Difference between revisions of "Bibliography"

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The goal of this site is to complement the bibliographies on archaic and classical Greek lyric, iambic and elegiac poetry collected by Douglas E. Gerber. Gerber has made an extensive and annotated overview of publications in this field between 1920 and 1989 in:
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The lists of publications on this page aim to complement Douglas E. Gerber extensive and annotated bibliographies of archaic and classical Greek lyric, and iambic and elegiac poetry for the years 1920-1989:
  
 
* Gerber, Douglas E. (1989) 'Pindar and Bacchylides 1934-1987', ''Lustrum'' 31: 97-269.
 
* Gerber, Douglas E. (1989) 'Pindar and Bacchylides 1934-1987', ''Lustrum'' 31: 97-269.
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* Gerber, Douglas E. (1994) 'Greek lyric poetry since 1920. Part II: From Alcman to fragmenta adespota', ''Lustrum'' 36: 7-188 and 285-97.
 
* Gerber, Douglas E. (1994) 'Greek lyric poetry since 1920. Part II: From Alcman to fragmenta adespota', ''Lustrum'' 36: 7-188 and 285-97.
  
Arlette Neumann-Hartmann recently published a bibliography on Pindar and Bacchylides. It covers the period from 1988 to 2007 and continues that of D.E. Gerber:
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See, too, Arlette Neumann-Hartmann recently published bibliography for Pindar and Bacchylides covering the years 1988 - 2007:
  
* Neumann-Hartmann, Arlette (2010) 'Pindar und Bakchylides (1988–2007)', ''Lustrum: Internationale Forschungsberichte aus dem Bereich des klassischen Altertums'' 52: 181–463.
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* Neumann-Hartmann, Arlette (2010) 'Pindar und Bakchylides (1988–2007)', ''Lustrum: Internationale Forschungsberichte aus dem Bereich des klassischen Altertums'' 52: 181–463.
  
 
Our aim is to provide a bibliography that contains relevant publications on archaic and classical Greek poetry (including the choruses of classical drama) especially after 1989. The bibliography follows Gerber's division into genres and ancient poets, but one can also use the 'search' function in the left sidebar in order to find publications. Another way to search through the documents is to use the CTRL-F search function of your browser. In this way, one can more conveniently search for specific words in publications. Unfortunately, it is still impossible to search for themes or keywords that are not mentioned in the title.  
 
Our aim is to provide a bibliography that contains relevant publications on archaic and classical Greek poetry (including the choruses of classical drama) especially after 1989. The bibliography follows Gerber's division into genres and ancient poets, but one can also use the 'search' function in the left sidebar in order to find publications. Another way to search through the documents is to use the CTRL-F search function of your browser. In this way, one can more conveniently search for specific words in publications. Unfortunately, it is still impossible to search for themes or keywords that are not mentioned in the title.  
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== Greek Song General ==
 
== Greek Song General ==
* Alexiou, M. (2002) ''The Ritual Lament in Greek Tradition''. Second edition revised by D. Yatromanolakis and P. Roilos. Lanham/Oxford.
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=== General ===
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* Alexiou, M. (2002) ''The Ritual Lament in Greek Tradition''. Second edition revised by D. Yatromanolakis and P. Roilos. Lanham/Oxford. <!-- VERWIJDERD OP VERZOEK VAN YATROMANOLAKIS Reviewed by D. Wright [http://bmcr.brynmawr.edu/2003/2003-01-10.html BMCR 2003.01.10]-->
  
* Aloni, A. (1998) ''Cantare glorie di eroi: Comunicazione e performance poetica nella Grecia arcaica''. Turin.
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* Bagordo, A. (2011) 'Lyrik', in: Handbuch der griechischen Literatur der Antike, Bd. I, Zimmermann, Bernhard (ed.) München.
  
* Anderson, W. D. (1994) ''Music and Musicians in Ancient Greece''. Ithaca, NY.
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* Boedeker, D. (1984) 'Descent from Heaven: Images of Dew in Greek Poetry and Religion', ''American Classical Studies'' 13.
  
* Athanassaki, Lucia & Bowie, Ewen (2011) (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' Berlin & Boston. [http://www.degruyter.com/view/supplement/9783110254020_Contents.pdf Table of Contents]
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* Bowie, E. (2010) 'The Trojan War's Reception in Early Greek Lyric, Iambic and Elegiac Poetry' in: ''Intentional History. Spinning Time in Ancient Greece'' eds. L. Foxhall, H.-J. Gehrke, N. Luraghi. Stuttgart: 57-87.  
  
* Bagardo, Andreas (2011) 'Lyrik', in: Handbuch der griechischen Literatur der Antike, Bd. I, Zimmermann, Bernhard (ed.) München.
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* Briand, M. (2011), « De la parure à l’harmonie du monde : esthétique et idéologie du kosmos dans la poésie mélique grecque archaïque », L. Bodiou, Fl. Gherchanoc, V. Huet, V. Mehl, Parures et artifices : le corps exposé dans l’Antiquité, L’Harmattan, p. 217-232.  
  
* Barker, Andrew (1984) ''Greek Musical Writings. Vol. I: The Musician and His Art''. Cambridge. [http://www.amazon.ca/gp/reader/0521235936/ref=sib_rdr_toc?ie=UTF8&p=S007&j=0#reader-page Table of Contents].
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* Briand, M. (2012),  « Pour un parallèle intempestif. Poètes norvégiennes contemporaines / grecques anciennes », in Le Pan poétique des muses | Revue internationale de poésie entre théories & pratiques : « Poésie, Danse & Genre » [En ligne], n°2|Automne 2012, http://0z.fr/wZC2S
  
* Barker, Andrew (1989) ''Greek Musical Writings. Vol. II: Harmonic and Acoustic Theory''. Cambridge. [http://www.amazon.ca/gp/reader/0521616972/ref=sib_rdr_toc?ie=UTF8&p=S006&j=0#reader-page Table of Contents].
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* Briand, M. (2013), "Un genre, des genres, pas de genre : sur les désignations et les pratiques grecques anciennes de la poésie d’éloge", in Alain Bègue (ed.), La poesía epidíctica del Siglo de Oro y sus antecedentes (I). Versos de elogío, Editorial Academía del Hispanismo, Vigo, p. 19-41
  
* Barker, Andrew (1995) ‘Heterophonia and poikilia: accompaniments to Greek melody’, in ''Mousike. Metrica, ritmica e musica greca in memoria di Giovanni Comotti'', eds. B. Gentili and F. Perusino. Pisa: 41-60.
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* Budelmann, F. (ed.) (2009) ''The Cambridge Companion to Greek Lyric''. Cambridge.
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** Contents: 1. Introducing Greek lyric Felix Budelmann; Part I. Contexts and Topics: 2. Genre, occasion and performance Chris Carey; 3. Greek lyric and the politics and sociologies of archaic and classical Greek communities Simon Hornblower; 4. Greek lyric and gender Eva Stehle; 5. Greek lyric and the place of humans in the world Mark Griffith; 6. Greek lyric and early Greek literary history Barbara Graziosi and Johannes Haubold; 7. Language and pragmatics Giovan Battista D'Alessio; 8. Metre and music Luigi Battezzato; Part II. Poets and Traditions: 9. Iambos Chris Carey; 10. Elegy Antonio Aloni; 11. Alcman, Stesichorus and Ibycus Eveline Krummen; 12. Alcaeus and Sappho Dimitrios Yatromanolakis; 13. Anacreon and the Anacreontea Felix Budelmann; 14. Simonides, Pindar and Bacchylides Hayden Pelliccia; 15. Ancient Greek popular song Dimitrios Yatromanolakis; 16. Timotheus the New Musician Eric Csapo and Peter Wilson; Part III. Reception: 17. Lyric in the Hellenistic period and beyond Silvia Barbantani; 18. Lyric in Rome Alessandro Barchiesi; 19. Greek lyric from the Renaissance to the eighteenth century Pantelis Michelakis; 20. Sappho and Pindar the nineteenth and twentieth centuries Margaret Williamson; 21. Lyric and lyrics: perspectives, ancient and modern Michael Silk.
  
* Barker, Andrew 'Armonica’ (2001) in ''Storia della Scienza'', vol. 1, S. Petruccioli (ed.), Istituto della Enciclopedia Italiana. Rome: 909-926.
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* Calame, C. (1998) 'La poésie lyrique grecque, un genre inexistant?'€™, ''Littérature'' 11: 87–110. (English translation in preparation for Readings in Greek Lyric, ed. I. Rutherford. Oxford.)
  
* Barker, Andrew (2005) ''Psicomusicologia nella Grecia Antica. A cura di Angelo Meriani. Università degli Studi di Salerno. Quaderni del Dipartimento di Scienze dell'Antichità''. Napoli. Reviewed by Raffa, Massimo [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-08.html ''BMCR'' 2006.06.08].
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* Cavarzere, A., Aloni, A. and Barchiesi, A. (eds.) (2001) ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', Lanham, Md. and Oxford. Reviewed by C. Keane [http://bmcr.brynmawr.edu/2002/2002-07-35.html BMCR 2002.07.35]
  
* Barker, Andrew (2007) ''The Science of Harmonics in Classical Greece''. Cambridge. [http://catdir.loc.gov/catdir/toc/ecip0711/2007007746.html Table of Contents].
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* Dougherty, C. (1994) '€˜Archaic Greek foundation poetry: questions of genre and occasion'€™, ''JHS'' 114: 35–46.
  
* Battezzato, Luigi (2009) 'Metre and music' in ''The Cambridge companion to Greek lyric'', Budelmann, Felix (ed.). Cambridge: 130-46.
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* Fowler, B.H. (1992) ''Archaic Greek Poetry: An Anthology''. Madison, Wis.
  
* Bélis, A. (1999) ''Les musiciens dans l’antiquité''. Paris.
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* Franklin, J.C. (2013) “‘Song-Benders of Circular Choruses’: Dithyramb and the ‘Demise of Music‘“, in Wilson, P./ Kowalzig, B. (eds.), ''Dithyramb in Context'', Oxford: 213–36.
  
* Bierl, Anton (2009) ''Ritual and Performativity. The Chorus of Old Comedy'' (transl. by Alex Hollmann), Center for Hellenic Studies. Washington, DC: Harvard Press. (Hellenic Studies 20). New and revised edition.
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* Franklin, J.C. (2016) ''Kinyras: The Divine Lyre''. (Hellenic Studies 70), Washington D.C..
  
* Boedeker, Deborah (1984) 'Descent from Heaven: Images of Dew in Greek Poetry and Religion', ''American Classical Studies'' 13.
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* Franklin, J.C.  (2007) “‘A Feast of Music’: The Greco-Lydian Musical Movement on the Assyrian Periphery“, in Collins, B. J./Bachvarova, M./ Rutherford, I. (eds.), ''Anatolian Interfaces: Hittites, Greeks and Their Neighbors'', Oxford: 193–203.
  
* Boegehold, A. L. 2000. ‘Acting out some songs’, ''Syllecta Classica'' 11: 1-15.
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* Franklin, J.C. 2003) “The Language of Musical Technique in Greek Epic Diction“, Gaia. Revue interdisciplinaire sur la Grèce archaïque 7: 295-307.
  
* Bowman, L. (2004) ‘The “women’s tradition” in ''Greek poetry’, Phoenix'' 58: 1–27.
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* Gentili, B. (1990) ''Poetry and its Public in Ancient Greece''. Baltimore. Reviewed by S.D. Olson [http://bmcr.brynmawr.edu/1991/02.02.06.html BMCR 02.02.06]
  
* Briand, Michel (2000) 'Inspiration, enthousiasme et polyphonies: ἔνθεος et la performance poétique', ''Noésis'' (L'antique notion d'inspiration, dir. J. Assaël): 97-154.
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* Gentili, B. and Catenacci, C. (2007) ''Polinnia. Poesia greca arcaica. Terza edizione''. Firenze. Contains elegiac, iambic and lyric poetry with introduction and commentary. Reviewed by L. Athanassaki (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-04-23.html BMCR 2008.04.23].
  
* Bundrick, S. D. (2005) ''Music and Image in Classical Athens''. Cambridge.
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* Gentili, B. and Lomiento, L. (2008) ''Metrics and Rhythmics: History of Poetic Forms in Ancient Greece'' (English translation by E. Christian Kopff of 2003 edition: ''Metrica e ritmica: Storia delle forme poetiche nella Grecia antica''. Milan. Review: [http://bmcr.brynmawr.edu/2004/2004-09-09.html BMCR 2004.09.09]). ''Studi di metrica classica'' 12. Pisa/Roma: Fabrizio Serra Editore. Reviewed by A. Tessier [http://bmcr.brynmawr.edu/2009/2009-11-31.html BMCR 2009.11.31].
  
* Budelmann, Felix (2001) ‘Sound and text: the rhythm and metre of archaic and classical Greek poetry in ancient and Byzantine scholarship’, in ''Homer,Tragedy and Beyond: Essays in Honour of P. E. Easterling'', ed. F. Budelmann and P. Michelakis. London: 209–40.
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* Gerber, D.E. (1997) (ed.) ''A Companion to the Greek Lyric Poets''. Leiden.
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** Contents: Iambos (Archilochus, Semonides, Hipponax) - Christopher Brown. Elegy (Callinus, Tyrtaeus, Mimnermus, Solon, Theognis, Xenophanes) - Douglas Gerber. Personal poetry (Alcaeus, Sappho,Ibycus, Anacreon, Corrina) - Bonnie Maclachan. Public poetry (Alcman, Stesichorus, Simonides, Pindar, Bacchylides) - Emmet Robbins.
  
* Budelmann, Felix (ed.) (2009) ''The Cambridge Companion to Greek Lyric''. Cambridge.
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* Gerber, D.E. (2003) 'Λοξός with reference to the Eyes and Neck in Greek Poetry' in: ''Studi di Filologia e Tradizione Greca in memoria di Aristide Colonna'', eds. F. Benedetti and S. Grandolini. Napoli, vol. 1: 355-358.
** Contents: 1. Introducing Greek lyric Felix Budelmann; Part I. Contexts and Topics: 2. Genre, occasion and performance Chris Carey; 3. Greek lyric and the politics and sociologies of archaic and classical Greek communities Simon Hornblower; 4. Greek lyric and gender Eva Stehle; 5. Greek lyric and the place of humans in the world Mark Griffith; 6. Greek lyric and early Greek literary history Barbara Graziosi and Johannes Haubold; 7. Language and pragmatics Giovan Battista D'Alessio; 8. Metre and music Luigi Battezzato; Part II. Poets and Traditions: 9. Iambos Chris Carey; 10. Elegy Antonio Aloni; 11. Alcman, Stesichorus and Ibycus Eveline Krummen; 12. Alcaeus and Sappho Dimitrios Yatromanolakis; 13. Anacreon and the Anacreontea Felix Budelmann; 14. Simonides, Pindar and Bacchylides Hayden Pelliccia; 15. Ancient Greek popular song Dimitrios Yatromanolakis; 16. Timotheus the New Musician Eric Csapo and Peter Wilson; Part III. Reception: 17. Lyric in the Hellenistic period and beyond Silvia Barbantani; 18. Lyric in Rome Alessandro Barchiesi; 19. Greek lyric from the Renaissance to the eighteenth century Pantelis Michelakis; 20. Sappho and Pindar the nineteenth and twentieth centuries Margaret Williamson; 21. Lyric and lyrics: perspectives, ancient and modern Michael Silk.
 
  
* Budelman, Felix (2009) 'Introducing Greek lyric' in ''The Cambridge companion to Greek lyric'', Budelmann, Felix (ed.). Cambridge: 1-18.
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* Goldhill, S. (1991) ''The Poet’s Voice: Essays on Poetics and Greek Literature''. Cambridge.
  
* Calame, Claude (1998) ‘La poésie lyrique grecque, un genre inexistant?’, ''Littérature'' 11: 87–110. (English translation in preparation for Readings in Greek Lyric, ed. I. Rutherford. Oxford.)
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* Graziosi, B. (2002) ''Inventing Homer. The Early Reception of Epic''. Cambridge. About the reception of Homer in lyric, elegy and iambus.
  
* Calame, Claude (2004) ‘Deictic ambiguity and auto-referentiality: some examples from Greek poetics’, ''Arethusa'' 37: 427-31.
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* Griffith, M. (1990) '€˜Contest and contradiction in early Greek poetry'€™, in ''Cabinet of the Muses: Essays on Classical and Comparative Literature in Honor of Thomas G. Rosenmeyer'', ed. M. Griffith and D. Mastronarde. Atlanta: 185–207.
  
* Calame, Claude (2005) ''Masques d’autorité. Fiction et pragmatique dans la poétique grecque''. Paris. English translation (2005) ''Masks of Authority. Fiction and Pragmatics in Ancient Greek Poetics''. Ithaca NY and London.
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* Griffiths, A. (1995) '€˜Non-aristocratic elements in archaic poetry'€™, in ''The Greek World'', ed. A. Powell. London: 85–103.
  
* Calame, Claude (2006) ''Pratiques poétiques de la mémoire. Représentations de l’espace-temps en Grèce ancienne''. Paris. English translation is forthcoming at Harvard University Press.
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* Hunter, R.L. and Rutherford, I. (eds.) (2009) ''Wandering Poets in Ancient Greek Culture. Travel, locality and Pan-Hellenism''. Cambridge. [http://ebooks.cambridge.org/popups/pdf_viewer.jsf?cid=CBO9780511576133A005&ref=false&pubCode=CUP&urlPrefix=cambridge Table of contents] Reviewed by R. Roosevelt [http://bmcr.brynmawr.edu/2010/2010-01-55.html BMCR 2010.01.55]
  
* Calame, Claude (2007) 'Gardens of Love and Meadows of the Beyond: Ritual Encounters with the Gods and Poetical Perfomances in Ancient Greece' in ''Sacred Gardens and Landscapes: Ritual and Agency'', ed. M. Conan. Washington: 43-54.
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* Hutchinson, G.O. (ed.) (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
* Carey, Chris (2009) 'Genre, occasion and performance' in ''The Cambridge companion to Greek lyric'', Budelmann, Felix (ed.). Cambridge: 21-38.
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* Ieranò, G. (1997) ''Il Ditirambo di Dioniso''. Pisa and Rome. [Testimonia on dithyramb, with commentary]
  
* Carey, C. (2010) ‘The victory ode in the theatre’, ''BICS supplements''. [http://eprints.ucl.ac.uk/19956/ electronic version]
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* Jones, G.S. (2008) ''Singing the Skolion: a Study of Poetics and Politics in Ancient Greece''. Ph.D. Diss. Johns Hopkins University.
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** My dissertation collects and examines for the first time all testimonia related to the skolion and all surviving songs identified as skolia.  I offer a new definition of the term based on the three elements of melic genre: occasion, content, style. I also examine the Panhellenization and historical development of the genre with special attention paid to the political implications of the Attic skolia.
  
* Cavarzere, A. (ed.) (2001) ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', Lanham, Md. and Oxford
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* Klinck, Anne L. (2008) ''Woman's songs in Ancient Greece''. Montreal. Reviewed by M.R. Lefkowitz [http://bmcr.brynmawr.edu/2009/2009-06-56.html BMCR 2009.06.56]
  
* Collins, D. (2004) ''Master of the Game: Competition and Perfomance in Greek Poetry''. Cambridge, MA.
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* Kurke, Leslie (2000) 'The Strangeness of 'Song Culture'€™: Archaic Greek Poetry', in ''Literature in the Greek & Roman Worlds: A New Perspective'', ed. O. Taplin. Oxford University Press: 58-87.
  
* D'Angour, Armand (2006) 'The New Music – so what’s new?' in ''Rethinking Revolutions through Ancient Greece'', eds. Goldhill and Osborne. Cambridge: 264-283.\
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* Kurke, Leslie (2007) 'Archaic Greek Poetry', in ''The Cambridge Companion to Archaic Greece'', ed. H. Alan Shapiro. Cambridge: 141-68. Reviewed by A. Kühr [http://ccat.sas.upenn.edu/bmcr/2008/2008-01-13.html BMCR 2008.01.13].
  
* D’Alessio, G. B. (2004) ‘Past future and present past: temporal deixis in Greek archaic lyric’, ''Arethusa'' 37: 267–94.
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* Lardinois, A.P.M.H. (1995) ''Wisdom in Context: The Use of Gnomic Statements in Archaic Greek Poetry''. Ph.D. Diss. Princeton University.
  
* David, A.P. (2006) ''The Dance of the Muses: Choral Theory and Ancient Greek Poetics''. New York. Review by Ronald J.J. Blankenborg [http://ccat.sas.upenn.edu/bmcr/2007/2007-04-46.html ''BMCR'' 2007.04.46].
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* Lattmann, C. (2005) 'Die Dichtungsklassifikation des Aristoteles. Eine neue Interpretation von Aristot. poet. 1448a19–24', ''Philologus'' 149: 28-€“51. [http://www.klassalt.uni-kiel.de/abteilungen/graezistik/websites/lattmann/claas-lattmann-aristotles-classification-of-poetry Abstract].
  
* Dougherty, C. (1993) ''The Poetics of Colonization: From City to Text in Archaic Greece''. New York and Oxford.
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* MacLachlan, B. (1993) ''The Age of Grace: Charis in Early Greek Poetry.'' Princeton. Reviewed by M.R. Halleran [http://bmcr.brynmawr.edu/1994/94.02.17.html BMCR 94.02.17]
  
* Dougherty, C. (1994) ‘Archaic Greek foundation poetry: questions of genre and occasion’, ''JHS'' 114: 35–46.
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* Malhomme, Florence and Anne Gabrièle Wersinger (eds.) (2007) ''Mousike et Arete. La mousique et l'éthique de l'antiquité à l'âge moderne. Actes du colloque international tenu en Sorbonne les 15-17 décembre 2003''. Paris: Librairie Philosophique J. Vrin. Reviewed by Raffa, Massimo (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-03-20.html ''BMCR'' 2008.03.20].
  
* Ford, Andrew L. (1988) 'The Classical Definition of rhapsôdia', ''Classical Philology'' 83: 300-307. It considers the early usage of "rhapsody" and related terms and argues that their meaning (essentially, "the performance of verse without melody") is based on  modes of performance rather than a formally or thematically homogeneous corpus of poetry.
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* Martin, R. (2009) 'Gnomes in Poems: Wisdom Performance on the Athenian Stage', in ''Antiphílesis: Studies on Classical,Byzantine and Modern Greek Literature and Culture. In Honour of Professor John-Theophanes A. Papademetriou.'' eds. E. Karamalengou and E.D. Makrygianni. Stuttgart: 116-27.
  
* Ford, A. (2002) ''The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece''. Princeton, N.J. and Oxford.
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* Mojsik, T. (2011) ''Between Tradition and Innovation: Genealogy, Names and the Number of the Muses. Akme. Studia historica, 9.''   Warszawa. Reviewed by P. Murray [http://bmcr.brynmawr.edu/2012/2012-09-56.html BMCR 2012-09.56].  
  
* Ford, A. (2003) ‘From letters to literature: reading the “song culture” of classical Greece’, in ''Written Texts and the Rise of Literate Culture in Ancient Greece'', ed. H. Yunis. Cambridge: 15–37.
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* Nagy, G. (1997) ''The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry''. Johns Hopkins University Press (revised edition; first published in 1979). [http://www.press.jhu.edu/books/nagy/BofAS/toc.html Free-to-view online edition]. [http://www.intute.ac.uk/artsandhumanities/cgi-bin/fullrecord.pl?handle=humbul15083 More information] is available at [http://www.intute.ac.uk Intute], catalogued by Emma Bridges.
  
* Fowler, Barbara Hughes (1992) ''Archaic Greek Poetry: An Anthology''. Madison, Wis.
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* Nagy, G. (2009) 'Perfecting the Hymn in the Homeric Hymn to Apollo'€™ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.), Athens: 17-44.
  
* Franklin, John C. (2002) 'Musical Syncretism and the Greek Orientalizing Period' in ''Archäologie früher Klangerzeugung und Tonordnungen'', eds. E. Hickmann and R. Eichmann. Serie Studien zur Musikarchäologie, Orient-Archäologie. Rahden: 441-51. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/MusicSync.pdf PDF]. [http://www.kingmixers.com/Syncrestism.html Abstract].
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* Nobili, C.(2006) 'Motivi della poesia nuziale in Odissea VI 149-185', ''Rendiconti dell'Istituto lombardo di scienze e lettere. Classe di lettere e scienze morali'' 140: 59-74. It investigates the precence of motifs typical of wedding song in ''Odyssey'' 6.
  
* Franklin, John C. (2002) 'Diatonic Music in Greece: a Reassessment of its Antiquity', ''Mnemosyne'' 56.1: 669-702. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/DiatonicmusicinGreece.pdf PDF]. [http://www.kingmixers.com/Diatonic.html Abstract].
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* Nobili, C (2016) ''Corone di gloria. Epigrammi agonistici ed epinici dal VII al IV sec. a.C.'', Alessandria.
  
* Franklin, John C. (2003) 'The Language of Musical Technique in Greek Epic Diction', ''Gaia. Revue interdisciplinaire sur la Grèce archaïque'' 7: 295-307. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/MusicalTechnique.pdf PDF]. [http://www.kingmixers.com/MusicalTechnique.html Abstract].
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* Riu, X., Pòrtulas, J (eds.) (2012) ''Approaches to Greek Poetry.'' Messina.
  
* Franklin, John C. (2004) 'Structural Sympathies in Ancient Greek and South-Slavic Heroic Song' in ''Music Archeological Sources: Artifacts, Oral Tradition, Written Evidence'', eds. E. Hickmann and R. Eichmann. Serie Studien zur Musikarchäologie, Orient-Archäologie. Rahden: 241-251. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/StructuralSympathies.pdf PDF]. [http://www.kingmixers.com/Serbo.html Abstract].
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* Swift, L. (2015) ‘Lyric Visions of Epic Combat: The Spectacle of War in Archaic Personal Song’, in War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Combat, eds A. Bakogianni and V. Hope. London: 93-109.
  
* Franklin, John C. (2005) 'Hearing Greek Microtones', with audio CD in ''Ancient Greek Music in Performance'', eds. Hagel, S. and Harrauer, Ch. Wiener Studien Beiheft 29 Vienna. From a paper and audio-demonstration (with [http://www.kingmixers.com/virtuallyre.html Virtual Lyre]), delivered at Performing Ancient Greek Music Today, Österreichische Akademie der Wissenschaften, Vienna, September 29-October 1, 2003. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/HGM.pdf PDF]. [http://www.kingmixers.com/Hearing%20Greek%20Microtones.html Abstract].
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* Thomas, R. (1995) '€˜The place of the poet in archaic society'€™, in ''The Greek World'', ed. A. Powell. London: 104-29.
  
* Franklin, John C. (2006) 'Lyre Gods of the Bronze Age Musical Koine', ''The Journal of Ancient Near Eastern Religions'' 6.2: 39-70. [http://www.kingmixers.com/Franklin%20PDF%20files%20copy/LyreGodsWeb.pdf PDF]. [http://www.kingmixers.com/WisdomLyre.html#lyregods Abstract].
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* Vetta, M. (1999) ''Symposion: Antologia della lirica greca''. Naples.
  
* Gentili, B. (1990) ''Poetry and its Public in Ancient Greece''. Baltimore.
+
* Wilson, P. (ed.) (2007) ''The Greek Theatre and Festivals. Documentary Studies. Oxford Studies in Ancient Documents.'' Oxford: Oxford University Press. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011345.html Table of Contents]. Reviewed by R. Mitchell-Boyask [http://ccat.sas.upenn.edu/bmcr/2008/2008-05-24.html BMCR 2008.05.24].
  
* Gentili, B. and F. Perusino (1999) (eds.) ''La colometria antica dei testi poetici greci''. Pisa and Rome.
+
=== Metre, music and musical instruments ===
 
+
* Anderson, W. D. (1994) ''Music and Musicians in Ancient Greece''. Ithaca, NY.
* Gentili, Bruno and Carmine Catenacci (2007) ''Polinnia. Poesia greca arcaica. Terza edizione''. Firenze. Contains elegiac, iambic and lyric poetry with introduction and commentary. Reviewed by Athanassaki, Lucia (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-04-23.html ''BMCR'' 2008.04.23].
 
 
 
* Gentili, Bruno and Liana Lomiento (2008) ''Metrics and Rhythmics: History of Poetic Forms in Ancient Greece'' (English translation by E. Christian Kopff of 2003 edition: ''Metrica e ritmica: Storia delle forme poetiche nella Grecia antica''. Milan.). ''Studi di metrica classica'' 12. Pisa/Roma: Fabrizio Serra Editore. Reviewed by Tessier, Andrea (2009) [http://bmcr.brynmawr.edu/2009/2009-11-31.html ''BMCR'' 2009.11.31].
 
 
 
* Gerber, D.E. (1997) (ed.) ''A Companion to the Greek Lyric Poets''. Leiden.
 
** Contents: Iambos (Archilochus, Semonides, Hipponax) - Christopher Brown/ Elegy (Callinus, Tyrtaeus, Mimnermus, Solon, Theognis, Xenophanes) - Douglas Gerber/ Personal poetry (Alcaeus, Sappho,Ibycus, Anacreon, Corrina) - Bonnie Maclachan/ Public poetry (Alcman, Stesichorus, Simonides, Pindar, Bacchylides) - Emmet Robbins.
 
 
 
* Gerber, D.E. (2003) 'Λοξός with reference to the Eyes and Neck in Greek Poetry' in: ''Studi di Filologia e Tradizione Greca in memoria di Aristide Colonna'', eds. F. Benedetti & S. Grandolini. Napoli, vol. 1: 355-358.
 
 
 
* Goldhill, S. (1991) ''The Poet’s Voice: Essays on Poetics and Greek Literature''. Cambridge.
 
  
* Goldhill, S. and R. Osborne (1999) (eds.) ''Performance Culture and Athenian Democracy''. Cambridge.
+
* Barker, A. (1984) ''Greek Musical Writings. Vol. I: The Musician and His Art''. Cambridge. [http://www.amazon.ca/gp/reader/0521235936/ref=sib_rdr_toc?ie=UTF8&p=S007&j=0#reader-page Table of Contents].
  
* Grandolini, S. (1991) ‘Canto processionale e culto nell’antica Grecia’, in ''L’inno tra rituale e letteratura nel mondo antico: Atti di un colloquio Napoli'' 21–24 ottobre 1991, AION 13: 125–40.
+
* Barker, A. (1989) ''Greek Musical Writings. Vol. II: Harmonic and Acoustic Theory''. Cambridge. [http://www.amazon.ca/gp/reader/0521616972/ref=sib_rdr_toc?ie=UTF8&p=S006&j=0#reader-page Table of Contents].
  
* Graziosi, Barbara (2002) ''Inventing Homer. The Early Reception of Epic''. Cambridge. About the reception of Homer in lyric, elegy and iambus.
+
* Barker, A. (1995) 'Heterophonia and poikilia: accompaniments to Greek melody'€™, in ''Mousike. Metrica, ritmica e musica greca in memoria di Giovanni Comotti'', eds. B. Gentili and F. Perusino. Pisa: 41-60.
  
* Graziosi, Barbara and J. Haubold (2009) 'Greek Lyric and early Greek literary history' in ''The Cambridge Companion to Greek Lyric'', Budelmann, Felix (ed.). Cambridge: 95-113.
+
* Barker, A. (2001) 'Armonica'€™  in ''Storia della Scienza'', vol. 1, S. Petruccioli (ed.), Istituto della Enciclopedia Italiana. Rome: 909-926.
  
* Griffith, Mark(1990) ‘Contest and contradiction in early Greek poetry’, in ''Cabinet of the Muses: Essays on Classical and Comparative Literature in Honor of Thomas G. Rosenmeyer'', ed. Griffith, Mark and Mastronarde, D. Atlanta: 185–207.
+
* Barker, A. (2005) ''Psicomusicologia nella Grecia Antica. A cura di Angelo Meriani. Università degli Studi di Salerno. Quaderni del Dipartimento di Scienze dell'Antichità ''. Napoli. Reviewed by Raffa, Massimo [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-08.html ''BMCR'' 2006.06.08].
  
* Griffith, Mark (2009) 'Greek lyric and the place of humans in the world' in ''The Cambridge Companion to Greek Lyric'', Budelmann, Felix (ed.). Cambridge: 72-94.
+
* Barker, A. (2007) ''The Science of Harmonics in Classical Greece''. Cambridge. [http://catdir.loc.gov/catdir/toc/ecip0711/2007007746.html Table of Contents]. Reviewed by N. Sidoli [http://bmcr.brynmawr.edu/2009/2009-10-38.html BMCR 2009.10.38]
  
* Griffiths, A. (1995) ‘Non-aristocratic elements in archaic poetry’, in ''The Greek World'', ed. A. Powell. London: 85–103.
+
* Bélis, A. (1999) ''Les musiciens dans l’antiquité''. Paris.
  
* Hagel, S. and C. Harrauer (2005) (eds.) ''Ancient Greek Music in Performance'' (Book and Audio CD). Vienna.
+
* Bundrick, S.D. (2005) ''Music and Image in Classical Athens''. Cambridge. Reviewed by S. Gibson [http://bmcr.brynmawr.edu/2006/2006-07-46.html BMCR 2006.07.46]
  
* Hornblower, Simon (2009) 'Greek lyric and the politics and sociologies of archaic and classical Greek communities' in ''The Cambridge Companion to Greek Lyric'', Budelmann, Felix (ed.). Cambridge: 39-57.
+
* Budelmann, F. (2001) '€˜Sound and text: the rhythm and metre of archaic and classical Greek poetry in ancient and Byzantine scholarship'€™, in ''Homer,Tragedy and Beyond: Essays in Honour of P. E. Easterling'', ed. F. Budelmann and P. Michelakis. London: 209–40.
  
* Hummel, P. (1997) ''Philogica Lyrica: La poésie lyrique grecque au miroir de l’érudition philologique de l’antiquité à la Renaissance''. Louvain.
+
* D'Angour, A. (2006) 'The New Music - so what'€™s new?' in ''Rethinking Revolutions through Ancient Greece'', eds. Goldhill and Osborne. Cambridge: 264-283.
  
* Hunter, Richard L. and Rutherford, Ian (2009) (eds.) ''Wandering Poets in Ancient Greek Culture. Travel, locality and Pan-Hellenism''. Cambridge. [http://ebooks.cambridge.org/popups/pdf_viewer.jsf?cid=CBO9780511576133A005&ref=false&pubCode=CUP&urlPrefix=cambridge Table of contents]
+
* Ford, A. (1988) 'The Classical Definition of rhapsôdia', ''Classical Philology'' 83: 300-307.  
  
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
+
* Franklin, J.C. (2002) 'Musical Syncretism and the Greek Orientalizing Period' in ''Archäologie früher Klangerzeugung und Tonordnungen'', eds. E. Hickmann and R. Eichmann. Serie Studien zur Musikarchäologie, Orient-Archäologie. Rahden: 441-51. [http://www.kingmixers.com/FranklinPDFfilescopy/MusicalSyncretism.pdf PDF]. [http://www.kingmixers.com/Syncrestism.html Abstract].
  
* Jones, Gregory S. (2008) ''Singing the Skolion: a Study of Poetics and Politics in Ancient Greece''. Ph.D. Diss. Johns Hopkins University.
+
* Franklin, J.C. (2002) 'Diatonic Music in Greece: a Reassessment of its Antiquity', ''Mnemosyne'' 56.1: 669-702. [http://www.kingmixers.com/FranklinPDFfilescopy/DiatonicMusicinGreece.pdf PDF]. [http://www.kingmixers.com/Diatonic.html Abstract].
** My dissertation collects and examines for the first time all testimonia related to the skolion and all surviving songs identified as skolia. I offer a new definition of the term based on the three elements of melic genre: occasion, content, style. I also examine the Panhellenization and historical development of the genre with special attention paid to the political implications of the Atiic skolia.
 
  
* Klinck, Anne L. (2008) ''Woman's songs in Ancient Greece''. Montreal.
+
* Franklin, J.C. (2003) 'The Language of Musical Technique in Greek Epic Diction', ''Gaia. Revue interdisciplinaire sur la Grèce archaïque'' 7: 295-307. [http://www.kingmixers.com/FranklinPDFfilescopy/MusicalTechniqueEpicDiction.pdf PDF]. [http://www.kingmixers.com/MusicalTechnique.html Abstract].
  
* Kurke, Leslie (2000) 'The Strangeness of ‘Song Culture’: Archaic Greek Poetry', in ''Literature in the Greek & Roman Worlds: A New Perspective'', ed. Oliver Taplin. Oxford University Press: 58-87.
+
* Franklin, J.C. (2004) 'Structural Sympathies in Ancient Greek and South Slavic Heroic Singing' in Hickmann, E. & Eichmann, R. (eds.), ''Musikarchäologische Quellengruppen: Bodenurkunden, mündliche Überlieferung, Aufzeichnung.'' [http://www.kingmixers.com/FranklinPDFfilescopy/StructuralSympathiesGreekSlavic.pdf PDF]
  
* Kurke, Leslie (2007) 'Archaic Greek Poetry', in ''The Cambridge Companion to Archaic Greece'', ed. H. Alan Shapiro. Cambridge: 141-68. Review by Angela Kühr, [http://ccat.sas.upenn.edu/bmcr/2008/2008-01-13.html ''BMCR'' 2008.01.13].
+
* Franklin, J.C. (2005) 'Hearing Greek Microtones', with audio CD in ''Ancient Greek Music in Performance'', eds. Hagel, S. and Harrauer, Ch. Wiener Studien Beiheft 29 Vienna. From a paper and audio-demonstration (with [http://www.kingmixers.com/virtuallyre.html Virtual Lyre]), delivered at Performing Ancient Greek Music Today, Österreichische Akademie der Wissenschaften, Vienna, September 29-October 1, 2003. [http://www.kingmixers.com/FranklinPDFfilescopy/HearingGreekMicrotones.pdf PDF]. [http://www.kingmixers.com/Hearing%20Greek%20Microtones.html Abstract].
  
* Lardinois, A.P.M.H. (1995) ''Wisdom in Context: The Use of Gnomic Statements in Archaic Greek Poetry''. Ph.D. Diss. Princeton University.
+
* Franklin, J.C. (2006) '€˜The Wisdom of the Lyre: Soundings in Ancient Greece, Cyprus and the Near East', ''Musikarchäologie im Kontext: Archäologische Befunde, historische Zusammenhänge, soziokulturelle Beziehungen.'' eds. E. Hickmann & R. Eichmann: 379-98.  [http://www.kingmixers.com/FranklinPDFfilescopy/WisdomLyre.pdf PDF]
  
* Lattmann, Claas (2005) 'Die Dichtungsklassifikation des Aristoteles. Eine neue Interpretation von Aristot. poet. 1448a19–24', ''Philologus'' 149: 28–51. [http://www.klassalt.uni-kiel.de/abteilungen/graezistik/websites/lattmann/claas-lattmann-aristotles-classification-of-poetry Abstract].
+
* Franklin, J.C. (2006) 'Lyre Gods of the Bronze Age Musical Koine' in ''The Journal of Ancient Near Eastern Religions'' 6.2: 39–70. [http://www.kingmixers.com/FranklinPDFfilescopy/LyreGodsWeb.pdf PDF]
  
* Lech, Marcel Lysgaard (2009) 'Marching choruses?: Choral performance in Athens' ''GRBS'' 49, 3.
+
* Franklin, J.C. (2010) 'Remembering Music in Early Greece', in ''The Historiography of Music in Global Perspective.'' ed. S. Mirelman. Piscataway. 9–50. [http://www.kingmixers.com/FranklinPDFfilescopy/RememberingMusic.pdf PDF]
  
* Levin, Flora R. (2009) ''Greek reflections on the nature of music''. Cambridge; New York: Cambridge University Press. Reviewed by Marchetti, Christopher (2009) [http://bmcr.brynmawr.edu/2009/2009-12-34.html ''BMCR'' 2009.12.34].
+
* Franklin, J. C. (2012) 'The Lesbian Singers: Towards a Reconstruction of Hellanicus'€™ ''Karneian Victors''.'€ In ''Poesia, musica e agoni nella Grecia antica'' eds. D. Castaldo, F. Giannachi & A. Manieri. Galatina: 720-764 [http://www.kingmixers.com/FranklinPDFfilescopy/FranklinKarneianVictors.pdf PDF]
  
* MacLachlan, B. (1993) ''The Age of Grace: Charis in Early Greek Poetry. Princeton'',N.J.
+
* Franklin, J. C. (2014) “Ethnicity and Musical Identity in the Lyric Landscape of Early Cyprus”, ''Greek and Roman Musical Studies'' 2: 146–76.
  
* MacLachlan, B.(1997) ‘Personal poetry’, in ''A Companion to the Greek Lyric Poets'', ed.D. E. Gerber. Leiden: 135–221.
+
* Franklin, J. C. (2011) “Music”, “Aulos” and “Phorminx” in Finkelberg, M. (ed.), ''The Homer Encyclopedia'' (Oxford), s.vv.
  
* Malhomme, Florence and Anne Gabrièle Wersinger (eds.) (2007) ''Mousikè et Aretè. La mousique et l'éthique de l'antiquité à l'âge moderne. Actes du colloque international tenu en Sorbonne les 15-17 décembre 2003''. Paris: Librairie Philosophique J. Vrin. Reviewed by Raffa, Massimo (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-03-20.html ''BMCR'' 2008.03.20].
+
* Franklin, J. C. (2008) “Realizations in Ancient Greek Music: Beyond the Fragments“ (with CD selections), in Hickmann, E./Eichmann, R./Both, A. A. (eds.), Challenges and Objectives in Music Archaeology. Papers from the 5th Symposium of the International Study Group on Music Archaeology at the Ethnological Museum, State Museums Berlin, 19-23 September, 2006. Studien zur Musikarchäologie 6/Orient-Archäologie 22 (Rahden,): 323–6
  
* Martinelli, M. C. (1995) ''Gli strumenti del poeta: elementi di metrica greca''. Bologna.
+
* Franklin, J. C. (in press) “Epicentric Tonality and the Greek Lyric Tradition”, in A. D’Angour/T. Phillips (ed.), Music and Text in Ancient Greece (Cambridge, in press).
  
* Mathiesen, T. J. (1999) ''Apollo’s Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages''. Lincoln, Nebr. and London.
+
* Franklin, J. C. (in press) “A Musical Maze for Asklepios? An Archaeoacoustic Assessment of the Thymele at Epidauros”, in Schultz, P., et al., The Thymele at Epidauros: Healing, Space, and Musical Performance in Late Classical Greece (in press).
  
* Mojsik, Tomasz (2006) 'Vates socialis - metapoetyka antyczna a ryty przejścia (Vates socialis - ancient metapoetic and rites of passage)', in  ''Inicjacje: społeczne znaczenie sytuacji liminalnych w rytach przejścia'', red. J. Sieradzan. Białystok: 53-66.
+
* Franklin, J. C. (in press) “THEIOS AOIDOS: A New Reading of the Lyre-Player Group of Seals”, Gaia. Revue interdisciplinaire sur la Grèce archaïque 18.
  
* Mojsik, Tomasz (2008) 'Muses and gender of inspiration', ''"Sakarya University: The Journal of Art and Science'' 10.1: 67-78. [http://www.fed.sakarya.edu.tr/arsiv/yayinlenmis_dergiler/2008_1/2008_1_5.pdf electronic version]
+
* Gentili, B. and Perusino, F. (eds.) (1999) ''La colometria antica dei testi poetici greci''. Pisa and Rome. Reviewed by H. Perdicoyianni-Paléologou [http://bmcr.brynmawr.edu/2000/2000-07-12.html BMCR 2000.07.12]
  
* Murray, Penelope and Peter Wilson (eds.) (2004) ''Music and the Muses: The Culture of Mousike in the Classical Athenian City''. Oxford. [http://catdir.loc.gov/catdir/enhancements/fy0620/2004300274-t.html Table of Contents]. Reviewed by   Wright, Matthew (2004) [http://ccat.sas.upenn.edu/bmcr/2004/2004-07-16.html ''BMCR'' 2004.07.16] and Raffa, Massimo (2005) [http://www.ircps.org/publications/aestimatio/archive.htm ''Aestimatio''] 2: 109–119, [http://www.ircps.org/publications/aestimatio/pdf/Volume2/2005-10-01_Raffa.pdf PDF].
+
* Levin, F.R. (2009) ''Greek reflections on the nature of music''. Cambridge; New York: Cambridge University Press. Reviewed by C. Marchetti [http://bmcr.brynmawr.edu/2009/2009-12-34.html BMCR 2009.12.34].
  
* Nagy, Gregory (1997) ''The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry''. Johns Hopkins University Press (revised edition; first published in 1979). [http://www.press.jhu.edu/books/nagy/BofAS/toc.html Free-to-view online edition]. [http://www.intute.ac.uk/artsandhumanities/cgi-bin/fullrecord.pl?handle=humbul15083 More information] is available at [http://www.intute.ac.uk Intute], catalogued by Emma Bridges.
+
* Martinelli, M.C. (1995) ''Gli strumenti del poeta: elementi di metrica greca''. Bologna.
  
* Nagy, Gregory  (1996) ‘Metrical convergences and divergences in early Greek poetry and song’, in ''Struttura e storia dell’esametro omerico'', ed. M. Fantuzzi and R. Pretagostini, vol. II. Rome: 63–110. (Revised version of Nagy 1990: 439–64.)
+
* Mathiesen, T.J. (1999) ''Apollo’s Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages''. Lincoln, Nebr. and London.
  
* Nagy, Gregory  (2000) ‘Reading Greek poetry aloud: evidence from the Bacchylides papyri’, ''QUCC'' 93 (= n.s. 64.1): 7–28.
+
* Murray, P. and Wilson, P. (eds.) (2004) ''Music and the Muses: The Culture of Mousike in the Classical Athenian City''. Oxford. [http://catdir.loc.gov/catdir/enhancements/fy0620/2004300274-t.html Table of Contents]. Reviewed by M. Wright[http://ccat.sas.upenn.edu/bmcr/2004/2004-07-16.html ''BMCR'' 2004.07.16] and M. Raffa [http://www.ircps.org/publications/aestimatio/archive.htm ''Aestimatio''] 2: 109-€“119, [http://www.ircps.org/publications/aestimatio/pdf/Volume2/2005-10-01_Raffa.pdf PDF].
  
* Nagy, Gregory  (2009) ‘Perfecting the Hymn in the Homeric Hymn to Apollo’ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.), Athens: 17-44.
+
* Nagy, G. (1996) 'Metrical convergences and divergences in early Greek poetry and song'€™, in ''Struttura e storia dell’esametro omerico'', ed. M. Fantuzzi and R. Pretagostini, vol. II. Rome: 63â€-110. (Revised version of Nagy 1990: 439–64.)
  
 
* Nicolai, R.(ed.)(2003) ''Rysmos: Studi di poesia, metrica e musica greca'', Rome.
 
* Nicolai, R.(ed.)(2003) ''Rysmos: Studi di poesia, metrica e musica greca'', Rome.
  
* Nobili, Cecilia (2006) 'Motivi della poesia nuziale in Odissea VI 149-185', ''Rendiconti dell'Istituto lombardo di scienze e lettere. Classe di lettere e scienze morali'' 140: 59-74. It investigates the precence of motifs typical of wedding song in ''Odyssey'' 6.
+
* Pöhlmann, E. and West, M.L. (eds.) (2001) ''Documents of Ancient Greek Music''. Oxford. Reviewed by. W.A. Johnson [http://bmcr.brynmawr.edu/2003/2003-04-08.html BMCR 2003.04.08]
 
 
* Peponi, Anastasia-Erasmia (2009) ' ''Choreia'' and Aesthetics in the ''Homeric Hymn to Apollo'': The Performance of the Delian Maidens (Lines 156–64)', ''Classical Antiquity'' 28.1: 39–70.
 
 
 
* Petropoulos, J.C.B. (2003) ''Eroticism in Ancient and Medieval Greek Poetry''. London. Review by Vayos J. Liapis [http://ccat.sas.upenn.edu/bmcr/2004/2004-10-01.html ''BMCR'' 2004.10.01].
 
 
 
* Pöhlmann, E. and M. L. West (eds.) (2001) ''Documents of Ancient Greek Music''. Oxford.
 
  
* Psaroudakēs, Stelios (1995) 'Acoustic study of the aulos by the method of physical modeling. Report' in ''International conference “Physical modeling in music (ancient instruments, singing/speech, psychoacoustics), Aristotle University of Thessalonikē – Program of Psychoacoustics, Thessalonikē, 10-12 July. Proceedings.''
+
* Psaroudaki“s, S. (1995) 'Acoustic study of the aulos by the method of physical modeling. Report' in ''International conference “Physical modeling in music (ancient instruments, singing/speech, psychoacoustics)”, Aristotle University of Thessalonikē – Program of Psychoacoustics, Thessalonikē, 10-12 July. Proceedings.''
  
* Psaroudakēs, Stelios (2000) 'The arm-crossbar junction of the Classical Hellenic kithara', in ''Studien zur Musikarchäologie II. Music Archaeology of early Metal Ages. Papers from the 1st Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 18-24 May, 1998'', eds. Ellen Hickmann & Ingo Laufs & Ricardo Eichmann. Orient-Archäologie 7. Rahden, Westf.: 263-78.
+
* Psaroudaki“s, S. (2000) 'The arm-crossbar junction of the Classical Hellenic kithara', in ''Studien zur Musikarchäologie II. Music Archaeology of early Metal Ages. Papers from the 1st Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 18-24 May, 1998'', eds. E. Hickmann, I. Laufs, R. Eichmann. Orient-Archäologie 7. Rahden: 263-78.
  
* Psaroudakēs, Stelios (2002) 'The aulos of Argithea', in ''Studien zur Musikarchäologie III. The archaeology of sound: origin and organisation. Papers from the 2nd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 17-23 September, 2000 & Music Archaeology in the Aegean and Anatolia. Papers from the Colloquium on Music Archaeology organised by the Deutsches Archäologisches Institut (Istanbul) in cooperation with the ICTM-Study Group on Music Archaeology and the Institut Français d’Archéologie (Istanbul), Minar Sinan University, Istanbul, 12-16 April, 1993. (Orient-Archäologie, 10)'', eds. Ellen Hickmann & Anne Kilmer Ricardo Eichmann. Rahden, Westf: 335-66.
+
* Psaroudaki“s, S. (2002) 'The aulos of Argithea', in ''Studien zur Musikarchäologie III. The archaeology of sound: origin and organisation. Papers from the 2nd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 17-23 September, 2000 & Music Archaeology in the Aegean and Anatolia. Papers from the Colloquium on Music Archaeology organised by the Deutsches Archäologisches Institut (Istanbul) in cooperation with the ICTM-Study Group on Music Archaeology and the Institut Français d’Archéologie (Istanbul), Minar Sinan University, Istanbul, 12-16 April, 1993. (Orient-Archäologie, 10)'', eds. E. Hickmann, A. Kilmer, R. Eichmann. Rahden: 335-66.
  
* Psaroudakēs, Stelios (2004) 'The Orestes Papyrus: some thoughts on the dubious musical signs', in ''Studien zur Musikarchäologie IV. Musical archaeological sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 9-16 June, 2002, and other contributions. (Orient-Archäologie, 15)'', eds. Ellen Hickmann & Ingo Laufs & Ricardo Eichmann. Rahden, Westf: Marie Leidorf GmbH: 471-92.
+
* Psaroudakis, S. (2004) 'The Orestes Papyrus: some thoughts on the dubious musical signs', in ''Studien zur Musikarchäologie IV. Musical archaeological sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 9-16 June, 2002, and other contributions. (Orient-Archäologie, 15)'', eds. E. Hickmann, I. Laufs, R. Eichmann. Rahden, Westf: Marie Leidorf GmbH: 471-92.
  
* Psaroudakēs, Stelios (2004) 'Archaeomusicology and ethnomusicology in dialogue', ''Ευλιμένη'' 4: 189-200. This paper addresses a variety of issues in archaeomusicology, including song and its interpretation, mainly in the domain on "performance style", as opposed to that of "composition style".  
+
* Psaroudaki“s, S. (2004) 'Archaeomusicology and ethnomusicology in dialogue', ''Ευλιμένη'' 4: 189-200. This paper addresses a variety of issues in archaeomusicology, including song and its interpretation, mainly in the domain on "performance style", as opposed to that of "composition style".  
  
 
* Ψαρουδάκης, Στέλιος (1998) «Τα μουσικά  όργανα των αρχαίων Ελλήνων», ''Καθημερινή – Επτά  Ημέρες, Κυριακή 18 Ιανουαρίου'': 2-6.
 
* Ψαρουδάκης, Στέλιος (1998) «Τα μουσικά  όργανα των αρχαίων Ελλήνων», ''Καθημερινή – Επτά  Ημέρες, Κυριακή 18 Ιανουαρίου'': 2-6.
Line 212: Line 198:
 
* Ψαρουδάκης, Στέλιος (2001) «Η αρχαία ελληνική μουσική σημειογραφία. Οι πρόσφατες απόψεις του Egert Pöhlmann», ''Μούσα'' 8-9: 78-93. (in modern Greek)
 
* Ψαρουδάκης, Στέλιος (2001) «Η αρχαία ελληνική μουσική σημειογραφία. Οι πρόσφατες απόψεις του Egert Pöhlmann», ''Μούσα'' 8-9: 78-93. (in modern Greek)
  
* Ψαρουδάκης, Στέλιος (2003) «Πρωτογενή αερόφωνα και η αβέβαιη μαρτυρία του Δισπηλιού», ''Πολυφωνία'' 2: 7-20. (in modern Greek) This article compares the neolithic dispelio "aulos" (lake kastoria, makedonia) with other neolithic musical pipes from this country and the rest of the world (pure organological study). The find does not exhibit the characteristics of the other musical pipes, and as a result, we cannot hold with certainty that is was used as an aulos.
+
* * Ψαρουδάκης, Στέλιος (2003) «Πρωτογενή αερόφωνα και η αβέβαιη μαρτυρία του Δισπηλιού», ''Πολυφωνία'' 2: 7-20. (in modern Greek) This article compares the neolithic dispelio "aulos" (lake kastoria, makedonia) with other neolithic musical pipes from this country and the rest of the world (pure organological study). The find does not exhibit the characteristics of the other musical pipes, and as a result, we cannot hold with certainty that is was used as an aulos.
  
 
* Ψαρουδάκης, Στέλιος & Χρήστος Τερζής (2007) «Ανθολόγιον – Μέτρα και μέλη από την ελληνική αρχαιότητα», in DVD ''Εν Χορδαίς και Οργάνοις – Ένα πανόραμα της ελληνικής μουσικής''. Συναυλία του Τμήματος Μουσικών Σπουδών του Πανεπιστημίου Αθηνών, Παρασκευή 4 Μαΐου 2007. Μέρος πρώτο. Αθήνα: Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών.  
 
* Ψαρουδάκης, Στέλιος & Χρήστος Τερζής (2007) «Ανθολόγιον – Μέτρα και μέλη από την ελληνική αρχαιότητα», in DVD ''Εν Χορδαίς και Οργάνοις – Ένα πανόραμα της ελληνικής μουσικής''. Συναυλία του Τμήματος Μουσικών Σπουδών του Πανεπιστημίου Αθηνών, Παρασκευή 4 Μαΐου 2007. Μέρος πρώτο. Αθήνα: Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών.  
Line 221: Line 207:
 
** The disc, apart from two modern compositions, contains performances of three ancient hellenic hymns by mesomedes of crete (2nd century AD), accompanied by a reconstructed chelys-lyre.
 
** The disc, apart from two modern compositions, contains performances of three ancient hellenic hymns by mesomedes of crete (2nd century AD), accompanied by a reconstructed chelys-lyre.
  
* Restani, D. (1995) (ed.) ''Musica e mito nella Grecia antica''. Bologna.
+
* Restani, D. (ed.) (1995) ''Musica e mito nella Grecia antica''. Bologna.
  
* Rocconi, E. (1998) ‘Harmoniai e teoria dei gene musicali nella Grecia antica’, ''SemRom'' 1.2: 345–64.
+
* Rocconi, E. (1998) '€˜Harmoniai e teoria dei gene musicali nella Grecia antica'€™, ''SemRom'' 1.2: 345-64.
  
* Scully, S. (2009) ‘Apollo and the Dance of the Olympians’ in ''Apolline Politics and Poetics '', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.), Athens: 91-108.
+
* Sicking, C.M.J. (1993) ''Griechische Verslehre''. (Handbuch der Altertumswissenschaft 2.4). Munich.
  
* Sicking, C. M. J. (1993) ''Griechische Verslehre''. (Handbuch der Altertumswissenschaft 2.4). Munich
+
* Steinrück, M. (2007) ''A quoi sert la métrique? Interprétation littéraire et analyse des formes métriques grecques: Une introduction''. Avec la collaboration d'Alessandra Lukinovich. Grenoble.
  
* Silk, M. S. (1995) ‘Language, poetry and enactment’, ''Dialogos'' 2: 109–32.
+
* Taplin, O. & Wyles, R. ed. (2010) ''The Pronomos Vase and its Context.'' Oxford/New York. Reviewed by K. Seaman [http://bmcr.brynmawr.edu/2012/2012-03-17.html BMCR 2012.03.17]
  
* Steinrück, M. (2007) ''A quoi sert la métrique? Interprétation littéraire et analyse des formes métriques grecques: Une introduction''. Avec la collaboration d'Alessandra Lukinovich. Grenoble.
+
* Tsachalinas, K. & Katerina, T. & Cook, P. & Psaroudakēs, S. & Kamarotos, D. & Rikakis, T. (1997) 'Physical modeling simulation of the ancient Greek Elgin auloi' in ''International computer music conference, Aristotle University of Thessaloniki“:€“ Program of Psychoacoustics & The International Computer Music Association, Thessalonikē, Hellas, 25-30 September. Proceedings''. San Francisco: 454-57.
  
* Stehle, Eva (2009) 'Greek lyric and gender' in ''The Cambridge Companion to Greek Lyric'', Budelmann, Felix (ed.). Cambridge: 58-71.
+
* Wallace, R.W (2003) 'An early fifth-century Athenian revolution in aulos music'€™, ''HSCPh'' 101: 73–92.
  
* Thomas, R. (1995) ‘The place of the poet in archaic society’, in ''The Greek World'', ed. A. Powell. London: 104–29.
+
* West, M. L. (1992) ''Ancient Greek Music.'' Oxford. Reviewed by W.A. Johnston [http://bmcr.brynmawr.edu/2003/2003-04-08.html BMCR 2003.04.08]
  
* Tsachalinas, Kostas & Katerina Tzedaki & Peter Cook & Stelios Psaroudakēs & Dimitris Kamarotos & T. Rikakis (1997) 'Physical modeling simulation of the ancient Greek Elgin auloi' in ''International computer music conference, Aristotle University of Thessalonikē – Program of Psychoacoustics & The International Computer Music Association, Thessalonikē, Hellas, 25-30 September. Proceedings''. San Francisco: 454-57.
+
* Wilson, P. (2004) 'Athenian strings'€™, in ''Music and the Muses: The Culture of ‘Mousikē’ in the Classical Athenian City'', ed. P. Murray and P. Wilson. Oxford: 269–306.
  
* Tsagarakis, Odysseus (1977) ''Self-expression in Early Greek Lyric, Elegiac and Iambic Poetry''. Wiesbaden. Review by Bremer, Jan Maarten (1980) ''Mnemosyne'' 33: 182-187 and by Kirkwood, G. M. (1980) ''Phoenix'' 34.1: 92-3.
+
* Yatromanolakis, D. (2011) ''Music and cultural politics in Greek and Chinese societies. Vol. 1.: Greek antiquity.'' Harvard.
  
* Vetta, M. (1996) ‘Convivialità pubblica e poesia per simposio in Grecia’, ''QUCC'' 83 (= n.s. 54.3): 197–209.
+
=== Performance ===
 +
* Aloni, A. (1998) ''Cantare glorie di eroi: Comunicazione e performance poetica nella Grecia arcaica''. Turin.
  
* Vetta, M. (1999) ''Symposion: Antologia della lirica greca''. Naples.
+
* Athanassaki, L. & Bowie, E. (2011) (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' Berlin & Boston. [http://www.degruyter.com/view/supplement/9783110254020_Contents.pdf Table of Contents]
  
* Wallace, R.W (2003) ‘An early fifth-century Athenian revolution in aulos music’, ''HSCPh'' 101: 73–92.
+
* Bierl, A. (2009) ''Ritual and Performativity. The Chorus of Old Comedy'' (transl. by Alex Hollmann), Center for Hellenic Studies. Washington, DC: Harvard Press. (Hellenic Studies 20). New and revised edition.  
  
* Wecowski, Marek (2002) 'Homer and the origins of the symposion' in ''Omero tremila anni dopo. Atti del congresso di Genova 6-8 luglio 2000'', ed. Franco Montanari. Roma: 625-637.
+
* Boegehold, A.L. 2000. 'Acting out some songs'€™, ''Syllecta Classica'' 11: 1-15.
  
* Wecowski, Marek (2002) 'Towards a definition of the symposion' in ''Euergesias charin. Studies Presented to Benedetto Bravo and Ewa Wipszycka by Their Disciples'', eds. T. Derda, J. Urbanik, M. Wecowski. Warszawa: 337-361.  
+
* Bowman, L. (2004) '€˜The 'women'€™s tradition'€ in Greek poetry', ''Phoenix'' 58: 1–27.
  
* West, M. L. (1992) ''Ancient Greek Music.'' Oxford.
+
* Briand, M. (2000) 'Inspiration, enthousiasme et polyphonies: ἔνθεος et la performance poétique', ''Noésis'' (L'antique notion d'inspiration, dir. J. Assaël): 97-154.
  
* Wilson, Peter (2004) ‘Athenian strings’, in ''Music and the Muses: The Culture of ‘Mousikē’ in the
+
* Calame, C. (2004) '€˜Deictic ambiguity and auto-referentiality: some examples from Greek poetics'€™, ''Arethusa'' 37: 427-31.
Classical Athenian City'', ed. P. Murray and P. Wilson. Oxford: 269–306.
 
  
* Wilson, Peter (ed.) (2007) ''The Greek Theatre and Festivals. Documentary Studies. Oxford Studies in Ancient Documents.'' Oxford: Oxford University Press. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011345.html Table of Contents]. Reviewed by Mitchell-Boyask, Robin (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-05-24.html ''BMCR''  2008.05.24].
+
* Calame, C. (2005) ''Masques d’autorité. Fiction et pragmatique dans la poétique grecque''. Paris. English translation (2005) ''Masks of Authority. Fiction and Pragmatics in Ancient Greek Poetics''. Ithaca NY and London. Reviewed by H. van Noorden [http://bmcr.brynmawr.edu/2005/2005-09-36.html BMCR 2005.09.36]
  
* Yatromanolakis, D. (2007) ''Sappho in the Making: The Early Reception''. Cambridge, MA.
+
* Calame, C. (2006) ''Pratiques poétiques de la mémoire. Représentations de l’espace-temps en Grèce ancienne''. Paris. English translation: 2009 Harvard. Reviewed by E.M. Griffiths [http://bmcr.brynmawr.edu/2007/2007-04-05.html BMCR 2007.04.05] 
  
* Yatromanolakis, D. (2009) 'Ancient Greek Popular Song', in ''The Cambridge Companion to Greek Lyric'', Budelmann, Felix (ed.). Cambridge: 263-76.
+
* Calame, C. (2007) 'Gardens of Love and Meadows of the Beyond: Ritual Encounters with the Gods and Poetical Perfomances in Ancient Greece' in ''Sacred Gardens and Landscapes: Ritual and Agency'', ed. M. Conan. Washington: 43-54.
  
* Yatromanolakis, D. (2009) 'Symposia, Noses, Πρόσωπα: A Kylix in the Company of Banqueters on the Ground', in ''An Archaeology of  Representations: Ancient Greek Vase-Painting and Contemporary Methodologies'', Yatromanolakis, D. (ed.), Athens: 414-465.
+
* Carey, C. (2010) '€˜The victory ode in the theatre'€™, ''BICS supplements''. [http://eprints.ucl.ac.uk/19956/ electronic version]
  
== Greek Elegy and Iambus ==
+
* Collins, D. (2004) ''Master of the Game: Competition and Performance in Greek Poetry''. Cambridge, MA. Reviewed by C. Werner [http://bmcr.brynmawr.edu/2005/2005-05-18.html BMCR 2005.05.18]
  
=== Elegy and Iambus General ===
+
* D'Alessio, G. B. (2004) '€˜Past future and present past: temporal deixis in Greek archaic lyric'€™, ''Arethusa'' 37: 267–94.
  
* Bartol, K. (1993) ''Greek Elegy and Iambus. Studies in Ancient Literary Sources''. Poznań.
+
* David, A.P. (2006) ''The Dance of the Muses: Choral Theory and Ancient Greek Poetics''. New York. Review by Ronald J.J. Blankenborg [http://ccat.sas.upenn.edu/bmcr/2007/2007-04-46.html BMCR 2007.04.46].
  
* Bowie, Ewen L. (2001) ‘Ancestors of historiography in early Greek elegiac and iambic poetry?’, in ''The Historian’s Craft in the Age of Herodotus'', ed. N. Luraghi. Oxford: 45-66.
+
* Dougherty, C. (1994) '€˜Archaic Greek foundation poetry: questions of genre and occasion'€™, ''JHS'' 114: 35–46.
  
* Vetta, M. (1992) ‘Il simposio: la monodia e il giambo’, in ''Lo spazio letterario della Grecia antica, ed. G. Cambiano et al., vol. I.1 La produzione e la circolazione del testo: La polis''. Rome: 177–218.
+
* Ford, A. (1988) 'The Classical Definition of rhapsôdia', ''Classical Philology'' 83: 300-307.  
  
* West, Martin L. (1989–92) ''Iambi et elegi ante Alexandrum cantati'', 2nd edn. (2 vols.). Oxford.
+
* Gentili, B. (1990) ''Poetry and its Public in Ancient Greece''. Baltimore. Reviewed by S.D. Olson [http://bmcr.brynmawr.edu/1991/02.02.06.html BMCR 02.02.06]
  
* Wilson, Peter (1999) ‘The aulos in Athens’, in ''Performance Culture and Athenian Democracy'', ed. S. Goldhill and R. Osborne. Cambridge: 58–85.
+
* Goldhill, S. and Osborne, R. (eds.) (1999) ''Performance Culture and Athenian Democracy''. Cambridge.
  
=== Iambus General ===
+
* Grandolini, S. (1991) '€˜Canto processionale e culto nell’antica Grecia'€™, in ''L'€™inno tra rituale e letteratura nel mondo antico: Atti di un colloquio Napoli'' 21–24 ottobre 1991, AION 13: 125–40.
* Acosta-Hughes, B. (2002) ''Polyeideia: The Iambi of Callimachus and the Archaic Iambic Tradition''. Berkeley and London. Reviewed by P. Ojennus [http://bmcr.brynmawr.edu/2003/2003-02-04.html BMCR 2003.02.04]
 
  
* Bowie, E. L. (2002) ‘Early Greek iambic poetry: the importance of narrative’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md./Oxford: 1-27.
+
* Griffith, M. (1990) ‘Contest and contradiction in early Greek poetry’, in ''Cabinet of the Muses: Essays on Classical and Comparative Literature in Honor of Thomas G. Rosenmeyer'', ed. M. Griffith and D. Mastronarde. Atlanta: 185-€“207.
  
* Bowie, E. L. (2002) ‘Ionic iambos and Attic komoidia: father and daughter, or just cousins’, in ''The Language of Greek Comedy'' ed. A. Willi, Oxford: 33-50.
+
* Hagel, S. and Harrauer, C. (2005) (eds.) ''Ancient Greek Music in Performance'' (Book and Audio CD). Vienna.
  
* Brown, C. G. (1997) ‘Iambos’ in ''A Companion to the Greek Lyric Poets'', ed. D.E. Gerber, Leiden: 11-88.
+
* Lech, M.L. (2009) 'Marching choruses?: Choral performance in Athens' ''GRBS'' 49, 3.
  
* Carey, C. (2009) ‘Iambus’ in ''Cambridge Companion to Greek Lyric'', ed. F. Budelmann. Cambridge: 149-167.
+
* Mojsik, T. (2006) 'Vates socialis - metapoetyka antyczna a ryty przejścia (Vates socialis - ancient metapoetic and rites of passage)', in ''Inicjacje: społeczne znaczenie sytuacji liminalnych w rytach przejścia'', red. J. Sieradzan. Białystok: 53-66.
  
* Kantzios, I. (2005) ''The Trajectory of Archaic Greek Trimeters''. Leiden and Boston. Reviewed by L. Lomiento [http://bmcr.brynmawr.edu/2006/2006-03-34.html BMCR 2006.03.34]
+
* Mojsik, T. (2008) 'Muses and gender of inspiration', ''"Sakarya University: The Journal of Art and Science'' 10.1: 67-78. [http://www.fed.sakarya.edu.tr/arsiv/yayinlenmis_dergiler/2008_1/2008_1_5.pdf electronic version]
  
* Lennartz, K. (2000) ‘Zum “erweiterten” Jambusbegriff’, ''RhM'' 143: 225–50.
+
* Nagy, G. (2000) '€˜Reading Greek poetry aloud: evidence from the Bacchylides papyri'€™, ''QUCC'' 93 (= n.s. 64.1): 7-28.
  
* Lennartz, K. (2010) ''Iambos. Philologische Untersuchungen zur Geschichte einer Gattung in der Antike''. Wiesbaden.
+
* Nobili, C. (2014) 'Performances of Girls at the Spartan Festival of the Hyakinthia', in A. Kieburg – S. Moraw (eds.), ''Mädchen im Altertum/ Girls in Antiquity, Frauen – Forschung – Archäologie 11'', Münster: 135-148.
  
* Riu, X. (2008) ‘On the difference between praise and invective’ in: ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades. Paroikia, Paros, 7-9 October 2005'', eds. D. Katsonopoulou, I. Petropoulos, and S. Katsarou. Athens: 73-82.  
+
* Peponi, A.-E. (2009) ' ''Choreia'' and Aesthetics in the ''Homeric Hymn to Apollo'': The Performance of the Delian Maidens (Lines 156–64)', ''Classical Antiquity'' 28.1: 39–70.
  
* Rotstein, A. (2010) ''The Idea of Iambos''. Oxford. Reviewed by C. Eckermann [http://bmcr.brynmawr.edu/2010/2010-06-21.html BMCR 2010.06.21]
+
* Quattrocelli, L. (2002) 'Poesia e convivialità a Sparta arcaica. Nuove prospettive di studio', ''Cahiers Glotz'' 13: 7-32.
  
* Steinrück, M. (2000) ''Iambos. Studien zum Publikum einer Gattung in der frühgriechischen Literatur.'' Hildesheim.
+
* Quattrocelli, L. (2008) 'Poetry and Pottery related to the Symposium in Archaic Sparta', in ''Proceedings of the IX Symposium on Mediterranean Archeology  2005'', eds. O. Menozzi, M. L. Di Marzio, and D. Fossataro. Oxford: 63-67.
  
* Suárez de la Torre, Emilio (2002) ''Yambógrafos griegos''. Madrid.
+
* Rotstein, A. (2012) '''Mousikoi Agones'' and the Conceptualization of Genre in Ancient Greece' in: ''CA'' 31.1: 92-127.
  
=== Archilochus ===
+
* Scully, S. (2009) '€˜Apollo and the Dance of the Olympians'€™ in ''Apolline Politics and Poetics '', eds. L. Athanassaki, R.P. Martin, and J.F. Miller. Athens: 91-108.
* Aloni, A. (1981) ''Le Muse di Archiloco: Ricerche sullo stile archilocheo''. Copenhagen. Review by Slings, S.R. (1984) ''Mnemosyne'' 37: 169-171.
 
  
* Aloni, A. and  A. Iannucci (2007) ''L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco''. Firenze: Le Monnier Università.
+
* Silk, M.S. (1995) 'Language, poetry and enactment'€™, ''Dialogos'' 2: 109-€“32.
  
* Barker, E. T. E. and J. P. Christensen (2006) ‘Fight club: the new Archilochus fragment and its resonance with Homeric epic’, ''MD'' 57: 9-41.
+
* Vetta, M. (1996) '€˜Convivialità  pubblica e poesia per simposio in Greciâ'€™, ''QUCC'' 83 (= n.s. 54.3): 197-€“209.
  
* Bettarini, Luca (2010) 'Archiloco fr. 201 W.2: meglio volpe o riccio?' in ''ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.)'' ed. E. Lelli. Pisa/Roma: 45-51.
+
* Wecowski, M. (2002) 'Homer and the origins of the symposion' in ''Omero tremila anni dopo. Atti del congresso di Genova 6-8 luglio 2000'', ed. F. Montanari. Roma: 625-637.
  
* Bremer, Jan Maarten (1978) ''Het gemaskerde Ik. De poëtische persoonlijkheid in enige Griekse gedichten''. Amsterdam. (in Dutch) Inaugural lecture, mainly concerned with Archilochus' Cologne Epode.
+
* Wecowski, M. (2002) 'Towards a definition of the symposion' in ''Euergesias charin. Studies Presented to Benedetto Bravo and Ewa Wipszycka by Their Disciples'', eds. T. Derda, J. Urbanik, M. Wecowski. Warszawa: 337-361.  
  
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
+
* Wecowski, M. (2011) ''Sympozjon, czyli wspólne picie : początki greckiej biesiady arystokratycznej (IX-VII wiek p.n.e.).'' Warszawa : Wydawnictwo Naukowe Sub Lupa.
  
* Brown, C.G. (1995) 'The Parched Furrow and the Loss of Youth: Archilochus fr. 188 West', ''Quaderni Urbinati di Cultura Classica'' 50: 29–35.
+
* Wecowski, M. (2012) 'When did the Symposion Rise? Some archaeological considerations regarding the emergence of the Greek aristocratic banquet', ''Archaiognosia'' 16: 25-54.  
  
*Brown, C. G. and D. E. Gerber (1993) ‘The parched furrow: Archilochus fr.188, 1–2 W’, in: '' Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 195–7.
+
* Wilson, P. (ed.) (2007) ''The Greek Theatre and Festivals. Documentary Studies. Oxford Studies in Ancient Documents.'' Oxford: Oxford University Press. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011345.html Table of Contents]. Reviewed by R. Mitchell-Boyask [http://ccat.sas.upenn.edu/bmcr/2008/2008-05-24.html BMCR 2008.05.24].
  
* Clay, D. (2004) ''Archilochos Heros: The Cult of the Poets in the Greek Polis''. Hellenic Studies 6. Washington, D.C.: Harvard University Press.
+
* Yatromanolakis, D. (2009) 'Symposia, Noses, Πρόσωπα: A Kylix in the Company of Banqueters on the Ground', in ''An Archaeology of  Representations: Ancient Greek Vase-Painting and Contemporary Methodologies'', ed. D. Yatromanolakis. Athens: 414-465.
  
* Corrêa, P.C. (1998) ''Armas e Varões: A Guerra na Lírica de Arquíloco''. São Paulo.
+
=== Transmission and Reception ===
  
* Corrêa, P.C. (2001) 'The Fox and the Hedgehog', ''Revista Phaos'' 1: 80 - 92. On Archilochus 201 IEG.
+
* Budelmann, F. (2001) '€˜Sound and text: the rhythm and metre of archaic and classical Greek poetry in ancient and Byzantine scholarship'€™, in ''Homer, Tragedy and Beyond: Essays in Honour of P. E. Easterling'', ed. F. Budelmann and P. Michelakis. London: 209–40.
  
* Corrêa, P.C. (2002) 'Muddy Eels', ''Rivista Synthesis (La Plata)'' 9: 81 -90. On Archilochus 189 IEG.
+
* Calame, C. (2010) 'The Authority of Orpheus, Poet and Bard : Between Oral Tradition and Written Practice', in: ''Allusion, Authority, and Truth. Critical Perspectives on Greek Poetic and Rhetorical Praxis'', Ph. Mitsis & Ch. Tsagalis eds.,  Berlin: 13-35.
  
* Corrêa, P.C. (2007) 'A Human Fable and the Justice of Beasts in Archilochus' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 101-117. Reviewed by Gibert, John (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html ''BMCR'' 2008.06.23].
+
* Dougherty, C. (1993) ''The Poetics of Colonization: From City to Text in Archaic Greece''. New York and Oxford. Reviewed by M.W. Edwards [http://bmcr.brynmawr.edu/1994/94.05.04.html BMCR 1994.05.04]
  
* Ford, Andrew L. (1993) 'L'inventeur de la poésie lyrique: Archiloque le colon', ''Métis. Revue de l'anthropologie grecque'' 8.1-2: 59-73.
+
* Ford, A. (2002) ''The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece''. Princeton, N.J. and Oxford. Reviewed by E. Papaioannou [http://bmcr.brynmawr.edu/2003/2003-06-07.html BMCR 2003.06.07]
  
* Gagné, Renaud (2009) 'A Wolf at the Table: Sympotic Perjury in Archilochus', ''TAPA'' 139.2: 251-275.
+
* Ford, A. (2003) '€˜From letters to literature: reading the 'song culture'€ of classical Greece'€™, in ''Written Texts and the Rise of Literate Culture in Ancient Greece'', ed. H. Yunis. Cambridge: 15–37.
  
* Gerber, D.E. (2000) 'Archilochus fr. 44 West' in: ''Poesia e religione in Grecia. Studi in onore di G. Aurelio Privitera'', eds. M.C. Fera & S.Grandolini. Napoli, vol. 1: 331-333.
+
* Gentili, B. and Perusino, F. (eds.) (1999) ''La colometria antica dei testi poetici greci''. Pisa and Rome. Reviewed by H. Perdicoyianni-Paléologou [http://bmcr.brynmawr.edu/2000/2000-07-12.html BMCR 2000.07.12]
  
* Gerber, D.E. (2004) 'Archilochus fr. 218 W.' in: ''Dais Philesistephanos. Studies in Honour of Professor Staffan Fogelmark. Presented on the Occasion of his 65th Birthday 12 April 2004'', eds. P. Sandin & M.W. Schiebe. Uppsala: 19-20.
+
* Hummel, P. (1997) ''Philogica Lyrica: La poésie lyrique grecque au miroir de l'érudition philologique de l'€™antiquité à  la Renaissance''. Louvain.
  
* Gerber, D.E. (2008) 'Archilochos and Tradition' in: ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades Paroikia, Paros, 7-9 October 2005'', eds. D. Katsonopoulou, I. Petropoulos, and S. Katsarou. Athens: 17-22.
+
* Petropoulos, J.C.B. (2003) ''Eroticism in Ancient and Medieval Greek Poetry''. London. Review by Vayos J. Liapis [http://ccat.sas.upenn.edu/bmcr/2004/2004-10-01.html ''BMCR'' 2004.10.01].
  
* Handley, Eric (2007) 'Night Thoughts (Archilochus 23 and 196a West)' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: ##. Reviewed by Gibert, John (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html ''BMCR'' 2008.06.23].
+
* Sistakou, E. (ed.) (2017) Hellenistic Lyricism (Trends in Classics series), Berlin. Table of contents here: http://hellpoet.hypotheses.org/294
  
* Harrison, S.  (2001) ‘Some generic problems in Horace’s Epodes: or, on (not) being Archilochus’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', ed. A. Cavarzere et al. Lanham, Md. and Oxford: 165–86.
+
== Greek Elegy and Iambus ==
  
* Hawkins, Tom (2009) 'This is the Death of the Earth: Crisis Narratives in Archilochus and Mnesiepes', ''Transactions of the American Philological Association'' 139.1: 1-20.
+
=== Elegy and Iambus General ===
** Summary: The relationship between Archilochus's poetry and the account of his life preserved in the Mnesiepes Inscription is intimate but obscure. Here I present one avenue for elucidating this connection by focusing on two episodes of social breakdown. In the first section I propose a reading of Archilochus fragment 230 in terms of wider patterns of ecological collapse. In the second, I contrast this reading with the episode of impotence visited upon the men of Paros as told by Mnesiepes. By reading these crisis narratives against one another we can better understand Mnesiepes' dynamic authorial role in the Hellenistic reception of the iambic tradition.
 
  
* Irwin, E. (1998) ‘Biography, fiction and the Archilochean ainos’, ''JHS'' 118: 177–83.
+
* Carey, C. and L. Swift eds (2016) ''Iambus and Elegy: New Approaches''. Oxford.
  
* Létoublon, Françoise (2008) 'Archiloque et l'"encyclopédie" homérique', ''Pallas'' 77: 51-62.
+
* Bartol, K. (1993) ''Greek Elegy and Iambus. Studies in Ancient Literary Sources''. Poznań.
  
* Marcaccini, C. (2001) ''Construire un’identità, scrivere la storia: Archiloco, Paro e la colonizzazione di Taso''. Florence.
+
* Bowie, E.L. (2001) ‘Ancestors of historiography in early Greek elegiac and iambic poetry?’, in ''The Historian’s Craft in the Age of Herodotus'', ed. N. Luraghi. Oxford: 45-66.
  
* Massimiliano Ornaghi (ed.) (2009), ''La lira, la vacca e le donne insolenti: contesti di ricezione e promozione della figura e della poesia di Archiloco dall'arcaismo all'ellenismo.'' Minima philologica 5.   Alessandria:  Edizioni dell'Orso. Reviewed by Rougier-Blanc, Sylvie (2010) [http://bmcr.brynmawr.edu/2010/2010-10-61.html ''BMCR'' 2010.10.61].
+
* Gentili, B. & Prato, C. ed. (1988-2002) ''Poetarum elegiacorum testimonia et fragmenta''. Second revised edition. Leipzig.  
  
* Mayer, Péter (2006) 'Krieg aus Versehen? - Zur Funktion und Aussage der Telephos-Geschichte im neuen Archilochos (''P. Oxy.'' 4708, fr. 1)', ''Zeitschrift für Papyrologie und Epigraphik'' 157: 15-18.
+
* Vetta, M. (1992) ‘Il simposio: la monodia e il giambo’, in ''Lo spazio letterario della Grecia antica, ed. G. Cambiano et al., vol. I.1 La produzione e la circolazione del testo: La polis''. Rome: 177–218.
  
* Mayer, Péter (2006) 'Der Mann, das Mädchen und der Dichter - Zur Frage der Absicht dreier Personen: eine Verführungsgeschichte (Archil. 196a W2)', ''Acta Classica Universitatis Scientiarum Debreceniensis (Debrecen)'' 42: 5-20.
+
* West, M.L. ed. (1989–92) ''Iambi et elegi ante Alexandrum cantati'', 2nd edn. (2 vols.). Oxford.
  
* Medaglia, S.M. (1982) ''Note di esegesi archilochea''. Roma. Review by Slings, S.R. (1988) ''Mnemosyne'' 41: 134-135.
+
* Wilson, P. (1999) ‘The aulos in Athens’, in ''Performance Culture and Athenian Democracy'', ed. S. Goldhill and R. Osborne. Cambridge: 58–85.
  
* Miralles, C. and J. Pòrtulas (1983) ''Archilochus and the iambic poetry''. Roma. Review by Slings, S.R. (1987) ''Mnemosyne'' 40: 430-432.
+
=== Iambus General ===
 +
* Acosta-Hughes, B. (2002) ''Polyeideia: The Iambi of Callimachus and the Archaic Iambic Tradition''. Berkeley and London. Reviewed by P. Ojennus [http://bmcr.brynmawr.edu/2003/2003-02-04.html BMCR 2003.02.04]
  
* Nesselrath, Heinz-Günther (2007) 'Lucian and Archilochus, or: How to Make Use of the Ancient Iambographers in the Context of the Second Sophistic' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: ##. Reviewed by Gibert, John (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html ''BMCR'' 2008.06.23].
+
* Bowie, E. L. (2002) ‘Early Greek iambic poetry: the importance of narrative’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md./Oxford: 1-27.
  
* Nicolosi, Anika (trans. and comm.) (2007) ''Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708)''. Eikasmos, 14. Bologna: Pàtron Editore. Reviewed by Rosen, Ralph M. (2009) [http://bmcr.brynmawr.edu/2009/2009-04-09.html ''BMCR'' 2009.04.09].
+
* Bowie, E. L. (2002) ‘Ionic iambos and Attic komoidia: father and daughter, or just cousins’, in ''The Language of Greek Comedy'' ed. A. Willi, Oxford: 33-50.
  
* Nobili, Cecilia (2009) 'Tra epos ed elegia: il nuovo Archiloco', ''Maia'' 61.2: 229-249.
+
* Brown, C. G. (1997) ‘Iambos’ in ''A Companion to the Greek Lyric Poets'', ed. D.E. Gerber, Leiden: 11-88.
  
* Obbink, D. (2005) ‘4708, Archilochus, Elegies’, ''Oxyrhynchus Papyri'' 69: 18–42.
+
* Carey, C. (2009) ‘Iambus’ in ''Cambridge Companion to Greek Lyric'', ed. F. Budelmann. Cambridge: 149-167.
  
* Obbink, D. (2006) ‘A New Archilochus poem’, ''ZPE'' 156: 1–4.
+
* Kantzios, I. (2005) ''The Trajectory of Archaic Greek Trimeters''. Leiden and Boston. Reviewed by L. Lomiento [http://bmcr.brynmawr.edu/2006/2006-03-34.html BMCR 2006.03.34]
  
* Pòrtulas, Jaume (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
+
* Lennartz, K. (2000) ‘Zum “erweiterten” Jambusbegriff’, ''RhM'' 143: 225–50.
  
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. Alessandria: 57–71.
+
* Lennartz, K. (2010) ''Iambos. Philologische Untersuchungen zur Geschichte einer Gattung in der Antike''. Wiesbaden.
  
* Rotstein, Andrea (2007) ‘Critias’ invective against Archilochus’, ''Classical Philology'' 102: 139-54.
+
* Mayer, Peter. (2008) ''Aristoteles über das Wort 'iambeion' und über die Anfänge des Iambos (Poet. 1448b,30-32 - eine Pseudo-Etymologie?).'' ''Wiener Humanistische Blätter'' (Wien) 49: 19–27.
 
* Rotstein, Andrea (2008) “‘I do not care about ''iamboi''(Archil. Fr. 215W)’, in: D. Katsonopoulou, I. Petropoulos & S. Katsarou (eds.), ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades''. Athens: 65-80.
 
  
* Rotstein, Andrea (2010) ''The Idea of Iambos'. Oxford: 151-166, 230-234, 256-259, 281-318.
+
* Nobili, C. (2016) 'Iambi in Sparta', ''Greek and Roman Musical Studies'' 4: 38-50.
  
* Slings, S.R. (1975) 'Three notes on the new Archilochus papyrus', ''Zeitschrift für Papyrologie und Epigraphik'' 18: 170.
+
* Riu, X. (2008) ‘On the difference between praise and invective’ in: ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades. Paroikia, Paros, 7-9 October 2005'', eds. D. Katsonopoulou, I. Petropoulos, and S. Katsarou. Athens: 73-82.  
  
* Slings, S.R. (1976) 'Archilochus, the hasty mind and the hasty bitch', ''Zeitschrift für Papyrologie und Epigraphik'' 21: 283-288.
+
* Rotstein, A. (2010) ''The Idea of Iambos''. Oxford. Reviewed by C. Eckermann [http://bmcr.brynmawr.edu/2010/2010-06-21.html BMCR 2010.06.21]
  
* Slings, S.R. (1980) 'Archilochus, eerste Keulse epode', ''Lampas'' 13: 315-335. (in Dutch)
+
* Steinrück, M. (2000) ''Iambos. Studien zum Publikum einer Gattung in der frühgriechischen Literatur.'' Hildesheim.
  
* Slings, S.R. (1982) 'Archilochus and the ant', ''Zeitschrift für Papyrologie und Epigraphik''  45: 69-70.  
+
* Suárez de la Torre, E. (2002) ''Yambógrafos griegos''. Madrid.
  
* Slings, S.R. (1980-82) 'Archilochus, S 478 (a), 3 Page', ''Museum Criticum'' 15-17: 11-14.
+
=== Archilochus ===
 +
* Aloni, A. (1981) ''Le Muse di Archiloco: Ricerche sullo stile archilocheo''. Copenhagen. Review by Slings, S.R. (1984) ''Mnemosyne'' 37: 169-171.
  
* Slings, S.R. (1983) 'Once more Archilochus and the ant', ''Zeitschrift für Papyrologie und Epigraphik'' 53: 31-36.  
+
* Aloni, A. and  Iannucci, A. (2007) ''L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco''. Firenze: Le Monnier Università.
  
* Slings, S.R. (1986) 'Archilochus: new fragments from the Sosthenes inscription', ''Zeitschrift für Papyrologie und Epigraphik'' 63: 1-3.  
+
* Barker, E.T.E. and Christensen, J.P (2006) ‘Fight club: the new Archilochus fragment and its resonance with Homeric epic’, ''MD'' 57: 9-41.
  
* Slings, S.R. (1988) 'Archilochus, fr. 188,3', ''Zeitschrift für Papyrologie und Epigraphik'' 72: 21.  
+
* Bettarini, L. (2010) 'Archiloco fr. 201 W.2: meglio volpe o riccio?' in ''ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.)'', ed. E. Lelli. Pisa/Roma: 45-51.
  
* Slings, S.R. (1989) 'Anonymus, Parallel lines from Homer and Archilochus', ''Zeitschrift für Papyrologie und Epigraphik'' 79: 1-8.  
+
* Bremer, J.M. (1978) ''Het gemaskerde Ik. De poëtische persoonlijkheid in enige Griekse gedichten''. Amsterdam. (in Dutch) Inaugural lecture, mainly concerned with Archilochus' Cologne Epode.
  
* Slings, S.R. (1990) 'Archilochus van Paros, soldaat en dichter', ''Hermeneus'' 62: 281-289. (in Dutch)
+
* Bremer, J.M.; van Erp Taalman Kip, A.M. and Slings, S.R. (eds.) (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
  
* Slings, S.R. (1992) 'For the third time: Archilochus and the ant', ''Eikasmos'' 3: 13-17.  
+
* Brown, C.G. (1995) 'The Parched Furrow and the Loss of Youth: Archilochus fr. 188 West', ''Quaderni Urbinati di Cultura Classica'' 50: 29–35.
  
* Slings, S.R. (1995) 'Archilochus, fr. 188, 1-2', ''Zeitschrift für Papyrologie und Epigraphik'' 106: 1-2.
+
*Brown, C.G. and Gerber, D.E. (1993) ‘The parched furrow: Archilochus fr.188, 1–2 W’, in: ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica. Vol. I.'', ed. R. Pretagostini. Rome: 195–7.
  
* Steinrück, M. (1991) ''Leise Laute, Arbeiten über das Verhältnis von Rhythmus und Lautresponsion bei Archilochos''. Lausanne Basel.
+
* Clay, D. (2004) ''Archilochos Heros: The Cult of the Poets in the Greek Polis''. Hellenic Studies 6. Washington, D.C.: Harvard University Press. Reviewed by J. MacPhail [http://bmcr.brynmawr.edu/2005/2005-09-32.html BMCR 2005.09.32]
  
* Steinrück, M. (2008) 'Les publics d'Archiloque', ''Pallas'' 77: 41-50.
+
* Corrêa, P.C. (1998) ''Armas e Varões: A Guerra na Lírica de Arquíloco''. São Paulo.  
  
* Suárez de la Torre, Emilio (1977) 'Un reciente problema para la Filología Clásica: el nuevo fragmento atribuido a Arquíloco' (en colaboración con A. Melero), ''CFC'' 13: 167-199.
+
* Corrêa, P.C. (2001) 'The Fox and the Hedgehog', ''Revista Phaos'' 1: 80 - 92. On Archilochus 201 IEG.
  
* Suárez de la Torre, Emilio (1999) 'Archilochus ‘Biography’, Dionysos, and Mythical Patterns' in ''Poesia e religione in Grecia. Studi in Onore di G. Aurelio Privitera''. Napoli, Edizioni Scientifiche Italiane. Vol. II: 639-658.
+
* Corrêa, P.C. (2002) 'Muddy Eels', ''Rivista Synthesis (La Plata)'' 9: 81 -90. On Archilochus 189 IEG.
  
* West, M. L. (2006) ‘Archilochus and Telephos’, ''ZPE'' 156: 11–17.
+
* Corrêa, P.C. (2007) 'A Human Fable and the Justice of Beasts in Archilochus' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 101-117. Reviewed by J. Gibert [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
  
=== Semonides ===
+
* Ford, A.L. (1993) 'L'inventeur de la poésie lyrique: Archiloque le colon', ''Métis. Revue de l'anthropologie grecque'' 8.1-2: 59-73.
*Carson, A. (1999) ''Economy of the Unlost: Reading Simonides of Keos with Paul Celan.'' Princeton, N.J.
 
  
* Hubbard, Th.K. (1994) 'Elemental Psychology and the Date of Semonides of Amorgos', ''AJPh'' 115: 175-197.
+
* Gagné, R. (2009) 'A Wolf at the Table: Sympotic Perjury in Archilochus', ''TAPA'' 139.2: 251-275.
  
* Hubbard, Th.K. (1996) ' 'New Simonides' or old Semonides? Second Thoughts on POxy 3965, fr. 26, ''Arethusa'' 29: 255-262 (= in (2001) ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 226-231).
+
* Gerber, D.E. (2000) 'Archilochus fr. 44 West' in: ''Poesia e religione in Grecia. Studi in onore di G. Aurelio Privitera'', eds. M.C. Fera and S. Grandolini. Napoli, vol. 1: 331-333.
  
* Osborne, R. (2001) ‘The use of abuse: Semonides 7’, ''PCPhS'' 47: 47–64.
+
* Gerber, D.E. (2004) 'Archilochus fr. 218 W.' in: ''Dais Philesistephanos. Studies in Honour of Professor Staffan Fogelmark. Presented on the Occasion of his 65th Birthday 12 April 2004'', eds. P. Sandin and M.W. Schiebe. Uppsala: 19-20.
  
* Steinrück, M. (1994) ''Regards sur la femme: analyse rythmique et interprétation de Sémonide frg. 7 Tedeschi-Pellizer''. Roma.
+
* Gerber, D.E. (2008) 'Archilochos and Tradition' in: ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades Paroikia, Paros, 7-9 October 2005'', eds. D. Katsonopoulou, I. Petropoulos, and S. Katsarou. Athens: 17-22.
  
* Steinrück, M. (1994) 'Echos phoniques et débuts de mots dans le iambe de Sémonide d'Amorgos', ''Revue informatique et statistique dans les sciences humaines'' 30: 139-153.
+
* Handley, E. (2007) 'Night Thoughts (Archilochus 23 and 196a West)' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 95-100. Reviewed by J. Gibert[http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
  
* Van Wees, Hans (2005) 'The invention of the female mind. Women, property and gender ideology in archaic Greece', in ''Women and Property in the Ancient Near East and Greece'', eds. D. Lyons and R. Westbrook. Published on website of Center for Hellenic Studies, Washington DC. pp. 26. [http://chs.harvard.edu/chs/women_and_property URL]. Includes discussion of Fr 7.
+
* Harrison, S.  (2001) ‘Some generic problems in Horace’s Epodes: or, on (not) being Archilochus’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', ed. A. Cavarzere et al. Lanham, Md. and Oxford: 165–86.
  
=== Hipponax ===
+
* Hawkins, J. N. (2016). Anger, Bile, and the Poet’s Body in the Archilochean Tradition. ''Iambus and Elegy: New Approaches'': 310-321.
* Carey, Christopher (2003) ‘Ipponatte e la tradizione giambica’ in ''Studi di filologia e tradizione greca in memoria di A. Colonna'', eds. F. Benedetti and S. Grandolini. Perugia: 213-228.
 
  
* Carey, Christopher (2008) ‘Hipponax narrator’, ''AAHung'' 48: 89-102.
+
* Hawkins, T. (2009) 'This is the Death of the Earth: Crisis Narratives in Archilochus and Mnesiepes', ''Transactions of the American Philological Association'' 139.1: 1-20.
  
* Degani, E. (1995) ‘Ipponatte e i poeti filologi’, in ''Atti del Congresso ‘Poeti e Filologi, Filologi-Poeti’. Composizione e studio della poesia epica e lirica nel mondo greco e romano'', Brescia, Università Cattolica, 26–27 aprile 1995, ed. A. Porro and G. Milanese, Aevum(ant) 8: 105–36.
+
* Irwin, E. (1998) ‘Biography, fiction and the Archilochean ainos’, ''JHS'' 118: 177–83.
  
* Faraone, Christopher A. (2004) 'Hipponax Frag. 128W: Epic Parody or Expulsive Incantation?', ''Classical Antiquity'' 23: 209-45.
+
* Létoublon, F. (2008) 'Archiloque et l'"encyclopédie" homérique', ''Pallas'' 77: 51-62.
  
* Fowler, R. L. (1990) ‘Two more new verses of Hipponax (and a spurium of Philoxenus)?’, ''ICS'' 15: 1–22.
+
* Marcaccini, C. (2001) ''Construire un’identità, scrivere la storia: Archiloco, Paro e la colonizzazione di Taso''. Florence.
  
* Miralles, C. and J. Pòrtulas (1988) ''The Poetry of Hipponax''. Rome.
+
* Massimiliano O. (ed.) (2009), ''La lira, la vacca e le donne insolenti: contesti di ricezione e promozione della figura e della poesia di Archiloco dall'arcaismo all'ellenismo.'' Minima philologica 5. Alessandria. Reviewed by Rougier-Blanc, Sylvie (2010) [http://bmcr.brynmawr.edu/2010/2010-10-61.html ''BMCR'' 2010.10.61].
  
* Neri, Camillo (1995) 'L'empietà del naso (Hippon. fr.129a,1 Dg.)', ''Eikasmós'' 6: 11-14.
+
* Mayer, P. (2006) 'Krieg aus Versehen? - Zur Funktion und Aussage der Telephos-Geschichte im neuen Archilochos (''P. Oxy.'' 4708, fr. 1)', ''ZPE'' 157: 15-18.
  
* Nicolosi, Anika (trans. and comm.) (2007) ''Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708)''. Eikasmos, 14. Bologna: Pàtron Editore. Reviewed by Rosen, Ralph M. (2009) [http://bmcr.brynmawr.edu/2009/2009-04-09.html ''BMCR'' 2009.04.09].
+
* Mayer, P. (2006) 'Der Mann, das Mädchen und der Dichter - Zur Frage der Absicht dreier Personen: eine Verführungsgeschichte (Archil. 196a W2)', ''Acta Classica Universitatis Scientiarum Debreceniensis (Debrecen)'' 42: 5-20.
  
* Rosen, R. M. (1990) ‘Hipponax and the Homeric Odysseus’, ''Eikasmos'' 1: 11–25.
+
* Medaglia, S.M. (1982) ''Note di esegesi archilochea''. Roma. Review by S.R. Slings, (1988) ''Mnemosyne'' 41: 134-135.
  
* Suárez de la Torre, Emilio (1987) 'Hiponacte cómico', ''Emerita'' 55: 113-139.
+
* Miralles, C. and Pòrtulas, J. (1983) ''Archilochus and the iambic poetry''. Roma. Review by S.R. Slings (1987) ''Mnemosyne'' 40: 430-432.
  
* Watkins, Calvert (2007) 'Hipponactea quaedam' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L.West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: ##. Reviewed by Gibert, John (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html ''BMCR'' 2008.06.23].
+
* Nesselrath, H.G. (2007) 'Lucian and Archilochus, or: How to Make Use of the Ancient Iambographers in the Context of the Second Sophistic' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 132-43. Reviewed by J. Gibert [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
  
=== Ananius ===
+
* Nicolosi, A. (trans. and comm.) (2007) ''Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708)''. Eikasmos, 14. Bologna: Pàtron Editore. Reviewed by R.M. Rosen [http://bmcr.brynmawr.edu/2009/2009-04-09.html BMCR 2009.04.09].
  
=== Adespota Iambica ===
+
* Nobili, C. (2009) 'Tra epos ed elegia: il nuovo Archiloco', ''Maia'' 61.2: 229-249.
  
=== Elegy General ===
+
* Obbink, D. (2005) ‘4708, Archilochus, Elegies’, ''Oxyrhynchus Papyri'' 69: 18–42.
  
* Adkins, A.W.H. (1985) ''Poetic Craft in the Early Greek Elegists''. Chicago-London.
+
* Obbink, D. (2006) ‘A New Archilochus poem’, ''ZPE'' 156: 1–4.
  
* Aloni, A. and  A. Iannucci (2007) ''L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco''. Firenze: Le Monnier Università.
+
* Pòrtulas, J. (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* Barnes, H. R. (1995) ‘The structure of the elegiac hexameter: a comparison of the structure of elegiac and stichic hexameter verse’, in ''Struttura e storia dell’esametro omerico'', ed. M. Fantuzzi and R. Pretagostini, vol. I. Rome: 135–61.
+
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. Alessandria: 57–71.
  
* Bowie, E. L. (1990) ''Miles ludens''? The problem of martial exhortation in early Greek elegy’, in ''Sympotica: A Symposium on the Symposion''. ed. O. Murray. Oxford: 221-229.
+
* Riu, X. (2012) 'On the Reception of Archilochus and of invective in antiquity', in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 249-282.
  
* Faraone, Christopher A. (2005) 'Exhortation and Meditation: Alternating Stanzas as a Structural Device in Early Greek Elegy', ''Classical Philology'' 100: 317-36.
+
* Rosen, R.M. (2007) 'The Hellenistic Epigrams on Archilochus and Hipponax' in ''Brill's Companion to Hellenistic Epigram'' eds. P. Bing & J. Steffen Bruss. Leiden: 459–476. Reviewed by M.A. Tueller [http://bmcr.brynmawr.edu/2008/2008-06-19.html BMCR 2008.06.19]
  
* Faraone, Christopher A. (2005) 'Catalogues, Priamels and Stanzaic Structure in Early Greek Elegy', ''Transactions of the American Philological Association'' 135: 249-65.  
+
* Rotstein, A. (2007) ‘Critias’ invective against Archilochus’, ''Classical Philology'' 102: 139-54.
 +
 +
* Rotstein, A. (2008) “‘I do not care about ''iamboi''” (Archil. Fr. 215W)’, in ''Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades'', eds. D. Katsonopoulou, I. Petropoulos and S. Katsarou. Athens: 65-80.
  
* Faraone, Christopher A. (2008) ''The Stanzaic Architecture of Early Greek Elegy''. Oxford and New York: Oxford University Press. Reviewed by Eckerman, Chris (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-30.html ''BMCR'' 2008.08.30].
+
* Rotstein, A. (2010) ''The Idea of Iambos''. Oxford: 151-166, 230-234, 256-259, 281-318.
  
* Gerber, D.E. (1997) ‘Elegy’, in ''A Companion to the Greek Lyric Poets'', ed. D.E. Gerber. Leiden:89–132.
+
* Slings, S.R. (1975) 'Three notes on the new Archilochus papyrus', ''Zeitschrift für Papyrologie und Epigraphik'' 18: 170.
  
* Giordano-Zecharya, M. (2003) ‘Tabellae auris: musica e memoria nella trasmissione della lirica monodica’, in ''ΡΥΣΜΟΣ: Studi di poesia, metrica e musica greca offerti dagli allievi a Luigi Enrico Rossi per i suoi settant’anni'', ed. R. Nicolai. Rome: 73–92.
+
* Slings, S.R. (1976) 'Archilochus, the hasty mind and the hasty bitch', ''Zeitschrift für Papyrologie und Epigraphik'' 21: 283-288.
  
* Nobili, Cecilia (2006) 'Omero e l'elegia trenodica', ''Acme'' 59.3: 3-24. It investigates the problem of threnodic elegy and presents the possibility to trace motifs typical of threnodic elegy in Homeric poems.
+
* Slings, S.R. (1980) 'Archilochus, eerste Keulse epode', ''Lampas'' 13: 315-335. (in Dutch)
  
* Raalte, Marlein van (1988) 'Greek Elegiac Verse Rhythm', ''Glotta'' 66: 145-78.
+
* Slings, S.R. (1982) 'Archilochus and the ant', ''Zeitschrift für Papyrologie und Epigraphik'' 45: 69-70.  
  
* Slings, S.R. (2000) 'Symposion and Interpretation: Elegy as group-song and the so-called awakening individual', ''Acta Antiqua Hungariensia'' 40: 423-434.
+
* Slings, S.R. (1980-82) 'Archilochus, S 478 (a), 3 Page', ''Museum Criticum'' 15-17: 11-14.
  
* Tsagalis, Christos C. (2008) ''Inscribing Sorrow: Fourth-century Attic Funerary Epigrams. Trends in Classics - Supplementary Volumes 1''. Berlin and New York. Reviewed by Garulli, Valentina (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-09-18.html ''BMCR'' 2008.09.18].
+
* Slings, S.R. (1983) 'Once more Archilochus and the ant', ''Zeitschrift für Papyrologie und Epigraphik'' 53: 31-36.  
  
* Zanetto, G. (2004) ‘Omero e l’elegia arcaica’, in ''Momenti della ricezione omerica: Poesia arcaica e teatro'', ed. G. Zanetto et al. (Quaderni di Acme 67). Milan: 37–50.
+
* Slings, S.R. (1986) 'Archilochus: new fragments from the Sosthenes inscription', ''Zeitschrift für Papyrologie und Epigraphik'' 63: 1-3.  
  
=== Callinus ===
+
* Slings, S.R. (1988) 'Archilochus, fr. 188,3', ''Zeitschrift für Papyrologie und Epigraphik'' 72: 21.
  
=== Tyrtaeus ===
+
* Slings, S.R. (1989) 'Anonymus, Parallel lines from Homer and Archilochus', ''Zeitschrift für Papyrologie und Epigraphik'' 79: 1-8.  
* Année, Magali (2007) 'La mémoire oubliée: perspectives poétiques de l'élégie chez Tyrtée', [http://www.paris-sorbonne.fr/IMG/pdf/Magali_Annee.pdf ''Camenulae'' 1].
 
  
* Faraone, Christopher A. (2006) 'Stanzaic Structure and Responsion in the Elegiac Poetry of Tyrtaeus', ''Mnemosyne'' 59: 19-52.
+
* Slings, S.R. (1990) 'Archilochus van Paros, soldaat en dichter', ''Hermeneus'' 62: 281-289. (in Dutch)
  
* Luginbill, R. D. (2002) ‘Tyrtaeus ''12West'': come join the Spartan army’, ''CQ'' 52: 405–14.
+
* Slings, S.R. (1992) 'For the third time: Archilochus and the ant', ''Eikasmos'' 3: 13-17.  
  
* Noussia, M. (2010) “Lo stile 'semplice' di Tirteo?”, in P. Chiron and C. Lévy (eds), ''Les Noms du Style dans l'Antiquité gréco-latine, Deuxième et Troisième Journées d' Étude, Paris IV (12 mais 2005), Paris XII (13 Mai 2005)''. Leuven, ''Bibliothèque d’Études Classiques'' 57, 11-24.
+
* Slings, S.R. (1995) 'Archilochus, fr. 188, 1-2', ''Zeitschrift für Papyrologie und Epigraphik'' 106: 1-2.
  
* Pucci, Pietro (2006) 'Il testo di Tirteo nel tessuto omerico' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 21-41. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
+
* Steinrück, M. (1991) ''Leise Laute, Arbeiten über das Verhältnis von Rhythmus und Lautresponsion bei Archilochos''. Lausanne Basel.
  
* Quattrocelli, L. (2006) ‘Tirteo: poesia e ἀνδρεία a Sparta arcaica’, in ''I luoghi e la poesia nella Grecia antica'', eds. Massimo Vetta and Carmine Catenacci. Alessandria: 133-144.
+
* Steinrück, M. (2008) 'Les publics d'Archiloque', ''Pallas'' 77: 41-50.
  
* Van Wees, Hans (1999) ‘Tyrtaeus’ Eunomia: nothing to do with the Great Rhetra’, in ''Sparta: New Perspectives'', eds. Stephen Hodkinson and Anton Powell. London: 1-41.
+
* Suárez de la Torre, E. (1977) 'Un reciente problema para la Filología Clásica: el nuevo fragmento atribuido a Arquíloco' (en colaboración con A. Melero), ''CFC'' 13: 167-199.
  
* Van Wees, Hans (2002) ‘Gute Ordnung ohne Große Rhetra: noch einmal zu Tyrtaios’ Eunomia’, ''Göttinger Forum für Altertumswissenschaft'' 5: 89-103. [http://gfa.gbv.de/z/2002 URL] [http://gfa.gbv.de/dr,gfa,005,2002,a,06.pdf PDF]
+
* Suárez de la Torre, E. (2000) 'Archilochus ‘Biography’, Dionysos, and Mythical Patterns' in ''Poesia e religione in Grecia. Studi in Onore di G. Aurelio Privitera. Volume II'', eds. M. Cannata Fera and S. Grandolini. Napoli: 639-658.
  
* Van Wees, Hans (2003) 'Conquerors and serfs: wars of conquest and forced labour in archaic Greece', in ''Helots and their Masters in Laconia and Messenia: histories, ideologies, structures'', eds. N. Luraghi and S. Alcock. Cambridge, MA: 33-80. Includes discussion of Tyrtaeus' fragments.
+
* Swift, L. (2016) ‘Poetics and Precedents in Archilochus’ Erotic Imagery’, in Iambus and Elegy: New Approaches, eds. C. Carey and L. Swift. Oxford:. 253–270.
  
=== Mimnermus ===
+
* Swift, L. (2015) ‘Negotiating Seduction: Archilochus’ Cologne Epode and the Transformation of Epic, Philologus 159(1): 2-28
* Allen, A. (1993) ''The Fragments of Mimnermus: Text and Commentary''. Stuttgart.
 
  
* Gerber, D.E. (2003) 'Mimnermus, Fragment 1.3 W.' in: ''Literature, Art, History: Studies on Classical Antiquity and Tradition. In Honour of W.J. Henderson'', eds. A.F. Basson & W.J. Dominik. Frankfurt am Main: 193-195.
+
* Swift, L. (2014) ‘Telephus on Paros: Genealogy and Myth in the “New Archilochus” Poem (P. Oxy. 4708), CQ 64(2): 433-47.
  
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. Alessandria: 57–71.
+
* Swift, L. (2014) ‘The Animal Fable and Greek Iambus: Ainoi and Half-Ainoi in Archilochus, in Gêneros poéticos na Grécia antiga: Confluências e fronteiras, eds. C. Werner and B. Sebastini. São Paulo: 49-77.
  
* Slings, S.R. (2000) ''Symposium: Speech and Ideology. Two hermeneutical issues in early Greek lyric, with special reference to Mimnermus''. Amsterdam (KNAW), Mededelingen KNAW afd. Letterkunde, 63, 1. Concerns the performance of lyric poetry in the archaic period. Review by Bremer, Jan Maarten (2003) ''Mnemosyne'' 56: 614-15.
+
* Swift, L. (2012) ‘Archilochus the “Anti-Hero” Heroism, Flight and Values in Homer and the New Archilochus Fragment (P. Oxy. LXIX 4708), JHS 132: 139-55.
  
* Suárez de la Torre, Emilio (1985) 'El viaje nocturno del sol y la Nanno de Mimnermo', ''EClás'' 89: 5-20.
+
* West, M.L. (2006) ‘Archilochus and Telephos’, ''ZPE'' 156: 11–17.
  
=== Solon ===
+
=== Semonides ===
* Almeida, Joseph A. (2003) ''Justice as an Aspect of the Polis Idea in Solon's Political Poems. A Reading of the Fragments in Light of the Researches of New Classical Archaeology.'' Leiden. Reviewed by A.J. Dominguez [http://bmcr.brynmawr.edu/2004/2004-02-51.html BMRC 2004.02.15]
+
*Carson, A. (1999) ''Economy of the Unlost: Reading Simonides of Keos with Paul Celan.'' Princeton, N.J.
  
* Blaise, Fabienne (1995) ‘Le fragment 36 W. de Solon: pratique et fondation des normes politiques’, ''Revue des Études Grecques'' 108: 24-37.
+
* Hubbard, Th.K. (1994) 'Elemental Psychology and the Date of Semonides of Amorgos', ''AJPh'' 115: 175-197.
  
* Blaise, Fabienne (2005) ‘Poésie, politique, religion. Solon entre les dieux et les hommes (l’ “Eunomie” et l’ “Elégie aux Muses”, 4 et 13 West)’, ''Revue de Philosophie Ancienne'' 23: 3-40.
+
* Hubbard, Th.K. (1996) ' 'New Simonides' or old Semonides? Second Thoughts on POxy 3965, fr. 26, ''Arethusa'' 29: 255-262 (= in (2001) ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 226-231).
  
* Blaise, Fabienne (2006) ‘Poetics and politics. Tradition re-worked in Solon’s “Eunomia” (poem 4), in ''Solon of Athens: New Historical and Philological Approaches'', eds. J.H. Blok & A.P.M.H. Lardinois. Leiden: 114-133.
+
* Osborne, R. (2001) ‘The use of abuse: Semonides 7’, ''PCPhS'' 47: 47–64.
  
* Blaise, Fabienne (2010) 'Le bonheur redéfini. Solon, 23 W.', in D. Thouard-Ch. König (éds.), ''La Philologie au présent. Pour Jean Bollack''. Lille (Presses du Septentrion): 57-67.  
+
* Steinrück, M. (1994) ''Regards sur la femme: analyse rythmique et interprétation de Sémonide frg. 7 Tedeschi-Pellizer''. Roma.
  
* Blaise, Fabienne (2011), 'La mer juste : Solon, 12 W', ''Revue des Etudes Grecques'' 124: 535-547.  
+
* Steinrück, M. (1994) 'Echos phoniques et débuts de mots dans le iambe de Sémonide d'Amorgos', ''Revue informatique et statistique dans les sciences humaines'' 30: 139-153.
  
* Blok, J.H. & A.P.M.H. Lardinois (eds.) (2006) ''Solon of Athens: New Historical and Philological Approaches''. Leiden. Reviewed by B.M. Lavelle [http://bmcr.brynmawr.edu/2007/2007-04-26.html BMCR 2007.04.26].
+
* Van Wees, H. (2005) 'The invention of the female mind. Women, property and gender ideology in archaic Greece', in ''Women and Property in the Ancient Near East and Greece'', eds. D. Lyons and R. Westbrook. Published on website of Center for Hellenic Studies, Washington DC. pp. 26. [http://chs.harvard.edu/chs/women_and_property URL]. Includes discussion of Fr 7.
  
* Gagné, R. (2009) 'Spilling the Sea Out of its Cup: Solon's Elegy to the Muses,' ''Quaderni urbinati di cultura classica'' 133: 23-49.
+
=== Hipponax ===
  
* Katz Anhalt, Emilie (1993) ''Solon the Singer.'' Lanham, MD.  
+
* Alexandrou, M. (2016). 'A commentary on the fragments of the iambic poet Hipponax' (Doctoral dissertation, UCL (University College London)).
  
* Irwin, E. (2005) ''Solon and Early Greek Poetry: The Politics of Exhortation''. Cambridge.
+
* Carey, C. (2003) ‘Ipponatte e la tradizione giambica’ in ''Studi di filologia e tradizione greca in memoria di A. Colonna'', eds. F. Benedetti and S. Grandolini. Perugia: 213-228.
  
* Lardinois, A.P.M.H. (2006) 'Have we Solon's verses?' in ''Solon of Athens: New Historical and Philological Approaches'', eds. J.H. Blok & A.P.M.H. Lardinois. Leiden: 15-35. Dutch version (2006) ''Lampas'' 39: 91-109.
+
* Carey, C. (2008) ‘Hipponax narrator’, ''AAHung'' 48: 89-102.
  
* Lewis, John David (2006) ''Solon the Thinker: Political Thought in Archaic Athens''. London. Reviewed by Z. Papakonstantinou [http://bmcr.brynmawr.edu/2007/2007-05-28.html BMCR 2007.05.28]
+
* Cazzato, V. (2015) ‘Hipponax’ poetic initiation and Herodas’ “Dream”’, ''The Cambridge Classical Journal'' 61: 1-14.
  
* Monedero, Adolfo J. Domínguez (2001) ''Solón de Atenas. Editorial Crítica.'' Barcelona. Reviewed by E. Katz Anhalt [http://bmcr.brynmawr.edu/2002/2002-08-42.html BMCR 2002.08.24]
+
* Dale, A. (2013). 'HIPPONAX FR. 42 IEG2' Zeitschrift für Papyrologie und Epigraphik 187: 49-51.
  
* Mossé, C. (1996) ‘Due miti politici: Licurgo e Solone’, in ''I Greci: Storia cultura arte società, II, Una storia greca, 1, Formazione'', ed. S. Settis. Turin: 1325–35.
+
* Degani, E. (1995) ‘Ipponatte e i poeti filologi’, in ''Atti del Congresso ‘Poeti e Filologi, Filologi-Poeti’. Composizione e studio della poesia epica e lirica nel mondo greco e romano'', Brescia, Università Cattolica, 26–27 aprile 1995, ed. A. Porro and G. Milanese, Aevum(ant) 8: 105–36.
  
* Mülke, C. (2002) ''Solons Politische Elegien und Iamben (Fr. 1-13; 32-37 West). Einleitung, Übersetzung, Kommentar.'' Munich/Leipzig. Reviewed by E. Irwin [http://bmcr.brynmawr.edu/2005/2005-05-26.html BMRC 2005.05.26]
+
* Faraone, C.A. (2004) 'Hipponax Frag. 128W: Epic Parody or Expulsive Incantation?', ''Classical Antiquity'' 23: 209-45.
  
* Noussia, M. (2001) ''Solone: Frammenti dell’opera poetica''. Milan.
+
* Fowler, R.L. (1990) ‘Two more new verses of Hipponax (and a spurium of Philoxenus)?’, ''ICS'' 15: 1–22.
  
* Noussia-Fantuzzi, M. (2010) ''Solon the Athenian: The Poetic Fragments'', Brill Academic Publishers, Leiden, pp. xiv+579. Reviewed by D.E. Gerber [http://bmcr.brynmawr.edu/2011/2011-05-05.html BMCR 2011.05.05].
+
* Hawkins, S. (2013). ''Studies in the Language of Hipponax''. Bremen.
  
* Suárez de la Torre, Emilio (2002) 'La renovación del léxico poético en Solón y los niveles de lengua' in ''Niveles de lengua y literatura'', ed. A. López Eire. Salamanca.
+
*Hawkins, T. (2016). 'Bupalus in Scheria: Hipponax’s Odyssean Transcontextualizations' in ''Iambus and Elegy: New Approaches'', C. Carey and L. Swift (eds) Oxford: 229-52.
  
* Van Wees, Hans (1999) 'The mafia of early Greece. Violent exploitation in the seventh and sixth centuries BC' in ''Organized Crime in Antiquity'', ed. Keith Hopwood. London: 1-51. Includes discussion of Solon's 'political' fragments.
+
* Miralles, C. and J. Pòrtulas (1988) ''The Poetry of Hipponax''. Rome.
  
* Van Wees, Hans (2006) 'Mass and elite in Solon's Athens: the property classes revisited', in ''Solon of Athens: new historical and philological approaches'', eds. J. Blok and A. Lardinois. Leiden: 351-89. Abbreviated version in Dutch: (2006) 'Massa en elite in Solon's Athene: de betekenis van de vermogensklassen', ''Lampas'' 39: 131-52. Includes discussion of Solon's 'political' fragments.
+
* Neri, C. (1995) 'L'empietà del naso (Hippon. fr.129a,1 Dg.)', ''Eikasmós'' 6: 11-14.
  
=== Theognis ===
+
* Nicolosi, A. (ed.) (2007) ''Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708)''. Bologna. Edition, translation and commentary Reviewed by R.M. Rosen [http://bmcr.brynmawr.edu/2009/2009-04-09.html BMCR 2009.04.09].
* Bagordo, A. (2000) 'Teognide 769-–772 e il lessico metaletterario arcaico', ''SemRom'' 3: 183-–203.
 
  
* Colesanti, G. (2011) ''Questioni Teognidee. La genesi simposiale di un corpus di elegie''. Roma. [http://www.storiaeletteratura.it/catalog/title/index.php?cmd=ext&title_id=1394 More information].
+
* Rosen, R.M. (1990) ‘Hipponax and the Homeric Odysseus’, ''Eikasmos'' 1: 11–25.
  
* Condello, F. (2010) 'Proverbi in Teognide, Teognide in proverbio' in ''ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.)'' ed. E. Lelli. Pisa/Roma: 61-85.
+
* Rosen, R.M. (2007) 'The Hellenistic Epigrams on Archilochus and Hipponax' in ''Brill's Companion to Hellenistic Epigram'' eds. P. Bing & J. Steffen Bruss. Leiden.  
  
* Edmunds, L. (1997) ‘The seal of Theognis (vv. 19–30)’, in ''Poet, Public and Performance: Essays in Ancient Greek Literature and Literary History'', ed. L. Edmunds and R. Wallace. Baltimore and London: 29–48.
+
* Rosen, R.M. (2007) ''Making Mockery. The Poetics of Ancient Satire. Classical Culture and Society.'' Oxford. Chapter 5 focuses on Hipponax and Callimachus.  
  
* Ford, A.L. (1985) 'The Seal of Theognis: The Politics of Authorship in Archaic Greece' in ''Theognis of Megara: Poetry and the Polis'', eds. T.J. Figueira and G. Nagy. Baltimore: 82-95.
+
* Suárez de la Torre, E. (1987) 'Hiponacte cómico', ''Emerita'' 55: 113-139.
  
* Kurke, L. (1989) 'Kapêleia and Deceit: Theognis 59–60', ''American Journal of Philology'' 110: 535–44.
+
* Watkins, C. (2007) 'Hipponactea quaedam' in ''Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday'', eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 118-25. Reviewed by J. Gibert [http://ccat.sas.upenn.edu/bmcr/2008/2008-06-23.html BMCR 2008.06.23].
  
* Lane Fox, R. (2000) ‘Theognis: an alternative to democracy’, in ''Alternatives to Athens: Varieties of Political Organization and Community in Ancient Greece'', ed. R. Brock and S. Hodkinson. Oxford: 35–51.
+
=== Ananius ===
  
* Martin, R.P. (2001) ‘Just Like a Woman: Enigmas of the Lyric Voice’, in ''Making Silence Speak: Women’s Voices in Greek Literature and Society'', eds. A. Lardinois and L. McClure. Princeton, N.J.: 55-74.
+
* Carey C.(2016). 'Mapping ''iambos'': Mining the minor talents', in I''ambus and Elegy: New Approaches'', C. Carey and L. Swift (eds), Oxford: 122-39.
  
* Palutan, M.G. (1995) ‘Osservazioni sui carmi eolici di Teocrito (28, 29 e 30)’, ''AION'' (filol) 17: 89–107.
+
=== Adespota Iambica ===
  
* Pòrtulas, J. (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
+
=== Elegy General ===
  
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. ''Alessandria'': 57–71.
+
* Adkins, A.W.H. (1985) ''Poetic Craft in the Early Greek Elegists''. Chicago-London.
  
* Rösler, W. (2006) 'La raccolta di Teognide: «il più antico libro dimostrabilmente edito dall'autore stesso». Considerazioni su una tesi di Richard Reitzenstein' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 55-67. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
+
* Aloni, A. and  Iannucci, A. (2007) ''L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco''. Firenze: Le Monnier Università.
  
* Selle, H. (2008) ''Theognis und die Theognidea''. Berlin; New York: Walter de Gruyter. ''Untersuchungen zur antiken Literatur und Geschichte'' 95.
+
* Barnes, H.R. (1995) ‘The structure of the elegiac hexameter: a comparison of the structure of elegiac and stichic hexameter verse’, in ''Struttura e storia dell’esametro omerico'', ed. M. Fantuzzi and R. Pretagostini, vol. I. Rome: 135–61.
  
* Stein-Hölkeskamp, E. (1996) 'Adel und Volk bei Theognis' in ''Volk und Verfassung im vorhellenistischen Griechenland, Beiträge auf dem Symposium zu Ehren von Karl-Wilhelm Welwei in Bochum, 1.-2. März 1996.'' eds. Walter Eder, Karl-Joachim Hölkeskamp. Stuttgart: 21-35.  
+
* Bowie, E.L. (1990) ''Miles ludens''? The problem of martial exhortation in early Greek elegy’, in ''Sympotica: A Symposium on the Symposion''. ed. O. Murray. Oxford: 221-229.
  
* Vetta, M. (2000) ‘Teognide e anonimi nella Silloge teognidea’, in ''La letteratura pseudepigrafa nella cultura greca e romana: Atti di un incontro di studi'', Napoli, 15–17 gennaio 1998, AION(filol) 22: 123–41.
+
* Budelmann, F. and T. Power (2013). 'The inbetweenness of sympotic elegy.' JHS 133: 1-19.
  
* Wees, H. van (2000) ‘Megara’s mafiosi.  Timocracy and violence in Theognis’, in ''Alternatives to Athens.  Varieties of political organization and community in ancient Greece'', eds. R. Brock and S. Hodkinson. Oxford University Press: 52-67.  Abbreviated version in Dutch: (2003) ‘Maffiosi in Megara: timocratie en geweld in Theognis’, ''Lampas'' 36: 284-99.
+
* Faraone, C.A. (2005) 'Exhortation and Meditation: Alternating Stanzas as a Structural Device in Early Greek Elegy', ''CPh'' 100: 317-36. [Tyrtaeus 10, 11; Callinus 1; Xenophanes 1]
  
* Yossi, M.J. (Μ. Ι. Γιόση) (2009) 'δεῦρο σὺν αὐλητῆρι. Συμποτική ποιητική στο Θεογνίδειο corpus' ['Deuro syn auleteri: Sympotic poetics in the Theognidean corpus'], in:  ''ΑΝΤΙΦΙΛΗΣΙΣ. Studies on Classical, Byzantine and Modern Greek Literature and Culture in Honour of John-Theophanes A. Papademetriou'', ed. Eleni Karamalengou and Eugenia Makrygianni. Stuttgart: 99 - 106.
+
* Faraone, C.A. (2005) 'Catalogues, Priamels and Stanzaic Structure in Early Greek Elegy', ''TAPhA'' 135: 249-65. [Simonides  16; Tyrtaeus 12; Theognidea 699-718; Solon 13, 27]
  
=== Xenophanes ===
+
* Faraone, C.A. (2008) ''The Stanzaic Architecture of Early Greek Elegy''. Oxford. Reviewed by Eckerman, Chris (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-30.html ''BMCR'' 2008.08.30].
* Granger, Herbert (2007) 'Poetry and Prose: Xenophanes of Colophon', ''Transactions of the American Philological Association'' 137.2: 403-33. [http://muse.jhu.edu/journals/transactions_of_the_american_philological_association/toc/apa137.2.html Abstract]. [http://muse.jhu.edu/journals/transactions_of_the_american_philological_association/v137/137.2granger.pdf PDF].
 
  
=== Critias ===
+
* Gerber, D.E. (1997) ‘Elegy’, in ''A Companion to the Greek Lyric Poets'', ed. D.E. Gerber. Leiden: 89–132.
* Iannucci, A. (1998) 'Elegia e lotta politica. Note di lettura a Crit. fr. 5 W.', ''AION (filol)'' 20: 107-127.
 
  
* Iannucci, A. (2002) ''La parola e l'azione. I frammenti simposiali di Crizia''. Bologna. Review by P. Wilson in [http://ccat.sas.upenn.edu/bmcr/2004/2004-09-16.html BMCR 2004.09.16].
+
* Giordano-Zecharya, M. (2003) ‘Tabellae auris: musica e memoria nella trasmissione della lirica monodica’, in ''ΡΥΣΜΟΣ: Studi di poesia, metrica e musica greca offerti dagli allievi a Luigi Enrico Rossi per i suoi settant’anni'', ed. R. Nicolai. Rome: 73–92.
  
* Iannucci, A. (2003) 'Una ‘corona di giambi’. Ipotesi di lettura del fr. 2 Gent.-Pr. di Crizia', ''Seminari Romani di Cultura Greca'', VI 1: 31-42.
+
* Lulli, L. (2007) "‘Anomalie’ linguistiche e performances poetiche. Osservazioni sui tratti linguistici epicorici nell’epica greca postomerica e nell’elegia arcaica di argomento storico-narrativo", ''SemRom'' 10.2: pp. 35–62.
  
* Pòrtulas, Jaume (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
+
* Lulli, L. (2009) 'Appunti per una storia grafico-editoriale del genere letterario dell’elegia in età ellenistico-romana', ''Scripta. International Journal of Palaeography and Codicology'' 2: 135–157.
  
* Rotstein, Andrea (2007) ‘Critias’ invective against Archilochus’, ''Classical Philology'' 102: 139-54.
+
* Lulli, L. (2011) ''Narrare in Distichi: L'elegia greca arcaica e classica di argomento storico-mitico''. Rome.  
  
=== Dionysius Chalcus ===
+
* Lulli, L. (2015) "Epica ed elegia. Incontri di due generi letterari nei luoghi della performance", in L. Bettarini (ed.), ''A più mani. Linee di ricerca tracciate in 'Sapienza''', Roma-Pisa: 89–102.
  
* Ieranò, G. (1997) ''Il Ditirambo di Dioniso''. Pisa and Rome.
+
* Lulli, L. (2016) "Elegy and Epic: A Complex Relationship", in L. Swift, C. Carey (eds.), ''Iambus and Elegy. New Approaches'', Oxford-New York: 193-209.
  
=== Euenus ===
+
* Nobili, C. (2006) 'Omero e l'elegia trenodica', ''Acme'' 59.3: 3-24. It investigates the problem of threnodic elegy and presents the possibility to trace motifs typical of threnodic elegy in Homeric poems.
  
=== Ion ===
+
* Nobili, C. (2011) 'Threnodic elegy in Sparta', ''Greek, Roman, Byzantine Studies'' 51.1: 26-48.
* Jennings, Victoria and Andrea Katsaros (eds.) (2007) ''The World of Ion of Chios. Mnemosyne Supplementa 288. Monographs on Greek and Roman Language and Literature''. Leiden. Reviewed by Tell, Hakan (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-10-13.html ''BMCR'' 2008.10.13].
 
  
=== Phocylides ===
+
* Nobili, C. (2016) 'Choral elegy', in C. Carey – L. Swift (eds.), I''ambus and Elegy. New Approaches'', Oxford: 33-55.
  
=== Adespota Elegiaca ===
+
* Raalte, M. van (1988) 'Greek Elegiac Verse Rhythm', ''Glotta'' 66: 145-78.
  
 +
* Scott Garner, R. (2011) ''Traditional Elegy. The Interplay of Meter, Tradition, and Context in Early Greek Poetry.'' Oxford.
  
== Greek Lyric Poetry ==
+
* Slings, S.R. (2000) 'Symposion and Interpretation: Elegy as group-song and the so-called awakening individual', ''Acta Antiqua Hungariensia'' 40: 423-434.
  
=== Lyric General ===
+
* Suárez de la Torre, E. (2012) ''Elegíacos Griegos.'' Madrid. Spanish translation with introduction.  
* Ahrens, H. L. (1853) ‘Über die Mischung der Dialekte in der griechischen Lyrik’, in ''Verhandlungen der dreizehnten Versammlung Deutscher Philologen, Schulmänner und Orientalisten in Göttingen vom 29. September bis 2. Oktober'', Göttingen: 55-80, reprinted in ''Kleine Schriften''. I, Hannover 1853 (= Hildesheim-New York 1977): 157-81.
 
  
* Angeli Bernardini, P. (1991) ‘L’inno agli dei nella lirica corale greca e la sua dimensione sacrale’, in ''L’inno tra rituale e letteratura nel mondo antico: Atti di un colloquio Napoli 21–24 ottobre 1991, AION'' 13: 85–94.
+
* Tsagalis, Christos C. (2008) ''Inscribing Sorrow: Fourth-century Attic Funerary Epigrams. Trends in Classics - Supplementary Volumes 1''. Berlin and New York. Reviewed by Garulli, Valentina (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-09-18.html ''BMCR'' 2008.09.18].
  
* Athanassaki, L. (2002) 'On Horace 1.15 and Choral Lyric' in ''Horace and Greek Lyric'', ed. M. Paschalis. ''Rethymnon Classical Studies'' 1: 85-101.
+
* Zanetto, G. (2004) ‘Omero e l’elegia arcaica’, in ''Momenti della ricezione omerica: Poesia arcaica e teatro'', ed. G. Zanetto et al. (Quaderni di Acme 67). Milan: 37–50.
  
* Athanassaki, L. (2005) 'Χορεία. Η ποιητική της παράστασης', ''Thallo'' 16: 37-76.
+
=== Callinus ===
  
* Athanassaki, L. (2009) '' Ἀείδετο πὰν τέμενος: οι χορικές παραστάσεις και το κοινό τους στην αρχαϊκή και πρώϊμη κλασική περίοδο''. Herakleion. Study of choral performance contexts especially in Alcman, Pindar, and Bacchylides. [http://www.cup.gr/ViewShopProduct.aspx?ProductId=279696&LangId=1 More information]. Reviewed by  Ladianou, Katerina (2010) [http://bmcr.brynmawr.edu/2010/2010-09-21.html ''BMCR'' 2010.09.21].
+
* Christenson, D. (2000). 'Callinus and Militia Amoris in Achilles Tatius' 'Leucippe and Cleitophon'' The Classical Quarterly 50(2): 631-632.
  
* Athanassaki, Lucia & Bowie, Ewen (2011) (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' Berlin & Boston. [http://www.degruyter.com/view/supplement/9783110254020_Contents.pdf Table of Contents]
+
=== Tyrtaeus ===
  
* Bagordo, A. (1999) 'Eine Bemerkung zum Epinikion', ''Hermes'' 127: 118-120.
+
* Année, M. (2007) 'La mémoire oubliée: perspectives poétiques de l'élégie chez Tyrtée', [http://www.paris-sorbonne.fr/IMG/pdf/Magali_Annee.pdf ''Camenulae'' 1].
  
* Bagordo, A. (2003) ''Reminiszenzen früher Lyrik bei den attischen Tragikern: Beiträge zur Anspielungstechnik und poetischen Tradition''. Munich.
+
* Année, M. (2010) 'Pouvoir du λόγος e λόγος d'un pouvoir chez Tyrtée' in ''Linguaggi del potere, poteri del linguaggio'', eds. E. Bona and M. Curnis. Alessandria: 79-85.
  
* Barbantani, S. (1993) ‘I poeti lirici del canone alessandrino nell’epigrammatistica’, ''Aevum(ant)'' 6: 5–97.
+
* Belloni, L. (2003) 'Il re suadente: (Tyrt. 9 G.-P., 1-9)' in ''Studi di filologia e tradizione greca in memoria di Aristide Colonna'', eds. F. Benedetti and S. Grandolini. Napoli: 63-75.  
  
* Barrett, W. S. (2007) ''Greek Lyric, Tragedy, and Textual Criticism: Collected Papers''. Assembled and edited by M.L. West. Oxford, New York. The papers deal with Stesichorus, Pindar, Bacchylides and Euripides. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011752.html Table of Contents].
+
* Faraone, C.A. (2006) 'Stanzaic Structure and Responsion in the Elegiac Poetry of Tyrtaeus', ''Mnemosyne'' 59: 19-52.
  
* Blasing, M. K. (2007) ''Lyric Poetry: The Pain and the Pleasure of Words''. Princeton, N. J., and Woodstock.
+
* Föllinger, S. (2005) 'Geschlecht und Körperwahrnehmung in der frühgriechischen Dichtung' in ''Medizin, Geschichte und Geschlecht: körperhistorische Rekonstruktionen von Identitäten und Differenzen'', eds. F. Stahnisch and F. Steger. Stuttgart: 27-39. [Homer, Tyrtaeus and Mimnermus].
  
* Bierl, Anton (2001) ''Der Chor in der Alten Komödie. Ritual und Performativität'' (unter besonderer Berücksichtigung von Aristophanes' ''Thesmophoriazusen'' und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126). It has been translated by Alex Hollmann into English as:
+
* Gerber, D.E. (2003) 'Λοξός with reference to the eyes and neck in Greek poetry' in ''Studi di filologia e tradizione greca in memoria di Aristide Colonna'', eds. F. Benedetti and S. Grandolini. Napoli: 355-8.
** Bierl, Anton (2009) ''Ritual and Performativity. The Chorus of Old Comedy'' (transl. by Alex Hollmann), Center for Hellenic Studies. Washington, DC: Harvard Press. (Hellenic Studies 20). New and revised edition.  
 
  
* Bremer, Jan Maarten and W.D. Furley (2001) ''Greek Hymns. Selected Cult Songs from the Archaic to the Hellenistic period''. Tübingen.
+
* Hölscher, U. (1986) 'Tyrtaios über die Eunomie' in ''Studien zur alten Geschichte. Siegfried Lauffer zum 70. Geburtstag'', ed. H. Kalcyk, B. Gullath and A. Graeber Roma: 413-20.
  
* Bremer, Jan Maarten (2008) 'Traces of the Hymn in the Epinikion', ''Mnemosyne'' 61: 1-17. [http://www.swetswise.com.proxy.ubn.ru.nl:8080/swetsfo/swproxy?url=http%3A%2F%2Fopenurl.ingenta.com%2Fcontent%2Fswetsnet-4.1.8057b0ad6528f5df0c29150bac728f60%3Fgenre%3Darticle%26issn%3D0026-7074%26volume%3D61%26issue%3D1%26spage%3D1%26epage%3D17%26aulast%3DBremer&ts=1202555031030&cs=4113296875&userName=9021463.ipdirect&emCondId=2043297&articleID=35750230&yevoID=2197893&titleID=137377&referer=2&remoteAddr=131.174.248.1 PDF].
+
* Link, S. (2003) 'Eunomie im Schoss der Rhetra? Zum Verhältnis von Tyrt. frgm. 14 W und Plut. Lyk. 6, 2 und 8', ''GFA'' 6: 141-150. [http://gfa.gbv.de/dr,gfa,006,2003,a,11.pdf PDF]
  
* Briand, Michel (1996) 'Énonciation lyrique et dialogue dans la poésie archaïque grecque: de Stésichore à Pindare, Bacchylide et Sappho', in ''Travaux du Cercle de Linguistique de Nice'', numéro spécial sur "La pragmatique" (dir. S. Mellet): 119-172.
+
* Luginbill, R.D. (2002) ‘Tyrtaeus ''12West'': come join the Spartan army’, ''CQ'' 52: 405–14.
  
* Briand, Michel (2005) 'Questions de cohérence et de cohésion dans la poésie mélique grecque archaïque: la transition entre discours d'actualité et récit mythique' in ''Cohésion et cohérence. Études de linguistique textuelle'', ed. Anna Jaubert. Lyon: 79-98.
+
* Meier, M. (1998) ''Aristokraten und Damoden: Untersuchungen zur inneren Entwicklung Spartas im 7. Jahrhundert v. Chr. und zur politischen Funktion der Dichtung des Tyrtaios.'' Stuttgart. Reviewed by H. van Wees [http://bmcr.brynmawr.edu/1999/1999-10-15.html BMCR 1999.10.15]
  
* Calame, Claude (1977a) ''Les Chœurs de jeunes filles en Grèce archaïque''. Vol. I: ''Morphologie, fonction religieuse et sociale''; vol. II: ''Alcman'', Roma. The first volume has been translated by Derek Collins and Janice Orion (2001: 2nd ed.) ''Choruses of young women in ancient Greece: their morphology, religious role, and social functions''. Lanham, New York and Oxford.
+
* Meier, M. (2002), 'Tyrtaios fr. 1B G/P bzw. fr. °14 G/P (= fr. 4 W) und die Grosse Rhetra : kein Zusammenhang?', ''GFA'' 5: 65-87. [http://gfa.gbv.de/dr,gfa,005,2002,a,05.pdf PDF]
  
* Calame, Claude (1977b) ''Rito e poesia corale in Grecia. Guida storica e critica'', Roma and Bari.
+
* Meier, M. (2003), 'Tyrtaios: die Entstehung eines Bildes', ''Antike und Abendland'' 49: 157-182.
  
* Calame, Claude (1997) 'Diction formulaire et fonction pratique dans la poésie mélique archaïque' in ''Hommage à Milman Parry. Le style formulaire de l'épopée homérique et la théorie de l'oralité poétique'', ed. F. Létoublon. Amsterdam: 215-222.
+
* Munding, H. (1993), 'Tyrtaios 9 Diehl (= 12 West) auf dem Hintergrund des Hesiodischen Areté-Passus (E. 286-292)' in ''Antike Texte in Forschung und Schule: Festschrift für Willibald Heilmann zum 65. Geburtstag'', ed. C. Neumeister. Frankfurt: 29-37.
  
* Calame, Claude (1998) 'La poésie lyrique grecque, un genre inexistant?' ''Littérature'' 11: 87-110. English translation in preparation for I. Rutherford (ed.) ''Oxford Readings in Greek Lyric''. Oxford.
+
* Nafissi, M. (2010), 'The Great ''Rhetra'' (Plut. ''Lyc.'' 6): a retrospective and intentional construct?' in: ''Intentional History. Spinning Time in Ancient Greece.'' eds. L. Foxhall, H.-J. Gehrke, N. Luraghi. Stuttgart: 89-119.  
  
* Calame, Claude (2002) ''L'Éros dans la Grèce antique''. Paris (2nd edn.). English translation (1999) ''The Poetics of Eros in Ancient Greece''. Princeton.
+
* Noussia, M. (2010) “Lo stile 'semplice' di Tirteo?”, in P. Chiron and C. Lévy (eds), ''Les Noms du Style dans l'Antiquité gréco-latine, Deuxième et Troisième Journées d' Étude, Paris IV (12 mais 2005), Paris XII (13 Mai 2005)''. Leuven: 11-24.
  
* Calame, Claude (2006) 'Identifications génériques entre marques discursives et pratiques énonciatives: pragmatique des genres “lyriques“' in ''Le savoir des genres'', eds. R. Baroni and M. Macé. Rennes: 35-55.
+
* Pucci, P. (2006) 'Il testo di Tirteo nel tessuto omerico' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: 21-41. Reviewed by V. Jennings [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* Calame, Claude (2007) 'Mythos, musische Leistung und Ritual am Beispiel der melischen Dichtung' in ''Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen'', eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. ''MythosEikonPoiesis'' Bd. 1.1–2. Berlin and New York: 179-210. Reviewed by Reyes Bertolín Cebrián [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-09.html ''BMCR'' 2008.08.09].
+
* Quattrocelli, L. (2006) ‘Tirteo: poesia e ἀνδρεία a Sparta arcaica’, in ''I luoghi e la poesia nella Grecia antica'', eds. M. Vetta and C. Catenacci. Alessandria: 133-144.
  
* Calame, Claude (2009) ‘Apollo in Delphi and in Delos: Poetic Performances between Paean and Dithyramb’ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.), Athens: 169-98.
+
* Quattrocelli, L. (2009) ‘Tirteo e la retorica dell’élite’, ''Annali dell’Istituto Orientale di Napoli'': 7-23.
  
* Campbell, David A. (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others.'' Cambridge, Mass. and London.
+
* Schwinge, E.R. (1997), 'Tyrtaios über seine Dichtung (Fr. 9 G.-P. = 12 W.)', ''Hermes'' 125: 387-395.  
  
* Campbell, David A. (1992) ''Greek Lyric IV: Bacchylides, Corinna, and Others.'' Cambridge, Mass. and London.
+
* Van Wees, Hans (1999) ‘Tyrtaeus’ Eunomia: nothing to do with the Great Rhetra’, in ''Sparta: New Perspectives'', eds. S. Hodkinson and A. Powell. London: 1-41.
  
* Campbell, David A. (1993) ''Greek Lyric V: The New School of Poetry and Anonymous Songs and Hymns.'' Cambridge, Mass. and London.
+
* Van Wees, Hans (2002) ‘Gute Ordnung ohne Große Rhetra: noch einmal zu Tyrtaios’ Eunomia’, ''Göttinger Forum für Altertumswissenschaft'' 5: 89-103. [http://gfa.gbv.de/z/2002 URL] [http://gfa.gbv.de/dr,gfa,005,2002,a,06.pdf PDF]
  
* Carey, Christopher (2000) ‘The panegyrist’s persona’ in ''Religione e poesia in Grecia: miscellanea G.A. Privitera'', eds. U. Pizzani and M. Cannatà Fera. Bari: 165-177.
+
* Van Wees, Hans (2003) 'Conquerors and serfs: wars of conquest and forced labour in archaic Greece', in ''Helots and their Masters in Laconia and Messenia: histories, ideologies, structures'', eds. N. Luraghi and S. Alcock. Cambridge, MA: 33-80. Includes discussion of Tyrtaeus' fragments.
  
* Carey, Christopher (2001) ‘Poesia pubblica in performance’ in ''I lirici greci'', ed. M. Cannatà Fera. Messina: 11-26.
+
=== Mimnermus ===
 +
* Allen, A. (1993) ''The Fragments of Mimnermus: Text and Commentary''. Stuttgart.
  
* Cassio, A. C.(2005) ‘I dialetti eolici e la lingua della lirica corale’, in ''Dialetti e lingue letterarie nella Grecia arcaica'', ed. F. Bertolini and F. Gasti. Pavia: 13–44.
+
* Föllinger, S. (2005), 'Geschlecht und Körperwahrnehmung in der frühgriechischen Dichtung' in ''Medizin, Geschichte und Geschlecht: körperhistorische Rekonstruktionen von Identitäten und Differenzen'', eds. F. Stahnisch and F. Steger. Stuttgart: 27-39. [Homer, Tyrtaeus and Mimnermus].
  
* Cingano, E. (2003) ‘Entre skolion et enkomion: Réflexions sur le “genre” et la performance de la lyrique chorale grecque’, in ''La poésie grecque antique'', ed. J. Jouanna and J. Leclant. (Cahiers de la Villa ‘Kerylos’, 14). Paris: 17–45.
+
* Gerber, D.E. (2003) 'Mimnermus, Fragment 1.3 W.' in: ''Literature, Art, History: Studies on Classical Antiquity and Tradition. In Honour of W.J. Henderson'', eds. A.F. Basson & W.J. Dominik. Frankfurt am Main: 193-195.
  
* Contiades-Tsitsoni, E. (1990) ''Hymenaios und Epithalamion. Das Hochzeitslied in der frühgriechischen Lyrik'', Stuttgart. ''Beträge zur Altertumskunde'' 16.
+
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. Alessandria: 57–71.
  
* D'Angour, Armand (1997) 'How the Dithyramb Got Its Shape', ''Classical Quarterly'' 47.2: 331-351.
+
* Slings, S.R. (2000) ''Symposium: Speech and Ideology. Two hermeneutical issues in early Greek lyric, with special reference to Mimnermus''. Amsterdam (KNAW), Mededelingen KNAW afd. Letterkunde, 63, 1. Concerns the performance of lyric poetry in the archaic period. Review by J.M. Bremer (2003) ''Mnemosyne'' 56: 614-15 and D.E. Gerber [http://bmcr.brynmawr.edu/2000/2000-12-16.html BMCR 2002.12.16].
  
* D'Angour, Armand (2007) 'The Sound of Music: modulations and innovations in drama and dithyramb' in ''Debating the Athenian Cultural Revolution'', ed. R. Osborne Cambridge: 288-300.
+
* Suárez de la Torre, E. (1985) 'El viaje nocturno del sol y la Nanno de Mimnermo', ''EClás'' 89: 5-20.
  
* D’Alessio, Giam B. (2009) ‘Defining local identities in Greek lyric poetry’, in ''Wandering Poets in Ancient Greek Culture: Travel, Locality and Panhellenism'', ed. R. Hunter and I. Rutherford. Cambridge: 137–67.
+
=== Solon ===
 +
* Almeida, J.A. (2003) ''Justice as an Aspect of the Polis Idea in Solon's Political Poems. A Reading of the Fragments in Light of the Researches of New Classical Archaeology.'' Leiden. Reviewed by A.J. Dominguez [http://bmcr.brynmawr.edu/2004/2004-02-51.html BMRC 2004.02.15]
  
* Danielewicz, J. (1990) 'Deixis in Greek Choral Lyrik', ''QUCC'' 63: 7-17.
+
* Anhalt, E.K. (1993) ''Solon the Singer.'' Lanham, MD.
  
* Danielewicz, J. (1990) 'Towards an Understanding of the Chorus: Homer on Early Forms of Lyric Poetry', ''Eos'' 78: 55-62.
+
* Blaise, F. (1995) ‘Le fragment 36 W. de Solon: pratique et fondation des normes politiques’, ''Revue des Études Grecques'' 108: 24-37.
  
* Danielewicz, J. (2001) ‘Metatext and its functions in Greek lyric poetry’, in ''Texts, Ideas, and the Classics: Scholarship, Theory, and Classical Literature'', ed. S. Harrison. Oxford: 46–61.
+
* Blaise, F. (2005) ‘Poésie, politique, religion. Solon entre les dieux et les hommes (l’ “Eunomie” et l’ “Elégie aux Muses”, 4 et 13 West)’, ''Revue de Philosophie Ancienne'' 23: 3-40.
  
* Davies, M. (1988) 'Monody, Choral Lyric, and the Tyranny of the Handbook', ''CQ n.s.'' 38: 52-64.
+
* Blaise, F. (2006) ‘Poetics and politics. Tradition re-worked in Solon’s “Eunomia” (poem 4)’, in ''Solon of Athens: New Historical and Philological Approaches'', eds. J.H. Blok & A.P.M.H. Lardinois. Leiden: 114-133.
  
* Davies, M. (1991) ''Poetarum Melicorum Graecorum Fragmenta''. Vol. 1: Alcman, Stesichorus, Ibicus. Oxford.
+
* Blaise, F. (2010) 'Le bonheur redéfini. Solon, 23 W.', in D. Thouard-Ch. König (éds.), ''La Philologie au présent. Pour Jean Bollack''. Lille (Presses du Septentrion): 57-67.  
  
* Depew, M. (2000) ‘Enacted and represented dedications: genre and Greek hymn’, in ''Matrices of Genre: Authors, Canons and Society'', ed. M. Depew and D. Obbink. Cambridge, Mass. and London: 59–79.
+
* Blaise, F. (2011) 'La mer juste : Solon, 12 W', ''Revue des Etudes Grecques'' 124: 535-547.  
  
* Fearn, D. (ed.) (2010) ''Aegina: Contexts for Choral Lyric Poetry''. Oxford. [http://www.amazon.com/gp/reader/0199546517/ref=sib_dp_bod_toc?ie=UTF8&p=S008#reader-link Table of Contents]
+
* Blaise, F. (2012) 'Solon entre Zeus et loup: un usage provocant des représentations et des formes poétiques traditionnelles (poème 36 W)' in ''Approaches to Greek Poetry'' X. Riu & J. Pòrtulas. Messina: 99-119.
  
* Felson, N. (ed.) (2004) ‘The poetics of deixis in Alcman, Pindar and other lyric’, ''Arethusa'' 37.3: 253–468.
+
* Blok, J.H. and Lardinois, A.P.M.H. (eds.) (2006) ''Solon of Athens: New Historical and Philological Approaches''. Leiden. Reviewed by B.M. Lavelle [http://bmcr.brynmawr.edu/2007/2007-04-26.html BMCR 2007.04.26].
  
* Ford, Andrew L. (2006) 'The Genre of Genres: Paeans and Paian in Early Greek Poetry', ''Poetica'' 38.3-4: 277-296. It reviews the many attempts to define paeans (esp. by Käppel and Schroeder) as part of a broader discussion of the usefulness of genre terms in reading early Greek lyric. It reads several of Timotheus' fragments to argue that predicating the epithet was the core of the "genre".
+
* Carvalho, S. and Neto, F.J (2014) 'A crise social na Atenas de Sólon e o estabelecimento da justiça baseada no governo da lei', ''Humanitas''66: 59-85.
  
* Fowler, R.L. (1987) ''The Nature of Early Greek Lyric: Three Preliminary Studies''. Toronto.
+
* Gagné, R. (2009) 'Spilling the Sea Out of its Cup: Solon's Elegy to the Muses,' ''Quaderni urbinati di cultura classica'' 133: 23-49.
  
* Fröhder, D. (1994) ''Die dichterische Form der Homerischen Hymnen: untersucht am Typus der mittelgrossen Preislieder''. Hildesheim. ''Spudasmata'' 53.
+
* Irwin, E. (2005) ''Solon and Early Greek Poetry: The Politics of Exhortation''. Cambridge.
  
* Gentili, B. (1984) ''Poesia e pubblico nella Grecia antica da Omero al V secolo''. Roma-Bari. Revised and updated version translated, with an introduction, by Cole, A.T. (1988) ''Poetry and Its Public in Ancient Greece from Homer to the Fifth Century''. Baltimore.
+
* Lardinois, A.P.M.H. (2006) 'Have we Solon's verses?' in ''Solon of Athens: New Historical and Philological Approaches'', eds. J.H. Blok & A.P.M.H. Lardinois. Leiden: 15-35. Dutch version (2006) ''Lampas'' 39: 91-109.
  
* Gerber, D.E. (1997) ''A Companion to the Greek Lyric Poets''. Leiden-New York-London-Köln.
+
* Lewis, J.D.(2006) ''Solon the Thinker: Political Thought in Archaic Athens''. London. Reviewed by Z. Papakonstantinou [http://bmcr.brynmawr.edu/2007/2007-05-28.html BMCR 2007.05.28]
  
* Greene, R. (1999) ‘The lyric’, in ''The Cambridge History of Literary Criticism, vol. III: The Renaissance'', ed. G. P. Norton. Cambridge: 216–28.
+
* Monedero, A.J.D. (2001) ''Solón de Atenas. Editorial Crítica.'' Barcelona. Reviewed by E. Katz Anhalt [http://bmcr.brynmawr.edu/2002/2002-08-42.html BMCR 2002.08.24]
  
* González de Tobia, Ana M. (2005) ‘El canto coral ‘fundador’ de una poética que vincula fiesta y memoria’, in ''Memoria e Festa'', eds. de Souza Lessa, F. and da Cunha Bustamante, M. R. Rio de Janeiro: 165-172.
+
* Mossé, C. (1996) ‘Due miti politici: Licurgo e Solone’, in ''I Greci: Storia cultura arte società, II, Una storia greca, 1, Formazione'', ed. S. Settis. Turin: 1325–35.
  
* Harvey, A.E. (1955) 'The Classification of Greek Lyric Poetry', ''CQ n.s.'' 5: 157-175.
+
* Mülke, C. (2002) ''Solons Politische Elegien und Iamben (Fr. 1-13; 32-37 West). Einleitung, Übersetzung, Kommentar.'' Munich/Leipzig. Reviewed by E. Irwin [http://bmcr.brynmawr.edu/2005/2005-05-26.html BMRC 2005.05.26]
  
* Hutchinson, G. O. (2001) ''Greek Lyric Poetry: A Commentary on Selected Larger Pieces''. Oxford.
+
* Nagy, G. and M. Noussia-Fantuzzi eds. (2015). ''Solon in the Making: The Early Reception in the Fifth and Fourth Centuries''. Trends in Classics 7.1. De Gruyter.
** Contains new texts of, and detailed commentaries on, Alcman 1 and 3 Davies, Stesichorus 222 (b) Davies, Sappho 1, 16, 31, 96 Voigt, Alcaeus 129, 130b, 298 Voigt, Ibycus S151 Davies, Anacreon 347 fr. 1, 358, 417 Page, Simonides 542, 543 Page, Bacchylides 3, Pindar ''Olympian'' 6, Sophocles ''Ajax'' 1185-1222, Euripides ''Medea'' 627-662; introductions on individual poets and on tragic lyric.
 
  
* Ingalls, Wayne (2000) ‘Ritual Performance as Training for Daughters in Archaic Greece’, ''Phoenix'' 54: 1-20.
+
* Noussia, M. (2001) ''Solone: Frammenti dell’opera poetica''. Milan.
  
* Käppel, L. (1992) ''Paian. Studien zur Geschichte einer Gattung''. Berlin. ''Untersuchungen zur antiken Literatur und Geschichte'' 37.
+
* Noussia-Fantuzzi, M. (2010) ''Solon the Athenian: The Poetic Fragments'', Brill Academic Publishers, Leiden, pp. xiv+579. Reviewed by D.E. Gerber [http://bmcr.brynmawr.edu/2011/2011-05-05.html BMCR 2011.05.05].
  
* Klug, W. (1954) ''Untersuchungen zum Gebet in der frühgriechischen Lyrik''. Dissertation. Hamburg.
+
* Suárez de la Torre, E. (2002) 'La renovación del léxico poético en Solón y los niveles de lengua' in ''Niveles de lengua y literatura'', ed. A. López Eire. Salamanca.
  
* Kowalzig, Barbara (2007) ''Singing for the Gods. Performances of Myth and Ritual in Archaic and Classical Greece''. Oxford Classical Monographs. Oxford: Oxford University Press. Reviewed by Seaford, Richard (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-09-25.html ''BMCR'' 2008.09.25].
+
* Wees, H. van (1999) 'The mafia of early Greece. Violent exploitation in the seventh and sixth centuries BC' in ''Organized Crime in Antiquity'', ed. Keith Hopwood. London: 1-51. Includes discussion of Solon's 'political' fragments.
  
* Lambin, G. (1992) ''La chanson grecque dans l'antiquité''. Paris.
+
* Wees, H. van (2006) 'Mass and elite in Solon's Athens: the property classes revisited', in ''Solon of Athens: new historical and philological approaches'', eds. J. Blok and A. Lardinois. Leiden: 351-89. Abbreviated version in Dutch: (2006) 'Massa en elite in Solon's Athene: de betekenis van de vermogensklassen', ''Lampas'' 39: 131-52. Includes discussion of Solon's 'political' fragments.
  
* Lattke, M. (1991) ''Hymnus: Materialien zu einer Geschichte der antiken Hymnologie''. Fribourg. ''Novum Testamentum et orbis antiquus'' 19.
+
=== Theognis ===
 +
* Bagordo, A. (2000) 'Teognide 769-772 e il lessico metaletterario arcaico', ''SemRom'' 3: 183-203.
  
* Ley, G. (1993) 'Monody, Choral Song, and Athenian Festival Performance', ''Maia'' 45: 105-124.
+
* Bowie, E. (2012) 'An Early Chapter in the History of the Theognidea' in ''Approaches to Greek Poetry'' X. Riu & J. Pòrtulas. Messina: 121-148.
  
* Lyghounis, Maria Gilda (1991) 'Elementi tradizionali nella poesia nuziale greca', ''Materiall e discussioni per I'analisi dei testi classici'' 27: 159-98.
+
* Colesanti, G. (2011) ''Questioni Teognidee. La genesi simposiale di un corpus di elegie''. Roma. [http://www.storiaeletteratura.it/catalog/title/index.php?cmd=ext&title_id=1394 More information].
  
* MacDowell, D.M. (1989) 'Athenian Laws abouth Choruses' in ''Symposion 1982: Vorträge zur griechischen und hellenistischen Rechtsgeschichte (Santander 1.-4. September)'', ed. F.J. Fernández Nieto. Köln: 65-77.
+
* Condello, F. (2010) 'Proverbi in Teognide, Teognide in proverbio' in ''ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.)'' ed. E. Lelli. Pisa/Roma: 61-85.
  
* Mace, S. (1993) ‘Amour, encore! The development of δηὖτε in archaic lyric’, ''GRBS'' 34:335–64.
+
* Edmunds, L. (1997) ‘The seal of Theognis (vv. 19–30)’, in ''Poet, Public and Performance: Essays in Ancient Greek Literature and Literary History'', ed. L. Edmunds and R. Wallace. Baltimore and London: 29–48.
  
* Martin, R. P. (2001) ‘Just like a woman: enigmas of the lyric voice’, in ''Making Silence Speak: Women’s Voices in Greek Literature and Society'', ed. A. Lardinois and L. McClure. Princeton, N.J.: 55–74.
+
* Ford, A.L. (1985) 'The Seal of Theognis: The Politics of Authorship in Archaic Greece' in ''Theognis of Megara: Poetry and the Polis'', eds. T.J. Figueira and G. Nagy. Baltimore: 82-95.
  
* Martin, Richard (2007) 'Outer Limits, Choral Space' in ''Visualizing the Tragic'', eds. C. Kraus, S. Goldhill, H. Foley and J. Elsner. Festschrift for F. Zeitlin. New York, Oxford: 35-62.
+
* Kurke, L. (1989) 'Kapêleia and Deceit: Theognis 59–60', ''American Journal of Philology'' 110: 535–44.
  
* Miller, P. A. (1994) ''Lyric Texts and Lyric Consciousness: The Birth of a Genre from Archaic Greece to Augustean Rome''. London.
+
* Lane Fox, R. (2000) ‘Theognis: an alternative to democracy’, in ''Alternatives to Athens: Varieties of Political Organization and Community in Ancient Greece'', ed. R. Brock and S. Hodkinson. Oxford: 35–51.
  
* Mullen, W. (1982) ''Choreia: Pindar and Dance''. Princeton.
+
* Lauriola, R. (1999) 'Theog. 207-210: un caso di prolessi narrativa', ''Athenaeum'' 87.1: 15-26.
  
* Naerebout, F.G. (1997) ''Attractive Performances. Ancient Greek Dance: Three Preliminary Studies''. Amsterdam.
+
* Martin, R.P. (2001) ‘Just Like a Woman: Enigmas of the Lyric Voice’, in ''Making Silence Speak: Women’s Voices in Greek Literature and Society'', eds. A. Lardinois and L. McClure. Princeton, N.J.: 55-74.
  
* Nagy, G. (1990) ''Pindar's Homer. The Lyric Possession of an Epic Past''. Baltimore and London. [http://www.press.jhu.edu/books/nagy/PH.html Free-to-view online edition]. [http://www.intute.ac.uk/artsandhumanities/cgi-bin/fullrecord.pl?handle=humbul15952 More information] is available at [http://www.intute.ac.uk/ Intute], catalogued by Emma Bridges.
+
* Palutan, M.G. (1995) ‘Osservazioni sui carmi eolici di Teocrito (28, 29 e 30)’, ''AION'' (filol) 17: 89–107.
  
* Nagy, G. (1994/5) 'Transformations of Choral Lyric Traditions in the Context of Athenian State Theater', ''Arion'' 3.1: 41-55.
+
* Pòrtulas, J. (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* Nagy, G. (2008) 'Lyric and Greek Myth' in ''The Cambridge Companion to Greek Mythology'', ed. Roger D. Woodard. Cambridge: Cambridge University Press: 19-51. With emphasis on the Lesbian poets Sappho and Alcaeus. Reviewed by Kühr, Angela [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-10.html ''BMCR'' 2008.08.10].
+
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. ''Alessandria'': 57–71.
  
* Neri, Camillo (2004) ''La lirica greca. Temi e testi''. Roma.
+
* Rösler, W. (2006) 'La raccolta di Teognide: «il più antico libro dimostrabilmente edito dall'autore stesso». Considerazioni su una tesi di Richard Reitzenstein' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 55-67. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* Neumann-Hartmann, Arlette (2008) 'Prosopographie zu den Epinikien von Pindar und Bakchylides', ''Nikephoros'' 21: 81–131.
+
* Selle, H. (2008) ''Theognis und die Theognidea''. Berlin & New York.
  
* Neumann-Hartmann, Arlette (2009) 'Epinikien und ihr Aufführungsrahmen'. ''Nikephoros'' Beihefte Bd. 17. Hildesheim.
+
* Stein-Hölkeskamp, E. (1996) 'Adel und Volk bei Theognis' in ''Volk und Verfassung im vorhellenistischen Griechenland, Beiträge auf dem Symposium zu Ehren von Karl-Wilhelm Welwei in Bochum, 1.-2. März 1996.'' eds. Walter Eder, Karl-Joachim Hölkeskamp. Stuttgart: 21-35.  
  
* Neumann-Hartmann, Arlette (2009) 'The Dedication of Victory Crowns and the Performance of Epinikian Odes'. ''BICS'' 52: 1–13.
+
* Vetta, M.  (2000) ‘Teognide e anonimi nella Silloge teognidea’, in ''La letteratura pseudepigrafa nella cultura greca e romana: Atti di un incontro di studi'', Napoli, 15–17 gennaio 1998, AION(filol) 22: 123–41.
  
* Neumann-Hartmann, Arlette (2010) 'Pindar und Bakchylides (1988–2007)'. ''Lustrum: Internationale Forschungsberichte aus dem Bereich des klassischen Altertums'' 52: 181–463.
+
* Wees, H. van (2000) ‘Megara’s mafiosi.  Timocracy and violence in Theognis’, in ''Alternatives to Athens. Varieties of political organization and community in ancient Greece'', eds. R. Brock and S. Hodkinson. Oxford University Press: 52-67.  Abbreviated version in Dutch: (2003) ‘Maffiosi in Megara: timocratie en geweld in Theognis’, ''Lampas'' 36: 284-99.
  
* Nicholson, N. (1999-2000) 'Pederastic poets and adult patrons: maintaining authority in late archaic lyric', ''CW'' 93: 235-259.
+
* Yossi, M.J. (Μ. Ι. Γιόση) (2009) 'δεῦρο σὺν αὐλητῆρι. Συμποτική ποιητική στο Θεογνίδειο corpus' ['Deuro syn auleteri: Sympotic poetics in the Theognidean corpus'], in:  ''ΑΝΤΙΦΙΛΗΣΙΣ. Studies on Classical, Byzantine and Modern Greek Literature and Culture in Honour of John-Theophanes A. Papademetriou'', ed. Eleni Karamalengou and Eugenia Makrygianni. Stuttgart: 99 - 106.
  
* Peponi, Anastasia-Erasmia (1991) 'Flexible Lyric, Inflexible Theory: around W.R. Johnson’s ''The Idea of Lyric: Lyric Modes in Ancient and Modern Poetry'' '. Berkeley 1982. in ''Logou Charin'' 2: 167-182. (in Greek)
+
=== Xenophanes ===
 +
* Granger, Herbert (2007) 'Poetry and Prose: Xenophanes of Colophon', ''Transactions of the American Philological Association'' 137.2: 403-33. [http://muse.jhu.edu/journals/transactions_of_the_american_philological_association/toc/apa137.2.html Abstract]. [http://muse.jhu.edu/journals/transactions_of_the_american_philological_association/v137/137.2granger.pdf PDF].
  
* Peponi, Anastasia-Erasmia (1993) ''Representation of Space and Time in Early Archaic Lyric Poetry''. PhD dissertation Thessaloniki.
+
=== Critias ===
 +
* Iannucci, A. (1998) 'Elegia e lotta politica. Note di lettura a Crit. fr. 5 W.', ''AION (filol)'' 20: 107-127.
  
* Peponi, Anastasia-Erasmia (1995) 'Teaching Lyric Poetry in High Schools by means of Modern Greek Translations' ''Thallo'' 7: 103-112. (in Greek)
+
* Iannucci, A. (2002) ''La parola e l'azione. I frammenti simposiali di Crizia''. Bologna. Review by P. Wilson in [http://ccat.sas.upenn.edu/bmcr/2004/2004-09-16.html BMCR 2004.09.16].
  
* Peponi, Anastasia-Erasmia (2002) 'Mixed Pleasures, Blended Discourses: Poetry, Medicine and the Body in Plato’s ''Philebus'' 46-47c', ''Classical Antiquity'' 21: 135-160. (reception of archaic lyric poetry in Plato)
+
* Iannucci, A. (2003) 'Una ‘corona di giambi’. Ipotesi di lettura del fr. 2 Gent.-Pr. di Crizia', ''Seminari Romani di Cultura Greca'', VI 1: 31-42.
  
* Peponi, Anastasia-Erasmia (2002) 'Fantasizing Lyric: Horace, Epistles 1.19' in ''Horace and Greek Lyric Poetry'', ed. M. Paschalis. Rethymnon: 19-45. (reception of archaic lyric poetry in Horace)
+
* Pòrtulas, Jaume (2006) 'Crizia di Atene e la leggenda archilochea' in ''L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34'', ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-04.html BMCR 2008.07.04].
  
* Peponi, Anastasia-Erasmia (2009) ' ''Choreia'' and Aesthetics in the ''Homeric Hymn to Apollo'': The Performance of the Delian Maidens (Lines 156–64)', ''Classical Antiquity'' 28.1: 39–70.
+
* Rotstein, Andrea (2007) ‘Critias’ invective against Archilochus’, ''Classical Philology'' 102: 139-54.
  
* Psaroudakēs, Stelios (2006) 'A lyre from the cemetery of the Acharnian Gate, Athens' in ''Studien zur Musikarchäologie V. Music Archaeology in context. Archaeological semantics, historical implications, socio-cultural connotations. Papers from the 4th Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 19-26 September, 2004. Orient-Archäologie 20'', eds. Ellen Hickmann & Arnd Adje Both & Ricardo Eichmann. Rahden, Westf.: 59-79.
+
=== Dionysius Chalcus ===
  
* Ψαρουδάκης, Στέλιος (2007) «Η λύρα στον ελλαδικό χώρο στις εποχές του Χαλκού και το Σιδήρου», ''Αρχαιολογία και Τέχνες'' 90: 59-67. (in modern Greek)
+
* Rufilanchas, D. R. (2003). 'Dionysius Chalcus fr. 3 again' JHS 123: 181-186.
  
* Race, W.H. (1992) 'How Greek Poems Begin', ''YCS'' 29: 13-38.
+
=== Euenus ===
  
* Ruijgh, C.J. (1980) 'De ontwikkeling van de lyrische kunsttaal, met name van het literaire dialect van de koorlyriek', ''Lampas'' 5: 416-435.
+
=== Ion ===
 +
* Jennings, Victoria and Andrea Katsaros (eds.) (2007) ''The World of Ion of Chios. Mnemosyne Supplementa 288. Monographs on Greek and Roman Language and Literature''. Leiden. Reviewed by Tell, Hakan (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-10-13.html ''BMCR'' 2008.10.13].
  
* Rutherford, I. (1993) 'Paeanic Ambiguity: A Study of the Representation of the Paean in Greek Literature', ''QUCC'' 44: 97-92.
+
=== Phocylides ===
  
* Rutherford, I. (1997) 'Odes and Ends: Closure in Greek Lyric Poetry' in ''Classical Closure. Reading the End in Greek and Latin Literature'', eds. Roberts, D. and D. Fowler. Princeton [...].
+
=== Adespota Elegiaca ===
  
* Rutherford, I. (2001) ''Pindar's Paeans. A Reading of the Fragments with a Survey of the Genre''. Oxford.
+
* Lulli, L., Sbardella, L. (2013) "P. Oxy. 69. 4708 fr. 1. 22-28. Una nuova proposta di integrazione", «ZPE» 186: 27–35.
  
* Rutherford, I.  (2003) ‘The prosodion: approaches to lyric genre’, in ''Studi di filologia e tradizione greca in memoria di Aristide Colonna'', ed. F. Benedetti and S. Grandolini. Naples and Perugia: 713–26.
+
== Greek Lyric Poetry ==
  
* Schmidt, E.G. (1974) 'Zur Interpretation und Rezeption frühgriechischer Lyrik' in ''Die Antike in der sozialistischen Kultur, Internationale Arbeitskonferenz des Instituts für Altertumswissenschaft der Friedrich-Schiller-Universität Jena, 27.-29. Juni 1973''. Jena: 93-109.
+
=== Lyric General ===
 +
* Ahrens, H. L. (1853) ‘Über die Mischung der Dialekte in der griechischen Lyrik’, in ''Verhandlungen der dreizehnten Versammlung Deutscher Philologen, Schulmänner und Orientalisten in Göttingen vom 29. September bis 2. Oktober'', Göttingen: 55-80, reprinted in ''Kleine Schriften''. I, Hannover 1853 (= Hildesheim-New York 1977): 157-81.
  
* Schmitz, H. (1970) ''Hypsos und Bios. Stilistische Untersuchungen zum Alltagsrealismus in der archaischen griechischen Chorlyrik''. Bern.
+
* Angeli Bernardini, P. (1991) ‘L’inno agli dei nella lirica corale greca e la sua dimensione sacrale’, in ''L’inno tra rituale e letteratura nel mondo antico: Atti di un colloquio Napoli 21–24 ottobre 1991, AION'' 13: 85–94.
  
* Schröder, S. (1999) ''Geschichte und Theorie der Gattung Paian: Eine kritische Untersuchung mit einem Ausblick auf Behandlung und Auffassung der lyrischen Gattungen bei den alexandrinischen Philologen''. (Beiträge zur Altertumskunde 121). Stuttgart and Leipzig.
+
* Athanassaki, L. (2002) 'On Horace 1.15 and Choral Lyric' in ''Horace and Greek Lyric'', ed. M. Paschalis. ''Rethymnon Classical Studies'' 1: 85-101.
  
* Segal, C. (1989) 'Song, Ritual, and Commemoration in Early Greek Poetry and Tragedy', ''Oral Tradition'' 4: 330-359.
+
* Athanassaki, L. (2005) 'Χορεία. Η ποιητική της παράστασης', ''Thallo'' 16: 37-76.
  
* Segal, C. (1998) ''Aglaia. The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham-Boulder-New York-Oxford.
+
* Athanassaki, L. (2009) '' Ἀείδετο πὰν τέμενος: οι χορικές παραστάσεις και το κοινό τους στην αρχαϊκή και πρώϊμη κλασική περίοδο''. Herakleion. Study of choral performance contexts especially in Alcman, Pindar, and Bacchylides. [http://www.cup.gr/ViewShopProduct.aspx?ProductId=279696&LangId=1 More information]. Reviewed by  Ladianou, Katerina (2010) [http://bmcr.brynmawr.edu/2010/2010-09-21.html ''BMCR'' 2010.09.21].
  
* Seidensticker, Bernd (2005) 'Dithyramb, Comedy, and Satyr-Play' in ''A Companion to Greek Tragedy'', ed. Justina Gregory. Oxford: Blackwell: 38-54. Reviewed by Wright, Matthew (2006) [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-39.html ''BMCR'' 2006.06.39].
+
* Athanassaki, Lucia & Bowie, Ewen (2011) (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' Berlin & Boston. [http://www.degruyter.com/view/supplement/9783110254020_Contents.pdf Table of Contents]
  
* Slings, S.R. (ed.) (1990) ''The poet's I in archaic Greek lyric''. Amsterdam.
+
* Bagordo, A. (1999) 'Eine Bemerkung zum Epinikion', ''Hermes'' 127: 118-120.
  
* Slings, S.R. (1990) 'The I in personal archaic lyric: an introduction' in ''The poet's I in archaic Greek lyric'', ed. S.R. Slings. Amsterdam: 1-30.
+
* Bagordo, A. (2003) ''Reminiszenzen früher Lyrik bei den attischen Tragikern: Beiträge zur Anspielungstechnik und poetischen Tradition''. Munich.
  
* Stehle, E. (1997) ''Performance and Gender in Ancient Greece. Nondramatic Poetry in its Setting''. Princeton.
+
* Barbantani, S. (1993) ‘I poeti lirici del canone alessandrino nell’epigrammatistica’, ''Aevum(ant)'' 6: 5–97.
  
* Suárez de la Torre, Emilio (1998) 'La lírica griega' in ''Géneros literarios poéticos grecolatinos'', eds. D. Estefanía et al. Madrid/Santiago de Compostela: 63-106.
+
* Barrett, W. S. (2007) ''Greek Lyric, Tragedy, and Textual Criticism: Collected Papers''. Assembled and edited by M.L. West. Oxford, New York. The papers deal with Stesichorus, Pindar, Bacchylides and Euripides. [http://catdir.loc.gov/catdir/toc/ecip0713/2007011752.html Table of Contents].
  
* Suárez de la Torre, Emilio (2002) ''Antología de la lírica griega arcaica''. Madrid.
+
* Blasing, M. K. (2007) ''Lyric Poetry: The Pain and the Pleasure of Words''. Princeton, N. J., and Woodstock.
  
* Suárez de la Torre, Emilio (2005) 'Diversidad de lo popular en la poesía griega arcaica', ''Classica'' 17/18: 73-99.
+
* Bierl, Anton (2001) ''Der Chor in der Alten Komödie. Ritual und Performativität'' (unter besonderer Berücksichtigung von Aristophanes' ''Thesmophoriazusen'' und der Phalloslieder fr. 851 PMG). München and Leipzig. (BzA 126). It has been translated by Alex Hollmann into English as:
 +
** Bierl, Anton (2009) ''Ritual and Performativity. The Chorus of Old Comedy'' (transl. by Alex Hollmann), Center for Hellenic Studies. Washington, DC: Harvard Press. (Hellenic Studies 20). New and revised edition.  
  
* Suárez de la Torre, Emilio (2007) 'Helena, de la épica a la lírica griega arcaica (Safo, Alceo, Estesícoro)' in AA.VV., ''O mito de Helena de Tróia à actualidade''. Coimbra. vol. I: 55-79.
+
* Bremer, Jan Maarten and W.D. Furley (2001) ''Greek Hymns. Selected Cult Songs from the Archaic to the Hellenistic period''. Tübingen.
  
* Trümpy, C. (1986) ''Vergleich des Mykenischen mit der Sprache der Chorlyrik. Bewahrt die Chorlyrik eine von Homer unabhängige alte Sprachtradition?''. Bern.
+
* Bremer, Jan Maarten (2008) 'Traces of the Hymn in the Epinikion', ''Mnemosyne'' 61: 1-17. [http://www.swetswise.com.proxy.ubn.ru.nl:8080/swetsfo/swproxy?url=http%3A%2F%2Fopenurl.ingenta.com%2Fcontent%2Fswetsnet-4.1.8057b0ad6528f5df0c29150bac728f60%3Fgenre%3Darticle%26issn%3D0026-7074%26volume%3D61%26issue%3D1%26spage%3D1%26epage%3D17%26aulast%3DBremer&ts=1202555031030&cs=4113296875&userName=9021463.ipdirect&emCondId=2043297&articleID=35750230&yevoID=2197893&titleID=137377&referer=2&remoteAddr=131.174.248.1 PDF].
  
* Webster, T.B.L. (1970) ''The Greek Chorus''. London.  
+
* Briand, Michel (1996) 'Énonciation lyrique et dialogue dans la poésie archaïque grecque: de Stésichore à Pindare, Bacchylide et Sappho', in ''Travaux du Cercle de Linguistique de Nice'', numéro spécial sur "La pragmatique" (dir. S. Mellet): 119-172.
  
* West, M.L. (1992) ''Ancient Greek Music''. Oxford.
+
* Briand, Michel (2005) 'Questions de cohérence et de cohésion dans la poésie mélique grecque archaïque: la transition entre discours d'actualité et récit mythique' in ''Cohésion et cohérence. Études de linguistique textuelle'', ed. Anna Jaubert. Lyon: 79-98.
  
* Wilson, Lyn Hatherly (1996) ''Sappho's Sweetbitter Songs: Configurations of female and male in ancient Greek Lyric''. London and New York.
+
* Calame, Claude (1977a) ''Les Chœurs de jeunes filles en Grèce archaïque''. Vol. I: ''Morphologie, fonction religieuse et sociale''; vol. II: ''Alcman'', Roma. The first volume has been translated by Derek Collins and Janice Orion (2001: 2nd ed.) ''Choruses of young women in ancient Greece: their morphology, religious role, and social functions''. Lanham, New York and Oxford.
  
* Wilson, Peter J. (1999) 'The ''aulos'' in Athens', in ''Performance Culture and Athenian Democracy'', eds. S. Goldhill and R. Osborne. Cambridge: 58-95.
+
* Calame, Claude (1977b) ''Rito e poesia corale in Grecia. Guida storica e critica'', Roma and Bari.
  
* Wilson, Peter J. (2000) ''The Athenian institution of the Khoregia: the chorus, the city and the stage''. Cambridge and New York.
+
* Calame, Claude (1997) 'Diction formulaire et fonction pratique dans la poésie mélique archaïque' in ''Hommage à Milman Parry. Le style formulaire de l'épopée homérique et la théorie de l'oralité poétique'', ed. F. Létoublon. Amsterdam: 215-222.
** Reviews: Josiah Ober (2000) ''BMCR'' 10. Stuart Douglas Olson (2000-2001) ''CW'' 94.4: 418-419. Geert Roskam (2001) ''LEC'' 69.3: 341-342. Jean-Charles Moretti (2001) ''REA'' 103.3-4: 585-586. Herman Van Looy (2001) ''AC'' 70: 447-448. Nicoletta Marini (2002) ''Athenaeum'' 90.2: 662-664. Stephen D. Lambert (2002) ''JHS'' 122: 178-179. Eric Csapo (2002) ''Phoenix'' 56.1-2: 150-153.
 
  
* Yatromanolakis, D. and P. Roilos (2003) ''Towards a Ritual Poetics''. Athens.
+
* Calame, Claude (1998) 'La poésie lyrique grecque, un genre inexistant?' ''Littérature'' 11: 87-110. English translation in preparation for I. Rutherford (ed.) ''Oxford Readings in Greek Lyric''. Oxford.
  
* Yatromanolakis, D. and P. Roilos (2005) ''Pros mia Teletourgike Poietike''. Preface Marcel Detienne. Athens.
+
* Calame, Claude (2002) ''L'Éros dans la Grèce antique''. Paris (2nd edn.). English translation (1999) ''The Poetics of Eros in Ancient Greece''. Princeton.
  
* Yatromanolakis, D. (2009) 'Symposia, Noses, Πρόσωπα: A Kylix in the Company of Banqueters on the Ground', in ''An Archaeology of  Representations: Ancient Greek Vase-Painting and Contemporary Methodologies'', Yatromanolakis, D. (ed.), Athens: 414-465.
+
* Calame, Claude (2006) 'Identifications génériques entre marques discursives et pratiques énonciatives: pragmatique des genres “lyriques“' in ''Le savoir des genres'', eds. R. Baroni and M. Macé. Rennes: 35-55.
  
* Zimmermann, B. (1992) ''Dithyrambos: Geschichte einer Gattung''. Göttingen.
+
* Calame, Claude (2007) 'Mythos, musische Leistung und Ritual am Beispiel der melischen Dichtung' in ''Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen'', eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. ''MythosEikonPoiesis'' Bd. 1.1–2. Berlin and New York: 179-210.  Reviewed by Reyes Bertolín Cebrián [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-09.html ''BMCR'' 2008.08.09].
  
=== Sappho and Alcaeus ===
+
* Calame, Claude (2009) ‘Apollo in Delphi and in Delos: Poetic Performances between Paean and Dithyramb’ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.), Athens: 169-98.
* Aloni, A. (1983) ‘Eteria e tiaso: I gruppo aristocratici di Lesbo tra economia e ideologia’, ''Dialoghi di Archeologia'' ser. 3, n. 1: 21-35 (= ''id''., ‘Lotta politica e pratica religiosa nella Lesbo di Saffo e Alceo’, ''Atti del Centro ricerche e documentazione sull'antichittà classica'' 11 (1980/81): 213-32)
 
  
* Broger, A. (1996) ''Das Epitheton bei Sappho und Alkaios. Eine sprachwissenschaftliche Untersuchung''. Innsbruck. Review by Slings, S.R. (1999) ''Mnemosyne'' 52: 481-484.
+
* Campbell, David A. (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others.'' Cambridge, Mass. and London.
  
* Caciagli, Stefano (2007) ''Poesia e società: comunicazione poetica e formazioni sociali nella Lesbo del VII/VI secolo a.C.''. Ph.D. dissertation, University of Bologna. [http://amsdottorato.cib.unibo.it/188/ PDF (in the not revised version)].
+
* Campbell, David A. (1992) ''Greek Lyric IV: Bacchylides, Corinna, and Others.'' Cambridge, Mass. and London.
  
* Caciagli, Stefano (2010) 'Il temenos di Messon: uno stesso contesto per Saffo e Alceo', ''LEXIS'' 28: 227-256.\
+
* Campbell, David A. (1993) ''Greek Lyric V: The New School of Poetry and Anonymous Songs and Hymns.'' Cambridge, Mass. and London.
  
* Caciagli, Stefano (2011) 'Poeti e Società. Comunicazione poetica e formazioni sociali nella Lesbo del VII/VI secolo a.C.' (with a preface of Claude Calame), ''LXIV Supplement of «LEXIS»'' (Hakkert, Amsterdam.
+
* Carey, Christopher (2000) ‘The panegyrist’s persona’ in ''Religione e poesia in Grecia: miscellanea G.A. Privitera'', eds. U. Pizzani and M. Cannatà Fera. Bari: 165-177.
  
* Nagy, Gregory (2007) 'Did Sappho and Alcaeus Ever Meet? Symmetries of Myth and Ritual in Performing the Songs of Ancient Lesbos' in ''Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen'', eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. ''MythosEikonPoiesis'' Bd. 1.1–2. Berlin and New York: ibid. 211-269. Reviewed by Reyes Bertolín Cebrián [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-09.html ''BMCR'' 2008.08.09].
+
* Carey, Christopher (2001) ‘Poesia pubblica in performance’ in ''I lirici greci'', ed. M. Cannatà Fera. Messina: 11-26.
  
* Suárez de la Torre, Emilio (2007) 'Helena, de la épica a la lírica griega arcaica (Safo, Alceo, Estesícoro)' in AA.VV., ''O mito de Helena de Tróia à actualidade''. Coimbra. vol. I: 55-79.
+
* Cassio, A. C.(2005) ‘I dialetti eolici e la lingua della lirica corale’, in ''Dialetti e lingue letterarie nella Grecia arcaica'', ed. F. Bertolini and F. Gasti. Pavia: 13–44.
  
* Yatromanolakis, D. (2009) 'Alcaeus and Sappho', in ''The Cambridge Companion to Greek Lyric'', Budelmann, Felix (ed.). Cambridge: 204-26.
+
* Cingano, E. (2003) ‘Entre skolion et enkomion: Réflexions sur le “genre” et la performance de la lyrique chorale grecque’, in ''La poésie grecque antique'', ed. J. Jouanna and J. Leclant. (Cahiers de la Villa ‘Kerylos’, 14). Paris: 17–45.
  
=== Sappho ===
+
* Contiades-Tsitsoni, E. (1990) ''Hymenaios und Epithalamion. Das Hochzeitslied in der frühgriechischen Lyrik'', Stuttgart. ''Beträge zur Altertumskunde'' 16.
Cf. the [http://sites.google.com/site/hellenisticbibliography/pre-hellenistic/sappho bibliography on Sappho] made by Martine Cuypers that forms part of a [http://sites.google.com/site/hellenisticbibliography/ Hellenistic Bibliography].
 
  
* Aloni, A. (1997) ''Saffo: Frammenti''. Florence.
+
* D'Angour, Armand (1997) 'How the Dithyramb Got Its Shape', ''Classical Quarterly'' 47.2: 331-351.
  
* Aloni, A. (2001) ‘What is that man doing in Sappho, fr. 31 V.?’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md., and Oxford: 29-40.
+
* D'Angour, Armand (2007) 'The Sound of Music: modulations and innovations in drama and dithyramb' in ''Debating the Athenian Cultural Revolution'', ed. R. Osborne Cambridge: 288-300.
  
* Bernsdorff, Hans (2004) 'Schwermut des Alters im neuen Kölner Sappho-Papyrus', ''Zeitschrift für Papyrologie und Epigraphik'' 150: 27-35.
+
* D’Alessio, Giam B.  (2009) ‘Defining local identities in Greek lyric poetry’, in ''Wandering Poets in Ancient Greek Culture: Travel, Locality and Panhellenism'', ed. R. Hunter and I. Rutherford. Cambridge: 137–67.
  
* Bernsdorff, Hans (2005) 'Offene Gedichtschlüsse', ''Zeitschrift für Papyrologie und Epigraphik'' 153: 1-6.
+
* Danielewicz, J. (1990) 'Deixis in Greek Choral Lyrik', ''QUCC'' 63: 7-17.
  
* Bessone, F. (2003) ‘Saffo, la lirica, l'elegia. Su Ovidio, ‘Heroides’ 15’, ''MD'' 51: 209-243.
+
* Danielewicz, J. (1990) 'Towards an Understanding of the Chorus: Homer on Early Forms of Lyric Poetry', ''Eos'' 78: 55-62.
  
* Bessone, F. (2003) Conversione poetica e riconversione letteraria: l’epistola di Saffo nelle Heroides, in ''Incontri triestini di filologia classica'', vol. 2: Incontri 2002-2003, eds. L. Cristante e A. Tessier. ''Polymnia'' 4. Trieste: 115-143.
+
* Danielewicz, J. (2001) ‘Metatext and its functions in Greek lyric poetry’, in ''Texts, Ideas, and the Classics: Scholarship, Theory, and Classical Literature'', ed. S. Harrison. Oxford: 46–61.
  
* Bierl, Anton (2004) ' 'Ich aber (sage), das Schönste ist, was einer liebt!' Eine pragmatische Deutung von Sappho Fr. 16 LP/V', ''Quaderni Urbinati di Cultura Classica'' n.s. 74.2 (103): 91–124.
+
* Davies, M. (1988) 'Monody, Choral Lyric, and the Tyranny of the Handbook', ''CQ n.s.'' 38: 52-64.
** [http://chs.harvard.edu/wa/pageR?tn=ArticleWrapper&bdc=12&mn=2922 Online edition (2009)] (Published here under a Creative Commons Attribution-Noncommerical-No derivative works License 3.0).
 
  
* Bierl, Anton. (2009) [http://chs.harvard.edu/wa/pageR?tn=ArticleWrapper&bdc=12&mn=2122 ''Der neue Sappho-Papyrus aus Köln und Sapphos Erneuerung. Virtuelle Choralität, Eros, Tod, Orpheus und Musik''] (Published under a Creative Commons Attribution-Noncommercial-No derivative works License 3.0).
+
* Davies, M. (1991) ''Poetarum Melicorum Graecorum Fragmenta''. Vol. 1: Alcman, Stesichorus, Ibicus. Oxford.
  
* Bierl, Anton (2010) ‘Sappho in Athens. Reperformance and Performative Contextualizations of the New Cologne Papyrus, or Old Age and Rejuvenation through Chorality’, first publication in electronic form on the Athens Dialogues–website online [http://athensdialogues.chs.harvard.edu/cgi-bin/WebObjects/athensdialogues.woa/wa/dist?dis=36 http://athensdialogues.chs.harvard.edu/cgi-bin/WebObjects/athensdialogues.woa/wa/dist?dis=36].
+
* Depew, M. (2000) ‘Enacted and represented dedications: genre and Greek hymn’, in ''Matrices of Genre: Authors, Canons and Society'', ed. M. Depew and D. Obbink. Cambridge, Mass. and London: 59–79.
  
* Bremer, Jan Maarten (1982) 'A reaction to Tsagarakis' discussion of Sappho fr. 31', ''Rheinisches Museum'' 125: 113-116.
+
* Fearn, D. (ed.) (2010) ''Aegina: Contexts for Choral Lyric Poetry''. Oxford. [http://www.amazon.com/gp/reader/0199546517/ref=sib_dp_bod_toc?ie=UTF8&p=S008#reader-link Table of Contents]
  
* Brunet, P. (1998) ''L’Egal des Dieux: Cent versions''. Paris.
+
* Felson, N. (ed.) (2004) ‘The poetics of deixis in Alcman, Pindar and other lyric’, ''Arethusa'' 37.3: 253–468.
  
* Caciagli, Stefano (2009) 'Sapph. fr. 27 V.: l'unità del pubblico saffico', ''QUCC'' 91: 63-80.  
+
* Ford, Andrew L. (2006) 'The Genre of Genres: Paeans and Paian in Early Greek Poetry', ''Poetica'' 38.3-4: 277-296. It reviews the many attempts to define paeans (esp. by Käppel and Schroeder) as part of a broader discussion of the usefulness of genre terms in reading early Greek lyric. It reads several of Timotheus' fragments to argue that predicating the epithet was the core of the "genre".
  
* Calame, Claude (1996) 'Sappho's Group: An Initiation into womanhood' in ''Reading Sappho. Contemporary Approaches'', ed. E. Greene, Berkeley and London: 113-124.
+
* Fowler, R.L. (1987) ''The Nature of Early Greek Lyric: Three Preliminary Studies''. Toronto.
  
* Calame, C. (2005) ‘Une poétique de la mémoire: Espaces et temps chez Sappho’, in ''Koryphaiōi ‘andri: Mélanges offerts à André Hurst'', ed. A. Kolde et al. Geneva: 53–67.
+
* Fröhder, D. (1994) ''Die dichterische Form der Homerischen Hymnen: untersucht am Typus der mittelgrossen Preislieder''. Hildesheim. ''Spudasmata'' 53.
  
* Carson, A.(2002) ''If Not, Winter: Fragments of Sappho.'' New York.
+
* Gentili, B. (1984) ''Poesia e pubblico nella Grecia antica da Omero al V secolo''. Roma-Bari. Revised and updated version translated, with an introduction, by Cole, A.T. (1988) ''Poetry and Its Public in Ancient Greece from Homer to the Fifth Century''. Baltimore.
  
* Clark, C. (2001) ‘The body of desire: nonverbal communication in Sappho 31 V’, ''Syllecta Classica'' 12: 1–32.
+
* Gerber, D.E. (1997) ''A Companion to the Greek Lyric Poets''. Leiden-New York-London-Köln.
  
* D'Angour, Armand (2006) 'Conquering Love: Sappho 31 and Catullus 51', ''CQ'' 56: 297-300.
+
* Gerber, D.E. (2012) 'Aspects of women in Greek lyric poetry', in: ''Hyperboreans. Essays in Greek and Latin Poetry, Philosophy, Rhetoric and Linguistics''. P. Corrêa, M. Martinho, J.M. Macedo, A.P. Hasegawa eds. Sao Paulo: 11-24.
  
* DuBois, P. (1995) ''Sappho Is Burning.'' Chicago and London.
+
* Greene, R. (1999) ‘The lyric’, in ''The Cambridge History of Literary Criticism, vol. III: The Renaissance'', ed. G. P. Norton. Cambridge: 216–28.
  
* Dosuna, Julián Méndez (2008) 'Miscellanea: Knees and Fawns in the New Sappho', ''Mnemosyne'' 61.1: 108-14. [http://www.swetswise.com.proxy.ubn.ru.nl:8080/swetsfo/swproxy?url=http%3A%2F%2Fopenurl.ingenta.com%2Fcontent%2Fswetsnet-4.1.2dae033a21a66b009d41d8e9ea102dbd%3Fgenre%3Darticle%26issn%3D0026-7074%26volume%3D61%26issue%3D1%26spage%3D108%26epage%3D114%26aulast%3DDosuna&ts=1202555509461&cs=2005023008&userName=9021463.ipdirect&emCondId=2043297&articleID=35750235&yevoID=2197893&titleID=137377&referer=1&remoteAddr=131.174.248.1 PDF].
+
* González de Tobia, Ana M. (2005) ‘El canto coral ‘fundador’ de una poética que vincula fiesta y memoria’, in ''Memoria e Festa'', eds. de Souza Lessa, F. and da Cunha Bustamante, M. R. Rio de Janeiro: 165-172.
  
* Ferrari, F. (2003) ‘Il pubblico di Saffo’, ''SIFC'' 4th series 1: 42–89.
+
* Harvey, A.E. (1955) 'The Classification of Greek Lyric Poetry', ''CQ n.s.'' 5: 157-175.
  
* Ferrari, F. (2010) ''Sappho's Gift: The Poet and Her Community''. Transl. from (2007) ''Una mitra per Kleis: Saffo e il suo pubblico''. Giardini, Pisa. Benjamin Acosta-Hughes and Lucia Prauscello (tr.), Michigan Classical Press, Ann Arbor.  
+
* Hutchinson, G. O. (2001) ''Greek Lyric Poetry: A Commentary on Selected Larger Pieces''. Oxford.
 +
** Contains new texts of, and detailed commentaries on, Alcman 1 and 3 Davies, Stesichorus 222 (b) Davies, Sappho 1, 16, 31, 96 Voigt, Alcaeus 129, 130b, 298 Voigt, Ibycus S151 Davies, Anacreon 347 fr. 1, 358, 417 Page, Simonides 542, 543 Page, Bacchylides 3, Pindar ''Olympian'' 6, Sophocles ''Ajax'' 1185-1222, Euripides ''Medea'' 627-662; introductions on individual poets and on tragic lyric.
  
* Goldhill, S. (2006) ‘The touch of Sappho’, in ''Classics and the Uses of Reception'', ed. C. Martindale and R. F. Thomas. Oxford: 250–73.
+
* Ingalls, Wayne (2000) ‘Ritual Performance as Training for Daughters in Archaic Greece’, ''Phoenix'' 54: 1-20.
  
* Greene, E. (1994) ‘Apostrophe and women’s erotics in the poetry of Sappho’, ''TAPhA'' 124: 41–56. (Reprinted in Reading Sappho: Contemporary Approaches, ed.E. Greene. Berkeley and London 1996: 233–47.)
+
* Käppel, L. (1992) ''Paian. Studien zur Geschichte einer Gattung''. Berlin. ''Untersuchungen zur antiken Literatur und Geschichte'' 37.
  
* Greene, E. (ed.) (1996) ''Reading Sappho: Contemporary Approaches''. Berkeley and London.
+
* Klug, W. (1954) ''Untersuchungen zum Gebet in der frühgriechischen Lyrik''. Dissertation. Hamburg.
  
* Greene, E. (ed.) (1996) ''Re-Reading Sappho: Reception and Transmission'', Berkeley and London.
+
* Kowalzig, Barbara (2007) ''Singing for the Gods. Performances of Myth and Ritual in Archaic and Classical Greece''. Oxford Classical Monographs. Oxford: Oxford University Press. Reviewed by Seaford, Richard (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-09-25.html ''BMCR'' 2008.09.25].
** Contents: 1. Reflecting Sappho - Glenn W. Most 2. Sappho's afterlife in translation - Yopie Prins 3. Sappho's splintered tongue : silence in Sappho 31 and Catullus 51 - Dolores O'Higgins 4. Ventriloquizing Sappho, or the lesbian muse - Elizabeth D. Harvey 5. Sappho in early modern England : a study in sexual reputation - Harriet Andreadis 6. Sex and philology : Sappho and the rise of German nationalism - Joan DeJean 7. Sappho schoolmistress - Holt N. Parker 8. H.D. and Sappho : "A precious inch of palimpsest" - Erika Rohrbach 9. Sapphistries - Susan Gubar.
 
  
* Greene, E.(2002) ‘Subjects, objects, and erotic symmetry in Sappho’s fragments’, in ''Among Women: From the Homosocial to the Homosexual'', ed. N. Rabinowitz and L. Auanger. Austin: 82–105.
+
* Lambin, G. (1992) ''La chanson grecque dans l'antiquité''. Paris.
  
* Greene, E. (2008) 'Masculine and Feminine, Public and Private, in the Poetry of Sappho' in ''Dialogism and Lyric Self-fashioning: Bakhtin and the Voices of a Genre'', ed. Jacob Blevins, Selinsgrove, Pa. Reviewed by Kershner, S.M. [http://bmcr.brynmawr.edu/2009/2009-06-57.html ''BMCR'' 2009.06.57].
+
* Lattke, M. (1991) ''Hymnus: Materialien zu einer Geschichte der antiken Hymnologie''. Fribourg. ''Novum Testamentum et orbis antiquus'' 19.
  
* Greene, E. & M. Skinner (eds.) (2009), ''The New Sappho on Old Age'', Cambridge, MA. [http://www.let.ru.nl/greeksong/images/c/c4/TheNewSappho.pdf Table of Contents]
+
* * LeVen, Pauline (2013)'"You Make Less Sense Than a (New) Dithyramb." Sociology of a Riddling Style' in: ''The Muse at Play. Riddles and Wordplay in Greek and Latin Poetry'', ed. J. Kwapisz, D. Petrain & M. Szymanski. Berlin: 44-64.
  
* Gronewald, M. and R. W. Daniel (2004a) ‘Ein neuer Sappho-Papyrus’, ''ZPE'' 147: 1–8.
+
* Ley, G. (1993) 'Monody, Choral Song, and Athenian Festival Performance', ''Maia'' 45: 105-124.
  
* Gronewald, M. and R. W. Daniel (2004b) ‘Nachtrag zum neuen Sappho-Papyrus’, ''ZPE'' 149: 1–4.
+
* Lyghounis, Maria Gilda (1991) 'Elementi tradizionali nella poesia nuziale greca', ''Materiall e discussioni per I'analisi dei testi classici'' 27: 159-98.
  
* Gronewald, M. and R. W. Daniel (2005) ‘Lyrischer Text (Sappho-Papyrus)’, ''ZPE'' 154: 7–12.
+
* MacDowell, D.M. (1989) 'Athenian Laws abouth Choruses' in ''Symposion 1982: Vorträge zur griechischen und hellenistischen Rechtsgeschichte (Santander 1.-4. September)'', ed. F.J. Fernández Nieto. Köln: 65-77.
  
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
+
* Mace, S. (1993) ‘Amour, encore! The development of δηὖτε in archaic lyric’, ''GRBS'' 34:335–64.
  
* Jay, P. and C. Lewis (1996) (eds.) ''Sappho: Through English Poetry''. London.
+
* Martin, R. P. (2001) ‘Just like a woman: enigmas of the lyric voice’, in ''Making Silence Speak: Women’s Voices in Greek Literature and Society'', ed. A. Lardinois and L. McClure. Princeton, N.J.: 55–74.
  
* Laity, C. (1990) ‘H.D. and A. C. Swinburne: decadence and Sapphic Modernism’, in ''Lesbian Texts and Contexts: Radical Revisions'', ed. K. Jay and J. Glasgow. New York: 217–40.
+
* Martin, Richard (2007) 'Outer Limits, Choral Space' in ''Visualizing the Tragic'', eds. C. Kraus, S. Goldhill, H. Foley and J. Elsner. Festschrift for F. Zeitlin. New York, Oxford: 35-62.
  
* Lardinois, A.P.M.H. (1989) 'Lesbian Sappho and Sappho of Lesbos' in ''From Sappho to de Sade: Moments in the History of Sexuality'', ed. J.N. Bremmer. London: 15-35. Dutch version (1988) and Portugese translation (1995).
+
* Miller, P. A. (1994) ''Lyric Texts and Lyric Consciousness: The Birth of a Genre from Archaic Greece to Augustean Rome''. London.
  
* Lardinois, A.P.M.H. (1994) 'Subject and Circumstance in Sappho's Poetry', ''Transactions of the American Philological Association'' 124: 57-84.
+
* Mullen, W. (1982) ''Choreia: Pindar and Dance''. Princeton.
  
* Lardinois, A.P.M.H. (1996) 'Who Sang Sappho's Songs?' in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene Berkeley: 150-172.
+
* Naerebout, F.G. (1997) ''Attractive Performances. Ancient Greek Dance: Three Preliminary Studies''. Amsterdam.
  
* Lardinois, A.P.M.H. (2001) 'Keening Sappho: Female Speech Genres in Sappho's Poetry' in ''Making Silence Speak: Women's Voices in Greek Literature and Society'', eds. A. Lardinois and L. McClure. Princeton: 75-92.
+
* Nagy, G. (1990) ''Pindar's Homer. The Lyric Possession of an Epic Past''. Baltimore and London. [http://www.press.jhu.edu/books/nagy/PH.html Free-to-view online edition]. [http://www.intute.ac.uk/artsandhumanities/cgi-bin/fullrecord.pl?handle=humbul15952 More information] is available at [http://www.intute.ac.uk/ Intute], catalogued by Emma Bridges.
  
* Lardinois, A.P.M.H. ((2003) 'Drie gedaantes van Helena: Moderne interpretaties van Sappho Fr. 16' (Modern interpretations of Sappho Fr. 16), ''Lampas'' 36: 261-283.
+
* Nagy, G. (1994/5) 'Transformations of Choral Lyric Traditions in the Context of Athenian State Theater', ''Arion'' 3.1: 41-55.
  
* Lardinois, A.P.M.H. (2007) 'Seks à la Sappho', ''Lampas'' 40: 273-80. In Dutch.
+
* Nagy, G. (2008) 'Lyric and Greek Myth' in ''The Cambridge Companion to Greek Mythology'', ed. Roger D. Woodard. Cambridge: Cambridge University Press: 19-51. With emphasis on the Lesbian poets Sappho and Alcaeus. Reviewed by Kühr, Angela [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-10.html ''BMCR'' 2008.08.10].
  
* Lardinois, A.P.M.H. (2008) ' ‘Someone, I say, will remember us’: Oral Memory in Sappho’s Poetry' in ''Orality, Literacy, Memory in the Ancient Greek and Roman World'', ed. A. MacKay. Leiden: 79-96.
+
* Neri, Camillo (2004) ''La lirica greca. Temi e testi''. Roma.
  
* Lardinois, A.P.M.H. (2009) 'Lesbian Sappho Revisited', in ''Myths, Martyrs, and Modernity. Studies in the History of Religions in Honour of Jan N. Bremmer'', eds. Y.B. Kuiper, J.H.F. Dijkstra & J.E.A. Kroesen. Leiden: Brill: 13-30.
+
* Neumann-Hartmann, Arlette (2008) 'Prosopographie zu den Epinikien von Pindar und Bakchylides', ''Nikephoros'' 21: 81–131.
  
* Lardinois, A.P.M.H. (2009) ‘The New Sappho Poem (P. Koln 21351 and 21376): Key to the Old Fragments’, in ''The New Sappho on Old Age'', eds. E. Greene & M. Skinner. Cambridge, MA: Harvard Univ. Press: 41-57.
+
* Neumann-Hartmann, Arlette (2009) 'Epinikien und ihr Aufführungsrahmen'. ''Nikephoros'' Beihefte Bd. 17. Hildesheim.
  
* Malnati, A. (1993) ‘Revisione dell’ ostrakon fiorentino di Saffo’, ''Analecta Papyrologica'' 5: 21–22.
+
* Neumann-Hartmann, Arlette (2009) 'The Dedication of Victory Crowns and the Performance of Epinikian Odes'. ''BICS'' 52: 1–13.
  
* Nagy, G. (1973/1990) ‘Phaethon, Sappho’s Phaon, and the white rock of Leucas’, ''HSCPh'' 77 (1973): 137–77. (Revised version in id., Greek Mythology and Poetics. Ithaca, N.Y. 1990: 223–62.)
+
* Neumann-Hartmann, Arlette (2010) 'Pindar und Bakchylides (1988–2007)'. ''Lustrum: Internationale Forschungsberichte aus dem Bereich des klassischen Altertums'' 52: 181–463.
  
* Nagy, G. (1996) ‘Mimesis in lyric: Sappho’s Aphrodite and the Changing Woman of the Apache’, in id., ''Poetry as Performance: Homer and Beyond''. Cambridge: 87–103.
+
* Nicholson, N. (1999-2000) 'Pederastic poets and adult patrons: maintaining authority in late archaic lyric', ''CW'' 93: 235-259.
  
* Neri, Camillo (2001) 'In margine a Sapph. fr. 96,8 V.', ''Eikasmós'' 12: 11-18.
+
* Noussia-Fantuzzi, M. (2015), 'The Epic Cycle, Stesichorus, and Ibycus', in ''The Greek Epic Cycle and its Ancient Reception. A Companion'', ed. M. Fantuzzi & C. Tsagalis. Cambridge: 430-449.
  
* Neri, Camillo (2005) 'Sudore freddo e tremore (Sapph. fr. 31,13 V. ~ Sen. Tro. 487s. ~ Apul. Met. I 13, II 30, X 10)', ''Eikasmós'' 16: 51-62 (con F. Citti).
+
* Peponi, Anastasia-Erasmia (1991) 'Flexible Lyric, Inflexible Theory: around W.R. Johnson’s ''The Idea of Lyric: Lyric Modes in Ancient and Modern Poetry'' '. Berkeley 1982. in ''Logou Charin'' 2: 167-182. (in Greek)  
  
* Peponi, Anastasia-Erasmia (1985) 'Narrative Modes in a lyric  litê: Sappho 1 L.P' ''Philologos'' 41: 244-259. (in Greek)
+
* Peponi, Anastasia-Erasmia (1993) ''Representation of Space and Time in Early Archaic Lyric Poetry''. PhD dissertation Thessaloniki.
  
* Peponi, Anastasia-Erasmia (1995) 'Lyric Transformations of Epic Helen: the Technique of Poetic Suppression in Sappho 16 L.P.' in ''Proceedings of the 7th International Symposium of Ithaki'': 315-328. (in Greek)
+
* Peponi, Anastasia-Erasmia (1995) 'Teaching Lyric Poetry in High Schools by means of Modern Greek Translations' ''Thallo'' 7: 103-112. (in Greek)
  
* Peponi, Anastasia-Erasmia (1997) 'Mythoplokos Eros: Sappho’s Allusion to her Poetics' in ''Acta: First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-T. Papademetriou. Athens: 139-165. (in Greek)
+
* Peponi, Anastasia-Erasmia (2002) 'Mixed Pleasures, Blended Discourses: Poetry, Medicine and the Body in Plato’s ''Philebus'' 46-47c', ''Classical Antiquity'' 21: 135-160. (reception of archaic lyric poetry in Plato)
  
* Peterson, L. H. (1994) ‘Sappho and the making of Tennysonian lyric’, ''English Literary History'' 61: 121–37.
+
* Peponi, Anastasia-Erasmia (2002) 'Fantasizing Lyric: Horace, Epistles 1.19' in ''Horace and Greek Lyric Poetry'', ed. M. Paschalis. Rethymnon: 19-45. (reception of archaic lyric poetry in Horace)
  
* Powell, J. (2007) ''The Poetry of Sappho''. Oxford.
+
* Peponi, Anastasia-Erasmia (2009) ' ''Choreia'' and Aesthetics in the ''Homeric Hymn to Apollo'': The Performance of the Delian Maidens (Lines 156–64)', ''Classical Antiquity'' 28.1: 39–70.
  
* Prins, Y. (1999) ''Victorian Sappho''. Princeton, N.J. and Chichester.
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* Psaroudakēs, Stelios (2006) 'A lyre from the cemetery of the Acharnian Gate, Athens' in ''Studien zur Musikarchäologie V. Music Archaeology in context. Archaeological semantics, historical implications, socio-cultural connotations. Papers from the 4th Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 19-26 September, 2004. Orient-Archäologie 20'', eds. Ellen Hickmann & Arnd Adje Both & Ricardo Eichmann. Rahden, Westf.: 59-79.
  
* Rawles, Richard (2006) 'Notes on the interpretation of the 'New Sappho' ' ''ZPE'' 157: 1-7.
+
* Ψαρουδάκης, Στέλιος (2007) «Η λύρα στον ελλαδικό χώρο στις εποχές του Χαλκού και το Σιδήρου», ''Αρχαιολογία και Τέχνες'' 90: 59-67. (in modern Greek)
  
* Rayor, D. J. (1991) ''Sappho’s Lyre: Archaic Lyric and Women Poets of Ancient Greece: Translations, with introduction and notes by D. J.R.'' Berkeley.  
+
* Race, W.H. (1992) 'How Greek Poems Begin', ''YCS'' 29: 13-38.
  
* Reynolds, M. (1999) (ed.) ''The Sappho Companion''. London.
+
* Ruijgh, C.J. (1980) 'De ontwikkeling van de lyrische kunsttaal, met name van het literaire dialect van de koorlyriek', ''Lampas'' 5: 416-435.
  
* Reynolds, M.(2003) ''The Sappho History''. Basingstoke.
+
* Rutherford, I. (1993) 'Paeanic Ambiguity: A Study of the Representation of the Paean in Greek Literature', ''QUCC'' 44: 97-92.
  
* Rösler, W. (1990) ‘Realitätsbezug und Imagination in Sapphos Gedicht ΦΑΙΝΕΤΑΙ ΜΟΙ ΚΗΝΟΣ’, in ''Der Übergang von der Mündlichkeit zur Literatur bei den Griechen'', ed. W. Kullmann and M. Reichel. Tübingen: 271–87.
+
* Rutherford, I. (1997) 'Odes and Ends: Closure in Greek Lyric Poetry' in ''Classical Closure. Reading the End in Greek and Latin Literature'', eds. Roberts, D. and D. Fowler. Princeton [...].
  
* Rösler, W. (1992) ‘Homoerotik und Initiation: Über Sappho’, in ''Homoerotische Lyrik. 6. Kolloquium der Forschungsstelle für europäische Lyrik des Mittelalters an der Universität Mannheim'', ed. T. Stemmler. Tübingen: 43–54.
+
* Rutherford, I. (2001) ''Pindar's Paeans. A Reading of the Fragments with a Survey of the Genre''. Oxford.
  
* Segal, C. P.  (1998) ‘Beauty, desire, and absence:Helen in Sappho, Alcaeus, and Ibycus’, in ''Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham,Md.: 63–83.
+
* Rutherford, I.  (2003) ‘The prosodion: approaches to lyric genre’, in ''Studi di filologia e tradizione greca in memoria di Aristide Colonna'', ed. F. Benedetti and S. Grandolini. Naples and Perugia: 713–26.
  
* Skinner, M. B. (1993) ‘Woman and language in archaic Greece, or, why is Sappho a woman?’, in ''Feminist Theory and the Classics'', ed. N. S. Rabinowitz and A. Richlin. New York: 125–44. (Reprinted with slight changes in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene. Berkeley and London 1996: 175–92).
+
* Schmidt, E.G. (1974) 'Zur Interpretation und Rezeption frühgriechischer Lyrik' in ''Die Antike in der sozialistischen Kultur, Internationale Arbeitskonferenz des Instituts für Altertumswissenschaft der Friedrich-Schiller-Universität Jena, 27.-29. Juni 1973''. Jena: 93-109.
  
* Skinner, M. B. (2002) ‘Aphrodite garlanded: Erôs and poetic creativity in Sappho and Nossis’, in ''Among Women: From the Homosocial to the Homoerotic in the Ancient World'', ed. N. S. Rabinowitz and L. Auanger. Austin: 60–81.
+
* Schmitz, H. (1970) ''Hypsos und Bios. Stilistische Untersuchungen zum Alltagsrealismus in der archaischen griechischen Chorlyrik''. Bern.
  
* Slings, S.R. (1988) 'Sappho fr. 1,19', ''Zeitschrift für Papyrologie und Epigraphik'' 72: 19-20.  
+
* Schröder, S. (1999) ''Geschichte und Theorie der Gattung Paian: Eine kritische Untersuchung mit einem Ausblick auf Behandlung und Auffassung der lyrischen Gattungen bei den alexandrinischen Philologen''. (Beiträge zur Altertumskunde 121). Stuttgart and Leipzig.
  
* Slings, S.R. (1991) 'Sappho fr. 1, 8 V.: Golden house or golden chariot?', ''Mnemosyne'' 44: 404-410.  
+
* Segal, C. (1989) 'Song, Ritual, and Commemoration in Early Greek Poetry and Tragedy', ''Oral Tradition'' 4: 330-359.
  
* Slings, S.R. (1994) 'Sappho, fr. 94, 10', ''Zeitschrift für Papyrologie und Epigraphik'' 102: 8.  
+
* Segal, C. (1998) ''Aglaia. The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham-Boulder-New York-Oxford.
  
* Slings, S.R. (1994) 'Two notes on Sappho's wedding songs', ''Mnemosyne'' 47: 677-679.
+
* Seidensticker, Bernd (2005) 'Dithyramb, Comedy, and Satyr-Play' in ''A Companion to Greek Tragedy'', ed. Justina Gregory. Oxford: Blackwell: 38-54. Reviewed by Wright, Matthew (2006) [http://ccat.sas.upenn.edu/bmcr/2006/2006-06-39.html ''BMCR'' 2006.06.39].
  
* Snyder, J. M. (1997) ''Lesbian Desire in the Lyrics of Sappho''. New York.  
+
* Slings, S.R. (ed.) (1990) ''The poet's I in archaic Greek lyric''. Amsterdam.
  
* Steinrück, M. (1999) 'Homer bei Sappho?', ''Mnemosyne'' 52: 139-149.
+
* Slings, S.R. (1990) 'The I in personal archaic lyric: an introduction' in ''The poet's I in archaic Greek lyric'', ed. S.R. Slings. Amsterdam: 1-30.
  
* Steinrück, M. (2000) 'Neues zu Sappho", ''ZPE'' 131: 10-12.
+
* Stehle, E. (1997) ''Performance and Gender in Ancient Greece. Nondramatic Poetry in its Setting''. Princeton.
  
* Steinrück, M. (2000) 'Sappho sans sa vie', in ''Biographie des hommes - biographie des dieux'', ed. M.-L. Desclos. Grenoble: 113-127.
+
* Suárez de la Torre, Emilio (1998) 'La lírica griega' in ''Géneros literarios poéticos grecolatinos'', eds. D. Estefanía et al. Madrid/Santiago de Compostela: 63-106.
  
* Steinrück, M. (2008) 'Sapphos Alterslied und kein Ende', ''QUCC'' 86: 89-94.
+
* Suárez de la Torre, Emilio (2002) ''Antología de la lírica griega arcaica''. Madrid.
  
* Stehle, E. (1990) ‘Sappho’s gaze: fantasies of a goddess and a young man’, ''Differences'' 2: 88–125. (Reprinted with slight changes in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene. Berkeley and London 1996: 193–225.)
+
* Suárez de la Torre, Emilio (2005) 'Diversidad de lo popular en la poesía griega arcaica', ''Classica'' 17/18: 73-99.
  
* Suárez de la Torre, Emilio (2000) 'Safo: el alma, el verso, el cuerpo' in ''La mujer, alma de la literatura'', ed. por E. Moral y A. de la Villa. Valladolid: 15-27.
+
* Suárez de la Torre, Emilio (2007) 'Helena, de la épica a la lírica griega arcaica (Safo, Alceo, Estesícoro)' in AA.VV., ''O mito de Helena de Tróia à actualidade''. Coimbra. vol. I: 55-79.
  
* Tasagarakis, O. (1979) 'Some neglected aspects of love in Sappho’s Fr. 31 LP', ''Rheinisches Museum'' 122: 97-118.
+
* Trümpy, C. (1986) ''Vergleich des Mykenischen mit der Sprache der Chorlyrik. Bewahrt die Chorlyrik eine von Homer unabhängige alte Sprachtradition?''. Bern.
  
* Tzamali, E. (1996) ''Syntax und Stil bei Sappho''. Dettelbach.
+
* Webster, T.B.L. (1970) ''The Greek Chorus''. London.  
  
* Ucciardello, G. (2001) ‘Sapph. frr. 88 e 159 V. in POxy. LXIV 4411’, ''ZPE'' 136: 167–8.
+
* West, M.L. (1992) ''Ancient Greek Music''. Oxford.
  
* Vanita, R. (1996) ''Sappho and the Virgin Mary: Same-Sex Love and the English Literary Imagination''. New York.
+
* Wilson, Lyn Hatherly (1996) ''Sappho's Sweetbitter Songs: Configurations of female and male in ancient Greek Lyric''. London and New York.
  
* Wiater, N. (2010) 'Der utopische Körper. Die Interpretation frühgriechischer Lyrik am Beispiel von Sappho frg. 31LP' in: ''Antike – Lyrik – Heute. Griechisch-römisches Altertum in Gedichten von der Moderne bis zur Gegenwart'', eds. Elit, S., Bremer, K., Reents, F. (Hgg.). Remscheid: 23-49.
+
* Wilson, Peter J. (1999) 'The ''aulos'' in Athens', in ''Performance Culture and Athenian Democracy'', eds. S. Goldhill and R. Osborne. Cambridge: 58-95.
  
* Williamson, M. (1995) ''Sappho’s Immortal Daughters''. Cambridge, Mass.
+
* Wilson, Peter J. (2000) ''The Athenian institution of the Khoregia: the chorus, the city and the stage''. Cambridge and New York.
 +
** Reviews: Josiah Ober (2000) ''BMCR'' 10. Stuart Douglas Olson (2000-2001) ''CW'' 94.4: 418-419. Geert Roskam (2001) ''LEC'' 69.3: 341-342. Jean-Charles Moretti (2001) ''REA'' 103.3-4: 585-586. Herman Van Looy (2001) ''AC'' 70: 447-448. Nicoletta Marini (2002) ''Athenaeum'' 90.2: 662-664. Stephen D. Lambert (2002) ''JHS'' 122: 178-179. Eric Csapo (2002) ''Phoenix'' 56.1-2: 150-153.
  
* Wilson, L. H. (1996) ''Sappho’s Sweetbitter Songs: Configurations of Female and Male in Ancient Greek Lyric''. London.
+
* Yatromanolakis, D. and P. Roilos (2003) ''Towards a Ritual Poetics''. Athens.
  
* Winkler, J. J. (1990) ‘Double consciousness in Sappho’s lyrics’, in id., ''The Constraints of Desire: The Anthropology of Sex and Gender in Ancient Greece''. New York: 162–87.
+
* Yatromanolakis, D. and P. Roilos (2005) ''Pros mia Teletourgike Poietike''. Preface Marcel Detienne. Athens.
  
* Worman, N. (1997) ‘The body as argument: Helen in four Greek texts’, ''ClAnt'' 16: 151–203.
+
* Yatromanolakis, D. (2009) 'Symposia, Noses, Πρόσωπα: A Kylix in the Company of Banqueters on the Ground', in ''An Archaeology of  Representations: Ancient Greek Vase-Painting and Contemporary Methodologies'', Yatromanolakis, D. (ed.), Athens: 414-465.
  
* Yatromanolakis, Dimitrios (1999) 'Alexandrian Sappho Revisited', ''Harvard Studies in Classical Philology'' 99: 179-195.(reprinted in (2002) ''Greek Literature. Vol. 7: Greek Literature in the Hellenistic Period'', ed. G. Nagy. New York/London.)
+
* Zimmermann, B. (1992) ''Dithyrambos: Geschichte einer Gattung''. Göttingen.
  
* Yatromanolakis, Dimitrios  (1999) 'When Two Fragments Meet: Sapph. fr. 22 V.', ''ZPE'' 128: 22-23.
+
=== Sappho and Alcaeus ===
 +
* Aloni, A. (1983) ‘Eteria e tiaso: I gruppo aristocratici di Lesbo tra economia e ideologia’, ''Dialoghi di Archeologia'' ser. 3, n. 1: 21-35 (= ''id''., ‘Lotta politica e pratica religiosa nella Lesbo di Saffo e Alceo’, ''Atti del Centro ricerche e documentazione sull'antichittà classica'' 11 (1980/81): 213-32)
  
* Yatromanolakis, Dimitrios  (2001) 'Visualizing Poetry: An Early Representation of Sappho', ''Classical Philology'' 96: 159-168.
+
* Broger, A. (1996) ''Das Epitheton bei Sappho und Alkaios. Eine sprachwissenschaftliche Untersuchung''. Innsbruck. Review by Slings, S.R. (1999) ''Mnemosyne'' 52: 481-484.
  
* Yatromanolakis, Dimitrios  (2002) ') ‘Ἑτερογλωσσικοὶ Διάλογοι καὶ Ἀνα-σύνθεσηστ ὴν Σαπϕώ του̑ Ὀδυσσέα
+
* Caciagli, Stefano (2007) ''Poesia e società: comunicazione poetica e formazioni sociali nella Lesbo del VII/VI secolo a.C.''. Ph.D. dissertation, University of Bologna. [http://amsdottorato.cib.unibo.it/188/ PDF (in the not revised version)].
Ἐλύτη', ''Synkrise-Comparaison'' 13: 60-72. In Greek.
 
  
* Yatromanolakis, Dimitrios  (2003) 'Ritual Poetics in Archaic Lesbos: Contextualizing Genre in Sappho', in ''Towards a Ritual Poetics'', D. Yatromanolakis and P. Roilos. Athens: 43-59.
+
* Caciagli, Stefano (2010) 'Il temenos di Messon: uno stesso contesto per Saffo e Alceo', ''LEXIS'' 28: 227-256.\
  
* Yatromanolakis, Dimitrios  (2004) 'Exploring Lyric Tropes', ''Synkrise/ Comparaison'' 15: 70-79.
+
* Caciagli, Stefano (2011) 'Poeti e Società. Comunicazione poetica e formazioni sociali nella Lesbo del VII/VI secolo a.C.' (with a preface of Claude Calame), ''LXIV Supplement of «LEXIS»'' (Hakkert, Amsterdam.
  
* Yatromanolakis, Dimitrios  (2004) ‘Fragments, brackets, and poetics: on Anne Carson’s If Not, Winter’, International Journal of the Classical Tradition 11: 266–72.
+
* Nagy, Gregory (2007) 'Did Sappho and Alcaeus Ever Meet? Symmetries of Myth and Ritual in Performing the Songs of Ancient Lesbos' in ''Literatur und Religion. Wege zu einer mythisch–rituellen Poetik bei den Griechen'', eds. Anton Bierl, R. Lämmle and K. Wesselmann, vol. 1. ''MythosEikonPoiesis'' Bd. 1.1–2. Berlin and New York: ibid. 211-269. Reviewed by Reyes Bertolín Cebrián [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-09.html ''BMCR'' 2008.08.09].
  
* Yatromanolakis, Dimitrios  (2005) 'Contrapuntal Inscriptions', ''ZPE'' 152: 16-30.
+
* Suárez de la Torre, Emilio (2007) 'Helena, de la épica a la lírica griega arcaica (Safo, Alceo, Estesícoro)' in AA.VV., ''O mito de Helena de Tróia à actualidade''. Coimbra. vol. I: 55-79.
  
* Yatromanolakis, Dimitrios  (2006) 'A Lyric Epos', ''Helenika'' 56: 381-388.
+
* Yatromanolakis, D. (2009) 'Alcaeus and Sappho', in ''The Cambridge Companion to Greek Lyric'', Budelmann, Felix (ed.). Cambridge: 204-26.
  
* Yatromanolakis, Dimitrios  (2007) ''Sappho In The Making: The Early Reception''. Cambridge, MA.
+
=== Sappho ===
 +
Cf. the [http://sites.google.com/site/hellenisticbibliography/pre-hellenistic/sappho bibliography on Sappho] made by Martine Cuypers that forms part of a [http://sites.google.com/site/hellenisticbibliography/ Hellenistic Bibliography].
  
* Yatromanolakis, Dimitrios  (2008) 'P.Colon. inv. 21351 + 21376 and P.Oxy. 1787 fr. 1: Music, Politics, and Hellenistic Anthologies', ''Hellenika'' 58: 237-255.
+
* Aloni, A. (1997) ''Saffo: Frammenti''. Florence.
  
* Yatromanolakis, Dimitrios  (2008) ''Fragments of Sappho: A Commentary''. Cambridge, Mass.
+
* Aloni, A. (2001) ‘What is that man doing in Sappho, fr. 31 V.?’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md., and Oxford: 29-40.
  
* Yossi, M. J., D. Kioussi and A. Tatsi (eds) (2004) ''Thelxis. Fifteen Essays on Sappho''. Athens: Smili Editions. Articles by B. Gentili, Cl. Calame, J. McIntosh Snyder, J. J. Winkler, E. Greene, A. Lardinois, P. A. Rosenmeyer. I. Le. Pfeijffer, K. Stanley, Ch. Segal, W. Stehle Stigers. J. Svenbro, E. Robbins, R. Palmisciano, Anne Carson translated into modern Greek with an Introduction by the Editors. (an En Kyklo publication)
+
* Bernsdorff, Hans (2004) 'Schwermut des Alters im neuen Kölner Sappho-Papyrus', ''Zeitschrift für Papyrologie und Epigraphik'' 150: 27-35.
  
* Yossi, Mary J. (Μ. Ι. Γιόση) (2008)  'Τεθνάκην δ’ἀδόλως θέλω. Αποσπάσματα ερωτικού (;) λόγου. Σαπφώ απ..94 V.' ['tethnaken d’ adolos thelo (Sappho Fr. 94 V.): Fragments of erotic (?) discourse'], in:  ''Proceedings of the XII International Symposium on Sappho (Leukada, July 25-28, 2007)'', 25-34.
+
* Bernsdorff, Hans (2005) 'Offene Gedichtschlüsse', ''Zeitschrift für Papyrologie und Epigraphik'' 153: 1-6.
  
* Zonana, J. (1990) ‘Swinburne’s Sappho: The Muse as sister-goddess’, ''Victorian Poetry'' 28: 39–50.
+
* Bessone, F. (2003) ‘Saffo, la lirica, l'elegia. Su Ovidio, ‘Heroides’ 15’, ''MD'' 51: 209-243.
  
=== Alcaeus ===
+
* Bessone, F. (2003) Conversione poetica e riconversione letteraria: l’epistola di Saffo nelle Heroides, in ''Incontri triestini di filologia classica'', vol. 2: Incontri 2002-2003, eds. L. Cristante e A. Tessier. ''Polymnia'' 4. Trieste: 115-143.
* Andrisano, A. (2001) ‘Iambic motifs in Alcaeus' lyrics’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md., and Oxford: 41-64.
 
  
* Bachvarova, Mary R. (2007) 'Oath and allusion in Alcaeus fr. 129' in ''Horkos. The Oath in Greek Society'', eds. Alan H. Sommerstein, Judith Fletcher. Exeter: 179-188. Reviewed by Kellogg, Danielle L. (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-55.html ''BMCR'' 2008.08.55].
+
* Bierl, Anton (2004) ' 'Ich aber (sage), das Schönste ist, was einer liebt!' Eine pragmatische Deutung von Sappho Fr. 16 LP/V', ''Quaderni Urbinati di Cultura Classica'' n.s. 74.2 (103): 91–124.  
 +
** [http://chs.harvard.edu/wa/pageR?tn=ArticleWrapper&bdc=12&mn=2922 Online edition (2009)] (Published here under a Creative Commons Attribution-Noncommerical-No derivative works License 3.0).
  
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
+
* Bierl, Anton. (2009) [http://chs.harvard.edu/wa/pageR?tn=ArticleWrapper&bdc=12&mn=2122 ''Der neue Sappho-Papyrus aus Köln und Sapphos Erneuerung. Virtuelle Choralität, Eros, Tod, Orpheus und Musik''] (Published under a Creative Commons Attribution-Noncommercial-No derivative works License 3.0).
  
* Caciagli, Stefano (2009) 'Lupi e codardi nell’Heraion di Lesbo', ''ZPE'' 171: 216-220.
+
* Bierl, Anton (2010) ‘Sappho in Athens. Reperformance and Performative Contextualizations of the New Cologne Papyrus, or Old Age and Rejuvenation through Chorality’, first publication in electronic form on the Athens Dialogues–website online [http://athensdialogues.chs.harvard.edu/cgi-bin/WebObjects/athensdialogues.woa/wa/dist?dis=36 http://athensdialogues.chs.harvard.edu/cgi-bin/WebObjects/athensdialogues.woa/wa/dist?dis=36].
  
* Caciagli, Stefano (2009) 'Un serment violé chez Alcée', ''REG'' 122.1: 185-200.
+
* Bremer, J.M. (1982) 'A reaction to Tsagarakis' discussion of Sappho fr. 31', ''Rheinisches Museum'' 125: 113-116.
  
* Gagné, Renaud (2009) 'Atreid Ancestors in Alkaios', ''Journal of Hellenic Studies'' 129: 39-43.
+
* Brunet, P. (1998) ''L’Egal des Dieux: Cent versions''. Paris.
  
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
+
* Caciagli, S. (2009) 'Sapph. fr. 27 V.: l'unità del pubblico saffico', ''QUCC'' 91: 63-80.  
  
* Kurke, Leslie (1994) 'Crisis and Decorum in Sixth–Century Lesbos: Reading Alkaios Otherwise', ''Quaderni Urbinati di cultura classica'', n.s. 47: 67-92.
+
* Calame, C. (1996) 'Sappho's Group: An Initiation into womanhood' in ''Reading Sappho. Contemporary Approaches'', ed. E. Greene, Berkeley and London: 113-124.
  
* Lelli, Emanuele (2006) ''Volpe e leone. Il proverbio nella poesia greca (Alceo, Cratino, Callimaco). Filologia e critica, 93''. Roma: Edizioni dell'Ateneo. [http://catdir.loc.gov/catdir/toc/casalini05/06544053.pdf Table of Contents]. Reviewed by Massimiliano Ornaghi, [http://ccat.sas.upenn.edu/bmcr/2008/2008-01-39.html BMCR 2008.01.39].
+
* Calame, C. (2005) ‘Une poétique de la mémoire: Espaces et temps chez Sappho’, in ''Koryphaiōi ‘andri: Mélanges offerts à André Hurst'', ed. A. Kolde et al. Geneva: 53–67.
  
* Lelli, Emanuele (2010), 'La pragmatica proverbiale di Alceo' in ''ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.)'' ed. E. Lelli. Pisa/Roma: 53-60.  
+
* Calame, C. (2012) 'La memoria poetica nei canti di Saffo: Performance musicale e creazione sociale' in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 45-97.
  
* Lentini, G. (2002) ‘I simposi del tiranno: Sui frr. 70–72 V. di Alceo’, ''ZPE'' 139: 3–18.
+
* Carson, A.(2002) ''If Not, Winter: Fragments of Sappho.'' New York.
  
* Liberman, G. (1999) ''Alcée: Fragments''. (2 vols.). Paris.
+
* Carvalho, S. (2011) ''Representações e hermenêutica do" Eu" em Safo: análise de quatro fragmentos'', Coimbra.
  
* Nagy, Gregory (1993) ‘Alcaeus in sacred space’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 221–5.
+
* Clark, C. (2001) ‘The body of desire: nonverbal communication in Sappho 31 V’, ''Syllecta Classica'' 12: 1–32.
  
* Neri, Camillo (1996) 'Poeti, filologi e patelle (Alcae. fr. 359 V., Dicaearch. fr. 99 Wehrli, Ar. Byz. fr. 367 Sl.)', ''Eikasmós'' 7: 25-55.
+
* Dale, A. (2011). Sapphica. Harvard Studies in Classical Philology, 106, 47-74.
  
* Pardini, A. (1991) ‘La ripartizione in libri dell’opera di Alceo: Per un esame della questione’, ''RFIC'' 119: 257–84.
+
* D'Angour, A. (2006) 'Conquering Love: Sappho 31 and Catullus 51', ''CQ'' 56: 297-300.
  
* Porro, A. (1990) ‘La fortuna di Alceo: tradizione e studio della poesia alcaica fino al II sec.d.C.’, Aevum(ant) 3: 75–98.
+
* DuBois, P. (1995) ''Sappho Is Burning.'' Chicago and London.
  
* Porro, A. (1994) ''Vetera Alcaica: L’esegesi di Alceo dagli Alessandrini all’età imperiale''. Milan.
+
* Dosuna, J. Méndez (2008) 'Miscellanea: Knees and Fawns in the New Sappho', ''Mnemosyne'' 61.1: 108-14. [http://www.swetswise.com.proxy.ubn.ru.nl:8080/swetsfo/swproxy?url=http%3A%2F%2Fopenurl.ingenta.com%2Fcontent%2Fswetsnet-4.1.2dae033a21a66b009d41d8e9ea102dbd%3Fgenre%3Darticle%26issn%3D0026-7074%26volume%3D61%26issue%3D1%26spage%3D108%26epage%3D114%26aulast%3DDosuna&ts=1202555509461&cs=2005023008&userName=9021463.ipdirect&emCondId=2043297&articleID=35750235&yevoID=2197893&titleID=137377&referer=1&remoteAddr=131.174.248.1 PDF].
  
* Porro, A. (1995) ‘Alceo e le metafore dei giochi simposiali’, in ''Studia classica Iohanni Tarditi oblata'', ed. L. Belloni et al., vol. I. Milan: 357–68.
+
* Ferrari, F. (2003) ‘Il pubblico di Saffo’, ''SIFC'' 4th series 1: 42–89.
  
* Porro, A. (2004) ‘Alcaeus’, in ''Commentaria et lexica Graeca in papyris reperta, pars I, vol. 1, fasc. 1: Aeschines-Alcaeus'', ed. G. Bastianini et al. Munich and Leipzig: 75–246.
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* Ferrari, F. (2010) ''Sappho's Gift: The Poet and Her Community''. Transl. from (2007) ''Una mitra per Kleis: Saffo e il suo pubblico''. Giardini, Pisa. Benjamin Acosta-Hughes and Lucia Prauscello (tr.), Michigan Classical Press, Ann Arbor.  
  
* Segal, C. P. (1998) ‘Beauty, desire, and absence: Helen in Sappho, Alcaeus, and Ibycus’, in ''Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham,Md.: 63–83.
+
* Goldhill, S. (2006) ‘The touch of Sappho’, in ''Classics and the Uses of Reception'', ed. C. Martindale and R. F. Thomas. Oxford: 250–73.
  
* Yatromanolakis, D. (2008) 'Genre Categories and Interdiscursivity in Alkaios and Archaic Greece', ''Synkrise/Comparaison'' 19: 169-187.
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* Greene, E. (1994) ‘Apostrophe and women’s erotics in the poetry of Sappho’, ''TAPhA'' 124: 41–56. (Reprinted in Reading Sappho: Contemporary Approaches, ed.E. Greene. Berkeley and London 1996: 233–47.)
  
=== Incertum utrius auctoris fragmenta ===
+
* Greene, E. (ed.) (1996) ''Reading Sappho: Contemporary Approaches''. Berkeley and London.
  
=== Alcman ===
+
* Greene, E. (ed.) (1996) ''Re-Reading Sappho: Reception and Transmission'', Berkeley and London.
Cf. The [http://alkman.georgehinge.com/bibliographie.html Alcman bibliography] that is maintained by George Hinge. This website forms part of a project on the dialect of Alcman (in German with a summary in English and Danish).
+
** Contents: 1. Reflecting Sappho - Glenn W. Most 2. Sappho's afterlife in translation - Yopie Prins 3. Sappho's splintered tongue : silence in Sappho 31 and Catullus 51 - Dolores O'Higgins 4. Ventriloquizing Sappho, or the lesbian muse - Elizabeth D. Harvey 5. Sappho in early modern England : a study in sexual reputation - Harriet Andreadis 6. Sex and philology : Sappho and the rise of German nationalism - Joan DeJean 7. Sappho schoolmistress - Holt N. Parker 8. H.D. and Sappho : "A precious inch of palimpsest" - Erika Rohrbach 9. Sapphistries - Susan Gubar.
  
* Athanassaki, L. (2009) ''ἀείδετο πὰν τέμενος. Οι χορικές παραστάσεις και το κοινό τους στην αρχαϊκή και πρώϊμη κλασική περίοδο''. Herakleion. Study of choral performance contexts especially in Alcman, Pindar, and Bacchylides. [http://www.cup.gr/ViewShopProduct.aspx?ProductId=279696&LangId=1 More information].
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* Greene, E.(2002) ‘Subjects, objects, and erotic symmetry in Sappho’s fragments’, in ''Among Women: From the Homosocial to the Homosexual'', ed. N. Rabinowitz and L. Auanger. Austin: 82–105.
  
* Bagordo, A. (1998) 'Zu Alkman, Fr. 17 Davies', ''Hermes'' 126: 259–-68.
+
* Greene, E. (2008) 'Masculine and Feminine, Public and Private, in the Poetry of Sappho' in ''Dialogism and Lyric Self-fashioning: Bakhtin and the Voices of a Genre'', ed. Jacob Blevins, Selinsgrove, Pa. Reviewed by Kershner, S.M. [http://bmcr.brynmawr.edu/2009/2009-06-57.html ''BMCR'' 2009.06.57].
  
* Bierl, Anton (2007) 'L'uso intertestuale di Alcmane nel finale della Lisistrata di Aristofane. Coro e rito nel contesto performativo' in ''Dalla lirica corale alla poesia drammatica. Forme e funzioni del canto corale nella tragedia e nella commedia greca'', eds. F. Perusino and M. Colantonio. Pisa: 259–290. With a comparison between Alcman and the last songs in Ar. ''Lysistrata''.
+
* Greene, E. & M. Skinner (eds.) (2009), ''The New Sappho on Old Age'', Cambridge, MA. [http://www.let.ru.nl/greeksong/images/c/c4/TheNewSappho.pdf Table of Contents]
  
* Bierl, Anton (2011), ‘Alcman at the End of Aristophanes' Lysistrata: Ritual Interchorality", in: L. Athanassaki, E. Bowie (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'' (Trends in Classics, Supp. 10), Berlin/New York: 415–436.
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* Gronewald, M. and R.W. Daniel (2004a) ‘Ein neuer Sappho-Papyrus’, ''ZPE'' 147: 1–8.
  
* Bowie, Ewen (2011), 'Alcman's First Partheneion and what the Sirens sang', in: L. Athanassaki, E. Bowie (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'' (Trends in Classics, Supp. 10), Berlin/New York, 33-66.
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* Gronewald, M. and R.W. Daniel (2004b) ‘Nachtrag zum neuen Sappho-Papyrus’, ''ZPE'' 149: 1–4.
  
* Caciagli, Stefano (2009) 'Un contesto per Alcm. PMGF 1', ''Eikasmos'' 20: 19-46.
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* Gronewald, M. and R.W. Daniel (2005) ‘Lyrischer Text (Sappho-Papyrus), ''ZPE'' 154: 7–12.
  
* Calame, Claude (1983) ''Alcman. Texte critique, témoignages, traduction et commentaire''. Roma.
+
* Hutchinson, G.O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
* Carey, Chris (2011), 'Alcman: From Laconia to Alexandria', in: . Athanassaki, E. Bowie (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'' (Trends in Classics, Supp. 10), Berlin/New York: 437-61.
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* Jay, P. and C. Lewis (1996) (eds.) ''Sappho: Through English Poetry''. London.
  
* Clark, Christina A. (1996) ‘The Gendering of the Body in Alcman’s ''Partheneion'' 1: Narrative, Sex, and Social Order in Archaic Sparta’, ''Helios'' 23: 143-172.
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* Laity, C. (1990) ‘H.D. and A. C. Swinburne: decadence and Sapphic Modernism’, in ''Lesbian Texts and Contexts: Radical Revisions'', ed. K. Jay and J. Glasgow. New York: 217–40.
  
* Felson, N. (ed.) (2004) ‘The poetics of deixis in Alcman, Pindar and other lyric’, ''Arethusa'' 37.3: 253–468.
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* Lardinois, A.P.M.H. (1989) 'Lesbian Sappho and Sappho of Lesbos' in ''From Sappho to de Sade: Moments in the History of Sexuality'', ed. J.N. Bremmer. London: 15-35. Dutch version (1988) and Portugese translation (1995).
  
* Ferrari, Gloria (2008) ''Alcman and the Cosmos of Sparta''. Chicago and London. Reviewed by A. J. Podlecki [http://bmcr.brynmawr.edu/2009/2009-10-59.html ''BMCR'' 2009.10.59].
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* Lardinois, A.P.M.H. (1994) 'Subject and Circumstance in Sappho's Poetry', ''Transactions of the American Philological Association'' 124: 57-84.
  
* Hinge, George (2006) ''Die Sprache Alkmans: Textgeschichte und Sprachgeschichte''. Wiesbaden: Dr. Ludwig Reichert Verlag. ''Serta Graeca'' 24. Cf. his website [http://alkman.georgehinge.com/index.html Die Sprache Alkmans].
+
* Lardinois, A.P.M.H. (1996) 'Who Sang Sappho's Songs?' in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene Berkeley: 150-172.
  
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
+
* Lardinois, A.P.M.H. (2001) 'Keening Sappho: Female Speech Genres in Sappho's Poetry' in ''Making Silence Speak: Women's Voices in Greek Literature and Society'', eds. A. Lardinois and L. McClure. Princeton: 75-92.
  
* Lillo, A. (1995) ‘El hapax κλεεννά y la lengua poética de Alcmán’, ''Emerita'' 63: 21–45.
+
* Lardinois, A.P.M.H. ((2003) 'Drie gedaantes van Helena: Moderne interpretaties van Sappho Fr. 16' (Modern interpretations of Sappho Fr. 16), ''Lampas'' 36: 261-283.
  
* Patterson, Lee E. (2005) 'Alcman’s Partheneion and Eliade’s Sacred Time', ''Classical and Modern Literature'' 25.1: 115-27.
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* Lardinois, A.P.M.H. (2007) 'Seks à la Sappho', ''Lampas'' 40: 273-80. In Dutch.
  
* Peponi, Anastasia-Erasmia (2004) 'Initiating the Viewer: Deixis and Visual Perception in Alcman’s Lyric Drama', ''Arethusa'' 37.3: 295-316.
+
* Lardinois, A.P.M.H. (2008) ' ‘Someone, I say, will remember us’: Oral Memory in Sappho’s Poetry' in ''Orality, Literacy, Memory in the Ancient Greek and Roman World'', ed. A. MacKay. Leiden: 79-96.
  
* Peponi, Anastasia-Erasmia (2007) 'Sparta’s Prima Ballerina: ''Choreia'' in Alcman's Second ''Partheneion'' (3 ''PMGF'')', ''Classical Quarterly'' 57.2: 351-62.
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* Lardinois, A.P.M.H. (2009) 'Lesbian Sappho Revisited', in ''Myths, Martyrs, and Modernity. Studies in the History of Religions in Honour of Jan N. Bremmer'', eds. Y.B. Kuiper, J.H.F. Dijkstra & J.E.A. Kroesen. Leiden: Brill: 13-30.
  
* Peron, Jacques (1987) ‘Demi-chœurs chez Alcman, Parth. I, v. 39-59’, ''Grazer Beiträge'' 14: 35-53.
+
* Lardinois, A.P.M.H. (2009) ‘The New Sappho Poem (P. Koln 21351 and 21376): Key to the Old Fragments’, in ''The New Sappho on Old Age'', eds. E. Greene & M. Skinner. Cambridge, MA: Harvard Univ. Press: 41-57.
  
* Priestley, J.M. (2007) 'The φαρος of Alcman's ''Partheneion'' 1', ''Mnemosyne'' 60.2: 175-95.
+
* Malnati, A. (1993) ‘Revisione dell’ ostrakon fiorentino di Saffo’, ''Analecta Papyrologica'' 5: 21–22.
  
* Poltera, O. (1997) ''Le langage de Simonide: Etude sur la tradition poétique et son renouvellement''. (Sapheneia 1). Bern.
+
* Nagy, G. (1973/1990) ‘Phaethon, Sappho’s Phaon, and the white rock of Leucas’, ''HSCPh'' 77 (1973): 137–77. (Revised version in id., Greek Mythology and Poetics. Ithaca, N.Y. 1990: 223–62.)
  
* Puelma, M. (1995) ‘Die Selbstbeschreibung des Chores in Alkmans großem Partheneion-Fragment (fr. 1 P. = 23 B., 1 D. V. 36–105)’, in M. Puelma, Labor et lima: Kleine Schriften und Nachträge, ed. I. Fasel. Basel: 51–110. [Originally published in MH 34 (1977): 1–55.]
+
* Nagy, G. (1996) ‘Mimesis in lyric: Sappho’s Aphrodite and the Changing Woman of the Apache’, in id., ''Poetry as Performance: Homer and Beyond''. Cambridge: 87–103.
  
* Robbins, Emmet (1991) 'Alcman’s Partheneion: Legend and Choral Ceremony', ''CQ'' 44: 7-16.
+
* Neri, C. (2001) 'In margine a Sapph. fr. 96,8 V.', ''Eikasmós'' 12: 11-18.
  
* Robbins, Emmet (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. Douglas E. Gerber. Leiden: 223–42.
+
* Neri, C. (2005) 'Sudore freddo e tremore (Sapph. fr. 31,13 V. ~ Sen. Tro. 487s. ~ Apul. Met. I 13, II 30, X 10)', ''Eikasmós'' 16: 51-62 (con F. Citti).
  
* Rossi, L. E. (1993) ‘Lirica arcaica e scoli simposiali (Alc. 249,6–9 V. e carm. conv. 891 P.)’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 237–46.
+
* Nobili, C. (2016) 'Mercanti e cortigiane: la fortuna di un topos da Saffo a Eliodoro', ''Rivista di Filologia e Istruzione Classica'' 144: 5-24.
  
* Sassi, M. M. (2005) ‘Poesie und Kosmogonie: Der Fall Alkman’, in ''Frühgriechisches Denken'', ed. G. Rechenauer. Göttingen: 63–80.
+
* Peponi, A.-E. (1985) 'Narrative Modes in a lyric  litê: Sappho 1 L.P' ''Philologos'' 41: 244-259. (in Greek)
  
* Too, Y. L. (1997) ‘Alcman’s Parthenion: the maidens dance the city’, ''QUCC'' 85 (= n.s. 56.2): 7–29.
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* Peponi, A.-E. (1995) 'Lyric Transformations of Epic Helen: the Technique of Poetic Suppression in Sappho 16 L.P.' in ''Proceedings of the 7th International Symposium of Ithaki'': 315-328. (in Greek)
  
=== Stesichorus ===
+
* Peponi, A.-E. (1997) 'Mythoplokos Eros: Sappho’s Allusion to her Poetics' in ''Acta: First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-T. Papademetriou. Athens: 139-165. (in Greek)
* Arrighetti, G. (1995) 'L'arte di Stesicoro nel giudizio degli antichi', in ''Poésie et lyrique antiques: Actes du colloque organisé par C. Meillier à l’Université Charles-de-Gaulle, Lille III, 2-4 juin 1993'', ed. L. Dubois. Lille: 55-72.
 
  
* Barker, Andrew (2001) 'La musica di Stesicoro', ''Quaderni Urbinati di Cultura Classica'' 67.1: 7-20.
+
* Peterson, L.H. (1994) ‘Sappho and the making of Tennysonian lyric’, ''English Literary History'' 61: 121–37.
  
* Bassi, K. (1993) ‘Helen and the discourse of denial in Stesichorus’ ''Palinode''’, ''Arethusa'' 26: 51-75.  
+
* Powell, J. (2007) ''The Poetry of Sappho''. Oxford.
  
* Beecroft, A.J. (2006) ‘“This is not a true story”: Stesichorus’s ''Palinode'' and the revenge of the epichoric’, ''TAPhA'' 136: 47-69.
+
* Prins, Y. (1999) ''Victorian Sappho''. Princeton, N.J. and Chichester.
  
* Blaise, Fabienne (1995) ‘Les deux (?) Hélène de Stésichore’, in ''Poésie et lyrique antique'', ed. L. Dubois, Lille: 29-40. Full text: [[Media:Blaise1995Stesichorus.pdf]].
+
* Rawles, R. (2006) 'Notes on the interpretation of the 'New Sappho' ' ''ZPE'' 157: 1-7.
  
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
+
* Rayor, D.J. (1991) ''Sappho’s Lyre: Archaic Lyric and Women Poets of Ancient Greece: Translations, with introduction and notes by D. J.R.'' Berkeley.  
  
* Campbell, D. A. (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others''. Cambridge, Mass. and London.
+
* Reynolds, M. (1999) (ed.) ''The Sappho Companion''. London.
  
* Cingano, E. (1990) ‘L’Opera di Ibico e di Stesicoro nella classificazione degli antichi e dei moderni’, in ''Lirica Greca e Latina. Atti del Convegno di studi Polacco-Italiano, Poznan 2–5 maggio 1990, (AION 12)'': 189–224.
+
* Reynolds, M. (2003) ''The Sappho History''. Basingstoke.
  
* Cingano, E. (1993) ‘Indizi di esecuzione corale in Stesicoro’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 347–61.
+
* Rösler, W. (1990) ‘Realitätsbezug und Imagination in Sapphos Gedicht ΦΑΙΝΕΤΑΙ ΜΟΙ ΚΗΝΟΣ’, in ''Der Übergang von der Mündlichkeit zur Literatur bei den Griechen'', ed. W. Kullmann and M. Reichel. Tübingen: 271–87.
  
* D’Alfonso, F. (1994) ''Stesicoro e la performance: Studio sulle modalità esecutive dei carmi stesicorei''. Rome.
+
* Rösler, W. (1992) ‘Homoerotik und Initiation: Über Sappho’, in ''Homoerotische Lyrik. 6. Kolloquium der Forschungsstelle für europäische Lyrik des Mittelalters an der Universität Mannheim'', ed. T. Stemmler. Tübingen: 43–54.
  
* Demos, M. (1999) ''Lyric Quotation in Plato''. Lanham, Md.
+
* Segal, C.P. (1998) ‘Beauty, desire, and absence:Helen in Sappho, Alcaeus, and Ibycus’, in ''Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham,Md.: 63–83.
  
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
+
* Skinner, M.B. (1993) ‘Woman and language in archaic Greece, or, why is Sappho a woman?’, in ''Feminist Theory and the Classics'', ed. N. S. Rabinowitz and A. Richlin. New York: 125–44. (Reprinted with slight changes in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene. Berkeley and London 1996: 175–92).
  
* Irvine, J. A. D. (1997) ‘Keres in Stesichorus’ Geryoneis: P. Oxy. 2617 fr. 1 (A)–(B) = SLG 21 Reconsidered’, ''ZPE'' 115: 37–46.
+
* Skinner, M.B. (2002) ‘Aphrodite garlanded: Erôs and poetic creativity in Sappho and Nossis’, in ''Among Women: From the Homosocial to the Homoerotic in the Ancient World'', ed. N. S. Rabinowitz and L. Auanger. Austin: 60–81.
  
* Lazzeri, Massimo (2008) ''Studi sulla Gerioneide di Stesicoro''. Quaderni del Dipartimento di scienze dell'antichità / Università degli studi di Salerno 35. Napoli: Arte tipografica.
+
* Slings, S.R. (1988) 'Sappho fr. 1,19', ''Zeitschrift für Papyrologie und Epigraphik'' 72: 19-20.  
  
* Massimilla, G. (1995) ‘L’influsso di Stesicoro sulla poesia ellenistica’, in ''Poésie et lyrique antiques: Actes du colloque organisé par C. Meillier à l’Université Charles-de-Gaulle'', Lille III, 2–4 juin 1993, ed. L. Dubois. Lille: 41–53.
+
* Slings, S.R. (1991) 'Sappho fr. 1, 8 V.: Golden house or golden chariot?', ''Mnemosyne'' 44: 404-410.  
  
* Müller-Goldingen, C. (2000) ‘Tradition und Innovation: Zu Stesichoros’ Umgang mit dem Mythos’, ''AC'' 69: 1–19.
+
* Slings, S.R. (1994) 'Sappho, fr. 94, 10', ''Zeitschrift für Papyrologie und Epigraphik'' 102: 8.  
  
* Neri, Camillo (2008) 'Trattativa contro il fato (Stesich. PMGF 222b,176-231)', ''Eikasmós'' 19: 11-44.
+
* Slings, S.R. (1994) 'Two notes on Sappho's wedding songs', ''Mnemosyne'' 47: 677-679.
  
* Robbins, Emmet (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. D. E. Gerber. Leiden: 223–42.
+
* Snyder, J. M. (1997) ''Lesbian Desire in the Lyrics of Sappho''. New York.  
  
* Schade, G. (2003) ''Stesichoros: Papyrus Oxyrhynchus 2359, 3876, 2619, 2803''. (Mnemosyne suppl. 237). Leiden and Boston.
+
* Steinrück, M. (1999) 'Homer bei Sappho?', ''Mnemosyne'' 52: 139-149.
  
* Slings, S.R. (1998) 'Hoge en lage lyriek in de zesde eeuw. I: Stesichoros', ''Hermeneus'' 70:188-195. In Dutch.
+
* Steinrück, M. (2000) 'Neues zu Sappho", ''ZPE'' 131: 10-12.
  
* Suárez de la Torre, Emilio (2007) 'Helena, de la épica a la lírica griega arcaica (Safo, Alceo, Estesícoro)' in AA.VV., ''O mito de Helena de Tróia à actualidade''. Coimbra. vol. I: 55-79.
+
* Steinrück, M. (2000) 'Sappho sans sa vie', in ''Biographie des hommes - biographie des dieux'', ed. M.-L. Desclos. Grenoble: 113-127.
  
=== Ibycus ===
+
* Steinrück, M. (2008) 'Sapphos Alterslied und kein Ende', ''QUCC'' 86: 89-94.
* Bonanno, M. G. (2004) ‘Come guarire dal complesso epico: L’Ode a Policrate di Ibico’, in ''Samo. Storia, letteratura, scienza: Atti delle giornate di studio'', Ravenna, 14–16 novembre 2002, ed. E. Cavallini. Pisa and Rome: 67–96.
 
  
* Cingano, E. (1990) ‘L’Opera di Ibico e di Stesicoro nella classificazione degli antichi e dei moderni’, in ''Lirica Greca e Latina. Atti del Convegno di studi Polacco-Italiano, Poznan 2–5 maggio 1990, (AION 12)'': 189–224.  
+
* Steinrück, M. (2010) 'Sappho und die Wahrheit (Ergänzungen zu Fr. 88 V.)', QUCC 94, 79-87.
  
* Campbell, D. A. (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others''. Cambridge, Mass. and London.
+
* Stehle, E. (1990) ‘Sappho’s gaze: fantasies of a goddess and a young man’, ''Differences'' 2: 88–125. (Reprinted with slight changes in ''Reading Sappho: Contemporary Approaches'', ed. E. Greene. Berkeley and London 1996: 193–225.)
  
* Giannini, P. (2004) ‘Ibico a Samo’, in ''Samo. Storia, letteratura, scienza: Atti delle giornate di studio'', Ravenna, 14–16 novembre 2002, ed. E. Cavallini. Pisa and Rome: 51–64.
+
* Suárez de la Torre, E. (2000) 'Safo: el alma, el verso, el cuerpo' in ''La mujer, alma de la literatura'', ed. por E. Moral y A. de la Villa. Valladolid: 15-27.
  
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
+
* Tasagarakis, O. (1979) 'Some neglected aspects of love in Sappho’s Fr. 31 LP', ''Rheinisches Museum'' 122: 97-118.
  
* Pardini, A.(2001) ‘Interpretare segni di lettura: in margine a P.Oxy. 1790 (Ibico)’, ''RCCM'' 43: 39–46.
+
* Tzamali, E. (1996) ''Syntax und Stil bei Sappho''. Dettelbach.
  
* Segal, C. P.  (1998) ‘Beauty, desire, and absence: Helen in Sappho, Alcaeus, and Ibycus’, in ''Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham,Md.: 63–83.
+
* Ucciardello, G. (2001) ‘Sapph. frr. 88 e 159 V. in POxy. LXIV 4411’, ''ZPE'' 136: 167–8.
  
* Tortorelli, William (2004) 'A Proposed Colometry of Ibycus 286', ''Classical Philology'' 99.4: 370-376. [http://www.journals.uchicago.edu/doi/abs/10.1086/429942 URL]
+
* Vanita, R. (1996) ''Sappho and the Virgin Mary: Same-Sex Love and the English Literary Imagination''. New York.
  
* Ucciardello, Giuseppe (2005) 'Sulla tradizione del testo di Ibico', in ''Lirica e Teatro in Grecia. Il Testo e la sua ricezione (Atti del II Incontro di Studi, Perugia 23-24 gennaio 2003)'', a cura di S. Grandolini. Napoli: 21-88.
+
* Wiater, N. (2010) 'Der utopische Körper. Die Interpretation frühgriechischer Lyrik am Beispiel von Sappho frg. 31LP' in: ''Antike – Lyrik – Heute. Griechisch-römisches Altertum in Gedichten von der Moderne bis zur Gegenwart'', eds. Elit, S., Bremer, K., Reents, F. (Hgg.). Remscheid: 23-49.
  
=== Anacreon ===
+
* Williamson, M. (1995) ''Sappho’s Immortal Daughters''. Cambridge, Mass.
* Achilleos, S. (2004) ‘The ''Anacreontea'' and a tradition of refined male sociability’ in ''A Pleasing Sinne: Drink and Conviviality in Seventeenth-Century England'', ed. A. Smyth. Cambridge: 21-35.
 
  
* Aloni, A. (2000) 'Anacreonte a Atene: datazione e significato di alcune iscrizioni tiranniche', ''ZPE'' 130: 81-94.
+
* Wilson, L.H. (1996) ''Sappho’s Sweetbitter Songs: Configurations of Female and Male in Ancient Greek Lyric''. London.
  
* Braghetti, G. A. (2001) 'L'interpretazione dell' "io" nella lirica arcaica: alcuni esempi anacreontei', in ''I lirici greci: forme della comunicazione e storia del testo'', eds. M. Cannatà Fera and G. B. D'Alessio. Messina: 135-40.
+
* Winkler, J.J. (1990) ‘Double consciousness in Sappho’s lyrics’, in id., ''The Constraints of Desire: The Anthropology of Sex and Gender in Ancient Greece''. New York: 162–87.
  
* Brown, M. (1999) ‘Passion and love: Anacreontic song and the roots of Romantic lyric’, ''English Literary History'' 66: 373–404.
+
* Worman, N. (1997) ‘The body as argument: Helen in four Greek texts’, ''ClAnt'' 16: 151–203.
  
* Budelmann, Felix (2009) 'Anacreon and the Anacreontea' in ''The Cambridge companion to Greek lyric'', Budelmann, Felix (ed.). Cambridge: 227-39.
+
* Yatromanolakis, D. (1999) 'Alexandrian Sappho Revisited', ''Harvard Studies in Classical Philology'' 99: 179-195.(reprinted in (2002) ''Greek Literature. Vol. 7: Greek Literature in the Hellenistic Period'', ed. G. Nagy. New York/London.)
  
* Campbell, D. A. (1990) ‘Herrick to Anacreon’, in ''Cabinet of the Muses: Essays on Classical and Comparative Literature in Honor of Thomas G. Rosenmeyer'', ed. M. Griffith and D. J. Mastronarde. Atlanta, Ga.: 333–41.
+
* Yatromanolakis, D. (1999) 'When Two Fragments Meet: Sapph. fr. 22 V.', ''ZPE'' 128: 22-23.
  
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
+
* Yatromanolakis, D. (2001) 'Visualizing Poetry: An Early Representation of Sappho', ''Classical Philology'' 96: 159-168.
  
* Iannucci, A. (1999) 'Callimaco, Anacreonte e il ‘bere vino’ (Callim. Aet. fr. 178,11 s. Pf.; Anacr. fr. 56 Gent. = 2 W.)', ''Quaderni del Dipartimento di Filologia, Linguistica e Tradizione Classica  di Torino'' 12: 131-140.
+
* Yatromanolakis, D. (2003) 'Ritual Poetics in Archaic Lesbos: Contextualizing Genre in Sappho', in ''Towards a Ritual Poetics'', D. Yatromanolakis and P. Roilos. Athens: 43-59.
  
* Kantzios, Ippokratis (2005) 'Tyranny and the Symposion of Anacreon', ''Classical Journal'' 100: 227-45.
+
* Yatromanolakis, D. (2004) 'Exploring Lyric Tropes', ''Synkrise/ Comparaison'' 15: 70-79.
  
* Ladianou, Katerina (2005) 'The Poetics of Choreia: Imitation and Dance in the ''Anacreontea'' ', ''Quaderni Urbinati di Cultura Classica'' 80: 47-60.
+
* Yatromanolakis, D. (2004) ‘Fragments, brackets, and poetics: on Anne Carson’s If Not, Winter’, International Journal of the Classical Tradition 11: 266–72.
  
* Lenz, L. (1994) ‘Zwei Flaneure: Anakreon 54 D (=388 PMG) und Horaz’ 4. Epode’, ''Gymnasium'' 101: 483–501.
+
* Yatromanolakis, D. (2005) 'Contrapuntal Inscriptions', ''ZPE'' 152: 16-30.
  
* Mason, T. (1990) ‘Abraham Cowley and the wisdom of Anacreon’, ''The Cambridge Quarterly'' 19: 103–37.
+
* Yatromanolakis, D. (2006) 'A Lyric Epos', ''Helenika'' 56: 381-388.
  
* Molfino, M. (1998) ‘Lusit Anacreon. Esegesi anacreontea antica in P.Oxy. 3722’,''Maia'' 50: 317–28.
+
* Yatromanolakis, D. (2007) ''Sappho In The Making: The Early Reception''. Cambridge, MA.
  
* O’Brien, J. (1995) ''Anacreon Redivivus: A Study of Anacreontic Translation in Midsixteenth-century France''. Ann Arbor.
+
* Yatromanolakis, D. (2008) 'P.Colon. inv. 21351 + 21376 and P.Oxy. 1787 fr. 1: Music, Politics, and Hellenistic Anthologies', ''Hellenika'' 58: 237-255.
  
* Pelliccia, H. (1991) ‘Anacreon 13 (358 PMG)’, ''CPh'' 86: 30–6.
+
* Yatromanolakis, D. (2008) ''Fragments of Sappho: A Commentary''. Cambridge, Mass.
  
* Pfeijffer, I. L. (2000) ‘Playing ball with Homer: an interpretation of Anacreon 358 PMG’, ''Mnemosyne'' 53: 164–84.
+
* Yossi, M.J., D. Kioussi and A. Tatsi (eds) (2004) ''Thelxis. Fifteen Essays on Sappho''. Athens: Smili Editions. Articles by B. Gentili, C. Calame, J. McIntosh Snyder, J. J. Winkler, E. Greene, A. Lardinois, P. A. Rosenmeyer. I. Le. Pfeijffer, K. Stanley, Ch. Segal, W. Stehle Stigers. J. Svenbro, E. Robbins, R. Palmisciano, Anne Carson translated into modern Greek with an Introduction by the Editors. (an En Kyklo publication)
  
* Price, S. D. (1990) ‘Ancreontic vases reconsidered’, ''GRBS'' 31: 133–75.
+
* Yossi, Mary J. (Μ.Ι. Γιόση)  (2008)  'Τεθνάκην δ’ἀδόλως θέλω. Αποσπάσματα ερωτικού (;) λόγου. Σαπφώ απ..94 V.' ['tethnaken d’ adolos thelo (Sappho Fr. 94 V.): Fragments of erotic (?) discourse'], in:  ''Proceedings of the XII International Symposium on Sappho (Leukada, July 25-28, 2007)'', 25-34.
  
* Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in ''Oinēra teuchē: studi triestini di poesia conviviale'', ed. K. Fabian et al. Alessandria: 57–71.
+
* Zellner, H.M. (2006) 'Sappho's proof that death is an evil', ''GRBS'' 46: 333-337.
  
* Ridgway, B. S. (1998) ‘An issue of methodology: Anakreon, Perikles, Xanthippos’, ''AJA'' 102: 717–38.
+
* Zonana, J. (1990) ‘Swinburne’s Sappho: The Muse as sister-goddess’, ''Victorian Poetry'' 28: 39–50.
  
* Rosenmeyer, P. A. (1992) ''The Poetics of Imitation: Anacreon and the Anacreontic Tradition''. Cambridge.
+
=== Alcaeus ===
 +
* Andrisano, A. (2001) ‘Iambic motifs in Alcaeus' lyrics’, in ''Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire'', eds. A. Cavarzere et al. Lanham, Md., and Oxford: 41-64.
  
* Rosenmeyer, P. A. (2002) ‘The Greek Anacreontics and sixteenth-century French lyric poetry’, in ''The Classical Heritage in France'', ed. G. Sandy. Leiden: 393–424.
+
* Bachvarova, M.R. (2007) 'Oath and allusion in Alcaeus fr. 129' in ''Horkos. The Oath in Greek Society'', eds. Alan H. Sommerstein, Judith Fletcher. Exeter: 179-188. Reviewed by Kellogg, Danielle L. (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-08-55.html ''BMCR'' 2008.08.55].
  
* Roth, M. (2000) ‘“Anacreon” and drink poetry; or, the art of feeling very very good’, ''Texas Studies in Literature and Language'', 42: 314–45.
+
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
  
* Slings, S.R. (1978) 'Anacreon's two meadows', ''Zeitschrift für Papyrologie und Epigraphik'' 30: 38.  
+
* Buè, F. (2016), 'The λεπάς in Alcaeus. A Study on fr. 359 Voigt', GRMS, 4, 2016, pp. 14-37.
  
* Slings, S.R. (1998) 'Hoge en lage lyriek in de zesde eeuw: II Anakreon', ''Hermeneus'' 70: 247-253. In Dutch.
+
* Caciagli, S. (2009) 'Lupi e codardi nell’Heraion di Lesbo', ''ZPE'' 171: 216-220.
  
* Steinrück, M. (1995) 'Lautechos bei Anacreon', in ''Lo spettacolo delle voci'', eds. F. De Martino A.H. Sommerstein. Bari: 173-192.
+
* Caciagli, S. (2009) 'Un serment violé chez Alcée', ''REG'' 122.1: 185-200.
  
* Vetta, M. (1998) ‘Anacreonte e i cospiratori di Samo (fr. 21 G.)’, ''RCCM'' 40: 321–7.
+
* Cairns, F. (1983). ‘Alcaeus’ Hymn to Hermes, P. Oxy 2734 Fr. 1 and Horace Odes 1,10’, Quaderni Urbinati di Cultura Classica 42: 29-35.
  
* Vox, O. (1990) ''Studi Anacreontei''. Bari.
+
* Cannatà Fera, M. (2012) 'Sisifo in Alceo' in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 29-43.
  
* Williamson, M. (1998) ‘Eros the blacksmith: performing masculinity in Anakreon’s love lyrics’, in ''Thinking Men: Masculinity and its Self-Representation in the Classical Tradition'', ed. L. Foxhall and J. Salmon. London: 71–82.
+
* Cazzato, V. (2016) '‘Symposia en plein air in Alcaeus and others’, in ''The Cup of Song. Essays on Poetry and the Symposion'', eds. V. Cazzato, D. Obbink, E. Prodi, Oxford.
  
* Yatromanolakis, Dimitrios  (2007) ''Sappho In The Making: The Early Reception''. Cambridge, MA.
+
* Gagné, R. (2009) 'Atreid Ancestors in Alkaios', ''Journal of Hellenic Studies'' 129: 39-43.
  
=== Simonides ===
+
* Hutchinson, G.O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
* Aloni, A. (2001) ‘The proem of Simonides’ Plataea Elegy and the circumstances of its Performance’, in ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 86-105.
 
  
* Aloni, A. (2006) ‘A proposito di Simon. fr. 22 W2 e Ael. Aristid. 31,2 K.’, ''Eikasmos'' 17: 69-73.
+
* Kurke, L. (1994) 'Crisis and Decorum in Sixth–Century Lesbos: Reading Alkaios Otherwise', ''Quaderni Urbinati di cultura classica'', n.s. 47: 67-92.
  
* Andreoli, Francesca (2005) ''Per un riesame critico del 'nuovo Simonide' elegiaco''. Parma. [https://dspace-unipr.cilea.it/bitstream/1889/406/7/simonide.pdf PDF].
+
* Lelli, E. (2006) ''Volpe e leone. Il proverbio nella poesia greca (Alceo, Cratino, Callimaco). Filologia e critica, 93''. Roma: Edizioni dell'Ateneo. [http://catdir.loc.gov/catdir/toc/casalini05/06544053.pdf Table of Contents]. Reviewed by Massimiliano Ornaghi, [http://ccat.sas.upenn.edu/bmcr/2008/2008-01-39.html BMCR 2008.01.39].
  
* Barchiesi, A. (1996) ‘Poetry, praise, and patronage: Simonides in the fourth book of Horace’s Odes’, ''ClAnt'' 15: 5-47.
+
* Lelli, E. (2010) 'La pragmatica proverbiale di Alceo' in ''ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.)'' ed. E. Lelli. Pisa/Roma: 53-60.  
  
* Barrigón, Maria Carmen (2002) 'La expresión del sentimiento amoroso en Simónides', ''Humanitas'' 54: 9-33.
+
* Lentini, G. (2002) 'I simposi del tiranno: Sui frr. 70–72 V. di Alceo' in ''ZPE'' 139: 3–18.
  
* Bartol, Krystyna (1993) ''Greek Elegy and Iambus: Studies in Ancient Literary Sources''. Uniwersytet im. Adama Mickiewicza w Poznaniu.
+
* Liberman, G. (1999) ''Alcée: Fragments''. (2 vols.). Paris.
  
* Bartol, Krystyna (1998) 'Schnee beim Gelage zu Simonides, ''Eleg''. 25 W.2', ''Eos'' 85: 185-188.
+
* Nagy, Gregory (1993) ‘Alcaeus in sacred space’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 221–5.
  
* Bartol, Krystyna (1999) 'Between Loyalty and Treachery. P. Oxy. 2327 fr. 1+ 2(a) col. I = Simonides 21 West2 - Some Reconsiderations', ''ZPE'' 126: 26-28.
+
* Neri, Camillo (1996) 'Poeti, filologi e patelle (Alcae. fr. 359 V., Dicaearch. fr. 99 Wehrli, Ar. Byz. fr. 367 Sl.)', ''Eikasmós'' 7: 25-55.
  
* Bell, J. M. (1978) ‘Κίμβιξ καὶ σοφός: Simonides in the anecdotal tradition’, ''QUCC'' 28: 29–86.
+
* Pardini, A. (1991) ‘La ripartizione in libri dell’opera di Alceo: Per un esame della questione’, ''RFIC'' 119: 257–84.
  
* Bernsdorff, H. (1996) 'Zu Simonides Fr. 22 West2', ''ZPE'' 114: 24-26.
+
* Porro, A. (1990) ‘La fortuna di Alceo: tradizione e studio della poesia alcaica fino al II sec.d.C.’, Aevum(ant) 3: 75–98.
  
* Boedeker, Deborah (1995) 'Simonides on Plataea: Narrative Elegy, Mythodic History' ''ZPE'' 107: 217-229.
+
* Porro, A. (1994) ''Vetera Alcaica: L’esegesi di Alceo dagli Alessandrini all’età imperiale''. Milan.
  
* Boedeker, Deborah (1998) 'The New Simonides and Heroization at Plataia' in ''Archaic Greece: New Approaches and New Evidence'', eds. Nick Fisher and Hans van Wees. Cardiff and London: 231-249.  
+
* Porro, A. (1995) ‘Alceo e le metafore dei giochi simposiali’, in ''Studia classica Iohanni Tarditi oblata'', ed. L. Belloni et al., vol. I. Milan: 357–68.
  
* Boedeker, Deborah and David Sider (eds.) (2001) ''The New Simonides: Contexts of Praise and Desire''. Oxford.  
+
* Porro, A. (2004) ‘Alcaeus’, in ''Commentaria et lexica Graeca in papyris reperta, pars I, vol. 1, fasc. 1: Aeschines-Alcaeus'', ed. G. Bastianini et al. Munich and Leipzig: 75–246.
** Contents: '''Part I''' Fragments 1-22 W² : text, apparatus criticus, and translation - David Sider '''Part II''' 1. The new Simonides : toward a commentary - Ian Rutherford 2. "These fragments we have shored against our ruin" - Peter Parsons 3. The genre of Plataea : generic unity in the new Simonides - Dirk Obbink 4. The proem of Simonides' Plataea elegy and the circumstances of its performance - Antonio Aloni 5. A bard of the Iron Age and his auxiliary muse - Eva Stehle 6. Heroic historiography : Simonides and Herodotus on Plataea - Deborah Boedeker 7. Epic and epiphanies : Herodotus and the "new Simonides" - Simon Hornblower 8. Paths to heroization at Plataea - Deborah Boedeker 9. Lords of Hellas, old men of the sea : the occasion of Simonides' elegy on Plataea - P.-J. Shaw 10. The new Simonides and Homer's Hemitheoi - Jenny Strauss Clay 11. Utopian and erotic fusion in a new elegy by Simonides - Sarah Mace 12. To sing or to mourn? A reappraisal of Simonides 22 W² - Dimitrios Yatromanolakis 13. "New Simonides" or old Semonides? Second thoughts on POxy 3965 fr. 26 - Thomas K. Hubbard 14. Heroes, descendants of Hemitheoi : the proemium of Theocritus and Simonides 11 W² - Marco Fantuzzi 15. The poet unleaved : Simonides and Callimachus - Richard Hunter 16. Simonides and Horace on the death of Achilles - Alessandro Barchiesi 17. Simonides and Horace - Stephen Harrison 18. "As is the generation of leaves" in Homer, Simonides, Horace, and Stobaeus - David Sider
 
  
* Bravi, Luigi (2006) ''Gli epigrammi di Simonide e le vie della tradizione. Filologia e critica'' 94. Roma: Edizioni dell'Ateneo. Reviewed by Sider, David (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-02-47.html ''BMCR'' 2008.02.47].
+
* Segal, C. P. (1998) ‘Beauty, desire, and absence: Helen in Sappho, Alcaeus, and Ibycus’, in ''Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna''. Lanham,Md.: 63–83.
  
* Bremer, Jan Maarten (1991) 'Poets and their patrons', in ''Fragmenta Dramatica'', eds. A. Harder and H. Hofmann. Göttingen: 39-60. In this paper a substantial section on Simonides and Pindar.
+
* Yatromanolakis, D. (2008) 'Genre Categories and Interdiscursivity in Alkaios and Archaic Greece', ''Synkrise/Comparaison'' 19: 169-187.
  
* Brillante, C. (2000) 'Simonide, fr. Eleg. 22 West2', ''QUCC'' 64: 29-38.
+
=== Incertum utrius auctoris fragmenta ===
  
* Campbell, D. A. (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others''. Cambridge, Mass. and London.
+
=== Alcman ===
 +
Cf. The [http://alkman.georgehinge.com/bibliographie.html Alcman bibliography] that is maintained by George Hinge. This website forms part of a project on the dialect of Alcman (in German with a summary in English and Danish).
  
* Capra, A. (2001) ‘“Addio, Achille”, o il commiato dell’epos (Simon. fr. 11,13–21 W.2)’, ''Eikasmos 12'': 43–54.
+
* Athanassaki, L. (2009) ''ἀείδετο πὰν τέμενος. Οι χορικές παραστάσεις και το κοινό τους στην αρχαϊκή και πρώϊμη κλασική περίοδο''. Herakleion. Study of choral performance contexts especially in Alcman, Pindar, and Bacchylides. [http://www.cup.gr/ViewShopProduct.aspx?ProductId=279696&LangId=1 More information].
  
* Capra, A. (2004) ‘Simonide e le corone di Omero’, in: '' Momenti della ricezione omerica: Poesia arcaica e teatro, ed. G. Zanetto et al. (Quaderni di Acme 67).'' Milan: 101–26.
+
* Bagordo, A. (1998) 'Zu Alkman, Fr. 17 Davies', ''Hermes'' 126: 259–-68.
  
* Demos, M. (1999) ''Lyric Quotation in Plato''. Lanham, Md.
+
* Bierl, Anton (2007) 'L'uso intertestuale di Alcmane nel finale della Lisistrata di Aristofane. Coro e rito nel contesto performativo' in ''Dalla lirica corale alla poesia drammatica. Forme e funzioni del canto corale nella tragedia e nella commedia greca'', eds. F. Perusino and M. Colantonio. Pisa: 259–290. With a comparison between Alcman and the last songs in Ar. ''Lysistrata''.
  
* Flower, M. A. (2000) ‘From Simonides to Isocrates: the fifth-century origins of fourth century panhellenism’, ''ClAnt'' 19: 65–101.
+
* Bierl, Anton (2011), ‘Alcman at the End of Aristophanes' Lysistrata: Ritual Interchorality", in: L. Athanassaki, E. Bowie (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'' (Trends in Classics, Supp. 10), Berlin/New York: 415–436.
  
* Hornblower, S. (2001) 'Epic and Epiphanies: Herodotus and the New Simonides', in ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 135-47.
+
* Bowie, Ewen (2011), 'Alcman's First Partheneion and what the Sirens sang', in: L. Athanassaki, E. Bowie (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'' (Trends in Classics, Supp. 10), Berlin/New York, 33-66.
  
* Hunter, R. (1993) 'One Party or Two?: Simonides 22 West2', ''ZPE'' 99: 11-14 (= in (2001) ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 242-254).
+
* Buè,F. (2015), 'La musica degli uccelli e la parola del divino: Alcmane e Messiaen', RCCM, 2, pp. 365-383.
  
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
+
* Buè,F. (2018), 'The Voice of Doves', RCCM, 1, pp. 25-45.
  
* Kowerski, L. M. (2005) ''Simonides on the Persian Wars: A Study of the Elegiac Verses of the ‘New Simonides’''. New York and London.
+
* Caciagli, Stefano (2009) 'Un contesto per Alcm. PMGF 1', ''Eikasmos'' 20: 19-46.
  
* Mace, S.  (2001) ‘Utopian and erotic fusion in a new elegy by Simonides (22 West2)’, in ''The New Simonides: Contexts of Praise and Desire'', ed. D. Boedeker and D. Sider. New York and Oxford: 185–207.
+
* Calame, Claude (1983) ''Alcman. Texte critique, témoignages, traduction et commentaire''. Roma.
  
* Mayer, Péter (2007) 'Überlegungen zum Vortragskontext und zur Aussage der 'Plataia-Elegie' des Simonides (frr. 10-18 W2)', ''Hermes'' 135: 373-388.
+
* Carey, Chris (2011), 'Alcman: From Laconia to Alexandria', in: . Athanassaki, E. Bowie (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination'' (Trends in Classics, Supp. 10), Berlin/New York: 437-61.
  
* Molyneux, J.H. (1992) ''Simonides: A Historical Study''. Wauconda.
+
* Clark, Christina A. (1996) ‘The Gendering of the Body in Alcman’s ''Partheneion'' 1: Narrative, Sex, and Social Order in Archaic Sparta’, ''Helios'' 23: 143-172.
  
* Most, G. W. (1994) ‘Simonides’ ode to Scopas in contexts’, in ''Modern Critical Theory and Classical Literature'', ed. I. J. F. de Jong and J. P. Sullivan. Leiden: 127–52.
+
* Felson, N. (ed.) (2004) ‘The poetics of deixis in Alcman, Pindar and other lyric’, ''Arethusa'' 37.3: 253–468.
  
* Obbink, Dirk (1996) 'The Hymnic structure of the New Simonides', ''Arethusa'' 29: 193-204.
+
* Ferrari, Gloria (2008) ''Alcman and the Cosmos of Sparta''. Chicago and London. Reviewed by A. J. Podlecki [http://bmcr.brynmawr.edu/2009/2009-10-59.html ''BMCR'' 2009.10.59].
  
* Obbink, Dirk (2001) 'The Genre of Plataea. Generic Unity in the New Simonides', in ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. New York and Oxford: 65-85.
+
* Hinge, George (2006) ''Die Sprache Alkmans: Textgeschichte und Sprachgeschichte''. Wiesbaden: Dr. Ludwig Reichert Verlag. ''Serta Graeca'' 24. Cf. his website [http://alkman.georgehinge.com/index.html Die Sprache Alkmans].
  
* O’ Hara, J. (1998) 'Venus or the Muse as 'ally' (Lucr. 1.24, Simon. frag. Eleg. 11.20-22 W)', ''CP'' 93: 69-74.
+
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
* Parsons, P. J. (1992) ‘3965: Simonides, Elegies’, in ''Oxyrhynchus Papyri'' 59: 4–50.
+
* Lillo, A. (1995) ‘El hapax κλεεννά y la lengua poética de Alcmán’, ''Emerita'' 63: 21–45.
  
* Petrovic, Andrej (2002) 'Der simonideische makros logos und die sophokleische ''Antigone''. Zur Identifizierung einer alten dramatischen Gestaltungsweise', ''Phaos Revista de Estudos Classicos'' 2: 121-131.
+
* Patterson, Lee E. (2005) 'Alcman’s Partheneion and Eliade’s Sacred Time', ''Classical and Modern Literature'' 25.1: 115-27.
  
* Petrovic, Andrej (2007) ''Kommentar zu den simonideischen Versinschriften''. Leiden-Boston: Brill.
+
* Peponi, Anastasia-Erasmia (2004) 'Initiating the Viewer: Deixis and Visual Perception in Alcman’s Lyric Drama', ''Arethusa''  37.3: 295-316.
  
* Poltera, O. (1997) ''Le langage de Simonide. Étude sur la tradition poétique et son renouvellement''. Bern.
+
* Peponi, Anastasia-Erasmia (2007) 'Sparta’s Prima Ballerina: ''Choreia'' in Alcman's Second ''Partheneion'' (3 ''PMGF'')', ''Classical Quarterly'' 57.2: 351-62.
  
* Rawles, Richard (2005) 'Simonides and a new papyrus in Princeton', ''ZPE'' 153: 59-67. This article is an edition of P. Princeton inv. AM87-59A with comment. The papyrus contains a Simonides testimonium.
+
* Peron, Jacques (1987) ‘Demi-chœurs chez Alcman, Parth. I, v. 39-59’, ''Grazer Beiträge'' 14: 35-53.
  
* Rawles, Richard (2008) 'Simonides and Theocritus 4: intertextual readings', ''MD'' 59: 9-34.
+
* Priestley, J.M. (2007) 'The φαρος of Alcman's ''Partheneion'' 1', ''Mnemosyne'' 60.2: 175-95.
  
* Rawles, Richard (2008) 'Simonides fr.11.14 W: "Close-fighting Danaans"', ''Mnemosyne'' 61.3: 459-66.
+
* Poltera, O. (1997) ''Le langage de Simonide: Etude sur la tradition poétique et son renouvellement''. (Sapheneia 1). Bern.
  
* Robbins, Emmet (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. D. E. Gerber. Leiden: 223–42.
+
* Puelma, M. (1995) ‘Die Selbstbeschreibung des Chores in Alkmans großem Partheneion-Fragment (fr. 1 P. = 23 B., 1 D. V. 36–105)’, in M. Puelma, Labor et lima: Kleine Schriften und Nachträge, ed. I. Fasel. Basel: 51–110. [Originally published in MH 34 (1977): 1–55.]
  
* Rutherford, Ian (1990) 'Paeans by Simonides', ''HSCP'' 93: 169-209.
+
* Robbins, Emmet (1991) 'Alcman’s Partheneion: Legend and Choral Ceremony', ''CQ'' 44: 7-16.
  
* Rutherford, Ian (1996) 'The New Simonides: towards a commentary', ''Arethusa'' 29: 167-192.
+
* Robbins, Emmet (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. Douglas E. Gerber. Leiden: 223–42.
  
* Schachter, A. (1998) 'Simonides’ Elegy on Plataia: the occasion of its performance', ''ZPE'' 123: 25-30.
+
* Rossi, L. E. (1993) ‘Lirica arcaica e scoli simposiali (Alc. 249,6–9 V. e carm. conv. 891 P.), in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 237–46.
  
* Slings, S.R. (2003) 'De nieuwe Simonides', ''Lampas'' 36: 243-260. In Dutch.
+
* Sassi, M. M. (2005) ‘Poesie und Kosmogonie: Der Fall Alkman’, in ''Frühgriechisches Denken'', ed. G. Rechenauer. Göttingen: 63–80.
  
* Suárez de la Torre, Emilio (1998) 'El adjetivo ἐπώνυμος en la elegía por la batalla de Platea de Simónides (Fr. 11.17 West2)', ''Lexis'' 16: 29-32.
+
* Swift L. (2016) ‘Visual Imagery in Parthenaic Song’, in The Look of Lyric: Greek Song and the Visual, eds V. Cazzato and A. Lardinois. Leiden: 255-97
  
* Wiater, N. (2005) 'Eine poetologische Deutung des σηκός in Simonides Fr. 531 PMG', ''Hermes'' 133/1: 44-55.
+
* Too, Y. L. (1997) ‘Alcman’s Parthenion: the maidens dance the city’, ''QUCC'' 85 (= n.s. 56.2): 7–29.
  
* Yatromanolakis, D. (1998) 'Simonides fr. eleg. 22 W2: To Sing or to Mourn?', ''Zeitschrift fuer Papyrologie und Epigraphik'' 120: 1-11 (reprinted in (2002) ''Greek Literature. Vol. 3. Greek Literature in the Archaic Period: The Emergence of Authorship'', ed. G. Nagy. New York/London).
+
=== Stesichorus ===
 +
* Arrighetti, G. (1995) 'L'arte di Stesicoro nel giudizio degli antichi', in ''Poésie et lyrique antiques: Actes du colloque organisé par C. Meillier à l’Université Charles-de-Gaulle, Lille III, 2-4 juin 1993'', ed. L. Dubois. Lille: 55-72.
  
* Yatromanolakis, D. (2001) 'To Sing or to Mourn?: A Reappraisal of Simonides 22 W2', in ''The New Simonides: Contexts of Praise and Desire'', eds. D. Boedeker and D. Sider. Oxford/New York: 208-225.
+
* Barker, Andrew (2001) 'La musica di Stesicoro', ''Quaderni Urbinati di Cultura Classica'' 67.1: 7-20.
  
=== Pindar ===
+
* Bassi, K. (1993) ‘Helen and the discourse of denial in Stesichorus’ ''Palinode''’, ''Arethusa'' 26: 51-75.  
Cf. the [http://sites.google.com/site/hellenisticbibliography/pre-hellenistic/pindar  bibliography on Pindar] made by Martine Cuypers that forms part of a [http://sites.google.com/site/hellenisticbibliography/ Hellenistic Bibliography].
 
  
* Agocs, Peter (2009) 'Memory and Forgetting in Pindar's Seventh Isthmian' in ''Strategies of Remembrance from Pindar to Hölderlin'', ed. Lucie Dolezalova. Cambridge Scholars' Press: Newcastle: 33-91.
+
* Beecroft, A.J. (2006) ‘“This is not a true story”: Stesichorus’s ''Palinode'' and the revenge of the epichoric’, ''TAPhA'' 136: 47-69.
  
* Anzai, Makoto (1990) ‘The first person in the epinicion’, ''JCS'' 38: 16-29.
+
* Blaise, Fabienne (1995) ‘Les deux (?) Hélène de Stésichore’, in ''Poésie et lyrique antique'', ed. L. Dubois, Lille: 29-40. Full text: [[Media:Blaise1995Stesichorus.pdf]].
  
* Anzai, Makoto (1994) ‘First-person forms in Pindar: a re-examination’, ''BICS'' 39: 141-150. This contribution to the meaning of ‘I’ in epinician poetry contains an interpretation of Pindar’s ''Isthmian Eight'', lines 1-18 and an examination of parodoi in tragedy in order to provide indirect confirmation of the theory that an epinican chorus came marching to the place of performance.
+
* Bremer, J.M., A.M. van Erp Taalman Kip and S.R. Slings (1987) ''Some recently found Greek poems: Text and Commentary''. Leiden. ''Mnemosyne Supplement'' 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
  
* Anzai, Makoto (1999) ‘A chorus who performs a poet: Pindar's ''Third Nemean ode'', 1-12’, ''Mediterraneus'' 22: 19-42.
+
* Campbell, D. A. (1991) ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others''. Cambridge, Mass. and London.
  
* Athanassaki, L. (1990) ''Mantic Vision and Diction in Pindar’s Victory Odes''. PhD thesis. Brown University.
+
* Carruesco, J. (2012) 'Helen’s Voice and Choral Mimesis from Homer to Stesichorus' in ''Approaches to Greek Poetry'' eds. X. Riu & J. Pòrtulas. Messina: 149-172.
  
* Athanassaki, L. (1997) 'Οι κυρηναϊκοί θρύλοι στην μυθοποιητική πρόταση του McLaugΠινδάρου' in ''Acta of the First Panhellenic and International Conference on Ancient Greek Literature'', ed. J.-Th. Papademetriou. Athens: 199-233. With an extensive English summary.
+
* Cingano, E. (1990) ‘L’Opera di Ibico e di Stesicoro nella classificazione degli antichi e dei moderni’, in ''Lirica Greca e Latina. Atti del Convegno di studi Polacco-Italiano, Poznan 2–5 maggio 1990, (AION 12)'': 189–224.
  
* Athanassaki, L. (2003) 'Transformations of Colonial Disruption into Narrative Continuity in Pindar’s Epinician Odes', ''HSCP'' 101: 93-128.
+
* Cingano, E. (1993) ‘Indizi di esecuzione corale in Stesicoro’, in ''Tradizione e innovazione nella cultura greca da Omero all’età ellenistica'', ed. R. Pretagostini, vol. I. Rome: 347–61.
  
* Athanassaki, L. (2003) 'A Divine Audience for the Celebration of Asopichus' Victory in Pindar's ''Fourteenth Olympian Ode'' ' in ''Gestures. Essays in Ancient History, Literature and Philosophy Presented to Alan L. Boegehold on the Occasion of His Retirement and His Seventy-Fifth Birthday'', eds. G. W. Bakewell and J. P. Sickinger. Oxford: 3-15.
+
* D'Alessio, G. B. (2013). THE WANDERINGS OF THE THESTORIDS:(STESICHORUS FR. 193.16-22 PMGF). Zeitschrift für Papyrologie und Epigraphik, 186, 36-37.
  
* Athanassaki, L. (2004) 'Deixis, Performance, and Poetics in Pindar's ''First Olympian Ode'' ' in ''Deixis in Choral Lyric'', ed. Nancy Felson. ''Arethusa'': 317-341.
+
* D’Alfonso, F. (1994) ''Stesicoro e la performance: Studio sulle modalità esecutive dei carmi stesicorei''. Rome.
  
* Athanassaki, L. (2009) ‘Apollo and his Oracle in Pindar’s Epinicians: Poetic Representations, Politics, and Ideology’ in ''Apolline Politics and Poetics'', L. Athanassaki, R.P. Martin, and J.F. Miller (eds.). Athens: 405-72.
+
* Demos, M. (1999) ''Lyric Quotation in Plato''. Lanham, Md. [Simonides, Pindar, Stesichorus]
  
* Athanassaki, L. (2009) '“Deixis, Narratology, and the Performance of Choral Lyric: On Pindar’'s ''First Pythian Ode'' ',” in ''Narratology and Interpretation. The Content of the Form of the Ancient Texts'', J. Gretlein-A. Rengakos (eds.). Berlin. 241-73.
+
* Finglass, P. J., & Kelly, A. (Eds.). (2015). ''Stesichorus in Context''. Cambridge.
  
* Athanassaki, L. (2009) ''ἀείδετο πὰν τέμενος. Οι χορικές παραστάσεις και το κοινό τους στην αρχαϊκή και πρώϊμη κλασική περίοδο''. Herakleion. Study of choral performance contexts especially in Alcman, Pindar, and Bacchylides.  [http://www.cup.gr/ViewShopProduct.aspx?ProductId=279696&LangId=1 More information]. Reviewed by Katerina Ladianou [http://bmcr.brynmawr.edu/2010/2010-09-21.html BMCR 2010.09.21].
+
* Hutchinson, G. O. (2001) ''Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides'' Oxford.
  
* Athanassaki, L. (2010) 'Giving Wings to the Aeginetan Sculptures: The Panhellenic Aspirations of Pindar's ''Olympian Eight'' ' in ''Aegina: Contexts For Choral Lyric Poetry'', ed. D. Fearn. Oxford. 257-93. [http://www.amazon.com/gp/reader/0199546517/ref=sib_dp_bod_toc?ie=UTF8&p=S008#reader-link Table of Contents]
+
* Irvine, J. A. D. (1997) ‘Keres in Stesichorus’ Geryoneis: P. Oxy. 2617 fr. 1 (A)–(B) = SLG 21 Reconsidered’, ''ZPE'' 115: 37–46.
  
* Athanassaki, L. (2011) 'Song, politics, and cultural memory: Pindar's Pythian 7 and the Alcmaeonid temple of Apollo' in: Athanassaki, Lucia & Bowie, Ewen (2011) (ed.), ''Archaic and Classical Choral Song. Performance, Politics and Dissemination.'' Berlin/New York: 235-68.  
+
* Lazzeri, Massimo (2008) ''Studi sulla Gerioneide di Stesicoro''. Quaderni del Dipartimento di scienze dell'antichità / Università degli studi di Salerno 35. Napoli: Arte tipografica.
  
* Bagordo, A. (2003) 'L'omaggio letterario di un ateniese a un tebano (Aesch. ''Sept''. 774; Pind. fr. [dith.] 75.3 ss. Sn.-M.)' in ''RHYSMOS. Studi di poesia, metrica e musica greca offerti dagli allievi a Luigi Enrico Rossi per i suoi settant' anni'', ed. R. Nicolai. Roma: 205-9.
+
* Massimilla, G. (1995) ‘L’influsso di Stesicoro sulla poesia ellenistica’, in ''Poésie et lyrique antiques: Actes du colloque organisé par C. Meillier à l’Université Charles-de-Gaulle'', Lille III, 2–4 juin 1993, ed. L. Dubois. Lille: 41–53.
  
* Barker, Andrew (2003) 'Lullaby for an eagle (Pindar, ''Pythian'' 1)', in ''Sleep'', T. Wiedemann and K. Dowden (eds.). Nottingham Classical Literature Studies vol. 8. Bari: 107-124.
+
* Müller-Goldingen, C. (2000) ‘Tradition und Innovation: Zu Stesichoros’ Umgang mit dem Mythos’, ''AC'' 69: 1–19.
  
* Berge, Lukas van den (2007) 'Mythical chronology in the Odes of Pindar: The cases of ''Pythian'' 10 and ''Olympian'' 3' in ''The Language of Literature. Linguistic Approaches to Classical Texts'', eds.  Rutger J. Allan and Michel Buijs. Leiden: Brill. ''Amsterdam Studies in Classical Philology'' 13: 29-41. Reviewed by Kölligan, Daniel (2008) [http://ccat.sas.upenn.edu/bmcr/2008/2008-07-01.html ''BMCR'' 2008.07.01].
+
* Neri, Camillo (2008) 'Trattativa contro il fato (Stesich. PMGF 222b,176-231)', ''Eikasmós'' 19: 11-44.
  
* Boeke, Hanna (2007) ''The Value of Victory in Pindar's Odes. Gnomai, Cosmology and the Role of the Poet''. Leiden and Boston.''Mnemosyne Supplementa'' 285. [http://lccn.loc.gov/2007046054 Table of Contents]. Reviewed by Xanthou, Maria G. [http://ccat.sas.upenn.edu/bmcr/2008/2008-11-23.html ''BMCR'' 2008.11.23].
+
* Noussia-Fantuzzi, M. (2013). 'A Scenario for the Portrayal of the Monster Geryon in Stesichorus’Geryoneis', Trends in Classics 5.2: 234-59.
  
* Bona, G. (1995) 'Pindaro tra poeti e filologi alessandrini', in ''Atti del Congresso ‘Poeti e Filologi, Filologi-Poeti’. Composizione e studio della poesia epica e lirica nel mondo greco e romano, Brescia, Università Cattolica, 26-27 aprile 1995'', eds. A. Porro and G. Milanese, ''Aevum(ant)'' 8: 87-103.
+
* Noussia-Fantuzzi, M. (2015) 'The Epic Cycle, Stesichorus, and Ibycus’ in: The Greek Epic Cycle and its ncient Reception: a companion, eds. M. Fantuzzi and C. Tsagalis. Cambridge: 430-49.
  
* Bonifazi, Anna (2000) 'Sull’ idea di sotterfugio orale negli epinici pindarici', ''Quaderni Urbinati di Cultura Classica'' 95: 69-86.
+
* Robbins, Emmet (1997) ‘Public poetry’, in ''A Companion to the Greek Lyric Poets'', ed. D. E. Gerber. Leiden: 223–42.
  
* Bonifazi, Anna (2001) ''Mescolare un cratere di canti. Pragmatica della poesia epinicia in Pindaro''. Alessandria.
+
* Schade, G. (2003) ''Stesichoros: Papyrus Oxyrhynchus 2359, 3876, 2619, 2803''. (Mnemosyne suppl. 237). Leiden and Boston.
  
* Bonifazi, Anna (2004a) 'Communication in Pindar’s Deictic Acts', ''Arethusa'' 37: 391-414.
+
* Slings, S.R. (1998) 'Hoge en lage lyriek in de zesde eeuw. I: Stesichoros', ''Hermeneus'' 70:188-195. In Dutch.
  
* Bonifazi, Anna (2004b) 'κεῖνος in Pindar: Between Grammar and Poetic Intention', ''Classical Philology'' 99: 283-99.
+
* Suárez de la Torre, Emilio (2007) 'Helena, de la épica a la lírica griega arcaica (Safo, Alceo, Estesícoro)' in AA.VV., ''O mito de Helena de Tróia à actualidade''. Coimbra. vol. I: 55-79.
  
* Bonifazi, Anna (2004c) 'Relative Pronouns and Memory: Pindar Beyond Syntax', ''Harvard Studies in Classical Philology'' 102: 41-68.
+
* Swift, L. (2016) ‘Stesichorus on Stage’, in Stesichorus in Context, eds P. J. Finglass and A. Kelly. Cambridge: 125-44.
  
* Braswell, B. K. (1998). ''A Commentary on Pindar Nemean Nine. (Texte und Kommentare'' 19). Berlin and New York.
+
=== Ibycus ===
 +
* Bonanno, M. G. (2004) ‘Come guarire dal complesso epico: L’Ode a Policrate di Ibico’, in ''Samo. Storia, letteratura, scienza: Atti delle giornate di studio'', Ravenna, 14–16 novembre 2002, ed. E. Cavallini. Pisa and Rome: 67–96.
  
* Bremer, Jan Maarten (1990) 'Pindar's paradoxical ego and a recent controversy about the performance of his epinicians', in ''The Poet's I in Archaic Greek Poetry'', ed. S.R. Slings. Amsterdam: 41-58.
+
* Cazzato, V. (2013) ‘Worlds of erôs in Ibycus fr. 286 PMGF’, in ''Eros in Ancient Greece'', edited by E. Sanders, C. Thumiger, C. Carey, and N. Lowe, Oxford.
  
* Bremer, Jan Maarten (1991) 'Poets and their patrons', in ''Fragmenta Dramatica'', eds. A. Harder and H. Hofmann. Göttingen: 39-60. In this paper a substantial section on Simonides and Pindar.
+
* Cairns, F. (2017). ‘Beauty, Fame and Politics in Ibycus S151 PMGF’, Prometheus. Rivista di studi classici 43: 43-55.
  
* Briand, Michel (1996) 'Quand Pindare dit qu'