic in the Ancient World'', ed. N. S. Rabinowitz and L. Auanger. Austin: 60–81.
  
* Slings, S.R. (1988) 'Sappho fr. 1,19', ''Zeitschrift für Papyrologie und Epigraphik'' 72: 19-20.  
+
* Slings, S.R. (1988) 'Sappho fr. 1,19', ''Zeitschrift für Papyrologie und Epigraphik'' 72: 19-20.  
  
 
* Slings, S.R. (1991) 'Sappho fr. 1, 8 V.: Golden house or golden chariot?', ''Mnemosyne'' 44: 404-410.  
 
* Slings, S.R. (1991) 'Sappho fr. 1, 8 V.: Golden house or golden chariot?', ''Mnemosyne'' 44: 404-410.  
  
* Slings, S.R. (1994) 'Sappho, fr. 94, 10', ''Zeitschrift für Papyrologie und Epigraphik'' 102: 8.  
+
* Slings, S.R. (1994) 'Sappho, fr. 94, 10', ''Zeitschrift für Papyrologie und Epigraphik'' 102: 8.  
  
 
* Slings, S.R. (1994) 'Two notes on Sappho's wedding songs', ''Mnemosyne'' 47: 677-679.
 
* Slings, S.R. (1994) 'Two notes on Sappho's wedding songs', ''Mnemosyne'' 47: 677-679.
Line 1,036: Line 1,193:
 
* Snyder, J. M. (1997) ''Lesbian Desire in the Lyrics of Sappho''. New York.  
 
* Snyder, J. M. (1997) ''Lesbian Desire in the Lyrics of Sappho''. New York.  
  
* Steinrück, M. (1999) 'Homer bei Sappho?', ''Mnemosyne'' 52: 139-149.
+
* Steinrück, M. (1999) 'Homer bei Sappho?', ''Mnemosyne'' 52: 139-149.
  
* Steinrück, M. (2000) 'Neues zu Sappho", ''ZPE'' 131: 10-12.
+
* Steinrück, M. (2000) 'Neues zu Sappho", ''ZPE'' 131: 10-12.
  
* Steinrück, M. (2000) 'Sappho sans sa vie', in ''Biographie des hommes - biographie des dieux'', ed. M.-L. Desclos. Grenoble: 113-127.
+
* Steinrück, M. (2000) 'Sappho sans sa vie', in ''Biographie des hommes - biographie des dieux'', ed. M.-L. Desclos. Grenoble: 113-127.
  
* Steinrück, M. (2008) 'Sapphos Alterslied und kein Ende', ''QUCC'' 86: 89-94.
+
* Steinrück, M. (2008) 'Sapphos Alterslied und kein Ende', ''QUCC'' 86: 89-94.
  
* Stehle, E. (1990) ‘Sappho’s gaze: fantasies of a goddess and a young man’, ''Differences'' 2: 88–125. (Reprinted with slight changes in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene. Berkeley and London 1996: 193–225.)
+
* Steinrück, M. (2010) 'Sappho und die Wahrheit (Ergänzungen zu Fr. 88 V.)', QUCC 94, 79-87.
  
* Suárez de la Torre, Emilio (2000) 'Safo: el alma, el verso, el cuerpo' in ''La mujer, alma de la literatura'', ed. por E. Moral y A. de la Villa. Valladolid: 15-27.
+
* Stehle, E. (1990) ‘Sappho’s gaze: fantasies of a goddess and a young man’, ''Differences'' 2: 88–125. (Reprinted with slight changes in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene. Berkeley and London 1996: 193–225.)
  
* Tasagarakis, O. (1979) 'Some neglected aspects of love in Sappho’s Fr. 31 LP', ''Rheinisches Museum'' 122: 97-118.
+
* Suárez de la Torre, E. (2000) 'Safo: el alma, el verso, el cuerpo' in ''La mujer, alma de la literatura'', ed. por E. Moral y A. de la Villa. Valladolid: 15-27.
 +
 
 +
* Tasagarakis, O. (1979) 'Some neglected aspects of love in Sappho’s Fr. 31 LP', ''Rheinisches Museum'' 122: 97-118.
  
 
* Tzamali, E. (1996) ''Syntax und Stil bei Sappho''. Dettelbach.
 
* Tzamali, E. (1996) ''Syntax und Stil bei Sappho''. Dettelbach.
  
* Ucciardello, G. (2001) ‘Sapph. frr. 88 e 159 V. in POxy. LXIV 4411’, ''ZPE'' 136: 167–8.
+
* Ucciardello, G. (2001) ‘Sapph. frr. 88 e 159 V. in POxy. LXIV 4411’, ''ZPE'' 136: 167–8.
  
 
* Vanita, R. (1996) ''Sappho and the Virgin Mary: Same-Sex Love and the English Literary Imagination''. New York.
 
* Vanita, R. (1996) ''Sappho and the Virgin Mary: Same-Sex Love and the English Literary Imagination''. New York.
  
* Wiater, N. (2010) 'Der utopische Körper. Die Interpretation frühgriechischer Lyrik am Beispiel von Sappho frg. 31LP' in: ''Antike – Lyrik – Heute. Griechisch-römisches Altertum in Gedichten von der Moderne bis zur Gegenwart'', eds. Elit, S., Bremer, K., Reents, F. (Hgg.). Remscheid: 23-49.
+
* Wiater, N. (2010) 'Der utopische Körper. Die Interpretation frühgriechischer Lyrik am Beispiel von Sappho frg. 31LP' in: ''Antike Lyrik Heute. Griechisch-römisches Altertum in Gedichten von der Moderne bis zur Gegenwart'', eds. Elit, S., Bremer, K., Reents, F. (Hgg.). Remscheid: 23-49.
  
* Williamson, M. (1995) ''Sappho’s Immortal Daughters''. Cambridge, Mass.
+
* Williamson, M. (1995) ''Sappho’s Immortal Daughters''. Cambridge, Mass.
  
* Wilson, L. H. (1996) ''Sappho’s Sweetbitter Songs: Configurations of Female and Male in Ancient Greek Lyric''. London.
+
* Wilson, L.H. (1996) ''Sappho’s Sweetbitter Songs: Configurations of Female and Male in Ancient Greek Lyric''. London.
  
* Winkler, J. J. (1990) ‘Double consciousness in Sappho’s lyrics’, in id., ''The Constraints of Desire: The Anthropology of Sex and Gender in Ancient Greece''. New York: 162–87.
+
* Winkler, J.J. (1990) ‘Double consciousness in Sappho’s lyrics’, in id., ''The Constraints of Desire: The Anthropology of Sex and Gender in Ancient Greece''. New York: 162–87.
  
* Worman, N. (1997) ‘The body as argument: Helen in four Greek texts’, ''ClAnt'' 16: 151–203.
+
* Worman, N. (1997) ‘The body as argument: Helen in four Greek texts’, ''ClAnt'' 16: 151–203.
  
* Yatromanolakis, Dimitrios (1999) 'Alexandrian Sappho Revisited', ''Harvard Studies in Classical Philology'' 99: 179-195.(reprinted in (2002) ''Greek Literature. Vol. 7: Greek Literature in the Hellenistic Period'', ed. G. Nagy. New York/London.)
+
* Yatromanolakis, D. (1999) 'Alexandrian Sappho Revisited', ''Harvard Studies in Classical Philology'' 99: 179-195.(reprinted in (2002) ''Greek Literature. Vol. 7: Greek Literature in the Hellenistic Period'', ed. G. Nagy. New York/London.)
  
* Yatromanolakis, Dimitrios  (1999) 'When Two Fragments Meet: Sapph. fr. 22 V.', ''ZPE'' 128: 22-23.
+
* Yatromanolakis, D. (1999) 'When Two Fragments Meet: Sapph. fr. 22 V.', ''ZPE'' 128: 22-23.
  
* Yatromanolakis, Dimitrios  (2001) 'Visualizing Poetry: An Early Representation of Sappho', ''Classical Philology'' 96: 159-168.
+
* Yatromanolakis, D. (2001) 'Visualizing Poetry: An Early Representation of Sappho', ''Classical Philology'' 96: 159-168.
  
* Yatromanolakis, Dimitrios  (2002) ') ‘Ἑτερογλωσσικοὶ Διάλογοι καὶ Ἀνα-σύνθεσηστ ὴν Σαπϕώ του̑ Ὀδυσσέα
+
* Yatromanolakis, D. (2003) 'Ritual Poetics in Archaic Lesbos: Contextualizing Genre in Sappho', in ''Towards a Ritual Poetics'', D. Yatromanolakis and P. Roilos. Athens: 43-59.
Ἐλύτη', ''Synkrise-Comparaison'' 13: 60-72. In Greek.
 
  
* Yatromanolakis, Dimitrios  (2003) 'Ritual Poetics in Archaic Lesbos: Contextualizing Genre in Sappho', in ''Towards a Ritual Poetics'', D. Yatromanolakis and P. Roilos. Athens: 43-59.
+
* Yatromanolakis, D. (2004) 'Exploring Lyric Tropes', ''Synkrise/ Comparaison'' 15: 70-79.
  
* Yatromanolakis, Dimitrios  (2004) 'Exploring Lyric Tropes', ''Synkrise/ Comparaison'' 15: 70-79.
+
* Yatromanolakis, D. (2004) ‘Fragments, brackets, and poetics: on Anne Carson’s If Not, Winter’, International Journal of the Classical Tradition 11: 266–72.
  
* Yatromanolakis, Dimitrios  (2004) ‘Fragments, brackets, and poetics: on Anne Carson’s If Not, Winter’, International Journal of the Classical Tradition 11: 266–72.
+
* Yatromanolakis, D. (2005) 'Contrapuntal Inscriptions', ''ZPE'' 152: 16-30.
  
* Yatromanolakis, Dimitrios  (2005) 'Contrapuntal Inscriptions', ''ZPE'' 152: 16-30.
+
* Yatromanolakis, D. (2006) 'A Lyric Epos', ''Helenika'' 56: 381-388.
  
* Yatromanolakis, Dimitrios  (2006) 'A Lyric Epos', ''Helenika'' 56: 381-388.
+
* Yatromanolakis, D. (2007) ''Sappho In The Making: The Early Reception''. Cambridge, MA.
  
* Yatromanolakis, Dimitrios  (2007) ''Sappho In The Making: The Early Reception''. Cambridge, MA.
+
* Yatromanolakis, D. (2008) 'P.Colon. inv. 21351 + 21376 and P.Oxy. 1787 fr. 1: Music, Politics, and Hellenistic Anthologies', ''Hellenika'' 58: 237-255.
 
 
* Yatromanolakis, Dimitrios  (2008) 'P.Colon. inv. 21351 + 21376 and P.Oxy. 1787 fr. 1: Music, Politics, and Hellenistic Anthologies', ''Hellenika'' 58: 237-255.
 
  
* Yatromanolakis, Dimitrios  (2008) ''Fragments of Sappho: A Commentary''. Cambridge, Mass.
+
* Yatromanolakis, D. (2008) ''Fragments of Sappho: A Commentary''. Cambridge, Mass.
  
* Yossi, M. J., D. Kioussi and A. Tatsi (eds) (2004) ''Thelxis. Fifteen Essays on Sappho''. Athens: Smili Editions. Articles by B. Gentili, Cl. Calame, J. McIntosh Snyder, J. J. Winkler, E. Greene, A. Lardinois, P. A. Rosenmeyer. I. Le. Pfeijffer, K. Stanley, Ch. Segal, W. Stehle Stigers. J. Svenbro, E. Robbins, R. Palmisciano, Anne Carson translated into modern Greek with an Introduction by the Editors. (an En Kyklo publication)
+
* Yossi, M.J., D. Kioussi and A. Tatsi (eds) (2004) ''Thelxis. Fifteen Essays on Sappho''. Athens: Smili Editions. Articles by B. Gentili, C. Calame, J. McIntosh Snyder, J. J. Winkler, E. Greene, A. Lardinois, P. A. Rosenmeyer. I. Le. Pfeijffer, K. Stanley, Ch. Segal, W. Stehle Stigers. J. Svenbro, E. Robbins, R. Palmisciano, Anne Carson translated into modern Greek with an Introduction by the Editors. (an En Kyklo publication)
  
* Yossi, Mary J. (Μ. Ι. Γιόση)  (2008)  'Τεθνάκην δ’ἀδόλως θέλω. Αποσπάσματα ερωτικού (;) λόγου. Σαπφώ απ..94 V.' ['tethnaken d’ adolos thelo (Sappho Fr. 94 V.): Fragments of erotic (?) discourse'], in:  ''Proceedings of the XII International Symposium on Sappho (Leukada, July 25-28, 2007)'', 25-34.
+
* Yossi, Mary J. (Μ.Ι. Γιόση)  (2008)  'Τεθνάκην δ’ἀδόλως θέλω. Αποσπάσματα ερωτικού (;) λόγου. Σαπφώ απ..94 V.' ['tethnaken d’ adolos thelo (Sappho Fr. 94 V.): Fragments of erotic (?) discourse'], in:  ''Proceedings of the XII International Symposium on Sappho (Leukada, July 25-28, 2007)'', 25-34.
  
 
* Zellner, H.M. (2006) 'Sappho's proof that death is an evil', ''GRBS'' 46: 333-337.
 
* Zellner, H.M. (2006) 'Sappho's proof that death is an evil', ''GRBS'' 46: 333-337.
  
* Zonana, J. (1990) ‘Swinburne’s Sappho: The Muse as sister-goddess’, ''Victorian Poetry'' 28: 39–50.
+
* Zonana, J. (1990) ‘Swinburne’s Sappho: The Muse as sister-goddess’, ''Victorian Poetry'' 28: 39–50.
  
 
=== Alcaeus ===
 
=== Alcaeus ===
* Andrisano, A. (2001) ‘Iambic motifs in Alcaeus' lyrics’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md., and Oxford: 41-64.
+
* Andrisano, A. (2001) ‘Iambic motifs in Alcaeus' lyrics’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md., and Oxford: 41-64.
  
* Bachvarova, Mary R. (2007) 'Oath and allusion in Alcaeus fr. 129' in ''Horkos. The Oath in Greek Society'', eds. Alan H. Sommerstein, Judith Fletcher. Exeter: 179-188. Reviewed by Kellogg, Danielle L. (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-55.html ''BMCR'' 2008.08.55].
+
* Bachvarova, M.R. (2007) 'Oath and allusion in Alcaeus fr. 129' in ''Horkos. The Oath in Greek Society'', eds. Alan H. Sommerstein, Judith Fletcher. Exeter: 179-188. Reviewed by Kellogg, Danielle L. (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-55.html ''BMCR'' 2008.08.55].
  
 
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
 
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
  
* Caciagli, Stefano (2009) 'Lupi e codardi nell’Heraion di Lesbo', ''ZPE'' 171: 216-220.
+
* Buè, F. (2016), 'The λεπάς in Alcaeus. A Study on fr. 359 Voigt', GRMS, 4, 2016, pp. 14-37.
 +
 
 +
* Caciagli, S. (2009) 'Lupi e codardi nell’Heraion di Lesbo', ''ZPE'' 171: 216-220.
 +
 
 +
* Caciagli, S. (2009) 'Un serment violé chez Alcée', ''REG'' 122.1: 185-200.
 +
 
 +
* Cairns, F. (1983). ‘Alcaeus’ Hymn to Hermes, P. Oxy 2734 Fr. 1 and Horace Odes 1,10’, Quaderni Urbinati di Cultura Classica 42: 29-35.
 +
 
 +
* Cannatà Fera, M. (2012) 'Sisifo in Alceo' in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 29-43.
  
* Caciagli, Stefano (2009) 'Un serment violé chez Alcée', ''REG'' 122.1: 185-200.
+
* Cazzato, V. (2016) '‘Symposia en plein air in Alcaeus and others’, in ''The Cup of Song. Essays on Poetry and the Symposion'', eds. V. Cazzato, D. Obbink, E. Prodi, Oxford.
  
* Gagné, Renaud (2009) 'Atreid Ancestors in Alkaios', ''Journal of Hellenic Studies'' 129: 39-43.
+
* Gagné, R. (2009) 'Atreid Ancestors in Alkaios', ''Journal of Hellenic Studies'' 129: 39-43.
  
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
+
* Hutchinson, G.O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
* Kurke, Leslie (1994) 'Crisis and Decorum in Sixth–Century Lesbos: Reading Alkaios Otherwise', ''Quaderni Urbinati di cultura classica'', n.s. 47: 67-92.
+
* Kurke, L. (1994) 'Crisis and Decorum in Sixth–Century Lesbos: Reading Alkaios Otherwise', ''Quaderni Urbinati di cultura classica'', n.s. 47: 67-92.
  
* Lelli, Emanuele (2006) ''Volpe e leone. Il proverbio nella poesia greca (Alceo, Cratino, Callimaco). Filologia e critica, 93''. Roma: Edizioni dell'Ateneo. [http://catdir.loc.gov/catdir/toc/casalini05/06544053.pdf Table of Contents]. Reviewed by Massimiliano Ornaghi, [http://ccat.sas.upenn.edu/bmcr/2008/2008-01-39.html BMCR 2008.01.39].
+
* Lelli, E. (2006) ''Volpe e leone. Il proverbio nella poesia greca (Alceo, Cratino, Callimaco). Filologia e critica, 93''. Roma: Edizioni dell'Ateneo. [http://catdir.loc.gov/catdir/toc/casalini05/06544053.pdf Table of Contents]. Reviewed by Massimiliano Ornaghi, [http://ccat.sas.upenn.edu/bmcr/2008/2008-01-39.html BMCR 2008.01.39].
  
* Lelli, Emanuele (2010), 'La pragmatica proverbiale di Alceo' in ''ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.)'' ed. E. Lelli. Pisa/Roma: 53-60.  
+
* Lelli, E. (2010) 'La pragmatica proverbiale di Alceo' in ''ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.)'' ed. E. Lelli. Pisa/Roma: 53-60.  
  
* Lentini, G. (2002) ‘I simposi del tiranno: Sui frr. 70–72 V. di Alceo’, ''ZPE'' 139: 3–18.
+
* Lentini, G. (2002) 'I simposi del tiranno: Sui frr. 70–72 V. di Alceo' in ''ZPE'' 139: 3–18.
  
* Liberman, G. (1999) ''Alcée: Fragments''. (2 vols.). Paris.
+
* Liberman, G. (1999) ''Alcée: Fragments''. (2 vols.). Paris.
  
* Nagy, Gregory (1993) ‘Alcaeus in sacred space’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 221–5.
+
* Nagy, Gregory (1993) ‘Alcaeus in sacred space’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 221–5.
  
* Neri, Camillo (1996) 'Poeti, filologi e patelle (Alcae. fr. 359 V., Dicaearch. fr. 99 Wehrli, Ar. Byz. fr. 367 Sl.)', ''Eikasmós'' 7: 25-55.
+
* Neri, Camillo (1996) 'Poeti, filologi e patelle (Alcae. fr. 359 V., Dicaearch. fr. 99 Wehrli, Ar. Byz. fr. 367 Sl.)', ''Eikasmós'' 7: 25-55.
  
* Pardini, A. (1991) ‘La ripartizione in libri dell’opera di Alceo: Per un esame della questione’, ''RFIC'' 119: 257–84.
+
* Pardini, A. (1991) ‘La ripartizione in libri dell’opera di Alceo: Per un esame della questione’, ''RFIC'' 119: 257–84.
  
* Porro, A. (1990) ‘La fortuna di Alceo: tradizione e studio della poesia alcaica fino al II sec.d.C.’, Aevum(ant) 3: 75–98.
+
* Porro, A. (1990) ‘La fortuna di Alceo: tradizione e studio della poesia alcaica fino al II sec.d.C., Aevum(ant) 3: 75–98.
  
* Porro, A. (1994) ''Vetera Alcaica: L’esegesi di Alceo dagli Alessandrini all’età imperiale''. Milan.
+
* Porro, A. (1994) ''Vetera Alcaica: L’esegesi di Alceo dagli Alessandrini all’età imperiale''. Milan.
  
* Porro, A. (1995) ‘Alceo e le metafore dei giochi simposiali’, in ''Studia classica Iohanni Tarditi oblata'', ed. L. Belloni et al., vol. I. Milan: 357–68.
+
* Porro, A. (1995) ‘Alceo e le metafore dei giochi simposiali’, in ''Studia classica Iohanni Tarditi oblata'', ed. L. Belloni et al., vol. I. Milan: 357–68.
  
* Porro, A. (2004) ‘Alcaeus’, in ''Commentaria et lexica Graeca in papyris reperta, pars I, vol. 1, fasc. 1: Aeschines-Alcaeus'', ed. G. Bastianini et al. Munich and Leipzig: 75–246.
+
* Porro, A. (2004) ‘Alcaeus’, in ''Commentaria et lexica Graeca in papyris reperta, pars I, vol. 1, fasc. 1: Aeschines-Alcaeus'', ed. G. Bastianini et al. Munich and Leipzig: 75–246.
  
* Segal, C. P.  (1998) ‘Beauty, desire, and absence: Helen in Sappho, Alcaeus, and Ibycus’, in ''Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham,Md.: 63–83.
+
* Segal, C. P.  (1998) ‘Beauty, desire, and absence: Helen in Sappho, Alcaeus, and Ibycus’, in ''Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham,Md.: 63–83.
  
 
* Yatromanolakis, D. (2008) 'Genre Categories and Interdiscursivity in Alkaios and Archaic Greece', ''Synkrise/Comparaison'' 19: 169-187.
 
* Yatromanolakis, D. (2008) 'Genre Categories and Interdiscursivity in Alkaios and Archaic Greece', ''Synkrise/Comparaison'' 19: 169-187.
Line 1,147: Line 1,311:
 
Cf. The [http://alkman.georgehinge.com/bibliographie.html Alcman bibliography] that is maintained by George Hinge. This website forms part of a project on the dialect of Alcman (in German with a summary in English and Danish).
 
Cf. The [http://alkman.georgehinge.com/bibliographie.html Alcman bibliography] that is maintained by George Hinge. This website forms part of a project on the dialect of Alcman (in German with a summary in English and Danish).
  
* Athanassaki, L. (2009) ''ἀείδετο πὰν τέμενος. Οι χορικές παραστάσεις και το κοινό τους στην αρχαϊκή και πρώϊμη κλασική περίοδο''. Herakleion. Study of choral performance contexts especially in Alcman, Pindar, and Bacchylides. [http://www.cup.gr/ViewShopProduct.aspx?ProductId=279696&LangId=1 More information].
+
* Athanassaki, L. (2009) ''ἀείδετο πὰν τέμενος. Οι χορικές παραστάσεις και το κοινό τους στην αρχαϊκή και πρώϊμη κλασική περίοδο''. Herakleion. Study of choral performance contexts especially in Alcman, Pindar, and Bacchylides. [http://www.cup.gr/ViewShopProduct.aspx?ProductId=279696&LangId=1 More information].
  
* Bagordo, A. (1998) 'Zu Alkman, Fr. 17 Davies', ''Hermes'' 126: 259–-68.
+
* Bagordo, A. (1998) 'Zu Alkman, Fr. 17 Davies', ''Hermes'' 126: 259–-68.
  
* Bierl, Anton (2007) 'L'uso intertestuale di Alcmane nel finale della Lisistrata di Aristofane. Coro e rito nel contesto performativo' in ''Dalla lirica corale alla poesia drammatica. Forme e funzioni del canto corale nella tragedia e nella commedia greca'', eds. F. Perusino and M. Colantonio. Pisa: 259–290. With a comparison between Alcman and the last songs in Ar. ''Lysistrata''.
+
* Bierl, Anton (2007) 'L'uso intertestuale di Alcmane nel finale della Lisistrata di Aristofane. Coro e rito nel contesto performativo' in ''Dalla lirica corale alla poesia drammatica. Forme e funzioni del canto corale nella tragedia e nella commedia greca'', eds. F. Perusino and M. Colantonio. Pisa: 259–290. With a comparison between Alcman and the last songs in Ar. ''Lysistrata''.
  
* Bierl, Anton (2011), ‘Alcman at the End of Aristophanes' Lysistrata: Ritual Interchorality", in: L. Athanassaki, E. Bowie (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'' (Trends in Classics, Supp. 10), Berlin/New York: 415–436.
+
* Bierl, Anton (2011), ‘Alcman at the End of Aristophanes' Lysistrata: Ritual Interchorality", in: L. Athanassaki, E. Bowie (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'' (Trends in Classics, Supp. 10), Berlin/New York: 415–436.
  
 
* Bowie, Ewen (2011), 'Alcman's First Partheneion and what the Sirens sang', in: L. Athanassaki, E. Bowie (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'' (Trends in Classics, Supp. 10), Berlin/New York, 33-66.
 
* Bowie, Ewen (2011), 'Alcman's First Partheneion and what the Sirens sang', in: L. Athanassaki, E. Bowie (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'' (Trends in Classics, Supp. 10), Berlin/New York, 33-66.
 +
 +
* Buè,F. (2015), 'La musica degli uccelli e la parola del divino: Alcmane e Messiaen', RCCM, 2, pp. 365-383.
 +
 +
* Buè,F. (2018), 'The Voice of Doves', RCCM, 1, pp. 25-45.
  
 
* Caciagli, Stefano (2009) 'Un contesto per Alcm. PMGF 1', ''Eikasmos'' 20: 19-46.
 
* Caciagli, Stefano (2009) 'Un contesto per Alcm. PMGF 1', ''Eikasmos'' 20: 19-46.
  
* Calame, Claude (1983) ''Alcman. Texte critique, témoignages, traduction et commentaire''. Roma.
+
* Calame, Claude (1983) ''Alcman. Texte critique, témoignages, traduction et commentaire''. Roma.
  
 
* Carey, Chris (2011), 'Alcman: From Laconia to Alexandria', in: . Athanassaki, E. Bowie (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'' (Trends in Classics, Supp. 10), Berlin/New York: 437-61.
 
* Carey, Chris (2011), 'Alcman: From Laconia to Alexandria', in: . Athanassaki, E. Bowie (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'' (Trends in Classics, Supp. 10), Berlin/New York: 437-61.
  
* Clark, Christina A. (1996) ‘The Gendering of the Body in Alcman’s ''Partheneion'' 1: Narrative, Sex, and Social Order in Archaic Sparta’, ''Helios'' 23: 143-172.
+
* Clark, Christina A. (1996) ‘The Gendering of the Body in Alcman’s ''Partheneion'' 1: Narrative, Sex, and Social Order in Archaic Sparta’, ''Helios'' 23: 143-172.
  
* Felson, N. (ed.) (2004) ‘The poetics of deixis in Alcman, Pindar and other lyric’, ''Arethusa'' 37.3: 253–468.
+
* Felson, N. (ed.) (2004) ‘The poetics of deixis in Alcman, Pindar and other lyric’, ''Arethusa'' 37.3: 253–468.
  
 
* Ferrari, Gloria (2008) ''Alcman and the Cosmos of Sparta''. Chicago and London. Reviewed by A. J. Podlecki [http://bmcr.brynmawr.edu/2009/2009-10-59.html ''BMCR'' 2009.10.59].
 
* Ferrari, Gloria (2008) ''Alcman and the Cosmos of Sparta''. Chicago and London. Reviewed by A. J. Podlecki [http://bmcr.brynmawr.edu/2009/2009-10-59.html ''BMCR'' 2009.10.59].
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* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
 
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
* Lillo, A. (1995) ‘El hapax κλεεννά y la lengua poética de Alcmán’, ''Emerita'' 63: 21–45.
+
* Lillo, A. (1995) ‘El hapax κλεεννά y la lengua poética de Alcmán’, ''Emerita'' 63: 21–45.
 +
 
 +
* Patterson, Lee E. (2005) 'Alcman’s Partheneion and Eliade’s Sacred Time', ''Classical and Modern Literature'' 25.1: 115-27.
  
* Patterson, Lee E. (2005) 'Alcman’s Partheneion and Eliade’s Sacred Time', ''Classical and Modern Literature'' 25.1: 115-27.
+
* Peponi, Anastasia-Erasmia (2004) 'Initiating the Viewer: Deixis and Visual Perception in Alcman’s Lyric Drama', ''Arethusa'' 37.3: 295-316.
  
* Peponi, Anastasia-Erasmia (2004) 'Initiating the Viewer: Deixis and Visual Perception in Alcman’s Lyric Drama', ''Arethusa'' 37.3: 295-316.
+
* Peponi, Anastasia-Erasmia (2007) 'Sparta’s Prima Ballerina: ''Choreia'' in Alcman's Second ''Partheneion'' (3 ''PMGF'')', ''Classical Quarterly'' 57.2: 351-62.
  
* Peponi, Anastasia-Erasmia (2007) 'Sparta’s Prima Ballerina: ''Choreia'' in Alcman's Second ''Partheneion'' (3 ''PMGF'')', ''Classical Quarterly'' 57.2: 351-62.
+
* Peron, Jacques (1987) ‘Demi-chœurs chez Alcman, Parth. I, v. 39-59’, ''Grazer Beiträge'' 14: 35-53.
  
* Peron, Jacques (1987) ‘Demi-chœurs chez Alcman, Parth. I, v. 39-59’, ''Grazer Beiträge'' 14: 35-53.
+
* Priestley, J.M. (2007) 'The φαρος of Alcman's ''Partheneion'' 1', ''Mnemosyne'' 60.2: 175-95.
  
* Priestley, J.M. (2007) 'The φαρος of Alcman's ''Partheneion'' 1', ''Mnemosyne'' 60.2: 175-95.
+
* Poltera, O. (1997) ''Le langage de Simonide: Etude sur la tradition poétique et son renouvellement''. (Sapheneia 1). Bern.
  
* Poltera, O. (1997) ''Le langage de Simonide: Etude sur la tradition poétique et son renouvellement''. (Sapheneia 1). Bern.
+
* Puelma, M. (1995) ‘Die Selbstbeschreibung des Chores in Alkmans großem Partheneion-Fragment (fr. 1 P. = 23 B., 1 D. V. 36–105)’, in M. Puelma, Labor et lima: Kleine Schriften und Nachträge, ed. I. Fasel. Basel: 51–110. [Originally published in MH 34 (1977): 1–55.]
  
* Puelma, M. (1995) ‘Die Selbstbeschreibung des Chores in Alkmans großem Partheneion-Fragment (fr. 1 P. = 23 B., 1 D. V. 36–105)’, in M. Puelma, Labor et lima: Kleine Schriften und Nachträge, ed. I. Fasel. Basel: 51–110. [Originally published in MH 34 (1977): 1–55.]
+
* Robbins, Emmet (1991) 'Alcman’s Partheneion: Legend and Choral Ceremony', ''CQ'' 44: 7-16.
  
* Robbins, Emmet (1991) 'Alcman’s Partheneion: Legend and Choral Ceremony', ''CQ'' 44: 7-16.
+
* Robbins, Emmet (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. Douglas E. Gerber. Leiden: 223–42.
  
* Robbins, Emmet (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. Douglas E. Gerber. Leiden: 223–42.
+
* Rossi, L. E. (1993) ‘Lirica arcaica e scoli simposiali (Alc. 249,6–9 V. e carm. conv. 891 P.), in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 237–46.
  
* Rossi, L. E. (1993) ‘Lirica arcaica e scoli simposiali (Alc. 249,6–9 V. e carm. conv. 891 P.)’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 237–46.
+
* Sassi, M. M. (2005) ‘Poesie und Kosmogonie: Der Fall Alkman’, in ''Frühgriechisches Denken'', ed. G. Rechenauer. Göttingen: 63–80.
  
* Sassi, M. M. (2005) ‘Poesie und Kosmogonie: Der Fall Alkman’, in ''Frühgriechisches Denken'', ed. G. Rechenauer. Göttingen: 63–80.
+
* Swift L. (2016) ‘Visual Imagery in Parthenaic Song’, in The Look of Lyric: Greek Song and the Visual, eds V. Cazzato and A. Lardinois. Leiden: 255-97
  
* Too, Y. L. (1997) ‘Alcman’s Parthenion: the maidens dance the city’, ''QUCC'' 85 (= n.s. 56.2): 7–29.
+
* Too, Y. L. (1997) ‘Alcman’s Parthenion: the maidens dance the city’, ''QUCC'' 85 (= n.s. 56.2): 7–29.
  
 
=== Stesichorus ===
 
=== Stesichorus ===
* Arrighetti, G. (1995) 'L'arte di Stesicoro nel giudizio degli antichi', in ''Poésie et lyrique antiques: Actes du colloque organisé par C. Meillier à l’Université Charles-de-Gaulle, Lille III, 2-4 juin 1993'', ed. L. Dubois. Lille: 55-72.
+
* Arrighetti, G. (1995) 'L'arte di Stesicoro nel giudizio degli antichi', in ''Poésie et lyrique antiques: Actes du colloque organisé par C. Meillier à l’Université Charles-de-Gaulle, Lille III, 2-4 juin 1993'', ed. L. Dubois. Lille: 55-72.
  
 
* Barker, Andrew (2001) 'La musica di Stesicoro', ''Quaderni Urbinati di Cultura Classica'' 67.1: 7-20.
 
* Barker, Andrew (2001) 'La musica di Stesicoro', ''Quaderni Urbinati di Cultura Classica'' 67.1: 7-20.
  
* Bassi, K. (1993) ‘Helen and the discourse of denial in Stesichorus’ ''Palinode''’, ''Arethusa'' 26: 51-75.  
+
* Bassi, K. (1993) ‘Helen and the discourse of denial in Stesichorus’ ''Palinode'', ''Arethusa'' 26: 51-75.  
  
* Beecroft, A.J. (2006) ‘“This is not a true story”: Stesichorus’s ''Palinode'' and the revenge of the epichoric’, ''TAPhA'' 136: 47-69.
+
* Beecroft, A.J. (2006) ‘“This is not a true story”: Stesichorus’s ''Palinode'' and the revenge of the epichoric’, ''TAPhA'' 136: 47-69.
  
* Blaise, Fabienne (1995) ‘Les deux (?) Hélène de Stésichore’, in ''Poésie et lyrique antique'', ed. L. Dubois, Lille: 29-40. Full text: [Media:Blaise1995Stesichorus.pdf].
+
* Blaise, Fabienne (1995) ‘Les deux (?) Hélène de Stésichore’, in ''Poésie et lyrique antique'', ed. L. Dubois, Lille: 29-40. Full text: [[Media:Blaise1995Stesichorus.pdf]].
  
 
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
 
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
Line 1,214: Line 1,384:
 
* Campbell, D. A. (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others''. Cambridge, Mass. and London.
 
* Campbell, D. A. (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others''. Cambridge, Mass. and London.
  
* Cingano, E. (1990) ‘L’Opera di Ibico e di Stesicoro nella classificazione degli antichi e dei moderni’, in ''Lirica Greca e Latina. Atti del Convegno di studi Polacco-Italiano, Poznan 2–5 maggio 1990, (AION 12)'': 189–224.
+
* Carruesco, J. (2012) 'Helen’s Voice and Choral Mimesis from Homer to Stesichorus' in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 149-172.
 +
 
 +
* Cingano, E. (1990) ‘L’Opera di Ibico e di Stesicoro nella classificazione degli antichi e dei moderni’, in ''Lirica Greca e Latina. Atti del Convegno di studi Polacco-Italiano, Poznan 2–5 maggio 1990, (AION 12)'': 189–224.
  
* Cingano, E. (1993) ‘Indizi di esecuzione corale in Stesicoro’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 347–61.
+
* Cingano, E. (1993) ‘Indizi di esecuzione corale in Stesicoro’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 347–61.
  
* D’Alfonso, F. (1994) ''Stesicoro e la performance: Studio sulle modalità esecutive dei carmi stesicorei''. Rome.
+
* D'Alessio, G. B. (2013). THE WANDERINGS OF THE THESTORIDS:(STESICHORUS FR. 193.16-22 PMGF). Zeitschrift für Papyrologie und Epigraphik, 186, 36-37.
 +
 
 +
* D’Alfonso, F. (1994) ''Stesicoro e la performance: Studio sulle modalità esecutive dei carmi stesicorei''. Rome.
  
 
* Demos, M. (1999) ''Lyric Quotation in Plato''. Lanham, Md. [Simonides, Pindar, Stesichorus]
 
* Demos, M. (1999) ''Lyric Quotation in Plato''. Lanham, Md. [Simonides, Pindar, Stesichorus]
 +
 +
* Finglass, P. J., & Kelly, A. (Eds.). (2015). ''Stesichorus in Context''. Cambridge.
  
 
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
 
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
* Irvine, J. A. D. (1997) ‘Keres in Stesichorus’ Geryoneis: P. Oxy. 2617 fr. 1 (A)–(B) = SLG 21 Reconsidered’, ''ZPE'' 115: 37–46.
+
* Irvine, J. A. D. (1997) ‘Keres in Stesichorus’ Geryoneis: P. Oxy. 2617 fr. 1 (A)(B) = SLG 21 Reconsidered’, ''ZPE'' 115: 37–46.
 +
 
 +
* Lazzeri, Massimo (2008) ''Studi sulla Gerioneide di Stesicoro''. Quaderni del Dipartimento di scienze dell'antichità / Università degli studi di Salerno 35. Napoli: Arte tipografica.
 +
 
 +
* Massimilla, G. (1995) ‘L’influsso di Stesicoro sulla poesia ellenistica’, in ''Poésie et lyrique antiques: Actes du colloque organisé par C. Meillier à l’Université Charles-de-Gaulle'', Lille III, 2–4 juin 1993, ed. L. Dubois. Lille: 41–53.
  
* Lazzeri, Massimo (2008) ''Studi sulla Gerioneide di Stesicoro''. Quaderni del Dipartimento di scienze dell'antichità / Università degli studi di Salerno 35. Napoli: Arte tipografica.
+
* Müller-Goldingen, C. (2000) ‘Tradition und Innovation: Zu Stesichoros’ Umgang mit dem Mythos’, ''AC'' 69: 1–19.
  
* Massimilla, G. (1995) ‘L’influsso di Stesicoro sulla poesia ellenistica’, in ''Poésie et lyrique antiques: Actes du colloque organisé par C. Meillier à l’Université Charles-de-Gaulle'', Lille III, 2–4 juin 1993, ed. L. Dubois. Lille: 41–53.
+
* Neri, Camillo (2008) 'Trattativa contro il fato (Stesich. PMGF 222b,176-231)', ''Eikasmós'' 19: 11-44.
  
* Müller-Goldingen, C. (2000) ‘Tradition und Innovation: Zu Stesichoros’ Umgang mit dem Mythos’, ''AC'' 69: 1–19.
+
* Noussia-Fantuzzi, M. (2013). 'A Scenario for the Portrayal of the Monster Geryon in Stesichorus’Geryoneis', Trends in Classics 5.2: 234-59.
  
* Neri, Camillo (2008) 'Trattativa contro il fato (Stesich. PMGF 222b,176-231)', ''Eikasmós'' 19: 11-44.
+
* Noussia-Fantuzzi, M. (2015) 'The Epic Cycle, Stesichorus, and Ibycus’ in: The Greek Epic Cycle and its ncient Reception: a companion, eds. M. Fantuzzi and C. Tsagalis. Cambridge: 430-49.
  
* Robbins, Emmet (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. D. E. Gerber. Leiden: 223–42.
+
* Robbins, Emmet (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. D. E. Gerber. Leiden: 223–42.
  
 
* Schade, G. (2003) ''Stesichoros: Papyrus Oxyrhynchus 2359, 3876, 2619, 2803''. (Mnemosyne suppl. 237). Leiden and Boston.
 
* Schade, G. (2003) ''Stesichoros: Papyrus Oxyrhynchus 2359, 3876, 2619, 2803''. (Mnemosyne suppl. 237). Leiden and Boston.
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* Slings, S.R. (1998) 'Hoge en lage lyriek in de zesde eeuw. I: Stesichoros', ''Hermeneus'' 70:188-195. In Dutch.
 
* Slings, S.R. (1998) 'Hoge en lage lyriek in de zesde eeuw. I: Stesichoros', ''Hermeneus'' 70:188-195. In Dutch.
  
* Suárez de la Torre, Emilio (2007) 'Helena, de la épica a la lírica griega arcaica (Safo, Alceo, Estesícoro)' in AA.VV., ''O mito de Helena de Tróia à actualidade''. Coimbra. vol. I: 55-79.
+
* Suárez de la Torre, Emilio (2007) 'Helena, de la épica a la lírica griega arcaica (Safo, Alceo, Estesícoro)' in AA.VV., ''O mito de Helena de Tróia à actualidade''. Coimbra. vol. I: 55-79.
 +
 
 +
* Swift, L. (2016) ‘Stesichorus on Stage’, in Stesichorus in Context, eds P. J. Finglass and A. Kelly. Cambridge: 125-44.
  
 
=== Ibycus ===
 
=== Ibycus ===
* Bonanno, M. G. (2004) ‘Come guarire dal complesso epico: L’Ode a Policrate di Ibico’, in ''Samo. Storia, letteratura, scienza: Atti delle giornate di studio'', Ravenna, 14–16 novembre 2002, ed. E. Cavallini. Pisa and Rome: 67–96.
+
* Bonanno, M. G. (2004) ‘Come guarire dal complesso epico: L’Ode a Policrate di Ibico’, in ''Samo. Storia, letteratura, scienza: Atti delle giornate di studio'', Ravenna, 14–16 novembre 2002, ed. E. Cavallini. Pisa and Rome: 67–96.
 +
 
 +
* Cazzato, V. (2013) ‘Worlds of erôs in Ibycus fr. 286 PMGF’, in ''Eros in Ancient Greece'', edited by E. Sanders, C. Thumiger, C. Carey, and N. Lowe, Oxford.
 +
 
 +
* Cairns, F. (2017). ‘Beauty, Fame and Politics in Ibycus S151 PMGF’, Prometheus. Rivista di studi classici 43: 43-55.
  
* Cingano, E. (1990) ‘L’Opera di Ibico e di Stesicoro nella classificazione degli antichi e dei moderni’, in ''Lirica Greca e Latina. Atti del Convegno di studi Polacco-Italiano, Poznan 2–5 maggio 1990, (AION 12)'': 189–224.  
+
* Cingano, E. (1990) ‘L’Opera di Ibico e di Stesicoro nella classificazione degli antichi e dei moderni’, in ''Lirica Greca e Latina. Atti del Convegno di studi Polacco-Italiano, Poznan 2–5 maggio 1990, (AION 12)'': 189–224.  
  
 
* Campbell, D. A. (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others''. Cambridge, Mass. and London.
 
* Campbell, D. A. (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others''. Cambridge, Mass. and London.
  
* Giannini, P. (2004) ‘Ibico a Samo’, in ''Samo. Storia, letteratura, scienza: Atti delle giornate di studio'', Ravenna, 14–16 novembre 2002, ed. E. Cavallini. Pisa and Rome: 51–64.
+
* Giannini, P. (2004) ‘Ibico a Samo’, in ''Samo. Storia, letteratura, scienza: Atti delle giornate di studio'', Ravenna, 14–16 novembre 2002, ed. E. Cavallini. Pisa and Rome: 51–64.
  
 
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
 
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
* Pardini, A.(2001) ‘Interpretare segni di lettura: in margine a P.Oxy. 1790 (Ibico)’, ''RCCM'' 43: 39–46.
+
* Noussia-Fantuzzi, M. (2015) 'The Epic Cycle, Stesichorus, and Ibycus’ in: The Greek Epic Cycle and its ncient Reception: a companion, eds. M. Fantuzzi and C. Tsagalis. Cambridge: 430-49.
 +
 
 +
* Pardini, A.(2001) ‘Interpretare segni di lettura: in margine a P.Oxy. 1790 (Ibico), ''RCCM'' 43: 39–46.
  
* Segal, C. P.  (1998) ‘Beauty, desire, and absence: Helen in Sappho, Alcaeus, and Ibycus’, in ''Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham,Md.: 63–83.
+
* Segal, C. P.  (1998) ‘Beauty, desire, and absence: Helen in Sappho, Alcaeus, and Ibycus’, in ''Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham,Md.: 63–83.
  
 
* Tortorelli, William (2004) 'A Proposed Colometry of Ibycus 286', ''Classical Philology'' 99.4: 370-376. [http://www.journals.uchicago.edu/doi/abs/10.1086/429942 URL]
 
* Tortorelli, William (2004) 'A Proposed Colometry of Ibycus 286', ''Classical Philology'' 99.4: 370-376. [http://www.journals.uchicago.edu/doi/abs/10.1086/429942 URL]
Line 1,262: Line 1,450:
  
 
=== Anacreon ===
 
=== Anacreon ===
* Achilleos, S. (2004) ‘The ''Anacreontea'' and a tradition of refined male sociability’ in ''A Pleasing Sinne: Drink and Conviviality in Seventeenth-Century England'', ed. A. Smyth. Cambridge: 21-35.
+
* Achilleos, S. (2004) ‘The ''Anacreontea'' and a tradition of refined male sociability’ in ''A Pleasing Sinne: Drink and Conviviality in Seventeenth-Century England'', ed. A. Smyth. Cambridge: 21-35.
  
 
* Aloni, A. (2000) 'Anacreonte a Atene: datazione e significato di alcune iscrizioni tiranniche', ''ZPE'' 130: 81-94.
 
* Aloni, A. (2000) 'Anacreonte a Atene: datazione e significato di alcune iscrizioni tiranniche', ''ZPE'' 130: 81-94.
  
* Braghetti, G. A. (2001) 'L'interpretazione dell' "io" nella lirica arcaica: alcuni esempi anacreontei', in ''I lirici greci: forme della comunicazione e storia del testo'', eds. M. Cannatà Fera and G. B. D'Alessio. Messina: 135-40.
+
* Bernsdorff, H. (2011). Notes on P. Oxy. 3722 (Commentary on Anacreon). Zeitschrift für Papyrologie und Epigraphik, 29-34.
 +
 
 +
* Braghetti, G. A. (2001) 'L'interpretazione dell' "io" nella lirica arcaica: alcuni esempi anacreontei', in ''I lirici greci: forme della comunicazione e storia del testo'', eds. M. Cannatà Fera and G. B. D'Alessio. Messina: 135-40.
  
* Brown, M. (1999) ‘Passion and love: Anacreontic song and the roots of Romantic lyric’, ''English Literary History'' 66: 373–404.
+
* Brown, M. (1999) ‘Passion and love: Anacreontic song and the roots of Romantic lyric’, ''English Literary History'' 66: 373–404.
  
 
* Budelmann, Felix (2009) 'Anacreon and the Anacreontea' in ''The Cambridge companion to Greek lyric'', Budelmann, Felix (ed.). Cambridge: 227-39.
 
* Budelmann, Felix (2009) 'Anacreon and the Anacreontea' in ''The Cambridge companion to Greek lyric'', Budelmann, Felix (ed.). Cambridge: 227-39.
  
* Campbell, D. A. (1990) ‘Herrick to Anacreon’, in ''Cabinet of the Muses: Essays on Classical and Comparative Literature in Honor of Thomas G. Rosenmeyer'', ed. M. Griffith and D. J. Mastronarde. Atlanta, Ga.: 333–41.
+
* Campbell, D. A. (1990) ‘Herrick to Anacreon’, in ''Cabinet of the Muses: Essays on Classical and Comparative Literature in Honor of Thomas G. Rosenmeyer'', ed. M. Griffith and D. J. Mastronarde. Atlanta, Ga.: 333–41.
  
 
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
 
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
* Iannucci, A. (1999) 'Callimaco, Anacreonte e il ‘bere vino’ (Callim. Aet. fr. 178,11 s. Pf.; Anacr. fr. 56 Gent. = 2 W.)', ''Quaderni del Dipartimento di Filologia, Linguistica e Tradizione Classica  di Torino'' 12: 131-140.
+
* Iannucci, A. (1999) 'Callimaco, Anacreonte e il ‘bere vino’ (Callim. Aet. fr. 178,11 s. Pf.; Anacr. fr. 56 Gent. = 2 W.)', ''Quaderni del Dipartimento di Filologia, Linguistica e Tradizione Classica  di Torino'' 12: 131-140.
  
 
* Kantzios, Ippokratis (2005) 'Tyranny and the Symposion of Anacreon', ''Classical Journal'' 100: 227-45.
 
* Kantzios, Ippokratis (2005) 'Tyranny and the Symposion of Anacreon', ''Classical Journal'' 100: 227-45.
Line 1,282: Line 1,472:
 
* Ladianou, Katerina (2005) 'The Poetics of Choreia: Imitation and Dance in the ''Anacreontea'' ', ''Quaderni Urbinati di Cultura Classica'' 80: 47-60.
 
* Ladianou, Katerina (2005) 'The Poetics of Choreia: Imitation and Dance in the ''Anacreontea'' ', ''Quaderni Urbinati di Cultura Classica'' 80: 47-60.
  
* Lenz, L. (1994) ‘Zwei Flaneure: Anakreon 54 D (=388 PMG) und Horaz’ 4. Epode’, ''Gymnasium'' 101: 483–501.
+
* Lenz, L. (1994) ‘Zwei Flaneure: Anakreon 54 D (=388 PMG) und Horaz’ 4. Epode’, ''Gymnasium'' 101: 483–501.
  
* Mason, T. (1990) ‘Abraham Cowley and the wisdom of Anacreon’, ''The Cambridge Quarterly'' 19: 103–37.
+
* Mason, T. (1990) ‘Abraham Cowley and the wisdom of Anacreon’, ''The Cambridge Quarterly'' 19: 103–37.
  
* Molfino, M. (1998) ‘Lusit Anacreon. Esegesi anacreontea antica in P.Oxy. 3722’,''Maia'' 50: 317–28.
+
* Molfino, M. (1998) ‘Lusit Anacreon. Esegesi anacreontea antica in P.Oxy. 3722’,''Maia'' 50: 317–28.
  
* O’Brien, J. (1995) ''Anacreon Redivivus: A Study of Anacreontic Translation in Midsixteenth-century France''. Ann Arbor.
+
* O’Brien, J. (1995) ''Anacreon Redivivus: A Study of Anacreontic Translation in Midsixteenth-century France''. Ann Arbor.
  
* Pelliccia, H. (1991) ‘Anacreon 13 (358 PMG)’, ''CPh'' 86: 30–6.
+
* Pelliccia, H. (1991) ‘Anacreon 13 (358 PMG), ''CPh'' 86: 30–6.
  
* Pfeijffer, I. L. (2000) ‘Playing ball with Homer: an interpretation of Anacreon 358 PMG’, ''Mnemosyne'' 53: 164–84.
+
* Pfeijffer, I. L. (2000) ‘Playing ball with Homer: an interpretation of Anacreon 358 PMG’, ''Mnemosyne'' 53: 164–84.
  
* Price, S. D. (1990) ‘Ancreontic vases reconsidered’, ''GRBS'' 31: 133–75.
+
* Price, S. D. (1990) ‘Ancreontic vases reconsidered’, ''GRBS'' 31: 133–75.
  
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. Alessandria: 57–71.
+
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. Alessandria: 57–71.
  
* Ridgway, B. S. (1998) ‘An issue of methodology: Anakreon, Perikles, Xanthippos’, ''AJA'' 102: 717–38.
+
* Ridgway, B. S. (1998) ‘An issue of methodology: Anakreon, Perikles, Xanthippos’, ''AJA'' 102: 717–38.
  
 
* Rosenmeyer, P. A. (1992) ''The Poetics of Imitation: Anacreon and the Anacreontic Tradition''. Cambridge.
 
* Rosenmeyer, P. A. (1992) ''The Poetics of Imitation: Anacreon and the Anacreontic Tradition''. Cambridge.
  
* Rosenmeyer, P. A.  (2002) ‘The Greek Anacreontics and sixteenth-century French lyric poetry’, in ''The Classical Heritage in France'', ed. G. Sandy. Leiden: 393–424.
+
* Rosenmeyer, P. A.  (2002) ‘The Greek Anacreontics and sixteenth-century French lyric poetry’, in ''The Classical Heritage in France'', ed. G. Sandy. Leiden: 393–424.
 +
 
 +
* Roth, M. (2000) ‘“Anacreon” and drink poetry; or, the art of feeling very very good’, ''Texas Studies in Literature and Language'', 42: 314–45.
 +
 
 +
* Slings, S.R. (1978) 'Anacreon's two meadows', ''Zeitschrift für Papyrologie und Epigraphik'' 30: 38.  
  
* Roth, M. (2000) ‘“Anacreon” and drink poetry; or, the art of feeling very very good’, ''Texas Studies in Literature and Language'', 42: 314–45.
+
* Slings, S.R. (1998) 'Hoge en lage lyriek in de zesde eeuw: II Anakreon', ''Hermeneus'' 70: 247-253. In Dutch.
  
* Steinrück, M. (1995) 'Lautechos bei Anacreon', in ''Lo spettacolo delle voci'', eds. F. De Martino A.H. Sommerstein. Bari: 173-192.
+
* Steinrück, M. (1995) 'Lautechos bei Anacreon', in ''Lo spettacolo delle voci'', eds. F. De Martino A.H. Sommerstein. Bari: 173-192.
  
* Vetta, M. (1998) ‘Anacreonte e i cospiratori di Samo (fr. 21 G.)’, ''RCCM'' 40: 321–7.
+
* Vetta, M. (1998) ‘Anacreonte e i cospiratori di Samo (fr. 21 G.), ''RCCM'' 40: 321–7.
  
 
* Vox, O. (1990) ''Studi Anacreontei''. Bari.
 
* Vox, O. (1990) ''Studi Anacreontei''. Bari.
  
* Williamson, M. (1998) ‘Eros the blacksmith: performing masculinity in Anakreon’s love lyrics’, in ''Thinking Men: Masculinity and its Self-Representation in the Classical Tradition'', ed. L. Foxhall and J. Salmon. London: 71–82.
+
* Williamson, M. (1998) ‘Eros the blacksmith: performing masculinity in Anakreon’s love lyrics’, in ''Thinking Men: Masculinity and its Self-Representation in the Classical Tradition'', ed. L. Foxhall and J. Salmon. London: 71–82.
  
 
* Yatromanolakis, Dimitrios  (2007) ''Sappho In The Making: The Early Reception''. Cambridge, MA.
 
* Yatromanolakis, Dimitrios  (2007) ''Sappho In The Making: The Early Reception''. Cambridge, MA.
  
 
=== Simonides ===
 
=== Simonides ===
* Aloni, A. (2006) ‘A proposito di Simon. fr. 22 W2 e Ael. Aristid. 31,2 K.’, ''Eikasmos'' 17: 69-73.
+
* Aloni, A. (1994) 'L’elegia di Simonide dedicate alla battaglia di Platea (Sim. frr. 10-18 W2 ) e l’occasione della sua performance', ''ZPE'' 102 (1994) 9-22. In English as:  'The proem of Simonides’ Plataea elegy and the circumstances of its performance', in Boedeker and Sider (2001), pp. 86-105.
 +
 
 +
* Aloni, A. (2006) ‘A proposito di Simon. fr. 22 W2 e Ael. Aristid. 31,2 K., ''Eikasmos'' 17: 69-73.
  
 
* Andreoli, Francesca (2005) ''Per un riesame critico del 'nuovo Simonide' elegiaco''. Parma. [https://dspace-unipr.cilea.it/bitstream/1889/406/7/simonide.pdf PDF].
 
* Andreoli, Francesca (2005) ''Per un riesame critico del 'nuovo Simonide' elegiaco''. Parma. [https://dspace-unipr.cilea.it/bitstream/1889/406/7/simonide.pdf PDF].
  
* Barchiesi, A. (1996) ‘Poetry, praise, and patronage: Simonides in the fourth book of Horace’s Odes’, ''ClAnt'' 15: 5-47.
+
* Angeli Bernardini, P. (1969) 'Simonide: Rassegna critica delle edizioni, traduzioni e studi dal 1949 al 1968 (1969'), ''QUCC'' 8 (1969) 140-68.
  
* Barrigón, M.C. (2002) 'La expresión del sentimiento amoroso en Simónides', ''Humanitas'' 54: 9-33.
+
* Argentieri, L. (1988) ‘Epigrammi e libro: Morfologia delle raccolte epigrammatiche premeleagree’, ''ZPE'' 121: 1 20.
  
* Bartol, K. (1993) ''Greek Elegy and Iambus: Studies in Ancient Literary Sources''. Uniwersytet im. Adama Mickiewicza w Poznaniu.
+
* Arrighetti, G. (2007) ‘La ἐπώνυμος ἡμιθέων γενεή di Simonide, fr. 11, 16-18 W2’. ''Eikasmos'' 18: 89-98.
  
* Bartol, K. (1998) 'Schnee beim Gelage zu Simonides, ''Eleg''. 25 W.2', ''Eos'' 85: 185-188.
+
* Arroyo, A. M. (2010) ‘Simonide e Teognide: i contesti eroici dell’elegia classica’, in E. Bona and M. Curnis (eds.), Linguaggi del potere, poteri del linguaggio = Langages du pouvoir, pouvoirs du langage (Alessandria): 97-106.
  
* Bartol, K. (1999) 'Between Loyalty and Treachery. P. Oxy. 2327 fr. 1+ 2(a) col. I = Simonides 21 West2 - Some Reconsiderations', ''ZPE'' 126: 26-28.
+
* Barchiesi, A. (1996) ‘Poetry, praise, and patronage: Simonides in the fourth book of Horace’s Odes’, ''ClAnt'' 15: 5-47.
  
* Bell, J. M. (1978) ‘Κίμβιξ καὶ σοφός: Simonides in the anecdotal tradition’, ''QUCC'' 28: 29–86.
+
* Barchiesi, A. (1995) ‘Simonide e Orazio sulla morte di Achille’, ''ZPE'' 104: 33-8.
  
* Bernsdorff, H. (1996) 'Zu Simonides Fr. 22 West2', ''ZPE'' 114: 24-26.
+
* Barigazzi, A. (1963). ‘Nuovi frammenti delle elegie di Simonide (Ox.Pap. 2327)’, MH 20: 61-76.  
  
* Boedeker, D. (1995) 'Simonides on Plataea: Narrative Elegy, Mythodic History' ''ZPE'' 107: 217-229.
+
* Barrigón Fuentes, C. (2002). L’a expresión del sentimiento amoroso en Simónides’. ''Humanitas'' (Coimbra) 54: 9-33.
  
* Boedeker, D. (1998) 'The New Simonides and Heroization at Plataia' in ''Archaic Greece: New Approaches and New Evidence'', eds. Nick Fisher and Hans van Wees. Cardiff and London: 231-249.  
+
* Barrigón Fuentes, C. (2007). ‘Simónides de Ceos y su concepción poética’, in E. Suárez De La Torre (ed.), ''Teoría y Práctica de la Composición Poética en el Mundo Antiguo e su Pervivencia'' (Valladolid).  
  
* Boedeker, D. and Sider, D. (eds.) (2001) ''The New Simonides: Contexts of Praise and Desire''. Oxford.
+
* Bartol, K. (1993) ''Greek Elegy and Iambus: Studies in Ancient Literary Sources''. Uniwersytet im. Adama Mickiewicza w Poznaniu.
** Contents: '''Part I''' Fragments 1-22 W² : text, apparatus criticus, and translation - David Sider '''Part II''' 1. The new Simonides : toward a commentary - Ian Rutherford 2. "These fragments we have shored against our ruin" - Peter Parsons 3. The genre of Plataea : generic unity in the new Simonides - Dirk Obbink 4. The proem of Simonides' Plataea elegy and the circumstances of its performance - Antonio Aloni 5. A bard of the Iron Age and his auxiliary muse - Eva Stehle 6. Heroic historiography : Simonides and Herodotus on Plataea - Deborah Boedeker 7. Epic and epiphanies : Herodotus and the "new Simonides" - Simon Hornblower 8. Paths to heroization at Plataea - Deborah Boedeker 9. Lords of Hellas, old men of the sea : the occasion of Simonides' elegy on Plataea - P.-J. Shaw 10. The new Simonides and Homer's Hemitheoi - Jenny Strauss Clay 11. Utopian and erotic fusion in a new elegy by Simonides - Sarah Mace 12. To sing or to mourn? A reappraisal of Simonides 22 W² - Dimitrios Yatromanolakis 13. "New Simonides" or old Semonides? Second thoughts on POxy 3965 fr. 26 - Thomas K. Hubbard 14. Heroes, descendants of Hemitheoi : the proemium of Theocritus and Simonides 11 W² - Marco Fantuzzi 15. The poet unleaved : Simonides and Callimachus - Richard Hunter 16. Simonides and Horace on the death of Achilles - Alessandro Barchiesi 17. Simonides and Horace - Stephen Harrison 18. "As is the generation of leaves" in Homer, Simonides, Horace, and Stobaeus - David Sider
 
  
* Bravi, Luigi (ed.) (2006) ''Gli epigrammi di Simonide e le vie della tradizione. Filologia e critica'' 94. Roma: Edizioni dell'Ateneo. Reviewed by Sider, David (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-02-47.html ''BMCR'' 2008.02.47].
+
* Bartol, K. (1998) 'Schnee beim Gelage zu Simonides, ''Eleg''. 25 W.2', ''Eos'' 85: 185-188.
  
* Bremer, J.M. (1991) 'Poets and their patrons', in ''Fragmenta Dramatica'', eds. A. Harder and H. Hofmann. Göttingen: 39-60. In this paper a substantial section on Simonides and Pindar.
+
* Bartol, K. (1999) 'Between Loyalty and Treachery. P. Oxy. 2327 fr. 1+ 2(a) col. I = Simonides 21 West2 - Some Reconsiderations', ''ZPE'' 126: 26-28.
  
* Brillante, C. (2000) 'Simonide, fr. Eleg. 22 West2', ''QUCC'' 64: 29-38.
+
* Bearzot, Cinzia. (1997). ‘P.Oxy. 3965: Considerazioni sulla data e sull’ispirazione dell’elegia di Simonide per la battaglia di Platea’, in B. Kramer et al. (eds.), ''Akten des 21. Internationalen Papyrologenkongresses'', Berlin, 13.-19. 8. 1995 (Stuttgart): 71-9.
  
* Campbell, D.A. (ed.) (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others''. Cambridge MA and London.
+
* Bell, J. M. (1978) ‘Κίμβιξ καὶ σοφός: Simonides in the anecdotal tradition’, ''QUCC'' 28: 29–86.
  
* Capra, A. (2001) ‘“Addio, Achille”, o il commiato dell’epos (Simon. fr. 11,13–21 W.2)’, ''Eikasmos 12'': 43–54.
+
* Benelli, L. (2013) 'P. Oxy. XXV 2434 Fr. 5–6', APF 59.2: 298-300.
  
* Capra, A. (2004) ‘Simonide e le corone di Omero’, in: '' Momenti della ricezione omerica: Poesia arcaica e teatro, ed. G. Zanetto et al. (Quaderni di Acme 67).'' Milan: 101–26.
+
* Bernsdorff, H. (1996) 'Zu Simonides Fr. 22 West2', ''ZPE'' 114: 24-26.
  
* Demos, M. (1999) ''Lyric Quotation in Plato''. Lanham, Md. [Simonides, Pindar, Stesichorus]
+
* Boedeker, D. (1995) 'Simonides on Plataea: Narrative Elegy, Mythodic History' ''ZPE'' 107: 217-229.
  
* Flower, M. A. (2000) ‘From Simonides to Isocrates: the fifth-century origins of fourth century panhellenism’, ''ClAnt'' 19: 65–101.
+
* Boedeker, D. (1998) 'The New Simonides and Heroization at Plataia' in ''Archaic Greece: New Approaches and New Evidence'', eds. Nick Fisher and Hans van Wees. Cardiff and London: 231-249.  
  
* Hutchinson, G.O. (ed.) (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
+
* Boedeker, D. (2007). ‘The View from Eleusis Demeter in the Persian Wars’, in E. Bridges, E. Hall, and P. J. Rhodes (eds.), Cultural Responses to the Persian Wars: Antiquity to the Third Millennium (New York): 65-80.
  
* Kowerski, L.M. (2005) ''Simonides on the Persian Wars: A Study of the Elegiac Verses of the ‘New Simonides’''. New York and London.
+
* Boedeker, D. and Sider, D. (eds.) (2001) ''The New Simonides: Contexts of Praise and Desire''. Oxford.
 +
** Contents: '''Part I''' Fragments 1-22 W² : text, apparatus criticus, and translation - David Sider '''Part II''' 1. The new Simonides : toward a commentary - Ian Rutherford 2. "These fragments we have shored against our ruin" - Peter Parsons 3. The genre of Plataea : generic unity in the new Simonides - Dirk Obbink 4. The proem of Simonides' Plataea elegy and the circumstances of its performance - Antonio Aloni 5. A bard of the Iron Age and his auxiliary muse - Eva Stehle 6. Heroic historiography : Simonides and Herodotus on Plataea - Deborah Boedeker 7. Epic and epiphanies : Herodotus and the "new Simonides" - Simon Hornblower 8. Paths to heroization at Plataea - Deborah Boedeker 9. Lords of Hellas, old men of the sea : the occasion of Simonides' elegy on Plataea - P.-J. Shaw 10.  The new Simonides and Homer's Hemitheoi - Jenny Strauss Clay 11. Utopian and erotic fusion in a new elegy by Simonides - Sarah Mace 12. To sing or to mourn? A reappraisal of Simonides 22 W² - Dimitrios Yatromanolakis 13. "New Simonides" or old Semonides? Second thoughts on POxy 3965 fr. 26 - Thomas K. Hubbard 14. Heroes, descendants of Hemitheoi : the proemium of Theocritus and Simonides 11 W² - Marco Fantuzzi 15. The poet unleaved : Simonides and Callimachus - Richard Hunter 16. Simonides and Horace on the death of Achilles - Alessandro Barchiesi 17. Simonides and Horace - Stephen Harrison 18. "As is the generation of leaves" in Homer, Simonides, Horace, and Stobaeus - David Sider
  
* Mace, S. (2001) 'Utopian and erotic fusion in a new elegy by Simonides (22 West2)', in ''The New Simonides: Contexts of Praise and Desire'', ed. D. Boedeker and D. Sider. New York and Oxford: 185–207.
+
* Bravi, Luigi (ed.) (2006) ''Gli epigrammi di Simonide e le vie della tradizione. Filologia e critica'' 94. Roma: Edizioni dell'Ateneo. Reviewed by Sider, David (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-02-47.html ''BMCR'' 2008.02.47].
  
* Mayer, Péter (2007) 'Überlegungen zum Vortragskontext und zur Aussage der 'Plataia-Elegie' des Simonides (frr. 10-18 W2)', ''Hermes'' 135: 373-388.
+
* Bravi, Luigi. (2005). ‘Gli epigrammi di Simonide e il P.Mil.Vogl. VIII 309’, in M. Di Marco et al., eds. Posidippo e gli altri: Il poeta, il genere, il contesto culture e letterario. Pisa/Rome: pp. 1-7.
  
* Molyneux, J.H. (1992) ''Simonides: A Historical Study''. Wauconda.
+
* Bremer, J.M. (1991) 'Poets and their patrons', in ''Fragmenta Dramatica'', eds. A. Harder and H. Hofmann. Göttingen: 39-60. In this paper a substantial section on Simonides and Pindar.
  
* Most, G.W. (1994) ‘Simonides’ ode to Scopas in contexts’, in ''Modern Critical Theory and Classical Literature'', ed. I. J. F. de Jong and J. P. Sullivan. Leiden: 127–52.
+
* Bremmer, J. (2006). ‘The rise of the hero cult and the new Simonides’, ZPE 158: 15-26.  
  
* Obbink, D. (1996) 'The Hymnic structure of the New Simonides', ''Arethusa'' 29: 193-204.
+
* Brillante, C. (2000) 'Simonide, fr. Eleg. 22 West2', ''QUCC'' 64: 29-38.
  
* O’ Hara, J. (1998) 'Venus or the Muse as 'ally' (Lucr. 1.24, Simon. frag. Eleg. 11.20-22 W)', ''CP'' 93: 69-74.
+
* Burzacchini, G. (1995). ‘Note al nuovo Simonide’, Eikasmos 6: 21-35.
  
* Parsons, P.J. (1992) ‘3965: Simonides, Elegies’, in ''Oxyrhynchus Papyri'' 59: 4–50.
+
* Campbell, D.A. (ed.) (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others''. Cambridge MA and London.
  
* Petrovic, A. (2002) 'Der simonideische makros logos und die sophokleische ''Antigone''. Zur Identifizierung einer alten dramatischen Gestaltungsweise', ''Phaos Revista de Estudos Classicos'' 2: 121-131.
+
* Capra, A. (2001) ‘“Addio, Achille”, o il commiato dell’epos (Simon. fr. 11,13–21 W.2)’, ''Eikasmos 12'': 43–54.
  
* Petrovic, A. (2007) ''Kommentar zu den simonideischen Versinschriften''. Leiden-Boston: Brill.
+
* Capra, A. (2004) ‘Simonide e le corone di Omero’, in ''Momenti della ricezione omerica: Poesia arcaica e teatro'', ed. G. Zanetto et al. (Quaderni di Acme 67). Milan: 101–26.
  
* Poltera, O. (1997) ''Le langage de Simonide. Étude sur la tradition poétique et son renouvellement''. Bern.
+
* Capra, A.and M. Curti (1995). ‘Semidei simonidei: Note sull’elegia di Simonide per la battaglia di Platea (P.Oxy. 3965 frr. 1-2 + 2327 fr. 6 + 27 col. i)’, ''ZPE'' 104: 27-32.
  
* Poltera, O. (ed.) (2008) ''Simonides lyricus. Testimonia und Fragmente. Einleitung, kritische Ausgabe, Übersetzung und Kommentar''. Basel.  
+
* Cassio, A. C. (1994). ‘I distici del polyandrion di Ambracia e l᾿ ‘io anonimo’ nell᾿epigramma greco’, ''SMEA'' 33: 101-17.
  
* Rawles, R. (2005) 'Simonides and a new papyrus in Princeton', ''ZPE'' 153: 59-67. This article is an edition of P. Princeton inv. AM87-59A with comment. The papyrus contains a Simonides testimonium.
+
* Cataudella, Q. ,’L’elegia di Semonide e l’ode di Orazio IV 7’, ''Boll. di Filol. class.'' 1929) 229-32; repr. in id. ''Intorno ai lirici greci'' (Rome 1972) 16-20.
  
* Rawles, R. (2008) 'Simonides and Theocritus 4: intertextual readings', ''MD'' 59: 9-34.
+
* Catenacci, C. (2000). ‘L’eros impossibile e ruoli omoerotici (Simonide fr. 21 West2)’, ''QUCC'' 66: 57-67.
  
* Rawles, R. (2008) 'Simonides fr.11.14 W: "Close-fighting Danaans"', ''Mnemosyne'' 61.3: 459-66.
+
* Catenacci, C.. (2001). ‘Simonide e i Corinzi nella battaglia di Platea (Plut. De Herodt. malign. 872D-E = Simon. frr.15-16 West)’, ''QUCC'' 67: 117-31.
  
* Robbins, E. (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. D. E. Gerber. Leiden: 223–42.
+
* Catenacci, C.. (2002). ‘Simonide, fr. 11, 17 W2: (elegia per la battaglia di Platea), in M. S. Celentano (ed.), ''Τέρψις: In ricordo di Maria Laetitia Coletti'' (Alessandria), pp. 29-33.
  
* Rutherford, I. (1990) 'Paeans by Simonides', ''HSCP'' 93: 169-209.
+
* Demos, M. (1999) ''Lyric Quotation in Plato''. Lanham, Md. [Simonides, Pindar, Stesichorus]
  
* Rutherford, I. (1996) 'The New Simonides: towards a commentary', ''Arethusa'' 29: 167-192.
+
* D’Alfonso, F. (2003). ‘Il ringiovanimento nelle terre dell'utopia: (Simonides 22 W.2 = P.Oxy. 2327 fr. 3 + 2a col. II + b + 4 + P.Oxy. 3965 fr. 27)’, ''Riv.Cultura Class.Med''. 1: 7-32.
  
* Schachter, A. (1998) 'Simonides’ Elegy on Plataia: the occasion of its performance', ''ZPE'' 123: 25-30.
+
* Danielewicz, J. (1994). ‘Nowo odkryte elegie Simonidesa’, ''Meander'' 49: 211-18.
  
* Slings, S.R. (2003) 'De nieuwe Simonides', ''Lampas'' 36: 243-260. In Dutch.
+
* Erbse, H. (1998). ‘Zu den Epigrammen des Simonides’. ''RhM'' 141: 213 30.
  
* Suárez de la Torre, E. (1998) 'El adjetivo ἐπώνυμος en la elegía por la batalla de Platea de Simónides (Fr. 11.17 West2)', ''Lexis'' 16: 29-32.
+
* Fantuzzi, M. (1998). ‘Il proemio di Theocr. 17 e Simon. IEG2  W: Eroi, discendenti di semidei’, ''Prometheus'' 24: 97-110.  
  
* Wiater, N. (2005) 'Eine poetologische Deutung des σηκός in Simonides Fr. 531 PMG', ''Hermes'' 133/1: 44-55.
+
* Flower, M. A. (2000) ‘From Simonides to Isocrates: the fifth-century origins of fourth century panhellenism’, ''ClAnt'' 19: 65–101.
  
* Yatromanolakis, D. (1998) 'Simonides fr. eleg. 22 W2: To Sing or to Mourn?', ''Zeitschrift fuer Papyrologie und Epigraphik'' 120: 1-11 (reprinted in (2002) ''Greek Literature. Vol. 3. Greek Literature in the Archaic Period: The Emergence of Authorship'', ed. G. Nagy. New York/London).
+
* Grethlein, J. (2010). ''The Greeks and Their Past: Poetry, Oratory and History in the Fifth Century BCE.'' (Cambridge). Ch. 3, ‘Elegy: The ‘New Simonides’ and earlier elegies’, pp. 47-73.
  
=== Pindar ===
+
* Hutchinson, G.O. (ed.) (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
Cf. the [http://sites.google.com/site/hellenisticbibliography/pre-hellenistic/pindar  bibliography on Pindar] made by Martine Cuypers that forms part of a [http://sites.google.com/site/hellenisticbibliography/ Hellenistic Bibliography].
 
  
* Agocs, P. (2009) 'Memory and Forgetting in Pindar's Seventh Isthmian' in ''Strategies of Remembrance from Pindar to Hölderlin'', ed. Lucie Dolezalova. Cambridge Scholars' Press: Newcastle: 33-91.
+
* Hunter, R. (1993). ‘One party or two?: Simonides 22 West2’, ''ΖPΕ'' 99: 11-14.
  
* Anzai, M. (1990) ‘The first person in the epinicion’, ''JCS'' 38: 16-29.
+
* Kowerski, L.M. (2005) ''Simonides on the Persian Wars: A Study of the Elegiac Verses of the ‘New Simonides’''. New York and London.
  
* Anzai, M. (1994) ‘First-person forms in Pindar: a re-examination’, ''BICS'' 39: 141-150. This contribution to the meaning of ‘I’ in epinician poetry contains an interpretation of Pindar’s ''Isthmian Eight'', lines 1-18 and an examination of parodoi in tragedy in order to provide indirect confirmation of the theory that an epinican chorus came marching to the place of performance.
+
* Mace, S. (2001) 'Utopian and erotic fusion in a new elegy by Simonides (22 West2)', in ''The New Simonides: Contexts of Praise and Desire'', ed. D. Boedeker and D. Sider. New York and Oxford: 185–207.
  
* Anzai, M. (1999) ‘A chorus who performs a poet: Pindar's ''Third Nemean ode'', 1-12’, ''Mediterraneus'' 22: 19-42.
+
* Mayer, Péter (2007) 'Überlegungen zum Vortragskontext und zur Aussage der 'Plataia-Elegie' des Simonides (frr. 10-18 W2)', ''Hermes'' 135: 373-388.
  
* Athanassaki, L. (1990) ''Mantic Vision and Diction in Pindar’s Victory Odes''. PhD thesis. Brown University.
+
* Molyneux, J.H. (1992) ''Simonides: A Historical Study''. Wauconda.
  
* Athanassaki, L. (1997) 'Οι κυρηναϊκοί θρύλοι στην μυθοποιητική πρόταση του McLaugΠινδάρου' in ''Acta of the First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-Th. Papademetriou. Athens: 199-233. With an extensive English summary.
+
* Most, G.W. (1994) ‘Simonides’ ode to Scopas in contexts’, in ''Modern Critical Theory and Classical Literature'', ed. I. J. F. de Jong and J. P. Sullivan. Leiden: 127–52.
  
* Athanassaki, L. (2003) 'Transformations of Colonial Disruption into Narrative Continuity in Pindar’s Epinician Odes', ''HSCP'' 101: 93-128.
+
* Nobili,, C. (2012) 'Un epinicio di Simonide per gli Spartani (Simonide frr. 34 e 76 Poltera = 519 fr. 132 PMG/S 319 e S 363 SLG)', in M.P. Bologna, M. Ornaghi (eds.), ''Novissima studia. Dieci anni di antichistica milanese. Atti dei seminari di dipartimento 2011'', Milan: 151-180.
  
* Athanassaki, L. (2003) 'A Divine Audience for the Celebration of Asopichus' Victory in Pindar's ''Fourteenth Olympian Ode'' ' in ''Gestures. Essays in Ancient History, Literature and Philosophy Presented to Alan L. Boegehold on the Occasion of His Retirement and His Seventy-Fifth Birthday'', eds. G. W. Bakewell and J. P. Sickinger. Oxford: 3-15.
+
* Obbink, D. (1996) 'The Hymnic structure of the New Simonides', ''Arethusa'' 29: 193-204.
  
* Athanassaki, L. (2004) 'Deixis, Performance, and Poetics in Pindar's ''First Olympian Ode'' ' in ''Deixis in Choral Lyric'', ed. Nancy Felson. ''Arethusa'': 317-341.
+
* O’ Hara, J. (1998) 'Venus or the Muse as 'ally' (Lucr. 1.24, Simon. frag. Eleg. 11.20-22 W)', ''CP'' 93: 69-74.
  
* Athanassaki, L. (2009) ‘Apollo and his Oracle in Pindar’s Epinicians: Poetic Representations, Politics, and Ideology’ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.). Athens: 405-72.
+
* Parsons, P.J. (1992) ‘3965: Simonides, Elegies’, in ''Oxyrhynchus Papyri'' 59: 4–50.
  
* Athanassaki, L. (2009) 'Deixis, Narratology, and the Performance of Choral Lyric: On Pindar's ''First Pythian Ode'' ' in ''Narratology and Interpretation. The Content of the Form of the Ancient Texts'', eds. J. Gretlein and A. Rengakos. Berlin. 241-73.
+
* Petrovic, A. (2002) 'Der simonideische makros logos und die sophokleische ''Antigone''. Zur Identifizierung einer alten dramatischen Gestaltungsweise', ''Phaos Revista de Estudos Classicos'' 2: 121-131.
  
* Athanassaki, L. (2009) ''ἀείδετο πὰν τέμενος. Οι χορικές παραστάσεις και το κοινό τους στην αρχαϊκή και πρώϊμη κλασική περίοδο''. Herakleion. Study of choral performance contexts especially in Alcman, Pindar, and Bacchylides.  [http://www.cup.gr/ViewShopProduct.aspx?ProductId=279696&LangId=1 More information]. Reviewed by Katerina Ladianou [http://bmcr.brynmawr.edu/2010/2010-09-21.html BMCR 2010.09.21].
+
* Petrovic, A. (2007) ''Kommentar zu den simonideischen Versinschriften''. Leiden-Boston: Brill.
  
* Athanassaki, L. (2010) 'Giving Wings to the Aeginetan Sculptures: The Panhellenic Aspirations of Pindar's ''Olympian Eight'' ' in ''Aegina: Contexts For Choral Lyric Poetry'', ed. D. Fearn. Oxford. 257-93. [http://www.amazon.com/gp/reader/0199546517/ref=sib_dp_bod_toc?ie=UTF8&p=S008#reader-link Table of Contents]
+
* Poltera, O. (1997) ''Le langage de Simonide. Étude sur la tradition poétique et son renouvellement''. Bern.
  
* Athanassaki, L. (2011) 'Song, politics, and cultural memory: Pindar's Pythian 7 and the Alcmaeonid temple of Apollo' in: ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'', eds. L. Athanassaki & E.L. Bowie. Berlin/New York: 235-68.  
+
* Poltera, O. (ed.) (2008) ''Simonides lyricus. Testimonia und Fragmente. Einleitung, kritische Ausgabe, Übersetzung und Kommentar''. Basel.  
  
* Bagordo, A. (2003) 'L'omaggio letterario di un ateniese a un tebano (Aesch. ''Sept''. 774; Pind. fr. [dith.] 75.3 ss. Sn.-M.)' in ''RHYSMOS. Studi di poesia, metrica e musica greca offerti dagli allievi a Luigi Enrico Rossi per i suoi settant' anni'', ed. R. Nicolai. Roma: 205-9.
+
* Rawles, R. (2005) 'Simonides and a new papyrus in Princeton', ''ZPE'' 153: 59-67. This article is an edition of P. Princeton inv. AM87-59A with comment. The papyrus contains a Simonides testimonium.
  
* Barker, A. (2003) 'Lullaby for an eagle (Pindar, ''Pythian'' 1)', in ''Sleep'', T. Wiedemann and K. Dowden (eds.). Nottingham Classical Literature Studies vol. 8. Bari: 107-124.
+
* Rawles, R. (2008) 'Simonides and Theocritus 4: intertextual readings', ''MD'' 59: 9-34.
  
* Berge, L. van den (2007) 'Mythical chronology in the Odes of Pindar: The cases of ''Pythian'' 10 and ''Olympian'' 3' in ''The Language of Literature. Linguistic Approaches to Classical Texts'', eds.  R.J. Allan and M. Buijs. Leiden: 29-41. Reviewed by D. Kölligan [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-01.html BMCR 2008.07.01].
+
* Rawles, R. (2008) 'Simonides fr.11.14 W: "Close-fighting Danaans"', ''Mnemosyne'' 61.3: 459-66.
  
* Boeke, Hanna (2007) ''The Value of Victory in Pindar's Odes. Gnomai, Cosmology and the Role of the Poet''. Leiden and Boston.''Mnemosyne Supplementa'' 285. [http://lccn.loc.gov/2007046054 Table of Contents]. Reviewed by Xanthou, Maria G. [http://ccat.sas.upenn.edu/bmcr/2008/2008-11-23.html ''BMCR'' 2008.11.23].
+
* Rawles, R. (2008) 'Simonides and Theocritus 4: intertextual readings.' ''Materiali e discussioni per l’analisi dei testi classici.'' 59, 9-34.  
  
* Bona, G. (1995) 'Pindaro tra poeti e filologi alessandrini', in ''Atti del Congresso ‘Poeti e Filologi, Filologi-Poeti’. Composizione e studio della poesia epica e lirica nel mondo greco e romano, Brescia, Università Cattolica, 26-27 aprile 1995'', eds. A. Porro and G. Milanese, ''Aevum(ant)'' 8: 87-103.
+
* Rawles, R. (2013) 'Aristophanes’ Simonides: Lyric Models for Praise and Blame.' in: ''Greek Comedy and the Discourse of Genres'', E. Bakola, L. Prauscello and M. Telo eds. Cambridge. <!-- Pages! -->
  
* Bonifazi, A. (2000) 'Sull’ idea di sotterfugio orale negli epinici pindarici', ''Quaderni Urbinati di Cultura Classica'' 95: 69-86.
+
* Robbins, E. (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. D. E. Gerber. Leiden: 223–42.
  
* Bonifazi, A. (2001) ''Mescolare un cratere di canti. Pragmatica della poesia epinicia in Pindaro''. Alessandria.  
+
* Rutherford, I. (1990) 'Paeans by Simonides', ''HSCP'' 93: 169-209.
  
* Bonifazi, A. (2004) 'Communication in Pindar’s Deictic Acts', ''Arethusa'' 37: 391-414.
+
* Rutherford, I. (1996) 'The New Simonides: towards a commentary', ''Arethusa'' 29: 167-192.
  
* Bonifazi, A. (2004) 'κεῖνος in Pindar: Between Grammar and Poetic Intention', ''Classical Philology'' 99: 283-99.
+
* Schachter, A. (1998) 'Simonides’ Elegy on Plataia: the occasion of its performance', ''ZPE'' 123: 25-30.
  
* Bonifazi, A. (2004) 'Relative Pronouns and Memory: Pindar Beyond Syntax', ''Harvard Studies in Classical Philology'' 102: 41-68.
+
* Slings, S.R. (2003) 'De nieuwe Simonides', ''Lampas'' 36: 243-260. In Dutch.
  
* Braswell, B.K. (ed.) (1998) ''A Commentary on Pindar Nemean Nine. (Texte und Kommentare'' 19). Berlin and New York. Reviewed by R. Hamilton [http://bmcr.brynmawr.edu/1999/1999-01-01.html BMCR 1999.01.01]
+
* Suárez de la Torre, E. (1998) 'El adjetivo ἐπώνυμος en la elegía por la batalla de Platea de Simónides (Fr. 11.17 West2)', ''Lexis'' 16: 29-32.
  
* Bremer, J.M. (1990) 'Pindar's paradoxical ego and a recent controversy about the performance of his epinicians', in ''The Poet's I in Archaic Greek Poetry'', ed. S.R. Slings. Amsterdam: 41-58.
+
* Wiater, N. (2005) 'Eine poetologische Deutung des σηκός in Simonides Fr. 531 PMG', ''Hermes'' 133/1: 44-55.
  
* Bremer, J.M. (1991) 'Poets and their patrons', in ''Fragmenta Dramatica'', eds. A. Harder and H. Hofmann. Göttingen: 39-60. In this paper a substantial section on Simonides and Pindar.
+
* Yatromanolakis, D. (1998) 'Simonides fr. eleg. 22 W2: To Sing or to Mourn?', ''Zeitschrift fuer Papyrologie und Epigraphik'' 120: 1-11 (reprinted in (2002) ''Greek Literature. Vol. 3. Greek Literature in the Archaic Period: The Emergence of Authorship'', ed. G. Nagy. New York/London).
  
* Briand, M. (1996) 'Quand Pindare dit qu'il se tait... Analyses sémantiques et pragmatiques du silence énoncé' in ''Hommage à Jean-Pierre Weiss'', Publications de la Faculté des Lettres de l'Université de Nice: 211-239.
+
=== Pindar ===
 +
Cf. the [http://sites.google.com/site/hellenisticbibliography/pre-hellenistic/pindar  bibliography on Pindar] compiled by Martine Cuypers that forms part of a [http://sites.google.com/site/hellenisticbibliography/ Hellenistic Bibliography] and the bibliography compiled by G. Tsatsani of the University of Crete: [[Media:TSATSANI-Bibliography_in_Pindar's_Odes.pdf‎]].
  
* Briand, M. (2001) 'Quand Pindare nomme Homère... Théories du nom propre, étymologies, intertextualités et énonciation lyrique' in ''Fiction d'auteur? Le discours biographique sur l'auteur de l'Antiquité à nos jours'', eds. S. Dubel et S. Rabau. Paris: 25-46.
+
* Agocs, P. (2009) 'Memory and Forgetting in Pindar's Seventh Isthmian' in ''Strategies of Remembrance from Pindar to Hölderlin'', ed. Lucie Dolezalova. Cambridge Scholars' Press: Newcastle: 33-91.
  
* Briand, M. (2003) 'Le vocabulaire de l'excellence chez Pindare', ''Revue de philologie, de littérature et d'histoire anciennes'' 77.2: 203-218.
+
* Agocs, P. & Carey, C. & Rawles, R. (ed.) (2012) ''Reading the Victory Ode''. Cambridge. [http://greeksong.ruhosting.nl/images/7/7b/Ag%C3%B3cs_victory_ode_toc.pdf Table of Contents]
  
* Briand, M. (2008) 'Les épinicies de Pindare sont-elles lyriques? ou Du trouble dans les genres poétiques anciens' in ''Le genre de travers: littérature et transgénéricité'', eds. D. Moncond'huy & H. Scepi. La Licorne, PU de Rennes: 21-42.
+
* Anzai, M. (1990) ‘The first person in the epinicion’, ''JCS'' 38: 16-29.
  
* Briand, M. (2008) 'La limite et l'envol: les fins paradoxales des épinicies de Pindare', in ''Commencer et finir.Débuts et fins dans les littératures grecque, latine et néolatine'', eds. B. Bureau & C. Nicolas. Lyon: 557-572.
+
* Anzai, M. (1994) ‘First-person forms in Pindar: a re-examination’, ''BICS'' 39: 141-150. This contribution to the meaning of ‘I’ in epinician poetry contains an interpretation of Pindar’s ''Isthmian Eight'', lines 1-18 and an examination of parodoi in tragedy in order to provide indirect confirmation of the theory that an epinican chorus came marching to the place of performance.
  
* Brix, M. (1995) ‘Pindare en France, de Boileau à Villemain’ ''LEC'' 63: 135-53.
+
* Anzai, M. (1999) ‘A chorus who performs a poet: Pindar's ''Third Nemean ode'', 1-12’, ''Mediterraneus'' 22: 19-42.
  
* Bulman, P. (1992), ''Phthonos in Pindar''. Berkeley. Reviewed by M.W. Dickie [http://bmcr.brynmawr.edu/1993/04.01.03.html BMCR 04.01.03]
+
* Athanassaki, L. (1990) ''Mantic Vision and Diction in Pindar’s Victory Odes''. PhD thesis. Brown University.
  
* Bundy, E.L. (1986) ''Studia Pindarica''. Berkeley and Los Angeles.
+
* Athanassaki, L. (1997) 'Οι κυρηναϊκοί θρύλοι στην μυθοποιητική πρόταση του McLaugΠινδάρου' in ''Acta of the First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-Th. Papademetriou. Athens: 199-233. With an extensive English summary.
  
* Burnett, Anne Pippin (1998) ‘Spontaneity, savaging, and praise in Pindar's ''sixth paean'' ’, ''AJPh'' 119.4: 493-520.
+
* Athanassaki, L. (2003) 'Transformations of Colonial Disruption into Narrative Continuity in Pindar’s Epinician Odes', ''HSCP'' 101: 93-128.
  
* Burnett, A. P. (2005) ''Pindar’s Songs for Young Athletes of Aegina.'' Oxford.
+
* Athanassaki, L. (2003) 'A Divine Audience for the Celebration of Asopichus' Victory in Pindar's ''Fourteenth Olympian Ode'' ' in ''Gestures. Essays in Ancient History, Literature and Philosophy Presented to Alan L. Boegehold on the Occasion of His Retirement and His Seventy-Fifth Birthday'', eds. G. W. Bakewell and J. P. Sickinger. Oxford: 3-15.
  
* Calame, Claude (1996) ''Mythe et histoire dans l'Antiquité grecque. La création symbolique d'une colonie''. Lausanne. English translation (2003) ''Myth and History in Ancient Greece. The Symbolic Creation of a Colony''. Princeton.
+
* Athanassaki, L. (2004) 'Deixis, Performance, and Poetics in Pindar's ''First Olympian Ode'' ' in ''Deixis in Choral Lyric'', ed. Nancy Felson. ''Arethusa'': 317-341.
  
* Cannatà Fera, M. (1990) ''Pindarus: threnorum fragmenta.'' Rome.
+
* Athanassaki, L. (2009) ‘Apollo and his Oracle in Pindar’s Epinicians: Poetic Representations, Politics, and Ideology’ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.). Athens: 405-72.
  
* Cannatà Fera, M. (1992) '''Il Pindaro di Plutarco' (Quaderni di Messana 3)'', Messina.
+
* Athanassaki, L. (2009) 'Deixis, Narratology, and the Performance of Choral Lyric: On Pindar's ''First Pythian Ode'' ' in ''Narratology and Interpretation. The Content of the Form of the Ancient Texts'', eds. J. Gretlein and A. Rengakos. Berlin. 241-73.
  
* Carey, Christopher (1991) 'The Victory Ode in Performance: The Case for the Chorus', ''Classical Philology'' 86.3: 192-200. [http://links.jstor.org/sici?sici=0009-837X%28199107%2986%3A3%3C192%3ATVOIPT%3E2.0.CO%3B2-3 URL].
+
* Athanassaki, L. (2009) ''ἀείδετο πὰν τέμενος. Οι χορικές παραστάσεις και το κοινό τους στην αρχαϊκή και πρώϊμη κλασική περίοδο''. Herakleion. Study of choral performance contexts especially in Alcman, Pindar, and Bacchylides. [http://www.cup.gr/ViewShopProduct.aspx?ProductId=279696&LangId=1 More information]. Reviewed by Katerina Ladianou [http://bmcr.brynmawr.edu/2010/2010-09-21.html BMCR 2010.09.21].
  
* Carey, Christopher (1993) ‘Pindar’s Ninth Nemean Ode’ in ''Tria Lustra'', ed. H. Jocelyn. Liverpool: 97-107.
+
* Athanassaki, L. (2010) 'Giving Wings to the Aeginetan Sculptures: The Panhellenic Aspirations of Pindar's ''Olympian Eight'' ' in ''Aegina: Contexts For Choral Lyric Poetry'', ed. D. Fearn. Oxford. 257-93. [http://www.amazon.com/gp/reader/0199546517/ref=sib_dp_bod_toc?ie=UTF8&p=S008#reader-link Table of Contents]
  
* Carey, Christopher (1995) ‘Pindar and the victory ode’ in ''The passionate intellect'', ed. L. Ayres. Princeton: 85-101.
+
* Athanassaki, L. (2011) 'Song, politics, and cultural memory: Pindar's Pythian 7 and the Alcmaeonid temple of Apollo' in: ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'', eds. L. Athanassaki & E.L. Bowie. Berlin/New York: 235-68.  
  
* Carey, Christopher (2007) ‘Pindar, place and performance’ in ''Pindar’s Poetry, Patrons, and Festivals'', eds. S. Hornblower and C. Morgan. Oxford: 199-210.
+
* Athanassaki, L. (2012) 'Recreating the Emotional Experience of Contest and Victory Celebrations: Spectators and Celebrants in Pindar’s Epinicians' in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 173-219.
  
* Clay, Jenny S. (2011), 'Olympians 1–3: A song cycle?' in: Athanassaki, Lucia & Bowie, Ewen (2011) (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' Berlin/New York: 337-47.  
+
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* Daude, C., S. David, M. Fartzoff, C. Muckensturm-Poulle (texte, trad. et comm.) (2013), ''Scholies à Pindare. Vol.I Vies de Pindare et scholies à la première Olympique'', ISTA, PU de Franche-Comté (préface by M. Briand).
  
* Maehler, H. (ed.) (1989) ''Pindarus''. Pars II: ''Fragmenta, Indices''. Leipzig: Teubner. (Text edition)
+
* David, S. & Daude, C. & Geny, E. & Muckensturm-Poulle, C. (ed.) (2009) ''Traduire les scholies de Pindare. I. De la traduction au commentaire: problèmes de méthode. Dialogues d'histoire ancienne''. Franche-Comté. Reviewed by G. Bitto [http://bmcr.brynmawr.edu/2010/2010-08-39.html BMCR 2010.08.39]
  
* Mann, C. (2000) ‘Der Dichter und sein Auftraggeber: Die Epinikien Bakchylides’ und Pindars als Träger von Ideologien’, in ''Bakchylides: 100 Jahre nach seiner Wiederentdeckung'', ed. A. Bagordo and B. Zimmermann. Munich: 29–46.
+
* Demos, M. (1999) Lyric Quotation in Plato. Lanham, Md. [Simonides, Pindar, Stesichorus]
  
* Martin, R. (2004) 'Home is the Hero: Deixis and Semantics in Pythian 8' in ''The Poetics of Deixis in Alcman, Pindar, and other Lyric'', ed. N. Felson [''Arethusa'' 37.3: 253-468]: 343-63. [http://muse.jhu.edu/journals/arethusa/toc/are37.3.html Contents ''Arethusa'' vol. 37]. [http://muse.jhu.edu/journals/arethusa/v037/37.3martin.pdf Access Article PDF].
+
* Di Benedetto, V. (1991) ‘Pindaro, Pae. 7b, 11–14’, ''RFIC'' 119: 164–76.
  
* McLaughlin, G. (2004) 'Professional Foul: Persona in Pindar' in ''Games and Festivals in Classical Antiquity. Proceedings of the Conference held in Edinburgh 10-12 July 2000. BAR International Series, 1220'', eds. S. Bell and G. Davies. Oxford: 25-32. Reviewed by S. Evans [http://ccat.sas.upenn.edu/bmcr/2008/2008-04-20.html BMCR 2008.04.20].
+
* Faraone, C.A. (1993) 'The Wheel, the Whip and Other Implements of Torture: Erotic Magic in Pindar ''Pythian'' 4. 213-19', ''Classical Journal'' 88: 1-19.
  
* McMahon, L. (2002) ‘The next new thing?’, ''Literary Imagination'' 4/3: 353–85 [http://litimag.oxfordjournals.org/cgi/reprint/4/3/353.pdf online version]
+
* Faraone, C.A. (2002) 'A Drink from the Daughters of Mnemosyne: Poetry, Eschatology and Memory at the End of Pindar's ''Isthmian'' 6' in ''Vertis in usum: Studies in Honor of Edward Courtney'', eds. J.F. Miller, C. Damon and K.S. Myers. Munich and Leipzig. ''Beiträge zur Altertumskunde'' 161: 259-70.
  
* Meillier, C. (1995) ‘L’éloge royal dans l’Hymne à Délos de Callimaque. Homère, Pindare, Callimaque: une dialectique de l’épique et du lyrique’, in ''Poésie et lyrique antiques: Actes du colloque organisé par C. Meillier à l’Université Charles-de-Gaulle'', Lille III, 2–4 juin 1993, ed. L. Dubois. Lille: 129–48.
+
* Fearn, David W. (2009) 'Oligarchic Hestia: Bacchylides 14B and Pindar, Nemean 11', ''Journal of Hellenic Studies'' 129: 23–38.
  
* Morgan, K.A. (1993) 'Pindar the Professional and the Rhetoric of the ΚΩΜΟΣ', ''Classical Philology'' 88.1: 1-15. [http://links.jstor.org/sici?sici=0009-837X%28199301%2988%3A1%3C1%3APTPATR%3E2.0.CO%3B2-5 URL].  
+
* Felson, N. (2009) ‘Epinician Apollo in Story Time: ''Pythian'' 9, ''Olympian'' 6 and ''Pythian'' 3’ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.), Athens: 149-68.
  
* Morrison, A.D. (2011) 'Pindar and the Aeginetan patrai: Pindar’s intersecting audiences' in ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'', eds. L. Athanassaki and E.L. Bowie. Berlin/New York: 311-36.  
+
* Felson, N. (1999) ‘Vicarious transport: fictive deixis in Pindar’s Pythian Four’, ''HSCPh'' 99: 1–31.
  
* Most, G. W. (1996) ‘Horatian and Pindaric lyric in England’, in ''Zeitgenosse Horaz: Der Dichter und seine Leser seit zwei Jahrtausenden'', ed. H. Krasser et al. Tübingen: 117–52.
+
* Felson, N. (ed.) (2004) ‘The poetics of deixis in Alcman, Pindar and other lyric’, ''Arethusa'' 37.3: 253–468.
  
* Nagy, G. (1990) ''Pindar’s Homer: The Lyric Possession of an Epic Past''. Baltimore and London.
+
* Ferrari, F. (ed.) (2008) ''Pindaro, Pitiche. Classici greci e latini''. Milano. Reviewed by Xanthou, Maria G. (2010) [http://bmcr.brynmawr.edu/2010/2010-01-40.html ''BMCR'' 2010.01.40].
  
* Negri, M. (2004) ''Pindaro ad Alessandria''. Brescia.
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* Ferrari, F. (2002) ‘La carraia di Omero e la via degli dei: sul Peana VIIb di Pindaro’, ''Seminari Romani di Cultura Greca'' V 2: 197–212.
  
* Pavlou, M. (2008) 'Metapoetics, Poetic Tradition, and Praise in Pindar Olympian 9', ''Mnemosyne'' 61.4: 533-567.
+
* Finglass, P.J. (ed.) (2007) ''Pindar: Pythian Eleven. Cambridge Classical Texts and Commentaries'' 45. Cambridge: Cambridge University Press. Reviewed by Slater, William (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-37.html ''BMCR'' 2008.08.37].
  
* Pfeijffer, I.L. (ed.) (1999) ''Three Aeginian Odes of Pindar: A Commentary on Nemean V, Nemean III and Pythian VIII''. Leiden. Commentary on ''Pythian'' 8, ''Nemean'' 3, 5.
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* Fisher, N. (2006) ‘The pleasures of reciprocity: Charis and the Athletic Body in Pindar’ in ''Penser et représenter le corps dans l’antiquité'', eds. Fr. Prost and J. Wilgaux. Presses Universitaires de Rennes: 227-46.
  
* Power, T. (2011), 'Cyberchorus: Pindar's  Κηληδόνες and the aura of the artificial' in ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'', eds. L. Athanassaki and E.L. Bowie. Berlin/New York: 67-114.  
+
* Gentili, B.; Bernardini P. A.; Cingano E. and Giannini, P. (1995) ''Pindaro: Le Pitiche''. Milan.
  
* Race, W.H. (1990) ''Style and Rhetoric in Pindar's Odes''. Atlanta.  
+
* Gerber, D.E. (2002) ''A Commentary on Pindar Olympian Nine''. Stuttgart.
  
* Race, W.H. (ed.) (1997) ''Pindar''. 2 vols. Loeb Classical Library. Cambridge, MA. (Text edition and translation)
+
* González de Tobia, A.M. (1999) ‘Párphasis: concepto multiplicador en la ''Nemea'' VIII de Píndaro’, ''Limes'' 11: 57-68.
  
* Revard, S.P. (1993) ‘Cowley’s “Pindarique Odes” and the politics of the interregnum’, ''Criticism'' 35: 391–418.
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* González de Tobia, A.M. (2000) ‘Párphasis: concepto multiplicador en la ''Nemea'' VIII de Píndaro’, in ''EPIEIKEIA: Studia Graeca in memoriam Jesús Lens Tuero'', eds. Alganza Roldán, J. M., Camacho Rojo, J. M., Fuentes González, P. P. and Villena Pansoda, M. Athos-Pergamos, Granada: 187-197.  
  
* Revard, S.P. (2001) ''Pindar and the Renaissance Hymn-Ode, 1450–1700''. Tempe, Ariz.
+
* Hamilton, J. T. (2003) ''Soliciting Darkness: Pindar, Obscurity, and the Classical Tradition''. Cambridge, Mass. and London.
  
* Riu, X. (2008) ‘On the difference between praise and invective’ in: ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades. Paroikia, Paros, 7-9 October 2005'', eds. D. Katsonopoulou, I. Petropoulos, and S. Katsarou. Athens: 73-82.  
+
* Harrison, S. (1995) ‘Horace, Pindar, Iullus Antonius and Augustus: Odes 4.2’, in ''Homage to Horace'', ed. S. Harrison. Oxford: 108–27.
  
* Robbins, E. (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. D.E. Gerber. Leiden: 223–42.
+
* Heath, M. and Lefkowitz, M. (1991) 'Epinician Performance', ''CPh'' 86.3: 173-191. [http://links.jstor.org/sici?sici=0009-837X%28199107%2986%3A3%3C173%3AEP%3E2.0.CO%3B2-9 URL].  
  
* Rutherford, I. (1988) 'Pindar on the Birth of Apollo', ''CQ'' 38: 65-75.
+
* Henry, W.B. (2005) ''Pindar’s Nemeans: A Selection''. München. (Commentary on Nemean Odes 4, 6, 8, 10, 11).
  
* Rutherford, I. (1991) 'New Fragments of Pindar's Paeans', ''ZPE'' 86: 5-8.
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* Henry, W.B. (2007) 'Pindaric Accompaniments' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 126-31. Reviewed by J. Gibert [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
  
* Rutherford, I. (1991) 'Neoptolemus and the Paean-Cry', ''ZPE'' 88: 1-10.
+
* Hornblower, S. (2004) ''Thucydides and Pindar: Historical Narrative and the World of Epinikian Poetry''. Oxford. Reviewed by B. Currie [http://bmcr.brynmawr.edu/2006/2006-01-36.html BMCR 2006.01.36].
  
* Rutherford, I. (1991) 'Pindar Paean VIIIA, The "Cassandra" of Bacchylides and the Anonymous "Cassandra" in P.Oxy.2368: An Exploration in Lyric Structure', ''Eos'' 79: 5-12.
+
* Hornblower, S. and Morgan, C. (eds.) (2007) ''Pindar’s Poetry, Patrons and Festivals''. Oxford. Reviewed by R. Ivanov [http://ccat.sas.upenn.edu/bmcr/2007/2007-10-45.html BMCR 2007.10.45]
  
* Rutherford, I. (1992) 'Two Heroic Prosodia: A Study of Pindar, Pa.XIV-V', ''ZPE'' 92: 59-72.
+
* Hornblower, S. (2007) '“Dolphins in the sea” (Isthmian 9. 7): Pindar and the Aiginetans' in ''Pindar’s Poetry, Patrons and Festivals: From Archaic Greece to the Roman Empire'', ed. S. Hornblower and C. Morgan. Oxford: 287–308.
  
* Rutherford, I. (1995) 'Et Hominum et Deorum . . . Laudes (?). A Hypothesis about the Organisation of Pindar's Paean-Book', ''ZPE'' 107: 44-52.
+
* Hornblower, S. (2007) ‘Victory-language in Pindar, the historians and inscriptions’, in ''Contests and Rewards in the Homeric Epics: Proceedings of 10th International Symposium on the Odyssey, Ithaki 2004'', ed. M. Paizi-Apostolopolou, A. Rengakos and C. Tsangalis. Ithaka: 331–8.
  
* Rutherford, I. (1997) 'For the Aeginetans . . . a Prosodion: An Unnoticed Title at Pindar, Paean 6, 123 And What it Means for the Poem', ''ZPE'' 118: 1-22.
+
* Hubbard, T. (2002) ‘Pindar, Theoxenos, and the homoerotic eye’, ''Arethusa'' 35: 255–96.
  
* Rutherford, I. (2001) ''Pindar's Paeans: a reading of the fragments with a survey of the genre''. Oxford. Reviewed by G.T. Patten [http://bmcr.brynmawr.edu/2002/2002-10-41.html BMCR 2002.10.41] and L. Käppel [http://bmcr.brynmawr.edu/2002/2002-10-38.html BMCR 2002.10.38]
+
* Hubbard, T. (2005) ‘Pindar’s tenth Olympian and athlete-trainer paederasty’, ''Journal of Homosexuality'' 49: 137–71.
  
* Schmid, M. J. (1998) ‘Speaking personae in Pindar’s epinikia’, ''CFC(G)'' 8: 147–84.
+
* Hubbard, T. (2011), 'The dissemination of Pindar’s non-epinician choral lyric' in: Athanassaki, Lucia & Bowie, Ewen (2011) (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' Berlin/New York: 347-64.  
  
* Schmidt, E.G. (ed.) (1981) ''Aischylos und Pindar. Studien zu Werk und Nachwirkung''. Berlin. ''Schriften zur Geschichte und Kultur der Antike'' 19.
+
* Hummel, P. (1993) ''La syntaxe de Pindar''. Louvain.
  
* Schmitz, P. (1993) ''Pindar in der französischen Renaissance: Studien zu seiner Rezeption in Philologie, Dichtungstheorie und Dichtung''. Göttingen.
+
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
* Segal, C.P. (1994) ‘The gorgon and the nightingale: the voice of female lament and Pindar’s twelfth Pythian Ode’, in ''Embodied Voices: Female Vocality in Literature, Film, and Art'', ed. L. C. Dunn and N.A. Jones. Cambridge: 17–34. (Reprinted in ''Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham, Md. 1998: 85–104.)
+
* Jølle, J. (2003) ‘The Pindaric challenge: Goethe’s “Wanderers Sturmlied”’, ''Oxford German Studies'' 32: 53–85.
  
* Silk, M.S. (2001), 'Pindar meets Plato: theory, language, value, and the classics' in ''Texts, ideas and the classics: scholarship, theory and classical literature'', ed. S.J. Harrison. Oxford/New York: 26-45.
+
* Kantzios, I. (2003) 'Pindar’s Muses', ''Classical Bulletin'' 79: 5-34.
  
* Snell, B. and Maehler, H. (1987) ''Pindarus''. Pars I: ''Epinicia'', 8th edition (and later). Leipzig: Teubner. (Text edition)
+
* Krummen, E. (1990) ''Pyrsos Hymnon: Festliche Gegenwart und mythisch-rituelle Tradition als Voraussetzung einer Pindarinterpretation (Isthmie 4, Pythie 5, Olympie 1 und 3)''. Berlin. (English translation in preparation.)
  
* Sotiriou, M. (1998) ''Pindarus Homericus: Homer-Rezeption in Pindars Epinikien''. Göttingen.
+
* Kurke, L. (1988) 'The Poet’s Pentathlon: Genre in Pindar’s First Isthmian', ''Greek, Roman, and Byzantine Studies'' 29: 97–113.
  
* Suárez de la Torre, E. (1983) '“Melaina kardía” algunas notas pindáricas', ''EClás'' 86: 5-9.
+
* Kurke, L. (1990) 'Pindar’s Sixth Pythian and the Tradition of Advice Poetry', ''Transactions of the American Philological Association 120: 85–107.
  
* Suárez de la Torre, E. (1988) ''Píndaro. Obra completa''. Madrid.
+
* Kurke, L. (1991) ''The Traffic in Praise: Pindar and the Poetics of Social Economy''. Ithaca, NY.
  
* Suárez de la Torre, E. (1988) 'Adivinación y profecía en Píndaro (I)', ''Minerva'' 2: 65-106.
+
* Kurke, L. (1991) 'Fathers and Sons: A Note on Pindaric Ambiguity', ''American Journal of Philology'' 112: 287–300.
  
* Suárez de la Torre, E. (1989) 'Adivinación y profecía en Píndaro (II)', ''Minerva'' 3: 63-101.
+
* Kurke, L. (1996) 'Pindar and the Prostitutes, or Reading Ancient ‘Pornography’ ', ''Arion'' 3rd series, 4.2: 49–75. Reprinted in (1999) ''Constructions of the Classical Body'', ed. James I. Porter. Ann Arbor: 101–25.  
  
* Suárez de la Torre, E. (1991) 'El Peán IV de Píndaro' in ''Estudios actuales sobre textos griegos'', ed. J. López Férez. Madrid (UNED 1989): 139-159.
+
* Kurke, L. (2005) 'Choral Lyric as ‘Ritualization’: Poetic Sacrifice and Poetic Ego in Pindar’s Sixth Paian', ''Classical Antiquity'' 25.1: 81-130.
  
* Suárez de la Torre, E. (1992) 'Ixión y Arquíloco en la Pítica 2 de Píndaro', ''Homenatge à Josep Alsina''. Tarragona: 333-348.
+
* Kurke, L. (2007) 'Visualizing the Choral: Poetry, Performance, and Elite Negotiation in Fifth-Century Thebes' in ''Visualizing the Tragic: Drama, Myth, and Ritual in Greek Art and Literature'', eds. C. Kraus et al. Oxford University Press: 63-101.
  
* Suárez de la Torre, E. (1993) 'Hécate en el Peán II de Píndaro', ''Helmántica'' 44: 31-136.
+
* Lavecchia, S. (2000) ''Pindari dithyramborum fragmenta''. Rome and Pisa.
  
* Suárez de la Torre, E. (1993) 'Píndaro y la religión griega', ''CFC, egi'', n. s. 3: 67-97.
+
* Lattmann, C. (2010) ''Das Gleiche im Verschiedenen. Metapher des Sports und Lob des Siegers in Pindars Epinikien''. Berlin.[http://www.degruyterny.com/cont/fb/at/detail.cfm?id=IS-9783110247107-1 More information] [http://www.degruyterny.com/files/pdf/9783110247107Inhaltsverzeichnis.pdf Table of Contents]
  
* Suárez de la Torre, E. (2003) 'El nivel formal en el Fr. 75 de Píndaro: el sonido del ditirambo', in ''Studi di filologia e tradizione greca in memoria di Aristide Colonna'', eds. Francesco Benedetti and Simonetta Grandolini. Napoli, ESI: 759-778.
+
* Lateur, P. (ed.) (1999) ''Pindaros. Zegezangen''. Amsterdam. (Dutch translation)
  
* Suárez de la Torre, E. (2005) 'Pindar', ''Encyclopedy of Religion2''. New York, Thomson-Gale. vol. V: 7173-7175.
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* Lefkowitz, M.R. (1991) ''First person Fictions: Pindar’s Poetic ‘I’ ''. Oxford.
  
* Suárez de la Torre, E. (2006) 'Les mentions généalogiques chez Pindare', ''Kernos'' 19: 117-133.
+
* Lefkowitz, M.R. (1995) ‘The first person in Pindar reconsidered – again’, ''BICS'' 40: 139–50.
  
* Tatsi, A. (2008) 'On the Meaning of chronos in Pindar's ''Nemean'' 1.46', ''Mnemosyne'' 61.1: 120-129.
+
* Lowe, N.J. (2007) ‘Epinikian eidography’, in ''Pindar’s Poetry, Patrons and Festivals: From Archaic Greece to the Roman Empire'', ed. S. Hornblower and C. Morgan. Oxford: 167–76.
  
* Tessier, A. (1995) ''La tradizione metrica di Pindaro''. Padova.
+
* Lundahl, K. (2008) ''Les banquets chez Pindare''. Ph.D. diss. University of Gothenburg.  
  
* Tsitsibakou-Vasalos, E. (2007) ''Ancient Poetic Etymology. The Pelopids: Fathers and Sons''. Stuttgart. Chapter 3, the longest in the book, discusses the significance of the name Pelops from Homer to Nonnus with emphasis on Pindar, ''Olympian'' 1. Reviewed by M. Paschalis[http://ccat.sas.upenn.edu/bmcr/2008/2008-07-58.html BMCR 2008.07.58].
+
* MacLachlan, B. (2007) 'Epinician swearing' in ''Horkos. The Oath in Greek Society'', eds. A. Sommerstein, J. Fletcher. Exeter: 91-101. Reviewed by D.L. Kellogg [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-55.html BMCR 2008.08.55].
  
* Van der Weiden, M.J.H. (ed.) (1991) ''The Dithyrambs of Pindar: introduction, text and commentary''. Amsterdam: Gieben. Reviewed by R. Hamilton [http://ccat.sas.upenn.edu/bmcr/1992/03.03.21.html BMCR 03.03.21].
+
* Mackie, H. (2003) ''Graceful Errors: Pindar and the Performance of Praise''. Ann Arbor. Reviewed by F. Budelmann [http://bmcr.brynmawr.edu/2003/2003-12-26.html BMCR 2003.12.26].  
  
* Vöhler, M. (2005) ''Pindarrezeptionen: Sechs Studien zum Wandel des Pindarverständnisses von Erasmus bis Herder''. Heidelberg.
+
* Maehler, H. (ed.) (1989) ''Pindarus''. Pars II: ''Fragmenta, Indices''. Leipzig: Teubner. (Text edition)
  
* Wells, J.B. (2009) ''Pindar’s Verbal Art: An Ethnographic Study of Epinician Style''. Washington, D.C.  
+
* Mann, C. (2000) ‘Der Dichter und sein Auftraggeber: Die Epinikien Bakchylides’ und Pindars als Träger von Ideologien’, in ''Bakchylides: 100 Jahre nach seiner Wiederentdeckung'', ed. A. Bagordo and B. Zimmermann. Munich: 29–46.
  
* Willcock, M.M. (1995) ''Pindar: Victory Odes''. Cambridge. (Commentary on Olympian 2, 7, 11; Nemean 4; Isthmian 3, 4, 7).
+
* Martin, R. (2004) 'Home is the Hero: Deixis and Semantics in Pythian 8' in ''The Poetics of Deixis in Alcman, Pindar, and other Lyric'', ed. N. Felson [''Arethusa'' 37.3: 253-468]: 343-63. [http://muse.jhu.edu/journals/arethusa/toc/are37.3.html Contents ''Arethusa'' vol. 37]. [http://muse.jhu.edu/journals/arethusa/v037/37.3martin.pdf Access Article PDF].
  
* Wout, P.E. van 't (2006) ‘Amphiaraos as Alkman: Compositional Strategy and Mythological Innovation in Pindar, ''Pythian'' 8.38-60’, ''Mnemosyne'' 59: 1-18.
+
* McLaughlin, G. (2004) 'Professional Foul: Persona in Pindar' in ''Games and Festivals in Classical Antiquity. Proceedings of the Conference held in Edinburgh 10-12 July 2000. BAR International Series, 1220'', eds. S. Bell and G. Davies. Oxford: 25-32. Reviewed by S. Evans [http://ccat.sas.upenn.edu/bmcr/2008/2008-04-20.html BMCR 2008.04.20].
  
* Yossi, M.J. (1999) 'Amoibaia deipna: Sympotic scenes in Pindar's ''Olympian'' 1', ''Indiktos'' 10: 110-123 [Greek text followed by modern Greek translation in pp. 100-109]. (in modern Greek)
+
* McMahon, L. (2002) ‘The next new thing?’, ''Literary Imagination'' 4/3: 353–85 [http://litimag.oxfordjournals.org/cgi/reprint/4/3/353.pdf online version]
  
* Ygaunin, J. (1997) ''Pindare et les poètes de la célébration''. (8 vols.). Fleury-sur-Orme.
+
* Meillier, C. (1995) ‘L’éloge royal dans l’Hymne à Délos de Callimaque. Homère, Pindare, Callimaque: une dialectique de l’épique et du lyrique’, in ''Poésie et lyrique antiques: Actes du colloque organisé par C. Meillier à l’Université Charles-de-Gaulle'', Lille III, 2–4 juin 1993, ed. L. Dubois. Lille: 129–48.
  
* '''Scholia''': Work is underway at the Université de Franche-Comté (France) to translate the scholia of Pindar. For information about this project, see the following web-sites:
+
* Morgan, K.A. (2015) ''Pindar and the Construction of Syracusan Monarchy in the Fifth Century B.C''. Oxford and New York.
** [http://calenda.revues.org/nouvelle8571.html Autour des scholies de Pindare]
 
** [http://calenda.revues.org/nouvelle10561.html Autour des scholies de Pindare II: interprétation, histoire, spectacle]
 
** [http://ista.univ-fcomte.fr/axe_recherche/axe2_pres2007.html Axe 2 Textes, imaginaires et représentations dans l'antiquité]
 
  
=== Bacchylides ===
+
* Morgan, K.A. (1993) 'Pindar the Professional and the Rhetoric of the ΚΩΜΟΣ', ''Classical Philology'' 88.1: 1-15. [http://links.jstor.org/sici?sici=0009-837X%28199301%2988%3A1%3C1%3APTPATR%3E2.0.CO%3B2-5 URL].  
* Athanassaki, L. (2009) ''ἀείδετο πὰν τέμενος. Οι χορικές παραστάσεις και το κοινό τους στην αρχαϊκή και πρώϊμη κλασική περίοδο''. Herakleion. Study of choral performance contexts especially in Alcman, Pindar, and Bacchylides. [http://www.cup.gr/ViewShopProduct.aspx?ProductId=279696&LangId=1 More information].
 
  
* Bagordo, A. (1995/96) 'Moûs' authigenés (Bacchyl. 2, 11)', ''Glotta'' 73: 137–-41.
+
* Morrison, A.D. (2011) 'Pindar and the Aeginetan patrai: Pindar’s intersecting audiences' in ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'', eds. L. Athanassaki and E.L. Bowie. Berlin/New York: 311-36.  
  
* Bagordo, A. and B. Zimmermann (eds.) (2000) ''Bakchylides 100 Jahre nach seiner Wiederentdeckung''. München: ''Zetemata, Monographien zur klassischen Altertumswissenschaft'' 106.
+
* Most, G. W. (1996) ‘Horatian and Pindaric lyric in England’, in ''Zeitgenosse Horaz: Der Dichter und seine Leser seit zwei Jahrtausenden'', ed. H. Krasser et al. Tübingen: 117–52.
** Contents: 1. Bakchylides und das System der chorlyrischen Gattungen im 5. Jh. v. Chr. - Lutz Käppel  2. Der Dichter und sein Auftraggeber. Die Epinikien Backhylides' und Pindars als Träger von Ideologien - Christian Mann  3. The Dithyrambs of Bacchylides: Their Position in the Evolution of the Genre - Fernando García Romero 4. Der dithyrambische Agon: ein kompetitiver Gottesdienst oder gar keiner? - Jan Maarten Bremer  5. Bemerkungen zu den Mythen bei Bakchylides - Emilio Suárez de la Torre 6. Kultische Sprache bei Bakchylides - Carmen Morenilla 7. Zu Bakchylides' Erzähltechnik - Antonios Rengakos  8. Information Unit and Metrical Unit - Simon R. Slings 9. La lode di Argeo di Ceo e del padre Pantide nell'Epinicio 1 di Bacchilide - Paolo Angeli Bernardini  10. Zum literarischen und historischen Hintergrund von Bakchylides 3 - Michael Reichel 11. Bemerkungen zum 4. Epinikion des Bakchylides - Martin Hose 12. Die 'ewige Deianeira' - Peter Riemer  13. Il filo di Eriboia (Bacchilide, Ditirambo 17)- Giorgio Ieranò 14. Bakchylides, Orpheus und ein liebestoller Kentaur - Herwig Maehler 15. Horaz Carm. 1, 15 und Bakchylides- Eckhard Lefèvre.
 
  
* Briand, Michel (1997) 'Fiction et diction dans la cinquième Épinicie de Bacchylide', ''Lalies'' 17: 271-281.
+
* Nagy, G. (1990) ''Pindar’s Homer: The Lyric Possession of an Epic Past''. Baltimore and London.
  
* Burnett, A.P. (1985) ''The Art of Bacchylides''. Cambridge Mass.
+
* Negri, M. (2004) ''Pindaro ad Alessandria''. Brescia.
  
* Calame, Claude (2011), 'Enunciative fiction and poetic performance. Choral voices in Bacchylides’ ''epinicians''' in: Athanassaki, Lucia & Bowie, Ewen (2011) (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' Berlin/New York: 115-38.  
+
* Pavlou, M. (2008) 'Metapoetics, Poetic Tradition, and Praise in Pindar Olympian 9', ''Mnemosyne'' 61.4: 533-567.
  
* Campbell, D. A. (1992) Greek Lyric IV: Bacchylides, Corinna, and Others. Cambridge, Mass. and London.
+
* Pavlou, M. (2010) 'Pindar Nemean 5: Real and Poetic Statues', ''Phoenix'' 64’: 1-18.  
  
* Carey, Christopher (1999) ‘Ethos and pathos in Bakchylides’ in ''One hundred years of Bacchylides'', eds. I.L. Pfeijffer and S. Slings. Amsterdam: 17-29.
+
* Pavlou, M. (2010) 'Pindar Olympian 3: Mapping Acragas on the Periphery of the Earth' , ''Classical Quarterly '' 60.2: 313–326.
  
* Cairns, D. & Howie, J.G. (2010) ''Bacchylides: Five Epinician Odes (3, 5, 9, 11, 13)''. Cambridge.
+
* Pavlou, M. (2011) ‘Past and Present in Pindar’s Religious Poetry’, in: ''Orality and Literacy in the Ancient World Vol. VIII'' A. Lardinois and J. Blok and M. van der Poel (eds). Leiden: 59-78.
  
* Fearn, David W. (2003) 'Mapping Phleious:  Politics and Myth-Making in Bacchylides 9', ''Classical Quarterly'' 53.2: 347-67.
+
* Pavlou, M. (2012) 'Fathers in absentia in Pindar's Epinicians', ''GRBS'' 52: 57-88.
  
* Fearn, David W. (2007) ''Bacchylides:  Politics, Performance, Poetic Tradition''. Oxford: Oxford Classical Monographs Series. Reviewed by D’Alessio, G.B. (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-11-14.html ''BMCR'' 2008.11.14].
+
* Pavlou, M. (2012) 'Pindar and the Reconstruction of the Past' in ''Greek Notions of the Past in the Archaic and Classical Eras'' eds. J. Marincola, L. Llewellyn-Jones, C. Maciver. Edinburgh: 95-112.
  
* Fearn, David W. (2009) 'Oligarchic Hestia: Bacchylides 14B and Pindar, Nemean 11', ''Journal of Hellenic Studies'' 129: 23–38.
+
* Pfeijffer, I.L. (ed.) (1999) ''Three Aeginian Odes of Pindar: A Commentary on Nemean V, Nemean III and Pythian VIII''. Leiden. Commentary on ''Pythian'' 8, ''Nemean'' 3, 5.
  
* González de Tobia, Ana M. (1981) ''Los Epinicios de Baquílides. Una interpretación'', PhD. Dissertation, unpublished, Universidad Nacional de La Plata, Argentina.
+
* Power, T. (2011), 'Cyberchorus: Pindar's  Κηληδόνες and the aura of the artificial' in ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'', eds. L. Athanassaki and E.L. Bowie. Berlin/New York: 67-114.  
  
* González de Tobia, Ana M. (1994) ‘Itinerario crítico en torno de Baquílides’, in ''Volumen Homenaje a Aída Barbagelata. In memoriam'', eds. Wendt, S. and Royo, M.  Actualidad Producciones, Buenos Aires, Tomo 1: 137-150.
+
* Race, W.H. (1990) ''Style and Rhetoric in Pindar's Odes''. Atlanta.  
  
* González de Tobia, Ana M. (2000) ‘Baquílides, Epinicio II y el concepto de la fama’, in ''Homenaje a Corina Corchón'', eds. Calvo, F., Fontán, M.I., Gallotti, M. C. and Wainschenker, D. Universidad de Buenos Aires, Buenos Aires: 39-50.
+
* Race, W.H. (ed.) (1997) ''Pindar''. 2 vols. Loeb Classical Library. Cambridge, MA. (Text edition and translation)
  
* González de Tobia, Ana M. (2000) ‘La poesía de Baquílides como proyección de una aretá inconfundible’, ''Synthesis'' 7: 149-163.
+
* Revard, S.P. (1993) ‘Cowley’s “Pindarique Odes” and the politics of the interregnum’, ''Criticism'' 35: 391–418.
  
* González de Tobia, Ana M. (2001) ‘Una metáfora al servicio del pensamiento poético, Baquílides 3’, ''Iter'': 217-232.
+
* Revard, S.P. (2001) ''Pindar and the Renaissance Hymn-Ode, 1450–1700''. Tempe, Ariz.
  
* González de Tobia, Ana M. (2004) ‘El pensamiento moral del Baquílides, entre ólbos y areté’, in ''Ética y Estética. De Grecia a la modernidad'', ed. González de Tobia, Ana M. Universidad Nacional de La Plata, La Plata: 59-74.
+
* Riu, X. (2008) ‘On the difference between praise and invective’ in: ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades. Paroikia, Paros, 7-9 October 2005'', eds. D. Katsonopoulou, I. Petropoulos, and S. Katsarou. Athens: 73-82.  
  
* González de Tobia, Ana M. (2006) ‘Bacchylides’ moral thought, between olbos and areta’, paper presented at the Epinician Conference, 5-9 july 2006, University College London (UCL) London, UK. Unpublished.
+
* Robbins, E. (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. D.E. Gerber. Leiden: 223–42.
  
* González de Tobia, Ana M. (2007) ‘Lenguaje, Discurso y Civilización en Baquílides 11’, in ''Lenguaje, Discurso y Civilización. De Grecia a la modernidad'', ed. González de Tobia, Ana M. La Plata: 99-116.
+
* Rutherford, I. (1988) 'Pindar on the Birth of Apollo', ''CQ'' 38: 65-75.
  
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
+
* Rutherford, I. (1991) 'New Fragments of Pindar's Paeans', ''ZPE'' 86: 5-8.
  
* Ieranò, G. (1988), 'Il ditirambo XVII di Bacchilide e le feste apollinee di Delo', ''Quaderni di Storia'' 30: 157-183 - vedi dettaglio Ieranò, G., (1987) 'Il Teseo di Bacchilide', ''Acme'' 40.1: 87-103.
+
* Rutherford, I. (1991) 'Neoptolemus and the Paean-Cry', ''ZPE'' 88: 1-10.
  
* MacLachlan, Bonnie (2007) 'Epinician swearing' in ''Horkos. The Oath in Greek Society'', eds. Alan H. Sommerstein, Judith Fletcher. Exeter: 91-101. Reviewed by Kellogg, Danielle L. (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-55.html ''BMCR'' 2008.08.55].
+
* Rutherford, I. (1991) 'Pindar Paean VIIIA, The "Cassandra" of Bacchylides and the Anonymous "Cassandra" in P.Oxy.2368: An Exploration in Lyric Structure', ''Eos'' 79: 5-12.
  
* Maehler, H. (1982–97) ''Die Lieder des Bakchylides''. 2 vols.: I.1 Siegeslieder: Edition des Textes mit Einleitung und Übersetzung. I.2 Siegeslieder: Kommentar. II. Die Dithyramben und Fragmente. Leiden.
+
* Rutherford, I. (1992) 'Two Heroic Prosodia: A Study of Pindar, Pa.XIV-V', ''ZPE'' 92: 59-72.
  
* Maehler, H. (2003) ''Bacchylides: Carmina cum fragmentis'', 11th edn. Stuttgart and Leipzig.
+
* Rutherford, I. (1995) 'Et Hominum et Deorum . . . Laudes (?). A Hypothesis about the Organisation of Pindar's Paean-Book', ''ZPE'' 107: 44-52.
  
* Maehler, H. (ed.) (2004) ''Bacchylides. A Selection. Cambridge Greek and Latin Classics Series''. Cambridge University Press.
+
* Rutherford, I. (1997) 'For the Aeginetans . . . a Prosodion: An Unnoticed Title at Pindar, Paean 6, 123 And What it Means for the Poem', ''ZPE'' 118: 1-22.
  
* Nagy, Gregory (2011) 'A second look at the poetics of re-enactment in Ode 13 of Bacchylides' in: Athanassaki, Lucia & Bowie, Ewen (2011) (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' Berlin/New York: 173-206.
+
* Rutherford, I. (2001) ''Pindar's Paeans: a reading of the fragments with a survey of the genre''. Oxford. Reviewed by G.T. Patten [http://bmcr.brynmawr.edu/2002/2002-10-41.html BMCR 2002.10.41] and L. Käppel [http://bmcr.brynmawr.edu/2002/2002-10-38.html BMCR 2002.10.38]
  
* Parker, L. P. E. (2001) ‘Consilium et ratio?: papyrus A of Bacchylides and Alexandrian metrical scholarship’, ''CQ'' 51: 23–52.
+
* Schmid, M. J. (1998) ‘Speaking personae in Pindar’s epinikia’, ''CFC(G)'' 8: 147–84.
  
* Pfeijffer, I.L. and S.R. Slings (eds.) (1999) ''One Hundred Years of Bacchylides. Proceedings of a colloquium held at the Vrije Universiteit Amsterdam''. Amsterdam.
+
* Schmidt, E.G. (ed.) (1981) ''Aischylos und Pindar. Studien zu Werk und Nachwirkung''. Berlin. ''Schriften zur Geschichte und Kultur der Antike'' 19.
  
* Power, Timothy (2000) ‘The «parthenoi» of Bacchylides 13’, ''Harvard studies in classical philology'' 100: 67-81.
+
* Schmitz, P. (1993) ''Pindar in der französischen Renaissance: Studien zu seiner Rezeption in Philologie, Dichtungstheorie und Dichtung''. Göttingen.
  
* Robbins, Emmet (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. D. E. Gerber. Leiden: 223–42.
+
* Segal, C.P. (1994) ‘The gorgon and the nightingale: the voice of female lament and Pindar’s twelfth Pythian Ode’, in ''Embodied Voices: Female Vocality in Literature, Film, and Art'', ed. L. C. Dunn and N.A. Jones. Cambridge: 17–34. (Reprinted in ''Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham, Md. 1998: 85–104.)
  
* Rutherford, Ian (1991) 'Pindar Paean VIIIA, The "Cassandra" of Bacchylides and the Anonymous "Cassandra" in P.Oxy.2368: An Exploration in Lyric Structure', ''Eos'' 79: 5-12.
+
* Sigelman, A. C. (2016) ''Pindar's Poetics of Immortality''. Cambridge
  
* Schmidt, D. A. (1990) ‘Bacchylides 17 – paean or dithyramb’, ''Hermes'' 118: 18–31.
+
* Silk, M.S. (2001), 'Pindar meets Plato: theory, language, value, and the classics' in ''Texts, ideas and the classics: scholarship, theory and classical literature'', ed. S.J. Harrison. Oxford/New York: 26-45.
  
* Schmidt, D. A. (1999) ‘An unusual victory list from Keos: IG XII 5, 608 and the dating of Bakchylides’, ''JHS'' 119: 67–85.
+
* Snell, B. and Maehler, H. (1987) ''Pindarus''. Pars I: ''Epinicia'', 8th edition (and later). Leipzig: Teubner. (Text edition)
  
* Slings, S.R. (1990) 'Bacchylides XVIII 41-42', ''Zeitschrift für Papyrologie und Epigraphik'' 80: 9-10.  
+
* Sotiriou, M. (1998) ''Pindarus Homericus: Homer-Rezeption in Pindars Epinikien''. Göttingen.
  
* Suárez de la Torre, Emilio (2000) 'Bemerkungen zu den Mythen bei Bakchylides' in ''Bakchylides, 100 Jahre nach seiner Wiederentdeckung'', ed. B. Zimmermann. München: 69-86.
+
* Stamatopoulou, Z. (2014) 'Inscribing performances in Pindar’s Olympian 6', ''TAPA'' 144: 1-17.  
  
* Tsagalis, C.C.  (2009) ‘Blurring the Boundaries: Dionysus, Apollo and Bacchylides 17’ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.). Athens: 199-216.
+
* Steiner, D. (2013). The Gorgons' Lament: Auletics, Poetics, and Chorality in Pindar's Pythian 12. American Journal of Philology, 134(2), 173-208.
  
=== Corinna, Boeotica ===
+
* Suárez de la Torre, E. (1983) '“Melaina kardía” algunas notas pindáricas', ''EClás'' 86: 5-9.
  
* Campbell, D. A. (1992) Greek Lyric IV: ''Bacchylides, Corinna, and Others''. Cambridge, Mass. and London.
+
* Suárez de la Torre, E. (1988) ''Píndaro. Obra completa''. Madrid.
  
* Larmour, D. (2005) ‘Corinna’s poetic metis and the epinikian tradition’, in ''Women Poets in Ancient Greece and Rome'', ed. E. Greene. Norman, Okla: 25–58.
+
* Suárez de la Torre, E. (1988) 'Adivinación y profecía en Píndaro (I)', ''Minerva'' 2: 65-106.
  
* Larmour, D.H.J. (2008) 'An Agon on the Slopes of Helicon: Corinna's Dialogues with Pindar and Hesiod' in ''Dialogism and Lyric Self-fashioning: Bakhtin and the Voices of a Genre'', ed. Jacob Blevins, Selinsgrove, Pa. Reviewed by Kershner, S.M. [http://bmcr.brynmawr.edu/2009/2009-06-57.html ''BMCR'' 2009.06.57].
+
* Suárez de la Torre, E. (1989) 'Adivinación y profecía en Píndaro (II)', ''Minerva'' 3: 63-101.
  
* Palumbo Stracca, B. M. (1993) ‘Corinna e il suo pubblico’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. II. Rome: 403–12.
+
* Suárez de la Torre, E. (1991) 'El Peán IV de Píndaro' in ''Estudios actuales sobre textos griegos'', ed. J. López Férez. Madrid (UNED 1989): 139-159.
  
* Rayor, D. J. (1993) ‘Korinna: gender and the narrative tradition’, ''Arethusa'' 26: 219–31.
+
* Suárez de la Torre, E. (1992) 'Ixión y Arquíloco en la Pítica 2 de Píndaro', ''Homenatge à Josep Alsina''. Tarragona: 333-348.
  
* Yossi, Mary J. (1997) 'Corinna Fr. 654 PMG: Archaic or a Case for Metamorphosis' in ''Acta: First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-T. Papademetriou. Athens: 167-186. (in Greek with summary in English)
+
* Suárez de la Torre, E. (1993) 'Hécate en el Peán II de Píndaro', ''Helmántica'' 44: 31-136.
  
=== Erinna ===
+
* Suárez de la Torre, E. (1993) 'Píndaro y la religión griega', ''CFC, egi'', n. s. 3: 67-97.
* Levaniouk, Olga (2008) 'Lament and Hymenaios in Erinna's Distaff' in ''Lament: Studies in the Ancient Mediterranean and Beyond'', ed. Ann Suter. Oxford, New York: 324-81. Reviewed by Alden, Maureen (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-10-26.html ''BMCR'' 2008.10.26].
 
  
* Neri, Camillo (1994) 'Erinna in Eronda', ''Eikasmós'' 5: 221-232.
+
* Suárez de la Torre, E. (2003) 'El nivel formal en el Fr. 75 de Píndaro: el sonido del ditirambo', in ''Studi di filologia e tradizione greca in memoria di Aristide Colonna'', eds. Francesco Benedetti and Simonetta Grandolini. Napoli, ESI: 759-778.
  
* Neri, Camillo (1996) ''Studi sulle testimonianze di Erinna''. Bologna.
+
* Suárez de la Torre, E. (2005) 'Pindar', ''Encyclopedy of Religion2''. New York, Thomson-Gale. vol. V: 7173-7175.
  
* Neri, Camillo (1996) 'Il poemetto e l'epigramma. Note sulla fortuna dell'opera di Erinna in età ellenistica', ''Aevum Antiquum'' 9: 193-215.
+
* Suárez de la Torre, E. (2006) 'Les mentions généalogiques chez Pindare', ''Kernos'' 19: 117-133.
  
* Neri, Camillo (1997) 'Erinna a Ossirinco', ''ZPE'' 115: 57-72.
+
* Tatsi, A. (2008) 'On the Meaning of chronos in Pindar's ''Nemean'' 1.46', ''Mnemosyne'' 61.1: 120-129.
  
* Neri, Camillo (1998) 'Baucide e le bambole (Erinna: SH 401,1-4, 19-22)', ''Athenaeum'' 86.1: 165-178.
+
* Tessier, A. (1995) ''La tradizione metrica di Pindaro''. Padova.
  
* Neri, Camillo (1998) 'Cambio di ritmo (Erinna: SH 401,14s. ~ Carm.pop. fr.30(c) PMG 876)', ''Prometheus'' 24: 19-24.
+
* Tsitsibakou-Vasalos, E. (2007) ''Ancient Poetic Etymology. The Pelopids: Fathers and Sons''. Stuttgart. Chapter 3, the longest in the book, discusses the significance of the name Pelops from Homer to Nonnus with emphasis on Pindar, ''Olympian'' 1. Reviewed by M. Paschalis[http://ccat.sas.upenn.edu/bmcr/2008/2008-07-58.html BMCR 2008.07.58].
  
* Neri, Camillo (1999) 'Le lune di Erinna (SH 401,6 e 12)', ''Quaderni di Cultura e di Tradizione Classica dell'Università degli Studi di Palermo'' 12: 7-18.
+
* Van der Weiden, M.J.H. (ed.) (1991) ''The Dithyrambs of Pindar: introduction, text and commentary''. Amsterdam: Gieben. Reviewed by R. Hamilton [http://ccat.sas.upenn.edu/bmcr/1992/03.03.21.html BMCR 03.03.21].
  
* Neri, Camillo (2002) 'L'agnella e il rasoio (Erinna SH 401,13)' in ''TIMHS CHARIN. «Homenaje al Profesor Pedro A. Gainzarain»'', ed. María José García Soler. Vitoria-Gasteiz: 61-68.
+
* Vöhler, M. (2005) ''Pindarrezeptionen: Sechs Studien zum Wandel des Pindarverständnisses von Erasmus bis Herder''. Heidelberg.
  
* Neri, Camillo (2003) ''Erinna. Testimonianze e frammenti''. Bologna (earlier editions were published in 1994 (Ph.D. dissertation Padova) and 2000).
+
* Willcock, M.M. (1995) ''Pindar: Victory Odes''. Cambridge. (Commentary on Olympian 2, 7, 11; Nemean 4; Isthmian 3, 4, 7).
  
=== Poetae Minores ===
+
* Wout, P.E. van 't (2006) ‘Amphiaraos as Alkman: Compositional Strategy and Mythological Innovation in Pindar, ''Pythian'' 8.38-60’, ''Mnemosyne'' 59: 1-18.
  
==== Arion ====
+
* Yossi, M.J. (1999) 'Amoibaia deipna: Sympotic scenes in Pindar's ''Olympian'' 1', ''Indiktos'' 10: 110-123 [Greek text followed by modern Greek translation in pp. 100-109]. (in modern Greek)
  
* Acosta-Hughes, B. (2009) ''Arion’s Lyre: Archaic Lyric in Hellenistic Poetry.'' Princeton.
+
* Ygaunin, J. (1997) ''Pindare et les poètes de la célébration''. (8 vols.). Fleury-sur-Orme.
* Ieranò, G. (1992), 'Arione e Corinto', in ''Quaderni Urbinati di Cultura Classica'' 41.2: 41-52.
 
  
==== Ariphron ====
+
* '''Scholia''': Work is underway at the Université de Franche-Comté (France) to translate the scholia of Pindar. For information about this project, see the following web-sites:
 +
** [http://calenda.revues.org/nouvelle8571.html Autour des scholies de Pindare]
 +
** [http://calenda.revues.org/nouvelle10561.html Autour des scholies de Pindare II: interprétation, histoire, spectacle]
 +
** [http://ista.univ-fcomte.fr/axe_recherche/axe2_pres2007.html Axe 2 Textes, imaginaires et représentations dans l'antiquité]
  
==== Aristotle ====
+
=== Bacchylides ===
 +
* Athanassaki, L. (2009) ''ἀείδετο πὰν τέμενος. Οι χορικές παραστάσεις και το κοινό τους στην αρχαϊκή και πρώϊμη κλασική περίοδο''. Herakleion. Study of choral performance contexts especially in Alcman, Pindar, and Bacchylides. [http://www.cup.gr/ViewShopProduct.aspx?ProductId=279696&LangId=1 More information].
  
==== Castorion ====
+
* Bagordo, A. (1995/96) 'Moûs' authigenés (Bacchyl. 2, 11)', ''Glotta'' 73: 137–-41.
  
==== Diagoras ====
+
* Bagordo, A. and B. Zimmermann (eds.) (2000) ''Bakchylides 100 Jahre nach seiner Wiederentdeckung''. München: ''Zetemata, Monographien zur klassischen Altertumswissenschaft'' 106.
 +
** Contents: 1. Bakchylides und das System der chorlyrischen Gattungen im 5. Jh. v. Chr. - Lutz Käppel  2. Der Dichter und sein Auftraggeber. Die Epinikien Backhylides' und Pindars als Träger von Ideologien - Christian Mann  3. The Dithyrambs of Bacchylides: Their Position in the Evolution of the Genre - Fernando García Romero 4. Der dithyrambische Agon: ein kompetitiver Gottesdienst oder gar keiner? - Jan Maarten Bremer  5. Bemerkungen zu den Mythen bei Bakchylides - Emilio Suárez de la Torre 6. Kultische Sprache bei Bakchylides - Carmen Morenilla 7. Zu Bakchylides' Erzähltechnik - Antonios Rengakos  8. Information Unit and Metrical Unit - Simon R. Slings 9. La lode di Argeo di Ceo e del padre Pantide nell'Epinicio 1 di Bacchilide - Paolo Angeli Bernardini  10. Zum literarischen und historischen Hintergrund von Bakchylides 3 - Michael Reichel 11. Bemerkungen zum 4. Epinikion des Bakchylides - Martin Hose 12. Die 'ewige Deianeira' - Peter Riemer  13. Il filo di Eriboia (Bacchilide, Ditirambo 17)- Giorgio Ieranò 14. Bakchylides, Orpheus und ein liebestoller Kentaur - Herwig Maehler 15. Horaz Carm. 1, 15 und Bakchylides- Eckhard Lefèvre.
  
==== Eumelus ====
+
* Briand, Michel (1997) 'Fiction et diction dans la cinquième Épinicie de Bacchylide', ''Lalies'' 17: 271-281.
* Debiasi, A. (2004) ''L’epica perduta: Eumelo, il Ciclo, l’occidente''. Rome.
 
  
==== Euripides (Lyric) ====
+
* Briand, M. (2013), "Les paradoxes de l’orateur mélique : les discours de Jason, Chiron, Méléagre et d’autres, chez Pindare et Bacchylide“, in Hélène Vial (dir.), Poètes et orateurs dans l’Antiquité. Mises en scène réciproques, PU Blais pascal, Clermont-Ferrand, Coll. Erga 13, p. 39-56.
  
==== Hybrias ====
+
*Briand, M. (2010), "Les épinicies de Pindare et de Bacchylide comme rites de passage : pragmatique et poétique de la fête et de la fiction méliques", in Philippe Hameau (dir.) avec la collab. De Christian Abry et Françoise Létoublon, Les rites de passage. De la Grèce d'Homère à notre XXIe siècle, Grenoble, Musée Dauphinois, p. 91-100.
  
==== Lasus ====
+
* Burnett, A.P. (1985) ''The Art of Bacchylides''. Cambridge Mass.
  
==== Licymnius ====
+
* Calame, C. (2011), 'Enunciative fiction and poetic performance. Choral voices in Bacchylides’ ''epinicians''' in: Athanassaki, Lucia & Bowie, Ewen (2011) (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' Berlin/New York: 115-38.
  
==== Melanippides ====
+
* Campbell, D. A. (1992) Greek Lyric IV: Bacchylides, Corinna, and Others. Cambridge, Mass. and London.
  
* LeVen, Pauline (2010), 'New Music and Its Myths: Athenaeus’ Reading of the ''Aulos'' Revolution', ''JHS'' 130: 35-47. (It deals with Melanippides, Telestes and to some extent Pratinas).
+
* Carey, C. (1999) ‘Ethos and pathos in Bakchylides’ in ''One hundred years of Bacchylides'', eds. I.L. Pfeijffer and S. Slings. Amsterdam: 17-29.
  
==== Myrtis ====
+
* Fearn, D.W. (2003) 'Mapping Phleious:  Politics and Myth-Making in Bacchylides 9', ''Classical Quarterly'' 53.2: 347-67.
  
==== Philoxenus ====
+
* Fearn, D.W. (2007) ''Bacchylides:  Politics, Performance, Poetic Tradition''. Oxford: Oxford Classical Monographs Series. Reviewed by D’Alessio, G.B. (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-11-14.html ''BMCR'' 2008.11.14].
  
==== Pratinas ====
+
* Fearn, D.W. (2009) 'Oligarchic Hestia: Bacchylides 14B and Pindar, Nemean 11', ''JHS'' 129: 23–38.
  
==== Praxilla ====
+
* Fearn, D.W. (2010) 'Imperialist Fragmentation and the Discovery of Bacchylides', in: ''Classics and Imperialism in the British Empire'', ed. M. Bradley. Oxford: 158–85.
  
==== Telesilla ====
+
* Giuseppetti, M. (2015) ''Bacchilide: Odi e frammenti'', Milano (Rizzoli) 2015 (ISBN 978-88-17-07964-8)
  
==== Telestes ====
+
* Golub, H. (2012) ‘Bacchylides’ Spartan dithyramb in the light of choral projection’, "Eos'' XICX: 15-22.
  
* LeVen, Pauline (2010), 'New Music and Its Myths: Athenaeus’ Reading of the ''Aulos'' Revolution', ''JHS'' 130: 35-47. (It deals with Melanippides, Telestes and to some extent Pratinas).
+
* González de Tobia, A.M. (1981) ''Los Epinicios de Baquílides. Una interpretación'', PhD. Dissertation, unpublished, Universidad Nacional de La Plata, Argentina.
  
==== Terpander ====
+
* González de Tobia, A.M. (1994) ‘Itinerario crítico en torno de Baquílides’, in ''Volumen Homenaje a Aída Barbagelata. In memoriam'', eds. Wendt, S. and Royo, M. Actualidad Producciones, Buenos Aires, Tomo 1: 137-150.
* Gostoli, A. (1988) ‘Terpandro e la funzione etico-politica della musica nella cultura spartana del VII sec a.C.’, in ''La musica in Grecia'', ed. B. Gentili and R. Pretagostini. Bari: 231–7.
 
  
* Gostoli, A. (1990) ''Terpander''. Rome.
+
* González de Tobia, A.M. (2000) ‘Baquílides, Epinicio II y el concepto de la fama’, in ''Homenaje a Corina Corchón'', eds. Calvo, F., Fontán, M.I., Gallotti, M. C. and Wainschenker, D. Universidad de Buenos Aires, Buenos Aires: 39-50.  
  
* Quattrocelli, L. (2007) ‘Les fragments de Terpandre et l’hymne dans la Sparte archaïque’, in ''L’hymne antique et son public'', ed. Yves Lehmann. Brepols, Turnhout: 65-80.
+
* González de Tobia, A.M. (2000) ‘La poesía de Baquílides como proyección de una aretá inconfundible’, ''Synthesis'' 7: 149-163.
  
==== Timocreon ====
+
* González de Tobia, A.M. (2001) ‘Una metáfora al servicio del pensamiento poético, Baquílides 3’, ''Iter'': 217-232.
  
==== Timotheus ====
+
* González de Tobia, A.M. (2004) ‘El pensamiento moral del Baquílides, entre ólbos y areté’, in ''Ética y Estética. De Grecia a la modernidad'', ed. González de Tobia, Ana M. Universidad Nacional de La Plata, La Plata: 59-74.
* Ford, Andrew L. (2006) 'The Genre of Genres: Paeans and Paian in Early Greek Poetry', ''Poetica'' 38.3-4: 277-296. It reviews the many attempts to define paeans (esp. by Käppel and Schroeder) as part of a broader discussion of the usefulness of genre terms in reading early Greek lyric. It reads several of Timotheus' fragments to argue that predicating the epithet was the core of the "genre".
 
  
* Hordern, J. H. (2002) ''The Fragments of Timotheus of Miletus''. Oxford.
+
* González de Tobia, A.M. (2007) ‘Lenguaje, Discurso y Civilización en Baquílides 11’, in ''Lenguaje, Discurso y Civilización. De Grecia a la modernidad'', ed. González de Tobia, Ana M. La Plata: 99-116.
  
* LeVen, Pauline “Timotheus’ Eleven-Struck Meters and Rhythms: a new approach (PMG 791, 229-232),” forthcoming in ''Classical Philology''.
+
* Hadjimichael, T. (2012)'Epinician Competitions: Persona and Voice in Bacchylides' in ''Poetry, Music and Contests in Ancient Greece, Vol. I (of 2 vols.), eds. Castaldo, D. & Giannachi, F. & A. Manieri. Galatino I:331-356.
  
* Prauscello, L. (2009) ‘Wandering poetry, “travelling” music: Timotheus’ Muse and some casestudies of shifting cultural identities’, in Wandering Poets in Ancient Greek Culture: Travel, Locality and Panhellenism, eds. R. Hunter and I. Rutherford. Cambridge: 168–94.
+
* Hadjimichael, T. (2014) 'Aristophanes’ Bacchylides: Reading Birds 1373-1409', ''GRMS'' 2: 184-210.
  
=== Carmina Popularia ===
+
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
* Bierl, Anton (2001) ''Der Chor in der Alten Komödie. Ritual und Performativität'' (unter besonderer Berücksichtigung von Aristophanes' ''Thesmophoriazusen'' und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126), Ch. 2.
 
** Bierl, Anton (2009) ''Ritual and Performativity. The Chorus of Old Comedy'' (transl. by Alex Hollmann), Center for Hellenic Studies. Washington, DC: Harvard Press. (Hellenic Studies 20). New and revised edition. It includes an intense analysis of popular Phallus-Songs in ch. 2.
 
  
* Neri, Camillo (2003) 'Sotto la politica. Una lettura dei carmina popularia melici', ''Lexis'' 21: 193-260.
+
* Ieranò, G. (1988), 'Il ditirambo XVII di Bacchilide e le feste apollinee di Delo', ''Quaderni di Storia'' 30: 157-183 - vedi dettaglio Ieranò, G., (1987) 'Il Teseo di Bacchilide', ''Acme'' 40.1: 87-103.
  
* Pordomingo, F. (1996) ‘La poesía popular griega: aspectos histórico-literarios y formas de transmissiόn’, in ''La letteratura di consume nel mondo greco-latino. Atti del convegno internazionale, Cassino, 14–17 settembre 1994'', ed. O. Pecere and A. Stramaglia. Cassino: 463–82.
+
* MacLachlan, B. (2007) 'Epinician swearing' in ''Horkos. The Oath in Greek Society'', eds. A.H. Sommerstein and J. Fletcher. Exeter: 91-101. Reviewed by Kellogg, Danielle L. (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-55.html ''BMCR'' 2008.08.55].
  
* Rossi, L. E. (1993) ‘Lirica arcaica e scoli simposiali (Alc. 249,6–9 V. e carm. conv. 891 P.)’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 237–46.
+
* Maehler, H. (1982–97) ''Die Lieder des Bakchylides''. 2 vols.: I.1 Siegeslieder: Edition des Textes mit Einleitung und Übersetzung. I.2 Siegeslieder: Kommentar. II. Die Dithyramben und Fragmente. Leiden.
  
=== Carmina Convivalia ===
+
* Maehler, H. (2003) ''Bacchylides: Carmina cum fragmentis'', 11th edn. Stuttgart and Leipzig.
* Fabbro, E. (1992) ‘Sul riuso di carmi d’autore nei simposi attici (Carm. conv. 8 P. e Alc. fr. 249 V.)’, ''QUCC'' 70 (= n.s. 41.2): 21–38.
 
  
* Fabbro, E. (1995) ''Carmina Convivalia Attica''. Rome.
+
* Maehler, H. (ed.) (2004) ''Bacchylides. A Selection. Cambridge Greek and Latin Classics Series''. Cambridge University Press.
  
* Fabian, K., E. Pellizer and G. Tedeschi (1991) (eds.) ''ΟΙΝΗΡΑΤΕϒΧΗ: Studi Triestini di Poesia Conviviale''. Alessandria.
+
* Nagy, G. (2011) 'A second look at the poetics of re-enactment in Ode 13 of Bacchylides' in: ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' ed. L. Athanassaki and E. Bowie. Berlin/New York: 173-206.
  
* Jones, Gregory S. (2008) ''Singing the Skolion: a Study of Poetics and Politics in Ancient Greece''.  Ph.D. Diss. Johns Hopkins University.
+
* Nobili, C. (2013) 'I carmi di Bacchilide per Sparta', in F. Berlinzani (ed.), ''La cultura spartana in età classica (Aristonothos 8, 2013)'', Trento: 31-69.
** My dissertation collects and examines for the first time all testimonia related to the skolion and all surviving songs identified as skolia.  I offer a new definition of the term based on the three elements of melic genre: occasion, content, style.  I also examine the Panhellenization and historical development of the genre with special attention paid to the political implications of the Atiic skolia.
 
  
=== Fragmenta Adespota ===
+
* Parker, L. P. E. (2001) ‘Consilium et ratio?: papyrus A of Bacchylides and Alexandrian metrical scholarship’, ''CQ'' 51: 23–52.
* Campbell, D. A. (1993) ''Greek Lyric V: The New School of Poetry and Anonymous Songs and Hymns''. Cambridge, Mass. and London.
 
  
* Martín Vázquez, L. (1999) ‘The song of the swallow’, ''CFC(G)'' 9: 23–39. [http://revistas.ucm.es/fll/11319070/articulos/CFCG9999110023A.PDF online version]
+
* Pavlou, M. (2012) 'Bacchylides 17: Singing and Usurping the Paean', ''GRBS'' 52.4: 510-539.  
  
* Rawles, Richard (2006) 'Musical Notes on the new anonymous lyric poem from Köln' ''ZPE'' 157: 8-13. Concerns the anonymous poem transmitted in P. Köln 21351 & 21376 along with the "New Sappho". It is suggested that the initial vocatives are addressed to Hermes.
+
* Pfeijffer, I.L. and S.R. Slings (eds.) (1999) ''One Hundred Years of Bacchylides. Proceedings of a colloquium held at the Vrije Universiteit Amsterdam''. Amsterdam.
  
* Ucciardello, Giuseppe (2001) 'POxy. XXXII 2636: commentario a Pindaro o a Ibico?' in ''I lirici greci. Forme di comunicazione e storia del testo (Atti dell'Incontro di Studi - Messina 5-6 novembre 1999)'', eds. M. Cannatà Fera - G.B. D’Alessio. Messina: 87-116.
+
* Power, T. (2000) ‘The «parthenoi» of Bacchylides 13’, ''Harvard studies in classical philology'' 100: 67-81.
  
* Ucciardello, Giuseppe (2004) 'Su due frammenti lirici adespoti (P.Oxy. XXXII 2631 = S 454 SLG; P.Oxy. IV 674 = Pind. fr. 338 M.)', ''ZPE'' 149: 29-34.
+
* Robbins, E. (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. D. E. Gerber. Leiden: 223–42.
 +
 
 +
* Rutherford, I. (1991) 'Pindar Paean VIIIA, The "Cassandra" of Bacchylides and the Anonymous "Cassandra" in P.Oxy.2368: An Exploration in Lyric Structure', ''Eos'' 79: 5-12.
 +
 
 +
* Schmidt, D. A. (1990) ‘Bacchylides 17 – paean or dithyramb’, ''Hermes'' 118: 18–31.
 +
 
 +
* Schmidt, D. A. (1999) ‘An unusual victory list from Keos: IG XII 5, 608 and the dating of Bakchylides’, ''JHS'' 119: 67–85.
 +
 
 +
* Skempis, Marios. (2011) 'Ironic Genre Demarcation: Bacchylides 17 and the Epic Tradition', ''Trends in Classics'' 3: 254-300.
 +
 
 +
* Slings, S.R. (1990) 'Bacchylides XVIII 41-42', ''Zeitschrift für Papyrologie und Epigraphik'' 80: 9-10.
 +
 
 +
* Suárez de la Torre, Emilio (2000) 'Bemerkungen zu den Mythen bei Bakchylides' in ''Bakchylides, 100 Jahre nach seiner Wiederentdeckung'', ed. B. Zimmermann. München: 69-86.
 +
 
 +
* Tsagalis, C.C.  (2009) ‘Blurring the Boundaries: Dionysus, Apollo and Bacchylides 17’ in ''Apolline Politics and Poetics'', eds. L. Athanassaki, R.P. Martin, and J.F. Miller. Athens: 199-216.
 +
 
 +
=== Corinna, Boeotica ===
 +
 
 +
* Campbell, D. A. (1992) Greek Lyric IV: ''Bacchylides, Corinna, and Others''. Cambridge, Mass. and London.
 +
 
 +
* Larmour, D. (2005) ‘Corinna’s poetic metis and the epinikian tradition’, in ''Women Poets in Ancient Greece and Rome'', ed. E. Greene. Norman, Okla: 25–58.
 +
 
 +
* Larmour, D.H.J. (2008) 'An Agon on the Slopes of Helicon: Corinna's Dialogues with Pindar and Hesiod' in ''Dialogism and Lyric Self-fashioning: Bakhtin and the Voices of a Genre'', ed. Jacob Blevins, Selinsgrove, Pa. Reviewed by Kershner, S.M. [http://bmcr.brynmawr.edu/2009/2009-06-57.html ''BMCR'' 2009.06.57].
 +
 
 +
* Palumbo Stracca, B. M. (1993) ‘Corinna e il suo pubblico’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. II. Rome: 403–12.
 +
 
 +
* Rayor, D. J. (1993) ‘Korinna: gender and the narrative tradition’, ''Arethusa'' 26: 219–31.
 +
 
 +
* Yossi, Mary J. (1997) 'Corinna Fr. 654 PMG: Archaic or a Case for Metamorphosis' in ''Acta: First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-T. Papademetriou. Athens: 167-186. (in Greek with summary in English)
 +
 
 +
=== Erinna ===
 +
* Levaniouk, O. (2008) 'Lament and Hymenaios in Erinna's Distaff' in ''Lament: Studies in the Ancient Mediterranean and Beyond'', ed. Ann Suter. Oxford, New York: 324-81. Reviewed by Alden, Maureen (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-10-26.html ''BMCR'' 2008.10.26].
 +
 
 +
* Neri, C. (1994) 'Erinna in Eronda', ''Eikasmós'' 5: 221-232.
 +
 
 +
* Neri, C. (1996) ''Studi sulle testimonianze di Erinna''. Bologna.
 +
 
 +
* Neri, C. (1996) 'Il poemetto e l'epigramma. Note sulla fortuna dell'opera di Erinna in età ellenistica', ''Aevum Antiquum'' 9: 193-215.
 +
 
 +
* Neri, C. (1997) 'Erinna a Ossirinco', ''ZPE'' 115: 57-72.
 +
 
 +
* Neri, C. (1998) 'Baucide e le bambole (Erinna: SH 401,1-4, 19-22)', ''Athenaeum'' 86.1: 165-178.
 +
 
 +
* Neri, C. (1998) 'Cambio di ritmo (Erinna: SH 401,14s. ~ Carm.pop. fr.30(c) PMG 876)', ''Prometheus'' 24: 19-24.
 +
 
 +
* Neri, C. (1999) 'Le lune di Erinna (SH 401,6 e 12)', ''Quaderni di Cultura e di Tradizione Classica dell'Università degli Studi di Palermo'' 12: 7-18.
 +
 
 +
* Neri, C. (2002) 'L'agnella e il rasoio (Erinna SH 401,13)' in ''TIMHS CHARIN. «Homenaje al Profesor Pedro A. Gainzarain»'', ed. María José García Soler. Vitoria-Gasteiz: 61-68.
 +
 
 +
* Neri, C. (2003) ''Erinna. Testimonianze e frammenti''. Bologna (earlier editions were published in 1994 (Ph.D. dissertation Padova) and 2000).
 +
 
 +
* Neri, C. (2009) 'Die weißen, sanftredenden Schläfen (SH 401,46 = Herinn. Fr. 4,46 N.)', ''RhM'' 152: 113-23.
 +
 
 +
=== Poetae Minores ===
 +
 
 +
==== Arion ====
 +
 
 +
* Acosta-Hughes, B. (2009) ''Arion’s Lyre: Archaic Lyric in Hellenistic Poetry.'' Princeton.
 +
* Curtis, L. (2017) “Becoming the Lyre: Arion and Roman Elegy.” Arethusa 50: 283-310
 +
* Ieranò, G. (1992), 'Arione e Corinto', in ''Quaderni Urbinati di Cultura Classica'' 41.2: 41-52.
 +
 
 +
==== Ariphron ====
 +
 
 +
==== Aristotle ====
 +
 
 +
* Ford, Andrew. (2011). ''Aristotle as Poet: The Song for Hermias and Its Contexts''. Oxford.
 +
 
 +
==== Castorion ====
 +
 
 +
==== Cinesias ====
 +
 
 +
* Franklin, J.C. (2016) “SKATABASIS: The Rise and Fall of Kinesias”, in A. Gostoli (ed.), ''Gli agoni poetico-musicali nella Grecia antica: Storia, religione, letteratura'' (in press).
 +
 
 +
==== Diagoras ====
 +
 
 +
==== Eumelus ====
 +
* Debiasi, A. (2004) ''L’epica perduta: Eumelo, il Ciclo, l’occidente''. Rome.
 +
 
 +
==== Euripides (Lyric) ====
 +
 
 +
==== Hybrias ====
 +
 
 +
==== Lasus ====
 +
 
 +
==== Licymnius ====
 +
 
 +
==== Melanippides ====
 +
 
 +
* LeVen, Pauline (2010), 'New Music and Its Myths: Athenaeus’ Reading of the ''Aulos'' Revolution', ''JHS'' 130: 35-47. (It deals with Melanippides, Telestes and to some extent Pratinas).
 +
 
 +
==== Myrtis ====
 +
 
 +
==== Philoxenus ====
 +
 
 +
* Cairns, F. (2000). ‘A Testimonium to a New Fragment of Philoxenus of Cythera? (Machon 77–80 = fr. 9.14–17 Gow and Hermesianax fr. 7.69–74 Powell)’, Zeitschrift für Papyrologie und Epigraphik 130: 9-11.
 +
 
 +
==== Pratinas ====
 +
 
 +
==== Praxilla ====
 +
 
 +
* Cazzato, V. (2016), ”Glancing seductively through windows”: The look of Praxilla fr. 8 (754 Page)’, in The Look of Lyric: Greek Song and the Visual, V. Cazzato and A. Lardinois eds, Brill (Leiden), pp. 185-201.
 +
 
 +
==== Telesilla ====
 +
 
 +
* Pizzocaro, M. (1993). 'Un profilo di Telesilla, famosa poetessa d'Argo, e guerriera' A.I.O.N. (sez. filologico-letteraria) 15: 89-103.
 +
 
 +
==== Telestes ====
 +
 
 +
* LeVen, P. (2010), 'New Music and Its Myths: Athenaeus’ Reading of the ''Aulos'' Revolution', ''JHS'' 130: 35-47. (It deals with Melanippides, Telestes and to some extent Pratinas).
 +
 
 +
==== Terpander ====
 +
 
 +
* Franklin, J.C. (2002) 'Terpander: The Invention of Music in the Orientalizing Period'. PhD Dissertation, University College London, 2002. Advisor, Richard Janko. Examiners, Nick Lowe (internal, Royal Holloway) and Walter Burkert (external, Zürich).
 +
 
 +
* Gostoli, A. (1988) ‘Terpandro e la funzione etico-politica della musica nella cultura spartana del VII sec a.C.’, in ''La musica in Grecia'', ed. B. Gentili and R. Pretagostini. Bari: 231–7.
 +
 
 +
* Gostoli, A. (1990) ''Terpander''. Rome.
 +
 
 +
* Quattrocelli, L. (2007) ‘Les fragments de Terpandre et l’hymne dans la Sparte archaïque’, in ''L’hymne antique et son public'', ed. Yves Lehmann. Brepols, Turnhout: 65-80.
 +
 
 +
==== Timocreon ====
 +
 
 +
==== Timotheus ====
 +
 
 +
* Budelmann, F., & LeVen, P. (2014). 'Timotheus’ Poetics of Blending: A Cognitive Approach to the Language of the New Music'. ''Classical Philology'' 109(3): 191-210.
 +
 
 +
* Ford, A. L. (2006) 'The Genre of Genres: Paeans and Paian in Early Greek Poetry', ''Poetica'' 38.3-4: 277-296. It reviews the many attempts to define paeans (esp. by Käppel and Schroeder) as part of a broader discussion of the usefulness of genre terms in reading early Greek lyric. It reads several of Timotheus' fragments to argue that predicating the epithet was the core of the "genre".
 +
 
 +
* Hordern, J. H. (2002) ''The Fragments of Timotheus of Miletus''. Oxford.
 +
 
 +
* LeVen, P. “Timotheus’ Eleven-Struck Meters and Rhythms: a new approach (PMG 791, 229-232),” forthcoming in ''Classical Philology''.
 +
 
 +
* Prauscello, L. (2009) ‘Wandering poetry, “travelling” music: Timotheus’ Muse and some casestudies of shifting cultural identities’, in Wandering Poets in Ancient Greek Culture: Travel, Locality and Panhellenism, eds. R. Hunter and I. Rutherford. Cambridge: 168–94.
 +
 
 +
=== Carmina Popularia ===
 +
* Bierl, A. (2001) ''Der Chor in der Alten Komödie. Ritual und Performativität'' (unter besonderer Berücksichtigung von Aristophanes' ''Thesmophoriazusen'' und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126), Ch. 2.
 +
 
 +
* Bierl, A. (2009) ''Ritual and Performativity. The Chorus of Old Comedy'' (transl. by Alex Hollmann), Center for Hellenic Studies. Washington, DC: Harvard Press. (Hellenic Studies 20). New and revised edition. It includes an intense analysis of popular Phallus-Songs in ch. 2.
 +
 
 +
* Neri, C. (2003) 'Sotto la politica. Una lettura dei carmina popularia melici', ''Lexis'' 21: 193-260.
 +
 
 +
* Pordomingo, F. (1996) ‘La poesía popular griega: aspectos histórico-literarios y formas de transmissiόn’, in ''La letteratura di consume nel mondo greco-latino. Atti del convegno internazionale, Cassino, 14–17 settembre 1994'', ed. O. Pecere and A. Stramaglia. Cassino: 463–82.
 +
 
 +
* Rocconi, E. (2016) 'Traces of Folk Music in Ancient Greek Drama', in Colesanti, G. and Lulli, L. (eds), ''Submerged Literature in Ancient Greek Culture, Volume 2: Case Studies'', Berlin:
 +
 
 +
* Rossi, L. E. (1993) ‘Lirica arcaica e scoli simposiali (Alc. 249,6–9 V. e carm. conv. 891 P.)’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 237–46.
 +
 
 +
=== Carmina Convivalia ===
 +
 
 +
* Cazzato, V. and Prodi, E.E. (2016) 'Continuity in the sympotic tradition', in ''The Cup of Song. Studies on Poetry and the Symposion'', edited by V. Cazzato, D. Obbink, E.E. Prodi, Oxford: 1-16.
 +
 
 +
* Fabbro, E. (1992) ‘Sul riuso di carmi d’autore nei simposi attici (Carm. conv. 8 P. e Alc. fr. 249 V.)’, ''QUCC'' 70 (= n.s. 41.2): 21–38.
 +
 
 +
* Fabbro, E. (1995) ''Carmina Convivalia Attica''. Rome.
 +
 
 +
* Fabian, K., E. Pellizer and G. Tedeschi (1991) (eds.) ''ΟΙΝΗΡΑΤΕϒΧΗ: Studi Triestini di Poesia Conviviale''. Alessandria.
 +
 
 +
* Jones, Gregory S. (2008) ''Singing the Skolion: a Study of Poetics and Politics in Ancient Greece''.  Ph.D. Diss. Johns Hopkins University.
 +
** My dissertation collects and examines for the first time all testimonia related to the skolion and all surviving songs identified as skolia.  I offer a new definition of the term based on the three elements of melic genre: occasion, content, style.  I also examine the Panhellenization and historical development of the genre with special attention paid to the political implications of the Atiic skolia.
 +
 
 +
=== Fragmenta Adespota ===
 +
* Benelli, L. (2013) 'BKT IX 10 = P.Berol. 21110r: Dorische Lyrik oder Tragödie?', ''APF'' 59.1: 29-32.
 +
 
 +
* Campbell, D. A. (1993) ''Greek Lyric V: The New School of Poetry and Anonymous Songs and Hymns''. Cambridge, Mass. and London.
 +
 
 +
* Martín Vázquez, L. (1999) ‘The song of the swallow’, ''CFC(G)'' 9: 23–39. [http://revistas.ucm.es/fll/11319070/articulos/CFCG9999110023A.PDF online version]
 +
 
 +
* Rawles, Richard (2006) 'Musical Notes on the new anonymous lyric poem from Köln' ''ZPE'' 157: 8-13. Concerns the anonymous poem transmitted in P. Köln 21351 & 21376 along with the "New Sappho". It is suggested that the initial vocatives are addressed to Hermes.
 +
 
 +
* Ucciardello, Giuseppe (2001) 'POxy. XXXII 2636: commentario a Pindaro o a Ibico?' in ''I lirici greci. Forme di comunicazione e storia del testo (Atti dell'Incontro di Studi - Messina 5-6 novembre 1999)'', eds. M. Cannatà Fera - G.B. D’Alessio. Messina: 87-116.
 +
 
 +
* Ucciardello, Giuseppe (2004) 'Su due frammenti lirici adespoti (P.Oxy. XXXII 2631 = S 454 SLG; P.Oxy. IV 674 = Pind. fr. 338 M.)', ''ZPE'' 149: 29-34.
 +
 
 +
* Ucciardello, Giuseppe (2004/5) 'P.Oxy. XXXIX 2880 (lirica corale?): nuova edizione e note di commento', ''Analecta Papyrologica'' 16-17: 21-31.
 +
 
 +
* Ucciardello, Giuseppe (2007) 'A single scribe in P.Oxy. IV 660 + P.Oxy. XXIII 2623 + PSI inv. 1907 (Choral Lyric: Simonides?)', ''ZPE'' 160: 4-14.
 +
 
 +
* Ucciardello, Giuseppe (2011) 'Poesia lirica adespota: rilettura di P.Oxy. 2621 (Pindaro?)' in ''Tra panellenismo e
 +
tradizioni locali. Nuovi contributi'', eds. A. Aloni and M. Ornaghi. Messina: 221-277.
 +
 
 +
== Dramatic Chorus ==
 +
* Adrados, Francisco R. (1975) ''Festival, Comedy and Tragedy: The Greek Origins of Theatre''. Leiden. Translation from the Spanish by Christopher Holme. (1972) ''Fiesta, Comedia y Tragedia''. Barcelona.
 +
 
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* Bierl, Anton (2001) ''Der Chor in der Alten Komödie. Ritual und Performativität'' (unter besonderer Berücksichtigung von Aristophanes' ''Thesmophoriazusen'' und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126). It has been translated by Alex Hollmann into English as:
 +
** Bierl, Anton (2009) ''Ritual and Performativity. The Chorus of Old Comedy'' (transl. by Alex Hollmann), Center for Hellenic Studies. Washington, DC: Harvard Press. (Hellenic Studies 20). New and revised edition.
 +
 
 +
* D'Angour, Armand (2007) 'The Sound of Music: modulations and innovations in drama and dithyramb' in ''Debating the Athenian Cultural Revolution'', ed. R. Osborne Cambridge: 288-300.
 +
 
 +
* Martin, Richard (2007) 'Ancient Theatre and Performance Culture' in ''The Cambridge Companion to Greek and Roman Theatre'', eds. M. McDonald and J.M. Walton. Cambridge 36-54.
 +
 
 +
* Wilson, Peter (2000) ''The Athenian Institution of the Khoregia: The Chorus, the City, and the Stage''. Cambridge.
 +
 
 +
* Wilson, Peter (2002) ‘The musicians among the actors’, in ''Greek and Roman Actors: Aspects of an Ancient Profession'', ed. P. Easterling and E. Hall. Cambridge: 41–70.
 +
 
 +
 
 +
=== Tragic Chorus ===
 +
 
 +
==== Tragic Chorus General ====
 +
* ''Arion'' 3.1 (1994/1995): ''The Chorus in Greek Tragedy and Culture''. I.
 +
 
 +
* ''Arion'' 4.1 (1996/1997): ''The Chorus in Greek Tragedy and Culture''. II.
 +
 
 +
* Bacon, H.H. (1996/7) 'The Chorus in Greek Life and Drama', ''Arion'' 4.1: 6-24.
 +
 
 +
* Bagordo, A. (2003) ''Reminiszenzen früher Lyrik bei den attischen Tragikern: Beiträge zur Anspielungstechnik und poetischen Tradition''. Munich.
 +
 
 +
* Battezzato, Luigi (2005) 'Lyric' in ''A Companion to Greek Tragedy'', ed. Justina Gregory. Oxford: Blackwell: 149-66. Presents an overview of the tragic chorus. Reviewed by Wright, Matthew (2006) [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-39.html ''BMCR'' 2006.06.39].
 +
 
 +
* Bieber, M. (1954) 'The Entrances and Exits of Actors and Chorus in Greek Plays', ''American Journal of Achaeology'' 58: 277-281.
 +
 
 +
* Bierl, Anton (1991) ''Dionysos und die griechische Tragödie. Politische und 'metatheatralische' Aspekte im Text''. ''Classica Monacensia'' 1. Tübingen. Dissertation, with many interpretations of tragic songs where Dionysus plays a role.
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 +
* Bierl, Anton (2006) 'Tragödie als Spiel und das Satyrspiel. Die Geburt des griechischen Theaters aus dem Geiste des Chortanzes und seines Gottes Dionysos', in ''Aufgang. Jahrbuch für Denken, Dichten, Musik''. Bd. 3: ''Kind und Spiel'', eds. J. Sánchez de Murillo and M. Thurner. Stuttgart: 111–138. Wth a new interpretation of the Hyporcheme of Pratinas.
 +
 
 +
* Brown, A.D. Fitton (1957) 'The Size of the Greek Tragic Chorus', ''Classical Review'' 7.1: 1-4.
 +
 
 +
* Brown, S. G. (1977) 'A Contextual Analysis of Tragic Meter: The Anapest', in ''Ancient and Modern: Essays in Honor of Gerald Else'', eds. John H. D'Arms and John W. Eadie. Ann Arbor: 45-78.
 +
 
 +
* Cairns, F. (2005). ‘Parabasis in Euripides and Sophocles (Pollux 4.111)?’, Aevum Antiquum n.s. 5: 135-144. Published 2009.
 +
 
 +
* Calame, Claude (1994) 'From Choral Poetry to Tragic Stasimon: The Enactment of Women's Song', ''Arion'' 3:  135-152. Contains a comparison of Pindar's ''Partheneion'' 2 and the parodoi in Aeschylus' ''Seven against Thebes'' and in Euripides' ''Phoenician Women''.
 +
 
 +
* Calame, Claude (1999) 'Performative aspects of the choral voice in Greek tragedy: civic identity in performance', in ''Performance culture and Athenian democracy'', eds. S. Goldhill and R. Osborne. Cambridge: 125-153.
 +
 
 +
* Calame, Claude (2005) 'The Tragic Choral Group: Dramatic Roles and Social Functions' in ''A Companion to Tragedy'', ed. R. Bushnell. Oxford: 215-233.
 +
 
 +
* Calder, W. M. (1982) ‘The size of Thespis' chorus’, ''AJPh'' 103: 319-320.
 +
 
 +
* Castellani, V. (1989) 'The Value of a Kindly Chorus: Female Choruses in Attic Tragedy' in ''Women in Theatre'', ed. Redmond, J. Cambridge and New York. ''Themes in Drama'' 11: 1-18.
 +
 
 +
* Cerbo, E. (1993) 'Gli inni ad Eros in tragedia: struttura e funzione' in ''Tradizione e innovazione nella cultura greca da Omero all' età ellenistica. Scritti in onore di Bruno Gentili'', ed. Pretagostini, R. Vol. 2. Roma: 645-656.
 +
 
 +
* Conacher, D.J. (1975) 'Some Dramatic Uses of the Chorus in Greek Tragedy', ''The University of Toronto Quarterly'' 44: 81-.
  
* Ucciardello, Giuseppe (2004/5) 'P.